ROYAL PHILHARMONIC ORCHESTRA Conducted by VIC LEWIS "Colours" Ochre, Red, Green, Sienna, Jade, Black, Mauve, Gold, Azure, Yellow, Grey. also "Russian Suite" excerpts, plus Romance for Violin (Lewis, arr. Rob Pronk). Vocalion CDLF 8112. Vic Lewis has been responsible for some exciting recording projects over the years, which have not always received the publicity that they deserved. Possibly "Colours" is a case in point. Originally on an RCA LP released in 1978, it has previously appeared on CD, but this new Vocalion release is far more attractive. Also it has extra tracks which were not on the original album. The idea for "Colours" was basically simple, yet imaginative: invite the leading composers and arrangers of the day to submit new works each depicting a colour, take the Royal Philharmonic Orchestra into the CTS Studios (October 1977), and allow the magic to flow. With contributors such as Malcolm Williamson, Ken Thorne, Kenny Clayton, David Morgan, John Scott, John Cameron and Randy Edelman – plus Robert Farnon (his Irena from "Shalako" renamed Mauve) and Vic Lewis’s own Red (a tribute to Shostakovitch, who had died the previous year) …the project was bound to produce some outstanding results. This is excellent value for money in all respects. David Ades

MANTOVANI Mantovani – By Special Request Guild Light Music GLCD5110 77:46 mins. [full track listing in JIM 161 – page 30]. My wife, who doesn’t share all my light music enthusiasms, likes Mantovani and thought this album sounded very nice. High praise with which I couldn’t agree more as it was in contention for my "CD Of The Year 2004". Three outstanding tracks are Monty’s ownSeptember Nocturne, featuring pianist Arthur Sandford; Blue Mantilla, written by Pedro Manilla, who bore more than a passing resemblance to the maestro himself; and Ronald Binge’s Whirlwind [an antidote to Sailing By!]. The trademark string sound was mint fresh in the early ‘50s and rings out on such tracks as my favourite Love’s Roundabout, but 14 of the 26 tracks are pre-Charmaine. I especially like Passing Clouds by Phil Cardew, and The Timbalero with its echoes of the conductor’s Tipica Orchestra. Ian Stewart’s Whistling Boy is in the long tradition of this orchestra’s novelty numbers. There are also film themes and a quartet of those terrific tangos. All in all a wonderful disc – I suppose it would be greedy to ask for second helpings? Peter Burt

MATTHEW CURTIS Orchestral Works VOL 2. Ring in the New; Romanza; Little Dance Suite; Irish Lullaby; Autumn Song; Graduation Day; Sinfonietta; Bon Voyage! Royal Ballet Sinfonia/Gavin Sutherland. Campion Cameo 2035 76:53 mins. Over the past twenty years Matthew Curtis has been delighting us with his melodic gifts. He will not delight the musical establishment, as ever since Sullivan it has down cried the writers of tunes. This disc, splendidly performed by the dream team of Royal Ballet Sinfonia and Gavin Sutherland includes a work of symphonic stature, 27 minutes long, but rather coyly styled Sinfonietta – the Irish inspired slow movement is beautiful indeed, the whole stimulatingly worked out. For the rest we have two examples of the British light concert overture (Ring in the New and Graduation Day) which come well up the order of merit in that huge genre, a march Bon Voyage!, a tribute to Gavin Sutherland (it briefly quotes his musical Little Woman), a Little Dance Suite, concise but with one or two surprises, and three rich slow movements: the earlyRomanza, the Elgarian Autumn Song and, written especially for this disc, Irish Lullaby. Curtis might not regard all these as light music, but we should salute him for helping keep light music’s traditions alive. Strongly recommended. Philip L Scowcroft

PETER CORK: Through the Looking Glass†; A Man of Kent*. †The Carroll Ensemble/Peter Cork. *Royal Ballet Sinfonia/Gavin Sutherland. Campion Cameo 2031, 51:28 mins. Peter Cork has spent most of his life (he is 77) teaching music (Dudley Moore was a pupil), but he has composed much for radio, TV and film and these concert works make very enjoyable listening. The suite Alice Through the Looking Glass (12 movements, 35 minutes – surely no-one will hear it complete in concert) is performed by ten instruments (wind quintet, string quartet, piano). It was inspired by Tenniel’s drawings, many of which are reproduced in the booklet and, as Peter Cork points out, these can be scary to a youngster. The music, even Jabberwocky, is not scary; generally it is shapely and tongue-in-cheek, whether it is depicting a train, Humpty Dumpty, The White Knight (who is seen as a kind of cowboy) or Alice’s Coronation. A Man of Kent, played by the admirable RBS under Sutherland, is a most attractive addition to the topographical suite repertoire; Romney Marsh andAlkham Valley rely largely on folk elements, the finale, The White Cliffs, reflects Dover’s maritime heritage. Do try this. Philip L Scowcroft

Guild Light Music



As promised, here are two more GUILD releases, which bring the current total to a ‘round dozen’ – incredibly, these have all appeared within the space of 12 months. Midnight Matinee is the subtitle of Volume 2 of the 1950s, which introduces a whole new clutch of composers and orchestras. It begins with the eponymous Len Stevens composition, which to my ears is more than a little suggestive of the late Benny Green’s signature tune That’s Entertainment. Amongst the conductors we meet along the way are Hugo Winterhalter, Cyril Ornadel (accompanying the pianist Winifred Atwell) and Nelson Riddle, whose arrangement of The Shadow Waltz by Clive Richardson – alias Paul Dubois – is a far more voluptuous affair than the composer’s original concept; it was one of Riddle’s first recordings for Capitol records. Other orchestras include those of Richard Hayman, Ronnie Pleydell, Geoff Love, Johnny Douglas, Laurie Johnson, Axel Stordahl, Reg Tilsley and George Siravo. This time there are rather more ‘commercial’ tracks, including a couple from the small British Melodisc company. Publishers’ labels have not been totally ignored, however, and are represented by items from the Boosey & Hawkes, Chappell, and Paxton libraries, albeit recorded on the European mainland as a result of the Musicians’ Union embargo which was discussed in JIM 161. Comparing this new offering – and indeed Volume 1 – with the GUILD 1940s CD, it is most apparent that the light orchestral music of the early/mid ‘50s was evolving fairly rapidly, both in terms of compositional and, especially, performance styles. The character of much of the music is distinctly different – ‘smoother’ and ‘glossier’ are two words which come to mind – from its predecessors of only a few years earlier. Of course, this was happening to almost everything else: clothes, furniture, cars and architecture of the brave new post-WWII era all underwent what we would call today a ‘makeover’.Reflections of Tranquility embraces a relatively long time-span between 1946-1954. David Ades has created a compilation which is deliberately soothing and relaxing – just the thing for late-night listening with the lights dimmed, and accompanied perhaps by a glass or two of your favourite beverage…! Try Angela Morley’s Adrift in a Dream, Trevor Duncan’s Moon Magic, or the two Bob Haymes/Acquaviva tracks, and you’ll see what I mean. The formula is the usual GUILD combination of well-loved favourites, interspersed with equally worthy compositions deserving of the wider exposure which hopefully they will now receive. In common with Midnight Matinee, a good number of tracks originate from across the Atlantic. By the ‘50s, U.S. record companies such as MGM, Mercury and Capitol, together with Philips and Decca (who controlled the Brunswick label) found a steady market within the UK for American orchestral recordings, their popularity being given a considerable boost by regular airings on the BBC’s Light Programme. In the Publishers’ department, Chappell and Paxton are this time complemented by items from the vast Harmonic and Bosworth libraries. Both CDs contain a generous helping of tracks which, as I have remarked before, will surely jog many memories and evoke a great deal of pleasure. It hardly needs restating that the digital transfers are up to Alan Bunting’s usual impeccable standard; as the years progress – we are now well within sight of the first stereo recordings of the late ‘50s – it is likely that the sound quality will improve still further. From their inception, the GUILD CDs have attracted an enthusiastic following, with many RFS members placing a standing order for new releases as they are issued; for these collectors, and also to those who have not yet taken the plunge, both additions to this great series will not disappoint – in fact they are wholeheartedly recommended. Tony Clayden

THE LEGENDARY BOBBY DARIN Once in a Lifetime, More, Charade, Beyond the Sea, As Long as I’m Singing, Mack the Knife, On The Street Where You Live, Hello Dolly, etc… 24 tracks EMI Capitol 5945772, 66:17 mins. With all the publicity surrounding the Kevin Spacey film of Bobby Darin’s life story, it is hardly surprising that his own recordings should be reissued again. It seems incredible that he died over 30 years ago, because many of his performances still seem fresh in the memory. Some of the tracks feature live performances, rather than the original studio recordings. The CD booklet contains notes by respected writer Will Friedwald (although they are perhaps rather brief), but full recording details are given for each track. This is a fitting souvenir of a singer whose work seems to be gaining greater respect with the passing years. David Ades

THE BUTTON DOWN BRASS ‘Girl Talk’ Castle PIESD269. 18 tracks, 58:20 mins. Ray Davies was one of the top arrangers and session players in the 1960s and 70s. But he came to the public’s attention as the man behind The Button Down Brass who recorded a string of hit easy listening albums between 1968 and 1977. A lot of the early BDB Fontana material was collected on a previously issued ‘Best Of’ CD but here the PYE archives have been trawled for a more varied selection of material. This CD was actually issued as long ago as 2002 but somehow slipped by without attention, but is still available. It combines some superb tracks from Ray’s five PYE albums including the hard-to-find Benny Goodman and Duke Ellington tribute ‘Benny and The Duke’ (the master tapes of which were thought to be lost until recently). It’s a combination of jazz standards, film and TV themes plus some of Ray’s own pop/rock influenced titles which marked a change in the style from his earlier work and featured top session players such as Harry Stoneham and Alan Hawkshaw on keyboards and Alan Parker on guitar. These include Heavy Water, Hadrian’s Wall andMach 1 (all showcasing Alan Parker’s distinctive guitar solos), and the more laid-back lounge ofMartinique and Girl In The Green Dress. Ray also recently revealed that he was the writer of Truckin’(also included) which is credited to ‘Kendall’, which was actually his wife’s maiden name. And he was also the name behind the 1973 PYE/Cavendish big band offshoot ‘All In An Afternoon’s Work’ (credited to The Terry Cavendish Orchestra). That same year he also produced and wrote material for fellow session player Dennis Lopez’s Latin-rock PYE album Cinnamon Rock which was in similar funky territory. Sadly no tracks from these two albums are included here, although some of Ray’s other Cavendish titles are to be found on the recently released CD ‘Transmission Impossible’ for which Ray has also written an introduction. Today Ray is still busy writing mood music for Cavendish/Boosey (although he no longer plays the trumpet) including the impressive ‘Moviedrome’ where different styles of movie music are explored. He also keeps busy as the chairman of The Performing Rights Society Member’s Fund. Collectors of Ray Davis material may also be interested to know that in the mid-1980s he recorded some Latin albums for independent dance label Dansan as The Ray Davies Orchestra, and some tracks from these sessions have surfaced on some Dansan CDs (DACD011 and 012). Please see for information. ‘Girl Talk’ should be available from larger branches of Virgin and HMV and via the HMV website.

David Noades (with thanks to Ray Davies)

JOHNNY HARRIS ‘Movements’ Warner Bros 8122736022 11 tracks, 43:35 mins. Johnny Harris’ classic 1970 album ‘Movements’ has recently been re-launched on CD with improved artwork and corrected sleeve notes. Since it was last released in September 2002 it has come to light that the guitarist on these legendary sessions was not Mickey Gee (as erroneously listed on the sleeve notes and in my previously published Johnny Harris article) but Bill Parkinson. It seems that both had previously been guitarists in Tom Jones’ backing band The Squires, but it was Bill who provided the distinctive guitar sound (with wah-wah effects) which helped make ‘Movements’ the classic it is today. The album was recorded at The Olympic Studios in South London with Bill on guitar and Johnny Harris on piano, plus Harold Fisher (drums), Herbie Flowers (bass) Roger Coulam (Organ) and Harold McNair (flute). The only exception was Footprints On The Moon (which was released as a single), which was recorded earlier at Chappells in Bond Street with the same group plus a full orchestra. The same small group had also recorded the score for the movie ‘Fragment Of Fear’ that was the basis of the album but at The Teddington Studios, and it was re-recordings of these tracks, which graced ‘Movements’. Another track, Norwegian Wood, was also laid down at the same sessions but was shelved and used on Johnny’s next Warner Bros. album ‘All To Bring You Morning’, which was very much in the same style, but didn’t see the light of day until 1973. This album also included the epic 11 minute title track, which Johnny later reworked for some concerts with singer/actress Lynda Carter. Bill Parkinson was a busy session guitarist and had previously worked with Johnny Harris with Tom Jones on his legendary ‘Live at The Talk of the Town’ album and ‘Thirteen Smash Hits’, and went on to contribute to album sessions for Petula Clark and Shirley Bassey, also arranged/conducted by Johnny. The latter included the legendary Something which was recorded in Milan with Johnny Dean (drums) and Tony Campo (bass) with the rhythm section laid down first and the strings (and Ms Bassey’s vocals) added separately. Bill also appeared on various live performances with Johnny as conductor including Sammy Davies Jr, Vic Damone, Bobby Vee, and Petula Clark, including with the latter, the first ever televised live colour transmission in 1970 from the Albert Hall. With Tom Jones they also toured the USA in the late 1960s including some memorable gigs in Las Vegas at The Flamingo. One of these Vegas trips was turned into a holiday with Bill and Johnny hiring a private plane and visiting the sights including the Hoover Dam and The Grand Canyon. And Bill was also poached by Ralph Dollimore to play a few gigs with the Ted Heath Orchestra who was also touring the US at the time. Johnny relocated to North America in 1972 and is now a successful writer of TV movie scores and musical director at The Palm Springs Follies. Bill is still active in the music business in Britain and regularly tours as a session jazz guitarist and is also a successful artist. And he’s at last enjoying being recognised as one of the names behind the legendary ‘Movements’ album! Before the score for ‘Fragment of Fear’ (and ‘Movements’) bought his name to the attention of Hollywood Johnny was struggling to make a name for himself as a film composer. He initially penned a lot of advertising jingles but in 1969 he was commissioned to write some cues for some obscure German movies. Some of these have just been issued on a German CD called ‘Schwabing Affairs’ Diggler Records DIG 012, 17 tracks 44:45 mins. In a similar style to the previously issued ‘St Pauli Affairs’ this compilation sees a variety of themes and pop songs lifted from the obscure Munich-based comedy and soft porn films. The music dates from 1967 to 1972 and is up-tempo, kitsch, pop-beat with the accent on cheesy brass, Hammond organs and guitars (some with vocals). A variety of composers and styles are on display including Peter Thomas (kitsch pop), Martin Bottcher (bossa nova jazz), David Llywelyn – later with rock band Supertramp (soul-pop) as well as Johnny Harris: his contributions include the funky soul-grooves Let’s Beat It and Go Go Shake, which have a library music feel about them but were specially commissioned. Unfortunately the sleeve notes are all in German and so the background to the music and the films must remain a mystery to British readers (although looking at some the accompanying photos perhaps that’s for the best!). But this is a pleasant, upbeat collection which will appeal to collectors of kitsch, ‘sixties pop sounds. David Noades (with special thanks to Bill Parkinson)

Both CDs are available from larger branches of Virgin and HMV and via the HMV website. (See also Diggler’s website for more information on ‘Schwabing Affairs’).

TO YOUR GUARD Marches – Hughes: The Guard’s Colours, To Your Guard; Ancliffe: The Liberators, Ironsides; Hall: General Mitchell, Death or Glory, The Red Men’s March; Crosse: Unter Den Linden;Stanley: Alamein; Mansfield: The Red Cloak; Walker: The Right o’the Line; Rimmer: Punchinello;Fucik: Fearless & True; Brigham: Colchester Castle; Plater: Ridgewood; Herzer: Hoch Heidecksburg;Latann: Frei Weg; Tulip: The Prince; Friedemann: Kaiser Friederich; Neville: Shrewsbury Fair;Bashford: By the Left!; Blankenburg: Back to (the) Camp. The Band of the Grenadier Guards, Director Of Music Major Denis Burton ARCM pcm. DROIT TRCD 235, 73:00 mins. An enterprising, imaginative and well chosen selection of British, American and European military marches including many, I suspect, that are not currently available on alternative recordings, and not a single one by Sousa! It was honestly no hardship or ordeal to play through the 22 marches on this disc at one sitting and simply marvel at the versatility and ingenuity showed by all the composers represented here whose task was to produce good strong tunes within the fairly restricted and disciplined medium of the military march. One suspects that the German composer Hermann Blankenburg had a continuous production line of military marches going for according to Colin Dean’s notes he apparently produced a mind boggling 1,300 of the genre, the majority of which have since been lost. A particularly novel item is Rodney Bashford’s By the Left! which cleverly interweaves bugle calls with popular army songs such as the evergreen "Bless ‘em All". A particular favourite of mine included here is Charles Ancliffe’s irrepressible The Liberators composed during the First World War to which I immediately returned for ‘an encore’ at the end of the disc which, incidentally, takes its title To Your Guard from a march by William Hughes who served for a time in the Scots Guards Band. Despite the minor irritant that individual times are not listed for each track this well recorded CD made in the Chapel, Chelsea Barracks is well worth exploring and I can safely promise that you will not feel short changed! Availability: from Discurio – Note new address. Discurio, Unit 3, Faraday Way, St. Mary Cray, Kent, BR5 3QW, Tel/Fax: 01689 879101. Visits are by prior appointment only (a mail order service is operated). Alternatively the disc should be available, or could be ordered, from the HMV Stores. The Specialist Recording Company CDs mentioned elsewhere in this feature are also available from Discurio. Roger Hyslop

‘ROSEMARY & THYME’, Music from the ITV series composed and conducted by Christopher Gunning Rosemary & Thyme theme; They Understand Me in Paris; Up the Garden Path; And No Birds Sing; Rosemary’s Chase; Orpheus in the Undergrowth; The Tree of Death; A Gracious Garden; The Memory of Water; The Gongoozlers; Laura’s Dash; Sweet Angelica; An Elegant Garden; Blown by the Wind; Swords into Ploughshares; Arabica & the Early Spider. Sanctuary Pure Classics PCACD002. Whether or not you are green-fingered or enjoy watching criminal detectives at work, you will love this CD of gardening and classical music mixed together by Christopher Gunning for the television series starring Felicity Kendal and Pam Ferris. Most of the compositions are original but famous classic tunes pop up from time to time – excuse the pun – adding up to a delightful pot pourri of modern light music. It matters not whether you have seen any of the series because the melodies stand alone, ranging from the brightest blossoms to the darkest and most sinister plots worthy of Sherlock Holmes at his best. Edmund Whitehouse

A HENLEY BANDSTAND Gounod: La Reine de Saba; Herold: Zampa; Percy Fletcher: Bal Masqué;Peter Yorke: The Shipbuilders Suite; Mussorgsky: Gopak (Sorochinsy Fair); Rimsky Korsakov:Introduction and Wedding March (Le Coq d’Or); arr. Nestico: A Cole Porter Spectacular; Kaps: The Eton Boating Song; Elmer Bernstein: Theme from the Magnificent Seven; Haydn Wood: The Seafarer;Laukien: Through Night to Light. The Band of the Grenadier Guards, DOM Major Denis Burton ARCM psm. Specialist Recording Company SRC123, 78:00 mins. On release of ‘An Irish Guards Bandstand’ (JIM No. 159 p.72) the Specialist Recording Company promised that this was the first of a series replicating typical programmes featured in the past at park and seaside bandstands. Now hard on the heels of that attractive disc comes ‘A Henley Bandstand’ this time featuring the Grenadier Guards Band and including along with light classics a very fair representation of British Light Music. Peter Yorke’s suite The Shipbuilders was included only recently by The King’s Division Waterloo Band in their ‘Northern Salute’ on Band Leader BNA 5180 (JIM No. 158 p.82), but this newcomer has the undoubted benefit of a distinctly superior recording. Good also to have in this collection are Percy Fletcher’s Bal Masqué and Haydn Wood’s The Seafarer. Naturally The Eton Boating Song makes an appearance and Colin Dean, who is chairman of the IMMS UK (Founder) Branch and provides the very interesting and informative notes for this new release, mentions that the composer Karl Kaps – a nom de plume for John Roberts – took the principal melody composed by a Captain Algernon Drummond and developed it into a very successful waltz sequence lasting near 8 minutes, and it’s delightful to hear such a familiar tune in this less familiar guise. One hopes the opportunity will not be lost in future issues of this series to include selections and pot-pourris from popular musical comedies and operettas from the Edwardian era and later which were such a mainstay of the bandstand of yesteryear. Meantime with vivid refined recording made at The Chapel, Chelsea Barracks, fine playing, very generous playing time and attractive art work, strongly recommended! Roger Hyslop

THE ROYAL ARTILLERY BAND – The Music of the Royal Artillery. The Royal Artillery Band, DOM Lt. Col. Malcolm Torrent LTCL LGSM psm CAMUS. Specialist Recording Company SRC131 76:00 mins. I hesitated to submit a review of the above disc on the grounds that some readers might feel it too peripheral for our magazine but hope the Editor will generously allow a little space to extol the virtues of this latest splendid offering from the Specialist Recording Company. The Royal Artillery Band taking a well deserved break from their complete Sousa Edition perform music with a strong affinity to this famous regiment who, incidentally, boast the oldest established symphony orchestra in Great Britain. What we have here – on 43 tracks (!) – are some fine marches with suitably appropriate titles such as The Gunners, The Little Gunners, Once a Gunner, etc., a splendid grand march by the Italian born Cavaliere Ladislao Zavertal Queen Victoria and two impressive fanfares by Frederic Curzon and Sir Arthur Bliss. And who could not thrill at the dignified, imposing and stirring strains of the Royal Artillery Slow March reputedly composed by HRH The Duchess of Kent, mother of Queen Victoria? Also making an appearance is Captain A C Green’s moving and poignant Sunset.Music much associated with the Senior Service when colours were struck on Royal Navy warships at the end of the working day. The centrepiece of this disc is a twelve minute audio depiction which seeks to recreate the celebrated Royal Horse Artillery The Musical Drive – a popular feature of countless Royal Tournaments down the years. The music blends traditional tunes such as Bonnie Dundee, Come Lasses and Lads, The Campbells are Coming, The Keel Row etc. with snatches from the Light Cavalry Overture and The Galloping Major. This CD proved to be an exceptionally enthralling 1¼ hours. The vivid resplendent recording – for the technically minded in 24 bit sound – was made at the Woolwich Town Hall. This latest release from SRC simply exudes quality and, with excellent art work, thoroughly deserves a mention in dispatches – I hope the editor agrees! Roger Hyslop

FRANK WEIR Frank Weir & His Saxophone The Happy Wanderer, From Your Lips, The Bandit, By Candlelight, The Never Never Land, The Little Shoemaker, Whistle Along The Road, Starlight Souvenirs, The Cuckoo Cries, Misty Islands Of The Highlands, Theme from ‘Journey Into Space’, Serenade To An Empty Room, Hold Me In Your Arms, Too Many Dreams, [Tinkle-Tinkletay] The Water Tumbler Tune, Whispering Leaves, I’m A Little Echo, Castles In The Air, Stein Song [University of Maine], Lily Of Laguna, The ‘Trek’ Song, Vieni, Vieni, The Story Of A Starry Night, By The Sleepy Lagoon, The Donkey Serenade, Oh! My Papa, Du bist mein Liebchen [You Are My Beloved], The Glow Of A Candle, My Love, My Life, My Own, I’ll Come When You Call, Thank You For The Waltz [Dear Stranger] Vocalion CDLK 4266 78.39 mins. Congratulations to Mike Dutton for resurrecting these recordings from this most talented and versatile Welsh musician. They consist of a 10-inch Lp and singles from Weir’s golden years at Decca in the 1950s, when he ranked alongside such light music luminaries as Black, Chacksfield, Farnon, Mantovani and Ros. The Happy Wanderer was the most popular tune of 1954 and this version spent a total of 19 weeks in the charts and went to No.4. The appeal of Weir’s version was undoubtedly his lilting soprano saxophone. The success of this recording meant the combination of 24-piece string orchestra, 12-voice male choir and his instrumental solos was to be Frank Weir’s stock-in-trade formula for almost all of his recordings for the next few years. There are other vocalists featured among the 31 tracks. One is the Swiss, Lys Assia, who was responsible for introducing O Mein Papa to this country and here sings her English language version. It is thought that the Theme from ‘Journey Into Space’was probably the only recording made of the cult BBC radio series tune. Serenade To An Empty Room is a very attractive mood piece. Weir’s third single in 1954 was a popular coupling of The Never Never Land, with a group of schoolgirls - Maureen Childs & The Little Tinkers - and The Little Shoemaker, featuring The Michael Twins. Other featured vocalists are Jean Hudson, Eula Parker, Janet Harrison, Gillian Harrison and Jean Marden. My favourite track The Cuckoo Cries was another title, like Weir’s biggest hit, introduced to the UK by the Obernkirchen Children’s Choir. It is great to have all these titles back in circulation as a reminder of a musician who does not deserve to be forgotten. Peter Burt

TANGO ROMANTICO INTERNACIONAL … 2 CD Collection (France) Marianne Melodie 041655, 46 tracks. It’s been a little while since we have seen a new compilation from Pierre-Marcel Ondher, but here he is with an entertaining 2-CD collection of Tangos, recorded between 1933 and 1953. Many of the orchestras will be ‘old friends’ to readers – Victor Young, Sidney Torch, George Melachrino, Mantovani, Victor Silvester, Frank Chacksfield and Leroy Anderson. There are also some distinguished ensembles from the Continent of Europe, among them Alfred Hause, Heinz Huppertz, Georges Boulanger, Werner Muller and Barnabas von Geczy. Most enjoyable! David Ades This 2-CD set can be obtained to special order through the RFS Record Service.

A COUPLE OF SONG AND DANCE MEN featuring Fred Astaire, Gene Kelly, Donald O’Connor, Bojangles Robinson, Sammy Davis Jnr, Jack Buchanan, Danny Kaye, Bing Crosby, Judy Garland, Ginger Rogers, Ann Miller, etc… Sanctuary Living Era CD AJA 5568, 76:23 mins. This could almost be called an RFS production! David Lennick has selected some memorable tracks, which have been expertly remastered by Alan Bunting. There are so many highlights that I won’t even try to identify them. But one title may intrigue: Ray Bolger sings Once In Love With Amy on a 10" Decca 78 that lasts 4:21mins. That’s not a misprint – the 78 (one side only) really does last that long, because I have it in my own collection. Dating from 1949, it may have been an attempt to transfer the ‘new’ LP technology to 78s. Who knows! David Ades

DEPARTMENT TV 30 tracks including Eye Level by The Simon Park Orchestra, Leonie, Soft Spectum, Downtown Motown & Touch Of The Bow Bells by Reg Tilsley plus tracks from Barbara Moore. Winchester Hospital Radio WHRCD501 (see advertisement on page 92). Welcome to Department TV. Come on in. Take a musical cocktail and sit down. Relax and enjoy this varied mixture of melodic tunes from the DeWolfe Music Library. This library has a wealth of tunes covering over five decades and has not been widely exposed at all. So for production music fans this will come as a breath of fresh air to be able to find so many tracks not heard elsewhere. For the connoisseur of light melody then this is how loungecore used to be before it became jazzy and trendy. Here we have a good mixture of tempos and melodies, punchy catchy numbers, a few vocalise swingle style tracks from Barbara Moore and some lovely orchestral instrumentation from Mr Reg Tilsley, who was a backing orchestra for the likes of Tom Jones. I must draw your attention to Soft Spectrum. This is a track that just melts with sophistication. You listen to this and you wonder why music like this cannot be produced today. This CD also includes the No. 1 Single Eye Level, which was the catchy theme used for the TV Series "Van Der Valk" starring Barry Foster as the Amsterdam detective. You can feel the drama unfold as this theme plays out and as usual with all CD’s that go to help the funds at Winchester Hospital the quality here is second to none. A lot of the big producers out there could not better the sound quality of this CD. So sit back and enjoy Department TV.   Malcolm Batchelor

STANLEY BLACK conducts The London Festival Orchestra and Chrous ‘Music of a People’ / ‘Spirit of a People’. Vocalion CDLK4256, 92:41 mins (2 CDs for the price of 1). Two fine Decca Phase 4 albums (from 1965 and 1974) offer a thoughtful selection of traditional Jewish melodies, interlaced with a few popular hits from leading Jewish writers. The fine orchestra produces some wonderful sounds from the maestro’s inventive, yet sensitive arrangements. Stanley Black’s own original sleeve notes are supplemented with some biographical details by RFS’s Tony Clayden. David Ades

THE GREAT DANCE BAND VOCALISTS featuring Carole Carr, Anne Shelton, Alan Dean, Al Bowlly, Paul Carpenter, Beryl Davis, Eve Boswell, etc… Memoir CDMOIR587, 75:18 mins. Gordon Gray can always be relied upon to come up with interesting compilations, and he is well supported by Ted Kendall in the remastering department. Robert Farnon accompanies Paul Carpenter in Maybe You’ll Be There, and Bob is also the conductor (uncredited) on Getting Nowhere featuring Carole Carr with the Geraldo Orchestra. David Ades

VERA LYNN ‘Yours’ You’ll Never Know, Again, By the Fireside, I’ve Heard That Song Before, etc. 24 tracks Memoir CDMOIR588, 72:53 mins. This is an interesting selection, covering the years from 1943 to 1953, with several 78s arranged and conducted by Robert Farnon: You Can’t Be True Dear, My Thanks To You, Heartaches, Put Your Dreams Away, I Don’t See Me In Your Eyes Anymore, You’d Be Hard To Replace and Our Love Story. Other conductors include Len Edwards, Roland Shaw and Bruce Campbell. Ted Kendall’s digital remastering treats the material sympathetically. David Ades

The World of NAT ‘KING’ COLE EMI Capitol 560 6802. Marking the 40th Anniversary of Nat’s death on 15 February, this collection begins with Let’s Face The Music And Dance and ends with Stardust. In between you’ll find 25 other numbers that are all indelibly associated with one of the greatest popular singers of the last century. Of course, we’ve already got most of them safely filed away in our collections, but there will probably be a few tracks that may have escaped you previously. What is new, is the excellent booklet that accompanies the CD. Mainly the work of Nat’s daughter Natalie, the booklet is crammed with photos and other memorabilia, and happily the arrangers and conductors also receive their due credit. The only possible ‘extra’ would have been the inclusion of recording dates, but this is truly an outstanding tribute. A DVD is also due to be released around the end of February. David Ades

PERCY FAITH Columbia Singles, Volume 1: 1950-1951 [full track listing in JIM 161 – page 82][There are 28 tracks; some booklet listings are incorrect as they omit track 9, Goodbye John]Collectables Records [US] Col 7635, 78:32 mins. When I was nowt but a lad the only Percy Faith 78 single I possessed was Leroy Anderson’s Sleigh Ride coupled with the piece appearing at the top of the above listing. I still have that record albeit with a bit broken out of it. Most of the other songs here, released in the first two years of Faith’s association with Columbia that was to last for close on three decades, were new to me so this release has been a journey of discovery. In fact, The Loveliest Girl and Come Home will be new to everyone, as they have not been previously issued in any format. All the tracks not credited with a vocalist feature a chorus. We are told that most of these titles were released in the hope of breaking into the hit parade. Imagine that today! Only three titles actually made it: I Cross My Fingers [Faith’s first appearance in the charts], When The Saintsand I Want to Be Near You. If you are happy with all the vocalising you will find this an enjoyable album. Several of the songs, like Hal David/Leon Carr’s There She Goes, are great fun if not great music. Unsurprisingly the best tracks come from the Gershwins, Lerner & Loewe, and Freed & Brown. Being our Percy, ‘though, everything is done well. [Since finishing this review I have found myself re-playing the CD quite often]. Peter Burt

PERCY FAITH Columbia Singles, Volume 2: 1952-1958 [full track listing in JIM 161 – page 82]Collectables Records [US] Col 7636, 74:41 mins. Even if the first volume was not entirely to my liking, I was looking forward to this album especially after reading the paean of praise from Alan Bunting, who liaised closely with Dan Rivard of Sony in the compilation of the collection. Alan has already mentioned two previously unreleased tracks -- they are Somewhere and Do I Need You --and Leroy Anderson’s exciting Pyramid Dance [Heart Of Stone]. These are three of the ten tracks appearing in stereo, some for the first time, having been remixed from the master tapes especially for this compilation. The others are Katsumi Love Theme, Never Till Now, Maria, The Impala Theme, Indiscreet, Same Old Moon, and Isle Of Paradise. One has to agree with Alan in lamenting that Faith did not record more Anderson titles or do a ‘West Side Story’ album. This is another release that will especially appeal to RFS members [and there are quite a number] who prefer the great arranger, conductor and composer with vocals. Peter Burt

PERCY FAITH I Think I Love You [Plus Bonus Tracks] Everything’s Alright; [Where Do I Begin] Love Story; Love The One You’re With; He Ain’t Heavy, He’s My Brother; Easy Days-Easy Nights; The Green Grass Starts To Grow; I Don’t Know How To Love Him; I Think I Love You; My Sweet Lord; Rose Garden; Don’t Say Goodbye; The Time For Love Is Anytime [‘Cactus Flower’ Theme]; Peppermint Hill And Strawberry Lane; Theme For Young Lovers [Where Is My Someone]; I Can Hear The Music; The Godfather Waltz; Life Is What You Make It [Theme from ‘Kotch’]; Emmanuelle-The Joys Of A Woman Collectables Records COL 7653. In the summer of 1972 the LP of ‘I Think I Love You’ was hardly off our turntable at home. Before listening to this CD version my thoughts were that I must have been more tolerant of Percy Faith’s Chorus then than I am now. It was after this album that I believe Faith yielded to protest from his "hard core" listeners [significantly, I bought the original record in a WH Smith sale] and dropped the chorus altogether. But on re-hearing it I have to admit that the rock-influenced arrangements are good, the singing crystal clear and the sound recording fine. Pity about the fade-outs but they are part and parcel of a ‘pop’ approach. I even think I prefer the two ‘Jesus Christ Superstar’ songs in their vocal guise to Faith’s instrumental versions on his album of that name, although not everyone will agree. The standout track for me is Burt Bacharach’s Green Grass. The CD is completed by seven singles also from the early ‘70s; ’76 in the case of the last track.

Peter Burt

DAVID ROSE Holiday For Strings [full track listing in JIM 160 – page 29] Sanctuary Living Era CDA5499 75.43 mins. As soon as I joined the RFS I sought to fill a gap on my CD shelves by ordering from our Record Service a cheap-as-chips disc called The Stripper by the David Rose Orchestra – presumably without David Rose. The selection here is the real thing: 25 original recordings spanning the years 1942 to 1952. There’s no Stripper, nor that other million seller Calypso Melody, but there are 11 titles penned by the man himself including the title tune from 1944 that made him famous and gave him his first million seller 14 years later, as well as Dance Of The Spanish OnionOur WaltzOne Love, Manhattan Square DanceAmerican Hoe-DownSerenade to a Lemonade and Parade of the Clowns, etc. I especially liked the pizzicato led Gay Spirits. Rose’s arrangements of the remaining 14 numbers are all interesting. The start of Serenade [The Student Prince] sounds as if it’s going to be Begin the Beguine, and Someone to Watch Over Me includes a quotation from Clair de Lune. The final number, Harlem Nocturne, features the alto-sax of no less a luminary than Woody Herman. The sound is good although I did find all those high strings a tad tiring to listen to at one sitting, but that could just be me. Without doubt, this album is another admirable addition to Sanctuary’s long list of re-issued 78s on CD. Praise, too, for the booklet cover design.Peter Burt

THE PLAYFUL PACHYDERM Classic Miniatures for Bassoon & Orchestra My Teddy Bear (Ganglberger); Romance (Elgar); Allegro Spiritoso (Senaille); Walking Song from Appelbo (Swedish folk tune); Mist-covered Mountains (Scottish folk tune); Piece (Faure); The Playful Pachyderm (Vinter); Four Folk Songs (Vaughan Williams); Bonny at Morn (Northumbrian folk tune); Lucy Long (Godfrey); Funeral March of a Marionette (Gounod); The Old Grumbler (Fucik); Habanera (Ravel); Carnival (Hume); The Bassoon (Ashlyn). George Perkins with the New London Orchestra conducted by Ronald Corp Hyperion CDA67453. Rather like the bass singer in opera, the bassoon is something of a neglected and side-tracked constituent of music. How pleasing, therefore, that this CD redresses the balance and delights under a title which conjures up a mischievous circus elephant, easily imagined in musical bassoon form. All the old favourites are there plus many new ones and jolly good they are too. Edmund Whitehouse

MANTOVANI & HIS ORCHESTRA Old And New Fangled Tangos Whatever Lola Wants [Lola Gets], Blue Tango, Tango delle rose, A New Fangled Tango, Music Box Tango, Adios muchachos, Besame mucho, Hernando’s Hideaway, Blaue Himmel [Blue Skies], Takes Two To Tango, The Rain in Spain, The Orange Vendor Folksongs Around The World Aura Lee, Skip To My Lou, The Streets Of Laredo, Shenandoah, The Blue-Tail Fly, Red River Valley, Oh! Susanna, Au Clair de la Lune, Frère Jacques, Du, du liegst mir im Herzen – introducing Lieber Augustin, Addio a Napoli, Rosa, Greensleeves – introducing Love Is Kind, Early One Morning, Annie Laurie, Wi’ A Hundred Pipers, All Through The Night, The Minstrel Boy, Two Guitars, Moon On the Ruined Castle, Hava nagila Vocalion CDLK 4265, 75 mins. No sooner had I expressed the hope, in JIM160, that these two albums might be on Mike Dutton’s list of intended re-issues, than here they are. Monty has always had a way with tangos and ‘Old and New Fangled Tangos’ from 1967 is a nice mix of the ‘classical’ with more modern tunes, some of which are not normally thought of as standard tangos. It is good to have Goehr’s clever Music Box Tango back in circulation. Another of my favourites, The Orange Vendor, is credited to Rodilo, who bore more than a passing resemblance to Mantovani himself. The newer tunes are all well suited to the tango rhythm, although we would expect nothing less from this conductor. The Tijuana trumpet led A New Fangled Tango is great fun. ‘Folksongs Around The World, from three years earlier, is a lush presentation that some will think is too syrupy to be always appropriate. It features traditional folk songs of America [arranged Cecil Milner] and from France, Germany, Italy, the Netherlands [arr. Roland Shaw], the British Isles [arr. Milner], and Russia, Japan and Israel [arr. Mantovani]. It is unique in including a track, Wi’ A Hundred Pipers, without a single violin. The sound was the best Mantovani had received at that time and the arrangements are nothing if not colourful. I loved it. Peter Burt

MANTOVANI & HIS ORCHESTRA with RAWICZ & LANDAUER Music From The Films Warsaw Concerto, Serenata d’amore, The Dream Of Olwen, The Legend Of The Glass Mountain, Story Of Three Loves - Rhapsody on a theme of Paganini, Cornish Rhapsody Film Encores My Foolish Heart, Unchained Melody, Over the Rainbow, Summertime In Venice, Intermezzo, Three Coins In The Fountain, Love Is A Many-Splendoured Thing, Laura, High Noon, Hi-Lili Hi-Lo, September Song, Theme from "Limelight" Vocalion CDLK 4255, 70:18 mins. This 2-on-1 brings us a superior selection of film music under the baton of maestro Mantovani. On ‘Music From The Films’ -- including the best of what Steve Race called "Denham concertos" [most films emanating from the British studio at that time seemed to have a full-blown piano pseudo-concerto on the soundtrack] -- he is joined by pianist friends Maryan Rawicz and Walther Landauer, who in the 30s, 40s and 50s were highly respected [even if we teenagers did sometimes call them Rabbits and Laundry] and immensely popular in the UK. The beautiful Serenata d’Amore is another of Mantovani’s own compositions. This was Monty’s first stereo Lp in 1958 and is a winner all the way. ‘Film Encores’ was originally released the previous year in mono and re-recorded in stereo, also in 1958, and is another five-star album. The sweeping strings at the start of My Foolish Heart are memorable. Three Coins has a magical ending, and Love Is is magnificent; I have yet to hear a finer version. The "Limelight" Theme is also v. good -- what an admirable tune that is. Monty’s many fans will not hesitate to add this CD to their collections. Neither should anyone else. Peter Burt

The very best of PEARL BAILEY EMI 724387493926, 73:47 mins. The "boffins" at EMI have certainly been busy (see Big Band Roundup). Pearl’s strident Cabaret singing has always passed me by and this one is no exception! Twenty six tracks arranged by her husband Louis Bellson and Don Redman compiled by obvious fan Lee Stevens, some for the first time on CD or not previously available. Call me Irresponsible has some pleasant string writing but the strings are drowned out onThe second time around by her nasal voice, far too forceful for me! Pearl sometimes talked the lyric and those lyrics could be pretty explicit! The tracks contained here exclude the more risque songs (saved for another album which I know exists). Pearl played often in England starring in "Sunday night at the London Palladium" and "The Talk of the Town". She also had parts in many Hollywood films. Come fly with me is totally murdered on this album but perhaps that's just me! For fans only.Paul Clatworthy

TONY BENNETT The Art of Romance Close enough for love, All in fun, Where do you start, Little did I dreamI, I remember you, Time to smile, All for you, The best man, Don't like good-byes, Being alive, Gone with the wind RPM Records/Columbia 5188692, 44:29 mins. By the time this appears in print I'm sure many copies will have been sold. Something to cherish, Tony back with the mastery of Johnny Mandel! Being a perfectionist Johnny only had time to do five of the arrangements but he conducts all but two songs. It seems ages since rumours circulated of the recording taking place - I suspect time taken up by extensive editing and retakes! Tony's voice falters on occasions but still worth the wait! Tony turns in his best album in some while, some of the songs have been visited before but this is still an enthralling piece of work, continually revealing fresh nuances, graces and delicate shadings. I could listen till the sun comes up! Jorge Calandrelli and Lee Musiker scored the other songs and also deserve praise. If you buy for the singer or the backings, this is class! If you buy for both you have struck gold! Paul Clatworthy

Midnight Jazz EMI 724386686121 Double CD, 143:10 mins. Yet another compilation! Thirty tracks of anything but "edgy" jazz but mercifully not all ‘smooth’ which for me is a label to steer clear of!Moonlight in Vermont reminds the listener of what a great piano player Nat King Cole was although he gained greater fame with his singing. Lou Donaldson plays a very ‘bluesy’ Down home; Lou Rawles is listed as singing Willow weep for me but instead we get St James's Infirmary either a typo error or the compilers attention wandered! Days beyond recall featuring Sidney Bechet is too ‘traddy’ to be included. Autumn leaves by Miles Davis, Oh you crazy moon by Peggy Lee, Sweet stuff by Horace Silver and How long has this been going on by George Shearing make disc two the better selection. If you have not got the tracks elsewhere and EMI sell at the right price good backdrop for a night in of your choice. Paul Clatworthy

MUSIC FOR A FESTIVAL: Bax: Royal Wedding Fanfare, Elgar: Sursum Corda Op11, Pomp & Circumstance March No. 4 in G Major Op39, Vaughan Williams: English Folk Song Suite, Milhaud:Suite Francaise, Gordon Jacob: Music for a Festival, Arnold: Homage to the Queen. The Band & Fanfare Trumpets of HM Royal Marines School of Music conducted by Lieutenant Colonel F Vivian Dunn CVO OBE FRAM RM with Barry Rose (organ). Eastney Collection RMHSEC010 64:00 mins. This latest distinguished arrival from the Eastney Collection boasts three significant original works for wind band. Vaughan Williams’ English Folk Song Suite received its first performance at Kneller Hall in 1923 and in the version under review comes up delightfully fresh, bracing and invigorating. Milhaud’s fairly lightweight and engagingly tuneful Suite Francaise with movements carrying the titles of French provinces was a product of his stay in the USA during the Second World War and contrasts effectively with the more serious and weighty Music for a Festival which lends its title to this CD – for which recording sessions the composer Gordon Jacob was in attendance. Of the eleven movements of this fairly lengthy piece eight are included on this disc. The music was originally commissioned by the Arts Council of Great Britain for the 1951 Festival of Britain. The claims of this disc are enhanced further by resplendent performances of Elgar’s Sursum Corda – the Latin for ‘Lift up your Hearts’ – and Malcolm Arnold’s Homage to the Queen – in its original form a full length ballet – in which the Royal Marines Band is joined by the weighty tones of the Guildford Cathedral organ with Barry Rose at the console. It’s almost superfluous to add that the playing of this accomplished band in challenging repertoire is peerless and with good recording a wonderful and glowing testimonial to the talent and genius of Vivian Dunn who was surely a towering figure in military music in the last century. Roger Hyslop

ELGAR: Pomp and Circumstance Marches No. 2 in A minor Op 39, No. 4 in G major Op 39, Cockaigne Overture Op 40 Serenade, The Wand of Youth – 2nd Suite Op 1b, Sérénade Mauresque Op 10/2, The Severn Suite Op 87. The Band of The Grenadier Guards, DOM Lieutenant Colonel P E Hills FLCM, psm. Specialist Recording Company SRC 105 73:00 mins. The Specialist Recording Company and The Band of the Grenadier Guards here revisit Elgar – Volume one is available on SRC 101, not reviewed in JIM. Both Pomp and Circumstance Marches are played here with commendable and predictably crisp precision. On the other hand, I approached the expansive Cockaigne Overture with some little apprehension since this is certainly a challenging and daunting piece for any wind band to tackle but The Grenadiers carry it off with aplomb and superb professionalism in an exceptionally well judged and well paced performance. I found their rendition entirely convincing not missing the strings of an orchestra to any significant extent, all helped no doubt by excellent, vivid recording. All the transcriptions here are effectively done by such well known figures as Dan Godfrey – both senior and junior – and Henry Geehl. The Severn Suite was, of course, originally scored for brass band as a test piece for the 1930 Crystal Palace Brass Band Championship and works exceptionally well in this arrangement for military band. Incidentally one of the items on this disc is a little known late published work Serenade, one of three miniatures originally for piano. Recommended strongly particularly as the standard of technical expertise and musicianship displayed here and by all our premier military bands has never been higher and yet they continue to be denied access to the national airwaves to showcase their considerable and indisputable talents. The recordings were made in November 2001 prior to the retirement of Lieutenant Colonel Hills as DOM. Roger Hyslop

A NORWEGIAN BANDSTAND: Borg: Den norske Armé og Marines Revelje, Den norske Armé og Marines Tappenstreg, Svendsen: Carnival in Paris, Okkenhaug: Lyric Dance, Thingn Æs: The Clown,Hansson: Valdres March, Grieg: Norwegian Dances, Gudim: Eg ser deg utfor gluggen, Johansson:Holmenkollen March, Halvorsen: Norwegian Rhapsody No. 1, Grøndahl: New Circus. Royal Norwegian Navy Band, Principal conductor: Leif Arne Tangen Pedersen. Specialist Recording Company SRC 122, 67:00 mins. For the latest in their highly imaginative ‘Bandstand’ series the Specialist Recording Company have ventured intrepidly across the expanse of the North Sea to produce a Norwegian version engaging the services of the excellent Royal Norwegian Navy Band established in 1820 and currently comprising some 29 musicians. Greig’s endearing Norwegian Dances will probably be the most familiar item in this concert for most collectors and is sensitively and idiomatically treated here in a highly effective transcription for wind band. Johann Svendsen is represented by probably his most popular work namely the ebullient Carnival in Paris, the arrangement being made by the ubiquitous Dan Godfrey, whilst Johan Halvorsen chiefly remembered today by his very popular march ‘Entry of the Boyars’ and like Svendsen a composer of symphonies makes his appearance with the first of two Norwegian Rhapsodies. Also here is a somewhat jauntyLyric Dance by Paul Okkenhaug and a short 3 movement suite by Frode Thingn Æs The Clown which features a prominent solo cornet. Hanssen’s Valdres March described by fellow composer Ole Olsen as the finest march he had ever heard was included in an orchestral version as part of a collection of Norwegian Classical Favourites by the Iceland Symphony Orchestra conducted by Bjarte Engeset on NAXOS 8.557017 apart from which the two discs are entirely complementary as to their respective contents. In sum there is much attractive and interesting music here in nicely contrasting styles from orthodox military music to a ‘big band’ effect in the Gudim piece which is based on an old Norwegian Folk song and all rounded off neatly by a particularly engaging march by Oscar Borg Den norske Armé og Marines Tappenstreg which apparently translates as ‘The Reveille and Taps of the Norwegian Army and Navy!’ An unusual but inherently tuneful and thoroughly absorbing release, vividly recorded and anyone looking for something a little ‘off the beaten track’ will be well rewarded by purchasing this CD. Roger Hyslop

LEROY ANDERSON The Waltzing Cat The Typewriter, The Waltzing Cat, Fiddle Faddle, A Trumpeters Lullaby, Horse & Buggy, Plink Plank Plunk!, Belle of the Ball, The Irish Washerwoman, The Last Rose of Summer, The Phantom Regiment, Pyramid Dance, Blue Tango, Bugler’s Holiday, Sleigh Ride, The Syncopated Clock, Chicken Reel, Piano Concerto in C Major. Melbourne Symphony Orchestra conducted by Paul Mann, with Simon Tedeschi (piano) ABC Classics 476 1589, 68:00 mins. An unexpected but very welcome release from the Australian Broadcasting Commission on their ABC Classics Label of the music of Leroy Anderson made so more so by the inclusion of the rarely performed or recorded three-movement Piano Concerto in C Major – the composer’s only extended orchestral work, playing for about 20 minutes. The music is inimitably and recognisable in his own idiom and style but with occasional hints of Rachmaninov. The concerto was written in 1953 and the composer conducted the first performance with Eugene List as soloist but according to James Koehne in his informative notes was withdrawn immediately afterwards for revision which in the event Anderson never got round to. It only surfaced again in 1989 when his executors allowed the concerto to be finally published in its original unrevised form. There is a rival recording on a difficult to obtain Telarc CD-CD-80112 with Stewart Goodyear as pianist with the Cincinnati Pops Orchestra conducted by Erich Kunzel and coupled with music by fellow Americans George Gershwin, Scott Joplin, Morton Gould etc. On the present disc you get more music by Leroy Anderson including many old favourites but one or two novelties such as Chicken Reel and Pyramid Dance which currently lack modern recordings. Good committed playing from the Melbourne Orchestra and exemplary well detailed recording. Perhaps one or two individual items are played with a little more restrain than we are used to from American recordings but this is still a very worthwhile addition to the Anderson discography and I imagine the inclusion of the rare Piano Concerto will enhance the disc’s attractiveness to potential buyers. Well worth seeking out! Roger Hyslop

PASSING IN A Life on the Ocean Wave (Russell), Markers Call/Divisons Call (Trad.), Sea Shanties (Trad.), Auld Lang Syne (Trad.), On the Quaterdeck (Alford), By Land and Sea (Alford), Heart of Oak (Boyce), The Thunderbirds (Gray), Rule Britannia (Arne), Scipio (Handel), Defence of the Realm (Weston), The Captain General (Dunn), Soldiers of the Sea (Dunn), Washington Greys (Grafulle), The New Colonial (Hall), Barnum and Bailey Favourite (King), On Parade (Elms), Shrewsbury Fair (Neville), Wellington (Zehle), The Invincible Eagle (Sousa). Band of H.M. Royal Marines, Plymouth. D.O.M. Major P. Weston M.Mus., A.R.C.M., L.R.S.M., R.M. Introduced and Narrated by Commodore D.W. Pond R.N. CLOVELLY CLCD13604, 61:00 mins. A fascinating and imaginatively conceived disc giving an excellent insight into the ‘Passing In’ parade at H.M.S. Raleigh, Torpoint, Cornwall in which new entrants after 8 weeks initial basic training make the formal and somewhat dramatic transition from ‘civvies’ to sailors as the ‘Pass In’ to the Royal Navy. There is an interesting, informative and succinct commentary interpolated at several points by Commodore D.W. Pond R.N. Playing through this CD with one or two occasional shouted orders setting the scene gives one the distinct feeling of being transported to the parade ground of this naval establishment hopefully perhaps as a passive observer rather than an actual participant doubtless under the gimlet eye of a seasoned C.P.O.! The programme which was recorded in the band complex rather than the parade ground includes a fine selection of marches by some of the giants of the genre – Alfrod, Dunn, Sousa and even a certain Mr. Handel! There’s also a recent piece – Defence of the Realm – by the current D.O.M. of the Plymouth Band, Major P.A. Weston. All credit to Clovelly for releasing this disc with all dispatch since the recording sessions took place in late September 2004 and the disc was in my hands by mid November 2004! Recording quality is full and brilliant and it’s difficult to imagine finer playing than we get here from the Plymouth Band. So full marks to Clovelly and the Senior Service for such an unusual, enterprising, and engrossing disc. Despite the armchair ‘square bashing’ this CD has given me great and stimulating pleasure – there is absolutely no danger of ‘nodding off’ and is cordially commended not least for the great musical experience. Roger Hyslop 

DAVID HUGHES Great British Song Stylist Castle PLSCD738. 20 tracks for around £2.99 from the Fifties "pop" career of this fine artiste who became a celebrated opera singer and died aged 47. Among the songs are I Talk To The TreesRags To RichesWith These HandsBridge Of SighsWild Horses, and If I Had Wings. But the disc would be worth the modest price if it only featured David’s duets with Jo Stafford, Let Me Hear You Whisper and One Love Forever, one of the first "Records of the Century" [78 rpm, of course] on the then new Philips label. Peter Burt

FRANKIE LAINE "I Believe" I’m Gonna Live Till I Die, Shine, That’s My Desire, We’ll Be Together Again, I May Be Wrong, The Cry of the Wild Goose, Mule Train, Your Cheatin’ Heart, Jezebel, Rose Rose I Love You, etc.. 27 tracks Memoir CDMOIR586, 75:09 mins. Many of Frankie Laine’s biggest hits are here. It’s incredible to think that all these tracks are over 50 years old!

BILLY MAY – A Tribute Cherokee, American Patrol, Clambake in B Flat, Lazy River, Memphis in June, Fat Man Mambo, Minor Mambo, All of Me, My Silent Love, etc… 27 tracks Sanctuary Living Era CD AJA 5575, 78:03 mins. So much has been written about Billy May during the past year, and Living Era are joining a growing list of record companies who are reissuing his vintage recordings. As well as his own orchestra, this CD finds May scores for Charlie Barnet, Glenn Miller and Charles LaVere.

