The KT Editor’s CD Choice

CAROL JARVIS Smile What are you doing on New Year’s Eve; When you wish upon a star; Carol’s Tune; How high the moon; Polka dots and moonbeams; But beautiful; Caravan; Sång till lotta; Night and day; Alfie; For absent friends; Tico-Tico; Principal uncertainty; Spain; In the wee small hours of the morning; Smile Divine Art Diversions DV 24150 [62:47] This is something special. Acclaimed trombonist Carol, who our 12-year-old granddaughter describes as "well pretty", graduated from the Royal Northern College with the highest qualification possible and is now a member of the faculty at Trinity College in London. Since 2004, when she was in her mid-20s, she has been fighting ─ and how ─ the disease of Hodgkin’s Lymphoma involving pioneering treatment. Yet she has maintained her position as one the UK’s leading instrumentalists. She recently learnt that a school in London has a class named after her due to her story. Carol herself says "that a cancer diagnosis doesn’t have to be a death sentence. It can be a very dark and lonely place but it also opens your eyes to the world. If anything my life is so much better since that diagnosis as I don’t take anything for granted anymore and treasure even the smallest things." Miss Jarvis’s rich as molasses timbre is well suited to a choice selection of tunes, some jazz tinged. The languorous opening track is a Frank Loesser number new to me. Sång till lotta was written by Jan Sandstrom for a friend’s young trombone playing daughter on her birthday. [I understand she now works for the United Nations sanstrombone!] Jimmy Van Heusen’s But beautiful is arranged by Miss Jarvis. She is accompanied throughout by 34 hand-picked musicians, including her pianist brother James, led by Cynthia Fleming. The conductor is Roderick Dunk, who also wrote Carol’s Tune and arranged a number of the tracks: my favourite being the Ellington classic with its clever quotation from Borodin’s In the Steppes of Central Asia used as an intro. I like, too, the staccato start to Tico-Tico. The front of the CD booklet has a Rolf Harris painting of Carol called "Golden Girl" donated by the artist. At least £1.50 + VAT of each CD sold will go towards Macmillan Cancer Support. On grounds of both musicality and contributing to such a worthwhile cause, I hope that JIM readers will not think twice about adding this admirable mid-price album to their collection.

BRITISH CINEMA AND THEATRE ORCHESTRAS – Volume 3 For full tracklisting please see pagexx of this issue GLCD 5168 [79:23] In this latest of the Guild Light Music Series to come my way, prepare yourself for a feast of "get-up-and-go" light music that was an every day "listen to" once ─ but sadly has gone the way of the dinosaur as far as the BBC is concerned. The London Palladium Orchestra conducted by Clifford Greenwood gets the show on the road with a bright and breezy selection of music from productions that have graced the Palladium stage up to when the original recording was made in 1939. It was issued as Palladium Memories but compiler David puts forward the theory that the two sides of the 12" HMV 78 were accidentally reversed in the pressing stage. His full notes in the booklet make interesting reading. After this energetic ‘overture’ the Commodore Grand Orchestra conducted by Joseph Muscant on an Edison Bell Winner recording of 1932 (yes, really) play Leon Jessell’s well known Wedding of the Rose, followed by Arthur Anton conducting the Paramount Theatre Orchestra of London in Waldteufel’s valse militaire, The Grenadier, with Al Bollington at the organ. Another selection, Vincent Youmans’ Hit the Deck is next, played in a spirited performance by the London Hippodrome Orchestra conducted by Joseph Tunbridge and recorded, would you believe, in 1927? It ran for 277 performances. Walter Collins was a composer/conductor I’d love to know more about as he composed and conducted a varied selection of attractive and catchy pieces for the Paxton Library in the 1940s, and I believe he was the musical director of the De La Warr Pavilion in Bexhill-on-Sea earlier in his career. This digressing is caused by track five which has Richard Crean and The London Palladium Orchestra playing what must be Walter Collins’s most popular light composition, Moontime. I’ve got two or three different recordings of it. Now here’s one to take note of on track six: Perfection by J H White, (unknown to me) and played by the Commodore Grand Orchestra, again conducted by Joseph Muscant ─ but it’s the brilliant solo trumpet playing of Albert Coupe, coupled with Alan Bunting’s restoration of this 1933 Edison Bell Winner disc that really makes one sit up. Quite stunning! Another bright and breezy selection played by the Adelphi Theatre Orchestra conducted by Francis Collinson, Home and Beauty by Nicholas Brodszky, is next and it ran for 128 performances, although I think most people would associate Brodszky with the film world. A novelty number by Theo Bendix, The Busy Bee, (nothing to do with Arthur Askey) and played by The Plaza Theatre Orchestra conducted by Frank Tours is a catchy piece as is Les Sylphides by Oliver Cussans and played by The London Palladium Orchestra, Richard Crean conducting. This piece is also in the Boosey and Hawkes Mood Music catalogue. Eduard Kunneke’sThe Song of the Sea selection is played by His Majesty’s Theatre Orchestra, the composer conducting, and regular purchasers of Guild Light Music discs will already have three movements from his Dance Suite. The music from this show is, I think, most impressive and the production ran for 158 performances in 1928. Herman Finck was a prolific composer of highly tuneful light music and the Plaza Theatre Orchestra conducted by Frank Tours recorded his A la Gavotte on a Columbia disc in 1929. It’s one of Two Little Dances, the other being A La Minuet. Really delightful! The Commodore Grand Orchestra with regular conductor Joseph Muscant, but this time from a Regal Zonophone recording of 1934, gently waltz onto the stage with Carl Zimmer’s What the Forest Whispers; then the London Palladium Orchestra play The Valley of the Poppies ─ a catchy number by Charles Ancliffe, usually known for his marches and waltzes although, as noted previously, he has a number of "mood" pieces in the Bosworth Archive catalogue. Frantisek Drola’s Serenade played by The Paramount Theatre Orchestra and Chanson (In Love) by Rudolf Friml from Frank Tours and the Plaza Theatre Orchestra lead up to the penultimate track which is Paul Lincke’s Beautiful Spring, played by the Regal Virtuosi conducted by Emmanuel Starkey with Sidney Torch at the organ. David’s booklet notes tells us that the Virtuosi is actually the second orchestra used by the Regal Cinema and half the size of the original ─ and doesn’t seem to have lasted long. Finally, the curtain comes down on a selection of Emmerich Kalman’s score to Countess Maritza, played in fine style by the New Coventry Hippodrome Orchestra conducted by William (Bill) Pethers. But, unlike the Regal Virtuosi, this theatre orchestra lasted much longer ─ after which the Hippodrome became a Bingo Hall, finally being demolished in 2002. Rather a sad note to end on but a super selection of tunes all the same! Ken Wilkins

Carol is thrilled to have the opportunity

THETTOMMY DORSEY ORCHESTRA starring WARREN COVINGTON Tea For Two Cha Chas Tea for two cha cha; Por favor [Please]; Patricia; I still get jealous – Cha cha; Corazon de melon; Dardanella – Cha cha; Rico Vacilon; I want to be happy cha cha; Together 1-2-3; Trumpet cha cha cha; Dinah- Cha cha; Cha cha for Gia/ More Tea For Two Cha Chas Tea for two cha cha No.2; An occasional man; Santa Isabel De Las Lajas; Dream; Everybody’s cha cha; Santiago de Cuba; Sweet and gentle [Me lo dijo adela]; Nunca; Don’t worry ‘bout me; Silencio; The Sheik of Araby – Cha cha; Esto es Felicidad Sepia 1142 [63:05] I think this is the first orchestral CD I have encountered from this source and it’s a good ’un. Tommy Dorsey died in 1956 and a couple of years later the brilliant trombonist Warren Covington was invited to succeed him. The first album on this 2-on-1 was their first LP recording and the second came in 1959. The orchestra comprises four trumpets [including Covington], three trombones, four saxophones, clarinet, piano, bass and drums. They make a fine sound, brilliantly re-mastered by Robin Cherry. Some might think that just over an hour of cha cha rhythm is too much of a good thing but you don’t have to play all the tracks straight off. I enjoyed every minute of it and if I did not have two right feet [I’m a "leftie"] would probably appreciate it even more for being eminently danceable to. Peter Burt

 

DENNIS FARNON AND HIS ORCHESTRA Caution! Men Swinging & The Enchanted WoodsCaution! Men Swinging; Spring Will Be a Little Late This Year; Lover Come Back To Me; Shoo-Shoo Baby; Just You, Just Me; Isle Of Capri; South Of The Border; It Don't Mean A Thing (If it..); Why Don't You Do Right; Three Little Words; Resume Speed / Among My Souvenirs; Moonlove; Cecilia; Right as Rain; Fools Rush In; The Lady Is a Tramp; Snowfall; Winter Wonderland; If You Are But a Dream; I Hear a Rhapsody; Day by Day Vocalion CDNJT 5312 [77:44] Dennis Farnon recordings have always been scarce, and vinyl copies of the these two albums have been notching up some fair prices on Internet dealer sites, so this new 2-on-1 reissue from Dutton is particularly welcome. ‘The Enchanted Woods’ is an intriguing collection because Dennis uses only woodwinds and rhythm on a fine collection of standards featuring on one track, Right as Rain, a sax solo from brother Brian Farnon. There is humour to be found on Cecilia and The Lady is a Tramp. In contrast ‘Caution! Men Swinging’ is pure jazz and features two original numbers from Dennis [Caution! and Resume] plus great standards all played immaculately by some of the best West Coast musicians of the time, many of whom featured on so many recordings of the day. Faultless re-mastering by Mike Dutton brings out all the detail. It's sad that Dennis never returned to big band recordings of this nature, because this is an example of just how good it can get. This CD deserves a place in your Farnon collection.Albert Killman

ANDRE KOSTELANETZ & HIS ORCHESTRA Gershwin, Kreisler, Rachmaninov Love walked in; A foggy day; S’wonderful; Fascinatin’ rhythm; The man I love; Someone to watch over me; Medley: I got rhythm, But not for me, Embraceable you, Wintergreen for President, Promenade; Porgy and Bess Medley; Strike up the band; Tambourin Chinois; Caprice Viennois; The old refrain; Stars in my eyes; Melodie in E; Piano Concerto No.2; 18th Variation on a Theme of Paganini Sounds of Yesteryear DSOY 798 [67:44] Listening to this lush recording brought back happy memories of playing my father’s 78s back in the early fifties. All memorable tunes with one in particular, Fritz Kreisler’s Stars in my eyes, played many times with steel needles becoming almost transparent. Michael Highton’s informative notes worth the price of the CD alone! As I said when reviewing Kosty’s‘Richard Rodgers’ CD, Dick O’Connor’s article on Kostelanatz arrangers in JIM December ‘07 is a mine of information. Paul Clatworthy

STRINGS IN RHYTHM For full tracklisting please see page xx of this issue Guild GLCD 5167[77:57] I thought this sounded a good collective title for this Guild release and it certainly begins with a fiery opening courtesy of Percy Faith and his Orchestra and Victor Herbert’s Habanera from ‘Natoma’ ─ a cracking start. Frank Chacksfield and his Orchestra follow with a fine arrangement by Roland Shaw of Swinging on a Star. If you only remember Victor Silvester’s strict tempo dance style, his Silver Strings make a really super job of Cole Porter’s You do Something to Me on track three, followed by Gordon Jenkins and his Orchestra with his own composition In the Heat of the Day. There are names that crop up on these Guild Light Music releases that I’m afraid I’ve never heard of and the next two are prime examples of my ignorance: J. George Johnson whose composition Greenwich Village is played by the New World Theatre Orchestra, and Eros Sciorilli. His (?) lively tuneful piece,La Colpa Fu, is played by the Orchestra of the 6th San Remo Festival conducted by George Melachrino. Brass and piano vie with the strings of the Philip Green Orchestra in a relaxing version ofIn a Sentimental Mood; however, the mood changes abruptly with Georges Boulanger’s Da Capo, in a spirited performance by Hans-George Arlt and his Orchestra ─ it really sets the pulses racing. Paul Weston and his Orchestra play In Love in Vain by Jerome Kern from the 1946 Technicolor filmCentennial Summe, starring Jeanne Crain and Cornel Wilde, "a pleasing family comedy with music" according to Halliwell. Noel Coward’s well known Poor Little Rich Girl, in an arrangement by Peter Yorke and played by his Orchestra, is next; but this is followed by a not so well known piece, Sunset on the Tiber, by Dave Dexter (and here’s another example of my ignorance) neither of which I’ve heard of, but the music is a nice catchy piece played in a very smooth manner by Norrie Paramor and his Orchestra, from 1959. While listening to Carmen Dragon and the Capitol Symphony Orchestra playing La Cumparsita, I noticed in the play list Neapolitan Nights Mambo, played by Monty Kelly and his Orchestra, one of the composers being Zamecnik, a name that crops up frequently in early recorded mood music. So I was rather interested to read more about him and to discover John Stepan Zamecnik had written over 2,000 compositions, mainly for the Sam Fox Co. during his lifetime, 1872 to 1953. This particular number was used as the theme music for a silent film, "Fazil" (1925). Pepe Gonzalez and his Orchestra set the feet a-tapping with a spirited performance of La Cucaracha on a Brunswick disc of 1957 as does Otto Cesana with his own piece Let’s Beguine on a Columbia recording of two years earlier. Wonderful sound recording from that era, enhanced by Alan Bunting’s magical touch. Dolf van der Linden and his Orchestra (as Van Lynn) with a delicate piece by Joseph Francois Heyne La Petite Gavotte, is on track twenty two. Would they be the same players who formed the Metropole Orchestra and also recorded for the Paxton Library? Werner Muller and his Orchestra (as Ricardo Santos and his Tango Orchestra) bring this fine collection of light music almost to a close with Jacob Gade’s Glamour-Tango, a worthy successor to his Jealousy. Lastly, theFireworks Polka by Johann Strauss arranged by Robert Farnon (on the label, Jack Saunders) and played by his Orchestra. As the orchestra struck up I thought we were in for The Loveliest Night of the Year, then the fireworks really began. It wouldn’t have been out of place in a New Year’s Day Concert from Vienna. Great stuff! Ken Wilkins

WERNER TWARDY The Fantastic Sound of Werner Twardy 26 tracks incl. Merry Go Round; Ramona; Blueberry Hill; Siberia; Lovely Lady; It’s a lonesome old town; On a Persian market; I’m in the mood for love; Avant de mourir; The more I see you; Always; Old Man Moses … Polydor 06007 5324561 [77:01] Most of the CDs I review have to be bought [a fact reflected in my bank balance!] but sometimes a "freebie" comes my way and this is one of them. The liner notes are nearly all in German but I have discovered that Herr Twardy [1926-77] worked with the Kurt Edelhagen Band as arranger and composer before leading his own orchestra. It seems that only two tracks are by Orchester Werner Twardy [my German not being up to finding out whether they accompany on the others] but the maestro is responsible for all the arrangements, which are mainly tracks taken from Polydor’s ‘In Gold’ series with Hammond organist T.W.Ardy (sic), trumpeters Horst Fischer, Heinz Schachtner and Leif Ulvemark, trombonists Otto Bredl and Jiggs Whigham, clarinetist Henry Arland, and pianists Fritz Schulz-Reichel and Werner himself, with the Gunter-Kallman Choir on nine tracks. The spine of the jewel-box spine refers to "Jazzclub/Easy" and the fact that the album found a degree of favour with two visiting pre-teen grandchildren for dancing to will give you some idea of what to expect. It’s sorta-James Last and at budget price I’ll be surprised if the album does not make you feel happy, too. Peter Burt

JOSHUA BELL At Home With Friends I loves you Porgy; Come again; Oblivion; Cinema Paradiso; Para Ti; My Funny Valentine; Maybe so; Grieg: Violin Sonata No.3, Movement II; Eleanor Rigby; Rachmaninoff: O, cease thy singing, maiden fair, Op.4, No.4; Il Postino; Left Hand Song; Chovendo Na Roseira; Look away; Variant moods: duet for sitar and violin; I’ll take Manhattan; White Christmas Sony Classical 88697554362 [77:37] Chosen by David Mellor on Classic FM as his "Crossover CD of the Year" for 2009, you get what it says on the tin. Classical violinist Joshua Bell joins with some friends on 17 eclectic tracks including Sting [singing Dowland], vocalist Josh Groban, sitar player Anoushka Shankar, trumpeter Chris Botti and pianist/arranger Marlin Hamlisch. Oblivionby Astor Piazzola and Il Postino both feature Carel Kraayenhof playing the bandoneon [a type of concertina popular in South America]. The most fascinating track is the Grieg piece which, by the wonders of modern technology, Bell recorded in July last year with accompaniment at the piano by one Sergei Rachmaninoff, recorded in September 1928! Altogether a disc that is a bit "different" but musically rewarding. Peter Burt

A TOUCH OF CLASS [Four Hands At One And Two Pianos] Rachel & Vanessa FuidgeMilhaud: Scaramouche; Gershwin arr. H Levine: Rhapsody in Blue; Saint-Saens arr. composer: The Carnival of Animals; Philip Lane: Badinages 1 - Mouvement Perpetual; Grieg: Norwegian Dance No.2; Anitra’s Dance; Casella: Puppets; Camilleri: Paganiana; Paola di Biase: Duo Tango; Leroy Anderson:Fiddle Faddle Divine Art DDV 24146 [70:40] Whether to play or hear, piano duets are fun. These players, identical twins born in Glossop in 1988, clearly find them so and the freshness and bloom of their work ensure that we do, too. The Milhaud, unique here in being a two piano work, Gershwin and Saint-Saens are the most recent recordings [2009]. By themselves they would have offered short measure, so the other tracks are taken from an earlier CD, now deleted, made by Dunelm Records in 2005 when the twins were still at school. These latter tracks offer less well-known but equally tuneful items from the duet repertoire. Fine recording; the sense of musical enjoyment is something to treasure. Philip L Scowcroft

