For 2007:

LIGHT MUSIC CDs – DECEMBER

Light Music For All Seasons

1 April In Paris (Vernon Duke, arr. Michel Legrand)
MICHEL LEGRAND AND HIS ORCHESTRA
2 I’ll Remember April (Don Raye, Gene de Paul, Pat Johnston)
GORDON JENKINS AND HIS ORCHESTRA
3 Tulips In Springtime (Rebekah Harkness, Tom Glazer)
ALFONSO D’ARTEGA AND HIS ORCHESTRA
4 Springtime (Walter Collins)
LONDON PROMENADE ORCHESTRA Conducted by WALTER COLLINS
5 Spring It Was (John Bradford, Tony Romano)
SIDNEY TORCH AND HIS ORCHESTRA
6 Spring Flowers (Charles Williams)
QUEEN’S HALL LIGHT ORCHESTRA Conducted by CHARLES WILLIAMS
7 One Morning In May (Victor Schertzinger, arr. Robert Farnon)
ROBERT FARNON AND HIS ORCHESTRA
8 June Bride (Charles Kenbury, real name Dennis Berry)
DOLF VAN DER LINDEN AND HIS METROPOLE ORCHESTRA
9 Heat Wave (Irving Berlin)
KINGSWAY PROMENADE ORCHESTRA Conducted by STANLEY BLACK
10 Summer Afternoon – Idyll (Eric Coates)
ERIC COATES and SYMPHONY ORCHESTRA
11 Midsummer Gladness (Cecil Milner)
SYMPHONIA ORCHESTRA Conducted by LUDO PHILIPP
12 Summertime In Venice (from the film "Summer Madness") (Icini)
RON GOODWIN AND HIS CONCERT ORCHESTRA
13 Indian Summer (Victor Herbert, arr. George Melachrino)
THE MELACHRINO STRINGS Conducted by GEORGE MELACHRINO
14 Blue September (Peter de Rose, arr. Laurie Johnson)
THE AMBROSE ORCHESTRA Conducted by LAURIE JOHNSON
15 Autumn Leaves (Joseph Kosma)
RICHARD HAYMAN AND HIS ORCHESTRA
16 Autumn Serenade (Peter de Rose)
ROBERTO INGLEZ AND HIS ORCHESTRA
17 Lonely September (Charles Hathaway)
DAVID CARROLL AND HIS ORCHESTRA
18 September Song (Kurt Weill, arr. Richard Jones)
THE PITTSBURGH STRINGS Conducted by RICHARD JONES
19 In A November Garden (Victor Young)
VICTOR YOUNG AND HIS ORCHESTRA
20 Snow Shadow (Len Stevens)
DANISH STATE RADIO ORCHESTRA Conducted by ROBERT FARNON
21 Snowfall (Claude Thornhill)
LEROY HOLMES AND HIS ORCHESTRA
22 Sleigh Ride (Leroy Anderson)
ETHEL SMITH – Organ with orchestral accompaniment
23 Winter (Horace Shepherd)
NEW CONCERT ORCHESTRA Conducted by R. de PORTEN
24 A Christmas Fantasy
THE MELACHRINO ORCHESTRA Conducted by GEORGE MELACHRINO

Guild GLCD 5138

The four seasons provide the inspiration for the talented composers whose works are featured in this collection. We open our selection with a sparkling arrangement of April In Paris conducted by the French musician Michel Jean Legrand (b. 1932 in Paris) taken from his album "I Love Paris" which effectively launched his international career. An accomplished pianist, Michel has scored over 200 films and television shows and recorded over 100 albums ranging from jazz, popular and classical music. He has won numerous awards, and is probably the best-known French musician in the USA, having worked with most of the top singers from Frank Sinatra and Sarah Vaughan to Barbra Streisand and Dame Kiri te Kanawa.

Gordon Jenkins(1910-1984) arranged for many of the top bands in America during the two World Wars, and he soon carved out an impressive career in radio and films. He signed with US Decca in 1945, and eventually became their managing director. Under his guidance the label had several big hits, and his major work Manhattan Tower (first recorded at the end of 1945) brought him considerable critical acclaim – to be followed by similar musical narratives California (1949) and Seven Dreams (1953).

Alfonso D’Artega (b. 1907) arrived in the USA from his native Mexico in 1918. Often merely known by his surname (spellings of his first name vary), he was a conductor, arranger and composer of wide and varied musical experience, and conducted orchestras for radio, television, transcriptions, recordings, concert stage and motion pictures. In 1946 he originated and conducted in Carnegie Hall the Pop Concerts, with the members of the New York Philharmonic. He portrayed the role of Tchaikovsky in the 1947 United Artists production Carnegie Hall, and also conducted the sound track for the film. He has appeared as guest conductor with the Buffalo Symphony, Miami Symphony, Lewisohn Stadium Symphony, and with the Symphony of the Air. In addition to conducting, D'Artega also composed well over 50 popular compositions, both alone and sometimes with others. Perhaps his best known work was In The Blue Of Evening (on which he collaborated with Thomas Montgomery Adair). It was a hit recording for Frank Sinatra with the Tommy Dorsey Orchestra in 1943.

Walter R. Collins is remembered for his days as the distinguished Musical Director of the De La Warr Pavilion in Bexhill-on-Sea, and also for conducting the London Promenade Orchestra for the Paxton Recorded Music Library during the 1940s. Earlier, in 1928, his own orchestra was sufficiently well respected to undertake a tour in Germany, and during his long career he was a prolific composer and arranger.

The contribution from Sidney Torch (1908-1990) Spring Is Here is taken from a rare album called "Music From Across The Sea" for the US label Coral. Those familiar with Torch’s work will find little evidence of his usual style in the orchestration; indeed it is possible that Torch merely fronted the orchestra.

Charles Williams(real name Isaac Cozerbreit: 1893-1978) began his career accompanying silent films, then played violin under the batons of Beecham and Elgar. Right from the start of the ‘talkies’, he provided scores for numerous British films, and his "Dream Of Olwen" is still remembered long after the film in which it appeared – "While I Live". In 1960 his theme for the film "The Apartment" topped the American charts, although in reality the producers had resurrected one of his earlier works "Jealous Lover".

Born in Toronto, Canada, Robert Farnon(1917-2005) possessed the ability to create exceptional arrangements – something recognised by André Previn who said that he was the world’s greatest living writer for strings. In his later career Farnon was in demand to arrange and conduct for major international stars such as Frank Sinatra, Sarah Vaughan, Tony Bennett, Lena Horne and George Shearing.