THE ROYAL MARINES PLAY BRITISH MUSIC Salute to the Colours (Dunn), Cockleshell Heroes (Dunn), The Globe and Laurel (Dunn), Jupiter – The Planets (Holst), March – Suite No.2 in F Major (Holst), I Vow to Thee My Country (Holst), Country Gardens (Grainger), Drakes Drum (Stanford), The Old Superb (Stanford), The Little Admiral (Stanford), The Contemptibles (Stanley), Sea Songs (Vaughan Williams), Scherzo – Music for a Festival (Jacob), Welcome the Queen (Bliss), Call to Adventure (Bliss), The Churchill March (Grainer), Orb and Sceptre (Walton), Pomp and Circumstance March No.1 in D Major Op.39 (Elgar). Band and Fanfare Trumpets of H.M. Royal Marines School of Music, conducted by Lieutenant Colonal F. Vivian Dunn C.V.O., O.B.E., F.R.A.M., R.M., with Frederick Harvey (baritone), David Bell and Barry Rose (organ). EASTNEY COLLECTION RMHSEC009, 66:00 mins. The latest release from the Eastney Collection is to be the more warmly welcomed since it gives us the all too rare opportunity to hear again the fine baritone voice of Frederick Harvey whose career was abruptly terminated by and early death at the age of 59 in 1967. He was a Devon man born in Plymouth and served throughout the Second World War in the R.N.V.R. undertaking a number of recording sessions with the Royal Marines Orchestra, Portsmouth Division under a certain young Captain F. Vivian Dunn so was perhaps uniquely qualified for performing some of Stanford’s Songs of the Sea and Fleet. Never was this considerable talent more challenged than in the tongue twisting ‘Little Admiral’ which required crystal clear articulation for its full effect and in which this gifted singer negotiates through tricky waters with consummate ease. Several of the tracks originally appeared on an HMV LP ‘Music of the Sea’ released in the early 1960’s the cover of which was graced by and illustration of a painting of HMS Victory and a fine official photograph of the aircraft carrier HMS Hermes. Despite the claim that the recordings range in date from 1953 to 1968 which would imply a mix of both mono and stereo tracts careful listening on headphones would appear to reveal that all have two dimensioned sound imaging. Notwithstanding there is little variation in the more than acceptable sound quality throughout this disc which is brought to a resounding conclusion by a splendid and frisson inducing Pomp and Circumstance No.1 complete with the full blooded panoply of organ joining the band in the final reprise of the famous trio tune. This latter recording made in Guildford Cathedral in 1968 is historically significant as Brian Culverhouse in his introductory notes to this release states that this was the final recording Sir. Vivian made for EMI under whom he was contracted with the Royal Marines Band Service although of course he went on to make a number of commercial recordings with the City of Birmingham Symphony Orchestra and the Light Music Society Orchestra. A self recommended disc, a valuable addition to the steadily expanding Eastney Collection and a superb reminder of Sir Vivian’s outstanding musicianship. Roger Hyslop

FRANK CHACKSFIELD & HIS ORCHESTRA Black Satin Chill Samba (Fones); Isla Del Sol (Wilson); Blue Baion (Aldrich); Pacific Blue (Chacksfield); Sleepy Time Bossa Nova (Frith/Turner); Heidi (Nash); Winter Dreams (Alstone/Chacksfield); Fernando (Rey); When It's Twilight In Capri (Gurner); Barbiroussa (Warren); Mexican Doll (Rey); Tamoretta (Mellis/Senicourt); Black Satin (Warren); On The Tamiami Trail (Vezey); Autumn Romance (Fones); Dreamy Eyes, Dreamy Girl (James/Scott); Just Like A Leaf In The Wind (Warren); Solitario (Loublique); Tenerife (Fenoulhet); Make You Happy (Langford); Soho Samba (Harrison/Johnson/Pugh); Soft Lights (Harris/Waugh). Prestige Elite Records CDSGP0961. West of Sunset Cuban Boy (Chacksfield); Capri Serenade (Ballerini); Jumpin' Jupiter (Harrison/Johnson/Ross); Cheeky Cha Cha (Fones); Inishannon Serenade (Chacksfield); Singapore Girl (Fones); La Nina Callada (Caffell); Miami 747 (Fones); Bless Your Heart (Chacksfield/Chester); Marylin (Fones); An Idle Dream (Hughes); I'll Be There (Fones); After All (Litchfield/Wills); Sahara (Ninaber); How Was It For You (Langford); Shadow Play (Caffell); Majorcan Holiday (Johnson/Litchfield); Jog Trot (Langford); West of Sunset (Hughes/Johnson/Pugh); Aperitif (Langford); Wedding In Schio (Fones); Ocean Sunrise (Vezey). Prestige Elite Records CDSGP0962.   These two superb CDs were released in the UK towards the end of last year. I must admit that when I bought them, most of the tracks meant little to me but Frank Chacksfield's name was enough to entice me to obtain them. I am so glad I did. These are two very enjoyable CDs. Most of the tracks are very hummable, catchy tunes. There is a good variety of music from some slower, romantic tracks to quite a few faster paced up-tempo tracks. Some of the tracks have the trumpet as a lead instrument and a couple have the accordion as the lead instrument but all of the tracks are accompanied by the famous lush string sound of Chacksfield's orchestra.   Six of the tracks are composed by Chacksfield, this includes the track titled Tamoretta attributed to Mellis/Senicourt. I understand that Senicourt is one of the many pseudonyms used by Chacksfield. I must say I didn't know that Chacksfield was such a talented composer. There is even a very enjoyable up-tempo melodic tune composed by Ronnie Aldrich titled Blue Baion. Apart from the very beautiful track titled Inishannon which appeared on the 1993 Chacksfield 'Streaks of Lavender' CD (NB long deleted CD), I believe that most if not all of the tracks on both CDs were not commercially available before. According to the CD sleeve notes, all of the music was licensed from music publishers Novello & Co. Limited. This is the company that owns Music Sales Limited, Chester Music, Bosworth & Co and other music publishers. I should make clear that the music on the CDs is not really themed in anyway. The tracks on both CDs are just an ad-hoc compilation of music licensed from Novello & Co. There is over an hour of music on each CD and the sound quality is really excellent and all at a low price of around £5.99 for each CD. Further information on these CDs can be obtained from the Prestige Elite Records Limited website at  The CDs are available from all good record shops in the UK. They can also be obtained directly from Prestige Elite's distributors Pinnacle Entertainment who have a secure online shop for the public to use at The CDs can also be obtained from the usual internet websites like HMV at In summary, I would say that this is Chacksfield and lush beautiful orchestral music at its best. A must not just for Chacksfield fans but for all lovers of our kind of music. Do not delay in adding these CDs to your collection. Chris Landor

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CHARLES WILLIAMS High Adventure; Model Railway; Young Ballerina; Bells of St. Clements; Dream of Olwen; Cutty Sark; Nursery Clock; The Night Has Eyes; Devil’s Galop; Starlings; Voice of London; Music Lesson; Girls in Grey; Humming Top; Destruction by Fire; Old Clockmaker; Little Tyrolean; Throughout the Years; Blue Devils; Jealous Lover; Rhythm on Rails; Sally Tries the Ballet; Cross Country; London Fair. BBC Concert Orchestra conducted by Barry Wordsworth Sanctuary Group White Line WHL 2151, total timing 75:01 mins. Here, for the first time, is a CD of modern recordings by one of the finest ever light music composers. Those familiar with the original recordings from the maestro himself may at first find it a little difficult to adjust to the tunes in a contemporary setting. However, the many unfamiliar titles, some of which have not been heard for more than 50 years – if ever before – will present no such difficulties! Everyone involved in rescoring and recreating the latter are to be congratulated on their labour of love. Detailed liner notes by Charles Williams enthusiast, Tony Clayden, make this long overdue CD into a highly desirable purchase. Peter Worsley

This is the CD that collectors have been eagerly anticipating for years. With such a vast output during his distinguished career, it is almost inevitable that music lovers will feel that some of their favourites are missing, but there is still a great deal to enjoy. I am slightly surprised at the inclusion of London Fair since much of this work is taken directly from The Bells of St Clements. Many readers will already have spotted that the actor playing ‘Dick Barton’ on the cover is not Duncan Carse (as stated in the booklet), but the original DB, Noel Johnson (who later became ‘Dan Dare’ on Radio Luxembourg). Another minor niggle concerns the incorrect dates attributed to some of the compositions. The Voice of London was first recorded for Chappells at Abbey Road in 1942. Although it is difficult to be precise about the dates of the Levy’s Sound Studios sessions, Girls in Grey andRhythm on Rails were recorded some time in 1943, and Devil’s Galop in either late 1943 or early 1944. The Old Clockmaker was certainly recorded no later than 1945. Model Railway was recorded by Boosey & Hawkes in 1950, so all these works were composed earlier than the CD booklet states. But don’t let such matters put you off buying what is an essential purchase for everyone even remotely interested in light music. David Ades

The BBC Concert Orchestra is performing at its best with a slightly compacted tone, somewhat reminiscent of the Queen’s Hall Light Orchestra, especially in the less well-known and rarely heard pieces such as Nursery Clock, The Music Lesson and Humming Top. Splendid versions of The Old Clockmaker and Jealous Lover, too. The sleeve notes by Tony Clayden are very informative. Bill Watts

JOHN RUTTER Distant Land Distant Land, Five Meditations for Orchestra, Suite for Strings, Suite Antique, Beatles Concerto Royal Philharmonic Orchestra/John Rutter Universal Classics 476 124-2 78 mins. Although not promoted as such, this tastefully written disc of Rutter’s orchestral music is definitely of interest to the light music enthusiast. The piece that gives the album its title, originally written for choir, was inspired by the release of Nelson Mandela from prison. It features some very nice French horn playing. The Meditations are also based on Rutter’s own choral pieces, including the lovely Christmas carol What Sweeter Music. The Suite for Strings is a Rutter arrangement of four folk-songs including A-Roving and I have a bonnet trimmed with blue. We’re back with Rutter’s own music in the Suite Antique, six gentle tuneful movements for flute, harpsichord and strings. Chansonwas later turned into a Christmas carol. The Beatles Concerto is in three movements and features the piano duo of Peter Rostal and Peter Schaefer [remember them? They recorded the same work with Ron Goodwin conducting back in the late 70s]. It is a highly enjoyable 23’ 41" piece which, I feel sure like me, you will find yourself often coming back to. And something to play to friends asking the question, "Guess who wrote these arrangements?" Peter Burt

FRANK CHACKSFIELD AND HIS ORCHESTRA "South Sea Island Magic" South Sea Island Magic, The Moon of Manakoora, Drifting and Dreaming, Sweet Leilani, Aloha Beloved, Song of the Islands, On the Beach at Bali-Bali, Blue Hawaii, Blue Pacific Moonlight, Good-bye Hawaii, Moonlight and Shadows, To You Sweetheart, A Little Rendezvous in Honolulu, Aloha Oe "In the Mystic East"Japanese Sandman, Moon Above Malaya, Moonlight on the Ganges, By an Old Pagoda, Song of India, March of the Siamese Children, Rose Ros, I Love You, Caravan, On a Little Street in Singapore, Rickshaw Ride, La Petite Tonkinoise, Katsumi Theme, San Vocalion CDLK4207, 82:44. Once again Mike Dutton offers 2 CDs for the price of one, because the two original LPs last just too long to fit on one CD. Yet they make a perfect pairing for this new release, which will prove very attractive for Frank Chacksfield’s many admirers. His large orchestra plays some delightful arrangements (probably mostly by his chief arranger Leon Young – he is credited on a few tracks) – the only regret being that the LPs date from 1957 so they just miss being in stereo. But for goodness sake don’t let that stop you buying – it’s the music that’s important, not the technology! David Ades

ENGLISH OBOE CONCERTOS Concerto No. 1 for Oboe & Strings (Gordon Jacob); Soliloquy (Edward Elgar); Fugal Concerto for Oboe & Flute (Gustav Holst); Concerto in One Movement (Eugene Goossens); Oboe Concerto (Ralph Vaughan Williams)BBC Elgar Chamber Orchestra conducted by Stephen Bell Sanctuary DCA 1173. The gentlest of instruments the oboe is usually associated with lighter music and this new disc is an excellent example. The previously unheard Gordon Jacob concerto is as light as one could wish for, as are all the other four pieces. Charmingly played by Ruth Bolister, who is joined by flautist Kate Hill in Holst’s Fugal Concerto, it is good to know that tuneful British music is still being uncovered and recorded.    Edmund Whitehouse

PHIL KELSALL playing the Technics SX-FA1 ‘The Sweetest Sounds’ Whistle Down the Wind, Joanna, You Don’t Have to Say You Love Me, Roulette, Music Box Dancer, Twilight Time, Spanish Harlem, These Foolish Things, etc… Grasmere GRCD 120. This time Phil has temporarily left behind his strict-tempo style for a collection of popular melodies with a distinct light music feel about them. Which isn’t surprising, when you note that the composers include Trevor Duncan (The Girl from Corsica), Steve Race (Faraway Music) and Albert Ketelbey (In a Persian Market). This Technics organ demonstrates just how far the technology has gone since the very early electronic instruments of long ago, and Phil Kelsall certainly knows how to explore all its possibilities. He really is a very gifted player, and this CD is packed with many delightful moments. If you enjoy the electric organ, you’ll be captivated. David Ades

FRANZ LEHAR – Overtures and Waltzes OVERTURES: Clo-Clo, Divine Spouses, The Merry Widow WALTZES: Adriatic, Grützner, Old Viennese Love Waltz, Wild Roses Berlin Radio Symphony Orchestra conducted by Michail Jurowski CPO 999 891/2, timing 51:00 mins. This interesting collection of Overtures and Waltzes by Franz Lehar is made the more welcome by the inclusion of the charming and delightful Wild Roses. Readers with long memories will recall that the piece surfaced from time to time in light music programmes on BBC Radio light years ago, and it’s good to have it at last in an excellent modern recording beautifully realised in this performance by the Berlin RSO. The waltzes here represent almost the last gasp of music expressly composed for the ballroom. Since by the early 1900’s these were considered too elaborate and lengthy for contemporary taste. Nonetheless such vagaries of musical fashion need not spoil our enjoyment of some lovely lilting Lehar melodies. Of the overtures on this CD, that to The Merry Widow is in fact a late work. The original operetta had no proper overture and for a performance in which he conducted the Vienna Philharmonic at the Festspielhaus in July 1940 Lehar produced a fully-fledged and cleverly constructed concert overture. The familiar tunes come tumbling out in rapid profusion and are subject to all kinds of clever rhythmic treatment and often broken up into small motifs. The overtures to Clo-Clo and Divine Spouses are much simpler in structure and are basically straightforward potpourri’s contemporaneous with their respective operettas. Despite the short measure on this disc – and surely quality is more important than quantity – this is self-recommending for anyone with a weakness for Viennese dance music. The recording is exemplary. You are certainly not in doubt that we have a large symphony orchestra with a substantial string section! Roger Hyslop

BERT KAEMPFERT IN LONDON Live at the Royal Albert Hall incl. Bye Bye Blues, Never my Love, A Song for Satch, Wonderland by Night, That Happy Feeling, Strangers in the Night, All I Ever Need is You, Blue Midnight, Tahitian Sunset, Afrikaan Beat, Take the ‘A’ Train, I Cover the Waterfront, Danke Schon, etc… (Germany) Universal/Polydor 981157-0 (2 CD set). Our member Volker Rippe had a hand in the production of this collection, which will be warmly received by Bert Kaempfert’s countless fans. The occasion was a memorable concert at London’s Royal Albert Hall on 22 April 1974, and around half of the tracks are previously unreleased. Most of Bert’s biggest successes are here, and the enthusiasm of the audience certainly adds to the sense of occasion (whether or not you want to have your music interrupted by applause when listening at home is another matter that I will not address here!). The CD booklet is splendid: the notes are in both English and German, it is generously filled with photographs and the members of the orchestra are listed in full. In other words, a top quality product in all respects. David Ades

PERCY FAITH AND HIS ORCHESTRA House of Flowers House of Flowers, I’m Gonna Leave off Wearing my Shoes, Waitin’, Smellin’ of Vanilla, etc… Adventure In the Sun Tropical Meringue, Bluebell, Carmellita, The Fiddling Bullfighter, Eleanora, Tambora, Hey Jose, Bahama Lullaby, Bubbling Over, Italiano, Tropic Holiday, The Bandit (USA) Collectables COL-CD-7612 65:51 minutes. Another 2-on-1 from the States of two albums originally issued in mono during the mid-50s. ‘House of Flowers’ was a successful Broadway show that I don’t believe ever made it to this side of the ‘pond’. The Caribbean influenced music was written by Harold Arlen, who was also responsible for such enduring songs as That Old Black Magic, Stormy Weather, and Over the Rainbow. The songs here, given the then familiar Faith instrumental treatment, are not of that calibre but pleasant enough. Some will prefer the string led numbers such as the title tune, I Never Has Seen Snow and A Sleepin’ Bee [the pick of the bunch] to the more upbeat numbers of which Two Ladies in de Shade of de Banana Tree is a good example. Mardi Gras Waltz and Smellin’ of Vanilla [Bamboo Cage] are fun pieces. ‘Adventure In the Sun‘ is a collection of singles, some of which reappeared in subsequent stereo versions. Included are Faith’s own The Fiddling Bullfighter, Carmellita, Hey José and Tropic Holiday. There is also Bluebell [shades of Jimmy Shand] and my favourite, the Swedish melodyBubbling Over. You won’t find a lot of lush string sound here but the selection is very bright and enjoyable. Peter Burt All Percy Faith CDs on Collectables are available from the RFS Record Service price £16 [US $32] each, plus the usual postage and packing.

THE BEST OF BRITISH LIGHT MUSIC 104 titles on 5 CDs Royal Ballet Sinfonia, BBC Concert Orchestra conducted by Gavin Sutherland, Barry Wordsworth Sanctuary Resonance CD RSB 502. This bargain priced box set should appeal to anyone who does not already have all the British Light Music Discoveries and British Light Overtures series on ASV. Composers include Stanley Black, Brian Kelly, Philip Lane, Paul Lewis, David Lyon, Clifton Parker, as well as Arnold, Butterworth, Lambert and Rutter. Works include such gems as Maurice Johnstone’s Tarn Hows [much requested of Brian Kay], Eric Fenby’s Rossini on Ilkla Moor, David Fanshawe’s Fantasy on Dover Castle and Lionel Monckton’s The Arcadians. There is ample proof here that modern composers can still write good tunes. Peter Burt This collection is available from the RFS Record Service for £18 [$36].

The above collection should not be confused with the following, also released by Sanctuary and compiled from its Light Music archives:

‘HALCYON DAYS’ – A Treasury of British Light Music themed into five collections: ‘A Popular Concert’ (Montague Phillips, Delius, Ernest Tomlinson, Ronald Binge, Warlock, Elgar, etc.); ‘Around These Islands’ (Sir Malcolm Arnold, John Ansell, Haydn Wood, Angela Morley, Eric Coates, Philip Lane, Frederic Curzon, Ron Goodwin, etc.); ‘Sound and Vision’ (Charles Williams, Binge, Muir Mathieson, Richard Addinsell, Coates, Wilfred Josephs, Paul Lewis, etc.); ‘Composers Abroad’ (William Blezard, Max Saunders, Bryan Kelly, Coates, Peter Hope, Gilbert Vinter, Addinsell, etc.); ‘For The Dance’ (Arnold, Madeleine Dring, Geoffrey Toye, Paul Reade, David Lyon, etc.) Various orchestras and conductors Sanctuary White Line CD WLS 501. Pressure on space prevents us from giving full tracklisting details for this, and the previous collections. If you are a regular collector of Sanctuary/ASV White Line CDs you will probably have most of this material already, but for anyone new to Light Music this is an ideal way to commence a worthwhile collection. David Ades ‘Halcyon Days’ can be obtained from the RFS Record Service for £23 [$46].

SHIRLEY HORN May The Music Never End Forget me, If you go away, Yesterday, Take love easy, Never let me go, Watch what happens, Ill wind, Maybe September, Everything must change, This is all I ask, May the music never end. Verve 0044007602829, 57:48 mins. Shirley has a way of playing and singing that is unique. She was a devotee of Miles Davis and undoubtedly would have liked him to be present on this album. Here she utilises his favourite pianist Ahmad Jamal on two tracks and Roy Hargrove plays flugel on two others. It is a lusciously deep jazz take on some standards especially on "Never let me go" a song that has suddenly been dusted off and given second wind by several people (Bob Florence and Boz Scaggs to name two). What I missed was the sort of strings that Johnny Mandel provided on her album "Here's to life". Shirley produced the album so either she could not afford Mandel or he was too busy. Paul Clatworthy

BOZ SCAGGS But Beautiful What's new, Never let me go, How long has this been going on?, Sophisticated lady, But beautiful, Bewitched, bothered and bewildered, Easy living, I should care, You don't know what love is, For all we know. (USA) Gray Cat GCD 4000, 51:01 mins. Boz has paid his dues ever since 1969 mainly in the rhythm and blues market. An anthology recently released states "He is the son of the truest music America ever produced". His own quote says "My interest in music is broad and I'm exploring each of these elements each time I record". He made ten albums before really hitting the mainstream with the LP "Silk Degrees" winning a "Grammy" for the track "Lowdown" which topped both Pop and Soul charts simultaneously in the fall of 1976. His last album in this vein "Dig" reunited him with David Paich, producer of his best sellers. "But beautiful" stemmed from an old friend Jimmy Pierre who many years ago gave him a list of songs he thought Boz should record, all standards that had stood the test of time. March 2003 was when Boz met up with Paul Nagel who persuaded Boz to go back to that almost forgotten list. Paul played piano and wrote the arrangements, Eric Crystal sax, John Shifflett bass and Jason Lewis drums complete the group. I love Boz's voice but admit others may not; what nobody can fault is the choice of songs. I sincerely hope there will be another CD because the original list had "Lush life", "Round midnight", "Don't go to strangers" and "Drinking again" - all would fit well into this intimate setting. Sample "Never let me go" if you like to hear before buying, simply a divine interpretation. Paul Clatworthy

MONIA LITER AND HIS ORCHESTRA Lovers in Rome & Lovers in Paris [full tracklisting in JIM 157 – page 32] Vocalion CDLK 4220. Those of you who, like me, are devotees of the big string sound but thought of Monia Liter only as a soloist on some distinguished Mantovani tracks in the late 40s, hear this; it is an absolute delight. The strings sometimes reach thrilling heights but are faithfully captured in Mike Dutton’s remastering. Mention must also be made of the percussion department, while Monia himself occasionally contributes harmoniously from the piano keyboard. Beginning with Gerhard [Answer Me My Love] Winkler’s Chianti Song through a total of 28 tracks, mostly unknown to me and I suspect to you, through to Blue Blues by Helmut Zacharias, this is life-enhancing music. It seems unfair to pick out tracks but I must just mention Tumble Home by Ken Warner of Scrub Brothers Scrub fame. As well as quality you also get quantity: two CDs [85 minutes] for the price of one. Pity they could not have been in stereo but you can’t have everything. I have not enjoyed listening to anything so much for ages and will be surprised if this is bettered in 2004. Peter Burt

MANTOVANI AND HIS ORCHESTRA The Mantovani Scene Delilah, Those Were The Days, By The Time I Get To Phoenix, Chitty Chitty Bang Bang, Both Sides Now, A Man Without Love, Love Is Blue, Honey, If I Were A Rich Man, Come September, For Once In My Life, Les Bicyclettes de Belsize; The Mantovani Sound Dear Heart, People, Charade, Fiddler On The Roof, Who Can I Turn To, Helly Dolly, What Kind Of Fool Am I, As Long As He Needs Me, I Have Dreamed, The Sweetest Sounds, I’ve Grown Accustomed To Her Face, Climb Ev’ry Mountain Vocalion CDLK 4195 [70’52"]. It still seems strange to find Monty on a non-Decca label but Mike Dutton is serving us well with these re-issues and we look forward to ‘Collector’s Mantovani Volume 2’. For now we have these two albums from the 60s to enjoy for the first time on CD. I well remember how excited I was to hear ‘Scene’ on LP. Here were hit songs from 1968, such as DelilahThose Were the DaysBy the Time I Get to Phoenixand Les Bicyclettes de Belsize, and other contemporary pieces being played by Mantovani with the accent on brass and woodwind; the famed ‘cascading strings’ being used very sparingly. There was also one of my all-time favourite songs, Both Sides Now, featuring a delicious jangly piano. ‘Sound’from four years earlier is in more familiar style with music from stage and screen, including Mancini’sDear Heart and CharadeFiddler on the RoofWhat Kind of Fool Am I?The Sweetest Sounds [they certainly are] and Climb Ev’ry Mountain. So this 2-on-1 has something both for those of us who tingle to the Mantovani string sound and those who are not so appreciative. Peter Burt

ISLEY MEETS BACHARACH arranged and conducted by Burt Bacharach. AlfieRaindrops keep falling on my head, In between the heartaches, Make it easy on yourself, A house is not a home, The look of love, Count on me, This guys in love with you, Close to you, Anyone who had a heart, Love's still the answer, Here I am, Windows of the world. Dreamworks label 80001005-02 INOI, 58:19 mins. Ernie Isley has the most emotive falsetto voice in Soul music, with a massive string of hits with The Isley Brothers group. Teaming him with the Bacharach sound was a bold move and one that Bacharach initially resisted; years ago Isley wanted to record a Bacharach song but Bacharach said "No! you're not cutting this song!" He now claims amnesia to this story! This confrontation happened in 1962, and hearing what has resulted in this pairing makes me regret the time wasted! As so many other people were vying to record Bacharach's songs all those years ago, perhaps the wait was necessary for a new audience to get maximum entertainment from what have now become standards. Judging by the Orchestra’s personnel Bacharach was given a large budget, and he has come up with new arrangements that fully justify any costs. The album contains melodies full of languid statement and a great sense of "Joie de vivre" Excellent work from everyone concerned.Paul Clatworthy

NORTHERN SALUTE : Barnard Castle (Goff Richards); Yorkshire Overture (Philip Sparke);Brideshead TV Theme (Geoffrey Burgon); Northern Echoes (Gordon Harrison); Yorkshire Relish (Phil Evans); John Peel (Clive Richardson); Bedale Hunt (Frank Aston); York Chimes (Wayne Hopla); On Richmond Hill Baht’At (James Wood); Shipbuilders (Peter Yorke); Scarborough Fair (Hal Leonard);Three Dale Dances (Arthur Wood); Northumbrian Airs (Chris Attrill); On Ilkla Moor Baht’At (Clive Richardson); Stephenson’s Rocket (Nigel Hess); Bond of Friendship (J Mackenzie-Rogan). The King’s Division Waterloo Band D.O.M. Captain R. W. Hopla B.A.(Hons) A.R.C.M. B.B.C.M. psm CAMus. Bandleader BNA 5180. 69.00 mins The Northern Salute by the King’s Division Waterloo Band offers a number of attractions for the light music aficionado. Foremost in this interesting collection is a complete performance of Peter Yorke’s suite The Ship Builders originally commissioned by the BBC for the 1960 Light Music Festival. (those were the days!). The individual movements have suitably descriptive titles – the third All Hands at Work has some suggestive jazzy inflexions about it. Arthur Wood’s – he of Barwick Green fame – enchanting and delightful Three Dale Dances were beloved of light concert orchestras half a century or more ago and must be a worthy contender for inclusion in a future volume of Hyperion’s British Light Music Classics series. Also included in this compilation are two of the brilliant arrangements originally produced for the ITMA Radio Show by the much admired and sorely missed Clive Richardson transcribed for wind band by W.J. Duthoit. Also worthy of note is Nigel Hess’s fascinating and thoroughly entertaining descriptive piece Stephenson’s Rocketcommemorating the 1829 Rainhill Trials in which the Rocket carried off the £500 prize having attained a speed of 25 mph! The recordings were made on location at the Waterloo Band Complex Catterick Garrison and are a trifle over bright and dryish on quality but with plenty of impact in the louder sections. Any slight deficiencies in the engineering department are more than amply compensated by the enthusiastic and committed playing of these army musicians. In short there is much to enjoy on this disc particularly for those with affection for this part of England and a liking for some of its traditional tunes, who should certainly need no further urging to acquire this attractive CD. Roger Hyslop

Plenty even for a Lancastrian to enthuse about here! If you like atmospheric music then this will do very nicely, thank you. Excellent tunes based mainly on north Yorkshire and Northumberland withStephenson’s Rocket and John Peel arguably putting in an appearance for Liverpool and the Lake District respectively. It’s almost worth buying the CD for the wonderful colour picture of the band on parade outside Castle Howard. Edmund Whitehouse

THE MUSIC OF KENNETH ALFORD including the complete marches Colonel Bogey,The Great Little Army, H.M.Jollies, On the Quarter Deck, The Thin Red Line, Voice of the Guns, The Standard of St. George, Cavalry of the Clouds, The Middy, Holyrood, Army of the Nile, Dunedin, The Vanished Army, Old Panama, Eagle Squadron, By Land and Sea, The Vedette, The Mad Major, Fantasies: The Lightning Switch, A Musical Switch.Band of H.M. Royal Marines, Naval Home Command, Portsmouth, D.O.M. Captain J. R. Mason L.R.A.M. A.R.C M. Chandos Collect CHAN 6584, 73.00 mins. Anyone on the lookout for a complete set of the military marches of Kenneth Alford need look no further than this super budget CD on the Chandos Collect label. Rival versions exist by H.M. Royal Marines Band (Commandos) on Clovelly CL CD102 and the Band of the Army Air Corps on Bandleader BNA 5163. The Chandos disc - despite based on sessions originating from the 1970’s - yields nothing in terms of sonics to its more expensive digital counterparts. It also has the considerable advantage of including both of his Fantasias dating from the 1920’s. These are pot-pourris of coruscating brilliance with brief snatches of popular tunes tumbling out in bewildering profusion, managing to embrace both Haydn’s Miracle Symphony and Knocked ‘em in the Old Kent Road and are enormous fun. Alford’s career unusually began with the Army at the tender age of 14 and ended with the Senior Service, being compelled to retire from his appointment as D.O.M. of the Royal Marines, Plymouth Division Band because of ill health. His marches have the unusual qualities of being able to cheer and stir but often also to move the human spirit. The Royal Marines Band deployed here have a wonderful instinctive feel for this music and it is difficult to imagine performances more idiomatic or with greater sensitivity. A great bargain at the price and strongly commended. Roger Hyslop

"PAGANINI AFTER A DREAM" Pavane pour une infante defunte, Black Orpheus, Pavane, Oblivion, Reverie, Healing in foreign lands, Apres un reve, Excerpt from "Alexandra", Cinema Paradiso.Regina Carter (Violin) Conducted by Ettore Stratta. Verve 065554-2. Fellow member Regis Hubert sent me this CD which probably otherwise would have evaded me! It is one of those hybrids that although labelled "File under Jazz" has just as much appeal to lovers of Classical music! The first track sets the standard I would have preferred to have been continued, as it has a full string section (fully deserved for such a delectable Ravel composition). Two other songs get this full blown treatment but the rest are performed by a small group. Regina gets top billing but pianist Werner "Vana" Glerig deserves just as many plaudits. Werner also composed and arranged "Healing"; Regina arranged "Alexandra" the remaining are in the capable hands of Jorge Calandrelli. This is an album that deserves success for trying something different. I do not enjoy "perfect pitch" so the fact that Regina performs with the much treasured Paganini's legendary violin seems to me to be a "gimmick" to enhance sales, but don't let that put you off sampling, it is a very rewarding album.Paul Clatworthy

JO STAFFORD You Belong To Me Kissin’ Bug Boogie, Hawaiian War Chant, Jambalaya, Gambella (with Frankie Laine), Georgia On My Mind, Wunderbar (with Gordon MacRae), The Moment I Saw You (with Teddy Johnson), Shrimp Boats, A-round The Corner, etc.. 24 tracks Memoir CDMOIR 577, 68:32 mins. This is not the first CD of Jo Stafford’s early hits, but it is certainly one of the best. A good choice of material by Gordon Gray, plus intelligent booklet notes by Geoff Wilding and excellent digital remastering by Ted Kendall all combine to make this a fine memento of some of the best popular music from just over 50 years ago. Jo Stafford was in a class of her own, and her singles had that special extra touch because the musical director was the man she married, Paul Weston. There are just two exceptions here: Our Very Own features the Hal Mooney Orchestra, and the unique British connection can be found on The Moment I Saw You where Teddy Johnson sang with the Norrie Paramor Orchestra in London, and Jo added her part of the duet back home in the USA. It made the news at the time, although it wasn’t released in the USA. If you love Jo Stafford you’ve probably already bought this CD! David Ades

TIME FOR ACCORDION: 50 tracks including Dizzy Accordion; Ski Jump; Black Masks Waltz; Promenading Rhythm; Dicky Bird Hop; Dance of the Comedians; (Toralf TollefsenIndian Love Call; Rose Marie (attrib. to Tollefsen) The Very Thought of You; Just By Your Example; Over My Shoulder; (Billy Reid) (solo accordion), Maria Elena, Shepherd Serenade, Yours (Eric Winstone's Accordion Band). It's Been a Long Long Time; Crusing Down the River; (Accordion Serenaders). Remaining items by Primo ScalaAlexanders Accordions; Billy Reid, and the London Piano Accordion Bands. Rex (2 CD set) REXX 305. This is a highly commendable and enterprising issue of accordion music. Collectors will associate accordion bands more with dance music than with light music. However there are several light music items of particular interest on these discs. The issue also includes artists who have rarely been featured on CD before. The main interest for JIM readers will be the light music and novelty tracks played by that virtuoso of the accordion Norweigan born Toralf Tollefsen, who was very popular in the UK particularly during the 1940's and 50's, and possibly the Eric Winstone tracks. There are no UK CDs of Tollefsen currently available, so this issue is welcome if even for only 6 tracks!! There is also currently little available by Eric Winstone's delightful accordion orchestra. A Billy Reid solo medley is also included on the disc, and it is interesting to compare how different his style is to that of Tollefsen. Eric Winstone's accordion band (sometimes alluded to as "accordion orchestra" on the original 78 labels) has a lighter texture than most other accordion bands, by virtue of an added string section, etc. The Shepherd's Serenade featuring vocal by Alan Kane is a most delightful number. Maria Elena has vocalist Julie Dawn. The Accordion Serenaders are probably an anonymous George Scott Wood combination. There are a substantial number of items by Primo Scala as well as the London Piano Accordion Band, with the latter featuring singers such as Dorothy Squires; several tracks by Alexanders Accordions complete the discs. Indian Love Call, I suspect is wrongly assigned to Tollefsen. This number appears to feature George Scott Wood on the piano and it could even be his own accordion ensemble. A track on the second disc could also be wrongly attributed to Tollefsen. Listeners will have to judge for themselves. Many of the London Piano Accordion Band items, I imagine, are probably under Scott Wood's direction although no details are provided. In fact the talented George Scott Wood doesn't even get a mention and it is a pity that information contained in the CD booklet regarding the recordings and the artists is so sparse. Poorly transferred accordion recordings can sound horrid, but the transfers on this issue are full bodied and clear bringing a fresh vitality to these old classic recordings. More please! Brian Stringer

SECOND HOUSE with those wonderful comedians Comedy records featuring George Formby, Gert and Daisy, Tommy Handley, Cicily Courtneidge, Spike Jones, Joyce Grenfell & Norman Wisdom, Max Miller, Reginald Gardiner, etc.. Memoir CDMOIR 578, 73:06. If you want something a little out of the ordinary in your collection, do check this one out. Those ‘in the know’ will realise that Reginald Gardiner is included with his famous 78 Trains, and the two Spike Jones ‘classics’ are Chloe andCocktails For Two. Enough said! David Ades

SONG AND DANCE – The Musical Stars of Hollywood featuring Ann Miller, Lena Horne, Debbie Reynolds, Jane Powell, Fred Astaire, Jack Buchanan, Ginger Rogers, etc… Memoir CD MOIR 582, 76:08 mins. The 50-year copyright rule in the UK means that more and more 78s from the Golden Age of Hollywood musicals are now available to independent companies like Memoir to reissue as they wish – which is very good news for collectors whose precious 78s may be lying in a loft because a suitable turntable to reproduce them is no longer part of the family hi-fi system. I can remember when Debbie Reynolds’ 78 of A Lady Loves suddenly became popular – only to discover that MGM had deleted the original 78 with untimely haste, although I seem to recall that it was still briefly in their catalogue on an EP. Since then the complete soundtrack from I Love Melvin has been available on CD, but if you just want the best song from the film – here it is! Of course, there are many other priceless gems in this collection, and if you love the sound of the old musicals my advice is: don’t hesitate! David Ades

Memoir CDs are available through the RFS Record Service for £10 [$20] each, plus the usual postage and packing.

CLARINET KALEIDOSCOPE Lounge Suite (Gavin Sutherland; Serenata – Mother and Child (David Fanshawe); Meditation (Reginald Hunt); Song and Dance (Gilbert Vintner); Canto Populare (Elgar); Three Spanish Dances (Philip Lane); A Graceful Tune, A Humorous Fantasy, An Autumn Tune, Moods (Frederick Kell); Clarinet Cakewalk (Terence Greaves); Nostalgia - medley of tunes by Ray Noble, Manning Sherwin and Ivor Novello, In Party Mood (arr. Sutherland). Verity Butler (clarinet), Gavin Sutherland (piano) Campion Cameo 2022. For many of us light music means light orchestral music, but as this finely played and recorded disc shows, much pleasure may be had from music for solo instrumentalists. Most of the titles here are premiere recordings and there is a fair spread stylistically and chronologically (the Elgar, adapted by him from In the South, is the earliest), from Philip Lane’s fluent pastiches, Sutherland’s own jazz-inspired Lounge Suite (the movement titles relate to things found down the back of chairs or settees!) and Greave’s catchy Cakewalk to Hunt’s rhapsodic Meditation, Vintner’s four movement, five minute suite and Kell’s four charming miniatures, one dedicated to his son Reginald, arguably the greatest of British clarinettists. Verity Butler is an accomplished and committed player; we know Gavin Sutherland previously as a conductor but here he excels as pianist and arranger, especially enjoyable being his foot-tapping version of In Party Mood, made especially for the recording. Philip L. Scowcroft

LIVING STRINGS AND TWO PIANOS - The World We Knew/My Silent Love Inc: Dream of Olwen, Snowfall, My Silent Love, Falling Leaves, Dream Lover, Intermezzo, On the Trail, Canadian Sunset, Faithfully Yours, The World We Knew, Exodus, Temptation, My Heart Cries For You, There Must Be a Way, Poeme, Mattinata, etc. Frank Bristow XFB801 77:34. It was around 1960 that RCA producer Ethel Gabriel had the idea of forming The Living Strings for their Camden budget label, and asked the late lamented Johnny Douglas to lead the orchestra as arranger/conductor, which he did for something like 80 LPs. He shared the job with William Hill-Bowen who (as Billy Hill) had first made his name with George Melachrino’s ‘Orchestra in Khaki’, better known as the British Band of the AEF, during World War II, and later played with the Blue Rockets under Eric Robinson. This particular CD is somewhat short on names and credits, teaming the orchestra under whoever was leading it at the time with a completely anonymous 2-piano team in a well varied programme of standards and classical and semi-classical medleys. I must say the musical logic of combining Chabrier’s Espana Rhapsody in a medley with Floyd Cramer’s Last Date escapes me. As does Frank Bristow’s four biographical pages in the liner notes devoted to Geraldo, whose only connection is as co-composer with Bernard Ebbinghouse of My Summer Heart. Arthur Jackson Frank Bristow’s CDs can only be obtained direct from him in Australia: Frank Bristow, 2 Cross Street, Brighton, Victoria, 3186, Australia – e-mail:

GERALDO AND HIS ORCHESTRA – Summer’s End Inc: Man with the Mandolin, They Say, You’re As Pretty as a Picture, My Heart is Taking Lessons, Heart and Soul, My Own, If I Didn’t Care, You Couldn’t Be Cuter, Romany, Deep in a Dream, One Day When We Were Young, On the Sentimental Side, While a Cigarette Was Burning, Two Sleepy People, Summer’s End. Vocalion CDEA6064 75:50 This was the orchestra of 1938/9 when Geraldo was beginning to modernise, adding young swing musicians to the pre-war line-up, among the future Squadronaires Andy McDevitt, Eric Breeze and Clifton Ffrench along with other mainstays of the wartime Geraldo band like Harry Hayes and George Evans. The big selling point here, though, will be the late Al Bowlly on no less than 16 of the 24 tracks, with others being shared by Sam Browne, Cyril Grantham, Eve Becke and George Evans. So it will be obvious that the vocals are no anti-climax in the context of the band’s musicianship; on the contrary at this time Gerry had one of the strongest vocal teams of any British band. But, over all looms the presence of the great Bowlly, who never failed to impress, whatever his material. No complaints on that score here, however; some of the songs may be less known than others but there’s no diminution in quality. Arthur Jackson

MANTOVANI AND HIS ORCHESTRA Charmaine – 25 Original Mono Recordings 1940-1952Charmaine, Jealousy, Under the Roofs of Paris, La Cucaracha, Wyoming, Pavanne, Diane, Warsaw Concerto, Caribbean Calypso, Serenade, Dancing with Tears in My Eyes, Adios Muchachos, Mexicali Rose, Holiday for Strings, Greensleeves, Hear My Song Violetta, Symphony, Ramona, Gypsy Legend, Dreaming, The Legend of the Glass Mountain, Village Swallows, La Mer, I Live for You. Some Enchanted Evening    Living Era CDAJA 5500.

THE ORIGINAL MANTOVANI AND HIS ORCHESTRA  CHARMAINE Charmaine, Just for a While, Greensleeves, Love Makes the World Go Round, Dancing with Tears in My
Eyes, Dear Love My Love, Wyoming, Under the Roofs of Paris, For You, Kisses
in the Dark, Diane, Babette, Love Here Is My Heart, Moonlight Madonna,
Lovely Lady, Mexicali Rose, Was It a Dream, It Happened in Monterey, Some
Enchanted Evening, Gypsy Love Waltz, La Cumparsita, Tango de la Luna, Roses
from the South, Blue Danube.   
(Portugal) Remember RMB 75105.

MANTOVANI AND HIS ORCHESTRA PLAY STRAUSS WALTZES Blue Danube, Roses from the South, Vienna Blood, Voices of Spring, Artist's Life, Tales from the Vienna Woods, Emperor Waltz, Morning Papers, Accelerations, You and You, Wine Women and Song, Village Swallows, Gypsy Love Waltz, Tell Me You Love Me, Le Chaland Qui Passe   (Portugal) Goldies GLD 63247.

With the original Mantovani "New Sound" recordings passing into the public domain there has been no shortage of re-issues of the music that sold millions of copies in the early 1950s. Of Portuguese origin, the Remember and Goldies CDs are issued under license from Intermusic SA, and have been dubbed from LP or 45. On the whole, they are praiseworthy issues, not everyone's cup of tea, I'll admit, depending on whether you like the overlapping string sound or not, but even if you don't, there's much to enjoy in the lush arrangements of Ronnie Binge and how they were interpreted by Mantovani. The Remember album includes some outstanding pieces which have not been available for a long time, among them Mexicali Rose, Babette (a terrific feature for trumpeter Stan Newsome),Some Enchanted Evening (boosted by the subtle vibraphone of Charlie Botterill) and Monty's own fine composition, Tango de la Luna. The Strauss Waltzes collection excludes inexplicably two tracks from Mantovani's fine 1952 LP, but includes two more, Vienna Blood and Artist's Life, which were not included at the time. The real bonus here, however, is the very first appearance of Tell Me You Love Me on any sort of album. Recorded on 6 February 1951, it was the first "New Sound" arrangement by Ronnie Binge, a really sensational one, which was never released in England because of copyright difficulties. The Living Era CD has gone further than the other two albums by laudably inserting several melodies from the 1940s previously unavailable on CD. Among them are the two partWarsaw Concerto, an early version of the Serenade from The Student Prince and Morton Gould'sPavanne. The 78 transfers are of a good standard, and it's a very worthwhile collection, marred only by some errors in the recording data, e.g. I Live For You was not recorded until January 1954 rather than late 1953, and Holiday for Strings in February rather than May 1944. Minutiae such as this should not detract from your listening pleasure, however, and I would commend all three albums to Mantovani enthusiasts. The Living Era CD, distributed by Sanctuary Records, should be obtained easily enough in the UK, and I have encountered copies of the Remember CD in HMV in Oxford Street; the Strauss Waltzes album is rather more elusive, but copies can be ordered on-line from Amazon in Japan. Colin Mackenzie

MARIAN McCPARTLAND Plays The Benny Carter Songbook (with special guest Benny Carter) When The Lights Are Low; I’m In The Mood For Swing; A Kiss From You; Key Largo; Plus 7 Other Songs. (USA) Concord Jazz CCD - 4412. There’s no more satisfying compliment for a composer than to have an artist of the calibre of Marian McPartland play their music. The composer, Benny Carter, plays alto sax with McPartland on 5 of the 11 tracks. McPartland is at her inspired best on "When The Lights Are Low." She hits a bossa nova groove on "Summer Serenade." Carter’s eloquent alto sax weaves magic on swingers such as "I’m In The mood For Swing," "Doozy," and "Easy Money." Both artists contribute a romantic mood on "Only Trust Your Heart." John Clayton on bass and Harold Jones on drums are the rock steady rhythm section on these 1990 sessions. The overall sound picture is one of warm depth with clinical clearness. A charming CD full of surprises which should be in every music lover’s library. Richard Jessen

HAL KEMP & HIS ORCHESTRA Got a Date With An Angel Moonlight Saving Time, Forty-Second Street, Shuffle Off To Buffalo, For All We Know, Lullaby of Broadway, etc…Sanctuary Living Era CD AJA 5399, 76:59. Hal Kemp and his staccato trumpets has been quoted as the inspiration behind the ‘sound’ of Britain’s Billy Ternent Orchestra, although having listened to this new CD I wonder if the influence was as strong as I imagined. These recordings date from 1929 to 1940, and this is the kind of compilation which is probably best sampled in small doses, rather than in one big chunk. Most of the tunes are still well-known, but I have to confess that I find some of the vocalists a bit disappointing. But I’m glad that this CD is available, because Hal Kemp was successful in his day, and he deserves to be remembered. David Ades

STEVE LAWRENCE SINGS SINATRA A Musical Tribute to the Man and his Music I’ve Got You Under My Skin; You Make Me Feel So Young; The Lady Is A Tramp; The Summer Wind; plus 10 other songs. (USA) GL Music Co. 60145. If there ever was a singer whose musical instincts are the equal of Frank Sinatra, it would be Steve Lawrence who gives an intelligent, thoughtful portrait of one of popular music’s giants. All of Sinatra’s major songs are present on this CD, using the original arrangements by the classic masters Nelson Riddle, Quincy Jones, Don Costa, and Billy Byers. Lawrence’s voice lies comfortably within Sinatra’s vocal range although he studiously avoids imitating Sinatra’s well remembered interpretations. Lawrence courageously attacks "I’ve Got You Under My Skin" (with a fabulous trombone solo by Chauncey Welsch) and actually makes an amazingly different spin on this well-remembered classic. Lawrence is aided by the presence of the West Coast’s best musicians: the afore-mentioned Welsch plus two former members of Sinatra’s touring band, Vinnie Falcone (Sinatra’s pianist and best music director after Bill Miller) and Ol’ Blue Eyes’ last successor to Irv Kottler’s chair, drummer Gregg Field. The added surprise is that Steve Lawrence’s son David is the conductor. David elicits crisp, clean playing throughout the disc, totally at home in every style represented on this session. This is a worthy tribute from one supreme singer to another.Richard Jessen

ROYAL SCOTTISH NATIONAL ORCHESTRA Conducted by David Lloyd-Jones DELIUS – Marche Caprice, Summer Evening, Winter Night (Sleigh Ride), Spring Morning, American Rhapsody, The Walk to the Paradise Garden, On Hearing the First Cuckoo in Spring, Summer Night on the River, A Song Before Sunrise, Fantastic Dance Naxos 8557143. The ten short orchestral works in this collection virtually span the whole of Delius’ creative life, illustrating his love of the four countries that most inspired him – England, America, Norway and France – and his love of nature in all its bittersweet transience. Displaying to the full Delius’ late Romantic mastery of chromatic harmony and orchestration, they constitute a perfect distillation of his very personal kind of genius. The chronologically programmed disc includes a relative rarity, the American Rhapsody, an early version of Appalachia composed in 1896 but not given its first performance until 1986. Taken from advance publicity supplied by Naxos.

"WE DIG DAHL" Pat Dahl arranged by Benny Carter, Billy May, Lyn Murray, Marty Paich, Shorty Rogers and Pete Rugolo - Stout-Hearted Men, I'm in love with the Honourable Mr So and So, It's all right with me, I who have nothing, On the good ship Lollipop, There's no fool like an old fool, Oh, Johnny, What now my love, Ten cents a dance, Show me, Lonely Woman, Someone to watch over me. Fresh Sound Records AF6157CD, 39:19 mins. A couple of decidedly "Iffy" songs but with arrangers of this calibre you cannot go far wrong. Marty Paich works wonders with "Lollipop" and Shorty Rogers does the same with "Oh, Johnny". The other ten songs are injected with a feel-good factor redundant in much of today's output. As a singer Pat falls somewhere between Betty Grable and a reined back Shirley Bassey! With several songs not thrashed to death elsewhere and well crafted arrangements there is plenty to savour on this CD first issued in 1966. This reissue is dated 1989, who has been sitting on it? Paul Clatworthy

COUNT BASIE AND HIS ORCHESTRA. "APRIL IN PARIS." April In Paris; Corner Pocket; Shiny Stockings; Sweetie Cakes plus 6 other selections plus 7 alternate takes. (USA) Verve Master Edition 314 321 402-1.

COUNT BASIE / THE COMPLETE ATOMIC BASIE. The Kid From Red Bank; Flight Of The Foo - Birds; Whirly - Bird; Li’l Darlin’ plus 8 other selections and 5 alternate takes. (USA) Blue Note / Roulette Jazz CDP 7243 8 28635 2 6. During the middle 1950's, Count Basie enjoyed a resurgence of interest due to his masterful recordings of arrangements by Neal Hefti, Frank Foster, Ernie Wilkins and Frank Wess. The Verve CD (recorded in 1955-6) catches the energy, the crashing contrasts in dynamic levels and the overall enthusiasm Basie instilled in his musicians. "April In Paris" (in this rousing "Wild Bill" Davis chart) finds the band at its all time best. "Corner Pocket" and "Shiny Stockings both have an undercurrent of urgency seething beneath their nonchalant atmosphere. The Roulette CD (recorded 1957) is made up of Neal Hefti classic charts such as "The Kid From Left Bank," "Flight Of The Foo-Birds," and the smoulderingly sexy composition "Li’l Darlin’." The remaining cuts are from an abandoned Jimmy Mundy project which includes two takes of "The Late Late Show:" one instrumental and the other featuring one of Basie’s greatest vocalists, Joe Williams, in a masterful performance. Both CD’s were remastered from their original mono tapes. The CD sound is superbly atmospheric and life like. All in all, a pair of vital introductions to the music and legend of Count Basie. Richard Jessen

VIKKI CARR: LOVE STORY / SUPERSTAR. Love Story; If You Could Read My Mind; For All We Know; Superstar plus 19 other songs. (USA) Collectables COL - CD - 7528. 78:14.

VIKKI CARR: EN ESPANOL / HOY (TODAY). Somos Novios (It’s Impossible); Grande, Grande, Grande; Historia De Amor (Love Story); Sin Saber Por Que (The Way We Were) plus 17 other songs.(USA) Collectables COL - CD - 7536. 72:45. Of late, Collectables has become the home of Vikki Carr’s classic LP’s. Producer Dick Glasser and arranger Ernie Freeman join Carr in these classic LP’s from her 1970-1975 Columbia Records era . "Love Story" was her first album in 1970 for Columbia. Such top 40 hits such as "I’ll Be Home" and "Six Weeks Every Summer" are present as are unforgettable accounts of "If You Could Read My Mind" and "For All we Know." The 1971 album "Superstar" is another best seller with great songs such as the title track as well as "Spanish Harlem." As an attractive extra, we have a scintillating "Cabaret" from 1972. The two Spanish language albums ("En Espanol / Hoy") are perfect examples of giving an artist the necessary freedom to record music which is best suited for their talents. Both are scored by Bob Florence and recorded at 1972 and 1974 sessions. Each explores the rise and fall in a love relationship. "En Espanol" has the break-through version of "Grande, Grande, Grande" which prefaced Shirley Bassey’s equally famous version by a year. "Somos Novios (It’s Impossible") compares favourably with Perry Como’s version with Carr sensitively limning every word. "Hoy" is a darker album scored by Florence for a dominant cello section. Everything about these two albums transcends their language barriers, a rarity in the annals of music. My personal hats off to Vito Cifaldi who writes the liner notes on both CD’s with thorough knowledge of his subject, as he should: he’s the President of Vikki Carr’s fan club! The CD mastering of these albums is superb. Nothing more need be said except that these are performances by a great vocalist who is still at her prime! Richard Jessen

NELSON RIDDLE AND HIS ORCHESTRA Romance Fire and Fancy Don’t Break My Heart, Costa Mesa, Midironde, Chemise Noir, Twilight Romance, Dancing Shadows, Nightingale, Sun Spots, Talk About Music, Beautiful Sunrise, Fireflies, Night Winds (Germany) Intersound ISCD 188, 34:18 mins. These tracks were recorded at Capitol Records Studio, Hollywood in 1979, and feature four Riddle originals – Costa Mesa, Chemise Noir, Dancing Shadows and Fireflies. Two others are by the chap who owns the record company, Gerhard Narholz (under his better known ‘Norman Candler’ pseudonym) and all the arrangements are by Nelson. His fans will recognise that these tracks represent the sort of work that he was doing later in his career, so you won’t find the kind of sounds from the 1950s that made Sinatra and Riddle so popular as a great team. The playing time is hardly generous, but remember that this is a production music CD not intended for sale to the general public. We mention it because quite a large number of RFS members have already bought it, so there may still be some of you out there who have not yet discovered that it is available. David Ades This CD is available from the RFS Record Service for £14 [US $28] plus postage and packing.

PERCY FAITH AND HIS ORCHESTRA Your Dance Date / American Waltzes / Carefree Rhythms Flight 33⅓, One Night Of Love, My Shawl, Ba-Tu-Ca-Da, What Is This Thing Called Love?, Beautiful Love, Nightingale, Brazilian Sleigh Bells, Carousel Waltz, The Girl That I Marry, Valse Hugette, I’ll Take Romance, Waltz In Springtime, A Kiss In The Dark, While We’re Young, When I’m Not Near The Girl I Love, Carefree, Kitten On The Keys, Nervous Gavotte, The Hot Canary, The Syncopated Clock, Dizzy Fingers, March Of The Siamese Children, Fiddle Derby (USA) Collectables COL-CD 7599, 72:44. Even better than a 2-on-1, this 3-on-1 is a real winner. The original albums were issued on three 10" LPs in the early 1950s. The first, ‘Your Dance Date’, is of a full concert orchestra playing in strict dance tempo eight numbers beginning and ending with Faith originals Flight 33⅓ and Brazilian Sleigh Bells. Fascinatingly, the tracks are segued together with short piano interludes. The second eight, American Waltzes, are all composed not by, but for, Americans "and in the American idiom". Among the composers are Rodgers [Carousel], Berlin [The Girl That I Marry], Friml [Valse Hugette], Kern [Waltz In Springtime] and Herbert [Kiss In the Dark]. All quality stuff. The third set – and to my mind the best of a good bunch – opens with Percy’s own Carefree and continues through the 1920s classic Kitten on the Keys, Nervous GavotteThe Hot Canary [I could have done without the vocal], Syncopated ClockDizzy Fingers and March Of The Siamese Children to Faith’s amusing re-creation of the racetrack, Fiddle Derby. On Kitten and Dizzy we encounter for the first time on record the Faith innovation of the Magic Voices: a female chorus singing wordlessly as another instrument of the orchestra. Definitely one of the best of the recent Faith re-issues. Peter Burt

PERCY FAITH & HIS ORCHESTRA and MITCH MILLER It’s So Peaceful In The Country / European Holiday It’s So Peaceful In The Country, While We’re Young, Goodbye, John, I’ll Be Around, It Could Happen To You, Imagination, Love Among The Young, Moonlight Becomes You, Who Can I Turn To?, So Help Me [If I Don’t Love You], Darn That Dream, It’s Always You, Flyin’ Up To Europe, Dealer In Dreams, Trip Of Your Dreams, The Gourmet Song, Heavenly Holiday, Travelling Through Europe, Entre Nous, Under Paris Skies [Sous Le Ciel De Paris], Autumn Leaves, Without My Lover [Bolero Gaucho] (USA) Collectables COL-CD-7596, 67:52. This second 2-on-1 is really a 1-on-1 for Faith CD collectors as he and his orchestra only feature on the first 12 tracks along with the cor anglais/oboe playing maestro Mitch Miller. The album, originally released in 1956 is a follow-up to their very successful collaboration on ‘Music Until Midnight’ [Collectables COL-CD-6486]. Here we have Percy in lush pastoral mode with tunes written by Alec Wilder and Jimmy Van Heusen such as the title tune, I’ll Be Around, Moonlight Becomes You and Darn That Dream. No wonder this album is a favourite among many Faith fans. The remaining tracks, with three exceptions, is a travel dream set to words [many spoken] and music conducted by Miller which would, in my opinion, have been better left in the Sony vaults. But the CD ends well with Mitch’s versions of Under Paris Skies,Autumn Leaves and Without My Lover [Bolero Gaucho]Peter Burt

TONY WHITTAKER Music Man Page Boy (Leonard), Beauty and the Beast, Ring Ding (Steve Race), 2 Gershwin Medleys, Sweet and Twenty (Gardner), Dindi, Westminster Waltz (Robert Farnon), Pink Panther Theme, Latin Lover (Tony Whittaker), etc. (17 tracks) TWMS 01/04. The advent of the CD has meant that it is now within the realms of possibility for many talented musicians to release their own material. Sometimes this is mainly for family and friends; on other occasions performers in clubs and theatres can make some extra useful income from sales after the show. Other musicians simply feel the urge to share their enjoyment of music with others, and I suspect that RFS member Tony Whittaker falls into this category. His latest CD features Tony on piano plus organ, electric piano, guitar, bass and drums; he confesses that putting it all together gave him some sleepless nights! The result is a very pleasing mixture of old and new favourites that ought to be promoted by the manufacturers of his equipment as an example of the wide variety of sounds that can be achieved. Page Boy and Ring Ding brought back some happy memories, although I must confess that I could personally have done without the three Andrew Lloyd Webber tunes (am I the only music lover who isn’t tuned in to his talents?). I particularly enjoyed listening to this CD on a long car journey, and it is a perfect example of the pleasing sounds that are possible from electronic equipment – in the right hands. David Ades This CD is available direct from: Tony Whittaker Musical Service, 83 St Helens Road, Leamington Spa, Warwickshire, CV31 3QG, England – price £11 (including UK p & p).