PHIL KELSALL Welcome To My World Imperial Echoes; Second Waltz [Shostakovitch]; The Cactus Polka; Vera Lynn Medley [Part 1]; George Gershswin Medley; You raise me up; I’ve got the world on a string/Welcome to my world/What a wonderful world; La Danza; That’s amore/My resistance is low/Que sera sera; Limehouse Blues/Vera Lynn Medley [Part 2]; Wurlitzer March; Jerome Kern Medley; Russian Rag; Jerry Herman Medley; Noel Coward Medley; Twelfth Street Rag Grasmere GRCD 132 [70:08] This album, only recorded in January, celebrates 75 years of the distinctive sounding Blackpool Tower Wurlitzer organ from the current ─ and for the past 35 years ─ king of its keyboard. Available at mid-price, it is a very pleasant selection of nicely varied items. What a potent tune You raise me up is. Based on the Londonderry Air, it has been recorded more than 125 times and become popular at funerals and memorial services, and is well-suited to the Wurlitzer. Peter Burt

A BREEZY BALLAD Songs and Ballads of Haydn Wood Shae Apland [bass-baritone], Sharon Wishart [piano], Marissa Famiglietti [soprano], Marjorie Cullerne [violin] A Breezy Ballad; The Little Ships [Dunkirk 1940]; The Stars Looked down; Khaki and Gold; Casey the Fiddler; Think on these Things; I Bless the Dawn; I Love Your Eyes; Roses of Picardy; Memories of Yesterday; Bird of Love Divine; Three Sea songs: The Call, Ship o’ Mine, The Sea Road; Fairy Water; This is My Dream; Prayer in the Desert [A Soldier – His Prayer]; A Rose Still Blooms in Picardy; Somebody’s in Love With You; Love’s Garden of Roses; The Foray; The End of the World [A Manx Spiritual]; Your Prayers Are Asked; This is the Song of Life [67:39] Haydn Wood wrote many ballads and some more serious songs [his wife Dorothy Court was a popular soprano]. His 50th anniversary last year brought forth two song CDs, by Peter Dempsey and Guy Rowland and this one, from Canada, which luckily overlaps relatively little ─ even Roses, present on both, appears here in its otherwise unavailable duet version. The principal singer, Shae Apland, a virile-sounding bass-baritone clear and fresh in delivery, is positively accompanied by Sharon Wishart. I could have done with hearing more of Miss Famiglietti ─ perhaps in songs written for Dorothy Court ─ as she is only heard in the Roses duet, but the CD is pleasantly varied: many "outdoor" songs like the grimly portentous The End of the World and others [KhakiShips and Prayer] which between them recall two World Wars; the disc spans the period 1910-50. We hear Bird with Wood’s violin obbligato played by his great-niece Marjorie Cullerne, who has devised obbligati for Casey and Love’s Garden. Recommended heartily. Philip L Scowcroft

[Available at £15.00 from www.haydnwoodmusic.com]

GRACIE FIELDS Our Gracie : The Best Of Gracie Fields Gracie’s Requests: Sally – My Blue Heaven – Looking on the bright side; When I grow too old to dream; Wish me luck [as you wave me goodbye]; Walter, Walter lead me to the alter; Red sails in the sunset; Danny boy; A nice cup of tea; Indian Love Call; Little old lady; Love walked in; Sing as we go*; That old feeling*; Irving Berlin Medley*: This year’s kisses – The song is ended – How deep is the ocean; Lancashire Blues*; Smile when you say goodbye*; The biggest aspidistra in the world; Pedro the Fisherman; Bless this house; Oklahoma! Part 1: Oh, what a beautiful mornin’! – The surrey with the fringe on top – People will say we’re in love; Oklahoma! Part 2: I cain’t say no – Out of my dreams – Oklahoma!; How are things in Glocca Morra?; He wooed her and wooed her and wooed her; Take me to your heart again [La vie en rose]; Now in the hour; Gracie Fields featuring Jane Horrocks "Now is the hour" Decca 5324560[79’43"] Following the very successful showing last autumn of the BBC4 drama ‘Gracie’, starring Jane Horrocks, and no doubt hoping to emulate their 2009 best-selling collection from Vera Lynn, Decca bring us a selection of Miss Fields’ best known recordings, plus five [see * above] which have never been released before. These new tracks were taken from Fairy Soap radio programmes made in 1938 that were discovered in a storage facility and saved from destruction. The last track is also fascinating: a duet of Gracie’s biggest chart success, her voice combining with that of Jane Horrocks. Nine of the first ten pre-war tracks were originally on the old Rex label with MDs Jay Wilbur or Fred Hartley. Wish me luck is from a film soundtrack issued by Regal-Zonophone. On the majority of the original Decca tracks the MD is Phil Green although Victor Young wields the baton for Aspidistra, and on La vie en rose Gracie is accompanied by our own Bob Farnon and his Orchestra. Where this new collection scores over previous releases is in the first-rate final restoration and remastering by RFS member Alan Bunting. He was most pleased to be able to do something about an extremely bad edit on the 78 of Wish me luck. Ray Crick is responsible for the compilation and very good booklet notes, although it’s a pity that among other listing errors The Lord’s Prayer track referred to seems to have got lost somewhere along the way! Surprisingly there is not a lot of duplication with the two albums featured in Back Tracks in our March issue. Most enjoyable. Peter Burt

JUDY GARLAND Over The Rainbow : The Very Best Of Judy Garland Over The Rainbow, Stompin’ At The Savoy, You Made Me Love You, Zing! Went The Strings Of My Heart, I’m Just Wild About Harry, Embraceable You, Swanee, I’m Nobody’s Baby, I’m Always Chasing Rainbows, How About You, Blues In The Night, On The Sunny Side Of The Street, For Me And My Gal, When You Wore A Tulip, That Old Black Magic, But Not For Me, I Got Rhythm, The Boy Next Door, The Trolley Song, Have Yourself A Merry Little Christmas, Love, You’ll Never Walk Alone, On The Atchison Topeka And The Santa Fe, Look For The Silver Lining, A Couple Of Swells, Get Happy, Can This be The End Of The Rainbow? Decca 75326184 [77:58] Ray Crick, former manager of ASV’s Living Era label, has already compiled two big sellers for Universal/Decca with his Vera Lynn and Gracie Fields collections. Now it is the turn of Judy Garland, and if Universal fund a similar amount of TV advertising this could well prove to be the most successful of the three. Once again the sound restoration is in the safe hands of Alan Bunting, so I hardly need comment upon the fine quality of the recordings ─ some now incredibly 70 years old (the second track is actually her very first release from 1936 when she was just 14). As for the music, it is a delightful mix of studio recordings and film soundtracks, and many of your own favourites must surely be included. Along the way Judy sings with Gene Kelly and Fred Astaire, and the forthcoming West End production of "The Wizard Of Oz" will certainly rekindle the public’s interest in the original Dorothy. My promotional copy did not include the CD booklet, but I am confident in predicting that it will be full of useful information about her recording career. Top marks to Ray Crick for a delightful collection. I wonder who he will choose next time? David Ades

MARIO LANZA Serenade: A Mario Lanza Songbook 22 tracks incl. Tosti: Marechiare; Toselli:Serenade; Tosti: A vucchella; Di Capua: O sole mio; Fusco: Dicitencello vuie; Padilla: Valencia;Cottrau: Fenesta che lucive … RCA Red Seal 88697573892 [66:34] This is rather a splendid new collection at budget price [I paid under £6 online] of reissues with seven previously unreleased recordings by the celebrated romantic tenor prematurely lost to us at age 38 in 1959. As well as the lovely melodies with titles we may not recognize, included are songs such as SiboneyGranada,Besame muchoMattinataAy-ay-ayBecause and Arriverderci Roma. A number of the tracks were originally recorded for ‘The Mario Lanza Show’ on radio; three of these being introduced by Lanza himself in a voice as mellifluous speaking as it is singing. Conducting duties are shared by Constantine Callinicos and Ray Sinatra. The remastering brings the sound up as fresh as the proverbial paint, and the excellent booklet notes by album compiler Derek Mannering help make a most desirable package. Peter Burt

VERA LYNN Songs From ‘The Vera Lynn Show’ 27 tracks incl. I love to sing; In the middle of an island; When I fall in love; Hey there; Mr Wonderful; No, not much; With all my heart; In the wee small hours of the morning; Witchcraft; Put your arms around me, honey; The last time I saw Paris; Sometimes I’m happy; Only you, I’ll be seeing you … Sepia 1143 [77:15] On 13th September last year, Dame Vera became the oldest living artist to top the UK album chart, at the age of 92. This album of transcribed radio show numbers, the majority of titles never having been recorded commercially, date from 52 years ago ─ although you would never think so from Robin Cherry’s re-mastering. She did, however, record How green was my valley no less than three times: with Mantovani [1941], Robert Farnon [1947], and Geoff Love [1961]. These are tiptop interpretations from one of the finest vocalists this country has ever produced. It is interesting to hear Vera’s "take" on songs associated with other singers, such as True loveMangosTammy, and Love letters. No standout tracks ─ they’re all good! Vera receives stellar support throughout from the well-remembered Eric Robinson and his Orchestra. If you, like me, are a Lynn fan you will need no encouragement to buy this disc. If you have nothing of hers in your collection, then note Tony Middleton’s reference in his detailed booklet notes to Vera’s "perfect diction, attention to lyrics and overall sincerity" and give this disc a spin. You’ll not regret it. Peter Burt

RUNAWAY LOVE Billy Mayerl’s 1930s Show Songs Alex Hassan [piano], Rachel Barrell [soprano], Colin [baritone] 24 tracks incl. Hand in glove; I feel so safe with you; I’ve got a sweetie on the radio; It’s not fair; I know something that you know; Song of the fir tree; Just a little love; A house on a hill-top; Over she goes, Why not, Madame?; Your sunny disposition and mine; Miss Up-To-Date … Shellwood SWCD39 [70:27] Another new release that has come my way, I’m afraid that there is not a track here that I recognize and the shows they come from ─ ‘Charlotte’s Revue’, ‘Love Lies’, ‘Darling I Love You’, ‘Silver Wings’, ‘Nippy’, ‘Over She Goes’, ‘Runaway Love’, etc. ─ are all equally unknown. But I enjoyed it quite a bit with the performers sounding eminently matched to the material. Alex Hassan in his liner notes writes: "There are some soaring melodies here, mixed with a healthy dollop of toe-tapping syncopation." Agreed! It is for the latter, of course, that most of us will know the name of Billy Mayerl. I understand that this album is a follow-up to an earlier release ‘Honeymoon For Three’ [SWCD28]. So if you liked that, you’ll want this. And if Billy Mayerl the songwriter is new to you, then this is another disc to try. Peter Burt

A SONG FOR YOU Favourite Ballads, Songs of Cabaret and Screen and Piano Solos Peter Dempsey [tenor], Guy Rowland [piano] Trotère: I Did Not Know; E. Purcell: Passing By; Bartlett: A Dream; Lohr: Where My Caravan Has Rested; Silesu: A Little Love; Gartner: Trusting Eyes; Brahe: I Passed By Your Window; Penn: Smilin’ Through; Openshaw: Love Sends a Little Gift of Roses; Kennedy Russell: Just Because the Violets; "Lozanne": Dark-Haveh Marie; Schonberger:Whispering; Strickland: Mah Lindy Lou; Grofe: Wonderful One; Donaldson: My Blue Heaven; C. Gibbons: A Garden in the Rain; Lenoir: Speak To Me of Love; Cole Porter: In the Still of the Night; R. Noble: By the Fireside; Spoliansky: My song For You; Piano solos: Coates: Bird Songs At Eventide; F. Hartley: Starry Night; Mayerl: The Song of the Fir Tree ASFY1 [66:30] Fresh from their success with the CDs of Coates, Haydn Wood and Ketèlby songs, Messrs Dempsey and Rowland enjoyably turn their attention to a miscellaneous disc of ballads, etc. by English composers ─ I like particularly those by Trotère, really Trotter [!], Kennedy Russell and Ray Noble ─ and, even more so, American ones, not to mention Italian [Silesu] and French [Lenoir]. Several were written for or incorporated in films; the time scale of the vocal items is 1890-1937. Mr Dempsey’s passionate, incisive tone and clarity of diction [the French in the popular Lenoir song is not quite idiomatic] do well for this repertoire and he is well supported by Mr Rowland, who extends the CD’s scope with three solo tracks, all by British composers. "Lozanne", incidentally, was Canadian-born Alma Rattenbury, accused in 1934 of murdering her husband but acquitted, ‘though she later committed suicide. Philip L Scowcroft[Available from Mr P Dempsey, 44 Victoria Road, Bedford-on-Avon, Warwicks. B50 4AR [e-mail Demsini @ aol.com] at £9.95 incl. p&p]

THE BEST OF THE COLLIERY BANDS The Music Lives On : Now The Mines Have Gone The Champions – Desford Colliery Band; Gallop from William Tell – Grimethorpe C B; Russian Dance – Point of Ayr C B; Concierto de Aranjuez – Betteshanger Brass Band; Songs of the Tyne – Bearpark & Esh C B; He Ain’t Heavy, He’s My Brother – Hatfield Powerfuel C B; New World Symphony – Grimethorpe C B; The Day Thou Gavest – Newbridge Celynen B B; La Danza – Northumbrian Water Ellington C B; Bayview – Buckhaven & Methil B B; Jerusalem – Grimethorpe C B; You Needed Me – Thorseby C B; Lightwalk - Carlton Main Frickly C B; Songs of the Quay – Thorseby C B; MacArthur Park – Grimethorpe C B Island 2732604 [63:25] This would be a good representative album of the genre to have in your CD collection. It comes to mark the 25th anniversary of the end of one this country’s bitterest and most decisive industrial disputes. Subsequently Margaret Thatcher’s government decimated the pits and the only ones named above still operational are Thoresby and Hatfield, the latter closing in 1994 but re-opening in 2006. Here is quite a varied mix of music with the best pieces being those, like the opening track, written specifically for bands to perform. Most of the items are upbeat with little of the longueurs non-aficionados sometimes associate with brass band music. Barrie Gott’s Lightwalk really swings. New World Symphony is a felicitious rendering of theGoin’ Home theme from that work. The day after this disc arrived I read in The Times that "The British brass band tradition is under threat from all sides." By buying this mid-priced album we could be helping the struggle to keep it alive. Peter Burt

DINNIGTON COLLIERY BAND A Band For Britain Largo; Death Or Glory; Abide With Me; Floral Dance; Annie’s Song; Pirates Of The Caribbean; Jerusalem; Great Escape; Danny Boy; Slaidburn; Conquest Of Paradise; Born Free Decca 2732796 [41:30] 35 years ago there were 35,000 registered brass bands playing in the UK, today there are only 700. The South Yorkshire based aggregation playing here has only survived the demise of the local pit in 1992 thanks to a 3-part BBC television documentary leading to a £1M record deal with Universal. However, they do the band no favours by providing only 41½ minutes of playing time for a tenner. What we do have, conducted by MD Jonathan Beatty, are spirited versions of standard band fare including the ubiquitous ‘Hovis’ theme, the hymn tune beloved by the FA Cup Final crowd, echoes of another band of years past and a Terry Wogan singalong, the John Denver song adopted by Sheffield United ["The Blades"] football team as their signature tune, a quartet of toothsome film themes ─ Conquest by Vangelis stands out for me ─ and a couple of items written to be performed by brass bands. From a revitalized group of musicians, this is an album with soul and a good listen. Ashley Studdal

BAND OF THE COLDSTREAM GUARDS Music From Trooping The Colour 1952─2008 Ketèlby:With Honour Crowned; Bidgood: St Patrick’s March; Wright: Whitehall; Jansea: The Ambassador;Wagner: Rienzi; Siebert: Marching Sergeants; Jaeger: Freedom of Windsor; Double X; Howe: Scottish Colours; Bellini: Grand March from ‘Norma’; Renton: Guards Independent Parachute Company; Eley:Royal Heritage; Machin: Advance to Glory; etc. … Bandleader BNA 5199 [75:00] This recording brings to an end a series of releases featuring marches played at various Trooping the Colour Ceremonies since 1864, and all have been judiciously selected by the Director of Music, Lieutenant Colonel Graham Jones, to minimize duplication for even the most avid collector of military music ─ so there’s not an Alford or Sousa march in sight on this collection. Instead we have contributions from such luminaries as "Jigg" Jaeger, long-term and celebrated DOM of the Irish Guards, Jimmy Howe, long-associated DOM of the Scots Guards, Frank Renton, still happily presenting ‘Listen to The Band’ on BBC Radio 2, and to bring as right up-to-date a march by Greg Machin: Advance to Glory played for the first time in 2008. Also of particular interest is the inclusion of an example, Royal Heritage,composed by the Coldstream Band’s first Music Major, Christopher Eley [1785-1794], in an effective rescoring for modern military band by Graham Jones. Particularly welcome is the first track from a composer usually associated with penning romanticized musical postcards depicting exotic places such as Persian markets and Chinese temple gardens. With Honour was written to commemorate the Silver Jubilee of King George V in 1935 and featured in the Birthday Parade that year. The only other recording I possess of this piece is in an orchestral version by the London Promenade Orchestra under Alexander Faris on a Philips CD. In sum this is a magnificent cornucopia of military marches, uplifting and stirring, and played by a band at the top of their very considerable form. The album is a superb testimony to the skill and talent of young military musicians who do not always receive the recognition they deserve. With vivid recording and generous playing time this disc is self-recommending. Roger Hyslop