Dolf van der Linden (real name David Gysbert van der Linden, 1915-1999) was the leading figure on the light music scene in the Netherlands from the 1940s until the1980s. As well as broadcasting frequently with his Metropole Orchestra, he made numerous recordings for the background music libraries of major music publishers.

Stanley Black (1913-2002) had a busy career encompassing numerous broadcasts, films and a recording contract with Decca which resulted in many top selling albums prompting international concert tours. Black received numerous awards, including the OBE in 1985 for his services to music. He was a Life Fellow of the Institute of Arts and Letters, and Life President of the Celebrities Guild of Great Britain.

Eric Coates (1886-1957) was a successful composer of ballads in the early years of the last century, before devoting all his energies to light music. He was particularly adept at writing catchy melodies that appealed as BBC signatures tunes, but he also created many pleasing pastoral cameos such as the Idyll Summer Afternoon.

Cecil Milner (1905-1989) was a respected backroom boy in London music circles, arranging for many top orchestras such as Mantovani, for whom he supplied around 220 scores between 1952 and 1974. He was also an accomplished composer, with his works willingly accepted by background music publishers such as Charles Brull, who issued Midsummer Gladness on one of their mood music 78 discs in 1954. In the cinema he worked on the 1938 film "The Lady Vanishes".

Ron Goodwin(1925-2003) was a brilliant composer, arranger and conductor, whose tuneful music reached the furthest corners of the world. As he gained recognition for his original compositions he became in demand for film scores and among his best-remembered are "633 Squadron", "Those Magnificent Men In Their Flying Machines" and Alfred Hitchcock’s "Frenzy".

Although the record label for Blue September names the Ambrose Orchestra, in truth all the credit has to go to the arranger and conductor Laurie Johnson (b.1927), who has been a leading figure on the British entertainment scene for 50 years. A gifted arranger and composer, Laurie has contributed to films, musical theatre, radio, television and records, with his music used in many well-known productions such as "The Avengers" and "The Professionals".

As well as being a respected arranger and conductor, Richard Hayman (b. 1920) was also a harmonica virtuoso, and he sometimes adapted his scores of popular melodies so that he could perform on his favourite instrument.

Roberto Inglez was actually a Scotsman called Robert Inglis (1919-1974) who specialised in Latin American music. He built up a loyal following through his work in leading London West End clubs and his frequent BBC broadcasts.

David Carroll(b. 1913) was musical director of Mercury Records from 1951 to the early 1960s, during which time he accompanied many of the label’s contract singers as well as making some instrumental recordings of his own. Several of his LPs had a ‘dance’ theme, often including his own compositions, and he employed the cream of Chicago’s session musicians.

Victor Young (1900-1956) appears as both composer and conductor in the delicate tone poem In A November Garden. In the original LP sleeve notes Young says that he developed this from a theme in a Paramount film starring Loretta Young and Alan Ladd (he fails to name the movie but it may have been "And Now Tomorrow" in 1944). Young excelled as a violinist, arranger, film composer, songwriter, conductor and record producer. This wide experience in all forms of music, from his first hit song, Sweet Sue, Just You in 1928 to his tremendous score for "Around the World in 80 Days" in 1956, was exceptional even by Tin Pan Alley and Hollywood standards, all the more so because his international reputation was achieved in such a short lifetime. Like so many of his contemporaries, he found work with various dance bands of the 1920s and 1930s, before eventually ending up in Hollywood, where he discovered the ideal outlet for his melodic gifts.

He didn’t orchestrate everything he wrote for the screen (surely he couldn’t have found the time), but used experienced arranger/composers such as Leo Shuken and Sidney Cutner to fill out his sketches. For a while his fellow orchestra leader in the US Decca stable was Gordon Jenkins, who is reported as having said that Victor was a lovely man and a wonderful composer, "but he always had a bad band - full of relatives and refugees from the old country who needed work". Although born in Chicago, Young had strong ties with his grandparents’ country Poland, where he spent some of his formative years (his widowed father abandoned him as a child) and studied at the Warsaw Conservatory of Music together with his sister Helen.

Leroy Holmes (1913-1986) was fairly active in the recording studios in the USA during the 1950s, often specialising in music from films. He seems to be best remembered for his work as orchestra leader on the "Tonight Show" 1956-57.

Ethel Smith (born Goldsmith, 1910-1996) was a virtuoso on the organ who became an international star following her 1940s recording of Tico Tico. This resulted in appearances in several Hollywood films, and she continued to enjoy a successful career with recordings and public appearances for the next thirty years. Her version of Sleigh Ride is a refreshing change to the familiar orchestral version of the Leroy Anderson (1908-1975) classic, which is available on so many other CDs.

The composer of the sensitive piece Winter deserves a special mention. Horace Shepherd (1892-1960 – also known as Hugh Kairs) was musical director and composer of the score for at least ten British films from the 1930s to 1950s, perhaps the best-known being "Hatter’s Castle" (1942) based on the A.J. Cronin novel. He also seems to have been active in Europe – the 1930 French film "Prix de Beauté" being just one example. He contributed a few titles to production music libraries, and is listed as the director of "Making The Grade" (1947), a short film about actors becoming stars which featured Jessie Matthews.

George Melachrino (1909-1965) was one of the top British conductors of light music, with his records (especially LPs) selling in large numbers around the world. Like many of his contemporaries, he served his musical apprenticeship in British Dance Bands (particularly Carroll Gibbons) before World War 2 found him fronting the British Band of the Allied Expeditionary Forces. One of his earliest orchestral HMV 78s takes us from summer to autumn with Victor Herbert’s Indian Summer, then he provides the seasonal climax with a medley of Christmas airs. The first part is subtitled "Christmas Morn" and concentrates mainly on Jingle Bells, although there are snatches of Christians Awake, First Nowell, Home Sweet Home and Good King Wenceslas. Then the mood changes to "Christmas Night" with sounds of children’s jollity eventually fading as midnight approaches, brilliantly conveyed through Come Landlord Fill The Flowing Bowl, Girls And Boys Come Out To Play, Ring A Ring o’Roses, Mistletoe Bough and Silent Night. The arranger is uncredited and, although William Hill-Bowen (1918-1964) was responsible for many of Melachrino’s scores at this time, comparison with George Melachrino’s similar treatments of traditional airs (notably There Is A Tavern In The Town on Guild GLCD 5118, and Little Brown Jug on GLCD 5129) lends strong support to the assumption that the maestro himself created this delightful "Christmas Fantasy". David Ades