SALON ORCHESTRA FAVOURITES Vol. 3 Florentiner (Fucik); Berceuse (Godard); Leise, ganz leise (Oscar Straus); Teufelsmarsch (Suppe); Im Chambre separée (Heuberger); Salut (Elgar); Czardasfürstin (Kalman); Humoreske (Dvorak); Libelle (Josef Strauss); Chanson de nuit (Elgar); Chanson de matin (Elgar); Sturmgalopp (Komzak); Liebesleid (Kreisler); Liebesfreud (Kreisler); Thais (Massenet) Salonorchester Schwanen Conducted by Georg Huber Naxos 8557048, 63:45 mins. This third volume in this popular series focuses mainly on dance music and operetta from Vienna, Prague and Budapest, although England is represented with the three familiar Elgar works. By now fans of this style of music will know what to expect, and they shouldn’t be disappointed. David Ades

KETÈLBEY CONDUCTS KETÈLBEY Volume 4 Men of England: In Holiday Mood (On the Promenade, Down the Stream, Illuminated Fete); Tangled Tunes Parts 1, 2, 3 and 4; Phantom Melody; My Heart Still Clings to You; Silver Cloud; Wildhawk; Sunday Afternoon Reverie; Canzonetta; Wonga; Vision of Fuji-San; Knights of the King; In a Monastery Garden.  Jean Schwiller (cello), Albert Ketèlbey (piano), Edgar Coyle (baritone), Nellie Walker (contralto), Orchestras conducted by Albert Ketèlbey, Louis Voss, Claude Ivy, Harry Wood, Gustave Cloez, Lt. W. J. Dunn, M.C. Recorded 1912-1933. Naxos 8110870, 64:33 mins. The importance of this series is that it is turning up some rare items, and Ketèlbey deserves to have his work preserved for posterity. The only disappointing aspect (and I know that I am repeating myself) is that some of the tracks have excessive surface noise, which really could be largely eliminated using modern technology. David Ades

This final compilation contains quite the rarest Ketèlbey items yet, some of which are more than 90 years old. Given all the difficulties of pre-electric techniques, Naxos are to be congratulated on finally squaring the circle and those of us who enjoy the music should be grateful for this opportunity of hearing it as it was, warts and all. In Holiday Mood is good fun as is the jolly foxtrot, Christmas Medley. If you are really smart then you can unravel all the different melodies in four separateTangled Tunes. With the exception of the complete versions of Men of England, The Vision of Fuji-Sanand In a Monastery Garden, all the other pieces are single sided 78s in length and well worth a listen.    Edmund Whitehouse

Forthcoming releases from Vocalion:

MANTOVANI Collectors Volume 2 CDLK4233

WERNER MÜLLER Wild Strings & Percussion in the Sky CDLK4235

Forthcoming releases from Sanctuary Living Era:




New from Shellwood Productions

Our friends at Shellwood are starting to expand the kind of repertoire offered on their new releases.The Youth Showchoir of London present a very varied selection of songs from musicals of the past 60 years (SWCD 30). And a remarkable young pianist Benjamin Grosvenor – aged only 10 when he made the CD – plays some well-known classics plus several Billy Mayerl novelties that test the most accomplished pianists (SWCD 31).

Some more new CDs just received …

TRIBUTE TO SIR FRED Ballet Music by ANDRÉ MESSAGER ‘Les Deux Pigeons’; FRANK LISZT ‘Dante Sonata’; ALAN RAWSTHORNE ‘Madame Chrysanthème’; FRANCOIS COUPERIN ‘Harlequin in the Street’Royal Ballet Sinfonia / Barry Wordsworth Sanctuary White Line CD WLS 273. Ballet Music shares many features with true Light Music and this 2-CD set features contains plenty of lovely melodies. The ‘excuse’ for the collection is that each work is closely associated with its choreographer Sir Frederick Ashton (1904-1988).

THE GOLDEN VOICE OF PERRY COMO It’s a Lovely Day Today, You’re Just in Love, A Dreamer’s Holiday, If Wishes Were Kisses, etc.. 25 tracks Memoir CDMOIR 580. Perry Como was certainly in his prime when these recordings were made just over 50 years ago. He still has many admirers today, and they shouldn’t hesitate to add this new release to their collections.

DANCE WITH THE SWEET BANDS featuring Ben Selvin, Leo Reisman, Ted Weems, Russ Morgan, Freddy Martin, Benny Strong, Hal Kemp, Sammy Kaye, Eddy Duchin, Guy Lombardo, Rudy Vallee, Gus Arnheim and Xavier Cugat 25 tracks Memoir CDMOIR 584. This collection is a great idea, because many people like to hear the melody and enjoy some good swing music at the same time.

HITS OF 1953 featuring Perry Como, Teresa Brewer, Outside of Heaven, Kay Starr, Percy Faith, Guy Mitchell, Joni James, Les Baxter, Nat King Cole, Frankie Laine, Frank Chacksfield, etc.. 28 tracksSanctuary Living Era CD AJA 5553. This is the latest in a long series of ‘Year’ compilations by ASV/Sanctuary. It is probably aimed more at the American market, because every track (except for the two Chacksfield sides which were Top Ten hits in the USA) originate from the USA, making collectors in Britain wonder if any home-grown records made the hit parade in 1953!

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MUSIC OF A PEOPLE and SPIRIT OF A PEOPLE Shema; Hava Nagila; Raisins and Almonds; Yes my darling daughter; Eli Eli; Tzena Tzena Tzena; And the angels sing; A letter to my mother; Joseph!; Hebrew Melody; Hatikvah; Exodus; My Yiddishe Moma; Freilich; Sunrise, Sunset; Second Avenue Symphonette; Kinneret; Kol Nidre; Finale. London Festival Orchestra and Chorus conducted by Stanley Black Vocalion CDLK 4256. This double album brings together CD transfers from two outstanding Decca LPs. "Music of a People" was issued in 1965, and I treasure my original copy. "Spirit of a People" dates from 1974; for some reason I never invested in this sequel, so having both discs in one modern package is a long-delayed treat. Decca were using their trademark "Phase 4 Stereo" process, involving a 20-channel mixer enabling the orchestral instruments to be "precisely pinpointed along the horizontal plane, or forward and back." Small beer alongside our modern multi-track magic. But those original tapes have been nurtured by the indefatigable Mike Dutton into a glowing, digital sonic experience that belies their years. There is a lot of Jewish music around on CD. Much of it is "klezmer" – that is, modern imitations of vagrant East European village bands playing traditional Jewish folk-melodies at weddings and other celebrations (as in the famous Bottle Dance in "Fiddler on the Roof"). Stanley Black (born Solomon Schwartz in London’s Jewish East End) gave us something quite different. In his original sleeve notes he wrote: "I have tried to echo the love of traditional ceremony, both sacred and secular, the love of music, the love of dancing, the love of living." He took those traditional songs, dances and centuries-old prayers, arranging and extending sometimes trifling tunes, and scored them for a virtuoso orchestra (I suspect it’s the London Philharmonic, with "Festival" used for contractual reasons). Adding a well-drilled chorus bursting with vigour, his arrangements became little masterpieces in their own right. There’s a glittering array of percussion, punchy brass, sweeping strings, tender woodwind solos and a huge sense of sheer enjoyment at those recording sessions. The range of moods is vast: from Hollywood-style spectaculars like the opening calls on the shofar (ram’s horn) introducing "Hava Nagila" (can there be a more vibrant rendering of this warhorse anywhere on disc?), to the sensitive treatment of traditional synagogue melodies such as "Eli Eli" (Psalm 22) and "Kol Nidre", made famous in its cello-and-orchestra incarnation by Max Bruch but here in its original form for cantor and chorus (John McCarthy, founder of the Ambrosian Singers, contributing his own arranging skills for this track sung by the men of the London Festival Chorus). Sadly, with Stanley Black no longer with us – and the public performance of Jewish melodies in glossy orchestral garb confined to rare gala concerts at the Barbican or the Royal Festival Hall – these scores are in danger of fading from the memory. Black dressed up those familiar tunes in the manner of Dvorak or Brahms in their Slavonic and Hungarian Dances, and the glittering orchestral palette is worthy of Glinka or Rimsky-Korsakov, who also knew a thing or two about reinventing folk tunes for the concert hall. So all thanks to Decca and Vocalion for providing an experience you will probably never hear again "live", and will only get from putting these well-engineered discs into your player. Enjoy the skills of a superb British arranger and conductor, marshalling his forces in music that’s clearly close to his heart, or rather in his very blood.Rodney Greenberg

BRITISH LIGHT MUSIC PREMIERES Volume 1 John Fox – Characters from the Fairy Tales, Strings in 3/4; Philip Lane – Spring in Vermont, Anaiis; Herbert Chappell – ‘The Pallisers’ theme; Adam Langston – Gentle Rains; Carlo Martelli – Jubilee March, Cock Linnett; Gavin Sutherland – Air fur Zwei; Peter Lawson – Baroque Autumn; Adam Saunders – The Magical Kingdom; Geoffrey Wright – Three Neapolitan Dances Dutton Epoch CDLX 7147, 69:02 mins. Volume 2 Philip Lane – Overture on French Carols; John Field – Concertino for flute and small orchestra; Haydn Wood – British Rhapsody; Rimsky-Korsakov – Variations on a theme of Glinka; Anthony Hedges – Festival Dances; Carlo Martelli – Romance, Greensleeves, Aubade; Richard Addinsell – Harmony for False Lovers; Georges Bizet – Pas de Deux (from Carmen) Dutton Epoch CDLX 7151, 77:00 mins. With the flow of new Light Music releases apparently diminishing from the Sanctuary White Line label, it is good to know that Mike Dutton seems to have ensured the continued availability of recordings produced by Philip Lane. From the above details readers will recognise many familiar names, as well as a few new ones: the second volume also covers arrangements by British composers, hence the appearance of the likes of Rimsky-Korsakov and Bizet. Several orchestras are featured, and it is most praiseworthy that (almost) all the music is available for the first time. It could be argued that ‘Light Classical’ might be a better description than ‘Light’ for some of the items, but it would be churlish to be pedantic about such matters. Instead we should rejoice that we have a record company that it prepared to release beautiful music such as this. David Ades All Dutton Epoch CDs are available through the RFS Record Service.

THE FILM MUSIC OF CLIFTON PARKER Suite from Treasure Island, Seascape from Western Approaches, The Sword and the Rose, March from Sea of Sand, The Blue Lagoon – Rhapsody for Orchestra, Theme from Night of the Demon, Virigin Island- A Caribbean Rhapsody, March from Sink the Bismark, Blue Pullman BBC Concert Orchestra conducted by Rumon Gamba Chandos CHAN10279, 80:00 mins. The latest instalment in Chandos’ well regarded and successful series devoted to British film music features Clifton Parker and I welcome it the more warmly not least because he was responsible for creating one of my favourite film scores – of which anon. However I do have to start with something of a caveat since I have a difficulty with the first piece on this disc – the music for Treasure Island. This comes in the form of a lengthy 24 minute, seven movement suite and as a free standing concert piece is problematical because the music is essentially descriptive and desperately needs the medium of film more than any other piece on this disc to make its full and proper impact. I can well imagine many listeners’ concentration wandering at this point – like mine did – but others possibly may respond more positively. That said this disc still has ample musical compensation to offer not least the broodingly atmospheric Seascape from the wartime film ‘Western Approaches’. It conjures up a vivid mental picture of the white flecked heaving grey Atlantic Ocean across which a vital merchant convoy is making its way escorted by Royal Navy escorts and at the mercy of a U-boat attack at any moment. At just under five minutes in duration this minor masterpiece is all too short. The film itself was unusual for wartime in being made in colour, starred men from the allied navies and was hailed at the time by the Daily Mail as ‘without doubt the best sea film in existence’. Its surely high time this outstanding film graced our television screens again as a welcome change from the same old batch of British films some of distinctly dubious quality being endlessly and constantly recycled by the various television channels.The favourite piece of film music referred to at the head of this review is the March from the 1960 film ‘Sink the Bismark’ starring Kenneth More and dealing in a reasonably factual way with the sinking of the pride of the Royal Navy, the ill fated battle cruiser HMS Hood by the German super dreadnought Bismark and the subsequent hunting down and destruction of the latter by heavy units of the British fleet. Clifton Parker hits exactly the right buttons with a fast menacing sounding outer section doubtless depicting Bismark and its escort the heavy cruiser Prinz Eugen on the loose in the North Atlantic contrasting with a flowing nobilmente triotune much in the style of Elgar and Walton in their marches and imbued with great dignity. The first appearance of this great theme so apposite to the films’ character is surely a moving and poignant moment. The version here though by no means eclipses the fine account of Kenneth Alwyn and the Philharmonic Orchestra on a Silva Screen double CD – FILMXCD309 of Great British Film Music 1938-1998. Other attractions on this Chandos release are a short suite from The Sword and the Rose which includes a graceful and beguiling Lute Dance and a distinctly catchy march tune for the film Sea of Sand. Transport buffs amongst us can delight in having the opportunity to catch an exhilarating musical ride on the Blue Pullman – music Parker wrote for a British transport film to launch a new prestigious express train in 1960. This is music which manages to be both overtly descriptive but also thoroughly entertaining and involving and easily sustains its near 16 minute duration. Despite my earlier reservations concerning the Treasure Island music this generously filled disc with state of the art recording made at Walthamstow Town Hall can be confidently recommended to all lovers of British film music. Roger Hyslop

BRITISH LIGHT CLASSICS Volume 1 Allegro non troppo – from ‘English Dances (Malcolm Arnold), Calling All Workers, By the Sleepy Lagoon & The Dam Busters March (Eric Coates), Barwick Green (Arthur Wood), Coronation Scot (Vivian Ellis), The Bandstand Hyde Park (Haydn Wood), Cornish Rhapsody 9Hubert Bath), Portrait of a Flirt & Westminster Waltz (Robert Farnon), March from Little Suite (Trevor Duncan), Rhythm on Rails, Heart O’ London & Devil’s Galop (Charles Williams), Jamaican Rumba (Arthur Benjamin), Puffin’ Billy (Edward White), Vanity Fair (Anthony Collims),Chanson de Nuit (Edward Elgar) Warner Classics 2564 61438-2 (total timing 59:33 mins);Volume 2 Mexican Hat Dance (arr. Peter Hope), Nights of Gladness (Charles Ancliffe), Dreaming (Archibald Joyce), Pas de Quatre (Meyer Lutz), The Grasshopper’s Dance (Ernest Bucalossi), The Boulevardier (Frederic Curzon), The Haunted Ballroom (Geoffrey Toye), Concert Jig from Silverthorn Suite (Ernest Tomlinson), The Watermill (Ronald Binge), The Old Clockmaker (Charles Williams), Bells Across the Meadow (Albert Ketelbey), Dusk (Cecil Armstrong Gibbs), Jumping Bean (Robert Farnon), Destiny (Sydney Baynes), Londonderry Air (arr. Hamilton Harty), Covent Garden from London Suite (Eric Coates) Warner Classics 2564 62020-2 (total timing 64:24 mins) – Royal Philharmonic Orchestra conducted by Barry Wordsworth. If these two CDs had been released 20 years ago we would have all been over the moon! It is a measure of the healthy state of Light Music today that most of us will already have at least one version of these works in our collections. One could be negative and say that we have heard all this before, but I feel that would be highly regrettable. The glory of Light Music is that it can benefit from different interpretations: not only do conductors have their own styles and preferences (The Boulevardier is a good example!), but recording engineers can also have a profound effect on what we hear at home. How often have you noticed a ‘new’ instrument in a piece you thought you knew very well? One famous example is the Decca recording of Robert Farnon’s Poodle Parade where the counter-melody in the middle section is almost entirely lost; it came as a pleasant surprise to many of us the first time we heard the Chappell version. But to return to these two CDs … volume 1 originally appeared on the RPO’s own label, so do check that you do not already have it. This music is now reaching a wider audience through Warner Classics, and one can only wish them well. The RPO is a superb orchestra, and there can be few conductors with a breadth of experience in this genre to match Barry Wordsworth. Forget about duplications! Add these CDs to your Light Music collection, and be grateful that our kind of music is enjoying such a welcome revival! David Ades

I approached this latest offering (Volume 2) from Warner Classics with keen expectations particularly the more so as its predecessor ‘Light Music Legends’ originally issued on the Royal Philharmonic’s own label – RPO 008 reviewed in the June 2004 Journal Into Melody (p. 67) and subsequently re-released as ‘British Light Classics’ – Cat. No. 2564 614382 on the Warner Classics label I hailed with considerable enthusiasm both on account of the sound quality and the stylish idiomatic performances. That recording was made in the Henry Wood Hall London which self evidently has decidedly superior acoustical attributes than the Cadogan Hall, Sloane Terrace used for this newcomer. Whilst many of the tracks on this new disc admittedly tread very heavily in the footsteps the excellent Hyperion Series ‘British Light Music Classics’ featuring Ronald Corp and the accomplished New London Orchestra – which one fervently hopes will be resumed again soon – I was looking forward again to the luxury of listening to these gems of the light music repertoire played by a large ‘Premier League’ symphony orchestra. Alas not only is the recording disappointing with rather bright sound somewhat lacking in any great sense of depth or amplitude but many of the performances here are, surprisingly in view of the conductor’s fine reputation in music of this kind, rather brusque and insensitive with in some cases eccentrically fast tempo. One almost has the feeling of a conductor racing through the recording sessions at a fair rate of knots with a view to catching a particular train! Thus Charles Ancliffe’s fine waltz Nights of Gladness is despatched in a mere 3.25 mins with little in the way of repeats and at a tempo which would have been impossibly fast to dance to. Ronald Corp with his New London Orchestra on Hyperion CDA 66868 has far more ‘oomph’ here. Revealingly no less than eleven tracks on this new disc are contained on the aforementioned Hyperion CD which in every way is to be preferred. Barry Wordsworth’s The Boulevardier instead being out for a jaunty walk about town appears to be in headlong flight, pursued by his creditors perhaps! Compare with Corp’s version which comes out at amore acceptable 3.55 with the music consequently more pointed and better characterised and Vivian Dunn’s account on Vocalion CDLK 4182 at an entirely persuasive 3.34. Again Meyer Lutz’ Pas de deux is simply played too fast with all its effect and charm needlessly dissipated. It is after a balletic piece and Corp invests the piece with a delightful and beguiling lilt which is quite irresistible. Again comparable timings are instructive here with Wordsworth reaching the ‘finishing line’ at 2.55 against the more steady and persuasive Corp at 3.39. You will gather by now that I am not greatly enthused with this disc and it is all the more disappointing since Barry Wordsworth is usually such a sympathetic and reliable interpreter of the light music repertoire. To be fair the more lively numbers such as Peter Hope’sMexican Hat Dance and Robert Farnon’s Jumping Bean survive rather better. The performance of Ronald Binge’s enchanting The Watermill is simply not in the same class as Vivian Dunn’s version on the previously mentioned Vocalion disc where he coaxes beautifully atmospheric and magical playing from the Light Music Society Orchestra. Sorry to be so negative about what promised to be a significant and desirable addition to British light music discography and others may respond more positively to this Warner Classics disc but on every count Ronald Corp and his New London Orchestra on Hyperion is to be preferred in much of this repertoire where fine, sensitive, committed and idiomatic playing makes for a completely satisfying listening experience! Roger Hyslop

The enormous upsurge of interest in Light Music over the last few years has brought success to several UK record companies, and a number of CDs have been aimed at a target audience of principally ‘classical’ purchasers. A good example is the series conducted by Ronald Corp on the Hyperion label, and more recently (2003) a volume of British light classics by the Royal Philharmonic Orchestra under Barry Wordsworth, which has now been joined by Volume 2. Having observed the work of Barry Wordsworth at close quarters (he conducted the Charles Williams CD with which I was involved in 2003), I believe that he is a highly competent exponent of this genre. In contrast to one or two other conductors, his tempi are usually fairly brisk, but on this occasion some of them are far too much so – eg Nights of GladnessThe Grasshopper’s Dance, and especially The Boulevardier, which bizarrely sounds as if Frederic Curzon’s hero is trying to set a new record for the 100 metres, rather than taking a leisurely stroll! The RPO delivers textbook performances and the same can be said for the quality of Tony Faulkner’s recordings. Aside from the vexed question of tempi, the other problem is that the majority of collectors will already possess at least one – if not several – of every title. It is most unfortunate that no opportunity was taken to include at least a couple of less-often-recorded titles – there are still plenty of fine compositions awaiting their turn to appear on CD. This new Warner release (together with its predecessor) will be mainly of interest to those who are just starting a light music collection. Acknowledgments are given to the Library of the Light Music Society, which was of assistance in providing some of the sheet music, and the booklet also includes a ‘plug’ for the RFS website. Tony Clayden

GUILD Golden Age of Light Music CDs tracklistings earlier in this issue

GLCD5113: Mantovani – By Special Request Vol. 2

GLCD5114: Great American Light Orchestras Vol. 2

In a little over a year, the GUILD Golden Age of Light Music CDs have become firmly established, not only in the UK but farther afield; encouraged by their success, the Company’s string of new releases continues apace. Already we have had Volume 2 of Music Of The ’50s – Midnight Matinée (JIM162) and this is now joined by second volumes of Mantovani By Special Request and Great American Light Orchestras. The Mantovani compilation embraces what I regard as this conductor’s most musically interesting and satisfying period, namely 1940-1951. During these eleven years, he made a surprising number of recordings, although unfortunately many of these never became as well known as his later work. It has been suggested that this may be because Decca’s publicity machine only really moved into ‘top gear’ with the advent of the Charmaine era which was the time when the new LP format was becoming heavily promoted. As with Volume 1 (JIM161), some of the earlier tracks have a definite ’30s ring about them; Nights Of Gladness, Castiliana, Spanish Cocktail and Valse Septembre are all obvious examples. There are some classical ‘borrowings’, including the Song of Norway suite (Edvard Grieg), Tell Me You Love Me (from Ruggiero Leoncavallo’s Pagliacci) and Tango Bolero, which although credited to Juan Llossas seems to be decidedly under the influence ofGranada from Suite Española for guitar by Isaak Albeniz. Hejre Kati makes use of what I am certain is a traditional Hungarian melody, because the very same tune crops up in one of the Hungarian Dances by Johannes Brahms. A good few tracks also feature Mantovani as a composer, both under his own name and "Pedro Manilla" in this absolutely splendid collection which should appeal to all who enjoy Light Orchestral Music of the post-WWII period. Volume 2 of Great American Light Orchestrasis subtitled Travellin’ Light after the first track by Walter Scharf and his orchestra; Victor Young’s main theme has a particularly ‘English’ sound about it. Some of the orchestras featured in Volume 1 (JIM159) make a welcome return and are joined by a number of newcomers, not all of which are too familiar to British audiences. The programme is a well-chosen combination of original compositions for orchestra, together with Broadway/Hollywood standards dressed up for the occasion in lush orchestral ‘party frocks’. Highlights of the twenty-seven tracks – for me at any rate – are Leon Jessell’s Parade of the Wooden Soldiers (having become metamorphosed from the Tin variety we know and love on this side of the pond) and Fritz Kreisler’s Chinese Tambourine. Both are played like you’ve never heard them before! I would also mention New York in a Nutshell (shades of Gershwin’sAn American in Paris?), The Grasshopper by Bernard Landes and two equestrian pieces, Kentucky Trotter by Frank Perkins and David Rose’s Flying Horse – is it my imagination, or has Poncielli’sDance of the Hours crept (or more likely galloped) into the proceedings? Once again GUILD has produced a collection of the highest quality and a worthy successor to Volume 1. Here then are two more great additions to this excellent series. What rabbits will David Ades and Alan Bunting (aided and abetted by some of our members) pull out of the hat next? Tony Clayden

DAVID HUGHES Great British Song Stylist Castle PLSCD738. 20 tracks for around £2.99 from the Fifties "pop" career of this fine artiste who became a celebrated opera singer and died aged 47. Among the songs are I Talk To The TreesRags To RichesWith These HandsBridge Of SighsWild Horses, and If I Had Wings. But the disc would be worth the modest price if it only featured David’s duets with Jo Stafford, Let Me Hear You Whisper and One Love Forever, one of the first "Records of the Century" [78 rpm, of course] on the then new Philips label. Peter Burt

A NORWEGIAN BANDSTAND: Borg: Den norske Armé og Marines Revelje, Den norske Armé og Marines Tappenstreg, Svendsen: Carnival in Paris, Okkenhaug: Lyric Dance, Thingn Æs: The Clown,Hansson: Valdres March, Grieg: Norwegian Dances, Gudim: Eg ser deg utfor gluggen, Johansson:Holmenkollen March, Halvorsen: Norwegian Rhapsody No. 1, Grøndahl: New Circus. Royal Norwegian Navy Band, Principal conductor: Leif Arne Tangen Pedersen. Specialist Recording Company SRC 122, 67:00 mins. For the latest in their highly imaginative ‘Bandstand’ series the Specialist Recording Company have ventured intrepidly across the expanse of the North Sea to produce a Norwegian version engaging the services of the excellent Royal Norwegian Navy Band established in 1820 and currently comprising some 29 musicians. Grieg’s endearing Norwegian Dances will probably be the most familiar item in this concert for most collectors and is sensitively and idiomatically treated here in a highly effective transcription for wind band. Johann Svendsen is represented by probably his most popular work namely the ebullient Carnival in Paris, the arrangement being made by the ubiquitous Dan Godfrey, whilst Johan Halvorsen chiefly remembered today by his very popular march ‘Entry of the Boyars’ and like Svendsen a composer of symphonies makes his appearance with the first of two Norwegian Rhapsodies. Also here is a somewhat jauntyLyric Dance by Paul Okkenhaug and a short 3 movement suite by Frode Thingn Æs The Clown which features a prominent solo cornet. Hanssen’s Valdres March described by fellow composer Ole Olsen as the finest march he had ever heard was included in an orchestral version as part of a collection of Norwegian Classical Favourites by the Iceland Symphony Orchestra conducted by Bjarte Engeset on NAXOS 8.557017 apart from which the two discs are entirely complementary as to their respective contents. In sum there is much attractive and interesting music here in nicely contrasting styles from orthodox military music to a ‘big band’ effect in the Gudim piece which is based on an old Norwegian Folk song and all rounded off neatly by a particularly engaging march by Oscar Borg Den norske Armé og Marines Tappenstreg which apparently translates as ‘The Reveille and Taps of the Norwegian Army and Navy!’ An unusual but inherently tuneful and thoroughly absorbing release, vividly recorded and anyone looking for something a little ‘off the beaten track’ will be well rewarded by purchasing this CD. Roger Hyslop

MANTOVANI ‘Cascading Strings’ 99 tracks including Charmaine, Diane, Under The Roofs of Paris, La Cumparsita, Lovely Lady, Treasure Waltz, etc… 4-CD Box Set from Jasmine Records, JASBOX 15-4. This compilation by Geoff Milne covers the years 1951-1954, when Mantovani was quickly becoming one of the world’s biggest selling orchestras on LP. Thanks to the clever scoring by Ronald Binge, Monty’s string sound was unique, and adored by millions, and this collection fully embraces those exciting years. The compiler has been responsible for many fine Decca releases over the years, and the sound quality here (presumably taken from the original LPs) is perfectly acceptable. If I have a minor criticism, it is that I would have liked to have seen the original catalogue numbers and recording dates given; also there is no reference to the fact that some of the tracks feature compositions by Mantovani himself under a pseudonym. Because so many Mantovani CDs have been released recently, it is inevitable that there will be some duplication with collections already available. However this set is very reasonably priced, and is great value for the money. If you cannot find it in your local record store, you can order it direct from: Jazmail, Unit 8, Forest Hill Trading Estate, Perry Vale, London, SE23 2LX, England (major credit cards accepted). The set costs £17.99 and UK postage is £1.00; Europe £1.50; rest of the world £2.80. David Ades

Wow! What does one write about an historic issue such as this? Here at bargain-price on four well-filled CDs [the shortest is a tad under 70 minutes] is the music that made the great man’s name throughout the world. This is "tingle factor" music supreme. One can only sit back and luxuriate in these simply glorious string-led arrangements – not overlooking the fine woodwind, brass, percussion and occasional accordion or guitar – with their distinctive sound and alluring lilt, originally conceived by Ronald Binge. There is so much to enjoy, I hardly know where to begin. Some of the choices have already appeared on various other CDs, so especially welcome are the four 7-track segments [split in the same way as on the original LPs] from both the ‘Sigmund Romberg’ and the ‘Victor Herbert’suites, appearing in this format for the first time. There are four numbers, Etude No.3 in E Major[Chopin], Cradle Song [Brahms], Romance [Rubenstein] and On Wings Of Song [Mendelssohn], taken from Mantovani Plays The Immortal Classics’. And Treasure Waltz, Village Swallows [a particular favourite of mine], The Emperor Waltz and Voices Of Spring come from his acclaimed ‘Strauss Waltzes’ album. All the legendary tunes, like CharmaineWyomingThe Moulin Rouge Theme,Swedish Rhapsody and Greensleeves, are here. Add to them such gems – some half forgotten – asLovely Lady, Lehar’s Gypsy Love WaltzRoyal Blue WaltzTango Delle RosaSo Madly In Love,Kisses In The DarkAt DawningFaith and Friml’s Dear Love, My Love, and you have a definitive mono set that must feature on any Mantovani aficionado’s most wanted list. The compilation and transfers are by Geoff Milne, who was associated with Monty’s recording company, Decca, in the ‘60s; and the digital processing is by Tall Order. The production standards are high throughout with, presumably, all the tracks having been re-mastered from records. The liner notes are also by Mr Milne and, barring a few minor grumbles over these on the Mantovani website – recording dates would have been nice, agreed – he and the people at Jasmine Records are to be saluted for producing a truly treasurable collection. Peter Burt

LEROY ANDERSON The Waltzing Cat The Typewriter, The Waltzing Cat, Fiddle Faddle, A Trumpeters Lullaby, Horse & Buggy, Plink Plank Plunk!, Belle of the Ball, The Irish Washerwoman, The Last Rose of Summer, The Phantom Regiment, Pyramid Dance, Blue Tango, Bugler’s Holiday, Sleigh Ride, The Syncopated Clock, Chicken Reel, Piano Concerto in C Major. Melbourne Symphony Orchestra conducted by Paul Mann, with Simon Tedeschi (piano) ABC Classics 476 1589, 68:00 mins. An unexpected but very welcome release from the Australian Broadcasting Commission on their ABC Classics Label of the music of Leroy Anderson made so more so by the inclusion of the rarely performed or recorded three-movement Piano Concerto in C Major – the composer’s only extended orchestral work, playing for about 20 minutes. The music is inimitably and recognisable in his own idiom and style but with occasional hints of Rachmaninov. The concerto was written in 1953 and the composer conducted the first performance with Eugene List as soloist but according to James Koehne in his informative notes was withdrawn immediately afterwards for revision which in the event Anderson never got round to. It only surfaced again in 1989 when his executors allowed the concerto to be finally published in its original unrevised form. There is a rival recording on a difficult to obtain Telarc CD-CD-80112 with Stewart Goodyear as pianist with the Cincinnati Pops Orchestra conducted by Erich Kunzel and coupled with music by fellow Americans George Gershwin, Scott Joplin, Morton Gould etc. On the present disc you get more music by Leroy Anderson including many old favourites but one or two novelties such as Chicken Reel and Pyramid Dance which currently lack modern recordings. Good committed playing from the Melbourne Orchestra and exemplary well detailed recording. Perhaps one or two individual items are played with a little more restrain than we are used to from American recordings but this is still a very worthwhile addition to the Anderson discography and I imagine the inclusion of the rare Piano Concerto will enhance the disc’s attractiveness to potential buyers. Well worth seeking out! Roger Hyslop

"TILL THE END OF TIME" 5-CD Box Set from Reader’s Digest featuring a collection of melodies performed by some of the world's finest beautiful music/light music/classical orchestras eg Franck Pourcel, Henry Mancini, Johnny Pearson, The Romantic Strings and Orchestra, Robert Farnon Orchestra, Robert Mandell and the London 'Pops' Orchestra, London Promenade Orchestra conducted by Eric Hammerstein, Malcolm Lockyer Orchestra, Douglas Gamley and his Orchestra, Charles Gerhardt conducting the RPO and also the NPO, Wally Stott Orchestra, Nick Ingman Orchestra and many, many others. Reader’s Digest (UK) RDCD3731-5. This is basically a superb all orchestral collection of light classical music from the extensive Reader’s Digest archives. There is some duplication with Reader's Digest 'Classical Reflections' 3-CD box set that came out a few years ago in the excellent ‘The Wonderful World of Music' series of 3-CD box sets which, sadly, are now all deleted. However the new ‘Till The End of Time’ CD box set has some Pourcel tracks that were not on the previous 3-CD box set and all seven of the Mancini tracks are appearing for the first time on the new box set. There are also many, many other differences in content between the two box sets. I have to say that this is a superb collection with beautifully clear remastered sound. It will appeal to all who like light classical beautiful melodic music done in an easy relaxing orchestral style 'with plenty of strings'. There is the usual one hours’ worth of music on each CD. Reader's Digest say that all the instrumental music in this collection is exclusive to them - you will not find these particular recordings in the shops. ‘Till The End of Time’ also comes complete with Reader's Digest usual excellent full colour 42-page booklet featuring photos and background information on the music. Some of the titles include Stranger in Paradise; Nessun Dorma, My Funny Valentine, Air on the G String, Moonlight Sonata, The Blue Danube Waltz, Summertime, ‘The Onedin Line’ Theme, Fur Elise, One Fine Day, Clair De Lune, Baubles, Bangles and Beads, Could It Be Magic, Greensleeves, Danny Boy (Londonderry Air), Plaisir D'Amour....etc. Disc 1 is titled "The World's Most Beautiful Melodies"; Disc 2 is titled "Candlelight Moods"; Disc 3 is titled "Romantic Melodies That Will Live Forever"; Disc 4 is titled "Classics by Starlight"; Disc 5 is titled "Timeless Favourites". The Franck Pourcel tracks are:Acceleration Waltz, Blue Danube Waltz, None But The Lonely Heart, Song of India, Tales from The Vienna Woods, Waltz of the Flowers. The Robert Farnon Orchestra track is One Night of Love. The Henry Mancini tracks are: A Lover's Concerto, A Time For Us (Love Theme From 'Romeo and Juliet'), I'm Always Chasing Rainbows, 'Moonlight' Sonata, No Other Love, Rhapsody In Blue. The Johnny Pearson track is Friendly Persuasion. The Wally Stott track is The Legend of Glass Mountain. This 5-CD box set collection will cost you £39.99 + £2.99 for packing and delivery within the British Isles. The catalogue number is RDCD3731-5 and can be purchased by telephoning Reader's Digest Customer Services on 08705 113366 (8am to 6pm GMT Monday to Friday and Saturday from 8am to 1pm). If interested, I recommend not delaying in getting this music collection as it may well sell out fast as happened with the 15 (3-CD box sets) in Reader's Digest excellent 'The Wonderful World of Music' series. Chris Landor

PASSING IN A Life on the Ocean Wave (Russell), Markers Call/Divisons Call (Trad.), Sea Shanties (Trad.), Auld Lang Syne (Trad.), On the Quaterdeck (Alford), By Land and Sea (Alford), Heart of Oak (Boyce), The Thunderbirds (Gray), Rule Britannia (Arne), Scipio (Handel), Defence of the Realm (Weston), The Captain General (Dunn), Soldiers of the Sea (Dunn), Washington Greys (Grafulle), The New Colonial (Hall), Barnum and Bailey Favourite (King), On Parade (Elms), Shrewsbury Fair (Neville), Wellington (Zehle), The Invincible Eagle (Sousa). Band of H.M. Royal Marines, Plymouth. D.O.M. Major P. Weston M.Mus., A.R.C.M., L.R.S.M., R.M. Introduced and Narrated by Commodore D.W. Pond R.N. CLOVELLY CLCD13604, 61:00 mins. A fascinating and imaginatively conceived disc giving an excellent insight into the ‘Passing In’ parade at H.M.S. Raleigh, Torpoint, Cornwall in which new entrants after 8 weeks initial basic training make the formal and somewhat dramatic transition from ‘civvies’ to sailors as the ‘Pass In’ to the Royal Navy. There is an interesting, informative and succinct commentary interpolated at several points by Commodore D.W. Pond R.N. Playing through this CD with one or two occasional shouted orders setting the scene gives one the distinct feeling of being transported to the parade ground of this naval establishment hopefully perhaps as a passive observer rather than an actual participant doubtless under the gimlet eye of a seasoned C.P.O.! The programme which was recorded in the band complex rather than the parade ground includes a fine selection of marches by some of the giants of the genre – Alfrod, Dunn, Sousa and even a certain Mr. Handel! There’s also a recent piece – Defence of the Realm – by the current D.O.M. of the Plymouth Band, Major P.A. Weston. All credit to Clovelly for releasing this disc with all dispatch since the recording sessions took place in late September 2004 and the disc was in my hands by mid November 2004! Recording quality is full and brilliant and it’s difficult to imagine finer playing than we get here from the Plymouth Band. So full marks to Clovelly and the Senior Service for such an unusual, enterprising, and engrossing disc. Despite the armchair ‘square bashing’ this CD has given me great and stimulating pleasure – there is absolutely no danger of ‘nodding off’ and is cordially commended not least for the great musical experience. Roger Hyslop

THE ROYAL MARINES PLAY BRITISH MUSIC Salute to the Colours (Dunn), Cockleshell Heroes (Dunn), The Globe and Laurel (Dunn), Jupiter – The Planets (Holst), March – Suite No.2 in F Major (Holst), I Vow to Thee My Country (Holst), Country Gardens (Grainger), Drakes Drum (Stanford), The Old Superb (Stanford), The Little Admiral (Stanford), The Contemptibles (Stanley), Sea Songs (Vaughan Williams), Scherzo – Music for a Festival (Jacob), Welcome the Queen (Bliss), Call to Adventure (Bliss), The Churchill March (Grainer), Orb and Sceptre (Walton), Pomp and Circumstance March No.1 in D Major Op.39 (Elgar). Band and Fanfare Trumpets of H.M. Royal Marines School of Music, conducted by Lieutenant Colonal F. Vivian Dunn C.V.O., O.B.E., F.R.A.M., R.M., with Frederick Harvey (baritone), David Bell and Barry Rose (organ). EASTNEY COLLECTION RMHSEC009, 66:00 mins. The latest release from the Eastney Collection is to be the more warmly welcomed since it gives us the all too rare opportunity to hear again the fine baritone voice of Frederick Harvey whose career was abruptly terminated by and early death at the age of 59 in 1967. He was a Devon man born in Plymouth and served throughout the Second World War in the R.N.V.R. undertaking a number of recording sessions with the Royal Marines Orchestra, Portsmouth Division under a certain young Captain F. Vivian Dunn so was perhaps uniquely qualified for performing some of Stanford’s Songs of the Sea and Fleet. Never was this considerable talent more challenged than in the tongue twisting ‘Little Admiral’ which required crystal clear articulation for its full effect and in which this gifted singer negotiates through tricky waters with consummate ease. Several of the tracks originally appeared on an HMV LP ‘Music of the Sea’ released in the early 1960’s the cover of which was graced by and illustration of a painting of HMS Victory and a fine official photograph of the aircraft carrier HMS Hermes. Despite the claim that the recordings range in date from 1953 to 1968 which would imply a mix of both mono and stereo tracts careful listening on headphones would appear to reveal that all have two dimensioned sound imaging. Notwithstanding there is little variation in the more than acceptable sound quality throughout this disc which is brought to a resounding conclusion by a splendid and frisson inducing Pomp and Circumstance No.1 complete with the full blooded panoply of organ joining the band in the final reprise of the famous trio tune. This latter recording made in Guildford Cathedral in 1968 is historically significant as Brian Culverhouse in his introductory notes to this release states that this was the final recording Sir. Vivian made for EMI under whom he was contracted with the Royal Marines Band Service although of course he went on to make a number of commercial recordings with the City of Birmingham Symphony Orchestra and the Light Music Society Orchestra. A self recommended disc, a valuable addition to the steadily expanding Eastney Collection and a superb reminder of Sir Vivian’s outstanding musicianship. Roger Hyslop

FRANKIE LAINE "I Believe" I’m Gonna Live Till I Die, Shine, That’s My Desire, We’ll Be Together Again, I May Be Wrong, The Cry of the Wild Goose, Mule Train, Your Cheatin’ Heart, Jezebel, Rose Rose I Love You, etc.. 27 tracks Memoir CDMOIR586, 75:09 mins. Many of Frankie Laine’s biggest hits are here. It’s incredible to think that all these tracks are over 50 years old!

EDMUND HOCKRIDGE with The PETER KNIGHT Orchestra and Chorale International Songs for International Lovers Games That Lovers Play, Make It Easy On Yourself, I Will Warm Your Heart, You Don’t Have To Say You Love Me, Yesterday, Comes Once In A Lifetime, Senza Fine, Have I The Right, Sand And Sea, Guantanamera, All Alone Am I, You Can’t Keep Me From Loving You.Western Heritage The Dreams, Westwards, Across The Divide, California Or Bust Vocalion CDLK4245, 74:54 minutes. Ted Hockridge really needs no introduction to readers of this magazine. He is on top form in this collection from two fine Decca albums.

The Ultimate MATT MONRO Portrait Of My Love, My Kind Of Girl, Walk Away, I Can’t Stop Loving You, Softly As I Leave You, Gonna Build A Mountain, And We Were Lovers, From Russia With Love, etc… 24 tracks EMI 560 9392. Matt Monro died on 7 February 1985, so EMI have brought out a 20thAnniversary selection of his greatest hits. If you are a Matt Monro fan, you’ll probably have most of this music already, although five tracks are stated to be the first time on CD. There is no doubt that he was one of the best singers in Britain during the peak of his popularity, and it was a tragedy that he died at the young age of 52. I can remember meeting him at London’s "Talk Of The Town" when Matt was a guest on one of the Tony Bennett TV shows which also featured the Robert Farnon Orchestra. He was very modest and friendly, especially when I ‘lent’ him 4p to make a telephone call! Full marks for the CD booklet, with some fine photos that will delight Matt’s fans. David Ades

HYDE PARK SHUFFLE - Australian Light Music Jamaican Rumba, Serenata Piccola, Ocean Road, Down Longford Way, Argentina, Romanze, From San Domingo, Bobsleigh, Waiata Poi, Blue Mountains, Rebecca's Dream, Legend, Lifesavers' March from Sydney Suite, Serenade for Small Orchestra, Hyde Park Shuffle, Caribbean Dance: A New Jamaican Rumba. (Australia) ABC Classics.476272-2. The Adelaide Symphony Orchestra conducted by Guy Noble plays a selection of light music composed by Australians and others who have called Australia home for many years. The composers include Arthur Benjamin, Henry Krips, Eric Jupp, Alfred Hill, William Lovelock, George Dreyfus, Mike Kenny, Katherine Parker, Frederick Whaite, Tommy Tycho and Jack Grimsley. This is the first recording of light music by Australians to be released in many years and provides over an hour of musical delights. It is to be hoped that more CDs of this type of music by Australian composers will be produced in time to come. Barry Freeman

Here is a real surprise – a new (2004) CD of genuine Light Music from Down Under! Curiously, there are none of Percy Grainger’s originals – although he did arrange the Katharine Parker piece – but three by Arthur Benjamin and four excellent compositions (plus an arrangement of Alfred Hill’sWaiata Poi) by Viennese émigré Henry Krips. The latter was the brother of Josef, who was well known in Britain as a conductor after WWII. London ex-pat Eric Jupp makes an appearance with the familiar Bobsleigh whilst Jack Grimsley’s Rebecca’s Dream has more than a slight hint of the Farnon sound about it. There are fine performances throughout from the Adelaide Symphony Orchestra under Guy Noble and a recording quality to match. It’s rather unfortunate that there is only just an hour’s worth of music, which is not particularly generous, considering the full price of this most enjoyable disc. Tony Clayden

THE BEST OF VIKKI CARR. Can't Take My Eyes Off You; It Must Be Him; With Pen In Hand; You Don't Have To Say You Love Me; He's A Rebel; For Once In My Life; Plus 14 Other Songs. EMI GOLD 7243 8 75328 2 3. 53:16 mins. Vikki Carr is the kind of singer for whom compilers must have a difficult if not impossible task of finding songs outside of her hits. The reason is simple: Carr's albums always seem to build naturally to a conclusion in a graceful, subtle way. That said, this CD succeeds where no others have: it showcases her abilities in different music forms so well as to be an album in itself. Standards such as "I Only Have Eyes For You" stand side by side with then current hits such as "For All We Know" (the only non-EMI recording) and a meltingly beautiful "Alfie" which is absolutely the most perfect rendition of this song. The CD remastering is breathtakingly alive. The booklet is everything one could ask for with an accurate biography of Carr by Ossie Dales of "In Tune" magazine. There are also adorable photos of Vikki Carr taken at the time of these great recordings. The CD label and the back tray have images of Ms. Carr's beautiful eyes. So take out your check book and, with pen in hand, buy this fabulous album by one of America's greatest natural treasures: VIKKI CARR! And remember, with Vikki Carr, the best is always yet to come! Richard Jessen

SIGMUND GROVEN, Harmonica with Norwegian Radio Orchestra conducted by Christian Eggen "Philharmonica": Sailor’s Song (Milhaud), Concerto for Harmonica and Orchestra (Villa-Lobos), Modulations for Harmonica and Orchestra (Rypdal), Legends for Harmonica and Strings (Sigmund Groven), Seeking your Face (Sivertsen). (Norway) Grappa PPC 9050. This latest CD from RFS member Sigmund Groven illustrates just how far the harmonica has advanced as an instrument which deserves to be taken seriously. Sigmund worked closely with the late, great Tommy Reilly who is still regarded as being the finest performer on the instrument during the last century. If you have problems in finding this CD, you can write direct to Sigmund Groven at: PO Box 5167, Majorstua, N0302, Oslo, Norway.

DIANA KRALL: THE GIRL IN THE OTHER ROOM. Stop This World; The Girl In The Other Room; I'm Coming Through; Temptation; Plus 8 Other Tracks. Verve B0001826-12. 55:36. This is a prime example of an extraordinarily gifted artist bending differently difficult songs and molding them into their own distinct styles. Thus it is with this CD containing songs by such diverse creators as Elvis Costello, Mose Allison, Tom Wait and Joni Mitchell. The set opens with Mose Allison's "Stop This World," an appropriately angry song about the underside of the music and celebrity business. Of the five songs by the husband and wife team of Elvis Costello and Diana Krall, the final four are among the very best, especially "Narrow Daylight" with its prayerful thoughts for personal strength in times of anxiety. The gloves come off again for a rousing blues number "Love Me Like A Man" with Krall's hard swinging vocal urging onward Anthony Wilson's blazing guitar solo. This is an extremely moody departure for Diana Krall but it should be mentioned that this is a very rewarding experience of hearing this still fresh voice in new material worth her enormous talents. Richard Jessen

JOHN WILSON & HIS ORCHESTRA: DANCE DATE Medley: Nice Work If You Can Get It, The Best Things In Life Are Free, Shall We Dance, A Fine Romance, You’re The Cream In My Coffee (Arr: Pete Moore) - Medley: Just In Time, Get Out Of Town, I Thought About You (Arr: Andrew Cottee) - Invitation (Arr: Andrew Cottee) - Medley: Easy To Love, S’Wonderful, Our Love Affair, In The MiddleOf A Kiss, Chicago (Arr: Colin Skinner) - The Boy Next Door (Arr: Andrew Cottee) - Lady In Red (Arr: Alan Roper) - Medley: The Shadow Of Your Smile, You Must Believe In Spring, I’ll Close My Eyes (Arr: Mark Nightingale) - Medley: Who’s Sorry Now, Whispering, Three Little Words (Arr: Roland Shaw) -One Night Of Love (Arr: Andrew Cottee) - Blue Tango (Arr: Alan Roper) - Medley: The Carioca, Cherry Blossom Pink & Apple White, April In Portugal, My Heart Belongs to Daddy (Arr: Pete Moore) - I Only Have Eyes For You (Arr: Roland Shaw) - Medley: How About You, I’ve Got My Love To Keep Me Warm, Thou Swell (Arr: Andrew Cottee) - Mambo No.5 (Arr: Roland Shaw) - Medley: Hello Young Lovers, I Whistle A Happy Tune, Shall We Dance? (Arr: Pete Moore.) Vocalion CDSA 6812. Mike Dutton at Vocalion kindly supplied a ‘test’ CD so that we could hear some of this new collection at our April RFS meeting, but the CD itself was not due to be released until the end of May. The versatility of John Wilson seems to know no bounds! He appears willing to tackle all kinds of music, from the classics to jazz, and this latest CD contains some very fine playing indeed (hopefully the booklet will identify the musicians). The arrangers are some of the very best in the business, and if you fancy adding some high quality dance music to your music library you need look no further. David Ades

ELGAR/WALKER – PIANO CONCERTO, etc. David Owen Norris – Piano, BBC Concert Orchestra/David Lloyd-Jones Dutton Epoch CDLX 7148. Some years ago, the British composer Anthony Payne realised the sketches for Elgar’s third symphony, which had remained unfinished at the composer’s death. Concurrently, Sir Edward had also been working on a piano concerto which he had started 21 years earlier, and which was in a similarly incomplete state. Now, another British composer – Robert Walker – (no doubt influenced and encouraged by the universal acclaim received by the Payne work), has pieced together the composer’s pile of sketches and realised a performing version of the concerto. The World Premiere recording of the completed work is a joint enterprise between BBC Radio 3, the BBC Concert Orchestra and the Elgar Society. Lack of space precludes more than the briefest of comment. The work is certainly impressive, although hearing Elgarian themes performed on a keyboard will take more than a little getting-used-to; (the slow movement only has appeared on a previous recording in a performing version by Dr Percy Young, although Walker’s musical treatment is quite different). Only time will tell whether this work will become universally accepted and take its place as a standard item in the orchestral repertoire, as has the Elgar/Payne Third Symphony. The opportunity has been taken to include a number of other previously unrecorded works and amongst these, of particular interest to JIM readers, is a suite based on four of Elgar’s songs, orchestrated by none other than Haydn Wood, together with a further song in an orchestration by Henry Geehl. Mike Dutton is to be congratulated on this initiative, which deserves every success. Tony Clayden

FRANK SINATRA: SINATRA AND SWINGIN' BRASS. Goody, Goody; They Can't Take That away From Me; I Get A Kick Out Of You; Pick Yourself Up; Plus 8 Other Songs. FRANK SINATRA WITH NEAL HEFTI AND HIS ORCHESTRA. Reprise 9 46971-1. 30:32. This brightly swinging recording is one of Frank Sinatra's best from the early 1960's, pairing Sinatra for the first time with the great Neal Hefti. Recorded and released in 1962, the songs are selected from the great American songbook. Gleefully we start off with an exuberant take on "Goody, Goody" leading up to a slyly witty "I'm Beginning To See The Light" and a naughty "Don'cha Go 'Way Mad" with its over population of "babies." "I Get A Kick Out Of You" is the standout track, so propulsively fast that it leaves the listener panting from exhaustion. Even ballads such as "Serenade in Blue" swing lightly. The charts by Neal Hefti are masterpieces of the arranger's art, dovetailing the rhythmic verve of Sinatra's always superb vocals. The band is overwhelmingly great, playing Hefti's charts with heartfelt enthusiasm. The remastering onto CD is very lifelike which makes this short CD well worth owning just for the arrangements, singing and performances. Richard Jessen

FILM MUSIC OF STANLEY BLACK Battle of the Sexes, Sands of the Desert, Stormy Crossing, Blood of the Vampire, Jack the Ripper, Three Steps to the Gallows, The Young Ones BBC Concert Orchestra conducted by Barry Wordsworth Chandos CHAN 10306, 70:20 mins. Late arrival - review to follow in our next issue.

Vocalion has issued an impressive list of new CDs for April and May. Details of some are given below, but we had to close for press before review copies were received for them.

FRANK CHACKSFIELD EVENING IN LONDON: A nightingale sang in Berkeley Square (Sherwin; Maschwitz), Hometown (Carr; Kennedy), The touch of your lips (Noble), There’s a lovely lake in London (Evans; Damerell; Butler), Drink to me only with thine eyes (trad; arr. Young), You’re blasé (Hamilton), The bells of St. Mary’s (Adams), I’ll close my eyes (Reid), Lambeth Walk (Gay), The very thought of you (Noble), Cruising down the river (Beadell; Tallerton), The London I love (Purcell; Posford) Oranges and lemons (trad; arr. Young), Goodnight, sweetheart (Noble; Campbell; Connelly). LOVE LETTERS IN THE SAND: April love (Fain; Webster), Fascination (Manning; Marchetti)Please (Rainger; Robin), Your love is my love (Edwards), The banks of the Seine (Richards; Hirsch)They didn’t believe me (Kern), So rare (Sharpe; Herst), Love letters in the sand (Coots; Kenny; Kenny), East of the sun (Brooks; Bowman), Catalan sunshine (Patacano; Martino), You are too beautiful (Rodgers), The breeze and I (Lecuona; Camarata; Stillman). Vocalion CDLK 4279.

EDMUNDO ROS & HIS ORCHESTRA DANCE AGAIN Patricia – mambo (Prado; Marcus; Delanoe; Salvet), Tropical merengue (Munoz; Elow; Marsh), Tea for two – cha cha (Caesar; Youmans), Miami Beach rumba (Fields; Gamse; Camacho), Cocktails for two (Johnston; Coslow), I came, I saw, I conga’d – conga (Cavanaugh; Redmond; Weldon), Cherry pink and apple blossom white (Louiguy; David; Larue), The wedding samba (Ellestein; Small; Liebowitz), Mambo number fi ve (Prado), Blue tango (Anderson; Parish), When the moon comes over the mountain (Woods; Johnson; Smith), Colonel Bogey – marengue (Alford) PERFECT FOR DANCING The nearness of you – cha cha (Carmichael; Washington) La vie en rose – baião (Louiguy) The rose in her hair – waltz (Dublin; Warren) Orchids in the moonlight – tango (Youmans; Kahn; Eliscu) Dolores – quick-step (Loesser; Alter) April in Portugal – cha cha (Ferrao; Kennedy) National emblem – samba (arr. Ros) Under the bridges of Paris – mambo (Scotto; Roda) Ramona – waltz (Wayne; Gilbert) Jealousy – quick-step (Gade) La rosita – tango (Dupont; Stuart) Estrellita – cha cha (Ponce). Vocalion CDLK 4280.

RONNIE ALDRICH TOGETHERNESS Airport Love theme, Raindrops Keep Falling On My Head,Arizona, Bridge Over Troubled Waters, Sugar, Sugar, Daydream, Venus, Because, United We Stand, Girl On The Via Veneto, Let It Be, My Mind Reminds Me (Autumn Concerto), Something, Don’t Play That Song (You Lied), The Long And Winding Road, Paper Mache, Make It With You, Snowbird, Cecilia, They Long To Be Closer To You, Riders On The Rain, My Baby Loves Lovin’, The Sound Of Silence, Sun-Dance. Vocalion CDLK 4283.

STANLEY BLACK SPAIN - VOLUME 2Spanish Gypsy Dance (Marquina), La Paloma (Yradier; arr.Black), El Gato Montez (Penella), Andalucia (Lecuona), Rumba (Trad; arr. El Sali; Pena; de Cordoba), March from ‘The Captain from Castille’ (Newman), Prelude to Act IV from ‘Carmen’ (Bizet) Solamente una vez (You belong to my heart) (Lara; Gilbert), Concierto de Aranjuez (Rodrigo; Vidre), España (Chabrier) Stanley Black conducting The London Festival Orchestra. MORE TOP TANGOS: The Pearl Fishers (Bizet; arr. Black; Cormon; Carre), Poema (Melfi ; Bianco), Violetta (Richter; Mohr), Blaue Himmel (Nightfall) (Rixna), Tango delle rose (Schrier; Bottero), Tango notturno (Beckman; Borgmann), Dark eyes (Trad; arr. Black), Serenade in the night (Bixio; Cherubini; Kennedy), El Amanecer (Firpo) Caminito (Filiberto), Yira! Yira! (Discepolo), La Cumparsita (Rodriguez; arr. Black) Stanley Black and his Orchestra Vocalion CDLK 4286.