HOLST IN CHICHESTER The Band of HM Royal Marines Portsmouth [The Royal Band] directed by Principal Director of Music, Lt Col Nick Grace RM; Chichester Cathedral Choir directed by Sarah Baldock; Mark Wardell [organ] Holst: First Suite in E flat for military band Op.28 No.1; Second Suite in F for military band Op.28 No.2; Hammersmith Op.52; Turn Back O Man, Planets Suite – Jupiter Op.32; Parry: I Was Glad; Stanford: Te Deum in B flat; Vaughan Williams:English Folk Song Suite Chevron CHVCD30 [71:00] Having acquired some three years ago Gordon Jacobs’ orchestration of the two suites by Gustav Holst ─ available on Lyrita SRCD210 [LPO/Nicholas Braithwaite] ─ I was particularly delighted by this latest and imaginative release from the "in house" label of the Royal Marines Band Service that includes the original military band versions, especially in such outstanding performances as these. Both are delivered with incisive, crisp and stylish playing, as are Vaughan Williams’ attractive and jaunty Suite, a 1923 commission from the Royal Military School of Music, Kneller Hall, and Jupiter; whilst the sombre strains of the brooding atmospheric and rarely performed Hammersmith are vividly conveyed by a band that possesses a rich tonal palette. Some slight reservations creep in with regard to the purely choral items. The modest-sized choir seems a little backwardly balanced and thus rather lacking in impact and presence, whilst the organist rarely makes his presence felt. But getting everything into perfect balance within the difficult cathedral acoustic is a well nigh impossible task and I’m sure the Royal Marines engineering team in charge of this production made valiant efforts to obtain the best possible results in attempting to blend together band, choir and organ. So the highlights on this disc are undoubtably the purely wind band items, vividly recorded and reflecting good inner details, and it’s difficult to imagine they could easily be bettered for some considerable time ─ if at all. One final small quibble: it would have been helpful to have included individual track timings. Otherwise strongly recommended. Roger Hyslop[Available from The Blue Band Magazine HQBSRM, HMS Nelson, Queen Street, Portsmoth, Hants PO1 3HH, enclosing a £10 cheque made payable to "The Blue Band", or order online at www.royalmarinesbands.co.uk]

RED NICHOLS AND HIS FIVE PENNIES featuring MARION MORGAN The Navy Swings Dixie; A foggy day in London Town; Corky; Marry a rich woman; Fidgety feet; Come rain or come shine; Buglers Lament; I’m shooting high, Lassus Trombone; Stardust; Blues at midnight; Almost like being in love; Parade of the Pennies; My funny valentine; Maple Leaf Rag; I’ve got a crush on you Sounds of Yesteryear DSOY 797 [59‘51"] Featuring jazz veterans of the 1920s who made thousands of records, sometimes under different names. It is complete with all the usual recruitment announcements of the 1950s. Paul Clatworthy

THE OSCAR PETERSON TRIO The Complete World Transcriptions 24 tracks incl. Fine and dandy; Someone to watch over me; Heatwave; Makin’ Whoopee; Just you, just me; Sweet Georgia Brown; A fine romance; Should I?; How about you; Zing went the strings of my heart, September in the rain; Imagination; Don’t blame me … Sounds of Yesteryear DSOY 800 [58’06"] Three fine musicians working steadily through a good collection of standards. Of not a single track could I honestly say, "I’ve got to hear that again." One for Peterson completists only. If you have your arm twisted into helping wash-up, good background sound but still conveyer-belt music. Sounds of Yesteryear discs are available from The Woods and other good retailers. Paul Clatworthy

CHOPIN 14 Waltzes, etc. Dinu Lipatti 17 tracks EMI 9659302 [64:48] This year marks the 200thbirth anniversary of the Polish composer Frederic Chopin, who is described in Classic fM’s ‘Classic Ephemera’ miscellany [Elliott & Thompson ISBN 1904027814] as "sort of a Henry Ford of composers, whose catchphrase might have been ‘you can have any instrument as long as it’s the piano.’" The waltzes recorded in 1950, the year the brilliant 33-year-old Romanian-born pianist tragically died, have never been out of the catalogue and here they are re-mastered in EMI’s new low-priced Masters series. Included are the best-known waltzes Minute [as in tiny] and Brilliant. Delightful!Edward Trub

TCHAIKOVSKY Sleeping Beauty Ballet Royal Opera House Orchestra, Covent Garden, conducted by Mark Ermler Sony 88697575302 [172:01] Tchaikovsky’s ballets are surely in a class of their own in possessing a symphonic breadth and sweep unrivalled or surpassed, in my view, either before or since. The Sleeping Beauty received mixed reviews on its first appearance in Russia and its popularity didn’t really begin to take off until Diaghilev staged it with his Ballet Russe in London in 1921. These CDs are a new reissue of an account recorded in 1989 at St-Jude-on-the-Hill, Hampstead Garden Suburb [a church designed by the famous architect Sir Edwin Lutyens]. It straddles three discs simply because it is commendably played absolutely complete whereas most rival accounts are contained on two CDs, making some cuts unavoidable. This is a magnificent and compelling score, made the more so with melodies pouring from the composer’s pen in a veritable flood and, with sumptuous recording quality and a price tag of around £15 [less online], is treasure trove indeed. Roger Hyslop

SIR ARTHUR SULLIVAN Ivanhoe BBC National Orchestra of Wales conducted by David Lloyd-Jones Chandos CHAN 10578 Sullivan always wanted to break free of his less serious mode and succeeded with Ivanhoe, one of the very few patriotic English grand operas, neatly shown in the packaging which represents the Cross of St. George.  Dedicated to and therefore possibly commissioned by Queen Victoria, it deserves a listing because of its epic story and three hour duration, not to mention its links with the Royal Opera House built specially by Richard D’Oyly Carte but ultimately turning into the Palace Theatre.  If you like grand opera then this is for you. Mid-price for a 3-CD boxed set. Edmund Whitehouse

More releases noted by Wilfred Askew

COUNT BASIE AND HIS ORCHESTRA Play Music by Neal Hefti : On My Way and Shoutin’ Again! 10 tracks incl. Dirty Bumps; Jump for Johnnie; Shanghaied; Skippin’ with Skitch; Rose Bud; Together Again … Verve 1790904 [34:21] Recorded in 1962.

TONY BENNETT For Once In My Life ; I’ve Gotta Be Me Something in your smile; Out of this world; Baby, dream your dream; How do you say Auf Wiedersehen; Keep smiling at trouble … and 4 more Arranged/conducted by Marion Evans, David Rose, Torrie Zito & Ralph Burns / Play it again, Sam; Alfie; What the world needs now is love; They all laughed; A lonely place; Theme from ‘Valley of the Dolls’ … and 5 more Arranged/conducted by Terrie Zito. Original Columbia [CBS] recordings from 1967 and 1969. Beat Goes On Records BGOCD 886 [64:11]

CLASSIC WESTERN SCORES FROM M-G-M, Vol.2 Original Motion Picture Soundtracks Disc 1:Northwest Passage [1940] Herbert Stothart 31 tracks; Disc 2: Many Rivers To Cross [1955] Cyril J Mockridge [cond. Miklos Rozsa] 30 tracks; Escape From Fort Bravo [1953] Jeff Alexander; Disc 3: A Thunder Of Drums [1961] Harry Sukman 25 tracks; The Godchild [1974] David Shire 14 tracksF.S.M. Vol.12 No.18 [217:16] Limited to 2,000 copies.

JOHNNY DANKWORTH Let’s Slip Away Film & TV 1960-1973 [2-CD set] Disc 1 – Big Screen 20 tracks incl. Saturday Night and Sunday Morning; The Servant; Darling; Sands of the Kalihari; Accident; Modesty Blaise … Disc 2 – Home Entertainment 19 tracks incl. The Avengers; Little Nell; Pickwick Club; Aquarius; The Frost Report; Off Duty; Night Owl; Tomorrow’s World; Bitter Lemons …Universal – Eclipse 531761 [107:29] The majority of tracks appeared originally on Fontana between 1960 and 1973; Cleo Laine is on nine of them.

KEN GRIFFIN [Organ] Drifting & Dreaming [2-CD set] 52 tracks incl. Ebb Tide; Green Eyes; Until Tomorrow; Marie; Jealous; Isle of Capri; Always; Valencia, Whispering; All Alone; Now is the Hour; I’m Lost in the Clouds; When Irish Eyes are Smiling; April in Portugal; In the Chapel in the Moonlight … Rex REXX 334 [132:52]

QUINCY JONES Explores The Music Of Henry Mancini 12 tracks incl. Baby Elephant Walk; Dreamsville; Mr Lucky; [I love you] and don’t you forget it; Soldier in the Rain; Moon River; Peter Gunn Verve 1799574 [38:22]

THE MASTERSOUNDS : WES MONTGOMERY Kismet and The King And I 17 tracks Cherry Red ACMEM174CD [78:49] Genteel, chamber jazz reminiscent of the MJQ; and of the Previn/Manne/ Vinnegar recordings of show tunes on Contemporary.

SHIP MARTIN’S ALL STAR JAZZ BAND Symphonies In Jazz Scheherajazz – adapted from Rimskky-Korsakov’s Scheherazade [4 movements]; Swingin’ with Prince Igor - adapted from Borodin’s Polovtsian Dances [4 dances]; Tannhäuser – adapted from Wagner’s overtureFlare ROYCD302 [62:13] The big band alternates with a concert orchestra on all nine tracks, recorded in stereo in 1959.

MIKLÓS RÓZSA TREASURY [1949 – 1968] Original Picture Soundtracks: Madame Bovary; The Red Danube; The Miniver Story; The Ashphalt Jungle; East Side, West Side; The Light Touch; Quo Vadis [on 2 CDs]; The Story Of Three Loves; Young Bess; All The Brothers Were Valiant; Knights Of The Round Table [UK recording]; Crest Of The Wave; Beau Brummell; Something Of Value; Crisis; Tip On A Dead Jockey; King Of Kings; El Cid; Ivanhoe; Knights Of The Round Table [US recording]; The V I Ps; The Power FSM Box 04 [19:13:31] 15-CD set, in 3 cases in a sturdy box with 48pp booklet. Limited to 2,000 copies.

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THE BEST OF BRITISH LIGHT MUSIC BBC Concert Orchestra, Martin Loveday [leader], conducted by Vernon Handley 633 Squadron; Coronation Scot; Westminster Waltz; London Suite - Knightsbridge: March; Covent Garden: Tarantelle; Nights of Gladness; Mexican Hat Dance; Sailing By; The Horse Guards - Whitehall; Elizabethan Serenade; Little Suite - March; Jamaican Rumba; Concert Jig; By The Sleepy Lagoon; Puffin’ Billy; Vanity Fair; Jumping Bean; Grasshoppers’ Dance; Barwick Green; Dam Busters March Sony Classical 88697707372 [68:24] Hot from HMV, this release plopped through my letterbox on the last date for reviews to be sent in. Although the last to arrive it is the first this quarter deserving an enthusiastic recommendation. The selection of mellow 1997 recordings here presents no big surprises for the light music lover ─ some of the British connections may raise a quizzical eyebrow or two ─ but it will make a wonderful introduction for someone who has little knowledge of or thinks they have no liking for our kind of music, conducted as it is by the acclaimed British classical conductor and champion of all British music, the late Vernon "Tod" Handley. And it is meat and drink to the orchestra involved. The Concert Jig is from Ernest Tomlinson’s ‘Silverthorn Suite’, the ‘Little Suite is by Trevor Duncan, and Peter Hope arranged theMexican Hat Dance. At a list price of £4.99 [I got it for a pre-release price of £2.99!] it is a great bargain. So, go on, buy it for yourself and treat an "unbelieving" friend. It’s not long until Christmas!Peter Burt 

BUDDY BREGMAN CONDUCTS Symphony Of The Golden West The Brussels World Fair’s Pops Symphony Orchestra Song of the Golden West, The Streets of Laredo, Bury Me Not on the Lone Prairie, Colorado Trail, The Cowboy, Whoopee-Ti-Yi-Yo, Billy Boy, Red River Valley, Home on the Range, The Old Chisholm Trail, No Use For Women, Jesse James ; A Lovely Afternoon The Conrad Salinger Orchestra The Continental, I Cover The Waterfront, Long Ago and Far Away, The Boy Next Door, Our Love Affair, That’s Entertainment, I Concentrate On You, Singin’ In The Rain, Let’s Fall In Love, The Trolley Song, I’ve Told Ev’ry Little Star, I’m In Love With A Wonderful GuyFrank Bristow EXCD 59 [67:19]. If you have bought a Guild ‘Golden Age of Light Music’ CD recently, the chances are that one of the tracks from the Conrad Salinger LP ‘A Lovely Afternoon’may have been included. Most of the inspired arrangements from this genius of MGM Musicals have already been made available again on Guild, but this should certainly not stop you from jumping at the chance to get the complete album. If you need any further encouragement, movie-buff Richard Hindley has updated his article on Salinger from JIM which now appears in full in the CD booklet. The LP has been remastered to a very high standard [the booklet doesn’t divulge his or her name] and listening to twelve great movie songs performed so immaculately is surely a great way to escape from the troubles of our modern world. The accompanying LP is almost a bonus. Its subject matter suggests it was aimed at the American market, but it avoids too much corny cowboy nostalgia. Billy Boy [which I had always assumed to be a traditional British air] receives a most melodic treatment that completely transforms it. If you share my enthusiasm for the great days of film musicals, don’t hesitate to get this CD while you can. David Ades For details of how to obtain the Frank Bristow CDs mentioned in this feature, please refer to the review for the Reg Owen albums. 

TEX BENEKE ORCHESTRA Goodbye, Glenn Miller Strings 27 tracks incl. Just you just me; Blue champagne; Cherokee Canyon; The man I love; Saturday date; Can’t help lovin’ that man; A woman always understands; St Louis Blues March; A string of pearls; Until; Every day I love you; Little Jack Frost got lost; East of the sun; At last … Sounds of Yesteryear DSOY 811 [79:07] Glenn’s Army Band had a large string section but back in civvy street the economics became too much for its successor’s budget. Compiler Michael Highton has collated some of the last string outings made: some bought from the late Bill Holland, former secretary of The Glenn Miller Appreciation Society, others from broadcasts made by the late Jimmy Crawford. Enjoyable, with the highlights for me being Bill Finegan’s arrangement of My Buddy, Ralph Wilkinson’s setting of Laura, and Henry Mancini cutting the band loose on ‘S Wonderful Paul Clatworthy 

JOHNNY DOUGLAS AND HIS ORCHESTRA & SINGERS On Broadway 10 tracks from ‘No, No, Nanette’ incl. Too many rings around Rosie; I’ve confessed to the breeze; Tea for two; Take a little one step; I want to be happy … ; I believe in you; Paris original; The brotherhood on man; To look upon my love; Inevitable; I’m just taking my time; Comes one in a lifetime; Shalom; Everything beautiful; His own little island Dulcima DLCD 123 [62:36] Our esteemed Editor heaped so much praise on the last Douglas release [JIM 182] he probably thought somebody else should have a bite at this latest cherry of a disc. It comprises two original RCA albums in their Living Strings Collection – the third from this label. The first album is of the 1925 Vincent Youmans’ stage show [filmed 1930, ’40 and ’50] regarded on its original release in 1971 as the best recording of the songs. Youmans went for simplicity and many of his tunes were just a repetition of three or four notes as in Tea for two. The second album, after which this CD is named, is a 1962 selection of unhackneyed hits from the Broadway musicals of the previous year: ‘How to Succeed in Business Without Really Trying[Loesser]; ‘Kean’ [Wright/Forrest]; ‘Subways are for Sleeping’ [Comden/Green/Styne]; ‘Milk and Honey’ [Herman]; and ‘Let it Ride’ [Livingston/Evans]. All the arrangements are by the conductor, who captures the real show-music sound from a full orchestra. Although every track is vocal there are some superior string sounds surrounding the singing. Top marks, too, for re-mastering and recording. Peter Burt 

A FIRST A-Z OF LIGHT MUSIC Guild GLCD5169 For full tracklisting please see page 66 of JIM 184 (June 2010)