Musical Kaleidoscope – Volume 1

1 Kaleidoscope (Artur Clemens Schreckenberger)
NEW CENTURY ORCHESTRA Conducted by ERICH BÖRSCHEL
2 Double Cross (theme from BBC TV series) (Ernest Maxin, arr. Frank Cordell)
FRANK CORDELL AND HIS ORCHESTRA
3 Ballet Of Madeira (Gregori, Freitas)
JOHNNY DOUGLAS AND HIS ORCHESTRA
4 Dance Of The Spanish Onion (David Rose)
MANTOVANI AND HIS ORCHESTRA
5 Cockney Girl (George Melachrino)
GEORGE MELACHRINO AND HIS ORCHESTRA
6 Fiesta (Paul Stewart, real name Jack Coles)
THE EMBASSY ORCHESTRA Directed by JACK COLES
7 In Happy Mood (Percival Mackey)
WEST END CELEBRITY ORCHESTRA
8 Policeman’s Holiday (Montague Ewing)
NEW LIGHT SYMPHONY ORCHESTRA
9 Pavanne (Morton Gould)
JAY WILBUR’S SERENADERS
10 Plaisir D’Amour (Jean Paul Egide Martini -real name Johann Schwartzendorf- arr. Fred Hartley)
FRED HARTLEY AND HIS MUSIC
11 Roses At Dawning (Le Boy Kahn, Gus Kahn, Neil Moret)
REGINALD KING’S ORCHESTRA
12 Legend (Henry Croudson)
LONDON PROMENADE ORCHESTRA Conducted by WALTER COLLINS
13 Keep Moving (Frederick George Charrosin)
LOUIS VOSS AND HIS ORCHESTRA
14 Sailors’ Holiday (Edgar Martell)
WEST END CELEBRITY ORCHESTRA
15 Blue Devils (Charles Williams, arr. Adolf Lotter)
LONDON PALLADIUM ORCHESTRA Conducted by RICHARD CREAN

Seven Famous BBC Orchestras

16 Oranges And Lemons (Traditional arr. Jack Byfield)
LONDON STUDIO PLAYERS Conducted by MICHAEL KREIN
17 Music for "Rivers Of The North Of England" – Serene & Flowing (Lambert Williamson)
BBC NORTHERN ORCHESTRA Conducted by CHARLES GROVES
18 Dance Of A Whimsical Elf (Haydn Wood)
BBC THEATRE ORCHESTRA Conducted by HAROLD LOWE
19 Manx Dirk Dance (Reeaghyn-dy-vannin) (from "Two Celtic Dances For Orchestra") (Arnold Foster)
BBC SCOTTISH ORCHESTRA Conducted by GUY WARRACK
Open Windows – Suite (Geoffrey Henman, orchestrated by Oliphant Chuckerbutty)
20 Country Air
21 Butterflies
22 Song Of The Sinhalese
23 Dancing Sunlight
BBC REVUE ORCHESTRA Conducted by CHARLES GROVES
24 Music Of The People – England (Traditional arr. Gilbert Vinter)
BBC MIDLAND LIGHT ORCHESTRA Conducted by GILBERT VINTER
25 Here’s To The Good Old Whisky (Traditional, arr. Clive Richardson)
BBC VARIETY ORCHESTRA Conducted by CHARLES SHADWELL
26 Oranges And Lemons (Traditional arr. Spike Hughes)
BBC THEATRE ORCHESTRA Conducted by HAROLD LOWE
27 Legion Patrol (Jack Simpson)
BILLY COTTON AND HIS BAND

Guild GLCD 5139

Putting together collections for Guild Music’s "Golden Age of Light Music" series is usually most pleasurable, but at times it can also be frustrating. The reason is that there are certain pieces of music which, for various reasons, just don’t seem to fit in with the theme of a particular compilation being prepared. Yet they may be high on the list of titles which have an important place in the body of work by a particular composer, and often they have been specially requested by music lovers who have been seeking them for decades: one collector recently thanked Guild for a piece of music last heard over fifty years ago! So this selection is notable for not having a specific theme – except that it is a deliberate attempt to offer a wide variety of styles and ensembles to stimulate the senses and hopefully spring a few surprises along the way. A good number of the tracks are requests, and maybe this CD could be called "Son of Buried Treasures" because it does bear some resemblance to a previous mélange on GLCD 5118 which was so favourably received.

As work on this collection progressed it soon became obvious that a further volume would be needed, if we were to be able to include all the special requests we have received. A second helping is available on Guild GLCD 5140 and, like this one, it commences with a piece called Kaleidoscope. This time the composer is Artur Clemens Schreckenberger (d. 1989) who was also active as an arranger and publisher in Germany. Our researches have revealed little about his career, but thankfully the same cannot be said of Frank Cordell (1918-1980). He was a fine British composer, arranger and conductor whose work first became noticed through the tuneful backings he often supplied to some contract singers on HMV singles in the 1950s. Occasionally he was allowed his own 78s, and he was also responsible for several fine LPs which quickly became collectors’ items. The cinema beckoned with some prestigious projects including "The Captain’s Table" (1959), "Flight From Ashiya" (1964), "Khartoum" (1966), "Mosquito Squadron" (1969), "Ring Of Bright Water" (1969), "Hell Boats" (1970), "Cromwell" (1970) for he was nominated for an Oscar, "Trial By Combat" (1976) and "God Told Me To" (1976). From time to time he contributed to publishers’ production music libraries, and also composed (and conducted) under the name Francis Meillear (or Meilleur). Frank’s track on this CD is the theme for a BBC Television series of the 1950s, composed by Ernest Maxin (b. 1923) who was also the producer of "Double Cross" – a comedy thriller starring Jimmy Jewel, Ben Warriss and Jill Day. During his long career in television he was variously performer, writer and producer (notably "Morecambe and Wise"), and he also conducted a few orchestral recordings under his own name.

Johnny Douglas (1920-2003) was a talented pianist, composer and arranger who recorded over 500 titles for Decca, and received many commissions for radio and television work. In 1958 he was asked to score and conduct "Living Strings Play Music of the Sea" for RCA, which was recorded at the Kingsway Hall, London, with an orchestra of 61 musicians. This began his long association with RCA, New York, and during the next twenty-five years he made 80 albums for RCA alone and received a Gold disc for the RCA album entitled "Feelings". Johnny has to his credit over 100 albums and 36 feature films, the most well-known of the latter being "The Railway Children" for which he received a British Academy Film & TV Arts Nomination.