MANTOVANI ALL TIME ROMANTIC HITS: Together (DeSylva; Brown; Henderson), Deep purple (DeRose; Parish), The very thought of you (Noble), Tribute to Maurice Chevalier: Gigi (Lerner; Loewe) – Louise (Robin; Whiting) – Thank heaven for little girls (Lerner; Loewe), Valentine (Christine; Willemetz; Valentine), Isn’t it romantic (Rodgers; Hart), Dearly beloved (Kern; Mercer), You were meant for me (Brown; Freed) Tribute to Noel Coward: London Pride – Someday I’ll fi nd you – Zigeuner – Mad dogs and Englishmen – I’ll see you again (Coward). MANTOVANI BY MANTOVANI: Cara mia (Trapani; Lange), Manhattan lullaby (A. P. Mantovani), Piccolo Bolero (A. P. Mantovani), Serenata d’amore (A. P. Mantovani), Italia mia (A. P. Mantovani), Midnight waltz (Lambrecht), Last summer (A. P. Mantovani), Deserted shore (A. P. Mantovani), Our last affair (A. P. Mantovani), Theme for a Western (A. P. Mantovani). Vocalion CDLK 4287.

RONNIE ALDRICH his Two Pianos & Orchestra with The Ladybirds REFLECTIONS: Summer’s end (Aldrich), Never gonna fall in love again (Carmen), Times of your life (Nichols; Lane), Spanish eyes (Snyder; Kaempfert; Singleton), Save your kisses for me (Hiller; Sheriden; Lee), How insensitive (Jobim; Gimbel; De Moraes), Adagio (Trad; arr. Aldrich), On days like these (Black; Jones), Scarlet ribbons (Danzig; Segal), Love is a many splendoured thing (Webster; Fain), All by myself (Carmen). WITH LOVE AND UNDERSTANDING: A little love and understanding, Evergreen from ‘A Star is Born’, For ever and ever (and ever), Feelings, Dancing Queen, When a child is born, When forever has gone, Nadia’s theme, Theme from ‘King Kong’, Summer of my life, Aria, Gabriella.Vocalion CDLK 4288.

MANTOVANI HOLLYWOOD: ‘Born Free’ (Barry; Black), Lara’s Theme from ‘Doctor Zhivago’ (Jarre), ‘Goldfinger’ (Barry; Bricusse; Newley), ‘Ben Hur’ (Rozsa) ‘A Taste of Honey’ (Scott; Marlow), This is My Song from ‘The Countess from Hong Kong’ (Chaplin), ‘You Only Live Twice’ (Barry; Bricusse), ‘The Magnifi cent Seven’ (Bernstein), Tara’s Theme from ‘Gone with the Wind’ (Steiner), ‘Lawrence of Arabia’ (Jarre), ‘Zorba the Greek’ (Theodorakis), ‘The Bible’ (Mayuzumi). THE WORLD OF MANTOVANI: Where is love (Bart), The Windmills of your mind (Legrand; Bergman; Bergman), My way (Francois; Revaux; Anka), Theme from ‘Romeo and Juliet’ (Rota), My Cherie amour (Cosby; Wonder; Moy), Theme from ‘The Virginian’ (Faith) Where did our summers go (Lai; Black), Theme from ‘Elvira Madigan’ (Mozart; arr. Milner), I’m a better man (Bacharach; David), Aquarius (Rado; Ragni; MacDermot), Quentin’s Theme (Cobert), Love me tonight (Pilat; Panzeri; Pace; Mason).Vocalion CDLK 4289.


ERIC JUPP & HIS ORCHESTRA THE ROCKIN’ STRINGS Try A Little Tenderness, Tree In The Meadow, The Very Thought Of You,The Two Of Us, If You Change Your Mind, We’ll Meet Again, I’m In A Dancing Mood, Georgia On My Mind, Garden In The Rain, The Touch Of Your Lips, If I Had You, Goodnight Sweetheart. MUSIC FOR SWEETHEARTS: Let Me Call You Sweetheart, How Deep Is The Ocean, The Very Thought Of You, 'Deed I Do, The Kiss In Your Eyes, If You Were The Only Girl In The World, Moonglow, It’s Magic, Love Walked In, If I Had A Talking Picture Of You, You Are My Heart’s Delight, I Love You Truly. Vocalion CDLK 4294.


RAY MARTIN MILLION DOLLAR MELODIES: Love Is A Many Splendoured Thing, Diamonds Are A Girl’s Best Friend, True Love, High Noon, The High And The Mighty, Colonel Bogey and The River Kwai March, Three Coins In The Fountain, The Man That Got Away, Around The World, Ballad Of Davy Crockett, Unchained Melody, (Love Is) The Tender Trap. VIBRATIONS: To Elizabeth, To Grace, To Rita, To Jean, To Zsa Zsa, To Gina, To Marilyn, To Cyd, To Kim, To Diana, To Audrey, To Debra.Vocalion CDLK 4296.

VICTOR SILVESTER & HIS SILVER STRINGS BEWITCHED • THE MUSIC OF RICHARD RODGERS Shall We Dance?, Mountain Greenery, Some Enchanted Evening, If I Loved You, The Lady Is A Tramp, People Will Say We’re In Love, No Other Love, Manhattan, Bewitched, Isn’t It Romantic?, This Can’t Be Love, Dancing On The Ceiling, Blue Moon, I Didn’t Know What Time It Was, I Could Write A Book, My Heart Stood Still. YOU DO SOMETHING TO ME • THE MUSIC OF COLE PORTER You Do Something To Me, Just One Of Those Things, Love For Sale, In The Still Of The Night, Rosalie, Begin The Beguine, I’ve Got My Eyes On You, Allez-vous en, Go Away, Easy To Love, So In Love, I Love You Samantha, It’s Alright With Me, I Get A Kick Out Of You, I’ve Got You Under My Skin, After You, True Love. Vocalion CDLK 4297.

MORTON GOULD SHOWCASE, INTERPLAY & OTHER WORKS INTERPLAY The original set MX 289 (1948) ROBIN HOOD DELL ORCHESTRA OF PHILADELPHIA Interplay for Piano and Orchestra (American ConcertetteMorton Gould (piano) MORTON GOULD SHOWCASE The original set MM 706 (1947) MORTON GOULD & HIS ORCHESTRA Two Guitars (Russian folksong), Through Your Eyes to Your Heart, The Birth of the Blues, The Peanut Vendor, Georgia on My Mind, Begin the Beguine, Blues in the Night Limehouse Blues, Time on my Hands, Masquerade MORTON GOULD IN CONCERT The original set C 96 MORTON GOULD & HIS ORCHESTRA The Donkey Serenade, Pavanne, Ay, Ay, Ay, Dark Eyes MORTON GOULD & HIS SYMPHONIC BAND The original set MM 743 (1948) Fourth of July, Home for Christmas, Yankee Doodle Vocalion CDUS 3030, total timing 76:02 mins.

STANLEY BLACK conducting The London Festival Orchestra & Chorus A TRIBUTE TO CHAPLIN: Smile from ‘Modern Times’ (Chaplin), Texas from ‘Chaplin Revue’ (Chaplin), Who’ll buy my violets (La Violetera) from ‘City Lights’ (Padilla), Morning promenade from ‘The Kid’ (Donaldson;Kahn), Medley from ‘The Great Dictator’ (Chaplin; Willson) Napoli March – Falling Star – Ze Boulevardier Theme from ‘Limelight’ (Chaplin), Titina from ‘Modern Times’(Daniderff), Mandolin Serenade from ‘A King in New York’(Chaplin), Green lantern rag from ‘Chaplin Revue’ (Chaplin) This is my song from ‘A Countess from Hong Kong’ (Chaplin.) DIMENSIONS IN SOUND: Fantasy Impromptu (Chopin; arr. Black), Take the ‘A’ train (Strayhorn), Alfie (Bacharach; David), These boots are made for walking (Hazelwood), ‘Exodus’ – main theme (Gold), La bamba (Trad. arr. Black), Michelle (Lennon; McCartney), Money to burn (Heneker), A taste of honey (Scott; Marlow), Three blind mice (arr. Black) Vocalion CDLK 4278.

ARTIE SHAW "featuring his inspired clarinet" Serenade to a savage (Garland, Battle), Softly, as in a morning sunrise (Romberg), Rosalie (Porter) with Tony Pastor (vocal), What is this thingcalled love? (Porter), Begin the beguine (Porter), Copenhagen (Melrose, Davis), Zigeuner (Coward), I surrender dear (Clifford, Barris), Hop, skip and jump (Carleton, Shaw), These foolish things (Marvell, Strachey, Link), Time on my hands (Adamson, Gordon, Yeomans), Doctor Livingstone I presume(Shaw) with Gramercy Five, Frenesi (Dominguez), Easy to love (Porter), Back bay shuffl e (McRae, Shaw), Stardust (Parish, Carmichael), Moonglow (DeLange, Mills, Hudson), Traffic jam (McRae, Shaw), Dancing in the dark (Dietz, Schwartz), Oh, lady be good (I & G Gershwin), Don’t take your love from me (Nemo) with Helen Forrest, Blues Part 1 (Shaw), Blues Part 2 (Shaw), The Grabtown grapple (Shaw, Harding) with Gramercy Five) Vocalion CDVS 1943, total time 75:08 mins.

ANTONIN DVORAK – American Suite – Prague Waltzes etc. Naxos 8.557352.

PYOTR TCHAIKOVSKY – Souvenir de Florence – Andante Cantabile - Anton Arensky – Variations of a theme of Tchaikovsky. Forum FRC9104

The young Dvorak, having served an apprenticeship, became duly qualified to practice as a pork butcher. However, it is our good fortune that the music profession had more appeal than the lure of a career in the meat trade! He rose to become a musical giant, on a par with his mentor Johannes Brahms; internationally acclaimed, he achieved great success in the USA and particularly in Britain, where his popularity has remained constant to the present day. It is absolutely true to say that he had a significant influence on a succeeding generation of British composers, notably Charles Villiers Stanford, and in turn the likes of Samuel Coleridge Taylor, Haydn Wood and Montague Phillips; with this new Naxos release it is easy to see why. Here is a collection of orchestral miniatures, although some of these were originally conceived for smaller forces. It must be stressed that this is not what would generally be classed as Light Music, although some of the material certainly has a light character. Whilst not all the items will be familiar, in common with most of Dvorak’s work, they are immediately accessible. I would especially mention the Seven Interludes for Small Orchestra, a relatively early work from the time when he was making a living as a viola player in the Prague Opera Orchestra. If, like me, you are charmed by this ever-tuneful composer, you will need little persuasion to part with just under a fiver for a generous 78 minutes of music.

The other CD, published in 2004 on the Forum label, presents Tchaikovsky in a rather different light from the ‘crash-bang-wallop’ of some of his large-scale orchestral works. Souvenir de Florence was originally written for string sextet and the Andante Cantabile is taken from the String Quartet Number 1; both pieces work very well performed by the Chamber String Ensemble here. The imaginative variations by Arensky are based on Legend, one of sixteen children’s songs which make up Tchaikovsky’s Opus 35. The London Primavera under Paul Manley gives a fine performance in the warm acoustic of Rosslyn Hill Chapel, Hampstead, North London. For those who enjoy music for strings, this is well worth just under another fiver! Both these bargains are highly recommended.Tony Clayden

THE COMMODORE GRAND ORCHESTRA conducted by Joseph Muscant FBCD 134 Around the Volga; A Sailor’s Adventure; Black Eyes; Blossom Time; By the Swanee River; Cavalcade; Chu Chin Chow; The Desert Song; Gold and Silver Waltz; Gypsy Moon; Knave of Diamonds; Lazy Pete; Lilac Time; Linke Winke Pot Pourri; Maid of the Mountains; One Hour With You; Pan and the Wood Goblins.You may not have known many tracks from Volume One but you are sure to know much of Volume Two in this terrific collection of tunes by the outstanding Commodore Orchestra with Harry Davidson adding to the fun by occasionally popping up on the organ. With Frank Bristow’s knowledge and Alan Bunting’s amazing restorative powers we have another delectable light music winner to please the ear. The Commodore was a large pre-war cinema in Hammersmith which later ended up as a Mecca bingo hall but in its heyday was used for broadcasting as well as showing films. The resident orchestra was conducted in turn by Joseph Muscant and Harry Davidson and was up there among the best, as this splendid new CD will testify. Hum along to Noel Coward, Sigmund Romberg, Harold Fraser-Simon, Frederic Norton, Franz Lehar, Paul Lincke and many others. Order direct from Frank Bristow, 2 Cross Street, Brighton 3186, Victoria, Australia or e-mail  Your CD will arrive together with an invoice to be paid direct to a stated British address or you can donate £13.50 to Paypal or send an international money order for 29.30 Australian dollars. No cheques accepted because of high bank charges. Edmund Whitehouse

THE FOUR FRESHMEN "In session" It's all right with me, My one and only love, Skylark, If I only had a brain, Early Autumn, Something's gotta give, How do you keep the music playing, That old feeling, September song, If I had you, You've changed TFF7248, total timing 42:15 mins. "Live in Holland" Young and foolish, Invitation, I'm gonna go fishin1, Indian summer, Every time we say good-bye, Angel eyes, You call it madness, I call it love, After you've gone, Day in day out, Poinciana, There never will be another you, Day by day, It's a blue world, Route 66 TFF7656, 45:22 mins. This Group has been making wonderful music for fifty years, during that time over twenty singers have kept their sound alive. The latest line-up is as good as any previous outing. They have a fan club of close to 3000 world-wide and keep their members happy by recording CD's such as these two. (). "In session" contains songs the group has not previously recorded. The second CD revisits songs tackled before, this time augmented with Dutch players led by Henk Meutgeert, a stalwart of the Dutch jazz scene, perhaps most notably with The Metropole Orchestra. Information on who plays what and where is not given but the musicianship could not be finer! The first named CD has been over dubbed by the Four Freshmen themselves. You may have the original Capitol and Creative world issues but you will thoroughly enjoy the input by the Dutch players on the live album and the other CD has new titles given the unique Four Freshmen vocalising and playing. When the "Freshmen" first formed they more than held their own in competition with such groups as "The Hi-Los" and The John Lasalle Quartet; with those groups no longer recording, the "Freshmen" are an oasis in a vast selection of mediocre sound alike "Rap" groups. Paul Clatworthy

TRAFALGAR 200 – Zehle: Viscount Nelson, Elms: The Battle of Trafalgar, Siebert: Three Jolly Sailormen, Haydn Wood: The Seafarer, Nestico: All Through the Night, Grainger: Molly on the Shore, Trad arr. Hines: Amazing Grace, Farnon: Rhapsody on A Minstrel Boy, Knox: Sea Songs, Dunn: The Admiral’s Regiment, arr. Henry Wood: Fantasia on British Sea Songs The Band of HM Royal Marines, Plymouth. DOM Major P A Weston MMus ARCM LRSM MinstLM RM Narration: Admiral the Lord Boyce GCB OBE DLClovelly CLCD13705 75:00mins. If you have ever wondered, as I have, about the significance and relevance of the extended clarinet cadenza in Sir Henry Wood’sFantasia on British Sea Songs you will find a suggested rationale contained in the notes accompanying this latest release from Clovelly – a splendid and handsome tribute to Britain’s greatest naval hero Admiral Lord Nelson. This popular feature from the Last Night of the Proms was created by Sir Henry in 1905 to mark the century of the Battle of Trafalgar. As it includes a full panoply of traditional naval bugle calls plus an additional sea song proceeding The Saucy Arethusethe playing time is 17:20 compared with Paul Daniel’s version with the English Northern Philharmonic on Naxos 8.553981 which runs to 14:34. There’s a fine sensitive oboe solo featured in Tom Bowling in Lieu of the usual cello and a deft and beautifully controlled Sailors Hornpipe. Haydn Wood’s finely wrought The Seafarer will be familiar to most light music enthusiasts but no less welcome here for that but Thomas Powell Knox’s arrangement of traditional nautical melodies will be new to many. He was for 16 years until retirement in 1985 chief composer and arranger for the US Marine Band. His treatment of these familiar tunes is in a more modern idiom and its distinctly more flamboyant and brasher style contrasts somewhat to the more restrained and less arranged treatment by his two British counterparts. Albert Elms was a former Royal Marines musician and his best known piece became the musical description The Battle of Trafalgar which was premiered at a Malcolm Sargent Cancer Fund for Children Concert held at the Royal Albert Hall in 1975 with a narration written by Richard Baker and spoken by both him and the popular film actor Kenneth More. On this recording this same simple and eloquent narration is effectively enunciated by Admiral the Lord Boyce GCB OBE DL, a former first sea Lord, Chief of Defence Staff and currently holding the appointment of Lord Warden of the Cinque Ports. Of the shorter pieces on this disc a particularly warm welcome to one of Robert Farnon’s many fine arrangements in the form of a Rhapsody based upon ‘The Minstrel Boy’. There’s also an exhilarating and sprightly Molly on the Shore and the whole programme is complimented by two fine marches by maestros of their craft – Wilhelm Zehle’s ‘Viscount Nelson’ and Vivian Dunn’s ‘The Admirals Regiment’. The recording, full and vivid, was made in partnership with the Royal National Lifeboat Institution at HMS Raleigh Torpaint, Cornwall as recently as mid-January 2005 and its been possible to write this review barely four weeks later – a remarkable and commendably fast process from recording to release! The Royal Marines Band play to the manor born so even if you have perhaps only a hint of the sea in your blood I would urge you to consider this impressive disc particularly in the year in which we celebrate the 200th anniversary of the Battle of Trafalgar! Roger Hyslop

AARON COPLAND Suites from "Rodeo" and "Billy The Kid" ; GERSHWIN "Porgy & Bess" (arr. Robert Russell Bennett) Bournemouth Symphony Orchestra conducted by John Farrer Sanctuary CD RSN 3042. If these classic American works are missing from your collection, here’s your opportunity to fill the gap. This is a welcome reissue of recordings from 1993.

VINTAGE TANGO TONIGHT 25 tracks featuring Alfred Hause,, Hans Carste, Tito Schipa, Louis Ferrari, Francisoc Canaro, Robert Renard and other legendary names mainly from the 1930s – plus Sidney Torch ("Jealousy"). Sanctuary Living Era CD AJA 5561. Ralph Harvey had a hand in the compilation, and Alan Bunting did the sound restoration, so you know that this is a quality product. If this kind of light/dance music is your cup of tea, you’ll be delighted!

KYLE EASTWOOD "Paris blues" Big noise from Winnetka, Marrakech, Muse, Le point royal, Solferino, Cosmo, Paris blue, Big noise (remix) Marrakech (remix) (USA) CANDID CCD79789, 55:32 mins. available in UK from Compact Disc Club. Probably hoping for greater sales, Kyle waters down the jazz of his previous CD and dips his toe into near "Pop"; I hope this is just an experiment, I like it but purists from either camp may be wary! His six self composed titles explore sounds that Herbie Hancock and Stanley Clarke visited during their electronic recordings. "Muse" and the title track are outstanding and the synthesised string fade on "Marrakech" total magic. It's not synthesiser dominated, brass, horn and piano also get space to improvise, Kyle's bass playing is outstanding and Clint (Kyle's Dad) does a bit of whistling! Gimmicky but tremendous fun. "Big noise" doing its best to outdo the Henry Mancini version. I doubt he needs the money but if sales sponsor more out and out jazz next time around more power to his elbow! Paul Clatworthy

Among the many new releases sent to us by EMI, the following may be of interest to readers:

THE VERY BEST OF SANDIE SHAW 26 nostalgic tracks for pop fans of the 1960s EMI 8661102.

SOHO LOUNGE HEAT 2 Loose Collar Man, Down a Dark Street, Baggage Boy, Hop Skip and Jump, Leagueliner (Ray Davies); Disco Tek, Rhythmic Action (Syd Dale); Fat Man, Time Out (Dick Walter); Lady in White (Dennis Farnon); Mad Mendoza (Trevor Duncan); plus works by Steve Gray, Bill Geldard, Tony Kinsey, Bill Loose, Vic Flick, Alan Hawkshaw, Sam Fonteyn and Dominic Sands. EMI 560 6312. You can call it ‘Test Card’ or ‘Lounge’ music, but the composers’ names will let you know what to expect! All the tracks come from either the Amophonic or Boosey & Hawkes Recorded Music Libraries of the 1970s.

THE ULTIMATE AL MARTINO 24 tracks EMI 563 8922.

THE ORIGINAL 60s LOVE ALBUM 25 tracks by The Animals, Bobby Vee, Beach Boys, Manfred Mann, The Hollies, Adam Faith and many more. EMI 873 4882.

FRANK SINATRA "Live from the Golden Nugget" This is one of a Las Vegas Centennial series (see below) recently available from EMI associated with great performances at Las Vegas by the finest vocalists of the period. They are all so well-known and admired, that further comments seem superfluous! EMI 5601 452.

DEAN MARTIN "Live from The Sands" 5602 292.

WAYNE NEWTON "Mr. Las Vegas!" 5601 442.
NANCY WILSON "Live at The Sands" 8759 382.
BOBBY DARIN "Live at The Flamingo" 8759 392.
LOUIS PRIMA & KEELY SMITH "Live at The Sahara" 8759 372.
Various Artists "High Rollers!" 8759 372.
Various Artists "Live from Las Vegas" 5601 472.

THE BEACH BOYS "The Platinum Collection" 3-CD set by the famous US group who managed to create a distinct style that made them instantly recognizable. This was largely due to the talented Brian Wilson, and it is good to see that his work is still receiving praise today. EMI 571 3452.

The Very Best of JULIE LONDON 2-CD collection containing 50 of her best-known numbers. EMI 312 1292.

"The ultimate DAKOTA STATON" The folks who live on the hill, Misty, Too close for comfort, The very thought of you, Angel eyes, God bless the child, They all laughed, Whispering grass, Anything goes, I hear music, The thrill is gone, Give me the simple life, Travelin1 light, How high the moon, My heart beats like a hammer, On green dolphin street, The late late show, September in the rain, Avalon, Round midnight, Body and soul, Love walked in, My funny valentine, Willow weep for me.EMI 860 3542, 64:23 mins. ‘Who arranged it?’ has been my main draw when collecting vocal records. Dakota Staton has worked with some of the best, Nelson Riddle, Sid Feller, Manny Alban and Benny Carter naming a few. "Billboard" said of her "She can belt, she can whisper, she can be cute and she knows what to do with a lyric. Capitol records launched her in 1954 and she made several LP's getting in to the charts with "The late late show". This fine collection only repeats three tracks contained on the "Two for one" CD previously released thanks to Ray Purslow at The Record Centre in Birmingham. No arranger credits are present on the "promo" sent to me but I know from LP's I have that at least three tracks are the work of Sid Feller who often used the muted trumpet of Jonah Jones with great effect. There is some nice string work on "Whispering grass" The printed titles are not in the same order as the CD which may be corrected when finally released. A great opportunity for Dakota's fans to replace aged LP's! Paul Clatworthy

DVD: CHARLES AZNAVOUR and LIZA MINELLI in Concert at the Palais des Congrès, Paris in 1992. EMI 544 5149, 137 mins. Music DVDs are now growing very fast in popularity, but I have to confess that this is the first one I have studied closely. A promotional copy arrived from EMI, and I must admit that I found most of it highly entertaining. The picture quality and sound are both fine, and the little extras that we expect with DVDs seem to be there, although I find that the main hurdle is to ensure that things such as unwanted subtitles are switched off, otherwise they can become tiresome! If either of these famous singers appeal to you, I think you are unlikely to be disappointed with this souvenir of a memorable ‘live’ concert. David Ades

ALICE MARY SMITH: Symphony in A minor; Symphony in C minor; Andante for Clarinet and Orchestra Angela Malsbury (clarinet) London Mozart Players conducted by Howard ShelleyChandos CHAN 10283 66.00 minsWe don’t often stray into the realms of purely symphonic music but I think this latest release from Chandos fully deserves our attention. Alice Mary Smith was a Victorian composer born in 1839 and, as Ian Graham-Jones mentions in his informative notes, she was notable in being the first British woman to have composed and performed a symphony – indeed she wrote by far the greatest number of orchestral works of any 19th century British female composer. Sadly her life was cut short by typhoid fever and she died at the early age of 45 in 1884.The two symphonies included on this disc are certainly a revelation being exceedingly well crafted and structured examples, rich in melodic invention which both beguiles and stimulates the ear. There are occasional hints of Mendelssohn as one would expect, as there are indeed in some of Sir Arthur Sullivan’s orchestral music, but these are strong confident symphonies which certainly make a positive and lasting impression. Chandos deserve our gratitude for rediscovering the music of a long lost composer who certainly never warranted such neglect, but sadly we seem very dependent on commercial recording companies to perform this vital and important role of disinterring musical treasures such as this since the BBC with five ‘in house orchestras’ in tow seem to display little interest or make any great effort in this important field. To return to this new release the recording, full and vivid, was made at St. Silas Kentish Town and the London Mozart Players under Howard Shelley play immaculately so this enterprising and rewarding disc earns a strong commendation. Alice Mary Smith could not possibly have stronger advocates than she receives here and I do urge you to give her a try! Roger Hyslop

STEVE TYRELL: THIS GUY'S IN LOVE. Isn't It Romantic; This Guy's In Love With You; The Nearness Of You; Just In Time; Plus 10 Other Songs. Columbia CK-89238. 49:16. Steve Tyrell has carved out a comfortable niche for himself as this generation's ballas singer of the classic American songbook. Things get intothe lightly swinging vein with "Isn't It Romantic" with the big band and strings backing heard throughout this CD. A lot of pros in the jazz field show up including Clark Terry, Dave Grusin, Randy Brecker and Plas Johnson. Clark Terry plays on four tracks playing both muted trumpet and flugelhorn. He brings a lifetime's experiences with Ellington's music in "Do Nothing 'Till You Hear From Me" and then joins Plas Johnson on "Nevertheless" where he adds to Johnson's honeyed tenor sax with some musically fluid playing on flugelhorn. Burt Bacharach is heard playing piano on two of his songs, the most effective being on the title track "This Guy's In Love With You" sung with more warmth and sensitivity by Tyrell than on any other recording of this beautiful song. Tyrell deserves applause for following the late Ray Charles' lead on "Georgia," sung with a softer and more sensitive approach. Dave Grusin wrote and plays piano on "Love Like Ours" which had to be the most difficult song to record as it was dedicated to Tyrell's wife Stephanie who had died shortly before these sessions. The fantastic arrangements are by Bob Mann, Dave Grusin and Burt Bacharach. This is definitely a rewarding evening's entertainment, to be savoured with one's favourite drink after a tough day! Richard Jessen

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ERIC COATES : LONDON AGAIN Footlights, The Three Men Suite, The Selfish Giant, London Again Suite, Cinderella, Summer Days Suite, Television March Royal Liverpool Philharmonic Orchestra conducted by John Wilson AVIE AV2070, timing 79:00 mins. John Wilson has already recorded two albums for ASV namely ‘Under the Stars’ - CD WHL2107 and ‘The Enchanted Garden’– CD WHL2112 featuring the orchestral music of the ‘King of British Light Music’ and when the latter of this pair appeared in 1998 the accompanying literature revealed the fact that he would be recording more discs of music by Eric Coates and a release of orchestral music by Robert Farnon. Both projects would now appear to have been abandoned by ASV but the French Label Avie have gallantly stepped into the breach and ‘picked up the baton’, at least as far as Eric Coates is concerned, and have produced a superbly impressive quality product – with the help of John Wilson of course! There is no sense here of a ‘paired down’ performance to save expense as a quick glance at the orchestral personnel listed helpfully at the back of the sleeve notes reveals! Of the many delights contained on this very generously filled disc I must highlight the ‘London Again Suite’ receiving its finest ever modern recording far outclassing Adrian Leaper’s version with the CSRSO (Bratislava) with its lack lustre strings on MARCO POLO 8.223445. The Langham Place elegy in particular is invested with a poignancy and wistfulness which is exceptionally touching whilst the hustle and bustle of the opening Oxford Street movement is well conveyed. A warm welcome too for both ‘The Three Men Suite’ and‘Summer Days Suite’ both also the lucky recipients of modern technology. In the former suite there’s a gorgeously full toned saxophone in ‘The Man about Town’ whilst there’s a clever fugal treatment of‘Three Blind Mice’ in the concluding movement – ‘The Man from the Sea’. The ‘Summer Days Suite’was recorded for Lyrite by Sir Adrian Boult and the New Philharmonic Orchestra in the late 1970’s but this LP, as far as I know, has never been released in CD format and, in any case, Sir Adrian unaccountably omitted the enchanting middle movement ‘On the Edge of the Lake’ from his recording. In John Wilson’s talented direction the whole suite has never sounded fresher or more magical. The two substantial orchestral Phantasias included on this new release namely ‘The Selfish Giant’ and ‘Cinderella’ have rarely sounded more persuasive or winning or had stronger advocacy than they receive here. The disc is rounded off very satisfyingly by the rousing ‘Television March’ – a considerable rarity commissioned by the BBC to launch the resumption of their television service after the Second World War in 1946. The art deco Philharmonic Hall in Liverpool seems to be blessed with excellent acoustics allowing for an exceptionally wide ranging, spacious and detailed recording and John Wilson has clearly inspired the Liverpool orchestra who respond magnificently with glorious, whole hearted and stylish playing. This is undoubtedly a notable and significant addition to the growing and welcome Coates discography and one to rank alongside the highly regarded Chandos disc of ‘The Symphonic Eric Coates’ available on CHAN 9869 on which Rumon Gamba conducted the BBC Philharmonic Orchestra and reviewed by our esteemed editor in JIM No 152 p79. With generous playing time and with such impeccable credentials, this disc should have wide appeal – no self respecting light music enthusiast should surely contemplate life without it! Roger Hyslop

MANTOVANI The Magic of Mantovani ¹vocals by Jack Plant; ²vocal by Ken Crossley Three Coins In The Fountain, When The Rose Of Tralee Met Danny Boy¹, The Luxembourg Polka, The Skaters Waltz, The Midnight Waltz, Tango De La Luna, La Cumparsita, Jamaican Rhumba, Swedish Rhapsody, Charmaine, Moulin Rouge [Theme From], Diane, Some Enchanted Evening, Come Back To Sorrento, Tipica Stomp, Boomps A Daisy², The Warsaw Concerto, Oh Mama Mia [Look At The Moon]¹, Autumn Leaves, La Mer Signature SIGNCD2255, 65:35 mins. This extremely attractive mishmash has for openers a favourite stereo recording from 1958 juxtaposed with a late 1930s song: the first of two never before issued in long-playing format. Later on, alongside some of Monty’s most famous and best-loved numbers from the 50s and early 60s, we have a swinging 1937 version of Tipica Stompand another track with vocal recorded for Columbia in 1939. The material is on the whole well produced, although probably more from disc than the original tapes. I understand that Waves Restoration audio tools were used but, unfortunately, due to the quality of the original recording there are two "clunks" on Swedish Rhapsody. This piece also suffered at the hands of the Mechanical Copyright Protection Society [MCPS] who, when the track listings were submitted to gain the relevant licence, amended the composer from Alfven to Wildman! All this aside, if you are not a big Monty fan but would like a representative disc in recognition of a celebrated musician in his centenary year, then at only £2.99 [yes, £2.99], look no further. The CD liner is also of good quality and our friend Colin MacKenzie reckons it is worth getting hold of if only for the splendid photo of the Maestro on the cover. Peter Burt Available in the UK from Barnardo’s Charity Shops or direct from Fastforward Music Ltd, 1 Sorrel Horse Mews, Ipswich, Suffolk, IP4 1LN, England [UK postage £1, overseas postage at current Royal Mail rate]

ELGAR : MARCHES Pomp & Circumstance Marches Op 39 Nos: 1 in D Major, 2 in A Minor, 3 in C Minor, 4 in G Major, 5 in C Major, Coronation March Op 65, Funeral March (Grania & Diarmid) Op 42, March from Caractacus Op 35, March of the Mogul Emperors Op 66, No 4, Empire March, Polonia – Symphonic Prelude Op 76. New Zealand Symphony Orchestra conducted by James JuddNAXOS 8.557273 total timing 79:00 minutes. Naxos have made an inspired choice here in the conductor James Judd, a notable Elgarian whose recording of that composer’s First Symphony with the Hallé Orchestra on the Carlton IMP Label merited not only three stars but also the accolade of a rosette in the Penguin CD Guide indicating a recording of special distinction. Most but not quite all of Elgar’s works in march tempo are included here with the set of the five Pomp & Circumstance Marches taking centre stage and rivalling any of the alternative versions currently available irrespective of price. Of the remaining items the Coronation March for the 1911 Coronation of King George V is at nearly eleven minutes somewhat distended and I could not help harbouring the rather subversive thought that Sousa’s alternative intended for the same august occasion is more successful and has the additional virtue of greater conciseness – see JIM issue 159 p69. The other marches range from the dramatic as evidenced in the Triumphal March from the cantata ‘Caractacus’ to the beautifully moving and solemn Funeral March from ‘Grania & Diarmid’. It was a good idea to round the disc off with a more substantial work – the rarely heard and performed symphonic prelude‘Polonia’ written in 1915 in aid of the Polish Victims’ Relief Fund and incorporating suitable and appropriate Polish melodies. These are sensitive, idiomatic and sure footed performances from James Judd and he coaxes playing from the New Zealand Symphony Orchestra which is both accomplished and sensitive. With vivid detailed recording, a fine sense of spectacle and splendour and maximum playing time, an astonishing bargain and yet another feather in the already overcrowded Naxos cap! Roger Hyslop

ERIC JUPP & his ORCHESTRA The Rockin’ Strings Try A Little Tenderness, Tree In The Meadow, The Very Thought Of You, The Two Of Us, If You Change Your Mind, We’ll Meet Again, I’m In A Dancing Mood, Georgia On My Mind, Garden In The Rain, The Touch Of Your Lips, If I Had You, Goodnight Sweetheart Music For Sweethearts Let Me Call You Sweetheart, How Deep Is The Ocean, The Very Thought Of You, ‘Deed I Do, The Kiss In Your Eyes, If You Were The Only Girl In The World, Moonglow, It’s Magic, Love Walked In, If I Had A Talking Picture Of You, You Are My Heart’s Delight, I Love You Truly Vocalion CDLK 4294, 67:21 mins. Mike Dutton has done it again with this 2-on-1 that includes the re-issue of an LP I never thought to hear on CD. ‘Music For Sweethearts’is based on a late-evening BBC radio series much loved by my newlywed wife and I at the end of the 50s. Here we have a warm wash of strings complementing the superb alto sax of Bill Povey, the terrific trumpet of Stan Roderick and the special style of Mr Jupp’s own piano playing. Perfect music to match the mood. ‘The Rockin’ Strings’ is something else entirely – high strings, a beat and wordless female chorus. The original sleeve note opines that "the outcome is guaranteed to evoke pleasure and satisfaction with every listener". Not with this one, it didn’t! Good tunes, ‘though, and the CD is worth getting for the lovely ‘Sweethearts’ album alone. Peter Burt

SHELLEY VAN LOEN AND THE PALM COURT STRINGS – ‘In the Shade of the Palms’ In the Shade of the Palms, These Foolish Things, Tango of the Night, Lady of Spain, Love's Old Sweet Song, La Comparsita, In a Dream, Por Una Cabeza, Butterflies in the Rain, Hampden Roar, Roses of Picardy, Tango Yvonne, Beggars' Romance, Two Guitars, Song of Capri. Palm Court Records - PALM CCD2. The term 'Palm Court' is generally attributed to the BBC who, in the mid-twenties commenced live broadcasts from the Grand Hotel, Eastbourne performed by Albert Sandler and his Orchestra on a stage bedecked with potted palms. These broadcasts, later transferred to the studio and titled 'Grand Hotel', were heard regularly until the 1970's and were revived again during the 1980’s. The tradition of salon music is still maintained at Eastbourne by Shelley Van Loen and the Palm Court Strings whose latest CD will be welcomed by all who enjoy melodious music impeccably played. For this album, special emphasis has been given to the compositions and arrangements of Fred Hartley - pianist, composer, arranger, orchestra leader and one-time Head of Light Music at the BBC. Three of his original compositions are included, of which my favourite is 'Hampden Roar', a 1963 piece often played on the BBC Light Programme and which was performed by the BBC Concert Orchestra in the very last edition of 'Legends of Light Music'. As for the Hartley arrangements - I have always considered his version of 'Lady of Spain' to be the ultimate arrangement of this famous tune but I think you'll feel a tingle go down your spine when you hear 'These Foolish Things'. Shelly's sensitive treatment of this popular standard would be hard to surpass. This is not the only piece on this album in which the Palm Court Strings effectively recreate the sound of Fred Hartley and his Music. The recipe for a good album is to provide a mixture of the familiar and the not so familiar. In this latter category is Francis Chagrin's 'Beggars' Romance', specially arranged for Shelley by our good friend Philip Lane. Another title new to me was 'Por Uno Cabeza', arranged for the strings by Chris Walker, It is a super tango which was featured in the films 'The Scent of A Woman' and 'True Lies'. Indeed, there are several tangos in Shelley's selection and I was delighted at the inclusion of 'Tango Yvonne' by Bernard Monshin, whose Rio Tango Band is fondly remembered for its countless radio broadcasts. There could hardly be a more appropriate opening number (and title tune) for this album than Reginald King’s 'In the Shade of the Palms' - a lovely warm piece which is so typical of its composer's work. In fact it is the word 'warmth’ that best sums up this album as a whole. Shelley van Loen produced it herself, so she knew exactly what she wanted of it and has certainly been successful. Quite apart from the lovely programme, you will be very impressed by the sound quality and balance which are first-class. With its 'drawing room’ acoustics it is the perfect fireside companion - but don't wait until Christmas, order it today! Brian Reynolds available direct from Shelley Van Loen, Manor Farm Stables, North Green, Kirtlington, Oxon. OX5 33Z, England - tel.01869 351 990. Price £12 (which includes UK p&p).

GUILD LIGHT MUSIC Highdays and Holidays (Bosworth 78s) GLCD5115; In Town Tonight (1930s – Volume 2) GLCD5116 (for full tracklistings see pages 17 & 21 in this issue) Regular aficionados of this series will have noticed that all recent releases have carried a subtitle, usually named for one of the tracks. The Bosworth CD is thus called Highdays and Holidays (after the Peter Yorke composition) and breaks new ground, insomuch as it is the first Guild issue to be devoted to the music of just one publisher, whilst at the same time featuring several different orchestras and conductors; this is in contrast to GLCD 5107, an all-Chappell programme solely played by the QHLO under Charles Williams. Bosworth was amongst the first of the London publishers to create a library of pre-recorded music on 78 r.p.m. discs alongside Boosey & Hawkes, and the earliest recordings on the new CD date from the late ’30s, whilst the latest are from the early ’50s. As far as I know, Haydn Wood always published his work via either B&H or Chappells; therefore Sketch of a Dandy seems to be unique, for this composition dating from late in his career was placed with Bosworth, and recorded in 1952 by Louis Voss and his orchestra. The latter did a great deal of work for the company, and appears as conductor on roughly half of the 27 tracks. By the late ’40s, the aforementioned Charles Williams, having by then relinquished his role as Chappell’s musical director, offered a few works to other publishers; three of these feature on the disc. Conversely, Albert Ketelbey published most of his output via Bosworth, although he is only represented by two titles here. There are plenty of familiar names and some less well known; amongst these, I must mention George Crow, whose composition Wild Goose Chase (a sort of non-pizzicato Holiday for Strings) was aired on the BBC by Desmond Carrington in the late ’80s, and through a fortunate chain of subsequent events eventually led me to join the RFS! Crow was a pianist and conductor, who had his own West End "celebrity" orchestra around the time of WWII and afterwards fronted a "Big Band" in the northern English resort of Scarborough. In 1957 he conducted one season of the famous Scarborough Light Music concerts and eventually joined the New Zealand Broadcasting Commission as a TV producer. Bosworth also had a strong European connection, from which spring some interesting pieces, including a first-class performance of Gerhard Winkler’s Neapolitan Serenade. All-in-all this is a really superb collection and I cannot recommend it highly enough.

The subtitle of Volume 2 of the 1930s is "In Town Tonight" – there are no prizes for guessing that Eric Coates’ Knightsbridge March is included, albeit in a wonderfully unconventional performance by the BBC Dance Orchestra under Henry Hall. I vividly remember this particular Columbia recording from my childhood – the parents of my closest school friend always seemed to be playing it when I visited! With one exception (an Erich Börschel composition from the Bosworth library) all tracks originate from commercial 78s, many on the Columbia, HMV and Parlophone labels of EMI; this company was pre-eminent in the field of sound recording at that time. Indeed, the final (bonus) track contains a rare experimental stereo (described as "binaural") recording from 1934; this employed the pioneering 2-channel recording system invented and patented by Alan Blumlein, the brilliant engineer who played a crucial role in many of EMI’s pre-war technological developments, including the world’s first high-definition television system for the BBC in 1936. The CD contains twenty excellent tracks including four "selections" – I was particularly taken by Charles Shadwell’s Happy Selection and theIce Rink Selection by Debroy Somers. There was a vogue in the 1930s for orchestral performances featuring a solo organ – I imagine that these were actually recorded in cinemas – and two such pieces feature here. Also included are a number of novelty pieces by Josef Rixner (Pony), Harry Engelman (Fingerprints), Squirrel Dance by H Elliott Smith and Shadowsplay by Herbert Küster. Amongst the roll call of conductors are the distinguished names of Philip Green, Anton, Alfredo Campoli, Marek Weber, Alfred Van Dam, Joseph Muscant and Ray Noble. This is another superb and most enjoyable collection, with a sound quality surpassing even the usual exceptionally high standard we have come to expect from Alan Bunting. How does he do it? We have now reached number 16 in the Guild Light Music series, embodying a staggering 384 tracks – this is an incredible achievement on the part of all concerned. And yet, as I write, David Ades and his team are busy working on yet more – as I have said before, watch this space! Tony Clayden

STANLEY BLACK conducting THE LONDON FESTIVAL ORCHESTRA & CHORUS Dimensions In Sound Fantasy Impromptu, Take The ‘A’ Train, Alfie, These Boots Are Made For Walking, "Exodus", La Bamba, Michelle, Money To Burn, A Taste Of Honey, Three Blind Mice A Tribute To Charlie Chaplin Smile, Texas, Who’ll Buy My Violets [La Violetera], Morning Promenade, Medley from "The Great Dictator", Theme from "Limelight", Titina, Mandolin Serenade, Green Lantern Rag, This Is My Song Vocalion CDLK 4278, 73:24 mins. ‘Dimensions’ is the one I’ve been waiting for – top of my list of LPs to be re-issued on CD. It is a Phase 4 production and first saw the light of day in 1968 and is a joy from start to finish. Chopin’s Fantasy Impromptu is given the full orchestral treatment - and none the worse for that - while the final selection, Three Blind Mice, is a thrilling tour de force. Maestro Black plays around with the well-loved children’s tune: inverting the melody, varying it in many different ways, using Mozart’s style one minute and Tchaikovsky’s the next. Duke Ellington’s Take The ‘A’ Train is in big band territory with the brilliant brass mimicking a train as it starts and gains momentum, racing faster and faster. Alfie in contrast features a solo Spanish guitar; the clarity of the recording making it feel it’s there in the room with you. La Bamba, percussion to the fore, almost had me cavorting round said room. I could go on, but buy this disc for yourself – I doubt you’ll regret it. You will also get a good selection of music by Charlie Chaplin, reminding us that he was not a three-hit- wonder. There are no liner notes for either album, which is a pity. Peter Burt

As I begin to write these notes, I have on my television screen pictures (the sound is turned down!) of the global Live 8 concerts which feature many of the world’s top pop music performers. How the music industry has changed out of all recognition! These recordings date from the late ’60s and early ’70s; thirty or forty years ago there was still a huge demand for orchestral music of this type, much of which was satisfied by Decca group which cornered the market with its ‘stable’ of artistes such as Robert Farnon, Frank Chacksfield, Mantovani, and the subject of this review, Stanley Black. Consider this: Vocalion has now released thirteen double albums (equivalent to twenty-six single albums) of Stanley Black’s work, and this probably represents about half of his total LP output. That’s a lot of music! Even just these two new CDs encompass a wide range of musical styles, from Chopin, Bizet, Rodrigo and Chabrier at the ‘classical’ end through Billy Strayhorn, Bert Bacharach, Lennon & McCartney to Sebastien de Yradier, Charles Chaplin and many other worthy if lesser known composers. Stanley Black often makes effective use of a chorus, and every single track on both CDs has a degree of precision – what I would describe as a ‘rightness’ – which was his hallmark. It is doubtful if anyone took more pains or burned more ‘midnight oil’ to achieve this perfection, as I know well from the many conversations I have had with his widow Edna Black over the last couple of years. Lack of space precludes a description of each track, but I will indulge myself and mention just one particular great favourite (from Dimensions in Sound) – Three Blind Mice or what Stanley nicknamed "Mice in the Gardens of Spain" – absolutely brilliant! It goes without saying that Mike Dutton has done us proud yet again with his digital transfers; if you are a Stanley Black devotee buy both of these discs – you will not be disappointed. Tony Clayden

MANTOVANI By Special Request – Vol.2 1940-1951 Castiliana, One Night Of Love, Love Is A Song, Mexican Starlight, Nights Of Gladness, Spanish Cocktail, Our Waltz, Siesta – A Rumba Serenade, "Song of Norway" – Selection, Valse Septembre, Tango Bolero, Tell Me You Love Me, Hejre Kati, Gipsy Trumpeter, In Waltz Time, La Paloma, Oh Mama Mama, One Magic Wish, The Spirit Of The Matador, Tango De La Luna, The Choristers, Concerto In Jazz Guild Light Music GLCD 5113 76:50 mins. In enthusiastically reviewing ‘Mantovani – By Special Request’ [GLCD 5110] in January I mused about more of the same, and here it is. Although, not entirely. This is the great man from the years leading up to the time his Ronald Binge inspired cascading strings took the light musical world by storm. The sound is less distinctive but the quality is there. RFS members who don’t much care for the post-1951 recordings should enjoy what’s on offer here. Most of the tracks were new to me and among those to be enjoyed are the opening Castiliana, one of Decca’s "Music While You Work" series of 78s for playing over PA systems in factories; a brilliant sounding Gipsy Trumpeter featuring Stan Newsome – hear the orchestra swing; and The Choristers from 1940 that David Ades suggests, in his immensely informative liner notes, anticipates the sound Ronnie would create for the strings a decade later. Concerto In Jazz is a winner in the mini-concerto style so popular in the 1940s. There are contributions, too, from the composer Mantovani [aka Pedro Manila]: Mexican StarlightAdios ConchitaIn Waltz Time and Tango De La Luna. This CD is an immaculate production in every respect [AR&R by Alan Bunting, of course] and, while for me not quite hitting the heights of Vol.1, is wonderful value. Peter Burt

LAURIE ALLYN "Paradise". All I need is you, You go to my head, Paradise, Surrey with the fringe on top, Easy living, You're so bad for me, The more I see you, I'll never smile again, So in love, That's what a woman is for, Where are you, Take me in your arms. (USA) V.S.O.P.111 CD Mode 130, 39:07 mins available in the UK from Montpellier – details page 66 of our last issue. When an album captivating as this surfaces after forty eight years you wonder why? The excellent liner notes written by Peter Jacobson and the singer herself (now named Didi Pearce) explain that Mode records went to the wall just after it was recorded! I did not know the singer, the draw was Marty Paich who arranged and chose the tunes. Although prolific, in my book every recording he involved himself with made great listening. This gem matches his best work with any singer (it's a long list!) Laurie herself explains "The West Coast sound fed her soul" and "Boy" does it show! Marty was a master of the sound and really knew the musicians to play the contents of his fertile imagination. Felix Slatkin leads the string section on eight tracks, the four brass tracks have Pete Candoli, Herbie Harper, George Roberts and Vince De Rosa in the ranks, Don Fagerquist playing lead trumpet. A total of twenty three musicians play their hearts out on this exquisite CD. Laurie's bell-like diction fits the songs so well they could have all been written just for her, in fact she only knew three of the songs before the recording (it doesn't show!). If the CD and sleeve had been blank I would have though it had been recorded yesterday. Paul Clatworthy

FAY CLAASSEN with The Millennium Jazz Orchestra "Specially arranged for Fay". Very early, Just one of those things, Nature Boy, But not for me, Love for sale, When we were one, Speak low, Giant steps, A house is not a home. JAZZ'N PULZ BMCD381, 59:34 mins - details Also info© Starved of CD's by The Metropole Orchestra I picked up on recordings by The Millennium Jazz Orchestra (reviewing two of their CD's in Big Band Roundups). Once again the singer being unknown to me, the arranger the draw! This time Joan Reinders. Evidently Fay has made two other albums but the first time she approached a Big Band leader hoping to sing with them was turned down flat with crushing response "we only work with well known singers". Whoever that band was they should have heard her sing first! Joan Reinders had no such reservations, pointed in her direction by colleagues he invited her to sing at one of his regular concerts, she debuted with more than a little impact, this CD being the follow up to that success. Reinders’ evocative brass scoring on tracks "Nature boy" and "A house is not a home" worthy of Gil Evans. Impressive brass is also used on "Giant steps". "Scatting" is not my favourite style of singing and the Fay indulges this mode on several songs which could have done with a bit of editing! Elsewhere Joan's writing excuses any excesses, particularly swinging "Speak low" and on "Love for sale" (a close second to Pete Rugolo's version for Patti Page). This CD is well worth your listening time, Holland's jazz men giving America real competition. Paul Clatworthy

MANTOVANI All Time Romantic Hits Together; Deep Purple; The Very Thought Of You; Tribute To Maurice Chevalier – Gigi, Louise, Thank Heaven For Little Girls, Valentine; Isn’t It Romantic; Dearly Beloved; You Were Meant For Me; Tribute To Noel Coward – London Pride, Someday I’ll Find you, Zigeuner, Mad Dogs And Englishmen, I’ll See You Again Mantovani By Mantovani Cara Mia, Manhatten Lullaby, Piccolo Bolero, Serenata d’Amore, Italia Mia, Midnight Waltz, Last Summer, Deserted Shore, Our Last Affair, Theme For A Western Vocalion CDLK 4287, 65:45 mins. The first album, issued in 1975, on this 2-on-1 CD was one of the last recordings in the long and illustrious career of someone described elsewhere by David Ades as "an amazing musician". It had been recorded the previous year in Paris – perhaps Monty’s forthcoming biography will enlighten us on the reason for that. Both the beginning and end of the opening number have a trademark Mantovani string effect. The two tribute selections are well arranged, and all the standards are beautifully played. The Maestro always used fine musicians. The second album, in Phase 4 stereo and never previously released in the UK, features Monty not just as conductor [and arranger?] but as composer as well. One can only wonder along with liner notes author Scott Raeburn why these attractive pieces do not figure more in other people’s selections. Also charming is the CD front cover showing Monty leaning on the balcony of the Royal Festival Hall with the Palace of Westminster and "Big Ben" in the background. It is good to have these two albums added to the growing list of Mantovani recordings available on CD. Peter Burt

VICTORY IN EUROPE: Goodwin: Battle of Britain March: Lloyd: HMS Trinidad: Dunn: Cockleshell Heroes: Coates: The Dambusters March: Anka: The Longest Day: Charnley: Pegasus (Drum Suite):Addison: A Bridge Too Far: Williams: Hymn to the Fallen: Smallwood: Victory in Europe: Miller:Moonlight Serenade/American Patrol arr. McDermott: Songs That Won The War: Alford: Colonel Bogey: Rodgers: Victory at Sea: Becker-Douglas: Millennium Prayer for Peace – ‘So Many Lives’:Bidgood: Royal British Legion March: Russell: A Life on the Ocean Wave. The Band of HM Royal Marines Scotland. DOM Captain A J Smallwood PGA Dip B Mus (Hons) LRSM RM with Sing Live Chevron CHVCD 76:00 mins The Dambusters March must surely be bidding fair to becoming one of the most frequently performed and recorded pieces of British Light Music ever, but at least here we have the novelty of it being played – and very well too – by a Royal Marine Band. This disc is an ingeniously conceived and impressive musical contribution towards the 60th anniversary commemorations of the Second World War and seeks to relate the music – much of it taken from outstanding feature films – to specific episodes that occurred during the momentous and dramatic years of 1939-1945. Thus the aforementioned Dambusters March relates to Operation Chastise, Vivien Dunn’s popular and well regarded march Cockleshell Heroes to Operation Frankton, and Addison’s A Bridge Too Far to the ill fated Operation Market Garden, the attempt to capture strategic river bridges in Holland and hopefully hasten the end of the war. Paul Anka, the well known pop singer and song writer, contributed the arresting and catchy tune for The Longest Day, Operation Overlord. The excerpts from Richard Rodgers’ Victory at Sea has an interpolated and crisply delivered and succinct commentary by Rear Admiral Nick Harris MBE, Flag Officer Scotland, Northern England and Northern Ireland, whilst a real whiff of nostalgia for the veterans amongst us comes with an extended and imaginatively arranged selection by WO Michael McDermott (staff arranger of the Royal Marines Band Service since 1996 and who leaves the Service this year), of Songs That Won The War. The band is joined here by the excellent Sing Live UK, a choir formed in 1998 who have appeared on both radio and television and performed at many concerts nationwide. Feelings of period nostalgia are perhaps further deepened and intensified by the inclusion of two peerlessly played Glenn Miller classics namely Moonlight Serenade and American Patrol. The notable symphonist George Lloyd, looked upon with some suspicion and disdain by some elements of the Musical Establishment because he was guilty of actually composing memorable tunes, served on board the cruiser HMS Trinidad as a Royal Marine during the Second World War. Whilst engaging German destroyers during a Russian Convoy she was actually hit by one of her own torpedoes which had circled back. Lloyd was one of only three musicians to escape the transmitting station in the bowels of the ship as the compartment flooded and he composed HMS Trinidad and dedicated the piece to all the comrades lost in this tragic freak accident. The band are on brilliant top form, the recording made by Royal Marines personnel in the Caird Hall Dundee is state of the art and, if you need a further inducement to buy this outstanding £13 disc, then £1 from the sale of this CD will be donated to the Royal British Legion Poppy Appeal. (This disc can be obtained direct from Bd. Cpl. F Brown, The Band of Her Majesty’s Royal Marines Scotland, HMS Caledonia, Rosyth, Fife KY11 2XH – I’m sure he would be delighted to hear from you! Cheques made payable to ‘Royal Marines Band Fund Scotland’ and allow 28 days for delivery.) Roger Hyslop

MANTOVANI Mantovani Hollywood "Born Free", Lara’s Theme, "Goldfinger", "Ben Hur", "A Taste Of Honey", This Is My Song, "You Only Live Twice", "The Magnificent Seven", Tara’s Theme, "Lawrence Of Arabia", "Zorba The Greek", "The Bible" The World Of Mantovani Where Is Love, The Windmills Of Your Mind, My Way, Theme from "Romeo and Juliet, My Cherie Amour, Theme from "The Virginian", Where Did Our Summers Go, Theme from "Elvira Madigan", I’m A Better Man, Aquarius, Quentin’s Theme, Love Me Tonight Vocalion CDLK 4289, 77:09 mins. This 2-on-1 is the fourteenth Vocalion Mantovani CD to be issued and Mike Dutton has all Mantovanians in his debt. The "lead" album was released in 1967 and appears in this country on CD for the first time. It includes both the dramatic and the tender and, re-hearing it again digitally remastered, I would rate it as one of Monty’s finest. The second album, from 1969 and never before on CD anywhere in the world, is an eclectic mix of, as ever, good tunes. Interesting to hear one maestro’s interpretation of another maestro’s composition with Percy Faith’s "The Virginian" Theme. And then there is Cecil Milner’s arrangement of part of Mozart’s Piano Concerto No.21, the "Elvira Madigan" Theme. Among the three or four tunes I had not heard before I especially enjoyed Robert Corbert’s Quentin’s Theme, from an old cult supernatural daytime soap opera. Another, the Bacharach/David I’m A Better Man, has a fadeout finish – something of a rarity for Mantovani. Knowledgeable liner notes from Nicholas Briggs and our own Colin Mackenzie complete a desirable package. Without them I would not have known that the bouncy final number was a hit for Tom Jones! Peter Burt

Various artists including THE CREW CUTS, LES PAUL & MARY FORD, DEAN MARTIN, DORIS DAY, FRANKIE LAINE, PERRY COMO... Hits Of 1954 Memoir CDMOIR 590 (2 CDs). Memoir collections are always enjoyable, thanks to the good taste of Gordon Gray (who compiles most of them), and the expert remastering of Ted Kendall. It’s incredible to think that some of the 52 tracks here are now over 50 years old – especially when many of us can remember when they were originally released! There are only a few non-vocal items – Ebb Tide (Frank Chacksfield), Young at Heart (Billy May), Shadow Waltz (Nelson Riddle), Dream Dream Dream (Percy Faith), The Creep (Ken Mackintosh) and Skokiaan (Ralph Marterie). David Ades