This sounded an interesting title for the 69th Guild release promising more to come, alphabetically speaking, and it begins in great style with Vivian Ellis’s Alpine Pastures played by the Queen’s Hall Light Orchestra, arranged and conducted by Sidney Torch from the Chappell catalogue. I’ve often wondered why a programme producer chooses a particular piece of music [Alpine Pastures was the theme music for the BBC radio programme ‘My Word’ many years ago 1956-1990], considering the hundreds of musical themes available in mood music libraries. Alpine Pastures begins very gently for the first 31 seconds ─ not at all the theatrical opening you might expect a radio producer to look for. Then the main jolly tune comes in and I’ll bet Tony Shryane, the producer [I think it was he], sat back, lit up a cigarette and thought, "that’s the piece." Another very jolly tune is David Rose’s The Christmas Tree as played by his Orchestra. David [Ades] tells us in his notes that this was used each Yuletide on the Red Skelton TV Show, and it’s not hard to see why; it’s just the piece to get the audience in a festive mood. Hans-Georg Arlt and his Orchestra make another appearance on Guild with an attractive number, Through You This World Is Beautiful, on the Ariola label. A composer who’s intrigued me for some time since coming across her works in publishers’ mood music catalogues is Joyce Cochrane, and thanks to David’s notes we know more about her with the inclusion of Flowing Stream from the Francis, Day & Hunter catalogue. Another of her compositions I’d like to see included on a future Guild issue is Round the Square. I’ve got the Chappell 78 but it would be nice to have it on CD. Another mood music composer, very prolific in his lifetime, was Cedric King Palmer, and here’s one of his typically catchy numbers, Going Concern, played by The Grosvenor Studio Orchestra conducted by Dolf Van der Linden on track seven. The sort of happy carefree music that used to come off the soundtracks of short supporting cinema films such as the "Look At Life" series from the Rank Organization. Another composer whom we don’t hear too much about is Henry Croudson whose composition Jump For Joy, played by The Connaught Light Orchestra, is included in this collection. Philip Green [writing as Jose Belmonte] provides an exotic flavour with his number The Kiss played by Angela Morley and her Orchestra, while Hal Mooney and his Orchestra follow on track 12 with his own curious march-like rhythmic piece, Leo. Perhaps it was written in honour of the MGM Lion… who knows? Another curiosity is Moonlight on the Ganges by Sherman Myers [Montague Ewing] and Chester Wallace, played by Gordon Jenkins and his Orchestra. Not the sort of dreamy piece I expected from Mr. Ewing, having a number of his lighthearted pieces in my record collection. Joseph Kuhn was another prolific composer judging by the times his name crops up on the 101 Strings recordings, and here’s another of his sparkling contributions, Noche Amour, played by The Rio Carnival Orchestra. George Melachrino conducting the Orchestra of the 6th San Remo Festival play Parole E Musica by Silvestri, [don’t ask!] Back to my territory, a piece of Bosworth Catalogue Archive music from 1938, Rose-Beetle Goes A-Wooing by Jose Armandola and played by the Regent Classic Orchestra [Louis Voss and his Orchestra?] Still in "mood music" mode, but this time from 1959, the Group Forty Orchestra conducted by Eric Cook gives us Jack Cole’s Sunshine Express from the KPM Library. I first heard this on an LP collection of mood pieces from KPM issued in 1966 by Amateur Cine World magazine. It included a licence to re-record on film or tape without payment of additional dubbing fees and I’m looking at the LP now as I write this, with its photo on the front sleeve of a young couple and a Eumig Projector, the same model I still have. Good old cine days. Yet another library piece, the overture Vanity Fair by Percy Fletcher from Boosey & Hawkes with Jay Wilbur conducting the New Concert Orchestra, recorded at Levy’s Sound Studios I’m sure. It has what I can only describe as that distinct Levy sound, and it made me re-read Bill Johnson’s fascinating article "Memories of Levy’s Sound Studios 1955-1961" in the June 2004 issue [No.159] of Journal into Melody, although Vanity Fair was recorded in 1946. Getting to the end of the alphabet must have been a tricky move but the compilers have done it withXarafes, a tango arranged and played by Dolf Van der Linden and his Orchestra. This is followed by Jeff Alexander’s Yellow, a cheerful piece played by a Symphony Orchestra conducted by Frank Sinatra. And finally Z for Zingara by Cecile Chaminade, a charming number played by The Melachrino Orchestra, and arranged by Arthur Wilkinson. A spirited ending for yet another Guild Light Music CD. Ken Wilkins 

MORTON GOULD & HIS ORCHESTRA Showtime ‘Famous Operettas’: The Waltz Dream; Sari; The Merry Widow; The Vagabond King; The Cat and The Fiddle; Why Do I Love you? … ; ‘Oklahoma – Suite’… 4 tracks // ‘Carousel – Suite’ … 5 tracks; Fanny; Why be afraid to dance?; Almost like being in love; I’m sure of your love; Three-quarter Blues; The perfume of your love; My best love; Merry Andrew; Love for two; Happy with the Blues; Lullabye time; Tonight I love you more; Once in a million moons; Nightwalk Frank Bristow FBCD 220/221 [77:49 & 73:57] Coming to this disc I was aware of Morton Gould [1913-96] for his classical compositions [the ballet Fall River LegendLatin-American Symphonette, etc.] and The Deserted Ballroom, one of my all-time favourite Mantovani tracks. However, as arranger, pianist and conductor he bridged the musical worlds. This generously timed 2CD-set includes tracks from four albums [one Columbia, three RCA] and is easy listening melody all the way. Two of the operetta tracks, Cole Porter’s Silk stockings and All of you, were originally RCA 45 rpm promotional discs. The Harold Rome numbers, Fanny and Why be afraid to dance?, were also recorded on 45s. The most interesting tracks are the last ten listed above all featuring that master of the harmonica, Larry Adler. In his informative booklet notes [although it’s a pity no recording dates are given] Frank Bristow tells us that these had been discarded for one reason or another by their creators, and discovered only after their deaths, apart from those by Gould himself: Love for two and Nightwalk. Of particular note is George Gershwin’s Lullabye time[c.1919], which came to the attention of Adler and is transcribed here for orchestra with harmonica playing the first violin part. It was premiered by him at the 1963 Edinburgh Festival. 

Time To Listen Love walked in; I’m in the mood for love; Let’s fall in love; Tell me that you love me; Speak to me of love; Easy to love; My silent love; I love you; I love Thee [Ich liebe Dich]; Mack the Knife; Speak low; Lost in the stars; Train to Johannesburg; My ship; I got a marble and star; September song; Mack the Knife; Mary Galante; Surabaya Johnny; Theme from ‘Mahagonny’; Polly’s Song; Bilbao Song; Morton Gould talks about Kurt Weill Frank Bristow FBCD 227 [77:52] Another well-filled RCA originated album arranged and conducted by the phenomenally talented Mr Gould. The first nine tracks are a nice selection of romantic titles; things move a bit up-tempo with some of the remaining Kurt Weill numbers. The first Mack the Knife track is based on the first New York presentation in April 1933, the second on the original Berlin production of 1928. The piece and its composer are the subjects of the last track: an interesting three-minute illustrated talk by the maestro. New to me and very enjoyable are Train, from the 1949 show "Lost In The Stars", andSurabaya, from "Happy End" twenty years earlier. There’s an occasional bit of roughness in the sound and some might have appreciated a little more warmth in the recording, but it’s not just time to listen … it’s time to enjoy. Peter Burt 

THE GOLDEN AGE OF HOLLYWOOD Royal Philharmonic Orchestra conducted by José Serebrier; Roderick Elms [piano] 15 tracks of themes & excerpts from ‘The Big Country’; ‘Casablanca’; ‘The Guns of Navarone’; ‘Spellbound’; ‘Psycho’; ‘Ben-Hur’; ‘The Sea Hawk’; ‘Dangerous Moonlight’; ‘Gone with the Wind’; ‘Taxi Driver’; and ‘The Magnificent Seven’ Royal Philharmonic Orchestra RPO017CD [77:26]

THE GOLDEN AGE OF HOLLYWOOD 2 Royal Philharmonic Orchestra conducted by José Serebrier;

Clio Gould [violin]; Jamie Talbot [alto saxophone] 15 tracks of themes and excerpts from ‘Vertigo’; ‘Citizen Kane’; ‘The Godfather’; ‘To Kill a Mocking Bird’; ‘North By Northwest’; ‘Dial M for Murder’; ‘The Caine Mutiny’; ‘The Private Life of Sherlock Holmes’; ‘Sunset Boulevard’; and ‘A Place in the Sun’ Royal Philharmonic Orchestra RPO022CD [73:38]

Composer-conductor José Serebrier continues to surprise. His career has not followed the institutional way of being principal conductor of this orchestra or that. Opportunities are instead offered to him, and sometimes taken, often refused. In this way a real freshness hangs over much that he does. The recording studio has yielded sessions for recording the new, the exotic and fairly often the unfashionable. Examples are legion and his Janáček and Chadwick [Reference Recordings] leap immediately to mind. In the case of these two discs Serebrier squares up to film music. It’s a serious selection too, charting the vintage Hollywood years from 1939 to 1976. While Hollywood film scores are not the be all and end all and the time will surely come to explore methodically the film scores of the USSR, of Germany and France the fact is that Hollywood has been the home of some of the most sumptuous music for the silver screen. That word "sumptuous" certainly applies to the sound secured by the Serebrier and the engineers for Volume 2 at Cadogan Hall in London. Herrmann’s ‘Vertigo’ has never sounded as ripe. There’s also real rosiny grit and the panicky heat of the chase in the violins of the ‘North By Northwest’ prelude. The sound of the music is reminiscent of the chilliness of ‘The Day the Earth Stood Still’. Steiner’s ‘Caine Mutiny’ march has the requisite brazen blast and sheer excess ─ strangely at odds with the psychological dimensions of the film. That could never be said of the Herrmann music for ‘Citizen Kane’ with its sour Gothic afflatus contrasted with childlike nostalgia. Serebrier sustains the atmosphere without a single gasp or hesitation. The lush violins are superbly floated for the Korngold ‘The Adventures of Robin Hood’. Elmer Bernstein’s miniature suite from ‘To Kill A Mockingbird’ has a Gallic lightness and yearning poignancy. Clio Gould cozies up close and husky for the Rozsa ‘Sherlock Holmes’ music which is drawn from the Violin Concerto. The Hungarian skirl is a Rozsa trademark on display again here. The Waxman ‘Sunset Boulevard’ is given a viciously urgent spur and is driven so hard that it moves into Herrmann territory. A year later Waxman turned in another signature score in ‘A Place In The Sun’ complete with world-weary saxophone and uncanny pre-echo of the Shostakovich Symphony No.11 in the chase music. Serebrier is especially good, in these moments, at unleashing a sort of controlled wildness. Tiomkin’s ‘Dial M for Murder’ is a lush romantic score but Tiomkin lacked the blazing genius of Herrmann or Waxman and this shows in what ends up being pleasantly intriguing rather than riveting. Nino Rota’s ‘Godfather’ music is pastoral shimmering in the Sicilian Pastorale, shiveringly doom-laden in Michael and Kay and operatic lump-in-the-throat tender in The Love Theme. There’s lovely legato playing by the RPO’s oboist. This is altogether a classy album. Volume 1 has its moments but seems a notch down from its successor in all settings. There is clarity about the sound but the well known Watford Colosseum, on this occasion, fails to yield the sort of lush amplitude balanced with a degree of transparency found on Volume 2. It’s intrinsically perfectly enjoyable but suffers in the comparison. I found this in the book-end Western themes especially ‘The Big Country’ by Moross, though the ‘Magnificent Seven’ Overture was less affected. Serebrier certainly knows how to accent this music and those eruptive golden horns in the Bernstein are matchlessly glorious. Steiner’s ‘Casablanca’ Suite suffers from what was already pretty much of a hokum score with much tired play made of national anthems. Steiner’s fault ─ I had the same problem with the RCA Gerhardt Steiner Classic Film Music album. Nothing has changed. The ‘Spellbound’ Concerto by Rozsa is nicely dispatched by Elms and the rest. The four movements from ‘Psycho’ have urgency, macabre cold atmosphere and tensely freighted threat ─ the latter wonderfully done in the Sibelian tremble that makes up most of The Stairs. The shrieking violins for The Murder are very sharply delineated. Tiomkin’s ‘The Guns of Navarone’ lumbers somewhat but soon develops a rather English film music style perhaps a little like Addison’s miniature masterpiece ‘A Bridge Too Far’ [Chandos; Ryko; EMI Classics]. Serebrier imparts real tenderness to the Love Theme from ‘Ben-Hur’ and plenty of swagger for the Charioteers’ Parade. Herrmann’s ‘Taxi Driver’ score was his last and was written contra torrentum in a world where cinematic scores seemed to be abandoning the orchestra. Phil Todd delivers a caramel smoochy saxophone solo. I have only recently heard Previn’s LSO ‘Sea Hawk’ music [Korngold’s ‘Sea Hawk’, ‘Prince and Pauper’, ‘Elizabeth and Essex’ and ‘Captain Blood’ - Abbey Road, July 2001, DG 289 471 347-2]. While Serebrier is often more than very good he is a rung down from Previn in terms of sheer sound. That said, the brass interlacing and terracing he secures is impressively and excitingly done. The Addinsell Warsaw Concerto is well executed but failed to stir me. ‘Gone With The Wind’ is more Steiner but this is Steiner at his personal best andTara’s Theme yearns very nicely indeed ─ at first in a delicacy worthy of Elmer Bernstein and later in swooping strings. Speaking of Bernstein I cannot praise too highly again those whoopingly exultant RPO French horns in the final ‘Magnificent Seven’ track ─ glorious glorious. There you have it: two generously packed CDs, well documented, each with great strengths and featuring sharply imaginative and challenging playing. CD 2 stands a step up in recorded sound terms over CD 1. They’re each a great way to survey the Hollywood classic scores. It’s what Serebrier brings to the podium that now makes me want to hear him tackle some of the complete film scores. I keep whitening on about recording Prokofiev’s war-time film music (not Nevsky and not Kijé) but its also well past time that Mario Nascimbene’s score for ‘The Vikings’ and Hugo Friedhofer’s ‘The Best Years of Our Lives’ were revived and recorded afresh; the latter has been done in modern sound but Frank Collura’s conducting on Intrada seemed flat and undifferentiated to me. Serebrier would be an ideal choice for these projects. Rob Barnett

The above two reviews are included by kind permission of Rob Barnett and www.musicweb-international.com 

MANTOVANI & HIS ORCHESTRA Mantovani Presents His Concert Successes Charmaine; Die Fledermaus – Overture; Moon River; Hora Staccato; Aquarius; Autumn Leaves; Gypsy Carnival; Seventy-Six Trombones; Greensleeves; Capriccio Italian; Theme from ‘The Virginian’; Fantasy on Italian Melodies: Tarantella/ O Sole Mio/ A Frangesa/ Santa Lucia/ Maria, Mari/ Funiculi, Funicula; Charmaine Vocalion CDLF 8145 [51:23] It is good that Monty’s music lives on and hardly an issue of JIM passes without a review or a mention. This is the first of four new releases. Previously issued studio recordings are used together with actual concert sounds from the Royal Albert Hall. Mantovani introduces the music with what his biographer, Colin Mackenzie, calls "his usual whimsy." The arrangement of Moon River, featuring the soprano sax of Norman Baker, was a new one when the album first came out on LP in 1988. The disc is warmly recommended as a fine reminder of what a Mantovani concert was like. At budget price, it is my CD Choice for this issue

The Magic Of Mantovani Double CD set 40 tracks incl. Charmaine; September Song; La Vie En Rose; Cara Mia; Exodus [Main Theme]; Swedish Rhapsody; Some Enchanted Evening; La Mer // Love Is A Many Splendoured Thing; Stardust; As Time Goes By; Till; And I Love You So; Moulin Rouge Theme; Tonight … Decca 5326904 I understand that this has proved something of a sales success thanks to TV advertising. We are told that it "takes a lifestyle approach to the original recording, presenting his best loved recordings via a new and accessible animated TVC treatment which references 1950s animation styles." If any reader can tell me what that means I’ll be grateful [and surprised]. There are no inlay notes and there is a bad error in that Summertime is played twice, the first time instead of the listed Summertime in Venice! For anyone not in possession of a Mantovani compilation CD, however, this with its good sound quality and low price could be the one to have. 

Mantovani The Complete Collection 5-CD set 125 tracks … Spectrum SPECSIG 2046 For little more than the price of the set above you can get this, the biggest collection ever outside of Japan. Most of the tracks you would expect to find are here [there is, of course, some duplication with ‘The Magic Of’’] but there are many less familiar but well-remembered tracks such as Answer Me,Unchained MelodyOver The RainbowVaya Con DiosHi-Lili, Hi-LoSibonyFaraway PlacesI Dream of JeanieBlue StarJamaica FarewellA Walk In The Black ForestThe Missouri WaltzThe Yellow Rose of TexasThe Happy WandererThe Whiffenpoof SongTulips From Amsterdam, If I Only Had TimeThe Anniversary Waltz, Little Green Apples, and Where Have All The Flowers Gone? This set does have good inlay notes, by Hugh Palmer, and would be the one I’d go for ─ it’s a veritable stringfest. And ordering from the likes of HMV online it works out at around 8p per track! 