Mantovani (1905-1980) was, for a time, the most successful British recording orchestra leader, whose LPs sold in their millions world-wide. But before Ronald Binge (1910-1979) created the ‘cascading strings’ effect that would make Italian-born Annunzio Mantovani so popular, he was already making light music recordings of a high standard, and Dance Of The Spanish Onion by the legendary David Rose (1910-1990) is a perfect example. Rather than follow the original score, Mantovani cleverly adapted it to provide a special appeal which still sounds fresh today.

George Miltiades Melachrino (1909-1965) sold millions of LPs around the world, especially in north America, yet his early career found him playing and singing in British dance bands of the 1930s. He was also an accomplished composer, and his contribution to this collection is certainly a rarity. Cockney Girl was actually three short pieces written for the short-lived EMI Mood Music Library in the late 1940s, which the publishers hoped would be used as the theme for a radio series. At that time a number of composers were writing works with the same object in mind, offering an opening, middle theme and final closing music to suit various moods. Cockney Girl is presented here without the gaps, illustrating the kind of carefree, bright light music that was so plentiful in the years following the Second World War.

Jack Coles (1914-1991) was a student at Kneller Hall School of Music where he won a Gold Cup for being the best all-round pupil of his year. He played trumpet in dance bands and orchestras until 1946 when he formed his own Music Masters dance band for broadcasting. Later he ventured more into the realms of Light Music with his Orchestre Moderne, appearing on popular shows such as Music While You Work, Melody Hour and Morning Music. Eventually in 1960 he became conductor of the BBC Midland Light Orchestra, and he was also busy in the fields of composing and arranging for films, theatre, television and radio. For some reason he was not often asked to make commercial recordings, and the Embassy 78 in this collection appears to be the only example of a light orchestral single on this budget label which was exclusive to Woolworths in the UK and concentrated mainly on ‘cover’ versions of Top 20 hits. Jack (his real names were John Robert Coles) also wrote mood music, and in addition to works under his own name he also composed as ‘Paul Stewart’ and ‘Paul Vincent’. His biggest success as a writer was Tyrolean Tango, which was re-named The Echo Tango when recorded in the USA by Duke Ellington.

Montague Ewing (1890-1957) also composed under the name ‘Sherman Myers’, and he had a most successful career mainly as a composer and arranger of light music and popular songs. Probably most successful of all was his Policeman’s Holiday which enjoyed additional appeal when lyrics were added.

The famous Pavanne by Morton Gould (1913-1996) is given a refreshingly different treatment by the British bandleader Jay Wilbur (1898-1970). He had a long career which encompassed numerous recordings in the 1930s for labels such as Dominion, Imperial and Rex, and a spell making mood music recordings for London publishers Boosey & Hawkes. Like several other musicians, when he found that his style fell out of favour in Britain after the war, he emigrated to continue his career in South Africa where he died in Cape Town.

Fred Hartley (1905-1980) was a prolific composer and arranger who became known to millions in Britain through his regular broadcasts. He joined the BBC as an accompanist, having made his first broadcast as a solo pianist as early as 1925. He founded his Novelty Quintet in 1931, and by 1946 he had become the BBC’s Head of Light Music.

Special attention should be drawn to Blue Devils by the famous light music composer Charles Williams (1893-1978). This march was his first big success as a composer, and it was originally published as The Kensington March. Respected researchers believe that it was written for the opening of the Kensington Kinema early in 1926, where Charles Williams conducted the orchestra. It is suggested that the piece was renamed when Williams left the Kensington cinema at the end of 1928; the official publication date for Blue Devils is shown as 1929 on the sheet music. Its enduring popularity prompted the London Palladium Orchestra to record it for HMV in 1933.

In the 1940s and 1950s the BBC in Britain was almost certainly the largest single employer of musicians in the world – this is also true today although the numbers are considerably smaller.

Back then, in addition to the seven orchestras featured on this CD, there were also The BBC Symphony Orchestra (extant); The BBC Scottish Variety Orchestra (which became the BBC Scottish Radio Orchestra); The BBC Northern Ireland Light Orchestra (which was subsumed into the Ulster Orchestra); The BBC Northern Variety Orchestra (which became The BBC Northern Dance Orchestra); The BBC West Of England Light Orchestra (later The West Of England Players); The BBC Welsh Orchestra (now the BBC National Orchestra of Wales); and The BBC Dance Orchestra. To complement these orchestras there was also the prestigious BBC Military Band (featured on Guild GLCD 5117)

As well as the above ‘house’ orchestras, the BBC schedules of those days regularly featured literally dozens of other musical ensembles, ranging from orchestras and brass bands to small groups and theatre organs. To avoid (or cause!) confusion, it should be noted that the BBC Theatre Orchestra later became the BBC Opera Orchestra which, in 1952, formed the basis of the BBC Concert Orchestra, which still exists, as does The BBC Scottish Symphony Orchestra. The Midland Light Orchestra became the Midland Radio Orchestra; the Variety and Revue Orchestras were combined, in 1964, into The BBC Radio Orchestra; and the BBC Northern Orchestra is now known as The BBC Philharmonic Orchestra. Other than the Concert Orchestra, all of the remaining BBC light orchestras were disbanded in the 1970s and 80s with the Radio Orchestra surviving until the early 1990s.

The traditional English air Oranges and Lemons used to open broadcasting on the BBC Light Programme, and two different arrangements were employed. Both became very familiar to millions of listeners, and since neither of the original versions has been previously available on a commercial recording we have decided to include them both in this mini-tribute to the golden age of BBC orchestras. They should not be confused with the re-recordings made by Vilem Tausky (1910-2004) and the BBC Concert Orchestra and used from 1962. The other well-known theme in this section is Music for "Rivers Of The North Of England" – originally incidental music for a radio feature, but subsequently chosen to introduce a monthly series of programmes about the countryside which ran for many years on the BBC Home Service.