CAREY BLYTON – Original music from Films and Television Volume 3Capital City, Flying Birds, The Living River, Kites are Flying, Sherlock Holmes, The Goshawk. Apollo Sound APSCD226.Volume 4: The Pigeon Fancier, Footprints in the Jungle, It Wasn’t Me, Julie’s Gone, Display to Sell, The Furry Folk on Holiday. Apollo Sound APSCD227. These two CDs complete Apollo Sound’s praiseworthy project to make available the lion’s share of the considerable amount of music created by a composer who has previously not received the public acclaim that he has merited. Active in many spheres, from film documentaries to television advertisements, plus many scores for notable television dramas (especially three series of Dr Who), it is clear that his work deserves to take its place among many of his peers. Blyton has demonstrated that film music can often succeed admirably with only a small number of players, a lesson that could be learned by some modern writers who tend to overwhelm both their audience and the actors. The research behind these collections is admirable, and the booklet notes are incredibly detailed. It seems such a pity that Carey Blyton did not live long enough to witness the completion of this worthy survey of his work – he died in 2002. David Ades

GEORGINA COLWELL (soprano), NIGEL FOSTER (piano): The Tend’rest Breast Settings of Women’s Poetry Songs by Frank Bridge, Ivor Gurney, Lennox Berkeley, John Ireland, Alistair King, Roger Quilter, Madeleine Dring and Montague Phillips. Dunelm Records DRD 0237 Available from Dunelow, 2 Park Close, Glossop, SK13 9RQ email: £10.95 incl. P&P. This CD, devoted to settings of poems by women ranges over 20thcentury English song including iconic figures like Gurney, Ireland and Frank Bridge, and includes several we may classify as ballads: Quilter’s Tune and Wild Cherry, Bridge’s Love Went a Riding and three songs by Montague Phillips. It has been said that Phillips’s songs, of which, like Coates and Haydn Wood, he composed many, that they were too good as ballads but not good enough as art songs. But it would be a stony heart which was not roused by the fiercely exultant Sing Joyous Bird. And Madeleine Dring contributes one of her cabaret songs (with words by herself) which has some delicious doubles-entendres. Performances from both artistes are affectionate and skilful. The insert prints all the words, though Miss Colwell’s crystal clear dictation hardly needs them. Philip Scowcroft

LIONEL MONCKTON, IVAN CARYLL Piano selections from The Girls of Gottenberg, Our Miss Gibbs, The Quaker Girl, Oh! Oh! Delphine, Airs and Graces. Arrangements by H. M. Higgs (69:25)Available at £4 from Ken Reeves, 232 Rainham Road North, Dagenham, Essex, RM10 7EA email:. This is one of a series that Mr Reeves is producing of tunes (in computer-generated piano selections) from some of the leading musical comedies of the Edwardian era. I have previously heard a disc of selections by Paul Rubens; now he turns his attention to Monckton and Caryll. The Girls of Gottenberg and Our Miss Gibbs were joint affairs (the insert specifies which tunes are by which composer), The Quaker Girl and Airs and Graces are all Monckton, Oh! Oh! Delphine all Caryll. As I suppose is inevitable with computer-generation the playing sounds mechanical but we do at least get an idea of just how tuneful these shows were and also of Higgs’ skill at threading the tunes together. No substitute, of course, for recordings of the shows themselves but they are of interest. Philip Scowcroft

ARTIE SHAW and his Orchestra- Featuring his Inspired Clarinet Serenade to a Savage, Softly as in a Morning Sunrise, Rosalie, What Is This Thing Called Love?, Begin the Beguine, Copenhagen, Zigeuner, I Surrender Dear, Hop Skip and Jump, These Foolish Things, Time on My Hands, Frenesi, Dr Livingstone I Presume, Easy to Love, Back Bay Shuffle, Stardust, Traffic Jam, Moonglow, Dancing in the Dark, Lady be Good, Don’t Take Your Love from Me, Grabtown Grapple Blues. (75:08) Vocalion CDVS1943. Without checking for duplications (a mammoth job in view of the Shaw CD catalogue) I would assume that most of these titles must be well-known to followers of the last of the big band giants who left us in 2004 at the age of 94. This latest CD form the Shaw Band is, in effect, a sampler of his work for RCA Victor, a superb blend of swingers and the kind of show tunes in which he always specialised. All in all, a collection which is marvellous value at around £3. Arthur Jackson

GUY LOMBARDO and his Royal Canadians: Drifting and Dreaming Harbour Lights, When My Dream Boat Comes Home, Moonlight Bay, La Mer, Ebb Tide, Cruising Down the River, Sailboat in the Moonlight, Red Sails in the Sunset, Isle of Capri, Slow Boat to China, I Cover the Waterfront, Dancing Room Only Autumn Leaves, Fascination, Love is Here to Stay, Stardust, Now is the Hour, Arriverderci Roma, Dancing on the Ceiling, Around the World, Canadian Sunset, East of the Sun, Touch of Your Lips, I’ll See You In My Dreams. (59:12) Vocalion CDLK4295. A fine 2-on-1 issue in excellent stereo, the first of them reminding us of the traditional Lombardo sound and instrumentation, the other featuring an augmented band with more advanced scoring for all sections, including woodwinds. The repertoire is up to the usual Lombardo standard, combining some contemporary material in addition to the usual evergreens. Arthur Jackson

EDMUNDO ROS and his Orchestra: Hi Fiesta, Perfect for Dancing / Dance Again The National Emblem, Patricia, Cherry Pink and Apple Blossom White, I Came I Saw I Conga’d, Mambo Number 5, Colonel Bogey...etc Vocalion CDLK4280. A splendid disc of two remarkable Edmundo Ros LPs, 24 tracks in all. Who could have imagined the National Emblem arranged as a samba, or Colonel Bogey as a meringue? The result is very effective; a top orchestra playing top arrangements and featuring beautifully sensitive piano playing throughout. Alec Hellyer

DANIEL SMITH (bassoon), Royal Philharmonic Orchestra, English Chamber Orchestra, Coull String Quartet, Roger Vignoles (piano): Bassoon Bon-Bons Golliwog’s Cake-Walk (Debussy), Londonderry Air, Vocalise (Rachmaninov), Romance (Elgar), None but the lonely heart (Tchaikovsky), Serenade (Schubert), and additional works by Gordon Jacob, Vaughan-Williams, J.S. Bach, Vivaldi, Chopin, Arne, Hargrave, Dunhill, Kreisler, Corelli and Martini. (66:35) ASV CD WHL 2052 This album is made up exclusively of good music; it relies not on a virtuoso solo line, so the bassoon shines forth without a sense of dominating. Each track is a tuneful miniature, ranging in period from early baroque to mid 20th century, and featuring Daniel Smith alongside full orchestra, string quartet or piano. About half of these were written for the bassoon; the others are tastefully fresh arrangements of pre-existing classics. Daniel Smith’s virtuosity is not merely in his fingers; the wealth of sounds he produces is almost incredible, from the classic grandfather-like pomposity in his Gordon Jacob through to a cello-like richness heard in his interpretations of Chopin, Elgar and Schubert. A rather more comprehensive CD booklet would have been very welcome. This is a beautiful programme, sensitively produced, making for good start-to-finish listening. Peter Edwards

DANIEL SMITH (bassoon), JONATHAN STILL (piano) with members of the Caravaggio Ensemble: Bravo Bassoon Original rags (Joplin), Smoke gets in your Eyes, The Way You Look Tonight, Melody in F (Rubinstein), Someone to Watch Over Me (Gershwin), Andaluza (Granados), Les Berceaux (Fauré), The Trout (Schubert), Yankee Doodle Variations (Millars)... (63:32) ASV CD WHL 2078. This disc was built on the success of the above album, Bassoon Bon-Bons, following a winning formula of twenty-odd tasteful miniatures, and covering a good range of tuneful music. One difference is that this programme is a little more geared towards what we would call ‘light music’ – including Gershwin songs and Joplin rags, the latter performed with the strings and piano of the delightful Caravaggio Ensemble. Nearly half of these tracks are songs, and it struck me what a perfect instrument the bassoon is for capturing the lyrical and intimate qualities of the human voice. It can be a bass, baritone, tenor, or all three within the same piece. Daniel plays these songs as though he is singing them, with well-measured tempi and plenty of breathing space. A highlight for me is his rendition of Rossini’s Largo Al Factotum from The Barber of Seville. Like the above disc, this is a great programme to listen to complete, right through to the sumptuous bottom B flat at the end of Yankee DoodlePeter Edwards

DANIEL SMITH (bassoon), Coull Quartet: Music for Bassoon and String Quartet Suite for Bassoon and String Quartet (Gordon Jacob), Bassoon Quartet in B flat, no.3 (Franz Danzi), Grand Quintet (Anton Reicha). (63:59) Forum FRC 9107. Whilst these three substantial works would not fit into our traditional definition of ‘light music’, they are nonetheless highly tuneful, sweet and palatable. It was refreshing to hear two beautiful early Romantic works (both new to me) alongside the concise and imaginative suite by English master Gordon Jacob. Jacob was highly skilled in orchestration and his writing for this particular ensemble is impeccable. Of the other two composers, not well-known, Danzi is regarded as being one of the main influences on Carl Maria von Weber, and Reicha as having influenced the likes of Berlioz, Lizst and Franck. Their chamber music is perfectly constructed, the bassoon having one of five equal voices in the musical ‘conversation’. Both bassoon and strings have a rich tone complemented by stately tempi, dignified and never rushed. This could be described as light music in an extended form; well worth hearing. Peter Edwards

PHIL KELSALL at the Wurlitzer organ of the Tower Ballroom, Blackpool: Razzle Dazzle All I Ask of You, Death or Glory, Limehouse Blues, Selections from: The Phantom of the Opera, The Sound of Music, Chitty Chitty Bang Bang, Noel Coward revues. (71:49)Grasmere Records GRCD 123.This disc celebrates the 70th anniversary of what is probably Britain’s most famous Wurlitzer. Kelsall’s performances are lively and imaginative, and he covers a good range of music. The ‘selection’ tracks are sensitively arranged with no ugly modulations or abrupt shifts in tempo. A very easy-listening and entertaining programme. Peter Edwards

Royal Ballet Sinfonia / Gavin Sutherland: What a Carry On! The film music of ERIC ROGERS and BRUCE MONTGOMERY Carry On… Doctor, Up the Jungle, Henry, Girls, Follow That Camel, Screaming, Again Doctor, Abroad, Camping, Spying, Matron, Dick, Loving. Twice Round the Daffodils, Watch Your Stern. (59:28) Vocalion Digital CDSA6810. How splendid to hear a second disc by Gavin Sutherland featuring choice selections from these most brilliant of film scores. The main difference between this and The Carry On Album (Gavin’s earlier disc) is that this latest release features the Royal Ballet Sinfonia instead of the City of Prague Philharmonic. This ensemble has made some excellent recordings of light music and I was pleased to see their name on the disc. Being super-critical I would say there are a few moments where the British players have spoofed-up their parts, very much within the spirit of the films they know so well, although perhaps unnecessarily since the slapstick is present within the scores themselves. Ironically, the Czech players on the earlier album might have benefited from not actually knowing the films. A brilliant all-round performance though. It is particularly pleasing to hear some lovely incidental dance music from Carry On Again Doctor, and extended themes (the opening credits plus beautifully arranged score selections) from Carry On Doctor, Carry On Follow That Camel, Carry On Matron and Carry On Loving. This is all priceless stuff, and remarkably romantic in places. Peter Edwards

DAVID CARROLL and his Orchestra: Let’s Dance! Let’s Dance, Cuddle Up a Little Closer, Yearning, A Gliss to Remember, The Glow Worm, The Trouble with Harry, My Sin, Dancing Tambourine, Euphrates, Puerto Rican Pedlar, Armen’s Theme, Dixie Dawn Patrol. (27:53) (USA) Collectors’ Choice CCM-0512-2 Original Mercury album.

Let’s Dance Again Let’s Dance Again, Pretty Baby, Side Saddle, Soft Shoe song, Adios, Irene, Hey! Chick!, Cha-cha Panecas, Bouncing Ball, Swamp Fire, Would you Like to Take a Walk?, The Doodlin’ Drummer, Play a Simple Melody. (34:20) (USA) Collectors’ Choice CCM-0513-2 Original Mercury album.

GEORGE GREELEY with the Warner Bros. Orchestra: The Best of the Popular Piano Concertos Love Is a Many-Splendoured Thing, Laura, On the Trail, An Affair to Remember, Aloha Oe, Three Coins in the Fountain, Street Scene, Hawaiian War Chant, Moonlight Sonata, Come Back to Sorrento, Love Music. (37:39) (USA) Collectors’ Choice CCM-0475-2 Original Warner Bros. album

In recent months EMI seem to have been very active in reissuing pop material from the 1950s and 1960s. Some readers of this magazine may have been keen collectors of the original 45s in their youth, so the following information is offered in case you may be tempted to relive those far off salad days! There isn’t room to go into too much detail, but the following basic info should point you in the right direction.

The Very Best of PHIL KELSALL 36 Wurlitzer favourites, including Devil’s Galop, Samum, Forgotten Dreams, The Sabre Dance.

7243 4773182 – 2 CDs.
FRANK IFIELD The Complete A-Sides and B-Sides
7243 4745112 – 3 CDs plus very good booklet.
The Very Best of HERMANS HERMITS 7243 4773212 – 2 CDs.
The Best of GERRY & THE PACEMAKERS 7243 4748392 – 2 CDs.
The Very Best of THE TEMPERANCE SEVEN 7243 5975332.
HITS FROM THE BLITZ According to the title, the Second World War lasted from 1939 to 1946! Some of the songs were actually recorded in the 1960s! 7243 4775282, 3 CDs.
GEOFF LOVE Banjos 50 Sing-Alone Wartime Favourites – that’s an awful lot of plucking!
7243 4746092.
The SYD LAWRENCE orchestra with CHRIS DEAN "Swingin’" 7243 4773242, 2 CDs.
The Very Best of ADAM FAITH 7243 4773052, 2 CDs.
The Best Military Bands Album in the World… Ever including RAF March Past, 633 Squadron, Dambusters, Aces High, Battle of Britain, etc… 7243 4744962, 2 CDs.
Sir WINSTON CHURCHILL – Wartime Speeches 7243 4745642 – 2 CDs.
The Very Best of DES O’CONNOR 7243 4744492.
The Very Best of HELEN SHAPIRO 7243 4746232 – 2 CDs.
The Very Best of CRAIG DOUGLAS 7243 8662582.

The following CDs are due to be released on 3 October by EMI Classics for Pleasure.

These EMI collections of musical and operetta highlights are mostly produced by Norman Newelland Cyril Ornadel, and the arrangers include Brian Fahey and Johnny Douglas.
Balfe "The Bohemian Girl"; Wallace Maritana; "Benedict The Lily of Killarney"; Irish songs (Veronica Dunn, Uel Deane, Eric Hinds / Havelock Nelson) 335 9482
Benatzky & Stolz "White Horse Inn" (Marion Grimaldi, Barbara Leigh, David Croft / Johnny Douglas); Stolz "Wild Violets" (Barbara Leigh, Kevin Scott / Michael Collins); Youmans "No, No, Nanette" (Stephanie Voss, Peter Regan, David Croft / Johnny Douglas) 335 9522
Coward "Bitter Sweet" (June Bronhill, Neville Jason, Susan Hampshire / Johnny Douglas); songs (June Bronhill, Kenneth Williams, Joyce Grenfell / Brian Fahey) 335 9562
Friml "The Vagabond King" (Edwin Steffe, Dorothy Dorrow, Freda Larsen, Lissa Gray, John Larsen / Jan Cervenka); Friml & Stothart "Rose Marie" (Barbara Leigh, Elizabeth Larner, David Hughes, Andy Cole, David Croft, Maggie Fitzgibbon, Barbara Elsy / Johnny Douglas, Tony Osborne) 335 9712
Gershwin "Porgy & Bess" (Lawrence Winters, Isabelle Lucas, Ray Ellington, Barbara Elsy / Kenneth Alwyn); Bizet/Hammerstein "Carmen Jones" (Grace Bumbry, George Webb, Ena Babb, Thomas Baptiste, Elisabeth Welch / Kenneth Alwyn) 335 9722
Sullivan "The Mikado" (William Dickie, Edward Darling, Noreen Willett, Elizabeth Harwood, John Gower, David Croft / Alexander Faris); overtures 335 9732
Kern "Show Boat" (Marlys Watters, Don McKay, Shirley Bassey, Inia Te Wiata, Dora Bryan / Michael Collins); "Music in the Air" (Marion Grimaldi, Andy Cole / Alan Braden); "Roberta" (June Bronhill, Maggie Fitzgibbon, Andy Cole / Alan Braden, Cyril Ornadel) 335 9802
Lehár "The Merry Widow" (June Bronhill, Jeremy Brett, David Hughes, Ann Howard, Leslie Fyson / Vilem Tausky);Cuvillier & Carr "The Lilac Domino" (Aileen Cochrane, Charles Young / Michael Collins); Kerker "The Belle of New York" (Mary Thomas, Barry Kent / Michael Collins) 335 9812
Monckton & Talbot "The Arcadians" (Cynthia Glover, June Bronhill, Shirley Minty, John Lawrenson, Robert Bowman, Michael Burgess, Stanley Riley, Jon Pertwee / Gilbert Vinter, Vilem Tausky); Jones"The Geisha", Monckton "Our Miss Gibbs", "The Quaker Girl", Rubens "Tina", Norton "Chu Chin Chow", Messager "Monsieur Beaucaire" (Gwen Catley / Stanford Robinson) 335 9822
Norton "Chu Chin Chow" (Inia Te Wiata, Barbara Leigh, Charles Young, Ursula Connors, Julie Bryan / Michael Collins, John Hollingsworth); Fraser-Simson & Tate "The Maid of the Mountains" (Lyn Kennington, Gordon Clyde, Neville Jason, Jimmy Thompson, Jimmy Edwards / Derek Tavener) 335 9842
Novello "The Dancing Years" (Anne Rogers, Ann Howard, Cheryl Kennedy, Andy Cole / Cyril Ornadel, Geoff Love); "King’s Rhapsody" (Pamela Woolmore, Patricia Johnson, Andrew Gold / Jan Cervenka); "Careless Rapture", "Glamorous Night" (Moira Anderson / Robin Stapleton); "Glamorous Night", "Perchance to Dream", "Crest of the Wave" (Julie Bryan, Marion Grimaldi, Ivor Emmanuel / Michael Collins) 335 9852
Novello "Glamorous Night", "Careless Rapture" (Patricia Bartlett, John Stoddart, Patricia Johnson / Kenneth Alwyn); "Perchance to Dream", "Gay’s the Word", "King’s Rhapsody" (Moira Anderson / Robin Stapleton); "King’s Rhapsody", "The Dancing Years" (Julie Bryan, Vanessa Lee, Ivor Emmanuel, Ivor Novello / Michael Collins) 335 9862
Romberg "The Desert Song" (Edmund Hockridge, June Bronhill, Julie Dawn, Bruce Forsyth, Leonard Weir, Inia Te Wiata / Michael Collins); "The New Moon" (Andy Cole, Elizabeth Larner / Tony Osborne); Friml "The Firefly" (Stephanie Voss, Laurie Payne / Alan Braden) 335 9872
Romberg "The Student Prince" (John Wakefield, Marion Grimaldi, Barbara Elsy, Christopher Keyte / John Hollingsworth); Herbert "Naughty Marietta" (Stephanie Voss, Peter Egan / Alan Braden);Straus "The Chocolate Soldier" (Stephanie Voss, Laurie Payne, Pauline Stevens / Alan Braden) 335 9882
Schubert/Berté "Lilac Time" (June Bronhill, Marion Grimaldi, Elizabeth Osborne, Thomas Round, John Cameron, Barry Kent, Kenneth Tudor, Eric Wilson-Hyde / Michael Collins); Grieg/Wright & Forrest "Song of Norway" (John Lawrenson, Thomas Round, Norma Hughes, Victoria Elliott / Michael Collins) 335 9892
Straus "A Waltz Dream" (David Hughes, June Bronhill, Marion Grimaldi, Elizabeth Osborne / Michael Collins); Strauss/Korngold "Waltzes from Vienna" (June Bronhill, Marion Lowe, John Lawrenson, Kevin Scott / Michael Collins) 335 9902
Sampler 335 9922

EMI have recently reissued four more Cliff Richard film musicals on CD:

"The Young Ones" (1961) 477 7232
"Wonderful Life" (1964) 477 7182
"Finders Keepers" (1966) 477 7162
"Take Me High" (1973) 477 7312

Stanley Black was musical director on "The Young Ones" and "Wonderful Life", so these two contain some pleasant musical moments that are likely to appeal to readers of this magazine. The other two are definitely strictly for Cliff’s fans – most of them are probably grandmothers now! The advance details we received state that the booklets (not provided) are "…full of memorabilia relating to the films, each CD contains a ‘History of the Movies’ essay, a film synopsis, behind the scenes notes and a discography." In case you want to know, Norrie Paramor had a hand in "Finders Keepers" and the MD on "Take Me High" was Tony Cole. David Ades

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BRITISH LIGHT CLASSICS The Merrymakers, Knightsbridge, By the Sleepy Lagoon, Calling All Workers, Oxford Street (Coates); Elizabethan Serenade, The Watermill (Binge);In a Persian Market, In a Monastery Garden (Ketèlbey); Country Gardens, Irish Tune from County Derry, Mock Morris, Shepherd’s Hey (Grainger); Dusk (Armstrong Gibbs); Devil’s Galop (Williams); Barwick Green (Arthur Wood); Marching Strings (Ray Martin); Sailing By (Binge); Portrait of a Flirt (Farnon). HMV 5 867952. The last five tracks are labelled ‘bonus tracks’, since they are taken from famous singles. The other works all first appeared on various EMI LPs from the 1950s onwards, and it has to be said that all self-respecting light music collectors will have them already – in some cases, probably more than once! But if you missed out before, or you are searching for the perfect Christmas present, then this could be just for you. The quality of the music – and the performances – is of the highest order.

David Ades This CD is available from HMV Shops and from the HMV website on the internet.

FRANCK POURCEL 4-CD box set – Golds of the 20th century Angie, My Way (Comme d'habitude), Imagine, Lay all your love on me, Aranjuez mon amour, I've Got You Under My Skin, Love Me Tender, Chariot (I will follow him), Yesterday, Les Feuilles mortes, Cielito, lindo, Concorde, Le Premier Pas, Yesterday Once more, Bahia, Let it be, Georgia, Hymne D'amour, Saint-Nicolas, Without You, Isn't she lovely, Misty, Blue tango, Song for guyDe Cannes Hollywood Star Wars, Breakfast at Tiffany’s (Moon River), Butch Cassidy and The Sundance Kid (Raindrops keep fallin' on my head), Born Free, La Dolce Vita, Live and let die, The Godfather 1 (Speak softly love), Dr Zhivago, Love Story (Une histoire d'amour), Orfeu Negro (Manha de carnival), The Third Man, Midnight Cowboy, Mona Lisa, Les Parapluies De Cherbourg, Love Is a Many Splendored Thing, (La colline de l'adieu), All That Jazz (On Broadway), Un Homme Et Une Femme, The Graduate (Mrs Robinson), Porgy and Bess (Summertime), The Sandpiper(The Shadow Of Your Smile), West Side Story (Somewhere), Hello Dolly, The Bridge on the River Kwai, Marty (Hey Marty)French Fiddlers / Super Lounge Only You, Graves, Image, Casino blues, Cry Me A River, Anjou, When I fall in Love, Ilona, Ebb Tide, Too beautiful to last, My prayer, If, Les hanches, Laura, Les levres, Promises, In a nostalgia mood, Night and Day, Parchemin, My Special Angel, Anytime, I'm getting sentimental over you, A Top the Sacre Coeur, Stormy Weather, So many violinsClassics forever Danse hongroise #5, Le Lac De Come, Carmen: Chanson Boheme, Jesus Que Ma Joie Demeure, Nabucco:Va pensiero - Choeur Des Esclaves, Czardas, Tosca: Vissi d'arte, Acceleration, Allegro en re Mineur, La Danza, La Traviata: Sempre libera, Aida:Marche Triomphale des Trompettes, Les Mille et une nuits, Mouvement Perpetuel, Turandot: Nessum Dorma, Grande Valse "Les Patineurs", Golliwog's Cake-Walk, Plaisir d'amour, Valse de la Belle au Bois dormant, La Moldau. EMI W3362462. There are very few Pourcel CDs released these days, and here are a number of rare tracks appearing on CD for the first time. Pourcel's daughter Francoise has been instrumental in getting EMI France to release this special collectors' edition 4-CD boxset. The CD booklet includes a biography in French and English, and this set has already been called the best Pourcel collection ever released!

Chris Landor

JOHNNY DOUGLAS "The Railway Children" Dulcima DLCD 120 [2 CDs]. Johnny Douglas was truly inspired when he composed the music for this magical film in 1970. Everything about the movie was just right – the cast, the scenery and, of course, the music. This new release offers again two LPs: firstly the Johnny Douglas Orchestra playing his themes from the film (on EMI’s Columbia label), and secondly Lionel Jeffries introducing soundtrack excerpts (originally on Music for Pleasure). Johnny’s memorable main theme will be familiar to many, but this CD reveals that this was only one of several pleasing melodies created for the various characters. As a bonus the final track on CD1 is the vocal version of the main theme, retitled More Than Ever Now and sung by Vince Hill. Hugely enjoyable! David Ades This 2-CD set is available from good record shops; it can also be ordered direct from Dulcima Records, 39 Tadorne Road, Tadworth, Surrey, KT20 5TF, England – price £13.00 plus £2 p&p.

STEFANIE POWERS – On The Same Page They All Laughed, Where Are You?, Last Night When We Were Young, Autumn In New York plus 8 other songs (37:00) Jambo Music JM-100. With a growing volume of CDs recorded by people outside of the orbit of the classic American songbook, this one by actress Stefanie Powers is simply the best. Ably accompanied by veteran pianist and singer Page Cavanaugh and his quartet, Powers proves to be a surprisingly accomplished vocalist. All of her performances on this CD are full of the charm she always exhibited in her television, stage and screen appearances to millions around the world. Where Are You? is very poignant, as is her rendition of Autumn In New YorkI’ve Got A Feelin’ You’re Foolin’ is a really funny, mischievous duet with pianist Page Cavanaugh. This is a winning album by a well-loved personality, bringing to we lucky listeners another wonderful facet of Stefanie Powers’ artistry. Richard Jessen

MANNY ALBAM, BILL RUSSO, TEO MACERO, TEDDY CHARLES – Something New, Something Blue (30:40) Freshsound Records FSR-CD381. Short on playing-time made worse by the fact that the two tracks by Manny Albam (Night Crawlers and Tin Roof blues are on Manny's own album (see Big Band roundup). Teo arranges Blues for Amy and St Louis blues, Bill Russo East Hampton bluesand Davenport blues, Teddy Charles Swinging Goatsherd blues and Blues in the night. Each contributor was given the brief: arrange one standard and write one original. The two that grasp this task to my liking are Teo having fun with some tempo changes on St Louis blues where pianist Bill Evans excels and Bill Russo on East Hampton blues; a mournful start but soon chugging along at a nice pace. As a blues album this one really hits the spot.

Paul Clatworthy

THE TEND’REST BREAST: Settings of Women’s Poetry Songs by Frank Bridge, Ivor Gurney, Lennox Berkeley, John Ireland, Alistair King, Roger Quilter, Madeleine Dring and Montague Phillips.Georgina Colwell (soprano) and Nigel Foster (piano). Durelm Records DRD 0237 from Dunelow, 2 Park Close, Glossop, SK13 9RQ (email: , website at £10.95 incl. P&P) This CD, devoted to settings of poems by women (though one exception, all the composers are, or were, male) ranges over 20th Century English song including iconic figures like Gurney, Ireland and Frank Bridge, but does include several we may classify as ballads: Quitter’s Tune and Wild Cherry, Bridge’s Love Went a Riding and three songs by Montague Phillips. It has been said that Phillips’s songs, of which, like Coates and Haydn Wood, he composed many (he was married to a professional singer) that they were too good as ballads, not good enough as art songs. However that may be, it would be a stony heart which was not roused by the fiercely exultant Sing Joyous Bird. And Madeleine Dring contributes one of her cabaret songs (with words by herself) which has some delicious doubles-entendres. Performances from both artistes are affectionate and skilful; the insert prints all the words, though Miss Colwell’s crystal clear diction hardly needs them. Philip L Scowcroft

HELEN O’CONNELL – The Sweetest Sounds Taking A Chance On Love, Fly Me To The Moon, Tangerine plus 12 other great songs (35:05) Hindsight HCD-251. Sweet sounds, indeed, emanate from this charming collection of songs performed by vocalist Helen O’Connell for the United States Marines in 1953 and The Navy Swings shows from 1961 and 1963. O’Connell here shows her innate jazzy side, especially on the opening Sweetest Sounds and Fly Me To The Moon where she shows total enjoyment of singing. Although the songs are, unfortunately, brief to accommodate the time restrictions of 15 minute shows, there are some startlingly long versions such as achingly beautiful renditions of A Beautiful Friendship and Embraceable You. The groups are all small with multi-instrumentalist Murray McEachern playing trombone and saxes with his septet in 1963. A surprisingly great but unknown group adds to the tasty backgrounds: the Red Blount Quartet of 1961 plus the familiar settings by Page Cavanaugh in 1953. The booklet notes by Eliot Tiegel cover every aspect of Helen O’Connell’s career accompanied by two photos supplied by Frank DeVol. Although a brief CD, it more than qualifies as another fine example of the artistry of the fondly remembered personality of Helen O’Connell, the sweetest sound we have ever heard. Richard Jessen

Modern sounds from California Freshsound Records FSR2202. Two and a half hours of West Coast jazz at its finest, recorded 1954 to 1957, with so many tracks I for one have never seen elsewhere! Freshsound deserve plaudits for this release which gathers together compositions by almost everyone of note on the West Coast: Shorty Rogers, Jimmy Giuffre, John Grass, Marty Paich, Jack Montrose, Al Cohn, Pete Rugolo, Leonard Feather, Howard Lucraft and one from Dave Brubeck – Shorty and Marty getting the lion’s share! Almost all the soloists active at the time are on board making this set a must-buy!

Paul Clatworthy

BMG Zomba Production Music – Italian Life BPM 3019 , Horror & Sci-Fi BPM 3020 , Jazz & Big Band BPM 3021, Historical BPM 3022 , Tension & Suspense BPM 3023, Holiday TravelsBPM 3024, Big Screen BPM 3025 , Classical Heritage BPM 3026 , Tango & Ballroom BPM 3027 .Composers include Ennio Morricone, Stelvio Cipriani, Gian Piero Reverberi. Gian Franco Reverberi, Armando Trovaioli, Angelo Francesco Lavagnino, Manuel De Sica, Pino Donaggio, Luis Bacalov, Carlo Rustichelli, Piero Piccioni, Alessandro Alessandroni etc... These CDs are available from the RFS Record Service, price £9 [US $18] each, plus p+p. Atmosphere (part of BMG Zomba Production Music) have released a further nine CDs in their BMG Score Music series. This music is taken from RCA Italy's famous film music archives, most appearing on CD for the first time. There is approximately an hour of music on each CD and the sound quality is superb. I should mention that although generally the music on these CDs is melodic, there is some that may be described as harsh or atonal, mainly on the Horror & Sc-Fi CD. This series will appeal to anyone who enjoyed the previous CDs in this series and anyone who enjoys film music (especially Italian film music). It features some wonderful original compositions; in my opinion the BMG Score Music series has to be one of the most exciting ranges of discs currently released by any production music company. I have already heard some of the music being used by both BBC and ITV. There are now 27 CDs in this series and I am sure more will follow.

Chris Landor These CDs are only available through the RFS Record Service, price £9 each (plus postage and packing)

DORIS DAY sings – 22 original recordings (1952-53) I Can’t Give You Anything But Love, Sentimental Journey, Just You Just Me, I’m In The Mood For Love plus 18 other great songs (48:47) Hindsight HCD-411. Not much need be said about Doris Day except that she is one of those vocalists whose records never fail to amaze one in their superb choice of songs. This CD release emphasises the years 1952-3 in small jazz group settings by Page Cavanaugh and octet, and also as big orchestral recordings arranged by the ever reliable Van Alexander. The perkiness of the Page Cavanaugh group inspires Day to her best efforts, particularly in Just You, Just MeSingin’ In The Rain and Light Your Lamp. The booklet notes by David Dexter Jr. include interviews with Doris Day and Van Alexander. The sound of these recordings is as beautiful as the inner booklet photo of Doris Day with one of her adorable four legged friends. A wonderful souvenir of a great singer. Richard Jessen

JUNE CHRISTY – Something Cool (1955 and 1962 versions). It Could Happen To You, Lonely House, This Time The Dream’s On Me plus 18 other great songs (68:39). June Christy was always a musician’s singer. Her phrasing and shading resembled the way a horn player would phrase and bend a note. This particular issue proves that Christy became a much greater artist after the seven intervening years. The arrangements are virtually the same with nearly the same players. Arrangements are by Pete Rugolo who first worked with June when both were employed by Stan Kenton. Something Cool was Christy’s signature tune, becoming a necessary inclusion in all her solo concerts. The 1955 version is startlingly good but the 1962 version measures up well with much added expressiveness and depth in Christy’s reading. The melancholy mood established at the beginning pervades both the mono and stereo versions although there are up tempo songs to vary the mood such as I Should Care and Softly As In A Morning Sunrise which is swung more like an Artie Shaw chart. The remastering is a dream; the mono has not been reprocessed into fake stereo and the succeeding stereo version has absolute quiet surfaces. This is a highly recommended introduction for those who have never heard June Christy. Paul Clatworthy

STANDBY FOR SWING – The Oscar Brandenburg Orchestra, The Gentle Giants Like Cute, Moonglow, Charmaine, Hometown, Organ Grinders Swing, Leagueliner, Wot Cher, Stay With It, Colonel Bogey, I Dream Of You, Black Satin Ribbons, 9.20 Special, Blue Lou, Puppet On A String, My Prayer, I’ll Be Around, These Foolish Things, High Flyer, A Handful Of Songs, Fools Rush In, Tuxedo Junction, Lady Of Spain, Bedtime For Drums, Delicado, Big Noise From Winnetka, Harbour Lights, Come Swing With Me. Codename Music (Winchester Hospital Radio Label) WHRCD 502. This album is colourful. It combines the talents of Ray Davies, Neil Richardson, Alan Moorhouse and others in a mix of popular standards played in big band fashion. Colourful for the way these excellent musicians transform the standards into a classy swing format. Like a rainbow, one colourful tune is followed by another reflecting a cathode of melodic rays. Who would have believed in this day and age that many of these actual versions were played day-in, day-out on BBC-television in the mornings and afternoons when people were at home testing their new colour sets during the late sixties and early seventies. Yes, you would hardly call this testcard music nowadays. It proves there were some superb pieces being aired then. If you hadn’t known they were on then you would probably have bought a ticket for this sort of fayre and sat down at the Local Civic Hall to enjoy it. Fans of traditional big band music here will love these renditions. Fresh, sharp colourful playing. Music to savour and enjoy; not music to twiddle your knobs to!

Malcolm Batchelor For details of how to obtain this CD please see the advertisement on page 87 of this issue.

HITS OF 1954 – The Crew Cuts, Les Paul & Mary Ford, Dean Martin, Doris Day, Frankie Laine, Perry Como etc.. (52 tracks, 2 CDs) Memoir CDMOIR 590. Memoir collections are always enjoyable, thanks to the good taste of Gordon Gray (who compiles most of them), and the expert remastering of Ted Kendall. It’s incredible to think that some of the tracks here are now over 50 years old – especially when some of us can remember when they were originally released! There are only a few non-vocal items – Ebb Tide (Frank Chacksfield), Young at Heart (Billy May), Shadow Waltz (Nelson Riddle), Dream Dream Dream (Percy Faith), The Creep (Ken Mackintosh) and Skokiaan (Ralph Marterie).

David Ades Memoir CDs are available from the RFS Record Service, price £10 each plus postage and packing.

THE SHADOWS Platinum Collection (48 tracks, 2 CDs) EMI 334 9382. Perhaps not of interest to all readers, but with Christmas approaching this could be a present for an ageing Shadows fan. The set comes with a DVD featuring a live performance from the NEC, Birmingham, in 1986.

DON’T FORGET: Other new CDs are mentioned on our Light Music CDs page.

ROGER ROGER – The Magic of Roger Roger (4 CD box-set, CDs also available individually) Just A Smile GAL066, Pour vous madame GAL 067, Cityrama Galerie GAL 068, Newsreel / Actualites GAL 069. These CDs are available from the RFS Record Service, price £9 each plus p+p.A recent release earlier this year by French production music company Koka Media (part of BMG Zomba) on their Galerie label. The discs were released to mark the occasion of the 10th anniversary of the death of Roger Roger. If you buy all four CDs they come in an attractive CD box with an informative 14 page colour booklet. There are far too many tracks to list them all, with over an hour of music on each CD. Almost all the music was composed by Roger Roger apart from six tracks which were composed by Roger's son-in-law and childhood friend Nino Nardini. The recordings are taken from the Chappell archives. Unlike other production music CDs there are no 30 or 60 seconds cuts; all the tracks are full-length. Just A Smile -  this is the definitive collection of Roger Roger's fun and light-hearted compositions: covering jaunty TV comedy themes, hilarious vaudeville and silent movie pastiche, kid's music, circus, music-hall, fairground, puppets and teddy bears! Pour Vous Madame -  classic 50's latino, Hollwood glamour, romantic liaisons and seduction. Cityrama-  swinging big band and full orchestral to beat combos; themes including ‘promenade’, ‘by night’ and ‘the city in motion’. These classic tracks remind the listener of how timeless the music of Roger Roger is. Much more than an historical snapshot of an era gone by, this collection portrays the talent of a fine composer whose work is as relevant and fresh today as it was on its first release. Newsreel / Actualites - These classic recordings come from the era of cinematic newsreel and early TV broadcasts. From serious political affairs to fun on the piste, and from heavy industry to exotic holidays. These Roger Roger compositions display his love of combining old and new instruments and styles to create unique soundscapes. Themes include sports, industry, history and conflicts. All these recordings were produced between 1954 and 1975. All the tracks have been digitally remastered, and the sound quality is superb. Each CD comes in an attractive fold out CD sleeve. A fine box-set for connoisseurs of Roger Roger's music; highly recommended.

Chris Landor These CDs are available from the RFS Record Service price £9 each plus postage and packing.

KATHY KIRBY – The Complete Collection Let Me Sing And I’m Happy, I Can’t Give You Anything But Love, Someone To Watch Over Me, I’ll Get By, Acapulco 1922, Following In Father’s Footsteps, Waiting For Robert E Lee, Bill, Happy Days And Lonely Nights, Who’s Sorry Now?, Can’t Help Loving That Man, If You Were The Only Boy In The World, The Man I LoveMiss Dynamite etc… (2 CDs, 38 tracks) Spectrum 9824795. I had forgotten how good a singer Kathy Kirby was. What a pity this Ambrose protégé’s personal problems brought her recording career to a premature end. Hearing these tracks in stereo for the first time I have been struck, too, by how terrific the arrangements are, particularly on the second disc. Although unaccredited in the liner notes, I understand the majority of them are likely to be either by Charles Blackwell or Ivor Raymonde, who were her musical directors. Most of Kathy’s best known tracks are here such as her first Top 20 smash Dance On and Secret Love that took her to the Top 5, both in 1963 ─ the year she won the title of Top British Female Singer in the NME reader’s poll. Then there is her Top 10 cover version of Theresa Brewer’s Let Me Go LoverYou’re The OneI Want To Be Happy[All Of A Sudden] My Heart Sings, and the 1965 British Eurovision Song contest entry, I Belong. A number of great standards composed by the likes of Arlen, Rodgers and Youmans are also included. Both issues are budget priced [I found them at £3.49 a disc online] and both are rather special. Ideal stocking fillers, maybe?

Peter Burt

SOUND OFF DIVISIONS – Band of HM Royal Marines / Captain R.P. Long Fanfare for a Festival (Arnold), The Middy, Army of the Nile, HM Jollies (Alford), Heart of Oak (Boyce), March and Air (Handel), Golden Spurs (Rhodes), Chimes of Liberty (Goldman), War on the Big Screen (arr Brown & Cunningham), Duke of York (arr Balfour), Cavalry of the Steppes (Knipper), Navy Blue (Brown), Sailing (Sutherland), The Melody Shop (King), Trafalgar (Zehle), Glorious Victory (Kendell), Will ye No Come Back Again, Auld Lang Syne (Trad), A Life on the Ocean Waves (Russell) (72:00) Chevron CHVCD 20. Several months ago BBC 2 screened the 1939 British film Sons of the Sea, made in colour and starring Leslie Banks, Kay Walsh and Cecil Parker. It deals with life at the Royal Naval College Dartmouth just before the Second World War, with a dangerous spy on the loose to boot! Much of the film appeared to have been made on location at and around the College and affords a fascinating insight into the style and presentation of Ceremonial Divisions held at this establishment in the late 1930s. The title of the film borrows from a popular song of the time which makes a number of appearances during ‘The Divisions’ sequences but alas sadly does not appear on this new release Sound off Divisions from Chevron. To compensate however we have Richard Baker, a former navy man himself, who gives a brief and succinct history of the Naval College and interjects from time to time to set the scene during the various key moments of the complete Naval Officers Passing In / Passing Out Parade. The musical compensations are considerable too, notably a trio of fine marches by English ‘March King’ Kenneth Alford and a particularly imposing slow march Golden Spurs by Sarah Rhodes, a distinguished DOM 1111 of the Scots Guards. War on the Big Screen takes its inspiration from such film classics as The Great Escape633 SquadronBattle of Britain and The Dambusters. The rather unusual title of The Melody Shop is explained by the fact that the youthful composer Karl King dedicated the piece to the owners of the Powell Music Company. He went on to write many more marches with possibly Barnum and Bailey Favourite among the best known. Sailing - and this I hope will not raise too many hackles from his fans - is, I think, better played here by the Royal Marines than when sung by Rod Stewart! There are a number of intermittent shouted orders at various points in the ceremony, apparently recorded on the parade ground itself as there is a hint of an ambient background which helps foster a great sense of atmosphere and occasion. The specialist collector with a particular interest in the Royal Navy and its traditions and ceremonials will be readily attracted to this disc, whilst for the more general listener there is a veritable feast of great music simply to sit back and enjoy. In many ways this disc is a companion one to Passing In available on Clovelly CLCD 13604 - reviewed in JIM no. 164 p 83 - which focused on the various ceremonies relating to junior entrant rates. The recording as usual from this source is vivid and immediate and this is another home grown product for which the Royal Marines Band Service can feel justly proud.Roger Hyslop This CD is available at or from Discurio, Unit 3, Faraday Way, St Mary Cray, Kent BR5 3QW. Tel/Fax: 01689 879101.

ENNIO MORRICONE – Soundtrack from La Casa Bruciata RAI Trade FRT 410. This terrific score for a 1998 TV thriller set in Brazil tells the story of a fearless priest who protects a child who has witnessed a murder. If you enjoyed Morricone's beautiful music to The Mission, you will love the score to La Casa Bruciata. This is one film music CD I can happily recommend to all RFS members. The CD runs for just over 46 minutes and features 14 tracks including the wonderful, powerful main theme. There are many other exciting melodic themes on this CD. The music on this CD is beautiful, melodic, uptempo and exciting. I’ve been enjoying it so much I just can't stop playing the CD at every opportunity! Highly recommended. Unlike other soundtrack CDs where you frequently get just one main theme and endless variations La Casa Bruciata features many different melodic themes.

Chris Landor This CD is available at £10.95 from First Contact Records, 31 Veronica Road, London SW17 8QL. Tel 020 8675 4733 and online at

THE PALM COURT ORCHESTRA / Charles Job – Grand Hotel Secrets, The Lost Chord, Silverheels, Idylle, Fascination, Folies Bergeres, Kashmiri Song, Narcissus, Wedgewood Blue, Hetty Wainthropp Theme, Serenade Pasionnee, etc… 19 tracks (71:36) Canada CD003. In British Columbia Charles Job and his talented musicians are fast becoming something of a musical institution, and the fact that their CDs are reaching a wider audience is certainly doing no harm to their hard-earned reputation. Their latest offering boasts several top composers who will need no introduction to admirers of the kind of music associated with the ‘Palm Court’ style – among them Charles Ancliffe, Arthur Sullivan, Edward Elgar, Paul Lincke, Albert Ketèlbey, Rudolf Friml and Percy Fletcher. There is much to admire in this recent release, and the playing is well up to this ensemble’s usual high standards, which is praise indeed. Nodding towards more recent offerings is Nigel Hess’s theme music for the Hetty Wainthropp TV series, which I gather has received the composer’s own seal of approval. But the balance is firmly in favour of the kind of genteel music favoured during the early years of the last century, and it would be hard to find a more satisfying release than this among recent CD offerings.

David Ades This CD is available from the RFS Record Service for £9 [US $18] plus p+p.

TUBBY HAYES – On the air 13 tracks (50:36) Harkit Records HRKCD8156. Tubby would have been seventy this year. He was a leading light on the jazz scene in the sixties (I fondly remember him from the smoke-filled atmosphere of Ronnie Scott's first jazz club) These thirteen tracks are picked from broadcasts never before released. Tubby plays tenor, flute and vibraphone. Gordon Beck plays piano, Jeff Clyne is on Bass and Johnny Butts plays drums. Tubby's blues and In the night are originals composed by Tubby. Elsewhere a well-produced selection of popular songs including A taste of honeySpeak lowThe more I see youBye bye blackbird and Time after time. Tubby's vibes playing is well featured on this CD. He joked "I sometimes wish I had never started playing vibes! I lug the bloody thing around, set up and then play sax all night! Hearing his vibe playing you would never know he was self taught; excellent! On most of Tubby's recordings he blew the competition away; here he is in a more relaxed mood but he still enthralls.

Paul Clatworthy

Royal Scottish National Orchestra / David Lloyd-Jones – SIR ARNOLD BAX Tintagel, Garden of Fand, Happy Forest, The Tale the Pine Trees Knew, November Woods (74:11) Naxos 8557599. Naxos appear to be repackaging a number of performances that have previously appeared on the Naxos and/or Marco Polo labels, but to be fair to them the fact is usually stated in the notes. Of course, if you have already purchased ‘on spec’ you could get caught out, but hopefully keen collectors of a particular artist or composer will always check first before adding fresh releases on the same label. In this particular case, these symphonic or ‘tone’ poems were recorded between 1995 and 2002, and together they form an attractive package of some of the composer’s most popular works. If you have yet to discover the beauty of Bax’s writing, this could be the ideal introduction for you.

David Ades Please note that Naxos have recently increased the price of their CDs by 20%.

Royal Philharmonic Orchestra / Alan Barlow – THIS ENGLAND Elgar – Serenade for Strings; Delius – Irmelin prelude, Two Pieces for Small Orchestra; Holst – St Paul’s Suite, Brook Green Suite; Warlock – Capriol suite (64:02) Sanctuary Resonance CD RSN 3049. There are times when I envy young people; they still have their lifetimes ahead of them, and one of the glories they will discover (should they choose) will be a whole world of marvellous music. Many of us can remember the excitement we felt the first time that we heard some of the works in this collection. Perhaps some readers may still be unfamiliar with a few of them. Incredibly there are people who are completely unmoved by music … how sad I feel for them! Like the Bax CD mentioned previously, these recordings have been around for some while; it’s good to know that they are available once again.

David Ades

LALO SCHIFRIN – Les Felins (34:50) Aleph Records 031. Lalo's sound track for Rene Clements’ film contained the seeds of Dirty HarryBullitt and Enter the Dragon (his words). The main title music illustrates this description with some force; an underlying sense of foreboding and menace in its makeup. Sweeter sounds are used on Searching and Detecting but still mixed with suspense. Lalo was handed the completed film before writing, which took him two months, time well spent! I never saw the film but the music is so descriptive I feel I have! The pizzicato opening of Mediterranean chase is light music at its finest. The production is tasty and highly varied.

Paul Clatworthy

PERCY FAITH - The Oscar Soundtrack Collectables COL-CD-7815. Thirteen mostly up-beat tracks composed and conducted by the man himself that stand up well away from the action of the movie. Titles include Swingin’ Village, Mexican HoedownTijuana Tourists, and Posh Party. A bonus is a version of Song from The Oscar [Maybe September] by Tony Bennett. The Maestro’s music was generally regarded as more memorable than the movie which was described by one critic as "a picture that attains a perfection of ineptitude quite beyond the power of words to describe". But at just under 34 minutes the CD is disgracefully short measure – not the usual 2-on-1 from this label; more like ½-on-1. It will have to do, though, for Faith aficionados who are still awaiting Columbia Singles Volume 3. Now that is worth getting excited about.

Peter Burt

ASPIDISTRA DRAWING ROOM ORCHESTRA – The Best of Palm Court Softly, Unawares!, El Saludo, Czardas, Melodie d’Amour, Nights of Gladness, Whispering, Indianola etc... Too Beautiful for Words Down South, The Billy Pssum’s Frolic, Ragamuffin, The Valley of Poppies, Silverheels, In a Persian Market, Bal Masqué etc... Both CDs available direct from The Aspidistra Drawing Room Orchestra, Cardinal’s Wharf, 49 Bankside, London SE1 9JE, email . Price £10 for one CD, £15 for both, plus £1.20 p+p. Cheques payable to the Aspidistra Drawing Room Orchestra.Two splendid discs from one of the few remaining ‘Palm Court’ ensembles, including a selection of light-classical and lighter music in finely balanced chamber arrangements. The orchestra consists of piano, three violins, viola, cello, flute and oboe/cor anglais, producing an ambience perfect for the atmosphere of Imperial tea-time elegance. Personally I miss a little brass, percussion and a bass (the piano struggles on its own), and yet this is part of the ensemble’s unobtrusive quality. The playing is sensitive and the melodies beautiful. I think this kind of music should be experienced live and in context rather than on disc.

Peter Edwards

STANLEY BLACK, His Piano and Orchestra – Digital Magic Chiquitita, California Suite, Theme from ‘Bilitis’, Tomorrow from ‘Annie’, Just when I Need You Most, Rise, Here’s that Rainy Day, Theme from ‘The Deerhunter’, Theme from ‘The Way we Were’, I Will Survive. Vocalion CDLF 8119. Although the title is perhaps a little misleading, this is a good mix of music highlighting Stanley Black’s intensely colourful arrangements and individual mastery of the piano.

Alec Hellyer

CHERYL BENTYNE – Let me off uptown (48:34) Telarc Jazz CD-83606. Cheryl used to be part of the supergroup Manhattan Transfer. Here she goes solo on songs made famous by Anita O'Day. She gets wonderful arrangements from Bill Holman on three tracks, using his Mighty little Big Hornscomprising of Bob Summers, Carl Saunders, Chris Tedesco and Jack Sheldon (trumpets), Bob McChesney (trombone), and Lanny Morgan, Pete Christlieb and Bob Efford (saxes). Jack Sheldon duets on the title track taking on Roy Eldridge’s original part with Anita. Corey Alien (who arranged the remaining tracks) and Cheryl and Bill Holman listened to almost every O'Day record before choosing the songs, so no duds here! Let’s face the music and dance has Larry Koonse on guitar joining in on the fun. Man with a horn displays Jack Sheldon's virtuosity on a ballad. Boogie blues is a joyous romp and a real mover scored by Bill Holman. If you have the original Anita O'Day recordings there are some interesting comparisons to be made; these are very effective remakes.

Paul Clatworthy

EDMUNDO ROS in Concert Brazil, I Adore You, El Gallo, Night of Adventure, Co Co Seco, London is the Place for Me, El Gato Montes, How Insensitive, Pancho de Bull, Yes Teacher, Alma Llanera, The Coffee Song. Vocalion CDLF 8121. If anyone is looking for a first Ros album to buy, this would be a splendid start. A good mix of the classics and the less-familiar, this was recorded live in Monaco in 1972. The recording quality is intimate and there is no obtrusive audience noise.

Alec Hellyer

There are some splendid new CDs among the October releases from Mike Dutton’s labels:

EDWARD GERMAN Symphony no.1 in E minor; Overture – The Tempter; Prelude – Romeo and Juliet; Hamlet – Symphonic Poem; The Willow Song BBC Concert Orchestra (John Wilson), Cynthia Fleming (leader) Recorded at The Colosseum, Town Hall, Watford, 24-25 May 2005, Epoch CDLX 7156

MONTAGUE PHILLIPS VOLUME 2 Festival Overture (‘In Praise of my Country’) op.71, Hillside Melody op.40, Hampton Court op.76*, Phantasy for violin & orchestra op.16, Charles II Overture op.60, In Old Verona: a serenade for strings, In May Time op.38, Empire March op.68 BBC Concert Orchestra (Gavin Sutherland), Matthew Trusler (violin), World premiere recordings, except* Recorded at The Colosseum, Town Hall, Watford, 3-4 August 2005, Epoch CDLX 7158

RICHARD TAUBER • INTERMEZZO Vienna city of my dreams, Let me awaken your heart, My heart and I, Serenade from The Student Prince, Roses of Picardy, Can I forget you, The English Rose, One day when we were young, I’m in love with Vienna, Don’t be cross, Only a rose, One alone, My hero, Come back my love, Intermezzo, Ideale, Long ago and far away, We’ll gather lilacs, Au revoir (J'attendrai), Pedro the fisherman, Love lost for evermore, My curly headed baby (in German), The song is done (in German), Good-bye (in German) Recorded in the 1930s and ’40s CDVS 1910

LEONARD BERNSTEIN CONDUCTS BERNSTEIN Facsimile A Choreographic Essay RCA Victor Orchestra (Leonard Bernstein); On the Town Ballet Music "On the Town" Orchestra (Leonard Bernstein); Jeremiah Symphony with Nan Merriman (mezzo-soprano) St Louis Symphony Orchestra (Leonard Bernstein); Ravel Concerto for Piano & Orchestra Philharmonia Orchestra (Leonard Bernstein). Recorded in the 1940s CDBP 9758

ORCHESTRAL JEWELS • THE COMPOSERS CONDUCT Wolf-Ferrari The Jewels of the Madonna: Act III Intermezzo, The Secret of Suzanne: Overture The Four Peasants: Act II Intermezzo, The Curious Women: Minuet and Furlana Recorded in 1947 Zürich Tonhalle Orchestra (Ermanno Wolf-Ferrari); Straus From Strauss to Straus: Selection, The Waltz Dream: Overture, The Chocolate Soldier Recorded in 1947 The New Symphony Orchestra (Oscar Straus); Scott-Wood Serenade to Evening Arthur Dulay (piano), London Caprice Recorded 1949 The New Promenade Orchestra (George Scott-Wood); Wildman Vienna Concerto Jacqueline Blanchard (piano) Recorded 1949 L’Orchestre de la Suisse Romande (Charles Wildman) CDBP 9760

THE ART OF CONSTANT LAMBERT A CENTENARY TRIBUTE Bliss Miracle in the Gorbals 1946 Royal Opera House Orchestra (Constant Lambert); Gordon The Rake’s Progress 1945 The British Ballet Orchestra (Constant Lambert); Lambert Music for Orchestra 1948 Philharmonia Orchestra (Constant Lambert); Walton Façade excerpts 1929 Edith Sitwell; Constant Lambert Ensemble (William Walton) CDBP 9761

CHRISTMAS WITH RONNIE ALDRICH White Christmas, Let It Snow, Have Yourself a Merry Little Christmas, Winter Wonderland, Silver Bells, Toyland, Sleigh Ride, The Christmas Song, I’ll Be Home for Christmas, By the Fireside, Count Your Blessings, The Christmas Waltz. Ronnie Aldrich, piano with the Strings of the London festival Orchestra Vocalion CDLF 8126.