MANTOVANI & MARIO del MONACO A Song For You Serenade [from The Student Prince], Musica Prohibita; Love’s Last Word Is Spoken; To Voglio Tanto Bene; Tonight; Cateri, Cateri; Be My Love; Girls Were Made To Love and Kiss; Cara Mia; Lolita; White Dove [Lehár], Ciao Ciao BambinoVocalion CDLF 8145 This, recorded in London’s Kingsway Hall in 1962 and released in the UK a year later, was never the success it promised to be ─ except in Japan ─ and this is its first appearance here on CD. The last two tracks were not on the original album. Sadly, the once great tenor was past his peak; but not so Monty and his musicians or Cecil Milner’s arrangements, so this is worth acquiring at budget price. Peter Burt 

GEORGE MELACHRINO Rendezvous In Rome & Memories Of The Ballet & Waltzes The Melachrino Strings and Orchestra Rome the City; Volare; Castel Sant’ Angelo from ‘Tosca’; Tesoro mio; Three Coins in the Fountain; View of the Vatican [St Peter’s]; Colosseum; Autostrada; Regazza romanza; Vista Roma; Italian Fantasy; Arriverderci, Roma; Memories of the Ballet … 9 titles; Waltzing through the Operettas … 9 titles; Woodland Revels Vocalion CDVS 1953 [58:20] This joins five other collectable Melachrino CDs on Mike Dutton’s wonderful label: ‘Begin the Beguine’[CDEA6014], ‘Soft Lights and Sweet Music’ [CDVS1956], ‘Our Man in London’ & ‘Lisbon at Twilight [Highlights]’ [CDLK3337], ‘Under Western Skies & ‘The Immortal Ladies’ [CDNJT5205] and ‘Music for the Nostalgic Traveller’ & ‘Music for Relaxation [Highlights]’ [CDVS1960]. Four of the tracks on this new CD’s first album, released as a stereo LP in 1959, are composed by Melachrino himself and are quite evocative of the Eternal City. The renowned oboe player, Leon Goossens, is featured on the ear-catching Vista. There are also some lovely string sounds throughout. Three Coins is given an especially fine arrangement. The dance tempo treatment in the reprise of Volare even makes my feelings towards that tune soften a little. The accordion, which I associate more with Paris than Rome, is used on several tracks. I have always considered Melachrino’s to be the most symphonic sounding of all the great light orchestras and so on the second album they have no problems with the Maestro arranged ballet memories of pieces by Gounod, Delibes, Tchaikovsky, Rossini, Respighi, Luigini and Ponchielli. The operetta waltzes come from the pens of Cuvillier, Stolz, German, Messager, Friml, Kerker and Coward. With these selections we are offered that old trick of the early electric recording era, the musical switch. Interestingly this 1956 album originated as a Stereosonic tape. Recording is good without being outstanding. The CD is priced at £2.99, but you try buying it for that [apart from Dutton direct where postage will cost you half as much again]. It is, of course, still worth adding to your collection at any bargain price. Peter Burt 

REG OWEN AND HIS ORCHESTRA

Music For Your Listening Pleasure featuring tracks from the RCA LPs ‘Dreaming’, ‘Cuddle Up A Little Closer’, ‘Coffee Break’ and ‘Holiday Abroad in Dublin’ FBCD229 [79:34].

Come Relax With Me featuring tracks from RCA LPs ‘Dream Time Waltzes’ (with Vienna State Opera Orchestra), ‘Holiday Abroad in Dublin’, ‘I’ll Sing You 1000 Love Songs’, ‘Candlelight & Wine’ and ‘Coffee Break’ FBCD230 [79:48].

Two Faces of Reg Owen featuring Bally LP ‘Swing Me High’ and Palette LP ‘Get Happy’. FBCD231[79:41].

Nice Knowing You featuring tracks from RCA LPs ‘Deep In A Dream’, ‘Girls Were Made To Take Care of Boys’ and ‘Coffee Break’ FBCD232 [78:42].

Parisian Flavoured featuring tracks from RCA LPs ‘Under Paris Skies’, ‘You Don’t Know Paree’ and ‘Deep In a Dream’ FBCD 233 [79:13].

Twixt England and Ireland featuring tracks from RCA LPs ‘Holiday Abroad In London’ and ‘The British Isles’ FBCD234 [79:42]

A Touch of Red, White and Blue featuring the RCA LPs ‘Fiorello’ and ‘The Best of Irving Berlin’FBCD235 [79:42]

Anyone who has previously purchased CDs from our good friend Frank Bristow will know that he seems to be on a mission to make available so much glorious music that the major companies persistently ignore. The latest "neglected" arranger/conductor to receive his attention is Reg Owen, and it is clear from the fact that almost all of these LPs were issued in the USA so it probably made Reg better known in the USA than in his home country of Britain. Unfortunately we don’t have enough space here to include all the track listing details, but you can find this on Frank’s website. You will have noted that each CD enjoys very generous playing time, which is achieved through Frank’s careful selection of extra tracks from certain LPs to fill each disc. The sound quality is consistently good and, although Frank confesses that it has proved difficult to discover a lot of biographical information about Reg, each booklet is well presented. If you want a comprehensive collection of Reg Owen’s music, these seven CDs will fill the bill admirably. Should you just want one or two you have a varied selection from which to choose, ranging from sultry mood music [FBCD229] to big band [FBCD231]. Top marks to Frank for saluting a talented musician who has been unfairly neglected.David Ades

Frank Bristow’s CDs are only available direct from him at 2 Cross Street, Brighton, Victoria 3186, Australia. Tel. 063-9528-3167 Email  website: www.musicfromthepast.comCredit cards and Paypal are accepted, but no cheques – details from Frank on request. 

ROYAL AIR FORCE SQUADRONAIRES In The Mood : The Glenn Miller Celebration In The Mood; Pennsylvania 6-5000; Don’t Sit Under the Apple Tree; Moonlight Serenade; American Patrol; Boogie Woogie Bugle Boy; String of Pearls; Chattanooga Choo Choo; Little Brown Jug; Tuxedo Junction; At Last; St. Louis Blues March; Song of the Volga Boatman; Adios Decca 2736453 [46:27] Superlatives cannot do justice to these exquisite renditions of Glenn Miller classics; smooth trombones and saxophones that are the Miller trademark "chromium plated" by the Squads under the direction of their leader Sergeant Ken Miles. This is big band dance music at its best with the orchestral polish of the unique Glenn Miller arrangements. It is difficult to pick out favourites from such jewels, but String of Pearls [written personally by Glenn for his wife] and Adios are particularly evocative. Vocals also deserve an accolade; just listen to voices from the past, the Andrews Sisters, on Track 3. Finally of historical interest: The Squadronaires started out in 1939 as the Royal Air Force Dance Orchestra, which makes their performances span 71 years. Like good port wine they have matured superbly! Roger Chantler 

WAR AND PEACE : LIGHT MUSIC OF THE 1940S Guild GLCD5171 [xx:xx] For full track listing please see page xx of this issue.

Another slice of nostalgia from this new Guild release and it begins in fine style with Charles Shadwell’s Orchestra and a real curtain raiser, Down The Mall, by Tony Lowry and Douglas Brownsmith writing as John Belton. I remember hearing this on the BBC World Service many years ago as intro music to a long forgotten programme. This piece has appeared twice before on previous Guild CDs by Philip Green and his Orchestra and also by Fodens Motor Works Band. Then Percy Faith and his Orchestra with an arrangement by him of Hoagy Carmichael’s Stardust which leads us into Eric Coates’s fine concert waltz Footlights, with him conducting the Light Symphony Orchestra [thought to be The London Philharmonic Orchestra]. The Fugue, divorced from the Spitfire Prelude is next, written by Sir William Walton for the 1943 film "The First of the Few", the moving tribute to the Spitfire designer Reginald Mitchell, with the composer conducting the Halle Orchestra, later reissued on an HMV45 7P 312. Amongst the many works by Charles Williams is Girls In Grey, which I think is one of his best and it’s included on this Guild CD played as usual by the Queens Hall Light Orchestra and conducted by him. Boogie Woogie Moonshine from the 1946 film "Piccadilly Incident" is a five minute ballet diversion devised by Wendy Toye and played by Louis Levy and his Music from the Movies, on track ten. The musical director of the film was Anthony Collins and Piccadilly 1944composed by Vivian Ellis was also in the film. The Voice of Industry by Jack Beaver on track 11 was a familiar theme in newsreels and documentaries of this period and it’s used to good effect in a British Railways LMS colour documentary film I have, made I think in 1947. About the same time as I became aware of this Beaver piece, so did I hear on the radio Willie the Whistler by Bob Farnon. Quickly writing to the BBC for information came back the dreaded news that it was"a Chappell recording – not available commercially". Not to be outdone I wrote to Bob Farnon c/o the BBC and lo and behold a copy of Willie the Whistler arrived from Bob, the first Chappell disc I had ever seen and I still have it among my 78s. And that first Bob Farnon composition for Chappells is included on this new Guild CD. The Prelude from the film "A Matter of Life and Death" and played by the Queens Hall Light Orchestra conducted by Charles Williams is among a handful of film scores Allan Gray wrote in his life time. He also wrote the music to the Gaumont British/UFA co-production film "FP1" and the 1938 London Film Production "The Challenge" about the climbing of the Matterhorn. I wish this film’s music could be issued…it was really great. Three very tuneful library pieces follow in succession: Ronald Hanmer’s Olympic Games MarchThe Fairy and the Fiddlers by Edward White and the grand march Bonaventure by Frederic Curzon. These are followed by Louis Alter’s American Serenadeplayed by Meredith Willson’s Orchestra and for some strange reason the actress Gene Tierney came to mind whilst listening to the piece. Perhaps there were echoes of Laura in the melody. A number from the not so well known EMI Mood Music Library is Marche Fantastique by Leighton Lucas conducting his Orchestra, included on this CD with Short Overture to an Unwritten Opera by Don Gillis and played by the New Concert Orchestra conducted by Rae Jenkins next. And the penultimate 1940s item is Royal Cavalcade by Albert Ketèlbey, played by the Grand Orchestra of Louis Voss. But to round off this 71st Guild CD is a piece of music from the film "The Phantom of the Opera", a piano concerto by Edward Ward, Lullaby of the Bells. The film starred Claude Rains, Susanna Foster and Nelson Eddy and came out in 1943. A fitting end to another fine collection of ignored light music. Ken Wilkins 

ROSEMARY CLOONEY : JOHNNY GUARNIERI QUINTET Voice Of America I still get a thrill; Come rain or come shine; Grieving’ for you; It’s only a paper moon; A little bit independent; I didn’t slip, I wasn’t pushed, I fell; On an ordinary morning; I didn’t know what time it was; Count every star; I’ll always love you; I’ve got a crush on you; It had to be you; Them there eyes; I never had a worry in the world; Nice work if you can get it; Just you, just me; three little words; How deep is the ocean; Our very own; It’s love; Crying myself to sleep; Thou swell; I had a talk with the wind and the rain; Chicago; Can’t help lovin’ that man; If I were your girl; Bye Bye baby Sounds of Yesteryear DSOY 804 [62:32]. I did my National service with a Clooney fan; I am sure he would have given his right arm for this recording! Originally broadcast on the Voice of America so unless a resident of America or having a good radio he would have been deprived of this delightful set. Ably backed by the excellent Quintet of Johnny Guarnieri, Rosemary’s sweet voice works wonders with well known titles plus compositions not so well known but still worthy of a place. Paul Clatworthy 

MARGOT HIELSCHER Hello Fraulein Double CD set 53 tracks incl. 4 with Mantovani: Why, I’ll Never Know; Ding Dong; Frere Jacques; Anette Bear Family BCD 16162 [86:39 & 83:43] Margot is a singer and actress who appeared in numerous German language films over a lengthy period, and this was issued on the occasion of her 90th birthday in September 2009. She sings with various orchestras and duets twice with Vico Torriani, who recorded with Mantovani in the 1950s and appeared in a couple of films with him. Of interest, too, is a German language version of Yours, the hit Monty recorded with Vera Lynn back in 1942; and even Bert Kaempfert turns up as producer of Margot’s Allein in Barcelona recording. But the bonuses for Mantovani completists are the four tracks she recorded with him at Decca in 1951. These perhaps are meant to show how well she could sing in English [she certainly could] but were never released commercially and appear here for the first time. The orchestra Monty used was a pre-Charmaine one, but the quality nevertheless shines through, and there is additional support from the Stargazers on the last two melodies listed above. It would be interesting to know whether Ronnie Binge did the arrangements. The actual record labels are illustrated in the notes and show that they were made in England and issued as samplers [not for sale] in 78 rpm format. Colin Mackenzie 

TONY MARTIN and GOGI GRANT with DENNIS FARNON & HIS ORCHESTRA Gigi 11 tracks incl.Overture, Thanks Heaven For Little Girls, The Parisians, Waltz at Maxim’s, The Night They Invented Champagne, I Remember It Well … Gogi Grant Welcome To My Heart Title song, The More I See You, Paradise, So Do I, They Didn’t Believe Me, But Beautiful, With All My Heart, How Deep Is The Ocean, At Last At Last, If I Should Lose You Frank Bristow FBCD237 [78:45]. When was Tony Martin born? Certainly not in 1942 as the booklet notes state [obviously a misprint] but was his birthday 25 December 1912 or 1913? It could be either, according to which reference sources on the internet you choose to believe! His style of singing may not be emulated by today’s young popular entertainers [unlike Sinatra], but for many people he had a most pleasing tenor voice and he made a lot of very good recordings that have stood the test of time. In the ‘Gigi’ selection Martin shares honours with Gogi Grant – sometimes in duet while on other tracks each singer solos. This is a splendid album, beautifully arranged by Dennis Farnon with the bonus of a choir in the best Hollywood tradition. All in all this is a sumptuous production that has top quality stamped all through it. The second LP on this disc is entirely Gogi Grant, with a nice selection of carefully chosen standards. If you are unfamiliar with Miss Grant you may be tempted at times to wonder if she went to the Ethel Merman School of Singing, which is occasionally disappointing because she can handle the quieter moments with great charm and very clear diction – today’s singers please note! On both albums arranging and conducting credits belong to Dennis Farnon, the only remaining member of the three talented Farnon brothers, born in 1923. For three years he was Artist and West Coast Album Director for RCA Records, where his conducting and arranging assignments also included albums with Harry Belafonte, George Shearing and the Four Freshmen. Dennis was one of the five founders in 1957 of the National Academy of Recording Arts and Sciences, who present the annual Grammy awards. These two LPs form a most entertaining package, with both singers on top form. Farnon’s arrangements are also as good as they get. David Ades 

JANE MORGAN Jane In Spain The moon was yellow; Adios; Perhaps, perhaps, perhaps; Perfidia; You belong to my heart; Baia; Granada; I get ideas; Be mine tonight; What a difference a day made; Let me love you tonight; Magic is the moonlight; Happy anniversary; C’est la vie, c’est l’amour; The sound of music; I’m in love; I’m new at the game; Love is like champagne; With open arms; Climb every mountain; Was it day, was it night?; My foolish heart; It’s been a long, long time; If only could live my life again Sepia 1147 [56:59] Although they are no longer able to supply review copies, I will be forever grateful to Sepia for introducing to me such a wonderful singer – surely one of the most undervalued popular music divas of our time. I recently consulted two leading encyclopaedias of popular music and she did not feature in either of them! Jane was born Florence Catherine Currier on Christmas Day in 1920 and began to train as an opera singer from the age of five, eventually enrolling at the Juilliard School of Music in New York City. When she started singing professionally it was considered that "Janie Morgan" was a more glamorous name. Her early opera training is reflected in the excellent quality of her singing, which has taken in night clubs, television and Broadway. This, the fourth compilation since 2007, finds her with orchestra conducted by Frank Hunter in Latin mood as the first 12 tracks comprise the 1959 stereo LP that gives the CD its title. So, for example, we get What a difference as a bolero and I get ideas as a tango. Most of the tunes will be familiar and are recorded in a mixture of original Spanish lyrics and English translations. The second dozen tracks recorded in 1957-59 bring Jane back to some of the American songbook classics that are probably her forte. Dominic McHugh maintains the high standard set by this label with his booklet notes. The CD gives unadulterated pleasure from beginning to end. Peter Burt 

GARY WILLIAMS Gary Williams Meets Frank Sinatra All or nothing at all; I get a kick out of you; Moonlight Serenade; You bought a new kind of love; Dancing in the dark; Where or when; Brazil; The girl from Ipanema; Please be kind; Day in day out; How about you? I’ve got you under my skin; The way you look tonight; They all laughed; Luck be a lady; Let’s face the music BOS 6817[77:00]

The Best Of Abbey Road I remember you; Music to watch girls by; Anything goes; You’re never really dressed without a smile; Why shouldn’t I ?; Life is just a bowl of cherries; Always look on the bright side of life; Sweet Lorraine; I thought about you; This can’t be love; Surrey with the fringe on top; I can’t give you anything but love; More than you know; All I need is the girl; My buddy; You’re sensational; Isn’t it a pity; Save the last dance for me BOS 6808 [72:00] Has Britain got talent? Well, yes, but we don't need second rate TV shows purporting to tell us we have. Now there is a great British talent that has been on the music scene for many years and two new superb CD's have just been released that showcase the fine voice of Gary Williams. Gary played and sang the Sinatra role in the West End production of ‘The Rat Pack’ so he is familiar with "Ole Blue Eye's" songs. On the first CD we have no fewer than 17 selections. Many favourites here and all played in their original arrangements by the great Chris Dean and his Big Band plus strings. Nelson Riddle's arrangements feature prominently including some less often heard gems such as Moonlight Serenade, which Gary gives a lovely reading. The classic Sinatra recording of I've Got You Under My Skin is a tour de force for any singer; Gary handles it skilfully complete with classic trombone break here faultlessly re-created by Gordon Campbell. Nelson Riddle's daughter has personally endorsed this album and has written the sleeve notes ─ that’s praise indeed!