Keeping with our BBC theme, for many years in Britain Sunday lunch was accompanied by popular music on the BBC Light Programme, and one of the longest running radio series was "The Billy Cotton Band Show", first broadcast in 1949. Bill’s signature tune was Somebody Stole My Gal, but if there was still time to fill at the end of the show the band played Legion Patrol by Jack Simpson, a well-known percussionist who fronted his own group on records in the 1940s. Usually only the first few bars of this number were heard, and many people failed to realise that Billy Cotton (1899-1969) had actually made a record of it. But he certainly did, and in response to several requests it appears as the closing music in this Kaleidoscope - happily on this occasion it is not faded out! David Ades

LIGHT MUSIC CDs – SEPTEMBER

The Guild "Golden Age of Light Music" continues to restore many neglected works to the catalogue, and the latest two are listed below.

 Marching and Waltzing

 1 King Cotton (John Philip Sousa)
LONDON COLISEUM ORCHESTRA Conducted by REGINALD BURSTON
2 Melba Waltz (from the film "Melba") (Mischa Spoliansky, arr. Ron Goodwin)
RON GOODWIN AND HIS CONCERT ORCHESTRA
3 Blaze Away (Abraham Holzmann, arr. Sidney Torch)
SIDNEY TORCH AND HIS ORCHESTRA
4 Absinthe Frappé (Victor Herbert)
AL GOODMAN AND HIS ORCHESTRA
5 Royal Standard (Archibald Joyce)
WEST END CELEBRITY ORCHESTRA Conducted by LOUIS VOSS
6 One Love (David Rose)
DAVID ROSE AND HIS ORCHESTRA
7 The Spirit Of Youth – March (Gilbert)
LONDON PALLADIUM ORCHESTRA Conducted by JACK FRERE
8 Mayfair Cinderella (Albert William Ketèlbey)
LONDON CONCERT ORCHESTRA
9 Oxford Street (from "London Again" Suite) (Eric Coates)
TIVOLI CONCERT HALL ORCHESTRA Conducted by SVEND CHRISTIAN FELUMB
10 The Young Ballerina (BBC TV’s music for the famous Potters Wheel interlude) (Charles Williams)
DANISH STATE RADIO ORCHESTRA Conducted by ROBERT FARNON
11 Proud And Free (Ronald Hanmer)
SYMPHONIA ORCHESTRA Conducted by THEO ARDEN
12 Shadow Waltz (from film "Gold Diggers of 1933") (Harry Warren)
MORTON GOULD AND HIS ORCHESTRA
13 Strings On Parade (Ray Martin)
CYRIL STAPLETON AND HIS CONCERT ORCHESTRA
14 Someday I’ll Find You (from "Private Lives") (Noel Coward)
FRANK CHACKSFIELD AND HIS ORCHESTRA
15 Empire Builders March (from film "Rhodes Of Africa") (Hubert Bath)
LOUIS LEVY and his GAUMONT BRITISH SYMPHONY
16 Love’s Roundabout (from film "La Ronde") (Oscar Straus)
LOU PREAGER AND HIS CHARM OF THE WALTZ ORCHESTRA
17 Out Of Town March (Robert Farnon)
DANISH STATE RADIO ORCHESTRA Conducted by ROBERT FARNON
18 Just The One I Adore (Gypsy Seydell Beal, Eddie Medel)
DAVID CARROLL AND HIS ORCHESTRA
19 Tom Marches On (Clive Richardson)
LONDON PROMENADE ORCHESTRA Conducted by WALTER COLLINS
20 Mademoiselle de Paris (Paul Jules Durand, arr. Percy Faith)
PERCY FAITH AND HIS ORCHESTRA
21 On The Quarter Deck (Kenneth J. Alford, real name Frederick Joseph Ricketts)
OLD TYME ORCHESTRA Conducted by JACK LEON
22 Ziehrer Waltz Medley (Carl Michael Ziehrer)
MAREK WEBER AND HIS ORCHESTRA
23 Battle March (C.C. Moller)
AAHRUS CIVIC ORCHESTRA Conducted by THOMAS JENSEN
24 Family Album – Waltz (from "Tonight at 8.30") (Noel Coward)
PHOENIX THEATRE ORCHESTRA Conducted by CLIFFORD GREENWOOD
25 The Middy (Kenneth J. Alford, real name Frederick Joseph Ricketts)
REGENT CONCERT ORCHESTRA
26 Melody Of Love (Hans Engelmann)
BILLY VAUGHN AND HIS ORCHESTRA
27 Great Quest (Trevor Duncan, real name Leonard Trebilco)
NEW CONCERT ORCHESTRA Conducted by DOLF VAN DER LINDEN

GUILD GLCD5136

"Marching and Waltzing" was the title of a popular BBC radio programme around forty years ago. The format was simple: an enjoyable selection of alternating marches and waltzes, with occasional less familiar compositions interspersed with tried and tested favourites.

The notion that marches and waltzes always adhered to strict guidelines, which could result in a boring sequence of similar-sounding pieces, was certainly proved untrue. Both of these musical forms have been developed by talented composers and arrangers into many varied styles. As Eric Coates famously once commented: "my marches aren’t intended for marching and my waltzes aren’t intended for waltzing", and the same can be said of the works of many composers.

However those listeners who would appreciate some examples of what might be termed ‘true’ marches and waltzes will not be disappointed with this collection. Equally others who get satisfaction from hearing how arrangers have adapted the underlying rhythms inherent in the basic structure of these works should also find much to please them.

The CD commences with a great number from the man widely regarded as the American ‘March King’ – John Philip Sousa (1854-1932). His King Cotton (composed in 1895) was used as a signature tune for this programme by the BBC, although Vienna Blood was also chosen on occasions. Sousa is probably the most famous composer of military marches, and he was also a busy conductor. In addition to marches he was active in other musical fields: incredibly he wrote ten operas and a number of musical suites. He also composed scores for Broadway musicals, although it took several attempts before he had a measure of success in this genre with El Capitan in 1896. He formed his own band in 1892 and undertook many tours, both in the USA and in Europe. He also found time to write three novels and an autobiography, but he did not take kindly to new inventions. For many years he resisted conducting on radio, and in a submission to a congressional hearing in 1906 he predicted that the fledgling recording industry would result in people losing the use of their vocal cords because they would listen to others singing songs, rather than perform them for themselves. Despite his feelings towards the new technologies, they must have earned him a considerable amount in royalties, particularly from around 100 marches of which the most famous were Semper Fidelis, Liberty Bell, Washington Post and The Stars and Stripes Forever – the last named piece being the final work he conducted at the age of 77 in Reading, Pennsylvania, where he died following a rehearsal.