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HERE COME THE CLASSICS VOL. 8 – LIGHT MUSIC LEGENDS. MALCOLM ARNOLD English Dances : Set 2 Op. 33, No.1); ERIC COATES By the Sleepy Lagoon, Calling all Workers, Dambusters March; ARTHUR WOOD Barwick Green; VIVIAN ELLIS Coronation Scot; HAYDN WOOD The Bandstand, Hyde Park (Frescoes Suite); HUBERT BATH Cornish Rhapsody; ROBERT FARNON Westminster Waltz, Portrait of a Flirt; TREVOR DUNCAN March (Little Suite); CHARLES WILLIAMS Rhythm on Rails, Devils Galop, Heart o’ London; ARTHUR BENJAMIN Jamaican Rumba , EDWARD WHITE Puffin’ Billy; ANTHONY COLLINS Vanity Fair; EDWARD ELGAR Chanson de Nuit. Royal Philharmonic Orchestra conducted by Barry Wordsworth with Roderick Elms (piano). RPO 008CD, total timing 59:28 mins. The Royal Philharmonic Orchestra are in the midst of producing ‘in house’ a series of CD’s under the generic title of ‘Here comes the Classics’ and Volume eight which has just appeared focuses on ‘Light Music Legends’. Many of the pieces included here will be perhaps overly familiar to the seasoned collector who will almost certainly have already various other alternative modern recordings in his collection, but the present disc is nonetheless worth considering on several counts. The novelty here is Charles Williams’ Heart o’ Londonconsisting of a medley of popular tunes ranging from Cherry Ripe to Noel Coward’s London Pride.Also included here and having a comparatively rare outing is Haydn Wood’s ‘The Bandstand, Hyde Park’ from ‘Frescoes’ – a splendid piece and played here with a marvellous sense of style and panache. This disc has the added advantage of featuring one of London’s premier symphony orchestras, a conductor with an innate sense of how this music should be played and an excellent recording made in the Henry Wood Hall, London. So no matter how many versions of The Dambusters March you have already lurking on your shelves, this CD is more than worth seeking out! Available from : Recordings Dept. Royal Philharmonic Orchestra, 16 Clerkenwell Green, London EC1 0GT. Phone ; 020 7608 8800 Roger Hyslop

GUILD LIGHT MUSIC The Golden Age of Light Music A new series of CDs compiled by David Ades, with digital sound restoration by Alan Bunting. The first three CDs were released in April, with two more at the end of May. For full tracklistings please refer to pages 20, 21 & 22 of JIM 158 [March 2004] and pages 26 & 27 in this issue.

GLCD5101 An Introduction

GLCD5102 The 1940s

GLCD5103 The 1950s

GLCD5104 Great British Light Orchestras

GLCD5105 Great American Light Orchestras

A comprehensive description of this important new series, plus full tracklistings, appeared in JIM 158, to which readers are referred. This has obviously been a major undertaking, and it is evident that a great deal of care has been taken, both in the choice of programmes, and the quality of the sound restoration. Inevitably there are a fair number of tracks which have already appeared on other recent CD reissue compilations, but these are balanced by the inclusion of either [a] different versions of familiar pieces, or [b] compositions which have made it on to CD for the first time. There is a good mix of commercial and publishers’ recordings, and the great attraction lies in the actual sequencing of the items; play any of these CDs and you will immediately be transported back to the ‘good old days’ of the BBC Light Programme. Whilst writing this I am listening to Volume 2 (being reproduced through a superb 1950s restored Grundig table radio) and it is difficult to believe that it is really 2004 – it is as if David Ades and Alan Bunting have indeed created the proverbial time machine! We are promised more to come, but in the meantime these three new CDs cannot be too highly recommended. Tony Clayden Guild Light Music CDs can be purchased from the RFS Record Service for £7 each [US $14]; the first three are offered at a special price of £18 [$36] for all three (plus postage and packing), if ordered before 30 June 2004.

PERCY FAITH AND HIS ORCHESTRA ‘Delicado’ 2-CD collection of early recordings for full tracklisting please refer to page 11 of JIM 158 [March 2004]. Sanctuary Group Living Era CD AJS 278. A word of warning to the reader: this is a biased review.  Percy Faith is my favourite composer/ arranger/ conductor, and Alan Bunting is a personal friend, so any time Alan turns his attention to Faith the results are likely to be pleasing.  In the present instance, they are spectacular. Alan has filled a great void by collecting the scattered early commercial recordings of Percy Faith, from roughly 1944 to the early 1950s, from four different record companies, and most are appearing on CD for the first time -- an event that ten years ago would have seemed impossible. If you are a dedicated fan, you have possibly managed to round up many of these selections on ancient, hissy vinyl (or perhaps even 78) but you have never heard them like this. With the touch of the magic Bunting wand, these 60 year old recordings glow with a warmth and detail never before heard. Faith did not make concessions to the limitations of the recording technology of the period, and frankly in the past I have never been able to even hear much of what was really going on in these arrangements.  It is a revelation to hear the 1944 Decca recordings in particular. A fan of Faith's Latin American arrangements has to love these; although a couple (Bim, Bam, Boom! and Tico-Tico) were later heard on stereo albums, most are unique. (Negra Consentida remains one of my favourite arrangements.)  The cello solo in If There Is Someone Lovlier Than You is by itself worth the price of the entire set. In some respects, the older versions seem superior to the later stereo recordings; for all the technical limitations, I think I prefer the 1940s version of Tia Juana to the 1960s recording. But this is far from a collection which would be of interest only to hardcore fans; it also contains some gems that were only out as singles at the time, and have been neglected because they are out of the mainstream. Most notably, there are two selections with then-famous cabaret singer Hildegarde (no surname needed, evidently). Not only does Hildegarde have one of those "warm, down-around-the-ankles" voices (in Raymond Chandler's phrase) – it’s easy to see why she was so popular -  the arrangements are a complete delight, as Faith sends the orchestra nipping and tucking at her heels like a kitten playing with a ball of yarn. Another surprise is a vocal version of the Alec Wilder melodyGoodbye, John, which Faith memorably recorded with Mitch Miller on the oboe; undoubtedly the right choice, since the lyrics are pedestrian, but who knew there were any?  The second CD ends with a rather playful trick. Faith recorded an extended instrumental variant of the Song From 'Moulin Rouge' for the album "Music From Hollywood", and Alan has combined this with the familiar, frequently-anthologized Felicia Sanders vocal version which will no doubt become the standard we all will listen to from now on! The only negative thing you should know is this: if you buy this collection, you may have a hard time getting it out of your CD player. It's that good.  If only there could be more... but we're lucky to have what we do.  Congratulations to all of the people involved in making it possible. John Cutcher

Complementary to the five new Collectables issues is ‘Delicado’, Percy Faith’s double album on the Living Era label [CD AJS 278]. Here we have all of his earliest commercial recordings, made for the Majestic, Decca and RCA Victor labels, plus a selection of those he made after joining Columbia – a total of 50 original mono recordings spanning the years 1944 to 1953. Alan Bunting has done all the compilation, transfers, audio restoration and re-mastering, and the booklet notes, and it was obviously a labour of love. This is my kind of Percy Faith and these 2 CDs have given me more pleasure than many of the other re-issued examples of his work from the later years of his wonderful career. Peter Burt

This 2-CD set is available from the RFS Record Service for £11 [US $22] plus postage and packing.

JOHN PHILIP SOUSA : MUSIC FOR WIND BAND – Vol. 4 Marches: Nobles of the Mystic Shrine, Sesqui-Centennial Exposition, Riders for the Flag, Ancient and Honorable Artillery Co., Pathfinder of Panama, The Glory of the Yankee Navy, The Aviators, The Stars and Stripes Forever, Selection Bride Elect, Suite: Tales of a Traveller, Waltz: Co-eds of Michigan. Band of the Royal Artillery conducted by Keith Brion. Naxos 8.559093 59mins. Volume 4 in the Naxos American Classics series of the complete Wind Band music of John Philip Sousa which incidentally includes a staggering 136 marches (!) fully upholds the superb production values of this series with regard to both performance and recording, aided no doubt by the splendidly spacious acoustic of Woolwich Town Hall. Indeed under the experienced and highly skilled tutelage of Mike Parton of the Specialist Recording Company, this disc is a model of how good a military band recording should sound – the results are deeply impressive. Much of the contents of this latest instalment consists mainly of notable rarities although decidedly not of course ‘The Stars and Stripes Forever’ – probably the most famous military march ever written, which here receives a suitably resplendent performance to bring this CD to an excellent conclusion. One of the joys of Sousa marches is their sometimes gloriously over the top titles and included here we have ‘Nobles of the Mystic Shrine’ and ‘‘The Glory of the Yankee Navy’- it’s difficult not to raise a wry smile at such appellations! The Ancient and Honorable Artillery Co. of Boston is apparently the oldest military organisation in the USA and the resultant march composed at their request includes their marching song ‘Auld Lange Syne’. ‘The Aviators’ a late piece composed a year before Sousa’s death in 1931 is dedicated to William J. Moffett who Keith Brion tells us in his informative notes is considered to be the father of the aircraft carrier. During the performance of this piece, you are well advised to duck down since it comes complete with low flying aircraft. The most substantial work in this collection is the 1911 Suite, ‘Tales of a Traveller’which will certainly be of some interest to those of us on this side of the pond, since the final movement is an imposing and fairly lengthy coronation march apparently intended to be used at the coronation of King George V. Its subsequent non-appearance within the hallowed walls of Westminster Abbey may have been due to the fact that the rather staid British Establishment considered it lacked a degree of dignity and gravitas appropriate for such a solemn ceremony. If you haven’t been tempted to invest in this outstanding series, I can only suggest in suitable military parlance that you now get ‘fell in at the double’ behind the Royal Artillery Band – surely one of the brightest jewels in the crown of British Army music - for an exhilarating , often exciting and hugely enjoyable musical adventure! A brilliant disc and superb value! Already issued in this Naxos series are : Vol.1 8.559058, Vol.2 8.559059, Vol.3 8.559092 (reviewed in JIM No.155 06/03). Roger Hyslop

(1)THE BEST OF PALM COURT, LINKE: Gavotte; Softly Unawares! ANCLIFFE : El Saludo; Fragrance; Nights of Gladness; P.CASSANO : Czardas , P.FAHRBACH: Comedy Gallop, J.HURST : Melodie d’Amour, J.S.SCHONBERGER: Whispering Foxtrot, M. EWING : Woodland Shadows, S.R.HENRY/D.ONIVAS: Indianola, M.BILTON: Anita (2) TOO BEAUTIFUL FOR WORDS, W.H.MYDDLETON: Down South, M.LENNARD: Billy Possum’s Frolic, ALETTER: Rendezvous, J.RIXNER: Ragamuffin, R. COLUMBO et al: Too Beautiful for Words ANCLIFFE: The Valley of Poppies, N. MORET:Silverheels, KETELBY: In a Persian Market ,VERDI arr. Bell:Quartet from Rigoletto, Y.KREIN: Glory of Russia, A.MALANDO: Ole Guapa, A. GRUNFELD: Romance, P.FLETCHER: Bal Masque. THE ASPIDISTRA DRAWING ROOM ORCHESTRA. £10.00 per disc, £15.00 if both ordered together plus £1.00 p&p from Adam Bakker, Cardinals Wharf, 49 Bankside, London SE1 9JE tel. 020 7633 9313, E-mail –  . The Aspidistra Drawing Room Orchestra (comprising 7 to 8 players: flute, oboe, piano and strings) are helping to keep alive the "light music salon orchestra" tradition by concerts and CD’s. These latter, recorded in 1998 and 2003 respectively, each contain an enjoyably varied selection of light orchestral repertoire. The later one includes popular numbers like the Ketelby and Fletcher pieces, perhaps also Aletter’sRendezvous (a trifle heavy in touch here for my taste), the Myddleton ‘sketch’ and Joe Rixners livelyRagamuffin polka. But less well known are the foottapping Billy Possum’s Frolic, (an "irresistible twostep" !), Ancliffe’s delicious Valley of Poppies and Grunfeld’s shapely Romance, Roy Bell who arranges the Rigoletto Quartet, is the orchestra flautist. The earlier disc features three more Ancliffe’s including the popular Nights of Gladness, ebuilliently done.; also of much charm are the items by Jan Hurst (who once conducted so many resort orchestras either side of 1939-45) Montague Ewing and from the continent Fahrbach and Paul Linke. Playing time is scarcely generous but all lovers of this repertoire should be delighted with the varied programmes and stylish execution. Philip L. Scowcroft

SOUSA MARCHES Band of HM Royal Marines [Royal Marines School of Music] conducted by Lt Col G A C Hoskins, MVO, ARAM, RM EMI 5855352 [65’07" & 64’49" mins] Having only bought this budget-priced 2-CD set because I’d heard the conductor give a talk about serving on the Royal yacht ‘Britannia’, and just expecting to dip in and out of it, I found myself playing each CD at a sitting and my attention was retained throughout. There are a total of 43 tracks [too numerous to list here] but even this is less than a third of the March King’s output. His big popular successes are here, likeThe GladiatorSemper fidelisThe Washington PostThe Liberty Bell, The Stars and Stripes Forever and Hands Across the Sea. In addition there are exotically entitled works such as Kansas WildcatsSolid Men to the FrontNobles of the Mystic ShrineThe Gridiron Club, The Charlatan andLa Flor de Sevilla. I particularly enjoyed Jack Tar, premiered at London’s Albert Hall in 1903 in the presence of Royalty. The playing is of a high standard and the 20-year-old recording sounds fine. If you are not "into" military bands, let me encourage you to try this one – you may be pleasantly surprised.

Peter Burt

THE MUSICAL WORLDS OF LAURIE JOHNSON Concerto for Trumpet, Tenor Saxophone and Orchestra The London Big Band and Royal Philharmonic Orchestra conducted by Laurie Johnson Soloists: Guy Barker, Trumpet, Tommy Whittle, Tenor Saxophone; The Wind in the Willows (Tone Poem for Small Orchestra after Kenneth Grahame) London Studio Symphony Orchestra conducted by Jack Parnell; Irma La Goose Overture Royal Philharmonic Orchestra conducted by Laurie Johnson; Symphony (Synthesis) London Jazz Orchestra and London Philharmonic Orchestra conducted by Laurie Johnson, leader, Rodney Friend. Soloists, Stan Roderick, Kenny Wheeler, Trumpets, Don Lusher, Trombone, Joe Harriott, Alto Sax, Tony Coe, Tubby Hayes, Tenor Sax. AVID CD AVHN 102  72:26 mins. The title of this CD is slightly confusing, because it's the same as another album issued by the Polygram REDIAL label in 1998. Two of the above items were included in that issue: Laurie's spectacular jazz Symphony, recorded in 1970 , and The Wind in the Willows from 1971. But the Suite from the movie "Hedda" has been discarded to make way for two new compositions. Laurie presented his Concerto at a Royal Albert Hall Concert in 1999, and, until the issue of this CD, it has been available only on the Videotape of that concert (Golden Times GOL 11134). The version here is a new studio recording. Also appearing for the first time on CD is the delightful Irma La Goose Overture. Any new album by Laurie is a must for the collection, and this one includes useful sleeve notes by Laurie himself, plus some by the late Christopher Palmer reproduced from the original CD. Don't let the inadequate numbering of the tracks printed on the back cover prevent you from enjoying an exploration of these new musical worlds.Richard Hindley

SEVEN A SUITE FOR ORCHESTRA by Tony Banks, LPO conducted by Mike Dixon, Naxos 8.557466. No, it’s not the British Labour MP but yes, it is the former member of Genesis pop group. No, it’s not pop music but yes, it is light classical, somewhere in between Vaughan Williams and Stanley Black! Eminently pleasurable and soothing this is something new to the repertoire. Based on four modern themes and three others he had mused over in previous decades, Banks asked Simon Hale to orchestrate them into a whole suite. The result is most satisfactory and with the London Philharmonic doing the honours Naxos can congratulate themselves. In order, the seven movements are Spring Tide, Black Down, The Gateway, The Ram, Earthlight, Neap Tide and The Spirit of Gravity. If you are looking for music which is easy on the ear you will not be disappointed. Edmund Whitehouse

LOUIS LEVY The musical giant of Gaumont British films March of the Movies; Sing as we go; Who’s been polishing the sun?; Where there’s you there’s me; What a little moonlight can do; Without rhythm; This’ll make you whistle; Things are looking up; The eyes of the world are on you; Aunt Sally medley; Meet the sun halfway; Jingle of the jungle; Turning the world upside down; From one minute to another; Empire builders; Don’t you cry when we say goodbye; Cole Porter medley.Evergreen Melodies C92. At one time you were lucky to find the occasional Louis Levy track on a compilation CD, despite the fact that the late Alan Dell often featured him in his ‘Dance Band Days’ programme on BBC Radio-2. Then a few CDs started to appear, including the comprehensive set by Frank Bristow in Australia. More recently has been the Living Era CD, and now our friends at This England/Evergreen magazine have come up with an entertaining collection to accompany the article on Louis Levy in the Spring 2004 issue of Evergreen. All the tracks are listed above, so you can quickly see if there are any you need to complete your Levy collection. David Ades This CD is only available direct from Evergreen – telephone 01242 515156 – major credit cards accepted. A cassette version is also available.

Boosey & Hawkes Volume 1 The New Concert Orchestra for full tracklisting please see page 16 of JIM 156 – September 2003 Vocalion CDLK 4192 74:34 mins. Seldom can such a mundane titled CD have yielded so much treasure. If it has passed you by, I urge you to get a copy. Apart from Monia Liter, also on Vocalion, you will not better spend a tenner all year. And, singularly, a Monia Liter composition, The Bullfighter, is for me the standout track. But the whole CD of background music specially recorded for film, radio and television crackles with "joie de vivre". Twelve of the 26 numbers are by Trevor Duncan, including his Four Old Fusspots and Little Suite: Folk Tune, the first time this has been given a commercial release. Our friend Ernest Tomlinson has contributedRomantic Journey and Exuberant Youth. The other composers represented are Vivian Ellis, Frederic Curzon, Cyril Watters and Sam Fonteyn. Many of the numbers will be new to quite a few of us and David Ades is to be congratulated on his selection. The recording quality is superb. If future volumes [and there will be if enough of us buy Volume 1] maintain this standard we are going to be delighted over and over again. Peter Burt

ERIC PARKIN The Piano Music of William Blezard Vol. 2 A Miscellany of Miniatures, Two Promenades for Eric Parkin, Tow Fantastic Dances, Three European Dances, etc… Shellwood SWCD27, 70:33 mins. In his later years, William Blezard (1921-2003) became known to the British public as the accompanist to Joyce Grenfell, and he was also associated in the same acapacity with Marlene Dietrich. Eric Parkin treats his music with the respect and charm that one would expect from a fellow pianist who is in a class of his own. It is nice to see that two tunes were specially composed by William for Eric, which adds a certain poignancy to this delightful collection. Apparently William approved the master of this CD the day before he died last year. David Ades

DORIS DAY / ANDRE PREVIN: DUET. Close Your Eyes; Fools Rush In (Where Angels Fear To Tread); Yes; PLUS 3 Alternate Takes and 2 Bonus Tracks. (US Issue) Collectables COL-CD-6874. 55:37. Although this recording was mentioned in Richard Hindley’s great article in the last issue, Collectables has added 5 bonus tracks. This recording is a definite reminder of how great of a singer Doris Day was in music usually not associated with her name. Not only this, but we also get the rare opportunity to hear how hard Day and her accompanist Andre Previn worked on these songs. The released take (16 December, 1961) of "Close Your Eyes" sets the intimate nature of this album with a sexy, inviting quality in Doris Day’s interpretation. A perfect meeting of the minds. The alternate take of 30 November, 1961 shows both artists struggling with the music. Previn especially seems to be having very real problems with keeping things together as this take gradually disintegrates before our ears. The same isn’t true of "Fools Rush In" where the alternate take is actually far superior to the released version. The same goes for "Nobody’s Heart" where Doris Day sings with a heart breaking intensity. The other songs are sung with great warmth and excellent phrasing by Doris Day. There are three songs by Andre Previn and his then-wife Dory of which "Daydreaming" elicits a wistful performance from Day while she displays her jazzy feel for the saucy "Control Yourself" in a performance that’s right in the pocket and which ends with a playful "Whew!" Day adds to the jewels in her crown with a meltingly beautiful performance of Alec Wilder’s autumnal song "Give Me Time." Andre Previn is ably assisted on a few numbers by Red Mitchell on bass and master drummer Shelly Manne. This recording remains a wonderful document of timeless masterpieces from two master performers. Richard Jessen

DORIS DAY: SENTIMENTAL JOURNEY / LATIN FOR LOVERS. Come To Baby, Do!; It Could Happen To You; Sentimental Journey; Quiet Nights Of Quiet Stars; 19 Others. (US issue) Collectables COL-CD-6867. 69:50. Both of these albums come late in Doris Day’s career (1964), yet they contain proof that Day was one of the best singers of all time. "Sentimental Journey" is a tribute to songs popular during the big band era updated for a new, fresh look. The Glenn Miller influence is present on two songs, "Serenade In Blue," and "At Last," both sung with crushing beauty by Day against a lush background of strings, woodwinds and voices provided by Mort Garson. There are two fine examples of Doris Day the jazz artist in effervescently bubbly performances of "Come To Baby, Do!" and "I’m Beginning To See The Light." There are three visits to songs recorded by Doris Day when she was singing with Les Brown’s band, the standout performance being a steamier rendition by Day of "Sentimental Journey" which is more a journey of the heart than of a train ride! Two months after this album was finished came "Latin For Lovers," a wonderfully smooth journey through the chacha, tango and the ever popular Bossa Nova. Mort Garson provides delicately romantic scores for this LP which covers four of Jobim’s songs on which Day lavishes great warmth and emotionally sensitive care to every twist and turn of the lyrics. "Summer Night" is the sleeper of this set for it was co-written by Bill Comstock (the tenor/guitarist with The Four Freshmen from 1960 - 1973) and noted jazz pianist Eugene DiNovi. Day successfully suggests the forlorn feeling of the lyrics. "Be True To Me" is another great song with another great performance by Doris Day who tries out her Spanish in a playful mood. And we must not forget "Por Favor," an overwhelming favourite of mine endearingly sung by Doris Day. With her immaculate, well-timed phrasing and her experience as an actor, these performances stand out as more than welcome reminders of a great vocalist - Doris Day. Richard Jessen

AN IRISH GUARDS BANDSTAND : WILLCOCKS : March : Sarafand, STANFORD : Overture: Shamus O’Brien, ANDERSON: Irish Suite – The Girl I Left Behind Me, The Minstrel Boy, B.W.O’DONNELL: Two Irish Tone Sketches, GRAHAM : Quick March : The Champion, ANSELL: Three Irish Dances, SULLIVAN: Quick March: Iolanthe, BRIGDEN: Celtic Dances, GRAINGER: Irish Tune from County Derry, BRASE: Irish Fantasia: Let Erin Remember. The Band of the Irish Guards D.O.M. Major Andrew Chatburn BA. ARCM psm. Specialist Recording Company SRC121, 70:50. Production values are as ever exceedingly high here and make no mistake, SRC’s claim that they record premier military bands with hitherto unheard of care and attention using the state of the art equipment in fine locations to produce the world’s best military band recordings is no idle boast. That they succeed spectacularly in their endeavours cannot be in doubt. The results are certainly deeply impressive and reflect great credit on the company’s commitment to this specialist niche in the music industry. An ‘Irish Guards Bandstand’ is to be the more warmly welcomed not least because after several recordings of John Ansell’s fine concert overture ‘Plymouth Hoe’ this collection commits more of this undervalued composer’s music to disc with the engaging ‘Three Irish Dances’. One might have thought this a worthy contender for Sanctuary Classics British Light Music Discoveries. Never mind, the Irish Guards Band more than make ample amends for such an omission. There’s a rollicking overture to Sir Charles Villiers Stanford’s comic opera Shamus O’Brien,contrasting nicely with the more reflective and atmospheric Two Irish Tone Sketches by Bertram Walton O’Donnell who held appointments as Musical Director of Royal Marine Bands at Portsmouth and Deal before subsequently moving to the BBC Military Band. Leroy Anderson’s Irish Suite is represented by three movements in an arrangement he himself made of the whole suite for military band. In J.D. Brigden’s Celtic Dances the band is joined surprisingly by the appearance of a solo violin played more than capably by Musician Victoria Evans who fully deserves her credit. The disc ends with an extended Irish Fantasia Let Erin Remember by Wilhelm Fritz Brase who despite the name was a colonel in the Irish Army! Many of the melodies in this pot-pourri may be unfamiliar to many of us but nonetheless brings the concert to a highly satisfying conclusion. In summary, an imaginative and refreshingly unhackneyed collection of music associated with the Emerald Isle and given the assured and skilful playing of the Irish Guards, should have deservedly wide appeal and not only to military band enthusiasts. The good news is that this is merely the first instalment in a series featuring a programme format much associated in the past with park and seaside bandstands. Oh! I nearly forgot. In case you are still wondering about the relevance of the inclusion of the Iolanthe quick march, well that has a somewhat tenuous Irish connection; it appears that Sir Arthur Sullivan’s father, professor of euphonium at Kneller Hall came originally from Tralee, County Cork! Roger Hyslop

NAT KING COLE SINGS / GEORGE SHEARING QUINTET PLAYS. September Song; Pick Yourself Up; I Got It Bad And That Ain’t Good; Let There Be Love; Plus 8 other songs and 3 bonus tracks. String Choir arranged and conducted by Ralph Carmichael. 46:47. (US issue) Capitol Jazz 7243 5 25250 2 7. If ever there was a meeting of minds on a recording date, it would have be Nat King Cole and George Shearing. This lovely album was recorded December 19-22, 1961 and quickly became one of the classics in everyone’s record collection. Cole had originally recorded "Pick Yourself Up" at a break-neck tempo. Here, Shearing and Cole take things at a slow middle tempo which brings the full meaning of the lyrics into the light. "Let There Be Love" receives a rendition full of light optimism from both Cole and Shearing with drummer Shelly Manne’s softly driving support. The most challenging song must surely be "Azure-Te" with a highly inventive angularity. Praises go to Cole and Shearing for bravely going through this song. And there is surely nothing more heartbreaking than to listen to Cole’s poignant performance on "I Got It Bad And That Ain’t Good" and "Lost April." The Latin rhythms influence Ralph Carmichael’s chart for Anderson’s "Serenata," scored for woodwinds and percussion added to the strings cushioned by Shearing’s Quintet and Cole’s involving vocal. The added 3 tracks are welcome additions to this marvellous album of which "The Game Of Love" and "Everything Happens To Me" receive Latin influenced performances of great verve from both Cole and Shearing. The CD ends in a lovely way with a haunting ballad "Guess I’ll Go Home." The remastering of the original stereo masters is superbly lifelike. Nothing could be a better tribute to two supreme masters than this wonderful recording.Richard Jessen

NELSON RIDDLE Sea of Dreams Out of the Night, My Isle of Golden Dreams, Tangi Tahiti, Dream, There’s No You, Drifting and Dreaming, Easter Isle, Let’s Fall in Love, Polka Dots and Moonbeams, Put Your Dreams Away, Autumn Leaves, Sea of Dreams Love Tide Bali Ha’I, Ill Wind, East of the Sun, Till the End of Time, Caravan, Sweet Leilani, Take Me in your Arms, Solitude, Santana, Honeysuckle Rose, Hold Me Thrill Me Kiss Me, Love Tide EMI 7243 5970532, 67:41 mins. Nelson Riddle fans will give this new CD a warm welcome, since it makes available again two of his great Capitol orchestral albums. Our friend Ray Purslow (of The Record Centre, Birmingham) suggested this release to EMI, so you can be sure that it is one which has been on many collectors’ ‘wants’ lists. The booklet reprints the original LP sleeves, both front and back, but you’ll probably need a magnifying glass to read the notes! Therefore it would have been nice to have a few paragraphs with some biographical details praising Nelson’s work in popular music, otherwise how will people coming across this CD in 20 or even 50 years hence realise just how great he was? David Ades

VIKKI CARR; DISCOVERY! / DISCOVERY II. Surrey With The Fringe On Top; How Insensitive (Insensatez); Cuando Calienta El Sol Plus 21 Other Songs. EMI Two On One 7243 5 92653 2 2. The hallmarks of Vikki Carr’s recording career of forever searching for the best in music are ever present in this very welcome pairing of her second and third albums, originally released in April and October 1964 respectively. Things begin with a seductively swinging performance by Vikki Carr of "Surrey With The Fringe On Top," followed by a Burt Bacharach song "Cry Alone," performed with an appropriate torchiness by Carr. She really sparkles with bubbly performances of "Bluesette" (singing with the band in a beautiful if off mike vocalise) and "Goodbye, Charlie." Her poise and control are heard to great advantage in the medley of two songs separated by 50 years: "Poor Butterfly" and "Stay." Carr adds to her Bossa Nova songbook by singing a beautifully polished version of "Insensitive" by Jobim. A welcome addition is her second recording of a song in Spanish, a marvelously elegant "Cuando Calienta El Sol." A nod to Frank Sinatra comes with "My Melancholy Baby" on which Carr sings only the opening verse much as Sinatra did with "Stardust." Among the standout selections is a version of "Invitation" on which Carr meets the vocal challenges bravely and successfully. Bob Florence writes brilliantly timeless arrangements which gracefully support Vikki Carr’s efforts with intelligence and understanding as well as imagination. The remastering onto CD is simply fabulous. The accompanying booklet reproduces both album covers and their liner notes, giving an endearing charm to what is essentially a wonderfully reminder of not only how great of singer Vikki Carr was at this time but also just how this greatness is still there in abundance galore!Richard Jessen

GLENN MILLER Masterpieces String of Pearls, Johnson Rag, Chattanooga Choo-Choo, Perfidia, At Last, American Patrol, Little Brown Jug, Moonlight Serenade, etc… 24 tracks Vocalion CDVS 1941, 77:19 mins. This attractive collection is superb value for money. Costing around £3, it includes booklet notes plus – of course – sound restoration by Mike Dutton to the standards we have all become accustomed to expect from him. The cheap price probably recognises that many collectors will already possess all the music, but at such a bargain price (and sounding so fresh) it should happily sell in its thousands. David Ades

And still they come! When I first joined the Robert Farnon Society in 1997 a new Percy Faith CD was a real "event" trumpeted in these pages by the estimable Alan Bunting. Now with these five new releases the number of CDs available on the Collectables label alone amounts to 34.

I know that several RFS members were eagerly looking forward to Music For Her [COL-CD-7562] and I can understand why. This is an archetypal Faith mid-50s issue featuring radiant string dominated arrangements of such marvellous melodies, mostly slow and romantic, as You’re My Everything, I’ll Be Seeing You, Take Me In Your Arms, The Nearness Of You, my favourite You’d Be So Nice To Come Home To, I’ll see You In My Dreams, I Concentrate On You, Everything I Have Is Yours and The Way You Look Tonight. No need to ask why the album is so called. The sound strikes me as being very rich for a mono recording. As this is the longest LP Percy ever recorded it could not be paired with any other to form the customary 2-on-1, so we are given "bonus tracks" of five singles – True Or False and Song For Sweethearts [Come Close], both written by Faith, Blue Mirage [Don’t Go], Not As A Stranger, The World Is Mine and We Won’t Say Goodbye – to make the playing time up to a tad under 67 minutes.

Of the same vintage is Swing Low In Hi Fi [Col-CD-7611]. This is subtitled Spirituals For Orchestra and bears some comparison with Percy’s first two classic Christmas albums. The orchestra without vocals captures the deep emotions of the originals. I especially liked It’s Me Oh Lord ["standing in the need of prayer"] and you can almost smell the steam in Get On Board. There are 12 other equally well-known pieces here including Swing Low Sweet Chariot, Deep River, Steal Away and Go Down Moses; all are enhanced by Percy’s panoply of sound. For the first time with a Faith issue, Collectables have taken a leaf out of Vocalion’s book and given us a second CD for the price of one. It is something of a curiosity: A Look At Monaco, the soundtrack of a 1962 CBS television special with Percy conducting the Orchestra National De L’Opera De Monte Carlo playing his own music. Another attraction is the narration by none other than Princess Grace herself, although this may inhibit repeated listening. But I wouldn’t mind how many times I heard Percy’s impression of an Elephant inThe Zoo segment.

Moving on to the 60s and stereo, we have our first 2-on-1: Held Over! Today’s Great Movie Themes / Leaving On A Jet Plane [COL-CD-7607] 68’20". The first album was the final Faith foray into film [specifically Hollywood] music. It is a fairly lush affair with the strings, possibly, sounding a bit thinner than usual. Standout track for me is Come Saturday Morning, music by Fred Carlin [words written by Dory Previn for ‘The Sterile Cuckoo’]. Also enjoyable are Jerry Goldsmith’s Patton Theme,The Theme From "Z" [To Yelesto Pedi] by Mikis Theodorakis, Alfred Newman’s Airport Love Themeand George Delarue’s atmospheric closing number Theme From Anne Of The Thousand Days. Interestingly, in his original liner notes Gene Lees likens Faith to Robert Farnon, "hearing his inner melodic lines, hearing how perfectly he ties up every loose end". The album is purely orchestral but its pairing has the Percy Faith Chorus on every track. It is fascinating to compare the two versions ofRaindrops Keep Fallin’ On My Head and Ballad Of Easy Rider that feature on both albums. Other tracks on the second album include Everybody’s Talkin’, Wedding Bell Blues, George Harrison’sSomething, and Colours – all very pleasant.

Two more albums with, this time, female only chorus throughout - maybe too much for some of us - are Those Were The Days / Love Theme From "Romeo And Juliet" [COL-CD-7608]. As well as the title tracks we get 20 numbers including a wordless choral version of Theme From "A Summer Place", Bacharach’s Promises, promises, ZorbaFor Once In My Life, Little Green Apples, a bouncyAquarius and Good Morning StarshineFool On The Hill, and Joni Mitchell’s lovely Both Sides Now.

Country Bouquet [COL-CD-7606] is a classic featuring the Percy Faith Strings first issued in 1974, nine years after its illustrious predecessor, ‘Broadway Bouquet’, with which it was coupled on a UK reissue [Sony 4930472] in 1998. Here it is paired, less appropriately, with Disco Party, which includes Cherry CherryEl Bimbo, The King Is Dead, 7-6-5-4-3-2-1 [Blow your Whistle], Mongonucleosis, Coldwater MorningHava Nagilah, and a previously unreleased Sabre Dance. Mercifully, ‘though, no vocals. The first album is gorgeous with such titles as The Most Beautiful Girl, El Paso, a dreamy Songbird, quite unlike its usual treatment, Annie’s Song, Behind Closed Doors, Sundown, For The Good Times and to end, Orange Blossom Special, a "tour de force" for strings almost worth the price of the disc.

Altogether, then, a quality quintet with something for everybody.

Collectables CDs are issued in the USA and are available from the Robert Farnon Society Record Service. Full track listings may be seen at htttp:/

Peter Burt

Some Vintage Sounds from Living Era

Readers will know that the Sanctuary Group Living Era catalogue contains a large number of CDs featuring music from the 1920s to the 1960s, and most of them fall outside the normal scope covered by this magazine. However we know that some of you like to know what is new in this department, so we draw the following to your attention. We should add that they are all supported by comprehensive (and intelligent) booklet notes with detailed documentation, and an added bonus is the superb sound restoration by Alan Bunting.

JAN GARBER AND HIS ORCHESTRA A Melody from the Sky recordings from 1924 to 1949 Living Era CDAJA5326, 73:30 mins.

AL JOLSON Let Me Sing and I’m Happy 58 tracks recored between 1945 and 1950 Living Era CDAJS272 [2 CDs] 149 mins.

BILLIE HOLIDAY Moanin’ Low new 2-CD set comprising CDs first issued in 1996 & 1999 (not featuring Alan Bunting’s sound restoration) CDAJS282, 151 mins.

GUY MITCHELL My Truly Truly Fair 27 tracks from 1950-1953 also featuring Mindy Carson, Doris Day and Rosemary Clooney CDAJA5532

All Living Era CDs are available through the RFS Record Service.

New from Memoir

Another company which produces high quality compilations is Memoir. Like Sanctuary Living Era (above), not all their releases contain the kind of music usually featured in this magazine, but many of you like to know what is new.

HITS OF 1953 faces competition from some other companies who have had the same idea, but the inclusion of several orchestral tracks helps to make this particular collection a more accurate reflection of the music scene 50 years ago. Among the usual names (Guy Mitchell, Jo Stafford, Nat King Cole etc.) you’ll find Leroy Anderson, Frank Chacksfield, Mantovani, Les Baxter and Ray Anthony. Memoir CDMOIR 585 [2 CDs], 139 mins. Memoir CDs are available from the RFS Record Service.

New Compilations from EMI

It is sometimes difficult to find something new to say about compliations. Usually they contain the ‘greatest hits’ of the artist concerned, and the inevitable question that crops up is: will the fans find anything new that they haven’t already got? To give an authoritative answer a reviewer needs some expert knowledge about what is already in the catalogue, which can cause problems if the CDs received are outside the normal scope of the writer or the magazine concerned. Which is a roundabout way of saying that I cannot be sure if the following CDs contain any gems that keen fans have been seeking for years, or if they are merely an attempt by the record company to make more money out of its back catalogue. However, EMI are one of the few friendly companies who are willing to send out promotional copies that haven’t been requested, and I have to admit that I have enjoyed listening to just about all of the following new releases, which I list in case they happen to be your favourites, too. Sorry – there isn’t space to list the titles, but you’ll probably find most of them in your local record store.

SHIRLEY BASSEY ‘Finest Collection’ 36 tracks on 2 CDs featuring some fine popular and film songs from recent decades, all performed in Shirley’s inimitable and immaculate style EMI Gold 577 5852.

MATT MONRO ‘The Collection’ Like the Shirley Bassey collection above, this is a 2-CD 36 track selection of superior songs, performed by a singer in a class of his own EMI Gold 577 5942

GLEN CAMPBELL ‘Collection’ 34 tracks on 2 CDs, with a selection of songs that are indelibly linked to the 1960s and 1970s. EMI Gold 577 5072.

PEGGY LEE – ‘The Very Best’ This appears to be a reissue of a 1997collection – just one CD, but many of Peggy’s big numbers are here. The music is wonderful, but the booklet contains no notes and does not even mention the names of the backing orchestras or arrangers. Shame on you, EMI!EMI CDMFPE 6342.

GEORGIAN CHANTS ‘The Best Georgian Chant Album in the World … Ever’ featuring The Monks and Choirboys of Downside Abbey, St Dominic’ Priory Choir and Monjes Monasterio Benedictino de Santo Domingo de Silos. 36 tracks on 2 CDs. EMI Gold 576 9042.

HOT CHOCOLATE ‘The Essential Collection’ 36 tracks on 2 CDs EMI Gold 577 4132.

ROCK ‘n’ ROLL JUKEBOX 75 tracks on 3 CDs selling for under £9 – even if some of the tracks are cover versions, there are enough ‘real’ hits here to make this good value for money. EMI Gold 597 7742.

RELAXING CINEMA CLASSICS featuring music by Brian Eno, Michael Nyman, James Horner, John Williams, Samuel Barber, Satie, Debussy, Mozart etc… Some of the tracks are not exactly what one would recognise as classical music, but their association with recent films at least makes them accessible to people who would not normally contemplate buying such a CD. Unfortunately there are no notes, and even the modern composers do not have their first names quoted. EMI Gold 592 6922.

David Ades

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SIDNEY TORCH All Strings and Fancy Free Living Era CD AJA5540 74:50 mins. [full track listing in JIM 159 – page 30] Happy recollections of the heyday of ‘Friday Night Is Music Night’ and the first CD appearance of Sydney Norman’s Cornflakes make this a "must have" for your reviewer. I cannot help feeling that Sidney Torch has been overlooked somewhat in the current revival of our kind of music. He is even inexplicably missing from Peter Gammond’s otherwise excellent Oxford Companion to Popular Music. So it is only right that David Ades should have delved into his extensive collection and resurrected these particular original 78s. Nine of the 25 tracks are pieces penned by Torch, including the classic Shooting Star and the title track with its fine sounding pizzicato string sound. This is also evident to a lesser extent in Canadian In Mayfair by Angela Morley and High Heels which David reminds us, in his customary informative booklet notes, was Trevor Duncan’s first success as a composer. Another Torch arrangement is a cracking [if not quite in the Percy Faith league] six-minute, six tune Pan American Fantasy. Sharing the maestro’s love of music in the Latin idiom, I also enjoyed his own Fandango and Philippe Gerard’s Without My Lover. Other composers contributing include Coates, Ellis [an atmospheric Coronation Scot], Lecuona and Porter [arrangements by Morley], Richardson and Ross [a.k.a. Ray Martin]. The playing is robust in true Sidney Torch style and Alan Bunting’s audio restoration and remastering nothing short of wonderful. More of the same, please. Peter Burt

MANTOVANI American Scene My Old Kentucky Home, Camptown Races, I Dream Of Jeannie, The Old Folks At Home, Ring De BanjoBeautiful Dreamer, Home On The Range, Grandfather’s Clock, Yellow Rose Of Texas, Just A-Wearyin’ For You, Turkey In The Straw, Goodnight Irene Concert Spectacular Stars And Stripes Forever, Estrellita, Theme from ‘A Summer Place’, Granada, Forgotten Dreams, Thunder And Lightning Polka, Zapateado, Londonderry Air, By The Sleepy Lagoon, A Trumpeter’s Lullaby, The Green Leaves Of Summer, The Parade Of The Wooden Soldiers. Vocalion CDLK 4157 [76.33 mins.] To my mind these two albums, now issued on CD in the UK for the first time, are musically and technically among the best Mantovani recorded. Originating from 1959 and 1960 respectively, there is that gorgeous string sound a-plenty but much more besides. The traditional American tunes, in arrangements by Cecil Milner and Monty himself, can only be described as delicious. Stephen Foster wrote the first six melodies – the massed tremolo strings in the opening number are stunning. Henry Clay Work’s Grandfather’s Clock, played on a musical box, is especially charming. The second album captures the excitement and variety of a Mantovani live performance. The well-contrasted items all have good tunes. The purple prose of the original sleeve notes conjures up "the thrilling grandeur of Thunder and Lightning Polka, the fragile, gentle beauty of Londonderry Air, and the jaunty fantasy of The Parade of the Wooden Soldiers". This last piece brings back childhood memories of Larry the Lamb, Ernest the Policeman, Mr Growser, et al. Long may Mr Dutton continue to pick the plums out of the Mantovani discography. I am hoping that ‘Folk Songs Around the World’ and ‘Songs to Remember’, two albums I missed on Lp, might be on his list. And also, of course, ‘Continental Encores’, ‘Gypsy’, ‘Songs of Praise’, ‘Old and New Fangled Tangos’ …… Peter Burt

FRANK CHACKSFIELD & HIS ORCHESTRA Beyond The Sea Ebb Tide, How Deep Is The Ocean?, Deep River, Stranger On The Shore, Moonlight On The Ganges, Sea Mist, Shenandoah, The Sea, Moon River, Sleepy Lagoon, Victory At Sea The Victors The Victors – My Special Dream, Cabinet Of Caligari – Sounds Of The Night, Divorce Italian Style – Theme, The VIPs – The Willow, Days Of Wine And Roses – Theme, 8½ – Theme, From Russia With Love – Theme, A New Kind Of Love – Theme, Mondo Cane – More, Toys In The Attic – Theme, David And Lisa – Love song, The Cardinal – Main Theme. Vocalion CDLK 4222 [68:59 mins.] Michael Dutton has brought us some excellent Chacksfield mono CDs; here he turns his attention to two from the stereo years. The first is a 1964 Decca Phase 4 production that begins with a twin-channelled take on what, originally released in 1953, became a second million seller for Chacksfield by 1961 [the first being the Limelight Theme in 1953] and the first-ever British non-vocal disc to reach No.1 in the U.S. charts. It ends with a dramatic 7-minute version of Richard Rodger’s Victory At Sea, complete with sound effects. Thankfully, only Sleepy Lagoon features an ethereal female voice. The maestro himself penned Sea Mist under his Roger Senicourt pseudonym. The second album is a Decca SKL also issued in the same year, with all the arrangements by Roland Shaw. It is nice to be reminded of some attractive themes from films of the 1960s that are, with a few notable exceptions, fairly forgotten. There is some fine trumpet on Nino Rota’s theme for Fellini’s 8½ [I remember a ‘Steptoe’ episode where Albert asks whether this is the director’s hat size] and, characteristically, the French horn [Neil Sanders?] stands out on several tracks, notably Cabinet of Caligari. But there is a lustre about earlier reissued Chacksfield recordings not always obvious here. He is definitely at his best, too, with music in the romantic/lyrical idiom and, although well recorded, quite entertaining and worth buying at the price, I would not put either of these 2-on-1 albums in my all-time Chacksfield top 10. Peter Burt

FERDE GROFE Grand Canyon Suite (Sunrise, Painted Desert, On the Trail, Sunset, Cloudburst), Mississippi Suite (Father of Waters, Huckleberry Finn, Old Creole Days, Mardi Gras), Niagara Falls Suite (Thunder of the Waters, Devil’s Hole Massacre, Honeymooners, Power of Niagara).Naxos 6.110002 Bournemouth Symphony Orchestra conducted by William T. Stromberg.This companion disc to the earlier set of Grofe suites is simply superb. Has there ever been a more atmospheric piece of light music than the Grand Canyon Suite? One can almost feel the shimmering heat at noon and the hailstones rattling down the gorge during the all-consuming thunderstorm. Grofe was a master of all kinds of music from popular songs, through light classical to expansive arrangements for Paul Whiteman’s original big band but this is perhaps his most memorable. If you like light music then you cannot afford to be without it. Edmund Whitehouse

BRITISH BY ARRANGEMENT 2 Three American Sketches (Peter Hope); Tango in D (Albeniz arr. Malcolm Arnold); Majorcan Fantasy (Peter Hope); Airs & Graces (Eric Wetherell); Mexican Hat Dance (Peter Hope); Fantasia & Fugue on the theme B-A-C-H (Liszt, arr. Christopher Phelps); The Lark in the Clear Air (Peter Hope); Fantasia on Auld Lang Syne (Ernest Tomlinson). Royal Ballet Sinfonia conducted by Gavin Sutherland Sanctuary Group Whiteline CD WHL 2155. Yet another masterpiece from producer Philip Lane and conductor Gavin Sutherland with the promise of more to come. It’s all jolly good British stuff with an outstanding final extended offering by our very own Ernest Tomlinson, which includes all the instruments of the orchestra plus a few tinkling pots and pans thrown in for good measure. It is titled Auld Lang Syne but that is just an excuse to enjoy a real Lancashire hotpot of just about every famous classical tune one can think of. Great stuff! Peter Hope is represented with four excellent original pieces while Eric Wetherell, Christopher Phelps and Malcolm Arnold all chip in with handy arrangements. Whatever next? Peter Worsley

GUILD LIGHT MUSIC series - Vol. 4 Great British Light Orchestras; Vol. 5 Great American Light Orchestras. (For details and track listings please see JIM 159) When my review of the Guild Series appeared in JIM 159, it will have been apparent to readers that I had not yet had the opportunity to listen to volumes 4 and 5; this situation has now been remedied. I am delighted to report that the high standard of volumes 1-3 has certainly been maintained, perhaps even surpassed. The format remains the same, with a good mix of established favourites, together with some real gems which have "made it" onto CD for the first time. Once again, David Ades has expertly compiled and sequenced the programmes, whilst Alan Bunting’s digitally restored sound is quite outstanding. Also worthy of mention, and an object lesson to some other record companies, is the first-class graphic design and presentation of the entire series, this being the work of Paul Brooks. Amongst the items on the "English" CD are two pieces which will evoke memories of the early post-WWII "BBC Television Service" - as it was then known; Eric Coates’ "Television March", the service’s signature tune, and "Spring Morning", a George Melachrino composition for the EMI Mood Music Library, which was used from time to time behind the stories on "Television Newsreel". The "American" CD contains some particularly interesting material, including a little-known piece by Terrig Tucci (composer of "Edelma"), entitled "Holiday in Rio" – did he write anything else, I wonder? I understand that yet more CDs are soon to follow; I am sure these will be eagerly awaited by the growing band of Guild collectors. Tony Clayden

BRITISH LIGHT MUSIC DISCOVERIES 6 March Past of the RAF (Walford Davies); Legend of the Lake (Gareth Glyn); Londonderry Air (Hamilton Harty); Rondo in A (John Field); Overture 1912 (Iain Hamilton); Tarka the Otter; Serenata (David Fanshawe); Frank Lloyd Wright Suite (Christopher Slaski). Gavin Sutherland conducting the Royal Ballet Sinfonia ASV WHL 2149. John Field, Walford Davies and Hamilton Harty need no introduction and their splendid music survives them. Iain Hamilton’s Overture 1912 is dedicated to Dan Leno and the music hall genre in which he performed for so many years, while Gareth Glyn’s Legend of the Lake has much to do with mystic Anglesey where he lives. Tarka the Otter still remains popular today but Christopher Slaski is a young composer making a mark in the concert hall, his Frank Lloyd Wright Suite being an evocation of various buildings designed by the famous American architect. How much more British Light Music is out there left to be discovered? We can only surmise what producer Philip Lane and conductor Gavin Sutherland still have stashed up their sleeves. Edmund Whitehouse

PROMISES KEPT Steve Kuhn with strings Lullaby, Life's backward glance, Trance, Morning dew, Promises kept, Adagio, Celtic princess, Nostalgia, Oceans in the sky, Pastorale. Steve Kuhn piano, David Finck Bass, Orchestrated and conducted by Carlos Franzetti. ECM1815, timing 58:26 mins. ECM releases although beautifully recorded and packaged often come across as slightly sterile. There are exceptions and we certainly have one here! This CD is better described melodic, evocative and a treat for the senses. All are original compositions by Steve Kuhn, displaying seductive lushness in both writing and execution. This CD is a showcase for stellar and like minded musicians, completely outclassing similar set-ups. Paul Clatworthy

ELIZABETH JANE BALDRY, Harp Victorian Fairy Harp Music Ballade de la Fée, A Fairy Legend, Ondina, Recollections of the Enchantress, In Twilight Hour, In Fairyland, Conte de Fées, Le Révil des Elfes, Choeur de Nymphes, La Danza degli Spiriti Campion CAMEO 2025, 65:42 mins. The actual title of this charming collection is ‘Harp of wild and dreamlike Strain’, which gives a clue to the delights to be found on this little silver disc. Elizabeth Jane Baldry is fascinated with harp music from the Victorian era, and listening to this collection one can imagine an elegantly dressed young lady gently caressing a harp to the delight of the assembled company in the large lounge of a country house, illuminated by the flickering light of dozens of candles from several glass chandeliers. Such is the power of beautiful music to get one’s fertile imagination wandering! These are all premiere recordings of long-forgotten works (by composers such as Felix Godefroid, Charles Oberthür, Giorgio Lorenzi and John Balsir Chatterton) discovered by Elizabeth Jane in various nineteenth century archives. The recording was made in the ballroom of Buckland Manor in Devon, and the acoustic seems perfectly suited to the harp. If you need some soothing listening to transport you well away from the troubles of the day, you could hardly do better than select several tracks from this magical collection. Pure delight from start to finish! David Ades Campion CDs are available from the RFS Record Service, price £12 [US $24].