The second collection is a compilation of Gary’s sessions at the legendary studios during 2004 and 2008. It has to be said that Gary works with the best of British musicians and arrangers under the baton of John Wilson. Whilst the songs may be familiar, the inventive arranger can give them a new "coat of paint" and, with the likes of Richard Rodney Bennett, Clive Dunstall and Paul Campbell, be prepared to be surprised. The Monty Python classic Always Look On The Bright Side Of Life is given what must be the smoothest version ever. Small group tracks sit perfectly alongside the lush string ones. The Cole Porter song Why Shouldn't I? is quite stunning, an Andrew Cottee arrangement with a wonderful performance from Gary, is the standout track amongst many. How often have we remarked "they don't make records like that anymore." Well, they still do and here's the glowing proof. There are many so-called "tribute" singers who just seem to go through the motions. Gary, however, shows how it could be and should be done, but then it's Gary who has the talent and, boy, does it show. It seems like a sign of the times that these superb albums are not widely available but can be obtained by mail order from Dress Circle, 57-59 Monmouth Street, London, WC2H 9DG. telephone (+44 207 240 2227) or as a download from iTunesAlbert Killman 

CLASSIC MARCHES A Grand Procession Of Orchestral Favourites Elgar; Verdi; Strauss; Beethoven; Bizet; Wagner; Tchaikovsky; Prokofiev; Coates; Sousa; Berlioz; Mendelssohn … & moreABC Classics 4763772 [CD1 79:06, CD2 78:59] This very generous 2-CD compilation set from the Australian Broadcasting Corporation is culled from recordings made between 1980 and 2010 featuring mainly the Adelaide, Queensland and West Australian Symphony Orchestras under various conductors. Most of the choices are predictable enough, thus The DambustersColonel BogeyPomp & Circumstance No.1, etc, but also included are some welcome surprises including Ron Goodwin’sPlymouth Hoe, a very good account of Mendelssohn’s War March of the Priests, one of the best accounts I’ve heard of Vaughan Williams’ breezy Sea Songs, the splendidly staggering Marche Militaire Français by Saint Saëns, and the quirky Gum-Suckers march by Melbourne born Percy Grainger. Of considerable interest is a piece with the somewhat cumbersome title of The United Australia Commonwealth March by James W Tate, who I believe contributed some of the music for ‘The Maid Of The Mountains’ and is certainly stylistically closely associated with the music of the Edwardian musical theatre. It’s sheer infectious tunefulness positively demands that once heard it demands instant repetition. An even more obscure choice is the Lifesavers March from the ‘Sydney Suite’ by one Tommy Tycho (see www.tommytycho.com.au - KT Ed.). Occupying the longest track at 9’:55" is Tchaikovsky’s glorious March Slave in a splendid performance by the MSO conducted by Hubert Soudant. One disappointment is that the two Sousa items, Washington Post and Stars and Stripes, are inexplicably played straight through without repeats, with the former clocking in at under 2 minutes. With recording dates spanning 30 years some variation in recording quality is inevitable but is never less than good and frequently approaches demonstration standard. The accompanying CD booklet describes the collection as "bold, inspiring and thrilling" and exhorts us to "lift your spirits and put a new spring in your step." At around £21 [cheaper online] this set boasting 40 tracks represents very good value for any connoisseur of the march. And I have nearly forgotten to mention that Eric Coates makes another appearance, not with his famous Knightsbridge but withLondon Calling conducted by John Lanchbery who made some well regarded recordings of all the Tchaikovsky ballets for EMI in the 1970s. Roger Hyslop 

THE REGIMENTAL BAND OF THE COLDSTREAM GUARDS At Their Very Best : DOM Major R G Swift Walton: Crown Imperial; Alford: Army of the Nile; Colonel Bogey; Ward-Higgs: Sussex by the Sea; Reveille; Pope: Nightfall in Camp … etc. / Sousa: Semper Fidelis; King Cotton; The Stars and Stripes Forever; The Liberty Bell; Holzmann: Blaze Away; Bagley: National Emblem; Teike: Graf Zeppelin; Javaloyes: El Abanico; Texidor: Ampanto Roce; Verdi: Ceremonial March [‘Aida’]; The Slaves Chorus [‘Nabucco’] … etc. METRO 643 [122:36]

This 2-CD set is a reissue of material previously available sometime ago on the Japanese Denon label, and must surely constitute one of the bargains of the year. Available from HMV stores for a mere £8 [less online] and, if you are fortunate enough to track it down, in one of our larger supermarkets it will cost no more than a fiver. What we have here is one of the very best bands in the Household Division on top form recorded in stunningly good sound playing some of the best marches in the military band repertoire, too many to fully detail here. The first CD concerns itself with British Marches including those listed above plus all the Quick and Slow Marches of the Brigade of Guards. Contrast is afforded by Reveille and Nightfall, which are beautifully played and richly atmospheric. The second CD is devoted to American and European Marches, beginning with a group of eight Sousa marches played with tremendous verve and panache, before moving on to such American standards as Blaze Away. It’s refreshing to note amongst the European selection Carl Teike represented not by the very familiar Old Comrades but by the rarely heard Graf Zeppelin. Of the two Spanish items, El Abanico stirs distant memories that many years ago a section of this delightful march was often sung to words which, if I recall accurately, were "You’d be far better off in a home" [!] Does anyone know the origins of this refrain? As for the sprightly charm of Amparito Roce, there is some doubt as to its origin. It is thought that it was composed by a British Director of Music at Kneller Hall, Reginald Ridewood, who apparently failed to apply for the necessary copyright, and Texidor merely rescored the piece and claimed it as his own! Two of the concluding tracks visit Grand Opera. Much of the music here is redolent of a sunlit parade ground conjuring up all the glitter of pomp and pageantry vividly conveyed. These two discs are not just for the military band enthusiast but for the general collector as well, and are surely guaranteed to elevate even the lowest in spirit. Roger Hyslop 

ELGAR The Fringes Of The Fleet Roderick Williams [solo baritone], Nicholas Lester, Duncan Rock, Laurence Meikle, [baritones], Guildford Philharmonic Orchestra cond. Tom Higgins Elgar: The Fringes of the Fleet [for four baritones & orchestra]; Elegy for Strings; Big Steamers [for four baritones unaccompanied]; Ireland: The Soldier; Blowout, You Bugles; German:Big Steamers [songs for solo baritone]; Ansell: Plymouth Hoe; The Windjammer; Wood: A Manx Overture; Elizabeth of England Somm 243 [61:26] The major work on this release is an Elgarian rarity: The Fringes of the Fleet, which duly salutes the contribution of the smaller warships of the Royal Navy in the First World War. Dating from 1917 with words penned by Rudyard Kipling the music, in Elgar’s lighter populist style, was a huge success with performances at the London Coliseum and subsequently at various music halls, and within weeks of the show’s opening a recording from HMV. Alas, Kipling, possibly affected by the death of his soldier son and feeling perhaps the piece was too jingoistic, forbade further performances much to Elgar’s distress. Therefore this new recording is the first orchestral version since the original one. To the light music enthusiast the value of the CD lays probably more in some of the attractive makeweights. Included are both of John Ansell’s nautical overtures and two items by Haydn Wood: the march that closes the disc was a late work ushering in the new Elizabethan age, and the A Manx Overture from the 1930s here receives what is claimed as a premiere recording. While we should be duly grateful to have so much of Eric Coates’ oeuvre in outstanding modern recordings, it is surely about time that the likes of Chandos and Dutton turned their attention more to his illustrious rival, Haydn Wood, and his many as yet unrecorded splendid orchestral compositions. On the strength of this excellently recorded disc, perhaps the Guildford Philharmonic, which is claimed to be the only orchestra in the U.K. completely owned, managed and financed by a local authority, might be just the vehicle for such a project. An interesting, rewarding and enterprising release, then, which can be recommended with enthusiasm and fully justifies a place in one’s CD collection. As an additional inducement, our own Philip Scowcroft gets a mention in the accompanying informative booklet! Roger Hyslop 

LES BROWN & HIS BAND OF RENOWN featuring PEGGY LEE and GISELLE MACKENZIE Lets Go To Town Sounds of Yesteryear DSOY 809 [Double CD 58:52 and 61:05] Eight National Guard shows complete with announcements and enthusiastic audience. I have never heard a bad Les Brown outing, this is no exception but the commercials have no relevance today. I admit editing out would have been difficult as the announcer sometimes insists in talking over the opening notes. Paul Clatworthy 

RALPH FLANAGAN ORCHESTRA Plays For Dancing Volume Two Linda, Stars fell on Alabama, Joshua, Ballin’ the Jack, Stardust, Shortnin’ bread, Some enchanted evening, Blue room, Hot toddy, My hero, Penthouse serenade, Joshua, Irving Berlin medley, Careless, Love is here to stay, Hot toddy Sounds of Yesteryear DSOY 810 [60:17] I had already submitted the Big Band roundup when this arrived. This second set consists of one night stands split between recordings at Steel Pier Atlantic City and the Starlight Ballroom, Hershey, PA. Vocalists are Kay Golding and Sandy Cee, this time complete with announcements. Paul Clatworthy 

JOHNNY HODGES QUINTET with LALO SCHIFRIN Buenos Aires Blues Mama knows, I’m in another world, Dreary days, I can’t believe You’re in love with me, B.A. Blues, Wanderlust All too soon, Somebody loves me, Away from you, Something to live for, In a Sentimental mood, I didn’t know about you, Guitar Amour, You blew out the flame, Theme from "The eleventh hour" Love song from "Mutiny on the Bounty" Solitude, Satin doll, Don’t blame me, Prelude to a kiss, Warm ValleyLonehill Jazz LHJ 10373 [67:17] The first nine tracks are with a quintet, producer Creed Taylor taking advantage of the fact that Lalo was available. Lalo’s piano skills and Johnny’s ability to weave his tuneful sax into every song is particularly well captured. Second half of the CD has Johnny with an orchestra arranged and conducted by Oliver Nelson. Something to live for has a slightly "cheesy" string sound, Johnny saving the day with his beautiful tone and exemplary improvisation. The string work on I didn’t know you shows a good deal more potential. Johnny is on top form throughout but I suspect Oliver Nelson had to work to a short deadline because he has written better! Available from Submarine Records 0208-360-3486.

Paul Clatworthy 

FRANK MANTOOTH Ladies Sing For Lovers If you could see me now [Karrin Allyson]; When did you leave heaven [Kirsten Gustafson]; You’ll see [Paula West]; You don’t know what love is [Sunny Wilkinson]; It never entered my mind [Jay Clayton]; Good morning heartache [Margaret Carlson]; My heart won’t lie [Oleta Adams]; Imagination [Rebecca Parris]; Why stars come out at night [Stacy Rowles; Ballad of the sad young men [Sheila Jordan]; The nearness of you/You’re nearer [Anne Hampton Callaway]; I got it bad and that ain’t good [Dianne Schuur] Meg Jazz MCGJ1OI8 [62:29] I wish I had heard this stunning album when it was first issued in 2005, then maybe it would be easier to obtain. I’ve always loved Frank’s big band writings ─ this was pastures new for him utilizing a full string orchestra. His vivid and moving orchestrations belie the fact! He never lived to see it issued but thanks to Carrie Mantooth and his many friends in the music profession the CD was completed. It is a fitting memorial to his musical talent. Search the Internet, beg, borrow or steal a copy or you will always regret not hearing such a treat in music. Paul Clatworthy 

PHIL NAPOLEON AND HIS MEMPHIS FIVE That’s A Plenty Sounds of Yesteryear DSOY8O5[78:08]. Second volume of a CD I gave a pretty uncomplimentary review to a couple of issues ago so I was surprised to get this one for review! I am not a "Dixieland" fan but as with the first set my main grouse is the inordinate space taken up with commentary. Here there are 31 radio transcription recordings of "Dixie" music fans would probably enjoy without the social history lesson taking up so much space. Evidently the recordings are very rare so serious collectors will put up with narrator Dean Taylor’s sometime humorous commentary. Paul Clatworthy 

LES PAUL & MARY FORD, WOODY HERMAN and HIS THIRD HERD Let’s Go To Town Sounds of yesteryear DSOY 806 [58:34]

LES PAUL & MARY FORD, RALPH MARTERIE AND HIS ORCHESTRA Let’s Go To Town Sounds of Yesteryear DSOY 807 [59:02] Two albums with the same format and title, the Marterie band play the sweeter sounds of the big band era, the Herman puts more meat on the bone! Both CDs contain four National Guard shows complete with announcements, commercials and applause. Les Paul and Mary Ford sing and play on their own, the bands also play separately. Both big bands are on good form. Les and Mary were very popular in the fifties; her singing still cuts it but despite Leslie’s dexterity on guitar today’s more advanced technologies make the sounds dated. Compere Eddie Carter’s strident introductions cut into some of the tracks, very annoying! Titles available if you phone me. All Sounds of Yesteryear CDs available from The Woods, Bognor RegisPaul Clatworthy

ARTIE SHAW AND HIS ORCHESTRA The Complete Thesaurus Transcriptions 1949 52 tracks incl. They can’t take that away from me; Softly as in a morning sunrise; Things are looking up; Stardust; Tea for two … I concentrate on you; ‘S wonderful; Orinoco; Love walked in; Krazy Kat // I cover the waterfront; Carnival; Comes love; Together; Too marvellous for words … Time on my hands; Love for sale; Mucha De Nada; I get a kick out of you; Love walked in Hep Records HEP CD 89/90 [76:08 & 79:09] Arthur Jacob Shaw, once described as one of the two or three outstanding clarinetists in all of jazz, announced in 1948: "I’m through with dance bands. There are only so many times you can play Stardust". How come, then, he is here in 1949 with a new edition of his orchestra? Well, all this and much else is explained in James Langton’s 10½ page background notes for this generously timed 2-CD set. The very acceptable mono recordings were made for RCA/NBC Thesaurus, one of four major transcription services that leased libraries of radio shows to affiliate radio stations. The band line-up was four trumpets, four trombones, five saxophones, four rhythm and "girl vocalist". Five tracks are by a new edition of Shaw’s Gramercy Five [Shaw, the rhythm section and trumpet] and there are five vocals each for Pat Lockwood and Trudy Richards. Artie is heard introducing and signing off the music. I was surprised how much I enjoyed something I would not normally listen to ─ so recommended. Peter Burt 

BLOSSOM DEARIE Four Classic Albums Plus Avid Jazz AMSC967 [155:20]. I have been a fan of Blossom since hearing Sweet Georgie Fame [still got the 45!] and seeing her perform at Ronnie Scott’s club clinched my devotion. Dave and Anne Bennett have put together four albums plus tracks from ‘The Blue Stars of France’ and ‘King Pleasure’ into one marvellous two-CD package, the re-mastering so good it could have been recorded yesterday. Blossom’s delectable voice and piano playing gets additional help from Ray Brown, Herb Ellis, Jo Jones, Mundell Lowe and Ed Thigpen. A recording to treasure! Available from Submarine Records – in case of difficulty you can telephone them on 020-8360-3486. Paul Clatworthy 

NAT "KING" COLE & HIS TRIO The Forgotten 1949 Carnegie Hall Concert 15 tracks incl. Yes Sir, that’s my

baby; Sweet Lorraine; Tiny’s exercise; I used to love you [but it’s all over now]; Laugh cool clown; Lush life; Go bongo, For all we know / Embraceable you; Tea for two … Hep Records HEP CD 91[51:37] I did not get to know and appreciate Nat’s singing until his post trio years, so this is for me an interesting disc ─ with the added frisson of a live performance. Particularly entertaining is Cuba Libra, probably written by Cole, with its quotations from Stars and Stripes ForeverLa Marseillaiseand Mendelssohn’s Spring Song. The trio joins up with the mighty Woody Herman Orchestra for the closing number, More moon. Jazz devotees will likely enjoy the album even more than I did. This and the Artie Shaw [reviewed above] are the first releases I have come across from Hep and they are both quality packages, including here half-a-dozen pages of closely printed but readable background notes by Will Friedwald. Peter Burt 

LAURA COLLINS Introducing Laura Collins Ladies in Mercedes, On the street where you live, The night we called it a day, Too close for comfort, Baltimore Oriole, How deep is the ocean, But not for me, Wichita lineman, Go away little boy, Blizzard of lies, A beautiful friendship Spotlight Jazz SPJCD589 [50:33] The sleeve notes contain accolades from several musicians; I am not a musician but I know what I like and there is not a single track on this selection that made me think I must hear that again! In its favour you can hear every word, but the backing group have to drag her along, most times she seems a beat behind, cannot swing and when she "Scats" sounds like she has forgotten the lyrics. It’s almost amateur night down your local [if you still have one!] The recording was sent to me for review via another society member; if it had passed muster I am sure he would have kept it! Paul Clatworthy 

JOHAN HALVORSEN Orchestral Works Vol.1 Bergen Philharmonic Orchestra cond. Neeme Järvi; Marianne Thorsen [violin] Entry March of the Boyars; Andante religioso for violin & orchestra; Suite from Mascarade; La Mélancolie; Symphony No.1 in C minor Chandos CHAN 10584[76:48] This release makes the bold claim that the native composer’s music is one of the best kept secrets in Norway; a claim amply vindicated as one progresses through a generously filled disc. He was associated for many years with the National Theatre in Kristianie [now Oslo] as conductor, and as a result composed a good deal of incidental music for its various productions including Ludvig Holberg’s ‘Mascarade.’ This may best be regarded as quality light music in a delightful inventive and tasteful pastiche style deftly and expertly scored. Halvorsen [1864-1935] turned to the symphony late in life. He was one of those brave and independently minded composers who remained completely unaffected and indifferent to prevailing modern trends in the first part of the 20th century. He continued to doggedly plough his own furrow, producing accessible and, above all, unashamedly melodic music. The shorter pieces are also well worth having and, since it is one of the few chances you will get to encounter this attractive and beautifully crafted music, better buy this excellently performed and brilliantly engineered disc. Roger Hyslop 