Another American composer who was a contemporary of Sousa was Abraham Holzmann (1874-1939) whose greatest march success was Blaze Away, composed in 1901. But he earned his living mainly from Tin Pan Alley where he wrote and arranged popular songs for publishers such as Leo Feist. [Leo Feist (1869-1930) began his career as a corset salesman and composed songs for his own enjoyment. When he failed to find a publisher for his work, he set up his own firm to deal in popular songs. "You can’t go wrong with a Feist song" was the slogan printed on every copy of the firm’s sheet music, which eventually numbered in thousands.] Today Abe Holzmann is fondly remembered by lovers of ragtime, but he also penned many marches, waltzes and other pieces of light music.

Dublin-born Victor August Herbert (1859-1924) was an accomplished cellist, composer, conductor and orchestrator who made a profound impression upon the American popular music scene. Due to his father’s death when he was under four, the Herbert family lived for a while with his paternal grandfather who was a keen artist; musicians and writers were frequent visitors, and young Victor was exposed to music from early childhood. His mother remarried and by 1866 the family had relocated to Stuttgart in Germany, but Victor’s plans for a medical profession were dashed due to lack of funds. He earned money playing the cello in leading German orchestras, and during a period with the Royal Court Orchestra in Stuttgart he studied under Max Seifriz, one of the finest teachers of composition at that time. In October 1886 he arrived in the USA and was employed in the pit orchestra at New York’s Metropolitan Opera Company. Within a short while his career blossomed, and he was fortunate that his own works (notably his Suite for Cello and Orchestra Op. 3) were well received by critics and the public. Soon he was also conducting, and among his numerous writing achievements are two operas, forty-three operettas, incidental music for stage productions (including several Ziegfeld Follies), plus songs and compositions for band, cello, violin, flute and clarinet. He orchestrated the works of many of his contemporaries, but his musical legacy is founded upon his charming operettas such as Babes in Toyland and Naughty Marietta. Absinthe Frappé comes from his operetta It Happened in Nordland (1904). With John Philip Sousa, Irving Berlin and others, Victor Herbert was one of the founders in 1914 of the American Society of Composers, Authors and Publishers (ASCAP).

Albert William Ketèlbey (1875-1959) was a highly successful composer, who earned the equivalent of millions of pounds during the peak of his popularity. Pieces such as In a Monastery Garden, The Phantom Melody, In a Persian Market and Bells Across the Meadows brought him international fame, no doubt assisted by his enthusiastic participation in the rapidly growing business of producing gramophone records. As well as also being an arranger and conductor, he was an accomplished pianist and organist, and was proficient on oboe, cello, clarinet and horn. Once he had achieved his fame, and a style that became closely associated with him, he seemed unwilling to adapt to the new rhythms and influences that were gaining popularity – particularly during the 1930s. His own music gradually went out of vogue, and the previous age of romance, that had its roots in the self-confidence of the Edwardian age, seemed to be in terminal decline. But Ketèlbey was far from forgotten, and the LP era of the 1950s resulted in a renewed interest in his beautifully crafted melodies. He was able to spend his later years in comfortable retirement on the peaceful Isle of Wight.

Mischa Spoliansky (1898-1985) was a Russian-born composer who fled his homeland following the revolution and became a leading figure in Berlin’s thriving cabaret scene during the 1920s and early 1930s. When he arrived in Berlin he was offered the position of conductor at Max Reinhardt's Keller-Kabarett of the Grosses Schauspielhaus, where he embraced the core of Berlin’s cultural life and got to know the most important artists of that time. When the German film industry moved into ‘talkies’ his songs enhanced several popular films, but after the Nazi regime was elected to power in 1933 he was forced to flee for the second time in his life and he left Germany and chose to settle in England. His reputation had preceded him, and he had no problem in finding work in the thriving British film industry, where Alexander Korda offered him several prestigious productions such as Sanders of the River (1935) and The Ghost Goes West (1935). Numerous film commissions followed like King Solomon’s Mines (1937), The Man Who Could Work Miracles (1936), Wanted for Murder (1946), Idol of Paris (1948), Stage Fright (1950), The Happiest Days of Your Life (1950), Happy Go Lovely (1951), Melba (1953), Turn the Key Softly (1953), Trouble in Store (1953), Saint Joan (1957) and North West Frontier (1959). His eldest daughter was the actress Spoli Mills (Irmgard Spoliansky, 1923-2004). One of her favourite anecdotes concerned the day she was returning home and found her eccentric father standing, rather sheepishly, in the subway at London’s Hyde Park Corner. On the ground beside him was a flat cap containing a few coins. When she asked what he thought he was doing, he explained that the harmonica player who usually stood there had gone for a drink and he was keeping an eye on the pitch. "But why you?" his daughter pressed. "He's a fellow musician," her father replied.

Archibald Joyce (1873-1963) learned the piano and violin as a child, and much of his life as a professional musician involved playing in ballrooms, theatres and the concert hall, especially before and after the First World War. Indeed his own orchestra was held in such high esteem that it played for Royalty and at major state occasions, and through his many compositions Joyce became known as ‘The English Waltz King’. He was also adept at writing marches, no doubt partly due to the influence of his father, who was a band sergeant with the Grenadier Guards. Unlike his contemporaries Eric Coates and Haydn Wood, Archibald Joyce did not allow his composing style to move with the times, preferring instead to believe that his music was intended for dancing, rather than listening (unlike Eric Coates!).

Ronald Hanmer (1917-1994) was a prolific composer and arranger whose proud boast was that he had worked in the music business since the day he left school. Like his contemporary Sidney Torch, he served his ‘apprenticeship’ as a cinema organist, and soon developed his talent for composing and arranging. Many of his comic creations enlivened the BBC’s wartime ITMA broadcasts (his arrangement of Ten Green Bottles is on Guild GLCD 5102), and eventually over 700 of his compositions were published in various background music libraries. His film scores include Made in Heaven (1952), Penny Princess (1952) and Top of the Form (1953). He was also in demand as an orchestrator of well-known works for Amateur Societies, and the brass band world was very familiar with his scores – sometimes used as test pieces. In 1975 he emigrated to Australia, where he was delighted to discover that his melody Pastorale was famous throughout the land as the theme for the long-running radio serial Blue Hills. In Britain his best-known theme was the signature tune for BBC radio’s The Adventures of P.C. 49; the music came from a Francis, Day & Hunter Mood Music 78 simply called Changing Moods.