BEBEL GILBERTO Simplesmente, Aganju, All around, River song, Every day you've been away, Cada beijo, O Caminho, Baby, Ce'u distante, Winter, Jabuticaba, Next to you. Warner East West 5050467 3266 20, 47:56 mins. Don't be put off by the titles, the bulk of lyrics are in English and her voice is made in heaven. When you absorb the sound you will think you are listening to Astrud Gilberto all over again! Nine of the delectable songs are written by Bebel, sometimes collaborating, all twelve tracks imbibed with pure hands in the air pleasure. The accompaniment is sometimes sparse sometimes full bloodied but always gorgeous and aurally stunning. It should sell by the bucket load. Paul Clatworthy

CYRIL STAPLETON Come ‘N’ Get It 12 original compositions by Reg Owen Songs You Won’t Easily Forget Stranger on the Shore, English Country Garden, Catch a Falling Star, Romantica, Sway, Moon River, I Can’t Stop Loving You, etc..Vocalion CDLK4232, 70:44 mins. If anyone needs an example of the great versatility of the Cyril Stapleton Orchestra, it can certainly be found on this CD. The first LP features 12 Reg Owen big band numbers that will have found favour at the time, because thousands of British young men were still being conscripted into National Service when the LP first came out in 1959. The second LP (from 1962) contains some lovely light orchestral arrangements by Len Stevens, that fine composer of so many works for the mood music libraries. David Ades

THE MANY MOODS OF ANN RICHARDS By myself, Be easy, be tender, Where do you go, I'm gonna laugh, I gotta have you, Lazy afternoon, Something's coming, Every time, When the sun comes out, Poor little extra girl, Seasons Reasons, I'm late. Arrangements by Ralph Carmichael, Bill Holman and Tak Shindo. TOO MUCH! accompanied by Stan Kenton's Orchestra. It's a wonderful world, The morning after, I was the last to know, My kinda love, I got rhythm, No moon at all, Don't be that way, Suddenly I'm sad, Nobody like my baby, All or nothing at all. Arrangements by Gene Roland, Johnny Richards, Bill Holman, Stan Kenton and Wayne Dunstan, Capitol 7243 5 97055 2, 2-CD, 78:33 mins. I've always treasured Ann's album made with Brian Farnon, I was not in to vocals so much then, the Farnon name was the draw! There are plenty of songs on the first album that unfathomably got lost along the way. Nice strings on "I'm gonna laugh" and the writing on "Something's coming" is the best I have heard since Frank Comstock's version for The Hi Lo's. The second half gets off to a bad start with a scat reading of "It's' a wonderful world" which sounds more like Ann forgot the lyrics! Give me Peggy Lee any day! Kenton's score featuring trombones on "I was the last one to know" provides one of the highlights of the CD. Bill Holman's slow inventive start of "I got rhythm" rings the changes more than a little, Ann goes over the top at the close spoiling it! Despite my few gripes a good package. Paul Clatworthy

WERNER MULLER Wild Strings The Breeze and I, Dance Ballerina Dance, Hora Staccato, Moonglow, Ritual Fire Dance, El Rancho Grande, TD’s boogie woogie, Granada, Vilia, How Hight the Moon, Lady of Spain, The World is Waiting for the Sunrise Percussion in the Sky You Are my Lucky Star, The High and Mighty, Don’t Let the Stars Get in your Eyes, I Got the Sun in the Morning, Blue Moon, Look for a Star, Moonlight Becomes You, Over the Rainbow, I’m Sitting on top of the World, The Moon Was Yellow, Stairway to the Stars, When You Wish Upon a Star Vocalion CDLK4235, 64:22. In my early teens I became aware of the exciting sound of the Werner Müller Orchestra, and it used to be a cause of great frustration at the time to discover that his Polydor LPs were only available in Germany, and currency restrictions made it virtually impossible to import them into Britain. Eventually things changed for the better, and "Wild Strings" was eagerly snapped up as soon as it appeared on Decca’s ‘new release’ lists in 1963 (not 1969 as the CD states). "Percussion in the Sky" is perhaps a bit over the top with its stereo gimmicks, but both albums were fine examples of their kind. I’m glad to have them available again on CD. David Ades

BOUND FOR GLORY Songs and Piano Pieces on a Railway Theme From a Railway Carriage(Francis Jackson, Alec Rowley, Henry Ley, Carol Barratt); Adlestrop (Gordon Jacob, Ivor Gurney, Peter Duffy, John Mc Lain); Traveller’s Song (Glinka); Ambulance Train (John Jeffreys); Midnight on the Great WesternCalypso (Britten); Coronation Scott (Vivian Ellis); The Railroad (Geoffrey Kimpton); Metropolitan Railway (Leslie East); Diss (Geoffrey Wright), Skimbleshanks (Cats) (A.L. Webber); The Old Railway Line, I Came To Oxford, The Demise of Harpenden Junction Box (John Mc Lain); Railroad Rhythm (Billy Mayerl); Slow Train (Flanders/Swan); British Rail (Mervyn Horder);Canon Gloy (Hely-Hutchinson), This Train (Maw) Gordon Pullin (tenor), John Gough (piano) SOSSCD 369, can be obtained from Gordon Pullen at Treakles, Kettlebaston, Suffolk, 1P7 7QA, £10 inc. p&p 70:03 mins. Railways have inspired much music; most of it lightish, and this nicely recorded disc largely exemplifies that. Some items, like the Britten Midnight on the Great Western, Jeffry’sAmbulance Train and possibly the four settings of that charming poem Adlestrop, are relatively serious, but most of the others, including the two Betjeman ones (Metropolitan Railway and Diss),SkimbleshanksCalypso and British Rail, even Slow Train, despite its underlying sadness, are light-hearted. Mr. Pullin’s light tenor, with outstandingly good diction, makes the most of them. Four songs are by RFS member John Mc Lain: rounded, lyrical and grateful to the voice, they are in the ballad tradition. This Train is a Negro spiritual, brilliantly set by Nicholas Maw. John Gough’s lively accompaniments contribute much; of his two solos, Railroad Rhythm is admirably done and, although it obviously lacks the colour of the familiar orchestral version, it is interesting to hear Coronation Scot’s piano version. Philip L. Scowcroft

JANE FROMAN The Memorable Radio YearsAt The Candlelight Cafe, Stormy Weather, Lover, Just For Now, You Walk By, Rhode Island Is Famous For You, My Darling My Darling, Where Or When, I Get A Kick Out Of You, Again, But Where Are You, Buttons And Bows, Coffee In The Morning, Speak Your Heart, When I See An Elephant Fly, April In Paris, Speak Low, Orchids In The Moonlight, What’s The Use of Wonderin’, Papa Won’t You Dance With Me, They Can’t Take That Away From Me. Frank Bristow FBCDll3, 77:30 mins. Miss Froman will be best remembered for the 1952 film of her life, With A Song In My Heart starring Susan Hayward in the role of Froman, who sound tracked all her own songs with Hayward doing a marvellous job of lip-synching. This CD doesn’t include those songs, covering earlier radio years (1934-1949), and it is obvious that at the age of 27 the soprano wasn’t yet into popular music. This is more apparent in her duet with her then husband Don Ross (played by David Wayne in the movie), with whom Jane Froman had appeared in Ziegfeld Follies Of l934, onCoffee In The Morning (And Kisses In The Night). But her voice and style developed over the years, and by the time she did a duet with James Melton on Speak Low ten years later Jane Froman was in every way an ideal popular singer. What gives this collection a possible appeal to RFS readers is, firstly, the presence of Andre Kostelanetz and his Orchestra on What’s The Use Of Wonderin’ and, secondly, the fact that the first half of the CD is from a. 1948 radio series with Percy Faith and his Orchestra. It’s all good standard material with vocal and instrumental performances of equal quality, my only possible complaint being the incessant announcements and long-winded introduction that American comperes seem to delight in. Arthur Jackson

Frank Bristow’s CDs are only available direct from him in Australia: Frank Bristow, 2 Cross Street, Brighton, Victoria, 3186, AUSTRALIA – e-mail

RONNIE ALDRICH and his two pianos Liebestraum, The Story of a Starry Night, Till the End of Time, Story of Three Loves, etc.. Melodies from the Classics Pavane, Rondo alla Turca, Cavatina, Moment Musical 3, Gymnopedie 1, Badinerie, etc.Vocalion CDLK4230, 75:41 mins. Vocalion is doing Ronnie Aldrich fans proud, with a continuing flow of new reissues of his Decca albums. These two concentrate on light classics, and they fit nicely together on one CD. Aldrich fans (and there are many of them around the world) will eagerly snap this one up. David Ades

Samuel Coleridge-Taylor: Violin Concerto in G minor Op 80; Antonin Dvorak: Violin Concerto in A minor Op 53 Phillipe Graffin, violin. Johannesburg Philharmonic Orchestra/Michael Hankinson AVID AV0044 (obtainable through record dealers in the UK).Although Samuel Coleridge-Taylor (b. London 1875) is generally regarded as a quintessential Light Music composer, he belongs to a select group which includes Edward German, Haydn Wood and – as discussed in JIM 159 – Montague Phillips, all of whom embraced both ‘light’ and ‘serious’ works. A student of the RCM, where he was highly regarded by his composition teacher Sir Charles Villiers Stanford, and encouraged in his early career by Sir Edward Elgar – no less, he wrote a symphony, a good deal of chamber music and several cantatas. Amongst the latter, "Hiawatha’s Wedding Feast", first performed in 1898 under Stanford’s direction, enjoyed enormous popularity in its day, on a par with Handel’s "Messiah". The Violin Concerto dates from the last year of his tragically foreshortened life. It was written for the American violinist Maud Powell, who gave its first performance in June 1912; however, that event was very nearly scuppered when the orchestral parts were lost on the Titanic. Happily, Coleridge-Taylor managed to produce another set at the last minute, but failing health prevented him from journeying to the US for the premiere; he died from pneumonia brought on by overwork, having just achieved his 38th birthday in September 1912. The Concerto was subsequently given in London in the same year at the Queen’s Hall under Sir Henry Wood, but has only received a few performances since, and is here making its recording debut. Musically, it recalls the composer’s great hero, Antonin Dvorak; also at times Edvard Grieg, and in the rich use of the brass section, Coleridge-Taylor’s erstwhile mentor, Elgar. Those familiar with any of C-T’s compositions will immediately recognise the composer’s own distinctive ‘fingerprints’. It is our good fortune that more and more works of this kind are being rediscovered and recorded, and congratulations are due to the South African production team for making such an attractive piece available with this new release. Very appropriately, its coupling is the Dvorak Concerto, which was also given its first performance in the States by Maud Powell. Undoubtedly it never became as popular as some other contemporary violin concertos, eg those of Johannes Brahms or Max Bruch; perforce it has always had to play ‘second fiddle’ to its famous sibling – the Cello Concerto. A thoroughly enjoyable CD, warmly recommended. Tony Clayden

INTERMISSION IMPOSSIBLE 31 tracks featuring "Two-Way Stretch", "Cheyne Walk", "Let’s Skip", "See You Soon", "Traveller’s Joy", "Waltz In Jazztime", "These Foolish Things" amongst others (for full tracklisting please see the advertisement on page 23 of this issue). Here’s another CD living up to the excellence in sound quality we now come to expect from the compilations of Steven Wills, remastered by Lucy Reeve. This 31-track compilation from the Cavendish Library features the Big Band Sound of Ray Davies of "Button Down Brass" fame. Your mission is to play this CD and experience a variety of different tempos and styles covering Latin, Mexican, Dance Band, Big Band and Jazz. Each track has been carefully chosen to give a taste of this library which sounds as fresh today as it did way back in the late 1960’s. These tunes would fit into any of the daytime output of the late BBC Light Programme or the early BBC Radio 2 fayre of the 1970’s.  Remember Track 8? This was used as one of the themes from BBC Radio 2’s popular music quiz "Beat The Record" with Don Davis and Track 22 is a most endearing version of Jack Strachey’s "These Foolish Things" you ever did hear. If your mission is to listen to a quality big band CD, then this intermission is definitely not impossible! Malcolm Batchelor

FRANK D’RONE: Dear Frank – The Song Is You. I’ve Got The World on a String, The Song Is You, You Go To My Head, You Make Me Feel So Young, They Say It’s Wonderful, It Might As Well Be Spring, Moonlight Becomes You, I Only Have Eyes For You, It Happened In Monterey, I Concentrate On You, Lonesome Road, What’s New, The Girl Next Door, In The Wee Small Hours of the Morning (see below re availability). Frank Sinatra was godfather to Frank D’Rone’s son, but it was only recently that this tribute album was recorded, and what joy to find that not only has the singer’s voice lost none of its richness and accuracy of pitch, but that he still swings like the complete musician he is. Frank D’Rone came along just as the world of singers was giving way to the world of rock, and perhaps missed the big hits he deserved. However, those who, like me, remember and cherish his great recordings of the sixties and seventies, will be more than happy with this untypical collection of songs which Sinatra recorded – so untypical, in fact, that the list of titles alone doesn’t automatically make one think of him. D’Rone’s distinctive and impeccable phrasing brings something new to each track, yet, as in I Concentrate On You, in a way that I’m sure even Cole Porter would have approved, while arranger/ trumpeter/ fluegelhorn player Bob Perna’s driving group provides a backing that’s a constant treat to the ear. And those who remember Frank’s exceptional guitar skills will get a special kick from hearing him accompany himself on Wee Small Hours. Those who take the trouble to get a copy of this gem will not be disappointed. (This CD is available from Frank D’Rone at, or by mail to 1002 Briarcliffe Boulevard, Wheaton, Illinois, 60187, USA., for $15 plus postage). Pip Wedge

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The Latest Releases from PERCY FAITH: The Columbia Singles – Volume 1 (1950-1951)Tzin-Tzun-Tzan; I Cross My Fingers (with Russ Emery); Violins From Nowhere (with Toni Arden); They Can't Take That Away from Me; I Was Dancing With Someone (with Toni Arden); Friendly Star; Goodbye John; If I Had A Magic Carpet; The Loveliest Girl I Know (previously unissued); This Is The Time; Green Grass And Peaceful Pastures (with Andy Roberts); I'm In The Middle Of A Riddle; Norah (with the Shillelagh Singers); A Kiss And A Promise; No One But You (with Johnny Thompson); You Are The One; Zing Zing Zoom Zoom; Come Home (previously unissued); The Circus Day Parade; The Happy Calliope Song; Black Ball Ferry Line; (with the Skylarks); The Wondrous Word Of The Lord (with the Skylarks featuring Les Scott); Always, Always (vocal by Peter Hanley); I Want To Be Near You (vocal by Peter Hanley); When The Saints Go Marching In (featuring the All Star Dixielanders); There She Goes; I Talk To The Trees (vocal by Peter Hanley & The Magic Voices); Would You (vocal by Peter Hanley & The Magic Voices). All tracks not credited with a vocalist feature a chorus. The observant will notice that two of the tracks have never been issued before. (USA) Collectables COL7635.

THE COLUMBIA SINGLES - Volume 2 (1952 - 1958) Festival (with chorus); Da-Du (with chorus); Over The Mountain (with chorus); Rap-A-Tat-Tat (The Dancing Cat) (with chorus); Funny Fellow (with chorus); Little Jumping Jack (with chorus); The Mosquitoes' Parade (with chorus); Everybody Loves Saturday Night (With The Paulette Sisters & Burt Taylor); Rainfall (with Bernie Leighton, Harpsichord); Land Of The Pharaohs; The Rose Tattoo (with chorus); We All Need Love (with chorus); Valley Valparaiso (with chorus); Baby Doll; The Last Dance; What's It Like In Paree? (Vocal By Barbara Manners); Katsumi Love Theme (From "Sayonara"); Never Till Now (From "Raintree County");: Do I Need You (Previously Unreleased) (with chorus);The Stars (with chorus); Somewhere (From "West Side Story") (Previously Unreleased);Maria (From "West Side Story"); The Impala Theme; Indiscreet (From "Indiscreet");Same Old Moon (From "Marjorie Morningstar"); Isle Of Paradise (Sur La Plage); Pyramid Dance (Heart Of Stone) (From "Goldilocks".) This is a superb compilation and, in my humble opinion, worth buying just to have the amazing full orchestral arrangement of Somewhere - awesome, and far better than the version on BROADWAY BOUQUET. Note also that Maria is not the same arrangement as on HOLLYWOOD'S GREAT THEMES. As well as two previously unreleased tracks, other gems are Rainfall, Land Of The Pharaohs and the excitingPyramid Dance - what a pity the maestro didn't record more of Anderson's wonderful music. (USA) Collectables COL7636.

I THINK I LOVE YOU The original album plus 7 selected singles Theme from "Cactus Flower" (The Time For Love Is Anytime) : Peppermint Hill And Strawberry Lane : Theme For Young Lovers Anytime Of The Year : Theme From "Kotch" : The Godfather Waltz : Emanuelle - The Joys Of A Woman. (USA) Collectables COL7653 – release date 9th November. Alan Bunting

GARY WILLIAMS with The JOHN WILSON ORCHESTRA ‘Alone Together’ Just In Time, Where or When, Why Shouldn’t I, Just One of Those Things, I Remember You, I Get Along Without You Very Well, If I Had You, More Than You Know, You’re Sensational, My Buddy, I’ll Be Around, Time After Time, The End of a Love Affair, They Can’t Take That Away From Me, Alone Together Vocalion Digital CDSA6809, 55:10 minutes. This CD arrived just as we were going to press, so it has been slotted in to this feature literally at the last minute. Which means that space is limited, so the following comments should be regarded as a ‘teaser’ to a feature on Gary that will appear in our next issue. RFS members who saw him with the magnificent John Wilson Orchestra at the Royal Festival Hall in the Spring of 2003 will know that he certainly understands how to handle a song. Other readers will have seen him in various concerts around Britain, and there is no doubt that he is building a strong following of loyal fans. Although Gary often sings songs that are associated with the great stars of the past half century, he doesn’t try to copy them note for note. Sensibly he is developing his own style, and this new CD must surely be the very best thing that he has done to date. He can handle the ballads and swing numbers with the same gentle ease, and it all seems so effortless. Yet in the background there is the strong impression that you are listening to a fine young singer who has worked hard at his craft, and who has a great future ahead of him. His choice of material includes several titles that are lesser known (full marks for that) and it is so pleasing to hear some unfamiliar verses. The CD booklet informs us that the lush orchestrations are by Andrew Cottee – we must find out some more about him. The John Wilson Orchestra perform as brilliantly as always, and this is a superior quality product from start to finish. It should be in the Christmas stocking of everyone who appreciates the finest popular music that is around in 2004. David Ades

ERIC PARKIN plays PARKIN "Nighthawks" Encounters, Moods, Nighthawks, MovietunesShellwood SWCD19. One of our very finest pianists has made numerous recordings of the music of many great composers, so it is good to be able to hear a new CD entirely devoted to his own creations. In his booklet notes Eric Parkin explains that the paintings of Edward Hopper have fired his inspiration for the eight titles in the ‘Nighthawks’ section. Some of the artist’s atmospheric paintings of American life are reproduced, displaying the boredom and loneliness that can permeate life. ‘Encounters’ was prompted by the sight of passengers coming and going at the Channel Tunnel train terminal at London’s Waterloo station. ‘Movietunes’ recalls the late Christopher Palmer, whose work resulted in the rediscovery of so much fine film music, and introduced Eric Parkin in particular to the works of Miklos Rozsa. Finally ‘Moods’ is affectionately dedicated to Robert Farnon. Eric explains that Bob has always encouraged him to write down his improvisations, and there are plans for all these eight works to be published in due course. There is so much to enjoy in this magical collection, and piano lovers shouldn’t hesitate to acquire it. David Ades Shellwood CDs are available from the RFS Record Service.

MANTOVANI & HIS ORCHESTRA AND THE MIKE SAMMES SINGERS Kismet Overture, Sands Of Time, Rhymes Have I, Baubles, Bangles And Beads, Not since Nivevah, Stranger In Paradise, He’s In Love, Gesticulate, Night Of My Nights, Was I Wazir?, Rehadlakum, And This Is My Beloved, The Olive Tree, Zubbediya, Samaris Dance, Finale Act II Vocalion Decca Archives CDLF 8104 Back in 1964 this was, apart from original cast theatre recordings, Decca’s first serious excursion into the realms of the musical. The score by George Wright and George Forrest, both of whom attended the Kingsway Hall recording, is based on the splendid music by one of the most naturally gifted of all Russian classical composers, Alexander Borodin. Obviously nothing was spared in production and the cast list is impressive: Robert Merrill, Adele Leigh, Kenneth McKellar, Ian Wallace [how good to hear him again] and Regina Reznik. The first named is very much the singing star of the show. Nevertheless, Mantovani is clearly in charge as he shows in the Overture; his direction bringing plenty of sparkle as well as sumptuousness. The orchestra’s strings contribution to Stranger and Beloved demonstrates that old spine-tingling factor. The sound throughout is as highly spectacular as one might expect from a good Phase 4 recording, with just the occasional touch of over-modulation, and the album is an unexpected and most welcome addition to this label’s growing inventory of the great man’s re-issues.

Peter Burt


full tracklistings in JIM 160 & 161






Although a substantial number of Light Music CDs have become available in recent years, none have exclusively concentrated on pre-1940 recordings; this in contrast to the many re-issues of Dance Band, Jazz and other music of that era.  However, the gap has now been admirably filled by two of these new releases.  The 1930s CD combines a good mixture of well-known favourites, eg The Glow Worm Idyll, March of the Bowmen, (a particularly spirited performance), Butterflies in the Rain, etc, with some very interesting – albeit less familiar – pieces by British, American and European composers and orchestras.  Good examples of these are the Overture – The Immortals by Reginald King, (a very rare recording which I understand was ‘unearthed’ by an overseas RFS member), and the Overture from the Dance Suite by Kunneke.  British Cinema and Theatre Orchestras consists of recordings all made between 1931-39, and features some notable conductors, including Geraldo, Richard Crean, William Pethers, Joseph Muscant, Alfred Van Dam and Hyam Greenbaum; the last mentioned became first musical director of the BBC Television Orchestra in 1936.  Much of the music will be immediately familiar and emanates from a distinguished line-up of composers, including Jerome Kern, Cole Porter, Vivian Ellis, Albert Ketelbey and Rudolf Friml.  With a generous running time of over 78 minutes spread over nineteen tracks, this is a most attractive collection.  A further trio of CDs returns us to the 40s and 50s. Charles Williams and the Queen’s Hall Light Orchestra contains items from the early Chappell library, and with few exceptions the recordings are appearing commercially for the first time – there is little duplication between this and previous QHLO offerings from other companies.  It is good to see and hear the two Charles Shadwell compositions, ditto the Percy Fletcher, Montague Phillips, and John Holliday pieces.  In Light Music From the Silver Screen, we have another selection of absolute gems.  During WWII, a good many ‘epic’ movies were produced, and these often featured a comprehensive musical score with a big theme – eg the famous "Denham Concertos".  After the war this trend continued and the collection here includes music from films which appeared between 1946-1953.  The roll-call of composers and conductors includes such luminaries as Robert Farnon, Sidney Torch, Charles Williams, Ron Goodwin, Philip Green, Muir Matheson and George Melachrino.  From the pen of the latter, Vision d’Amour(from the film Woman to Woman) subsequently became part of a suite, Sketches from Life, with the alternative title, Loving.  The 22 tracks will surely stir many memories and be a great delight to aficionados of film music from a relatively short-lived golden age during the immediate post-war period. And so to the final CD in this group – Mantovani by Special Request.  Annunzio Paulo Mantovani was one of the great figures in the 20th century music scene.  He was active from the beginning of the 1920s, an era when Radio and Gramophone Records were becoming a major force in home entertainment.  By the 30s he had established his Tipica Orchestra, which was destined to become extremely popular.  After the war, it evolved into an enlarged concert orchestra, and with the essential help of arranger Ronald Binge, he went on to sell literally millions of records worldwide.  This compilation comprises tracks which have not previously appeared on re-issue CDs; these all date from between 1944-53 and in many cases have been included at the suggestion of Mantovani admirers, hence the CD’s title.  Some of the pieces have an obvious thirties flavour, whilst others have an interim style, before the definitive ‘Mantovani sound’ which took off in the early/middle fifties.  As with most of the GUILD CDs, there is a lot of material here that previously has not been heard in a long time, but once again will certainly jog a lot of memories! Having spoken at length to David Ades and Alan Bunting about the preparation of this series, I am well aware of the dedication and much ‘midnight oil’ which has gone into the realisation of these CDs.  The sound quality is mostly of such a high standard that it has me searching around for new superlatives – it is difficult to believe just how old some of the recordings actually are.  The results speak for themselves – these five new releases are worthy successors to the previous five, and are unreservedly recommended as definite ‘must haves’  And there are yet more to come…! Tony Clayden

FRANK CHACKSFIELD & HIS ORCHESTRA Beyond The Sea Track listing in JIM 160 The New Limelight Limelight Theme, The Man That Got Away, In The Still Of The Night, Scarlet Ribbons, Smile, Tonight, Theme from "Picnic" introducing Moonglow, Come Rain Or Come Shine, Night And Day, Here I Am, "Warsaw " Concerto Decca 475 614-9 At long last Decca have got around to transferring some of their famed Phase 4 LPs onto CD. And in 2-on-1 packaging, too. Trouble is with the first album here, Mike Dutton has beaten them to it by a matter of weeks [see my review last time]. There are some fine tunes on the second album and a good version of the concerto. The sound is brilliant and reasonably atmospheric, and this coupling may appeal – if you’ve not already bought the Vocalion. A pity about the duplication when there is so much other good stuff from Chacksfield still denied us. Peter Burt

MAURICE LARCANGE Accordion MICHEL LEGRAND – What Are You Doing The Rest Of Your Life, The Summer Knows, Windmills Of Your Mind, etc ; CHARLES AZNAVOUR Dance In The Old Fashioned Way, Yesterday When I Was Young, She, etc… with Roland Shaw Orchestra Vocalion CDLK4268, 76:39 mins. Back in the 1970s Decca recorded at least four Phase-4 LPs featuring the French accordionist Maurice Larcange. I cannot recall having heard them previously, but have to admit that the first two – now available on this new Vocalion CD – have come as a very pleasant surprise. Each LP is a tribute to a leading French composer, and it seems likely that most of the tracks have been arranged by Roland Shaw. For the Legrand LP Decca gave him the London Festival Orchestra and Chorus, and the spectacular sound right at the start of the CD alerts you to the fact that this is certainly not the kind of accordion music that used to be performed by various ensembles back in the 1930s! Here the accordion is used as a feature within the large orchestra, somewhat similar to the sounds which sometimes feature in recordings by Mantovani or Frank Chacksfield. The Aznavour selection has a slightly smaller ensemble (probably around 30 players), which seems to suit the composer’s style better. After a while you tend to forget that this is actually meant to be an ‘Accordion CD’ – in the hands of Maurice Larcange it simply becomes a part of the orchestra, and as far as I am concerned he produces some beautiful sounds. Perhaps this may not appeal to purists who prefer their orchestras in the traditional style, but I suspect that many people who are prepared to buy something a little different for a change may well enjoy it as much as I do. David Ades

JOHN PHILIP SOUSA – MUSIC FOR WIND BAND – Volume 5 Marches: The Minnesota March, The Thunderer, The Pride of the Wolverines, University of Nebraska, The Gallant Seventh, Powhattan’s Daughter, George Washington Bicentennial, The Diplomat, The Directorate, Our Flirtation, Sabre and Spurs, The Atlantic Pageant. Suite: Cubaland. Waltz: The Charlatan Waltzes. Band of the Royal Artillery conducted by Keith Brion NAXOS 8.559131 59.00mins. The sessions for Volume 5 of what is promised as the complete edition of Sousa’s complete works for wind band herald a return to the Blackheath Concert Halls. This is a disc full of rarities as with the almost solitary exception of the 1889 march The Thunderer most of the remaining titles here will be unfamiliar to the general non-specialist collector. However, the innocent ear, listening to the opening item here The Minnesota March, would probably have no great difficulty in guessing the identity of the composer since it is full of his characteristically flamboyant style and mannerisms. Of particular interest is the three movement Cubaland Suite each section of which reflects the changing government of this Caribbean country complete with appropriate national melodies. The Charlatan Waltzes from Sousa’s 1898 operetta are full of charm and would not have disgraced those of Parisian Waltz King Emile Waldteufel. On a somewhat more poignant note Keith Brion mentions in his notes that the George Washington Bicentennial march of 1930 was first played under Sousa’s baton at an impressive ceremony at the Capital Plaza in Washington in February 1932 just a month before the ‘March King’s’ death. Apparently The Diplomat was one of Sousa’s personal favourites but as far as this collection goes the palm for me goes to the 1918 march Sabre and Spurs the trio of which replicates the hoof beats of mounted horseman and makes felicitous use of the xylophone. In sum there’s some wonderfully ebullient, invigorating music here brimming with joie de vivre calculated surely to bring a smile to even the most dour curmudgeon. Recently a CD review magazine described the Royal Artillery Band as ‘a top notch ensemble’ and who would dare to argue with that? Super sonics and super budget price! Incidentally this fifth volume has been released in honour of the sesquicentennial of Sousa’s birth in 1854. Roger Hyslop

DEBBIE WISEMAN: Original soundtrack score for the film "Arsène Lupin" Royal Philharmonic Orchestra and Crouch End Festival Chorus conducted by Debbie Wiseman (France) EMI 8636282. In her booklet note, Debbie Wiseman describes this film as "a movie that every film composer dreams of scoring. A film full of action, suspense, mystery, drama, humour and romance." Which just about covers every human emotion, so it would have to be a very special composer that the producers would entrust for such a work. It is a measure of Debbie’s high standing in the film world, that she should have been engaged for a major foreign film such as this, and it hardly needs saying that the end result is simply superb. Whatever she does, she seems to be able to get beneath the surface of the actions and emotions of all concerned. Thank goodness that modern composers like Debbie are maintaining the very highest standards of film composing. David Ades

JULIUS KATCHEN AND MANTOVANI & HIS ORCHESTRA Gershwin: Rhapsody In Blue/Piano Concerto in F Decca 475 615-9 This album from 1955 is reissued by Decca in a new limited Heritage series celebrating its 75th anniversary. Delighted as I am for the company to be bringing back items from its years of light music pomp, I must admit to being a tad surprised at the choice here. The combination of artists makes the disc something of a collector’s item, and we can hear how Monty handles an 85-strong orchestra, but for the very best versions of these works look elsewhere. Peter Burt

SIGMUND GROVEN, Harmonica Here, There and Everywhere Title tracks, Two Beatles Girls – Eleanor and Michelle, Three American Sketches for Harmonica and Strings, Nordic Night, Midnight in Moscow, Tbliso, Down Under, Theme from ‘The Sundowners’, Yesterday, Gloria, Norwegian Wood, Sentimentango, Adagietto for Harmonica and Strings with The Norwegian Radio Orchestra conducted by John Wilson (Norway) Grappa GRCD4197, total timing 62:00 mins. For many years Sigmund worked closely with the late, great, Tommy Reilly so it is entirely appropriate that he should feature some works closely associated with the maestro in this collection – namely the two tracks from "The Sundowners" arranged by Angela Morley. Some other notable tracks include Sir George Martin’s Three American Sketches and Adagietto for Harmonica and Strings. Sigmund Groven himself is the composer of Nordic Night, Gloria and Sentimentango. This new CD is warmly recommended to everyone who enjoys hearing a harmonica with a full orchestra. David Ades This CD is available from Sigmund Groven, PO Box 5167, Majorstua, N 0302, Oslo, Norway – you can also order by e-mail:

SHIRLEY BASSEY Shirley In the Still of the Night, Let There Be Love, All at Once, For Every Man There’s a Woman, I’m in the Mood for Love, etc… Let’s Face the Music Let’s Fall in Love, Imagination, All the Things you Are, etc… EMI 4 732262, timing 75:32 mins. So many companies are now issuing CDs featuring two LPs, and considering the outcry that always greets any that do not contain the full contents of the original albums, it is surprising that record companies continue to incur the wrath of serious collectors. Two tracks are missing from the second LP, which is all the more disappointing since it features Shirley singing with the great Nelson Riddle. Geoff Love is MD on the first album, and there is plenty of good music to enjoy here. But why, oh why, did EMI have to spoil it? David Ades

RUSS CONWAY Concerto for Lovers Title track, In the Wee Small Hours of the Morning, Love is the Sweetest Thing, I Wish You Love, etc… Pop-a-Conway Hi-Lili Hi-Lo, Elusive Butterfly, Tears, Things, A World of our Own, etc… EMI 4732702, timing 77:20 mins. The first LP in the compilation reveals Russ Conway to be a very pleasant and accomplished pianist, and the superb orchestrations by Tony Osborne (conducting his own orchestra) make this a quality product from start to finish. During his career Russ made several other similar LPs, so what on earth possessed EMI to couple this great LP with ‘Pop-a-Conway’? The publicity describes this as ‘two contrasting albums where Russ proves what a great musician he was’. True, but the transition from the lush music of the first LP, to the brash pop sounds of the second LP, is just too much to take. To be fair, ‘Pop-a-Conway’ is not all bad, but the first track is absolutely dire. By all means, buy the CD just for the first LP with Tony Osborne, but you have been warned about the content from track 13 onwards! To return to the first album, the attractive title track is a Conway composition (under his real name Trevor Stanford), and he also includes a pleasant rendition of David Rose’s Our WaltzDavid Ades

VIC DAMONE – The Vic Damone Collection Columbia 5149242. This is a set that I discovered quite by accident, but a quick look at the cover got me interested. The collection includes three CDs, containing 20 tracks each, and boy, are they good! I paid £11.99 which I think is very good value indeed. The tracks feature 1950s recordings with the likes of Percy Faith, Glen Osser, Paul Weston, Camarata and Axel Stordahl – to name but a few. There seem to be very few duplications with the nine other Vic Damone CDs in my collection, except of course for As Time Goes By and the wonderful An Affair to Remember and his superb rendering of On The Street Where You Live which must surely be the bets ever version of this song. I get the feeling that many of the titles were originally ‘B’ sides, but even so they are all very much worth a listed. The tempos vary quite a lot which is good, and Damone’s diction is so good and you are never in any doubt as to what he is singing about. There are no sleeve notes, only listings of all the songs and the dates when they were originally released. What did surprise me on the list, about It Had To Be You, is the comment "contains explicit lyrics"! Really? I never knew – did you? Whilst on the subject of great singers from 50 years ago, I have also bought a new CD called DICK HAYMES in Hollywood on Jasmine JASCD 124. It contains no less than 29 tracks, and they all seem to be the actual soundtracks from his films – thus you also get Vivian Blaine (in "State Fair") and Betty Grable ("The Shocking Miss Pilgrim"). It’s a good CD, even if one has got many of the numbers already, but probably not these soundtrack versions. Alec Hellyer

FRANK SINATRA – The Platinum Collection 3 CDs containing 48 of Sinatra’s greatest Capitol recordings Capitol/EMI 7243 8647602. How good to see a major record company doing full justice to archive recordings by one of its artists. This 3-CD set of vintage Sinatra is attractively packaged, with intelligent (anonymous) booklet notes, plus a good selection of pictures and detailed recording notes – dates, arrangers and conductors. Serious Sinatra fans will already have these tracks on other CDs, but for anyone wanting a representative selection of some of the greatest popular recordings of the last century, this has to be an essential purchase. David Ades

FRANCES DAY (Australia) Frank Bristow FBCD122-124. Now this really is something unusual. A three-CD set of almost everything recorded by this amazing artiste who was a household name during the Thirties and the war. Many of the songs are from private collections featuring film soundtracks and live rare ENSA broadcasts. All have been beautifully restored and all 61 tracks are a real pleasure to listen to. Her reception by the troops speaks volumes and when she sings An Englishman Spoke in Grosvenor Square it is easy to see why. Duets occur with, among others, Bud Flanagan and John Mills and among the foot-tapping orchestras are Ray Noble, Percival Mackey, Carroll Gibbons, George Scott-Wood, Ben Frankel, Geraldo, Phil Green, Jay Wilbur, Louis Levy, Henry Hall and Frank Cordell. Price £22.30 (inc. p/p). Frank Bristow's CDs are only available direct from Frank Bristow, 2 Cross Street, Brighton 3186, Victoria, Australia. Many other CDs are listed on Frank's WEB pages: E-mail:  Fax: (03) 9528 3167. Credit cards accepted. Arrangements can also be made for UK customers to send payment to a UK address using a British cheque - ask Frank for details. Peter Worsley

THE FILM MUSIC OF RON GOODWIN 633 Squadron, Frenzy, Lancelot and Guinevere, Deadly Strangers, Battle of Britain Suite, Whirlpool, The Trap, Of Human Bondage, Monte Carlo or Bust, Submarine X-1, Miss Marple Theme, Operation Crossbow, Clash of Loyalties, Beauty and the Beast, Force Ten from Navarone, Where Eagles Dare, Those Magnificent Men in their Flying Machines BBC Philharmonic conducted by Rumon Gamba Chandos CHAN 10262, 76:24 mins. Chandos kindly supplied us with advance information about this release (due out in the UK on 15 November), but we had not actually heard the recording before we went to press. However the previous film music CDs from Chandos by the BBC Philharmonic and Rumon Gamba have been of such a high standard, that we are unlikely to be disappointed. Understandably many of Ron’s ‘big hits’ are here, but there are sufficient differences between this and last year’s EMI tribute to encourage true Goodwin fans to add this to their collections. David Ades

PHIL KELLY AND THE NW PREVAILING WINDS ‘Convergence Zone’ Damp brown places, Cuzn bubba luvz, Subztatoot shuffle, Sweet Georgia upside down, Bella Luce, You and the night and the music, Yada Yada, 0. T .B.S. Kathy's waltz, The refrigerator. (USA) Origin 82417, 65:11 mins. This CD just missed the Big Band Roundup but after reading about Phil Kelly in the last issue I thought any fans should not have to wait till the New Year before knowing about it! Phil Kelly has had plenty of experience in arranging - Bill Watrous, Doc Severinson's Tonight show band, Si Zentner, Mel Torme, Buddy Greco, music for over 700 commercials, half a dozen Symphony orchestras, lectured in Film scoring and is one of the coaches at Bud Shank's Centrum Jazz Festival in Port Townsend, one hell of a C. V .! A glance at the track listing shows he also has a way with title twist! The band’s twenty one members includes Pete Christlieb, Gary Smulyan and Andy Martin, three players who always gyrate towards the good sounds. The first track rings subtle tempo changes on the traditional "Camptown races" kick starting the album in fine style. Subztatoot shuffle is seriously "hooky" bouncing all the way through it's seven and a half minutes, the riff owing a little to Gil Evans. Joe Labarbera wrote Bella Luce as a tribute to Conte Candoli, Jay Thomas played with and revered Conte, his poignant trumpet solo reflects their liaison, Phil Kelly introduces strings beautifully on this sublime tune. The album’s other ballad Kathy's waltz is dedicated to Phil's late wife, a song like something breathing close to you, jaw droppingly intimate and wide screen in Kelly's writing. Self produced albums such as this show that Big bands have undergone a renaissance due to musicians dedicated to keeping jazz alive despite being neglected by the mainstream labels. Paul ClatworthyAvailable from In Great Britain: John Killoch. 65, Hundredacre Road, Sutton Coldfield, West Midlands. B74 2LB, England.

GERALDO I Bring To You Sweet Music Hello Again, Lady of Spain, Carioca, Deep Purple, etc… featuring vocals by Eve Becke, Al Bowlly, Len Camber, Dorothy Carless, Carole Carr, Archie Lewis and others Living Era CD AJA5558. Geraldo has been fairly well served with CD reissues in recent years – no doubt a reflection of his importance on the British entertainment scene for so many years. This CD contains tracks from 1933 to 1948, so the music and styles vary quite a bit. Alan Bunting has done some fine restorations, and two tracks are of particular interest to readers of this magazine:Getting Nowhere and Sleepy Serenade were both conducted by Robert Farnon at a session on 4 October 1946 when Geraldo was in the USA. David Ades

BBC CONCERT ORCHESTRA Conducted by BARRY WORDSWORTH Sir William Walton: "The Wise Virgins" ballet suite; Constant Lambert: "Horoscope" ballet suite. ASV CD DCA1168. Ballet music is often close to light music, and these two celebrated composers have produced fine 20th century examples of the genre. Perhaps the Walton score is rather on the heavy side, but there are some delicious capricious lighter moments from Lambert. Warmly recommended. David Ades

The Subtle Sound of DAVID SNELL My Favourite Things, I’ll Remember April, They Can’t Take That Away From Me, Take Five, How Are Things in Glocca Morra, Baubles Bangles and Beads, Girl from Ipanema, Surrey With the Fringe on Top, Tenderly, Wives and Lovers, Laura, Fascinating Rhythm, Waltz Song, Get Happy. Vocalion CDLF8110. For many years David Snell was known and highly respected as one of Britain’s foremost harpists, with his wide-ranging repertoire stretching from the classics to jazz-rock. He has also written extensively for recorded music libraries, but today he is mostly in demand for conducting such prestigious orchestras as the London Symphony, Royal Philharmonic and the Orchestre de Paris. David also conducts scores for film soundtracks, ‘Cider House Rules’, ‘Emma’ and ‘Chocolat’ being recent examples. This CD is taken from his 1966 Decca LP which features David mainly as soloist, but there is some occasional discrete percussion, and a sax and trumpet appear on a few tracks – but no credits appear in the booklet. Here’s some quality playing that will add a touch of class to your collection! David Ades

GENIUS LOVES COMPANY - RAY CHARLES duets Here we go again, RAY CHARLES with NORAH JONES; Sweet potato pie, with JAMES TAYLOR; You don't know me, with DIANA KRALL; Sorry seems to be the hardest word, with ELTON JOHN; Fever, with NATALIE COLE; Do I ever cross your mind? with BONNIE RAITT; It was a very good year, with WILLIE NELSON; Hey girl, with MICHAEL McDONALD; Sinners prayer, with B.B.KING; Heaven help us all, with GLADYS KNIGHT; Over the rainbow, with JOHNNY MATHIS; Crazy love, with VAN MORRISON. EMI 7243 86654021, 51:42 mins. This type of album seems to be all the rage lately but as it is Ray's last recording it deserves attention! Just one look at the songs and his collaborations shows it covers most of his ventures in different styles of music - a mixed bag indeed! A massive host of session men are used, five with a small group, seven with full orchestra. The orchestral tracks have five scored by Victor Vanacore, a writer I will be on the look out for in the future. His arrangement on "Hey girl" is particularly beguiling and his other four come close seconds. A "Motown" veteran David Blumberg adds some delectable strings to Diana Krall's collaboration. Blues and soul fans will love this album and out and out pop and jazz fans will also find much to savour. Paul Clatworthy

CHRISTOPHER GUNNING Concerto for Piano & Orchestra; Storm; Symphony No 1Slovak Radio Symphony Orchestra conducted by the composer (USA) Albany TROY 686. If you like atmospheric music then you will enjoy this CD. Gunning is known mainly as a film and TV composer so it is hardly surprising that his concert works are lighter rather than heavy. So much the better for those who enjoy contemporary tuneful sounds rather than unrelated and discordant squeaks, bangs and whistles. Albany has a reputation for championing the former so if you like atmospheric and serious, as well as light music, then this will suit you well. Picture a mixture of Britten and George Lloyd, then stir it up with Charles Williams’s film music and you will not be far off the mark. Peter Worsley

NORTHERN SAXOPHONE QUARTET The Cowles Collection Foxglove Audio FOX088. The invention of the compact disc has made it possible for many composers and performers to issue their own material which, for a variety of reasons, may not have attracted the attention of major record companies. Possibly this CD is a case in point, but that is not to infer any criticism of the music or the talented performers. Indeed the Northern Saxophone Quartet is highly respected, and their members perform the works of Colin Cowles with polish and enthusiasm. Formed in 1980, the quartet often plays overseas, and they are accompanied on harpsichord by Alan Cuckston, who is probably the leading exponent of the instrument. The English composer Colin Cowles (b. 1940) is recognised for his understanding of saxophones in the ‘straight’ style – perhaps not easy to put into words, because his music covers many moods and the CD booklet description ‘homogenous chamber medium’ might confuse some! The repertoire tends to be more ‘serious’ than ‘light’, but any readers who want to explore unfamiliar works for the saxophone could well be pleasantly surprised. David Ades This CD is available for £10.50 (UK postage included) from: Cottage Harmony, Keens Barn Cottage, Keens Lane, Othery, Somerset, TA7 0PU, England.

ALEX HASSAN ‘Taking a Chance on Love’ – the complete 1939-40 Popular Piano Solos of VERNON DUKE We’re Having a Baby, Autumn in New York, Jack and Jill, New York Nocturne, April in Paris, Midnight Lullaby, etc… Shellwood SWCD29. Readers will not need reminding that Shellwood specialise in piano recordings, and they continue to come up with fresh and appealing ideas. Once again it is the turn of Alex Hassan to take centre stage, with an intriguing collection of works by the great American composer Vernon Duke. Although published as piano solos over a two-year period, the songs actually date from 1929 onwards. Not every one will be familiar, but they are all enjoyable.David Ades

‘SECRET ELLINGTON’ previously unrecorded compositions by DUKE ELLINGTON You are beautiful, They say, This man, Only yesterday, I like singing, Full of shadows, New shoes, I am lonely, I get lonely for a plaything, You walk in my dreams, Big white mountain, My home lies quiet.True Life TLE 100002, 65:46 mins. Four different arrangers, twenty musicians but even with such an input you can understand why it never made Broadway! You will not end up humming the tunes and the lyrics are sometimes painfully inept (writer Herb Martin). A lot of hard work, money, talented players all mostly wasted! If Ellington had arranged his songs and used his Orchestra the result might have been different; we will never know. Herb Martin and playwright Henry Miller got together in the early 1990's to revamp the show to fit in with the Harlem of 1920; I hope they end up with a more likely hit! Where the instruments are let loose without the handicap of the words the music has its moments such as the fast tempo used on the first track and the gentle "Bossa" beat of "This man", elsewhere, not so hot! No wonder it has been secret for so long. Paul Clatworthy

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BRITISH LIGHT OVERTURES Volume 2: Plymouth Hoe (John Ansell); Overture 125 (David Gow); Farnham Festival Overture (Sir Richard Rodney Bennett); The Moor of Venice (William Alwyn); A Scots Overture (John Gardner); The Lamprey (Michael Gryspeerdt); Scaramouche (Peter Hope); A Cleveland Overture (Anthony Hedges); A Snowdon Overture (Gareth Glyn) Royal Ballet Sinfonia conducted by Gavin Sutherland Sanctuary Group White Line CDWHL2137, 62:54 mins. While the nautically jolly Plymouth Hoe will be familiar to many, the other splendid overtures on this new CD will not. David Gow’s 125 was written to launch British Rail’s new high speed train in 1976; Richard Rodney Bennett’s offering is self explanatory; William Alwyn’s Moor of Venice began as a brass band piece before Philip Lane orchestrated it; while John Gardner’s original work was in honour of wartime RAF Fighter Command before being rescored for the 1954 Proms. Michael Gryspeerdt was a doctor by profession but played in the Gloucestershire Symphony Orchestra which often repaired to The Lamprey pub near Gloucester Cathedral while Peter Hope needs no introduction, nor does Anthony Hedges whose Cleveland Overture is related to Hull University where he was domiciled for many years. Welshman, Gareth Glyn lives on Anglesey and looks out to Snowdonia so it is easy to see where he obtained his inspiration. All the music is in the best British Light Music tradition and well worth purchasingPeter Worsley

I have, alas, one or two serious misgivings about the makeup of this CD, bearing in mind the title British LIGHT Overtures. I can well imagine some impulse purchasers being misled into thinking that they are going to enjoy an hour or so of tuneful undemanding music which, for the most part, this recording doesn’t deliver. William Alwyn’s The Moor of Venice for example, has a particularly grim and doom-laden scenario which is fully realised in the music and could in no way be categorised as ‘light’. Surely a more accurate generic title (if Sanctuary Classics are going to continue with this series) would simply be ‘British Concert Overtures’. Furthermore the age profile, as represented by the compositional dates of these works is heavily tilted towards the modern with only two pre-dating 1950, one of which fortunately is John Ansell’s splendid, stirring and evocative salt-laden nautical overture Plymouth Hoe. Wonderful to have this at last in first-class modern sound, but for this listener at least leaving most of the remainder on this disc obstinately becalmed and (taking the nautical analogy a little further) outgunned and outranged! The best of the remainder for me was Rodney Bennett’s Farnham Festival Overture which includes skilful use of a piano, and Gareth Glyn’s appealing A Snowdon Overture which displays a charm and lyricism lacking in most of the remaining tracks, which I cannot imagine returning to very often. Playing time is somewhat miserly and there would have been ample room at the end for Ansell’s companion nautical overture The Windjammers, referred to in Philip Lane’s notes, and bringing about perhaps a satisfying concluding symmetry to this disc. Recording and performance are first rate, and if you think the contents will appeal to you don’t be put off by the strictures of a curmudgeonly reviewer. Incidentally, isn’t it about time that such significant figures of the past as Percy Fletcher, Montague Phillips, Haydn Wood, etc are represented in this series, assuming the compiler(s) can become a little less obsessed with ‘modern’? It would considerably increase the attractiveness and saleability of this series, and certainly I would have passed by Volume 2 had it not been for Plymouth HoeRoger Hyslop

JOHNNY DOUGLAS ORCHESTRA I won’t dance, Yesterdays, A fine romance, The Carioca, They can’t take that away from me, The way you look tonight, I’m putting all my eggs in one basket, etc.. (22 tracks taken from the Decca LPs ‘Cheek to Cheek’ & ‘A Handful of Stars’ Dulcima DLCD118, 73:42 mins. Many of us will recall these two Decca LPs from over 45 years ago with pleasant memories. Johnny Douglas’s own arrangements have a bright, fresh sound that won him many admirers back in the 1950s, and this welcome reissue on his own Dulcima label will please many readers of this magazine. The LPs date from 1955 and 1957, so they were just too early for stereo, but the original tape masters still sound fine. To fit both albums on to one CD, it has been necessary to omit Like Someone in Love and How High the Moon from ‘A Handful of Stars’. Just one slight disappointment: the CD booklet doesn’t say anything about Johnny’s distinguished career. Maybe he was too modest! As you will have read elsewhere in this issue, sadly Johnny died on Easter Sunday, 20 April, so this CD will serve as a lasting tribute to his talent as a superlative arranger of popular songs. David Ades Dulcima CDs are available from the RFS Record Service for £13 [US $26] each.

BRITISH STRING MINIATURES Volume 2: Set of Act Tunes and Dances (Henry Purcell); Serenade for the Birthday of Frederic Delius (Peter Warlock); Air and Dance (Delius); Serenade (Matthew Curtis); Suite – The Spanish Lady (Sir Edward Elgar); Serenata Concertante (Philip Lane) Royal Ballet Sinfonia conducted by Gavin Sutherland Sanctuary Group White Line CDWHL2136. You may not hear this music played regularly on BBC Radio 3 which shows it must be good! It is a delightful light string music CD of the highest calibre, both ancient and modern(ised). Gareth Glyn’s characteristic Anglesey Sketches tell the story of different parts of the island in North Wales where the composer resides. Particularly pleasant are the scherzo Cemaes, reflecting exuberant summer beach activities while the elegy Moelfre, conjures up the hundreds of lost souls down the centuries whose ships foundered on this dangerous rocky coastline. Matthew Curtis and Philip Lane prove that modern serious string music can be thoroughly enjoyable while the rest of the disc can easily be guessed from the style of the well-known composers listedPeter Worsley The Sanctuary Group White Line series of CDs are available from the RFS Record Service for £10 [US $20] each.

CHARLES WILLIAMS ‘Radio and Television Memories No. 2’ Devil’s Galop, Girls in Grey, The Old Clockmaker, Quiet Stroll, Voice of London, High Adventure, Rhythm on Rails, Starlings, Young Ballerina, Pioneer Trail, Trolleybus, Model Railway, Great Day, In a Hurry, Summer Garden, Follow That Car, Sports Galop, Workroom, Full Speed, Ten Days’ Leave, Night Boat to Duiblin (film theme), Alf’s Button Afloat (film music), SOS, Searchlight, Convoy Attack, Barrage, Naval Action, Commandos, Said the Bells, Atlantic Brakers, War in the Jungle, Sons of the Air, March Winds, Storm on the Moors, Seaford Head, Drummer Boy, Speedway Galop and The Falcons Charles Williams and his Concert Orchestra, Queen’s Hall Light Orchestra, etc. THIS ENGLAND CR3. As many readers will know, a new CD of Charles Williams’ compositions was recorded in England earlier this year, and its release is eagerly awaited. But This England magazine has just got in first by issuing the first commercial CD devoted entirely to compositions by this master of Light Music, which will delight his many admirers. The CD (and cassette) coincide with an article on Charles Williams in the spring 2003 issue of Evergreen (the sister magazine of This England). The CD is full of radio and TV themes, such as "Dick Barton – Special Agent", BBC Television Newsreel, "Jennings at School", Farming, "Friday Night is Music Night", "Top of the Bill", "Dan Dare", television interludes and others. There are also two rare film soundtracks – from "Night Boat to Dublin" (1946) and a 1938 Crazy Gang Film "Alf’s Button Afloat"; predictably the sound quality is only average and the extracts are brief, but the second film is notable for chase music which Williams must have used later as the basis for his Devil’s Galop. These two tracks alone make this CD a real collector’s item. Keen Williams fans will probably have many of the other tracks, and the need to choose items that are out of copyright (more than 50 years old) means that the compilers have had to resort to a number of less well-known short mood music pieces from the Chappell Recorded Music Library of the 1940s. Readers who have previously purchased CDs from This England will know that they are lovingly produced by real enthusiasts. The gloss of the major record companies may be missing, and expensive sound restoration is beyond their reach. Having said that, the sound quality here is perfectly acceptable, with only occasional surface noise evident, and it has to be recognised that this may well be a ‘plus’ factor for some collectors who value authenticity. This release is strongly recommended as a slice of English Light Music history. The only thing lacking is precise information of the recording source and the actual orchestra playing on each item. David Ades This CD is only available direct from Evergreen Melodies, PO Box 52, Cheltenham, GL50 1YQ, England – tel. 01242 515156 or online at The CD costs £8.95 including postage; a shorter cassette version is available for £7.50. Overseas members should enquire about extra postage costs.

MUSIC OF LECUONA Siboney, Danza Iucumi, Jungle Drums, Gitanarias, Maria my own, Malaguena, Always in my heart, Andalucia, La comparsa, High in Sierra PLACE PIGALLE Domino, Why do you pass me by, At last at last, Autumn leaves, C’est si bon, La mer, Waltz of Paree, Chez-moi, Boom, Mademoiselle de Paris, When the world was young, Au revoir Stanley Black, his Piano and Orchestra Vocalion CDLK4176. The early stereo sound on the ‘Lecuona’ album is quite amazing. Equally exciting are the arrangements, presumably the work of maestro Stanley Black, although he did not generally make known the musicians who must have worked with him on some of his albums. He was so busy in the recording studios and concert halls, that he surely could not have scored all his music himself. The accompanying LP "Place Pigalle" employs much fewer musicians, mainly piano, accordion, percussion and occasionally electronic organ. The result is an atmospheric portrait of the kind of sounds one would love to hear emanating from a smoky French café or bistro, late into the evening. Sadly things are rather different today, but at least Stanley allows us to wallow in our nostalgia for what should be. These are two very different albums, but somehow they are each very satisfying in their own way. You may not want to play the entire CD through in one go, but I suspect that you will get a lot of enjoyment from selecting various portions from time to time, depending upon your mood. David Ades

EVENING IN PARIS Mademoiselle de Paris, Love’s last word is spoken, My prayer, Vous qui passez sans me voir (Why do you pass me by?), Pigalle, La vie en rose, Boom, Ca c’est Paris, J’attendrai, Valentine, Clopin clopant, La Seine, Parlez moi d’amour, Can-can EVENING IN ROME Santa Lucia, Serenade in the night, Mattinata, Luna rossa, Tell me you’ll not forget, Mamma, Come back to Sorrento, La montanara, O sole mio, The echo told me a lie, Catari catari, Vieni sul mar, Anema e core, Funiculi funicular. Frank Chacksfield and his Orchestra Vocalion CDLK4167. This is really Leon Young’s CD, with his glorious arrangements excelling in these timeless interpretations of delightful melodies that still cannot fail to charm. The Chacksfield Orchestra really was a superb ensemble in the 1950s, strongly supported by the Decca sound technicians who were in a class all their own. First issued in 1954 and 1955, these albums just pre-date stereo, but the mono sound is fine and, after all, it is the music that really matters. As far as I am concerned, these interpretations are exactly how I wish to hear this kind of music performed. Rock ‘N’ Roll hadn’t yet fully embarked on the wrecking spree that killed off so many fine orchestras just a few years later. David Ades

NAT KING COLE Love Songs When I Fall in Love, Unforgettable, Very Thought of You, Too Young, Let’s Fall in Love, The More I See You, Stardust, These Foolish Things, etc… 24 tracks EMI 581 5132. I suppose that the only ‘problem’ with compilations such as this is deciding how many duplications you are prepared to tolerate. I haven’t checked in detail, but I should imagine that keen NKC collectors will already possess many of these tracks. However if your collection is currently devoid of this great singer, you could do far worse than purchase this bargain. David Ades


Hits I Missed & Al Jolson Classics Vocalion CDLK4168

Great Film Hits & Pop Hits Vocalion CDLK4170

It is difficult to find something new to say about Ted Heath and his Music. His great band contained some of the finest soloists that were around in Britain at the time, and all of his Decca LPs were outstanding in their own way. For example, the idea of a big band swinging Al Jolson hits might sound a bit far-fetched, but Heath certainly gets away with it. And how many band leaders would allow their egos to admit that they had actually missed some hits? Ted Heath fans continue to be very fortunate that so many of his albums are now available in superb remasterings such as these. David Ades

MANTOVANI ORCHESTRA Italia Mia & Verzauberter Klang Aus Germany Vocalion CDLK4173. Just recently Vocalion have been treating us to several Decca albums featuring music from the continent of Europe, each being superb examples of the work of the respective orchestras. Frank Chacksfield with his ‘Evening in Rome’ (CDLK4167) has concentrated more on the popular sound of Italian music from the 1950s, whereas this Mantovani collection veers a little closer to the light classics. The sound and the performance are both stunning, and some readers may be reassured to know that the famous Mantovani ‘cascading strings’ sound is only used very sparingly (Decca probably insisted upon a touch of it here and there). The title track Italia Mia is one of Mantovani’s own compositions. This is the first time it has appeared on CD in Britain: it was previously on CD only in Japan – over a dozen years ago. The second LP was made for the continental market in June 1969, and did not appear in the UK, USA or Japan, so its revival should be of great interest to all Mantovani fans. Somewhat surprisingly, it was released in Australia as "Enchanting Sounds from Germany", but has been unavailable for many years. All of the tracks were big German hits, and many will be familiar to British ears. The German album is slightly more popular in style than theItalia Mia, but both fit nicely together, and this new CD is highly recommended. David Ades

SYDNEY LIPTON ORCHESTRA Sweet Harmony Cocktails for Two, Love is the Sweetest Thing, Love Walked In, Isn’t it Romantic, Dance Little Lady etc. Dancing at Grosvenor House Canadian Sunset, It’s Been a Long Long Time, Five Minutes More, Sioux City Sue, My Baby Just Cares for Me, Little White Lies, Scatter-brain, You’re Driving me Crazy etc. Vocalion CDLK4175. I suppose an obvious comment to make is that the melodies on this CD are so well-known that other versions of them must already be in the collections of many readers. So it all really comes down to a question of whether or not this style of music is your cup of tea – and I use the term deliberately, because a lot of tea will have been drunk over the years while Sydney Lipton and his Orchestra were performing music such as this at some of London’s most fashionable establishments. Today’s younger record buyers might find this rather quaint, but for those of us with longer melodies it will be a welcome addition to our collections. David Ades

EDWARD GERMAN Coronation March and Hymn, Henry VIII - Three Dances, Welsh Rhapsody, Much Ado About Nothing, Bourée and Gigue, Nell Gwynn -Three Dances, Gipsy Suite - Four Characteristic Dances, Tom Jones -Three Dances Band of the Welsh Guards directed by Major Philip Shannon MBE. Specialist Recording Company SRC 104 69 mins. This is a further instalment in SRC's continuing series featuring CDs devoted to a single British composer and performed by one of our premier military bands - in this case the Welsh Guards. With the notable exception of Marco Polo who have included him in their British Light Music Series (No. 8.223419) and issued two volumes of his more serious music (Nos. 8.223695 & 8.223726), Sir Edward German has been largely neglected by the recording companies, so this new SRC CD is particularly welcome. Whilst some of these items have already appeared on the aforementioned Marco Polo album - Gipsy Suite, Henry VIII and Nell Gwynn Dances - none are exactly over-represented in the current catalogue. The attractions of this issue are considerably enhanced by the inclusion of several rarities. The Coronation March and Hymn(for George V’s Coronation) is based on themes from Henry VIII, the excerpts from Much Ado About Nothing are quite delightful and well worth a hearing whilst there are no modern recordings extant of the Tom Jones Dances. Nimble and agile woodwind playing are demanded in many of the faster dance movements and the Welsh Guards are fully equal to the challenges made upon them. Like the Sullivan disc the sessions were taped in the spacious acoustics of the Chapel, The Royal Hospital Chelsea. A very good buy! Roger Hyslop

[available from DISCURIO, 46 High Street, Rochester, Kent, ME1 1LD. Tel/Fax 01634 845222,, or from larger retail outlets such as the HMV Oxford Street stores in London].

BILLY MAYERL Vol. 1 Original Recordings 1925-1936 Marigold; Puppets Suite (Golliwog, Judy, Punch); Desert Song (selection); All-Of-A-Twist; Eskimo Shivers; Nippy (medley); Three Miniatures in Syncopation (Cobweb, Muffin Man, Clockwork); Sennen Cover; Jazzaristrix; Virginia Creeper; Limehouse Blues; Mignonette; Three Dances in Syncopation (English, Cricket, Harmonica); Indispensable You; Honky-Tonk; Honeysuckle; Sporting Love (medley); Have a Heart; Hollyhock.Naxos 8.120653. An excellent selection of early Mayerl masterpieces, including selections from two of his rarely heard musicals from the Thirties, Nippy and Sporting LoveSennen Cove is the splendid full orchestral version conducted by Billy himself, while Ray Noble and Jack Hylton take the baton forHave a Heart and Indispensable You respectively. All the other tracks are solos played at the height of his fame by Mayerl, whose fantastic skills were described in a slow-motion film of the time as "Lightning Fingers". Peter Dempsey has done a wonderful job of remastering, including possibly the first ever piano recordings made by the new electrical process in Britain, namely All-Of-A-Twist andEskimo Shivers on 24th September, 1925. All in all a very good buy at bargain price. Peter WorsleyNaxos CDs are available from the RFS Record Service for £5 [US $10] each.