FANTASY – A NIGHT AT THE OPERA Emmanuel Pahud, Juliette Hurel Rotterdam Philharmonic Orchestra cond. Yannick Nézel-Séguin Fantasies on ‘La Traviata’; ‘Rigoletto’; ‘Der Freischűtz’; ‘Die Zauberflöte’ [‘The Magic Flute’] ; and ‘Carmen’; Lenski’s Aria; Menuet & Dance of the Blessed Spirits; ‘Carmen’ ─ Entr’acte Before Act 3 EMI 4578742 [70:46] This is a very accessible classical album of gorgeous operatic melodies for people who don’t care for the words. It features the flute – the instrument closest to the human voice – played by the acclaimed Swiss born long-time principal flautist of the Berliner Philharmoniker, who is joined on two tracks by the Dutch orchestra’s solo flute. Pahud recently described the background to this album: "In the 18th and 19thcenturies, there was a tradition of salon music because people did not have CD or MP3 players as we have nowadays. They had no access to the internet or the radio so they would have to have transcriptions in order to hear this music in their homes." The enjoyment in the making of the disc is reflected in the listening. Incidentally, there is a lovely tune at the start of the Mozart Fantasy on ‘The Magic Flute’ that the KT Editor tells me Methodists use to sing the hymn Behold the servant of the Lord! Edward Trub 

CHARLES MACKERRAS CONDUCTS ERIC COATES Favourite Music Of Eric Coates London Symphony Orchestra The Merrymakers Overture; ‘At The Dance Suite’ – Summer Days; The Man from the Sea from suite ‘The Three Men’; March: Oxford Street from suite ‘London Again’; The Three Bears [A Phantasy]; By the sleepy Lagoon; March: Queen Elizabeth from suite ‘The Three Elizabeths’; Sullivan Overtures Philharmonia Orchestra The Mikado; The Yeoman of the Guard; Iolanthe; Ruddigore Vocalion CDVS 1964 [68:04] The passing of the outstanding Australian-born conductor celebrated for his wide musical sympathies was announced just before we went to print. He had a well documented love of both the composers featured here. So this album taken from original stereosonic tapes [1956-57], released for the first time on CD earlier in the year, now makes a fitting light music tribute re-issue. Peter Burt 

More releases noted by Wilfred Askew

JOHNNY DANKWORTH Let’s Slip Away Film & TV 1960-1973 [2-CD set] Disc 1 – Big Screen 20 tracks incl. Saturday Night and Sunday Morning; The Servant; Darling; Sands of the Kalihari; Accident; Modesty Blaise … Disc 2 – Home Entertainment 19 tracks incl. The Avengers; Little Nell; Pickwick Club; Aquarius; The Frost Report; Off Duty; Night Owl; Tomorrow’s World; Bitter Lemons …Universal – Eclipse 531761 [107:29] The majority of tracks appeared originally on Fontana between 1960 and 1973; Cleo Laine is on nine of them.

KEN GRIFFIN [Organ] Drifting & Dreaming [2-CD set] 52 tracks incl. Ebb Tide; Green Eyes; Until Tomorrow; Marie; Jealous; Isle of Capri; Always; Valencia, Whispering; All Alone; Now is the Hour; I’m Lost in the Clouds; When Irish Eyes are Smiling; April in Portugal; In the Chapel in the Moonlight … Rex REXX 334 [132:52]

SKIP MARTIN’S ALL STAR JAZZ BAND Symphonies In Jazz Scheherajazz – adapted from Rimsky-Korsakov’s Scheherazade [4 movements]; Swingin’ with Prince Igor - adapted from Borodin’s Polovtsian Dances [4 dances]; Tannhäuser – adapted from Wagner’s overtureFlare ROYCD302[62:13] The big band alternates with a concert orchestra on all nine tracks, recorded in stereo in 1959.

MIKLÓS RÓZSA TREASURY [1949 – 1968] Original Picture Soundtracks: Madame Bovary; The Red Danube; The Miniver Story; The Ashphalt Jungle; East Side, West Side; The Light Touch; Quo Vadis [on 2 CDs]; The Story Of Three Loves; Young Bess; All The Brothers Were Valiant; Knights Of The Round Table [UK recording]; Crest Of The Wave; Beau Brummell; Something Of Value; Crisis; Tip On A Dead Jockey; King Of Kings; El Cid; Ivanhoe; Knights Of The Round Table [US recording]; The V I Ps; The Power FSM Box 04 [19:13:31] 15-CD set, in 3 cases in a sturdy box with 48pp booklet. Limited to 2,000 copies.

DAVID CARROLL Fascination : The Great Hit Sounds of David Carroll & His Orchestra 2-CD set of 64 tracks incl. Now is the hour; Till we meet again; It’s only a paper moon; The ship that never sailed; Sugar loaf; My Evening Star // It’s almost tomorrow; ‘The Swan’ Theme; Blue moon; All I do is dream of you; Tambourin Chinois; I’ll be home for Christmas … Original Mercury recordingsJasmine JASCD 536 [155:12]

COUNT BASIE Dance Along With Basie Count Basie & His Orchestra incl. It had to be you; Makin’ whoopee; Misty; Secret love; Give me the simple life; Back to the apple // M-Squad Theme; Moten Swing; Imagination; Gee baby, ain’t I good to you; Love me, baby; J & B … The original LP’s 11 tracks [1954] + 10 bonus tracks [1957/8], arr. Thad Jones & Frank Foster Poll Winners Records PWR 27206 [75:15]

DIANA DORS Swingin’ Dors with the Wally Stott Orchestra The point of no return; That’s how it is; Let there be love; Namely you; Imagination; Roller Coaster Blues; The gentleman is a dope; April heart; I’m in love for the very first time; Crazy he calls me; Come by Sunday; Tired of love Original 1960 recording for Pye Records Universal-Sanctuary CMFCD 1554 [33:02]

JOE "FINGERS" CARR / LOU BUSCH Let’s Do It Again! 2-CD set of 62 tracks incl. Portuguese Washerwoman; Moonlight Bay; Sam’s song; Margie; Aloha Oe; Down Yonder; The Darktown Strutters Ball … // Zambezi; Eleventh-hour Melody; Sunrise Serenade; Cumana, Friendly persuasion; Nola; Rainbow’s End … Original Capitol recordings Jasmine JASCD 534 [157:34]

JERRY FIELDING ‘Straw Dogs’ Original Motion Picture Score 16 tracks Intrada Special Collection Vol. 126 [41:55] 2.000 copies

ALAN HAVEN [Organ] Haven For Sale & St Elmo’s Fire 10 tracks with Keith Mansfield’s Orchestra [guest Maynard Ferguson] incl. 1,2,3; Goin’ outa my head; Norwegian Wood; Exodus; Love for sale; What the world needs now …. 1969 CBS recording // 10 tracks incl. Charade; St Elmo’s Fire; Girl talk; Soliloquy [‘Carousel’]; Flying free; Air on a G String … 1971 CBS recording. Cherry Red/RPM Retro 864 [78:40]

HENRY MANCINI ‘The Hawaiians’ 2-CD set: Original Motion Picture Soundtrack 26 tracks, Original United Artists Score Album 10 tracks Intrada Special Collection Vol. 124 [63:45 & 30:40] 1,500 copies

KEN THORNE ‘Inspector Clouseau’ Original Motion Picture Score 15 tracks Kritzerland KR 20013-9 [34:18]

THE MASTERSOUNDS : WES MONTGOMERY Kismet and The King And I 17 tracks Cherry Red ACMEM174CD [78:49] Genteel, chamber jazz reminiscent of the MJQ; and of the Previn/Manne/ Vinnegar recordings of show tunes on Contemporary.

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WINTER WONDERLAND – A Christmas Celebration Fred Waring and His Pennsylvanians 32 tracks incl. Ring those Christmas Bells; Caroling, Caroling; Carol. Brothers, Carol; The Star Carol; Gesu Bambino; O Come All Ye Faithful/Come, Dear Children; Bright, Bright the Holly Berries; While By Our Sleeping Flock We Lay; I Wonder As I Wander; Silent Night, Holy Night; O Holy Night …The Meaning of Christmas; The Song of Christmas // The Andrews Sisters, Guy Lombardo and His Royal Canadians 20 tracks incl. Winter Wonderland; Christmas Island; Christmas Candles; Merry Christmas Polka; Stars Are the Windows of Heaven … Dick Haymes There’s A Big Cloud [Next to Heaven]; Christmas Dreaming; The Christmas Song; The First Noel; Cradle Song of the Virgin; Ave Maria [Schubert]; It Came Upon a Midnight Clear; O Little Town of Bethlehem; Joy to the WorldJasmine JASCD 149 [79:29 & 79:06] An essential part of the Christmas celebrations in chez Burt has been Fred Waring’s ‘Now is the Carolling Season’ [Collectors Choice CCM 01662] ever since I bought it on a World Record Club LP more years ago than I care to remember. So imagine my delight on finding this new reissue – sensibly released in good time for this Christmas – with the first [stereo] disc giving us just under three dozen sacred and secular tracks, none taken from the earlier album. Five of the carols were written by jazz musician Alfred S Burt [no relation!] Listening to these pieces, it is no wonder Fred’s Christmas albums were best sellers in the ‘50s and ‘60s. Of the second [mono] disc, it is no surprise to learn that the joint recordings by the Andrews Sisters and Guy Lombardo listed above also sold in their millions. Mr Lombardo, like Robert Farnon Canadian-born, migrated to the USA in the early ‘20s where his Royal Canadians became billed as "The sweetest music this side of Heaven." Completing the disc is the entire Christmas album recorded by Dick Haymes, considered a strong rival to Crosby and Sinatra in the 1940s, appearing on CD for the first time. We have here, then, two attractive exceptionally well-filled discs available for around £9 – and unquestionably my Best Buy for Christmas! Peter Burt

MANTOVANI AND HIS ORCHESTRA Christmas Carols Adeste Fideles [O Come, All Ye Faithful]; Hark! The Herald Angels Sing; God Rest Ye Merry, Gentlemen; White Christmas; Good King Wenceslas; O HolyNight; The First Nowell; Joy To The World; Silent Night; Holy Night; O Tannenbaum; Midnight Waltz; Nazareth; O Little Town Of Bethlehem; Skaters’ Waltz // Classical Encores Slavonic Dance No.2 In E Minor, Op.46; Etude No.3, Op.10; Tango; Barcarolle [from Tales of Hoffman]; On Wings Of Song; Hungarian Dance No.5; Solveig’s Song [from Peer Gynt]; Air For The G String; Cradle Song; None But The Lonely Heart; Ave Maria; Largo Vocalion [Catalogue number & timings not available on going to press] The Christmas album is the CD Mantovanians have long been expecting from this source. [It was released on the US Collectors Choice Music label CCM 20852 very late last year]. This is the 1958 stereo re-recording and is, along with Percy Faith’s no longer available ‘Music for Christmas’, just about the finest album of Christmas music by a light orchestra. At the Kingsway Hall organ featured on some tracks is Harold Smart, whose father Charles played on the original mono LP ‘An Album of Christmas Music’ in 1953. Midnight Waltz is one of the maestro’s loveliest compositions. The album joins Monty’s follow-up ‘A Song for Christmas’,already available on Vocalion CDLF 8122, and is a happy reminder of the first 78 rpm record I ever bought, White Christmas/ Adeste Fidelis, which began my affair with our kind of music. This new 2-CD set is completed by an album recorded in May 1962 for issue in America but held back until 1965 for British release and then, inexplicably, only briefly available. With it I understand that Vocalion have now reissued all of Monty’s stereo LPs. Including it does mean, of course, that this release is not just for Christmas! And there is also the customary added value of Colin Mackenzie’s authoritative liner notes. Three cheers all round for Mike Dutton. Peter Burt

BOTTICELLI AND HIS ORCHESTRA Presenting Tie A Yellow Ribbon Round The Ole Oak Tree; My Love; Killing Me Softly With His Song; It Never Rains in Southern California; Day by Day; Mammy Blue … Unlimited Seasons In The sun; Waterloo; Melody of Love; I Won’t Last a Day Without You; The Air That I Breathe; etc. … 22 tracks Dutton Vocalion CDLK4431 [67:24]. I wonder how many of us missed these recordings the first time, nearly 40 years ago? There seemed to be a glut of similar outfits around, with few clues as to who was responsible for them. The title of the orchestra almost suggests that it might be pseudo-Mozart, but nothing could be further from the truth. It is not what we would call "light music", because there are pop elements in the gentle rhythm and the girly chorus, which happily is only occasionally and quite tastefully used. The music concentrates on what was popular at the time, rather than harking back to the 1920s and 1930s, which many others were still doing in those days. The string section is really quite lush at times – pity it wasn’t used more extensively. I suspect many of the players may have been recruited from the ranks of the superb Metropole Orchestra, because the man behind the "Botticelli" albums was Dick Bakker, who later became conductor of that fine outfit founded in the mid-1940s by Dolf van der Linden. The recordings were made in the Dutch Dureco studios, where Bakker was appointed manager when they opened in 1972. Five years later he started his own music production and focussed on composing, arranging and conducting film music, audiovisuals, company presentations, commercials and album projects. In London he established an orchestra with musicians from The London Philharmonic, St. Martin in The Fields and top musicians from the freelance sector. With this orchestra "The London Studio Symphony Orchestra" he recorded his music for the next fifteen years, often for leading multinational companies. By 1987 Dick Bakker was enjoying his international success which resulted in recognition such as the Edison Award for ‘Musica di Gloria’. Today Bakker remains actively involved as an artistic adviser with productions involving the Metropole Orchestra, and occasional music specials on radio and television. With such a pedigree you’d expect a quality product, and if you enjoy the kind of pleasing, undemanding sounds you sometimes hear in the background in public places, then this is for you. As an accompaniment to happy moments spent simply relaxing, and reminiscing about the 1970s, this could hardly be bettered! David Ades 

PHILIP GREEN AND HIS ORCHESTRA Moments in Mayfair These Foolish Things; Someday I’ll Find You; Room 504; She’s My Lovely; Midnight in Mayfair; Love is the Sweetest thing; London Fantasia; A Nightingale Sang in Berkeley Square; We’ll Gather Lilacs; Limehouse Blues. Music for Leisure – Easy Listening Stardust; La Vie en Rose; Barcarolle; Caravan; Dizzy Fingers; Maneater; Mexican Madness; Farewell Blues; The Merry Mountaineer; Arkansas Traveller; (Back Home Again in) Indiana; West of Pecos; Moonlight in Vermont; St Louis Blues; The Missouri Waltz; By the Waters of Minnetonka Dutton Vocalion CDEA6177 [78:03]. This has to one of the best CDs of 2010. At long last that superb Philip Green 10" Columbia LP from 1956 has been reissued, and now for the first time in stereo! Before stereo LPs arrived EMI issued a small number of "stereosonic" reel to reel tapes, and this was one of them. Very few will have been purchased for two reasons: their high price and the lack of equipment on which to play them. Top marks to Mike Dutton for securing the stereo tapes that have transformed this collection, which sounded great in mono but is now simply amazing. The music has taken on a new vibrancy, thanks to Mike’s expertise, and the sound quality is equal [if not better] to the very latest recordings. The titles confirm that Philip Green chose his material with great care [mostly by British composers] and one assumes that he had a hand in the arrangements. It is nice to hear the romantic theme from Clive Richardson’s London Fantasia which takes on a pleasing new identity divorced from the war atmosphere of most of the work. The title of the other album in this collection has probably prompted some head scratching! Almost as a bonus Mike Dutton has unearthed another early EMI tape to pair with ‘Mayfair’. Before cassettes were invented, EMI and some other companies were trying to encourage us to use our growing number of tape recorders as tape players. The reel to reel tape featuring Philip Green was compiled from various sources – previous 78s, tapes and an LP [the final seven tracks are taken from ‘Pan-American Panorama’]. Highlights include a wonderful – almost hectic – version of Caravan; the Zez Confrey "classic" Dizzy Fingers; Laddie Busby featured on trombone playing his own Maneater; Philip Green’s The Merry Mountaineer; and Mexican Madness by Cyril Stapleton and Bob Sharples. Finally there is even more good news: this great CD is in Dutton’s low price CDEA series. Simply a most enjoyable selection of music, expertly restored, that will be on many RFS members’ "wants" list this Christmas! David Ades

THE LOST TRANSCRIPTIONS Volume 1 For full track listing please see details in the ‘Light Music’ section of this website. Guild GLCD5174. Previous issues in the Guild Light Music Series have explored the vaults of the Recorded Music Libraries. For this release another musical treasure house has been tapped, namely recordings of the various transcription services made of live performances for use by, eventually, broadcasters worldwide, although the practice began in the US in the early 1940s when they were also distributed to Service personnel. A number of such transcriptions have, almost against the odds, survived and a generous selection is reproduced here in recordings excellent in quality for their time and with modern wizardry sounding very enjoyable even in the 21stcentury. Many of the names of bands and conductors familiar from previous Guild releases reappear here: Dolf van der Linden, Percy Faith, George Melachrino, Philip Green and David Rose. Yet there are surprises to be found among them. Rose’s catchy The Butterfly and the Alligator seems to be otherwise unknown; new to me also were Rose’s Pepper Tree Lane from his ‘Hollywood Bowl Suite’and his arrangement of Ding Dong the Witch is Dead from "The Wizard of Oz" [Rose was briefly married to Judy Garland] which begins like a piece of "train music". A Jota by Anthony Collins and performed by Philip Green’s orchestra has breathtaking energy. Several tracks are from the Second World War, especially those by Melachrino and the young Sidney Torch with the RAF Concert Orchestra, about which not much is known except that it seems to have been based in Blackpool. The junior service, incidentally, headhunted most of the best available musicians during 1939-45. The last nine tracks have perhaps most interest for me personally. Don Gillis is best known for Symphony No.5½; here his Three Sketches [Enchantment, Whimsy, and Day Dreams] are small in scale and economical in instrumentation but are distinctive. Lamar Springfield was also American and his Dance of the Frogs, based on the nursery rhyme A frog he would a-wooing go [inserted, as many will remember, as a fugato in Roger Quilter’s A Children’s Overture], is a gorgeous find. I first encountered Jarnefelt’s Praeludium in the 1940s when it was used to introduce a radio adaptation of one of Walter Scott’s novels; maybe even this performance was used, ‘though at that time there was a commercial 78 of it and its companion piece Berceuse. The name Eric Robinson as conductor of this wartime track is of interest. Eric Coates’ ‘Three Men Suite’ is pieced together by combining recordings, also wartime, from Melachrino’s Orchestra in Khaki [first movement] and Dunn’s Royal Marines Portsmouth Orchestra – a characterful, energetic overall performance. And finally to music by Keler-Bela [1924-84], born in Hungary and who played in theatre or dance orchestras in Vienna and Berlin and later toured Europe, including England, with his own orchestra. He composed 12 overtures, perhaps his major compositions, and lots of dances [a Keler-Bela Czardas was appropriated by Brahms for his Hungarian Dance No.5]; if all have the same colour and sparkle as this Romantic Overture, then a revival of his music generally is overdue, indeed imperative. I hope I have written enough to tempt prospective purchasers; repertoire and performances are alike stimulating, exciting even. Very highly recommended; let’s have more "found" transcriptions!