Students of the Viennese school of music regard Carl Michael Ziehrer (1843-1922) as one of the main rivals to the dominance of the Strauss family. His career was similar, with no less than twenty-three operettas to his name. In total he composed around 600 works, of which many were waltzes and marches. His waltzes in the selection on this CD are Vienna Citizens, Vienna Beauty and In a Beautiful Night. Ziehrer made his debut as a conductor in 1863 leading a dance orchestra, and later served several terms as bandmaster with the famous Hoch und Deutschmeister Regiment, which gained him wide public recognition and invitations to perform overseas. In 1909 he was honoured by the Emperor Franz Joseph with the appointment as Imperial Ball Director, the last person to hold the title.

Light Music While You Work – Volume 2

1 Calling All Workers – excerpt (Eric Coates)
ERIC COATES and SYMPHONY ORCHESTRA
2 Marche Lorraine (Louis Ganne)
LONDON COLISEUM ORCHESTRA Conducted by REGINALD BURSTON
3 "The Dancing Years" – Selection from show (1939) (Ivor Novello)
HARRY FRYER AND HIS ORCHESTRA
4 The Floral Dance (Katy Moss)
HARRY DAVIDSON AND HIS ORCHESTRA
5 Sleeping Beauty Waltz (Pyotr Ilyich Tchaikovsky)
RICHARD CREAN AND HIS ORCHESTRA
6 Pierrot Comes To Town (Sherman Myers, real name Montague Ewing)
HAROLD COLLINS AND HIS ORCHESTRA
7 Lehar In The Ballroom (Franz Lehar)
WYNFORD REYNOLDS AND HIS ORCHESTRA
8 Toy Trumpet (Raymond Scott)
REGINALD PURSGLOVE AND HIS ORCHESTRA
9 Girl Crazy – Selection (George Gershwin)
STUDIO ORCHESTRA Conducted by PHIL GREEN
10 Die Fledermaus – Waltz (Johann Strauss, arr. Ronnie Munro)
RONNIE MUNRO AND HIS SCOTTISH VARIETY ORCHESTRA
11 Theatreland (Jack Strachey)
HARRY FRYER AND HIS ORCHESTRA
12 Sizilietta (Franz Von Blon)
DAVID JAVA AND HIS ORCHESTRA
13 Castles In Spain (Charles W. Ancliffe)
LONDON COLISEUM ORCHESTRA Conducted by REGINALD BURSTON
14 One Exciting Night – Selection from film (1944) (Georges Boulanger and others)
PHIL GREEN AND HIS THEATRELAND ORCHESTRA
15 Fashionette (Jack Glogan, Robert A. King)
HAROLD COLLINS AND HIS ORCHESTRA
16 Moment Musical (Franz Peter Schubert)
RICHARD CREAN AND HIS ORCHESTRA
17 Scarlet And Gold (Lloyd Thomas)
LONDON COLISEUM ORCHESTRA Conducted by REGINALD BURSTON
18 Softly Unawares (Paul Lincke)
HARRY DAVIDSON AND HIS ORCHESTRA
19 Journey To A Star; No Love No Nothing (both by Harry Warren, Leo Robin)
STUDIO ORCHESTRA Conducted by PHIL GREEN
20 Emperor Waltz (Johann Strauss, arr. Ronnie Munro)
RONNIE MUNRO AND HIS WALTZ ORCHESTRA
21 Butterflies In The Rain (Sherman Myers, real name Montague Ewing)
HAROLD COLLINS AND HIS ORCHESTRA
22 Bal Masque (from Two Parisian Sketches) (Percy Fletcher)
RICHARD CREAN AND HIS ORCHESTRA
23 With Sword And Lance (Lance Starke)
LONDON COLISEUM ORCHESTRA Conducted by REGINALD BURSTON
24 Turkey In The Straw (Trad. arr. Harry Davidson)
HARRY DAVIDSON AND HIS ORCHESTRA
25 Lady In The Dark – Selection from show (1941) also film (1944) (Kurt Weill, Ira Gershwin))
PHIL GREEN AND HIS THEATRELAND ORCHESTRA
26 Calling All Workers – excerpt (Eric Coates)
ERIC COATES AND SYMPHONY ORCHESTRA

GUILD GLCD5137

The enthusiastic response to Guild’s first dip into the catalogue of music recorded in the 1940s for Decca’s Music While You Work label (on Guild GLCD 5128) has meant that a second volume simply had to follow. This time there are some new names, but the general concept follows the pattern that was fully explained in the booklet notes for the earlier collection.

In summary, the title ‘Music While You Work’ was the name of a BBC radio programme that was first broadcast at 10.30am on Sunday 23 June 1940. It soon became something of an institution in British broadcasting, where it was to remain in the schedules for an unbroken run of 27 years. It was resurrected for short runs in the 1980s and 1990s before the very last broadcast was heard in 1995.

The man credited with the original idea – and its successful implementation – was Wynford Reynolds (1899-1958). ‘Live’ musicians were usually engaged for the programme, ranging from solo performers such as organists, to small groups, dance bands, light orchestras and military bands. The shows were aimed at factory workers during the Second World War, and it was hoped that the choice of music would relieve the boredom of many repetitive tasks and thus assist productivity.

However the factories soon realised that they needed to provide such music throughout the day, and gramophone records were the obvious answer to fill those periods when suitable music was not being broadcast by the BBC.

Someone at Decca proposed that a special series of 78s would suit this purpose admirably and their own "Music While You Work" label was born; sensibly they sought Wynford Reynolds’ advice from the outset, and he even made some of the 78s with his own orchestra. These were not intended to be an accurate carbon copy of the BBC broadcasts, and the orchestras on the Decca records (mostly their contract artists) did not necessarily also perform on the radio. But they did succeed in conveying the ‘feel’ of the programme and have provided a fascinating subject for collectors to study over the years.

The signature tune chosen by the BBC was Calling All Workers composed by Eric Coates (1886-1957). By this time he was recognised as possibly England’s greatest living composer of light music, and he acquired the knack of writing catchy, memorable tunes that were ideal as introductions to regular programmes on radio and later television. His Knightsbridge March introduced "In Town Tonight" from 1933 to 1960, and towards the end of his life Coates composed the famous march for the film "The Dam Busters" (1954). Calling All Workers was written in 1940 at the request of his wife, Phyllis, who was working in the Red Cross making wartime medical supplies. She wanted a march to which she and her companions could work, which his biographer says inspired Eric to incorporate sewing machine patterns in his music. After the programme had been running for three months without a signature tune, in October 1940 it was adopted by the BBC for "Music While You Work" and achieved universal popularity. In the first Guild volume devoted to this music we included this work in full by an excellent Danish orchestra; on this occasion it is abridged and, although it is readily available in its complete original version elsewhere, in tribute to the composer we have used his own recording from 1940.