PAUL MAURIAT AND HIS ORCHESTRA ‘The Best of …’ Love is Blue, Puppet on a String, Song for Anna, Les Deux Guitares, Last Summer Day, New York New York, Nocturne, Pearl Fishers, Guantanamera, Jeux Interdits, Those Were The Days, etc… 21 tracks (France) Mercury/ Universal 063 687-2. First of all he wrote the book … now our member Serge Elhaik has penned the booklet notes (in English and French) for this very entertaining and welcome new release. In 1968 Paul Mauriat’s Love Is Blue was top of the charts in the USA for seven weeks, firmly establishing his credentials as a top international conductor. Mauriat is also highly respected as a songwriter and arranger, as his work with the likes of Charles Aznavour and Mireille Mathieu will testify. His later career found him much in demand in Japan, where it is reckoned that he gave at least 1,200 concerts until 1998. The Paul Mauriat Orchestra still continues under Gilles Gambus. This CD presents the maestro in some of his most popular recordings (seven are his own compositions), and it should win him many new admirers. David Ades

THE FILM MUSIC OF RICHARD ADDINSELL Goodbye Mr. Chips; Dangerous Moonlight (Warsaw Concerto); Love on the Dole; Blithe Spirit; The Black Rose; Scrooge; Tom Brown’s Schooldays; The Admirable Crichton; Out of the Clouds (Flame Tango). BBC Philharmonic conducted by Rumon Gamba Chandos CHAN 10046, 79:50 minutes. A real feast of light music for cinema and non-cinemagoers alike. The vast majority of these orchestral masterpieces have been reconstructed by Philip Lane and what a labour of love was that! By listening to the soundtrack over and over again he has recreated the deliberately destroyed scores and put back into the musical repertoire what would surely have been lost for ever. It seems strange to us now that such musical gems were discarded as worthless once the movie had been made but there was so much good music around at the time that it is understandable, if not forgivable. The recordings are first class with the addition of the choirs of both Chetham’s and Manchester Cathedral, plus the piano playing of Martin Roscoe in The Warsaw Concerto. If you remember the films then you will remember the music but even if you are too young it doesn’t matter because the splendid music stands alone. Peter Worsley

While welcoming this release wholeheartedly, it is only right that I should draw readers’ attention to the previous two CDs of Addinsell’s Film Music (ASV CDWHL2108 & 2115). Philip Lane was also involved with both of these, and it is understandable that Chandos would wish to include many of Addinsell’s best-known works, so it is inevitable that some duplications have occurred. However, on this latest release, the only items that may already be in the hands of keen collectors are Warsaw Concerto, Blithe Spirit, and Scrooge. This not only serves to illustrate the considerable output achieved by Addinsell, but it should also reassure his admirers that they must not hesitate to acquire this latest release. Full marks also for the excellent booklet. David Ades

…Warsaw Concerto – that seemingly indestructible veteran evergreen – receives from Martin Roscow a performance of genuine symphonic breadth imbuing the piece with a surprising verdant freshness which is very appealing. A highlight for me was the music from Love On The Dole which I found particularly poignant and touching. Rumon Gamba deftly steers the highly accomplished and polished BBC Philharmonic through these scores with unerring sensitivity and complete sympathy. Roger Hyslop This CD is available from the RFS Record Service for £12 [US $24].

MARTIN BÖTTCHER Film Music Unser Haus in Kamerun, Der Fälscher von London, Strasse der Verheissung, Auf Engel Schiesst Man Nicht, Lufthansa-Suite plus 3 bonus tracks (Germany) Peermusic CD 0103. I feel sure that our German members will be familiar with the work of Martin Bőttcher – and rightly so, because his music is inventive and very pleasing. This new CD (conceived by our member Volker Rippe) offers the music from five films, plus three bonus tracks which I suspect were popular singles in the 1960s. The first film Unser Haus in Kamerun has a very pleasant theme, which is attractively arranged in a variety of moods with strings well to the fore. Several of the tracks would stand up very well on their own as fine examples of production music. Der Fälscher von London veers more towards jazz and (presumably!) the seamier side of London night life. A somewhat similar style is evident in Strasse der Verheissung, with nods towards West Coast Jazz and the more blatant pop sounds of the 1960s. Glenn Miller sounds emerge (intentionally) in Auf Engel Schiesst Man Nicht. Then bright holiday sounds take over in the Lufthansa-Suite. This is an interesting collection, with varied styles that prove that the composer can turn his talents towards any kind of mood, as required by the storylines in the films. The CD booklet (in German only) reproduces four film posters – a ‘plus’ point for collectors of film music. Scores such as this deserve to be preserved for posterity. David Ades

TED HEATH & HIS MUSIC Listen To My Music Opus 1; East of the Sun; Bakerloo Non-Stop; Donegal Cradle Song; On Ilkla Moor Baht’at; Baia; London Suite (Chelsea, Whitechapel, Limehouse, Bond Street, Piccadilly, Soho): Deep Forest; Pagan Love Song; You Go To My Head; Dark Eyes; Harlem Nocturne; Song of the Vagabonds; Listen To My Music; Hindustan; Lady Byrd; Sophisticated Lady; Lyonia; Euphoria; Cuban Crescendo; Roumanian Roundabout. Sanctuary Group Living Era CD AJA 5459. Ted Heath lovers will be pleased with this CD which includes Fats Waller’s complete London Suite which was released before the wartime Waller piano solo originals (which were destroyed in the Blitz) were commercially recorded from inferior copies made at the time. All the tracks were mono and made between 1944 and 1950 when Heath was arguably at his peak. The band was initially formed at the behest of the BBC Variety Department for broadcasting purposes only but soon outgrew this role and became Britain’s most famous big band. A fine tribute to a fine set of musicians. Edmund Whitehouse

LEROY ANDERSON – ‘Blue Tango’ Sleigh Ride, Promenade, The Waltzing Cat, The Syncopated Clock, Saraband, Serenata, Jazz Pizzicato … Jazz Legato, A Trumpeter’s Lullaby, Plink Plank Plunk, Horse and Buggy, Belle of the Ball, Blue Tango, China Doll, The Penny-Whistle Song, Fiddle-Faddle, The Phantom Regiment, Irish Suite, Christmas Festival Leroy Anderson and his ‘Pops’ Concert Orchestra Sanctuary Group Living Era CDAJA5481, 75:12 mins. This new CD has been compiled by RFS member David Lennick (who is based in Ontario, Canada), so the recording information given in the booklet refers to North America. Which is why all of the 78s are quoted as having Decca catalogue numbers, but this is the US Decca company, not the familiar British one. (To avoid confusion, I feel that there should have been a note in the CD booklet to explain this). In the UK these tracks were issued on Brunswick with completely different catalogue numbers, although the matrix numbers will have been the same. The recordings date from 11 September 1950 to 5 November 1952, and the running order of the tracks simply reflects the sequence in which they were released in the USA (except for the final item). In 2002 Jasmine issued a CD containing the first 16 titles (JASMCD 2580 – reviewed in JIM 152), but these are not all the same performances. (Jasmine gives no recording information whatsoever, and there was insufficient time available to make further investigations before this review had to be ready for the printers. If any readers can shed more light on this, we’ll be pleased to give the relevant details in a future issue). Clearly this new Living Era release is better value because it also contains Anderson’s six-movement Irish Suite plus the longer eight-minute version of his Christmas Festival. For the sake of completeness, I should remind readers that in 1992 MCA Records/Good Music in the USA released ‘Blue Tango -The Original Hit Recordings of Leroy Anderson’ on MSD 35334. This had 20 tracks, although Jazz Pizzicato and Jazz Legato were put on two different tracks, and incredibly separated by four other numbers – clearly the compiler had little regard for Anderson’s original concept. The remaining three ‘extra’ tracks were later works – Forgotten Dreams, Sandpaper Ballet and Bugler’s Holiday. Surprisingly Horse and Buggy was dropped in favour of The Minstrel Boy. The later stereo recordings by Leroy Anderson are on the 2-CD set ‘The Leroy Anderson Collection’ (MCA MCAD2-9815) so there have already been several opportunities for collectors to obtain the composer’s own performances on CD. If anyone reading this review still lacks Leroy Anderson on their CD shelves, then my advice is to choose this latest release which is the best now available. The sound quality is very good (although the trumpets in The Wearing of the Green sound decidedly tipsy!), and these original performances from the beginning of the 1950s stand as the definitive versions. David Ades

BOB HOPE ‘Thanks for the Memory’ Title track, Two Sleepy People, The Lady’s in Love with You, Penthouse Serenade, Put it There Pal, The Road to Morocco, My Favourite Brunette, Beside You, Buttons and Bows, That’s Not the Knot, Lucky Us, Ain’t we Got Fun, Blind Date, Goodnight Irene, Home on the Range, Wing Ding Tonight, Am I in Love, A Four-Legged Friend, Hoots Mon, Chicago Style, The Road to Bali, Merry-Go-Runaround Living Era CDAJA5493, 76:30 mins. British-born Bob Hope has become an American institution, and he had the rare honour of hearing warm tributes paid to him by the US Congress a few years ago when what might be termed a ‘premature’ announcement of his death was made. Assuming that he doesn’t fall at the last hurdle, by the time you read this he will have celebrated his 100th birthday on 29 May, and this new CD is therefore both a timely and a fitting tribute to his rather sparse recording career. Once again, the compiler credits are in the name of ‘our’ David Lennick, so my previous comments (on the Leroy Anderson CD above) about North American recordings details apply here as well. If Bob wasn’t exactly prolific in the recording studios, at least what he did commit to wax was worthy of preservation, proving that he had an astute regard for quality, rather than quantity. On several tracks he is joined by the likes of Bing Crosby, Shirley Ross, Dorothy Lamour, Margaret Whiting and Jane Russell, and there are extra tracks (not listed above) from radio shows and visits to the troops, for which he became something of a legend in World War 2. Bob’s films are represented with numbers from several Roadfilms, plus The Paleface and Son of Paleface – the latter being a rare example of a sequel being better than the original. The gremlins appear to have made mistakes on two track titles, but apart from that minor niggle this is a splendid production in all respects. David Ades All Sanctuary Group Living Era CDs are available from the RFS Record Service for £8 [US $16] each.

BEST OF THE FIFTIES Various Artists 6 CD set, EMI GOLD 582 5542. Selling for around £20 this collection ought to be good value, although the music on the 6 CDs would easily fit on to 4. Also EMI are on decidedly dodgy ground with the assertion that these are "original artists … original hits" when many are cover versions by EMI contract artists. As for the 1950s tag, how can you describe Judy Garland’s Over The Rainbow in this way ("The Wizard of Oz" came out in 1939)? This is a very mixed bag, with hardly any instrumental items. Just treat it as yet another compilation: it certainly isn’t an accurate portrayal of the overall music scene in the 1950s as I remember it. David Ades

NORMAN WISDOM ‘The Very Best of …’ EMI GOLD 582 6522. I haven’t listed the tracks because you’d be hard pressed to associate many of the titles with Sir Norman. Missing is his big number (accompanied by Robert Farnon) from the ice show "London Melody" which first made his name, and it would have been nice to have that catchy tune I’d Like to Put on Record from "Trouble in Store" (of course Don’t Laugh at Me is included). Surprisingly absent also are those two classic sides he did with Joyce Grenfell (remember Narcissus?). Norman has a pleasant voice, and he usually had excellent orchestrations backing him. This collection is quite good, but with a little more thought it could have been so much better. David Ades

HUMPHREY LYTTELTON ‘The Best of …’ EMI GOLD 583 2802. This is a 3-CD box set which you should be able to pick up for around £12. I have to admit that my knowledge of Humph’s recordings is limited, so I cannot say if there are any glaring gaps among the 60 titles. It begins with Bad Penny Blues so perhaps the omens are good! Whether or not your own particular favourites are all here, I suspect that few will disagree that this is very good value. David Ades

ADAM FAITH What Do You Want, Poor Me, Someone Else’s Baby etc. 24 tracks. EMI GOLD 583 1132. Pop singers don’t usually get included in this feature, but we know that a number of our readers are keen fans of John Barry, so they may be interested in this new release. Faith’s early successes were distinguished by the pizzicato and strings effects cleverly achieved by John Barry, with a little help from the Abbey Road echo chamber. Thanks to Hit and Miss, the signature tune of BBC TV’s "Juke Box Jury", John Barry was well known to pop fans around 40 years ago, and he certainly helped young Terence Nelhams (aka AF), who died earlier this year on 8 March aged 62.David Ades

ANNE SHELTON The Best of … Let’s Face the Music and Dance, Smoke Gets in Your Eyes, Bridge of Sighs, If I Give My Heart To You etc. 23 tracks. EMI GOLD 584 0152. Anne Shelton has been quite well served with CD reissues just recently, but mainly they have concentrated on her repertoire from the 1940s. This new collection from EMI comes mainly from the 1950s, and it includes a mixture of hits of the day plus a few well-loved standards. Anne was a very good singer, so we mention this for the benefit of her many admirers. David Ades

NATURAL BORN FILLERS Big Beat, Trippin the Blues, Waltz Cool, The Charmer (John Cacavas); Fancy Flutes, Kiddies Corner, Dancing Harp (Roger Roger); Swing Song, Happy Folk, For Deborah, The Waiting Game, The Winners (Roger Webb); Autumn Love (Paul Lewis); The Gentle Touch (Herbert Chappell); Regency Street (Sam Fonteyn); Dancing Youth Waltz (Douglas Gamley); The Storyteller (Harry Rabinowitz); Horn-a-Plenty (Robert Farnon); Like Spring (Steve Race) etc.. 66 tracks Double CD. Total Time 158 minutes Codename Music CMCD1970. "Diamonds are forever" should capture your mind when you see the cover of this well compiled CD of BBC and ITV Daytime Interlude classics from the late 1960’s and 1970’s. You should be mesmerized by the cover alone. On opening this double CD will unfold one primary disc and one secondary disc from schooldays past containing 64 tracks of catchy little pieces of light musical charm played before schools and children’s programmes on TV. Plus two distinctive bonus tracks featuring the primary school’s diamonds music and the secondary school’s diamonds music. The whole school timetable can be fondly remembered here as you listen to well loved and often aired musical miniatures from the world famous Chappell Recorded Music Library featuring enchanting pieces from the pens and pencils of John Cacavas, Brian Fahey, Roger Webb, Gordon Franks and Robert Farnon to name a few. So rustle up your old school kit and make space in your satchel for this little gem from days gone by. Malcolm Batchelor

The thought of 64 Chappell tracks should be enough to tempt many RFS members to buy this great new collection, especially as so many of the numbers will not already be in your collections. Steven Willis is a true enthusiast who has clearly put his heart into this compilation … and it shows! David Ades For full details of how to order this 2-CD set please go back to the full-page advertisement on page 5 of this issue.

ANDRE KOSTELANETZ AND HIS ORCHESTRA – A MISCELLANY. Liza, Laura, Sari Waltz, Vienna City of My Dreams, Falling in Love with Love, Gypsy Love Waltz, Gold and Silver Waltz, Intermezzo, Someone to Watch Over Me, Lady Be Good, Two Hearts in ¾ Time, Empore Waltz, Vilia, Have You Met Miss Jones?, Waltz Dream, Diane, Gypsy Baron Waltz, Love Walked In, You Made Me Love You, Serenade (Pierne ), We Kiss in a Shadow, Bali Ha’i, Moon over Miami, Now is the Hour, Frank Bristow FBCD91 78:30 mins. This is more or less Kosty’s recording career in microcosm, ranging from 12" 78s of anything up to 60 years ago (some of which …the Lehar, Stauss, Kalman, Stolz and Oscar Straus….startes me off as a collector) , on through Rodgers and Gershwin of the mid–forties and on to some early stereo recordings. Those six tracks are hardly typical of the Kostelanetz we admired for something like 30 years, either technically or musically. One, You Made Me Love You is so bad in both respects it’s all one can do to listen to it, but that is only one title out of many. Otherwise this ’Miscellany’ is a typical cross section of Kostelanetz’s’ work in all fields over the years and can be safely recommended. Arthur Jackson

ANDRE PREVIN & DAVID ROSE ORCHESTRA – LIKE BLUE/SONGS FOR YOUNG LOVERS. You and the Blues, Blue Room, Serenade in Blue, Blue Holiday, Blue Again, Like Blue, Black and Blue, Little Girl Blue, Between the Devil and the Deep Blue Sea, Blue Turning Grey Over You, Blue Subterranean, Born to be Blue, Blame It on My Youth, Young Man’s Lament, You Make Me Feel So Young, Young and Tender, While We’re Young, Too Young to be True, Last Night When We Were Young, Like Young, Younger Than Springtime, Year of Youth, Too Young to go Steady, Love is for the Very Young. Frank Bristow FBCD94 70.30 mins. It must be forty years since I had a Polydor/MGM double LP called " Like Young, Like Blue ", which turned out to be one of those albums one keeps coming back to when all else fails to satisfy. Here is the identical set complete on a very welcome CD from our friend Frank Bristow, with both soloist and orchestra on top form. Previn and Rose are equally adept as interpreters also in no fewer than eight cases, composers of standard music such as we used to know in those happy days of yore. I would imagine most JIM readers will be familiar with these recordings, so if your original copies have been showing signs of wear, now is your chance to replace them. Arthur Jackson

DAVID ROSE & HIS ORCHESTRA – EASY LISTENING Kiss of Fire, In a Sentimental mood, You Stepped out of a Dream, Ebb Tide, Caravan, Blue Prelude, All the Things You Are,Misty, Flamingo, Man with the Golden Arm, Shangri – La, Autumn Leaves, Autumn Waltz, September in the Rain, Blue Autumn, ‘Tis Autumn, Indian Summer, Shine on Harvest Moon, Autumn Serenade, Autumn Nocturne, And This is My Beloved, October Mist, Autumn in New York, Misirlou, What Is There To Say? , It’s a Most Unusual Day, Love Makes the World Go Round. Frank Bristow FBCD95 78:46mins. "Easy Listening" as an album title sounds most inappropriate to me. One thing the musicianly David Rose was not was a mere purveyor of bland mood music, as this collection of familiar and well loved standards proves. The basic material stems from three American MGM LP’s, "21 Channel Sound", "Autumn Leaves" and "Spectacular Strings", none of which as far as I have been able to ascertain, were ever issued in the U.K. Everything is nicely contrasted as far as tempi and styles are concerned, varying between big band sounds and the lush Rose string sound. It’s always perfect and musicianly and in no way can it be classed as "Easy Listening". Arthur Jackson Editor: Sorry to correct Arthur, but to avoid correspondence(!) "21 Channel Sound" was released in Britain – on MGM C901 and MGM CD 6057 (stereo).

JOHN PHILIP SOUSA, Works For Wind Band – Volume 3 The Corocan Cadets, Semper Fidelis, Selections from : The Free Lance, The New York Hiippodrome, La Flor di Sevilla, Waltzes from ‘El Capitan’, A Century of Progress Suite: The Last Days of Pompeii, The White Rose, With Pleasure, Dance Hilarious, The Belle of Chicago, The National Game. Royal Artillery Band conducted by Keith Brion. Naxos 8.559092 54mins. Naxos have ambitiously set their sights on recording Sousa’s Wind Band music in its entirety, so this will be a substantial and significant series with several more instalments apparently already in the can. They have invested very wisely in the Royal Artillery Band, one of the largest and best bands in the British Army and in obtaining the services of Keith Brion, an American conductor who is a specialist in Sousa’s period style. The third volume was recorded in Woolwich Town Hall, a venue where often the Royal Artillery Orchestra have given public concerts. Sousa said a march ‘should make a man with a wooden leg step out‘ and that he succeeded spectacularly in his own philosophy cannot be in doubt. All the marches are played here with quite superb panache and swagger. La Flor de Sevilla composed for the Ibero – American Exposition in 1929 has a particularly attractive and beguiling trio, whilst A Century of Progress written in the year prior to his death showed the ‘March King’ had lost none of his flair for the idiom. The selection from the 1905 operetta The Free Lance, contains some appealing melodies, whilst the early suite The Last Days of Pompeii (which includes harp) has some interesting special effects as does the final piece on the disc The National Game. This is a series to collect and cherish especially at the Naxos price and one waits impatiently for Volume 4. Incidentally, this disc has the rare distinction for a military band CD in being ‘mentioned in despatches‘ during BBC Radio 3’s CD Review on Saturday 15th March, when Semper Fidelis followed on from a particularly unattractive and impenetrable piece by Schnittke!

Roger Hyslop

Production Music CDs

BIG SCREEN LITTLE SCREEN 2-CD collection of Archive tracks classified as Horror, The Westerns, Epics & Adventure and Dark Drama Cavendish CAV CD 155. This interesting collection has been put together by André Leon, from the Boosey & Hawkes archives, some dating back to 78s issued in the 1950s. Many of the tracks are quite short in duration, and the CDs are obviously not intended for leisure listening at home. But there are some interesting tracks that will appeal to enthusiasts, and the list of featured composers illustrates the quality of the writing – Trevor Duncan, Don Banks, John Scott, Eugene Cines, Joseph Cacciola, Dudley Simpson and Monia Liter, among others. Our good friend Heinz Herschmann is represented by his classic 78 The Galleon, and I have to say that it sounds better here than it did on his own Apollo Sound CD APSCD 205. Trevor Duncan’s gems include Revelation, four tracks of Mob Violence and two tracks from The Unwanted – The Boy. Enthusiasts are fortunate to have the opportunity to hear mood music of this calibre. David AdesCavendish CDs are only available from the RFS Record Service.

CLASSIC FILM & TV Vol. 4 ‘Comic Cuts’ Hey Buddy, Quack Track, Camilla, La Tour Eiffel, Allo Paris! (Nino Nardini); Puffing Joe (Harry Rabinowitz); Dolly Flapper (Peter Dennis); Saloon Rag, Adios Amigo, Clown in Town (Philippe Pares); Chase Me Chester, Slap and Tickle, Dandy Andy, The Moke, Caliope Carousel, River Police (Roger Roger); Goon Time (John Scott); Capering Clowns (Max Saunders); Yom Kippur, Irish Spree, Scottish Frolic (Leslie Bridgewater), etc… 54 tracks Bruton BRO21/356. The above details give titles of some of the longer pieces, but others are of a very short duration – often just a few seconds. The comments about leisure listening for the Cavendish CD above, equally apply here. The previous three CDs in this series were listed in JIM 153 – page 87.David Ades Bruton CDs are only available from the RFS Record Service.

A further selection of recent releases from Vocalion. Unfortunately we had to go to press before review copies were received, but we felt sure that you would wish to know that these CDs are being released in the late Spring.

BOB SHARPLES ORCHESTRA Contrasts in Hi-Fi On the Road to Mandalay, Will You Remember, By the Bend of the River, Giannina Mia, A Perfect Day, Donkey Serenade, Sylvia, Sweethearts etc.Dimensions in Sound Tuxedo Junction, Singing the Blues, Mack the Knife, The Whistler and his Dog, Strike Up the Band, Satin Doll, Trolley Song, etc. Vocalion CDLK4169.

WINIFRED ATWELL Hall of Fame Melodies in the style of other famous pianists including Bill Snyder (Bewitched), Eddie Heywood (Soft Summer Breeze), Fats Waller (Ain’t Misbehavin’), Carmen Cavallaro (Manhattan), George Shearing (I’ll Remember April) etc. …plays Gershwin Nice Work if You Can Get It, Love Walked In, Somebody Loves Me etc and Rhapsody in Blue with Ted Heath Orchestra Vocalion CDLK4177.

CATERINA VALENTE Great Continental Hits (with Stanley Black Orchestra) If You Go, Autumn Leaves, Melodie d’Amour, Too Soon, Volare, I Wish You Love, Song of the Sea, Why Do You Pass Me By etc. Valente & Violins (with Roland Shaw Orch) Love Letters, It Might as Well be Spring, This is all I Ask, Ebb Tide, What Now My Love, Somewhere etc. Vocalion CDLK4125 (postponed from last year).

RONALD BINGE Aldershot Brass Ensemble A Variation on Alouette, A Tune a Day, Trombonioso, Rushlake Green, The Jolly Swagman, A Song for all Comets etc. The Romantic Guitar with Gerald Tolan Echoes of a Dream, The Ever-Changing Sea, Summer’s End, Fugal Fancy, Where the Sun Shines etc. The Wimbledon Girl Singers Where the Gentle Avon Flows, Sailing By, Down by the River, String Song, The Watermill, Alas My Love You Do Me Wrong etc. Vocalion CDLK4129.

MANTOVANI Exodus Exodus Main theme & Karen, A Summer Place, The Green Leaves of Summer, Song Without End, 76 Trombones, The Sundowners, Irma la Douce etc. Great Films – Great themes Barabbas, Fanny, Advise and Consent, Goodbye Again, The Apartment, Never on Sunday etc. Vocalion CDLK4179.

SID PHILLIPS Rediffusion Anthology Vol. 3 Chicago, I’ve Found a New Baby, Ja Da, Bugle Call Rag, That’s a Plenty, Dar Town Strutters’ Ball, Sweet Georgia Brown, After You’ve Gone, Nobody’s Sweetheart, Milenberg Joys, Georgia on my Mind etc. Vocalion CDLK4184.

DENNIS LOTIS and BRIAN DEE piano ‘Mr. Dee and Me’ (1999 recordings) Skylark, It’s You or No One, Handful of Keys, I’m So in Love, Day by Day, I See Your Face, My Shining Hour, My Romance etc. Vocalion CDLK4185.

GRETA KELLER Vol. 2 Vocalion CDEA6084.


BERTINI and the TOWER BALLROOM DANCE BAND ‘Hello Everybody’ Eclipse Records Vocalion CDEA 6092. Editor: Sadly this doesn’t include his famous number ‘Samum’ which was on Regal Zonophone – not Eclipse.

JACK PAYNE AND HIS ORCHESTRA Vol. 4 ‘Good Morning Mr. Sun’ Imperial Records Vocalion CDEA6093.

SAMMY KAYE Swing and Sway Vocalion CDUS 3024.

EDDIE FISHER The Early Years Vocalion CDUS3026.

DINAH SHORE Volume 2 Double CD for the price of 1 Vocalion CDUS3029.

All Vocalion CDs are available from the RFS Record Service. CDLK series cost £10 [US $20] each; CDEA are £6 [$12]; and CDUS are also £6 [$12] each.

BRITISH FILM COMPOSERS IN CONCERT Clifton Parker – Thieves’ Carnival Overture, Two Choreographic Studies; Leighton Lucas – Ballet de la Reine; Anthony Collins – Eire Suite; Bruce Montgomery – Scottish Aubade, Scottish Lullaby; Eric Rogers – Palladium Symphony Royal Ballet Sinfonia / Gavin Sutherland Sanctuary White Line CD WHL 2145. This new release showcases the concert works of some of the most interesting British cinema composers in a collection of world premiere recordings, featuring the likes of ‘Carry On’ film composers Bruce Montgomery and Eric Rogers, whose Palladium Symphony was inspired by his time conducting and composing for ITV’sSunday Night at the London Palladium. Another featured composer, Leighton Lucas, went from dancing with Diaghilev’s Ballets Russes to working with Ivor Novello, later writing music for Alfred Hitchcock’s Stage Fright and war epics such as The Dam Busters, for which he provided the incidental music to supplement Eric Coates’ famous march.

KETỀLBEY CONDUCTS KETỀLBEY Volume 3 A Cockney Suite, Gallantry, I Call You From The Shadows, Blow Blow Thou Winter Wind, In a Camp of Ancient Britons, A Musical Jigsaw, Danse a la Tarantelle, Mind The Slide, Jungle Drums, Aberfoyle, Fiddle Fun, A Desert Romance, Sunset Glow, With Honour Crowned Various Orchestras Naxos 8110869. This collection of recordings dates from 1909 to 1940. The previous two volumes disappointed some buyers who felt that the sound restoration was patchy; it may be worth waiting to read reviews before deciding to purchase, although the price of around £5 is certainly not excessive.

THE NEW CONCERT ORCHESTRA Volume 1 Boosey & Hawkes recordings Citizens of the World – March, Passage to Windward, Four Old Fusspots, Icicle Ride, Broad Reach, Harvest Supper, The Scent of Sandalwood, Little Suite – Folk Tune, The Spirit of Progress – March (Trevor Duncan); Romantic Journey, Exuberant Youth (Ernest Tomlinson); Music for a Sunday Afternoon (Willis Schaefer); The Bingola, Paris Taxi, Spring (Vivian Ellis); Vin Rosé, Song of the Woodlands, Riverside Idyll (Frederic Curzon); Talking Point, Celtic Melody, Watersmeet (Cyril Watters); Girl Bird (Dennis Farnon); The Bullfighter (Monia Liter); Diary of a Debutante (Sam Fonteyn) VOCALION CDLK4192.

DIMITRI TIOMKIN : "Red River" film score Moscow Symphony Orchestra / William Stromberg Marco Polo 8225217. Starring John Wayne and Montgomery Clift, Howard Hawks’ Academy Award-winning Red River ranks among the best of the classic westerns made in the 1940s.

CARL MICHAEL ZIEHRER Selected Dances and Marches – Volume 4 Razumovsky Sinfonia / Christian Pollack Marco Polo 8223817.

New PERCY FAITH albums from Collectables in the USA (due to be released at the end of June):

COL 7561 Clair + New Thing
COL 7563 Lil' Abner + Broadway Bouquet
COL 7564 Bon Voyage! + Carefree - The Music Of Percy Faith
COL 7565 The Columbia Album Of Victor Herbert (Originally a 2-LP set)

 …and finally an interesting CD from Derek Boulton’s Horatio Nelson

TUTTI CAMARATA Tutti’s Trumpets (1957 LP) I Can’t Get Started, Boy Meets Horn, What’s New, Trumpet Soliloquy, Trumpet Tango, Stardust, Tenderly etc. Tutti’s Trombones (1966) The Sweetest Sounds, Blueberry Hill, I Feel Pretty, The Pink Panther Theme, The Girl from Ipanema, Mr Lucky theme etc. Horatio Nelson HN04. Available from the RFS Record Service for £10 [US $20].

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BRITISH LIGHT OVERTURES Volume 3 Open Road (Matthew Curtis); The Hobbit (Carey Blyton);Hampton Court (Montague Phillips); Summer Overture (John Fox); Overture to a Fairy Tale (Bruce Montgomery); Comedy Overture (Adam Saunders); A Children’s Overture (Roger Quilter);Celebration Overture (Philip Lane); The Ballyraggers (James Langley); The Needles (Matthew Taylor)Royal Ballet Sinfonia conducted by Gavin Sutherland Sanctuary White Line CDWHL 2140. Whilst most people are familiar with Quilter’s A Children’s Overture there can be few who have come across the other overtures on this splendid disc, let alone ever heard them played. In no particular order Hampton Court can be justifiably described as "majestic" in every sense while the rough and tumble of The Needles will put fear into any yachtsman. Matthew Curtis is his usual jolly self in Open Road while Carey Blyton wrote his clever short piece about The Hobbit long before media film hype destroyed the individual mindset created through reading the book. The Ballyraggers is true to the dictionary definition of a word which means "aggressive horseplay" while Philip Lane’s Celebration, John Fox’s Summer and Adam Saunders’ Comedy are overtures to grace the opening of any music festival. Bruce Montgomery’s Fairytale is a lovely wistful item which brings us back to Roger Quilter. This is a great disc. Peter Worsley

BRITISH FILM COMPOSERS IN CONCERT Thieves’ Carnival Overture (Clifton Parker); Two Choreographic Studies (Parker); Ballet de la Reine (Leighton Lucas); Eire Suite (Anthony Collins); Scottish Aubade (Bruce Montgomery); Scottish Lullaby (Montgomery); Palladium Symphony (Eric Rogers)Royal Ballet Sinfonia/Gavin Sutherland Sanctuary White Line CDWHL2145 (71:50). Our habit of "pigeon-holeing" composers and their music often works to our own disadvantage. Frankly, is it really important that music be exclusively "Light" or "Serious"; "Classical" or "Popular"; Traditional or Avant-Garde or Post-Modernist (whatever that means); or written before or after such-and-such a year or period? Anyway, Messrs. Lane and Sutherland, those doughty champions of the long-neglected and the little-known, here explode the possibly still-lurking myth that, because these five composers wrote mainly for the cinema their "other" work can’t be much good. For example: one might easily preconceive a piece bearing the title "Palladium Symphony" as all glitz and superficial showbiz clichés. It isn’t, and if you are familiar with Clive Richardson’s "London Fantasia" and Ralph (not ‘Rafe’ incidentally) Vaughan Williams’ F minor Symphony, listen very attentively – chances are you will be greatly intrigued! Anthony Collins’ "Fluters’ Hooley" was heard from time to time in far-off BBC days, although little if anything else is likely to stir any memories: you are in for some very pleasant surprises! Not, then, for those who "only like what they know"; but real music-lovers go ahead fully confidently. John E. Govier

In their non-pressurised moments several film composers managed to score private light music gems, either for themselves or for their close circle of friends. They would have remained private and eventually been forgotten had not Philip Lane uncovered them and arranged their recording. All the pieces have their own special appeal, the most substantial being the first performance of thePalladium Symphony by Eric Rogers, more usually known for his work with the Carry On films after he succeeded Bruce Montgomery. There was also more to Anthony Collins than Vanity Fair and conducting. Clifton Parker meanwhile scored more than 50 films while Leighton Lucas arranged much of Ivor Novello’s later works. More rich pickings here.    Peter Worsley

ALBERT W. KETÈLBEY Volume 3 Cockney Suite (State Procession – Buckingham Palace; Cockney Lover – Lambeth Walk; Palais de Dance; Elegy – Thoughts on Passing the Cenotaph; Bank Holiday – ‘Appy ‘Ampstead); Gallantry; I Call You From the Shadows; Blow, Blow, Thou Winter Wind; In a Camp of the Ancient Britons; A Musical Jigsaw; Danse à la Tarantelle; Mind the Slide (The Troubled Trombone); Jungle Drums; Aberfoyle; Fiddle Fun; A Desert Romance; Sunset Glow; With Honour Crowned. Orchestras conducted by the composer Naxos 8110869, 70:58 mins. This third volume contains a number of rare recordings which are undoubtedly musically important from an historical standpoint, and the compiler Peter Dempsey is to be congratulated for unearthing them. They cover a period from the early acoustics of 1908 up to the more sophisticated electricals of 1940, so understandably the different studios, ensembles and record companies mean that the sound quality varies considerably. Nevertheless in the hands of a talented sound restoration engineer, using state-of-the-art equipment such as CEDAR, good results could be achieved. Sadly this is not the case here, and I have to say that, because of the obtrusive surface noise, listening to this CD was, for me, a tedious experience that I will not hurry to repeat. David Ades

At long last we can hear exactly how Albert Ketelbey thought some of his rare compositions should sound and the results will surprise many of his fans. Several of the recordings are pre-electric but still play well, especially Norman Allin’s bass voice in the superb Blow, Blow Thou Winter Wind andThe Troubled Trombone, a jazzy number which predates the arrival of the Original Dixieland Jazz Band by several months! In a Camp of the Ancient Britons is an exciting piece and most of the others will also delight the ear. If you can identify the 44 different tunes in A Musical Jigsaw then you will be doing well but of special interest is the complete original Cockney Suite, among which ‘Appy ‘Ampstead never disappoints. The sleeve notes are good and this is a bargain CD if you like historic British Light Music – it’s as simple as that! Edmund Whitehouse

CATERINA VALENTE Great Continental Hits (with Stanley Black Orchestra) If You Go, Autumn Leaves, Melodie d’Amour, Too Soon, Volare, I Wish You Love, Song of the Sea, Why Do You Pass Me By etc. Valente & Violins (with Roland Shaw Orch) Love Letters, It Might as Well be Spring, This is all I Ask, Ebb Tide, What Now My Love, Somewhere etc. Vocalion CDLK4125 (postponed from last year). The reissue of these two LPs has been eagerly awaited – not only for Caterina’s distinctive way with a song, but also as an example of Stanley Black’s superlative scores. The second album (with Roland Shaw) is also very good, and together they make an attractive package that should sell very well. David Ades

RONALD BINGE Aldershot Brass Ensemble A Variation on Alouette, A Tune a Day, Trombonioso, Rushlake Green, The Jolly Swagman, A Song for all Comets, etc. The Romantic Guitar with Gerald Tolan Echoes of a Dream, The Ever-Changing Sea, Summer’s End, Fugal Fancy, Where the Sun Shines etc. The Wimbledon Girl Singers Where the Gentle Avon Flows, Sailing By, Down by the River, String Song, The Watermill, Alas My Love You Do Me Wrong etc. Vocalion CDLK4129. These LPs, originally on Refiffusion, are perfect illustrations of Ronald Binge’s versatility. Once he ‘escaped’ from the cascading strings he created for Mantovani, he tried his hand at several different styles, and his many admirers owe a debt of gratitude to Mike Dutton at Vocalion for restoring these fascinating examples of his work to the catalogue. David Ades

MANTOVANI Exodus Exodus Main theme & Karen, A Summer Place, The Green Leaves of Summer, Song Without End, 76 Trombones, The Sundowners, Irma la Douce etc. Great Films – Great themes Barabbas, Fanny, Advise and Consent, Goodbye Again, The Apartment, Never on Sunday etc. Vocalion CDLK4179. Around 40 years ago, some music lovers were getting a little tired of the ‘Mantovani sound’, especially as so many new LPs of his music were constantly being released. Of course, the reason for this abundance was that they all sold well, and hearing them again after several decades it is easy to understand why. For the truth is that the famous ‘sound’ did not overwhelm everything that Mantovani did, and the main thing in his favour was the excellence of the arrangements, the high standards of performance and the top quality recording. If anything, they sound even better today, and this collection of popular film themes (including the unlikely Charles Williams hit theme for The Apartment) will please Mantovani’s many fans. David Ades

HAT BOX : Hat Box(Alan Bullard); Arioso (S.Rak); Greensleeves to a Grand, Brande Yrlandt, Cowarte Monsieur and Fantasia (Anon 17th century); Chadkirk Idyll (E. Tomlinson); Fred’s Blue Ginger Staircase Music (David Ellis); Variations on Dowland’s Comagin (Van Eyck); New World Dances (John Golland) Un Petit Jazz (John Duarte); Bramall Hall Dances (Peter Hope). John Turner (Recorder), Neil Smith (Guitar). CAMPION CAMEO 2020 74.45mins. Apart from the 17th Century Variations and the Stepan Rak piece, all the music on this attractive disc may be described as British light music with at least two great light music composers represented therein. Much of it (though not the Golland and Duarte, both uptempo suites) is also associated with Stockport where David Ellis, producer and composer, lives. Stockport was once famed for hatmaking, so Alan Bullard’s Hat Box, a "thematic suite" in eight brief movements (featuring top hat, beret, Mexican hat, stetson, deerstalker, baseball cap, bonnet and cloth cap) is appropriate. Ernest Tomlinson’s Chadkirk Iydll (Chadkirk is the chapel where the recording was made) was also expressly written for the CD and is the most serious piece here. Ellis’s rhythmic suite (Fred and Ginger are Astaire and Rodgers, of course) and Peter Hope’s Bramall Hall Dances, mixing old and new idioms, both celebrate local buildings. The enterprising John Turner plays brilliantly and Neil Smith partners him well, if a little woodenly in Tomlinson. Philip Scowcroft

BRITISH STRING MINIATURES VOLUME 3 Entertainments (Gilbert Vinter); Sospiri (Sir Edward Elgar); Four Folksong Preludes (Peter Warlock); Countryside Suite (John Fox); Elegy (Haigh Marshall); First Suite for Strings (Cyril Scott); Sinfonia Breve (Gareth Walters). Royal Ballet Sinfonia conducted by Gavin Sutherland Sanctuary Group CDWHL 2139. Essentially British in every respect one can just imagine rural folk wending their way along the lanes long before the now ubiquitous motor car invaded what had hitherto been largely alien territory. Nowadays one has to venture a good way off the beaten track to find peace and quiet but this music, especially John Fox’sCountryside Suite (Morning Air, Black clouds over the moors, My village and Country Folk) speaks for itself. Gilbert Vinter is in his usual jaunty vein with Entertainments, while Elgar’s Sospiri is well-known. The other pieces also hark back to a gentler age when music-making was a very different affair. A rural idyll indeed. Time to reflect and ponder? Edmund Whitehouse

A TRIBUTE TO STANLEY BLACK Early Black Magic, 25 original recordings 1931-52. Lullaby; Lady Be Good; Lost in the Fog; Honeysuckle Rose; I ‘ain’t got Nobody; Trouble in Paradise; I Won’t Dance; Porcupine Rag; Someday Sweetheart; Roy Club Rag; Gershwin medley; Caravan; Out of the Ragbag medley; Victory Roll Rag; Oasis; South American Way; I threw a Kiss in the Ocean; At the Crossroads; A Sultan goes to Harlem; Jungle Bird; Andalucia; Sans ton Amour; Sulla Laguna; Pianolo; Estrellita. Sanctuary Group Living Era AJA 5490. With musicians like Coleman Hawkins and the full bands of Howard Jacobs, Lew Stone, Harry Roy, Bert Ambrose and Carl Barriteau one can hardly fail to be impressed with this new disc. Before he switched more to light music Stanley Black was a true jazz and dance band favourite, arranging as well as composing and playing the piano. These 25 tracks are amongst his very finest. Edmund Whitehouse

BOB SHARPLES ORCHESTRA Dimensions in Sound Tuxedo Junction, Singing the Blues, Mack the Knife, The Whistler and his Dog, Strike Up the Band, Rocket, Satin Doll, Trolley Song, etc. Contrasts in Hi-Fi On the Road to Mandalay, Will You Remember, By the Bend of the River, Giannina Mia, A Perfect Day, Donkey Serenade, Sylvia, Sweethearts etc. Vocalion CDLK4169. This is another of Vocalion’s excellent value 2-CD packages, offering 2 CDs for the price of one, simply because the two LPs combined last too long to squeeze on to one CD. Rather than cut some tracks (which less honourable record companies might do), Mike Dutton ensures that these reissues are the genuine article. Dimensions in Sound was released in August 1960, and it sounds like a dry-run for Decca’s Phase 4 Stereo, which was launched with much publicity two years later. The instruments are well separated, and I was amused by the comment about Rocket in the original sleeves notes from the LPs producer Ray Horricks: "The sound is quiet, but a good cartridge will separate the instruments." Today we have learned not to want too many gimmicks, so the question has to be – does the music rise above the sound engineer’s games? Just about, although I have to admit that the sound is spectacular! Contrasts in Hi-Fi (released December 1957) was just too soon for stereo, although the arrangements often sound like it ought to be. ‘Contrasts’ is the operative word, because this LP contains so many different styles that one wonders at times what Bob Sharples is up to. Dennis Brain (French horn) and Bobby Pratt (trumpet) are featured soloists on some tracks, and there are four vocal numbers featuring The Sandmen (who actually include girls!). After the initial shock, I think that this CD is likely to grow on you. It’s worth adding to your Christmas ‘wants’ list. David Ades

FREDDY GARDNER and his Golden Tone Saxophone I Only Have Eyes for You, I’m In the Mood For Love, Roses of Picardy, These Foolish Things, Valse Vanité, Body and Soul, Softly as in a Morning Sunrise – plus 19 more Sanctuary Group Living Era CDAJA5454, 77:12 mins. The seven tracks listed above are the last ones on the CD, and they all feature the magnificent playing of Freddy with the Peter Yorke Orchestra, recorded only a few years before his untimely death on 26 July 1950, aged only 39. The other tracks date from 1935 onwards, and showcase Freddy with various small groups and also his larger swing orchestra. There are also five sides from Decca’s Music While You Work wartime series played by Freddy Gardner and his Messmates. Keen fans may already have some of these 78s on other reissues, but this new attractive collection shouldn’t be ignored. David Ades

RADIO AND TELEVISION MEMORIES No. 3 London Calling (Eric Coates), On a Spring Note (Sidney Torch), Bowin’ and Scrapin’ (Reg Casson), Rippling Waters (Donald Thorne), Muse in Mayfair (Vivian Ellis), Table Talk (Dolf van der Linden), Pastoral Montage (Gideon Fagan), Downland (Cecil Milner), Non-Stop (John Malcolm), Cavalcade of Youth (Jack Beaver) etc… This England (Evergreen Melodies) CR4. Sorry there isn’t room to list the contents in full, but a glance at the list will confirm that this CD is packed with light music favourites. In total there are 36 tracks, and some of them are brief extracts from actual shows such as Have a Go, Journey Into Space and Much Binding in the Marsh. Even if you have some of these titles already (and most of you will), it’s always nice to hear them played in a different order, with the additional surprises squeezed in! David Ades This England CDs cost £8.95 (which includes UK postage). Write to: Evergreen Melodies, PO Box 52, Cheltenham, GL50 1YQ, England – tel. 01242 515156 or online at  Credit cards accepted.

DAVID ROSE AND HIS ORCHESTRA Plays Gershwin & Kern Liza, Summertime, Man I Love, Embraceable You, Love Walked In, A Fine Romance, American in Paris, Long Ago and Far Away, Somebody Loves Me, Fascinating Rhythm, Make Believe, In Love In Vain, Song is You, Why Was I Born, etc… (Australia) Frank Bristow FBCD92, 79:46 mins.

DAVID ROSE AND HIS ORCHESTRA A ‘Mrs Miniver’ Rose Almost Like Being in Love, Don’t Fence Me In, I Got Rhythm, Hot Canary, El Relicario, Academy Award Medley, Pink Champagne, Ain’t Misbehavin, Little House on the Prairie, Rustle of Spring, Alone Again Naturally, King & I Medley, etc..(Australia) Frank Bristow FBCD97, 77:57 mins. Anyone who knows and loves the music of David Rose, George Gershwin and Jerome Kern will know what to expect from the first of these two CDs, an immaculate performance of some of the best standards of all time which needs no further description from me. I have to admit that the "Mrs. Miniver" reference in thre second obscure title is completely lost on me; the record itself is a blend of twelve David Rose originals done for the World and Muzak companies, presumably for background music, including links of less than one and a half minutes. There are also two tracks, Bewitched and Over the Rainbow, from the Standard label and four Rose compositions from his affiliation with Capitol. Not the best CD from the Rose Orchestra by any means, but a well-varied and contrasted programme that should satisfy almost everyone.Arthur Jackson

FROM THE BOSWORTH LIBRARY Isn’t it a Happy Day, Ivory Antics, Petals, Rain or Shine, Doctor’s Orders, Red Poppies, April Day, etc… (Australia) Frank Bristow FBCD100, 79:08. The Bosworth Library is believed to have started issuing mood music 78s in 1936, to be quickly followed by Boosey & Hawkes. Frank Bristow has collected together 29 sides which I believe all date from the 1930s. When people like Chappell arrived on the scene most mood music was played by a full light orchestra, but many of these early 78s feature small ensembles (no strings) by groups such as the Ragamuffin Syncopators and the Pall Mall Revellers. It’s rather like the kind of music that accompanied the antics of Laurel and Hardy in their first talkies. Anyone with an interest in the history of mood music will want to add this to their collection. David Ades

THE STORY OF TWO LOVES Manhattan Tower Gordon Jenkins Orchestra & Chorus; Atlantic Crossing Ferde Grofé and New Symphony Orchestra. (Australia) Frank Bristow EXCD37, 76:17 mins. Two narrative stories you may remember from the earliest days of microgroove, one of which at least has developed legendary status over the last 50 years. This is, of course, Gordon Jenkins’Manhattan Tower which, despite criticism, stands alone in its subject matter and musical content as one of the finest ’concept’ albums ever produced. First appearing in 1945 on Brunswick 78s (and later on LP) of only 17 minutes’ duration, Manhattan Tower was recreated and augmented by Jenkins as a 48-minute LP under his new Capitol contract, and it is this ‘Hi-Fi’ version that Frank Bristow has elected to use here (obviously it’s not the sort of thing Capitol itself would ever reissue!). I vaguely remember Ferde Grofé’s Atlantic Crossing being issued on Decca LK4037 circa 1950/51, but I never had it in my collection. It is interesting to have as a fill-up to Manhattan, but even to a long-term Grofé admirer it cannot be more than a footnote in his career. Narrated by Anton Dolin and authoress Ethel Levane, it tells a nostalgic story of two Americans finding love in London and Paris, but one can’t help feeling that the whole thing might have been better without the (mostly incomprehensible) dialogue, and letting the music, such as it is, speak for itself. Arthur Jackson

Frank Bristow’s CDs are only available by writing to him at: 2 Cross Street, Brighton, Victoria, 3186, AUSTRALIA or by sending an e-mail to him at:  Arrangements can be made for British members to pay with a sterling cheque.

LEROY ANDERSON Classical Juke Box Syncopated Clock, Chicken Reel, Fiddle Faddle, Serenata, Sleigh Ride, Irish Suite, Saraband, Promenade, Trumpeter’s Lullaby, Jazz Legato – Jazz Pizzicato, A Christmas Festival Arthur Fiedler and the Boston Pops Naxos 8120649. In the past few years there have been several fine CDs of Leroy Anderson’s music, which must affect the sale potential of each new entrant on the scene. The emphasis here is on his original compositions and arrangements performed by the Boston Pops between 1947 and 1950. This compilation was in the safe hands of David Lennick and Graham Newton, so you can be reassured that the sound quality is vastly superior to some of the recent ‘vintage’ releases from Naxos. David Ades

New from Apollo Sound:

CAREY BLYTON Film Production Music Volume 2 Capital City, Flying Birds, The Living River, The Goshawk, Revenge of the Cybermen, Death to the Daleks, etc… Apollo Sound APSCD225, 55:49 mins.

TEST CARD MUSIC Vol. 9 Melancholic Rock, Just a Game, David, Disco Girl, It’s Incredible, Dream On, etc… Apollo Sound APSCD 231, 56:16 mins.

THE MOZART LOUNGE Vol. 2 The Swingers, Tampico, My Credentials, Alter Ego, Three Dogs, Curriculum, Street Waltz, etc… Apollo Sound APSCD 232, 50:06 mins.

These three new CDs from Apollo Sound will be warmly received by the many keen collectors who have welcomed the feast of lounge (or whatever you care to call it!) music that has been resurrected from the archives in recent years. Firstly there is the eagerly awaited second volume of original compositions by Carey Blyton, whose death in July 2002 we sadly reported in JIM 153 (page 58). The first half concentrates on Carey’s work on documentary films, many of them covering wildlife subjects for organisations such as the Royal Society for the Protection of Birds. Often a small group featuring mainly woodwinds seems best suited to subjects like this – an area in which Carey excels. The second part of the CD visits his music for TV plays, notably Doctor Who (around 17 short tracks) so the fans of this cult series will be delighted. A surprising inclusion is the familiar Associated Rediffusion station ident from 1966, introducing Carey’s score for "Julie’s Gone". Mention must be made of the impressive 20-page booklet which goes into incredible detail regarding both the composer and his music. A most impressive release.

Next we move on to the ninth in Apollo’s best known series – Test Card Music – and this time all the tracks are from Apollo Sounds’ own archive, having originally appeared on their LPs. The vast majority were recorded in European radio studios during Heinz Herschmann’s frequent (and very productive) tours of the continent, often in countries which were then on the other side of the iron curtain. Names such as The Polish Radio Orchestra, the Franz Thon Big Band, the Budapest Radio Orchestra and Joze Privsek, will be familiar to the growing band of collectors who eagerly devour each new issue. Waving the union jack are Simon Gale and Richard Frank. Here are 20 tracks that will rekindle nostalgic memories of the days when television didn’t invade our homes non-stop for 24 hours each day!

Finally, for this time, we have the second volume from the archives of Mozart Edition (GB) Ltd who (like Apollo) often recorded in Europe. The 19 tracks include a variety of sounds from Hans Hammerschmidt, Borgazzi Fabio, Mario Mellier, Maria Augusta Bruni, De Vera, Sapabo etc… These names will be known to aficionados, and such is the cult status of this kind of music that Apollo have bowed to the wishes of their loyal customers by making some of these CDs also available on vinyl. The ensembles range in size from a trio to a big band and chorus. Of course this isn’t light music – it is best described by the CD cover which calls it Groovy and Scat! David Ades

PETER YORKE AND HIS CONCERT ORCHESTRA featuring FREDDY GARDNER and *STEVE CONWAY "Melody of the Stars" Melody of the Stars; "Till The Clouds Roll By" – Look for the Silver Lining, All the Things You Are, I Won’t Dance, Smoke Gets in your Eyes, Who, Old Man River; These Foolish Things; "Carnival in Costa Rica" – Costa Rica, *Another Night Like This, I’ll Know it’s Love, *Mi Vida; Humpty Dumpty, "Blue Skies" – Blue Skies, You Keep Coming Back like a Song, Getting Nowhere, White Christmas; Dawn Fantasy (featuring Arthur Sandford, piano); "The Time The Place And The Girl" – Gal in Calico, Through a Thousand Dreams, A Rainy Night in Rio, Oh But I Do; How Deep is the Ocean; "It’s Magic" - *It’s Magic, Run Run Run, Put ‘em in a Box, *It’s You or No One; I Only Have Eyes for You; "Night and Day" – Night and Day, Begin the Beguine, Let’s Do It, What is this Thing Called Love, My Heart Belongs to Daddy; *No Orchids for my Lady; "Bambi" – Love is a Song, Let’s Sing a Gay Little Spring Song, Looking for Romance Little April Shower, Love is a Song; Gentle Maiden; "Look for the Silver Lining" – Look for the Silver Lining, Kiss in the Dark, Who, Time on my Hands, Sunny. Sanctuary Group Living Era CDAJA5501.

ERNEST GOLD and BERNARD HERRMANN Film Themes of Ernest Gold It’s a Mad Mad Mad Mad World, The Young Philadelphians, Judgement at Nuremberg, The Last Sunset, Inherit the Wind,Pressure Point, A Child is Waiting, On the Beach, Saddle Pals, Exodus, Too Much Too Soon.London Festival Orchestra conducted by Ernest Gold. The Great Movie Thrillers Psycho, Marnie, North by Northwest, Vertigo, A Portrait of Hitch (from The Trouble with Harry). London Philharmonic Orchestra conducted by Bernard Herrmann. Vocalion CDLK4178.

RONNIE ALDRICH Two Pianos – Today You Only Live Twice, A Whiter Shade of Pale, Georgy Girl, Something Stupid, A Man and a Woman, My Cup Runneth Over, Don’t Sleep in the Subway, Release Me, Barefoot in the Park, Alfie, Music to Watch Girls By, This is my Song Soft & Wicked Last Tango in Paris, You’re so Vain, Aubrey, Tie a Yellow Ribbon, Clair, Call Me, Goor Time Charlie’s Got the Blues, Oh Babe What Would you Say, Killing me Softly with his Song, Last Song, Theme from ‘The Valachi Papers’, It Never Rains in Southern California with the London Festival OrchestraVocalion CDLK4188.

STANLEY BLACK Some Enchanted Evening Falling in Love with Love, The Man I Love, So in Love, The Desert Song, Why Do I Love You, Body and Soul, Easy to Love, I’ve Got You Under my Skin, The Night is Young and You’re so Beautiful, All the Things you Are, Some Enchanted Evening, Love for Sale, Lover Come Back to Me, You and the Night and the Music Summer Evening SerenadeGaviotta, Serenade to Eileen, Siciliano, From Here to Eternity, Memory, Desire, Starlight Serenade, Carnet de bal, Le Grisbi, Magic Circles, Melody of Love, Estrellita del sur. Vocalion CDLK4186.

JOHNNY DOUGLAS AND HIS CONCERT ORCHESTRA "Just Pure Gold" Catch a Falling Star, The Storry of a Starry Night, A Wonderful Guy, La Vie en Rose, Cherokee, Hello Young Lovers, All in a Golden Afternoon, I Feel Pretty, The Song is You, Oh What a Beautiful Morning, Seven Golden Bells, A Summer Place, Allez-vous en Go Away, Green Leaves of Summer, Carousel Waltz, I Still See Elisa, When I’m Not Near the Girl I Love, Lucy’s Theme from ‘Parish’, The Girl That I Marry, Out of my Dreams, This Nearly Was Mine Dulcima DLCD119. 21 tracks arranged by Johnny Douglas taken from his Decca LPs ‘Golden Strings’ and ‘The Broadway Waltzes’.

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About Geoff 123
Geoff Leonard was born in Bristol. He spent much of his working career in banking but became an independent record producer in the early nineties, specialising in the works of John Barry and British TV theme compilations.
He also wrote liner notes for many soundtrack albums, including those by John Barry, Roy Budd, Ron Grainer, Maurice Jarre and Johnny Harris. He co-wrote two biographies of John Barry in 1998 and 2008, and is currently working on a biography of singer, actor, producer Adam Faith.
He joined the Internet Movie Data-base ( as a data-manager in 2001 and looked after biographies, composers and the music-department, amongst other tasks. He retired after nine years loyal service in order to continue writing.