This time several contributors to Decca’s MWYW series – missing from volume 1 – have been included, notably Reginald Burston with the London Coliseum Orchestra, Harold Collins, David Java and the man credited with coming up with the idea in the first place, Wynford Reynolds.

Considering his musical background, it is likely that Wynford Hubert Reynolds (1899-1958) had little problem in persuading the BBC that he had the necessary knowledge to launch "Music While You Work". He was already on the staff of the BBC as a producer, although he was also an experienced performer. He was born in Ebbw Vale, Wales, and his early musical training at the Royal Academy of Music concentrated on the violin, viola and composition. Like many of his fellow musicians, he provided music for silent films, and eventually joined the Queen’s Hall Orchestra under its illustrious conductor (and founder of London’s Promenade Concerts) Sir Henry Wood.

Reynolds became involved with the early days of radio in the 1920s, and it wasn’t long before he formed his own orchestra for concerts (including engagements at seaside venues) and broadcasts. In 1941 the BBC gave him the important-sounding title ‘Music While You Work Organiser’ but, due to the strict rules imposed by the Corporation on its own employees, this prevented him from appearing with his orchestra in the programmes. He left this position in 1944, and went back to performing on radio, not only in "Music While You Work" but also, later, in popular shows such as "Bright and Early" and "Morning Music". Happily the recordings he made for Decca’s MWYW series are evidence of the high quality of his music, although his influence extended far beyond those 78s bearing his own orchestra’s name: he produced the majority of around 420 discs that were issued before the series ended with the final releases in January 1947.

The London Coliseum (also known as the Coliseum Theatre) was built in St. Martin’s Lane by the famous theatre impresario and architect, Oswald Stoll, and it opened for its first performance on 24 December 1904. Since then it has undergone changes of name, various refurbishments and different kinds of productions, ranging from variety and operetta to ballet and opera – it is now the home of English National Opera. Reginald Burston (d. 1968) was an experienced musical director who was regularly employed in various London theatres ranging from D’Oyly Carte Opera to prestigious Noel Coward productions and lavish post-war American musicals. In the mid-1930s he conducted the BBC Midland Orchestra, then in 1936 he took over the baton of the BBC Revue Orchestra for several years.

Like Reginald Burston, Harold Collins (c.1900 - c.1971) arold Collins, David Java

at one time was MD at the London Coliseum, although he also held positions at various provincial theatres. Originally a pianist, it seems he gave his first broadcast from Plymouth in 1936 where he was resident conductor at the Palace Theatre, and was hired by the BBC for "Music While You Work" soon after the programme was launched. In total he appeared in 227 programmes with his Orchestra, and he also made a good number of records for Decca’s MWYW series, usually with a smaller ensemble in a style that suited the light repertoire that was his speciality – his three tracks in this collection are ideal examples. In later years he was heard in BBC shows "Morning Music" and "Melody On The Move", and through his work with Norman Wisdom he appeared on ITV’s top Sunday evening shows from the London Palladium and the Prince of Wales Theatre.

David Java only made one record for Decca’s MWYW series, and his career is poorly documented. In 1938 he played violin alongside Sidney Sax on several Victor Silvester recordings for Parlophone, and again on some Columbia recordings in 1941 when Oscar Grasso, Alfredo Campoli, Reginald Kilbey and Eugene Pini were among the distinguished violin players whom Silvester employed. After the war David Java supplied orchestras for Lyons’ Corner House restaurant and presumably other similar venues.

Harry Davidson (1892-1967) enjoyed two successful, and different, careers before and following the Second World War. After various engagements around London and the north-east of England spanning the years 1914 to 1929, he finally secured the highly prestigious appointment as organist at the newly built Commodore Theatre at Hammersmith in London. The Commodore had a fine 18-piece orchestra conducted by Joseph Muscant (1899-1983) and by the early 1930s it had acquired a loyal national following for its regular broadcasts. After five years Muscant left to take over the Troxy Broadcasting Orchestra and, in July 1934, Harry Davidson stepped into his shoes. (Recordings by both the Commodore and Troxy orchestras may be found on previous Guild Light Music CDs). Although the Commodore orchestra was disbanded during the war, Davidson managed to keep many of his superb musicians together and soon he was broadcasting regularly, notching up no less than 109 editions of "Music While You Work". To correct an error which crept into the notes to the previous volume in this series, it should be pointed out that Harry Davidson achieved this impressive total between 1940 and 1946, not during the programme’s first year. In November 1943 his series "Those Were The Days" appeared for the first time, providing listeners at home with a regular helping of melodious old-time dance music. It became a permanent fixture in the schedules with Harry in charge until ill-health forced him to retire in November 1965. It is also appropriate to mention that he was an extremely prolific recording artist; during the 1950s 78s by his orchestra often occupied almost four pages in EMI Columbia’s annual catalogues.

The other orchestras included on this CD were also featured in the previous Guild MWYW collection, and they were each profiled in the booklet notes. On this occasion, they have had to take a back seat in favour of the ‘new boys’.

Partly through lack of space, 78 record labels sometimes omitted details of the contents of selections, and even composers occasionally became anonymous. If you were lucky, missing information like this might have been gleaned from contemporary record catalogues, but today it is often left to admirers of the last century’s popular music to attempt to supply the names of those elusive song titles. The following list reveals some of the music to be heard in this collection.

"The Dancing Years" Lorelei, My Life Belongs To You, Leap Year Waltz, I Can Give You The Starlight, Waltz Of My Heart.

"Lehar In The Ballroom" Gold And Silver, Count Of Luxembourg, Merry Widow Waltz.

"Girl Crazy" But Not For Me, Embraceable You, Bidin’ My Time.

"One Exciting Night" One Love, There’s A New World Over The Sky Line, My Prayer, It’s Like Old Times.

"Lady In The Dark" Girl Of The Moment, This Is New, Suddenly It’s Spring, Saga Of Jenny, My Ship.

LIGHT MUSIC CDs – JUNE