Philip L Scowcroft 

PAUL MAURIAT AND HIS ORCHESTRA El Condor Pasa Love Story; El Condor Pasa; To Be The One You Love; Melancholy Man; Black Harlem; My Sweet Lord, etc… L.O.V.E. Oh Happy Day; Get Back; Windmills of your Mind; Aquarius; Serenade to a Summertime; etc. … 22 tracks Dutton Vocalion CDLK4437 [xx:xx] When the album ‘El Condor Pasa’ was released in 1971, Paul Mauriat had already made more than thirty LPs, and he was in the happy position of knowing that he had an army of admirers who would readily snap up everything new that he offered them. His ‘L.O.V.E.’ LP had been released two years earlier – in France it was called ‘Un Jour, Un Enfant’ – and both collections tended to reflect the way in which popular music was developing in the post-Beatles era. Considering how prolific Paul Mauriat was [looking at lists on the internet one is tempted to say that he may have made more LPs than any of his peers] it is surprising that new CD releases do not feature many more examples of his work. In 1968 he shot to fame when his recording of Love Is Blue was number one in the US charts for five weeks. It had been written by his fellow countryman André Popp as Luxembourg’s entry for the 1967 Eurovision Song Contest where it came a disappointing fourth [Sandie Shaw was the winner for the United Kingdom that year with Puppet On A String], but Mauriat’s elegant orchestration managed to capture the public’s attention. Already well-known in France, his career was now firmly launched internationally. In 1965 Mauriat signed a recording contract with Polygram, and this lasted until 1993. He produced a large catalogue of recordings, selling more than 40 million albums worldwide. He embarked on the first of many world tours in 1969, visiting countries like United StatesCanadaSouth KoreaBrazil and especially Japan, where he would undertake 28 tours in the following years, during which it is estimated that he conducted well over 1,000 concerts. Such was his popularity in Japan that he appeared in television commercials, and made new recordings with their Pony record label when his Polygram contract expired. Paul Mauriat gave his final performance in 1998 in Osaka, Japan, where tribute concerts have been held in recent years. He died on 3 November 2006 at Perpignan in southern France, aged 81. RFS member Serge Elhaik has been a champion of Mauriat’s music for many years, having written his biography with Mauriat’s blessing. This new Vocalion release should help to make music lovers take further notice of a talented man who created a vast army of adoring fans, especially in Japan. David Ades

GLENN MILLER AND THE ARMY AIRFORCES BAND Medley Time 2 CDs 34 tracks Sounds of yesteryear DSOD812 [79:03 & 77:36] Fourteen medleys that according to sleeve were songs most often requested. Guests include Johnny Desmond, Artie Malvin, Peanuts Hucko, Tony Martin, Bob Carroll and the Crew Chiefs. These fifteen minute medleys were broadcast three times a week: by using this format Glenn could double the tunes used! Paul Clatworthy

THE PRISONER The Complete Chappell Recorded Music Library Cues DJR 001a [58:50] DJR 001b [50:29] DJR002 [65:19] For the benefit of any readers who might still be unfamiliar with the cult 1967 television series, it contains a vast range of often spectacular and very tuneful light music, with many items by Robert Farnon, that can be relied on to cater for all tastes. This special Collectors’ 3-CD set makes available for the first time the complete archive collection of incidental music as used in the 1967 Everyman TV production. Aimed at the connoisseur of "Prisoner" music and specialist communities dedicated to the appreciation of library music, television incidental music and British light music, its features include a 56-page booklet containing an episode by episode, scene by scene listing of all the music library original soundtracks and commercial tracks used in the series. There is a total of 174 minutes of music on 100 tracks, many on CD for the first time, and all in high quality sound. For contractual reasons some commercial tracks are omitted but these can mostly be obtained from other sources. This CD set is beautifully presented in a limited edition of 1,000 sequentially numbered and is highly recommended. It is not available from any shops and is available at £26.99 [+ £1.99 p&p] by personal application only from No2YourVillage, 65 Oxford Avenue, Guiseley, Leeds LS20 9BY or on-line. Further details including track-listing etc. can be seen at www.theunmutual.co.uk Peter Luck

JOHN FOULDS Keltic Suite, etc. BBC Concert Orchestra conducted by Ronald Corp Keltic Overture; Keltic Suite; Sicilian Aubade; Isles of Greece; Holiday Sketches  Festival in Nuremburg, Romany from Bohemia, Evening in the Odenwald, Bells at Coblenz; An Arabian Night; Suite Fantastique – Pierrette and Pierrot, Chanson Plaintive, The Wayside Cross, Carnival ProcessionDutton Epoch CDLX7252 [68:06]. A few weeks ago in my locally owned recorded and sheet music/instruments shop I ordered a John Foulds CD I’d seen on a forthcoming issues list, and since receiving it it’s hardly been out of my CD player. Apart from Paxton and Bosworth recordings of his music, I really didn’t know much about John Foulds [1880-1939] but this Dutton Epoch disc is light music at its best. Lewis Foreman in the CD booklet notes that Foulds was frustrated that his light music was played in preference to his more serious works and listening to this CD I can see why. The programme begins with the Keltic Overture, rather similar I think to Hamish MacCunn’s The Land of the Mountain and the Flood and this is followed by The ClansA Lament and The Call, which make up the Keltic Suite. All very colourful especially The Call, which begins as a jig and works up to a grand martial movement then coming back to its original dance rhythm before once again returning to a martial climax. Sicillian Aubade could have come from a mood music catalogue, it has that Mediterranean melody yet it is one of eleven tracks having their world premiere recordings on this CD. Isles of Greece is a plaintive piece which apparently was dedicated to a couple of dancers, Alexandre and Clotilde Sakharoff , who used it for a short ballet. The suite Holiday Sketches was published by Bosworths but to my knowledge hasn’t ever appeared in their mood music library catalogue as has the Keltic Overture and Lament. The first movement is Festival in Nuremburg but nothing to do with the infamous rallies, it’s a holiday style march and very catchy. The BBC Concert Orchestra’s Cynthia Fleming is the solo violinst for the gipsy Romany from Bohemia as is cello soloist Katherine Wood in the quiet Evening in the OdenwaldHoliday Sketches ends in quite a tumultuous fashion with Bells at Coblenz ringing out. An Arabian Night is a quiet affair with as you’d expect eastern overtones but the CD ends with four movements from the Suite FantastiqueThe Wayside Cross builds to an impressive organ climax played by Roderick Elms, and the final movementCarnival Procession has the Concert Orchestra and conductor Ronald Corp sounding as though they’ve enjoyed themselves immensely playing this much neglected composer’s light music. Ken Wilkins

RAIE DA COSTA – The Parlophone Girl Volume 3 The First Thing I Knew; One Hour With You – Medley; Sunshine Susie – Medley; Hexentanz; Fairies’ Gavotte; The Punch and Judy Show; Butterflies In The Rain; Sarie Marais; I’ll Follow My Secret Heart; etc. … 24 tracks Shellwood SWCD 40[70:00]. This is Shellwood’s third collection devoted to a young lady pianist from South Africa with considerable talent, who died at the tragically early age of 29. Many of her recordings could best be described as syncopated piano solos, but sometimes she was joined by musicians such as Fred Hartley [on celeste] and in duets with the likes of Harry Jacobson. From the brief tracklisting details above, keen eyes will have spotted compositions by top songsmiths such as Sherman Myers [who we all now know was Montague Ewing], and she is also featured as composer on Toyland Holiday. If you’ve enjoyed the first two volumes you’ll be keen to get this one as well. The fine restorations are complemented with comprehensive booklet notes and recording information. David Ades If you have difficulty finding Shellwood CDs, they can be obtained from the RFS Record Service.

PETER DEMPSEY My Dreams : Songs by Francesco Paolo Tosti 26 tracks incl. Io son l’amore!; O Ma Charmante; Shall We Forget?; Marechiare; Beauty’s Eyes; Ici-bas!; Triste ritorno; On Lido Waters; Because of You; Le Rose che mi desti; Senza l’amore!; My Dreams; Petite Valse Romantique [piano solo]; Spring; Serenata allegra; Inverno Triste!; Serenata Allegro; Inverno triste!; Seconda mattinata; ‘A vucchella … FPT 1 [78:39] Here is another of tenor Peter Dempsey’s growing collection of CDs devoted to Victorian or Edwardian ballads and notable, as always, for his clear, passionate delivery and admirable diction. Tosti [1846-1916] is best remembered for the English ballad Good-Bye [not recorded here], but his output of 350-plus songs included, besides English ballads [mostly to lyrics by Fred Weatherly, with six of them here], French chansons [three here including the charmingPour un baiser!, beloved of Caruso] and Italian songs, many specifically Neapolitan ones. Strongly recommended, not least because at least 12 of the 25 song tracks have probably not previously been recorded. Recording quality is excellent. Accompanist Guy Rowland, who supports well, arranged his own solo from a Tosti waltz song. Available from Peter Dempsey at 44 Victoria Road, Bidford-on-Avon, Alcester, Warwicks B50 4AR at £9.95 including postage Philip L Scowcroft

GEORGE BEVERLEY SHEA The Wonder Of It All 2 CDs 48 tracks Jasmine JASCD 674 [65:13 & 69:33] The canyon-deep baritone of "Bev", now in his 102nd year, was a key part of Dr. Billy Graham’s great Christian crusades held throughout the world during the second half of the 20thcentury. Many old favourites are here such as Somebody bigger than you or IIf I can help somebody, How great thou artHe’s got the whole world in His handsThe Lord’s Prayer and Blessed assurance. The last 12 tracks on Disc 2 are devoted to Christmas titles. Both generously-timed CDs [at mid-price] will bring back moving memories to many people of their lives being changed. Peter Burt

CENTRAL BAND OF THE ROYAL AIR FORCE Reach For The Skies Battle Of Britain March; Fanfare For The Common Man; 633 Squadron; RAF March Past; Lawrence Of Arabia; It’s A Long Way To Go; The Dambusters March; Winston Churchill: "Their finest hour" [Jerusalem]; Reach For The Sky; Danny Boy; Pomp And Circumstance; Those Magnificent Men In Their Flying Machines; Spitfire Prelude; Wind Beneath My Wings; Evening Hymn and Sunrise; Winston Churchill: "Never in the field of human conflict" [The Day Thou Gavest] Decca 2747513 [48:36] Released to mark the 70thanniversary of the Battle of Britain, this is guaranteed to lift the spirits with its mix of RAF-related classics, including three composed by Ron Goodwin, and tunes traditional and modern. The 45-strong band is conducted by the RAF’s principal director of music, Wing Commander Duncan Stubbs. I am not enthusiastic about the three vocal tracks: It’s a long way sung by Fl. Lt. Matthew Little, which was especially written for the album by two of the bandsmen, Danny Boy [Hayley Westenra], and Wind beneath [Kerry Ellis]. The two speech extracts give added poignancy to an otherwise fine album with a very high level of musicianship. I recall 55 years ago how proud I was to march behind this band with bayonet fixed as RAF Wyton received the Freedom of Huntingdon. Not for the first time my mainquibble with this CD is the short measure. When will Decca match the quality with quantity on their popular band releases? Peter Burt 

BOB SCOBEY AND HIS FRISCO JAZZ BAND featuring CLANCY HAYES Feelin’ The Spirit Frisco jazz parade; Georgia blues; Too much mustard (take five) There’s nothing in Dixie (take three) Memories of bunk; Sudan (take six) Geary Street blues; Feelin’ the spirit; That’s for sure; Strawberry time; My hearts in Dixie (take three) Hobo blues (take two) Don’t count your kisses; Southern comfort; Bourbon street; Tailgate romance; Cable car swing; Clarinet capers; While you are away; Along the Wabash shore; Hobo blues (take three) Too much mustard (take four) What a lonesome day (take five) Bob’s blues (take one) Two beat (take four) Sounds of yesteryear DSOY 817[67:50] One for Chris Barber fans! Paul Clatworthy

JOE VENUTI AND HIS BLUE FIVE Blue Five Swing Hoe-down low down; Tango interlude; Hot ‘N’ trot; Bohemian bounce; Blue five swing; Nobody loves me; Red sea rumba; Fickle fiddle; Orchids; Concerto for new sounds; Black rhythm; Desert flower; Fleur-de-lis; Beautiful Oregon; Loco motives; Gee its great; Could I care; Noveletta; The distant lake; Sambalina. Sounds of yesteryear DSOY 815 [55:02] Joe Venuti is considered the father of jazz violin. He worked with major big bands such as Bix Beiderbecke, Jack Teagarden and Benny Goodman. Bing Crosby’s radio show featured him on a regular basis. A great practical joker, he used to send one armed trumpet player Wingy Malone a single cufflink every Christmas. Another time annoyed by a band member’s insistent foot tapping he nailed the culprits shoe to the floor! These tracks were recorded in 1957 and make pleasant listening; few violinists could coax so much joy out of the instrument in a small group setting.

Paul Clatworthy

DON REDMAN ORCHESTRA featuring COLEMAN HAWKINS Free And Easy Last night in town; To the river; Ballad ‘N’ bounce; Dreamy melody; Desert dance; Chevy’s chase; Christmas in the valley; Donnybrook; Ain’t gonna get fooled again; Voodoo; Peetni Petite; Waiting on the corner; My dream of yesterday; Fall leaves; At the swing cats ball; Free and easy; Echoing; Coffee light; The black cat; I dream of summer. Sounds of yester year DSOY 816 [51:58] Don Redman made his mark as an arranger in early big band jazz providing scores for Louis Armstrong, Ben Pollack and Paul Whiteman [my Dad’s favourite band]. He later worked for Jimmy Dorsey, Count Basie then as musical director for Pearl Bailey. All twenty tracks are absorbing listening, I would dearly love to know who did the composing and arranging as there are no credits on the sleeve. Coleman Hawkins puts extra colour in to these rare sessions which are undated. The sleeve says Don stopped leading his own band in 1940 so I assume the music predates, if so either excellent first recording or wonders worked in the remastering. I loved the title and tune Chevy’s chase although unfair to pick one among so many goodies. Paul Clatworthy

LALO SCHIFRIN Mambo in Paris featuring the Orchestras of Eddie Warner and Lolo Martinez Harkit Records HRKCD8347 [63:15] Twenty-one tracks arranged by Lalo. His piano teacher told him the Conservatoire de Paris was offering scholarships for foreign students, so he set off with his book of arrangements. The year was 1952, these tracks were originally issued on The Barclay and Odeon labels between 1953 and 1955 A fascinating look at Lalo’s early writings, four original compositions, others by Gillespie, Perez Prado, Juan Tizol, Morales and names familiar in South America but less well known in Europe. Paul Clatworthy

MONICA MANCINI I’ve Loved These Days These days: God only knows; American tune; Blame it on the sun; Without him; How can I be sure; I’ll follow the sun; Ballad of the sad young men; Something so right; I’ve loved these days. Concord 08880072307452 [43:15]. Despite arrangements by Jorge Calandrelli I wish I had given this one a miss. Revisiting hits by others only works if you can improve or add something. Some tracks have the original artists involved but it is still a letdown.

Paul Clatworthy

FOLLOW THAT GIRL 17 tracks incl. Tra La La; I’m away; Follow that girl; Solitary stranger; Life must go on; Three Victorian mermaids; Doh, Ray, Me; Song and dance; The Chase; Taken for a ride; Lovely meeting you at last … & 2 other tracks Hooray For Daisy! 12 tracks incl. She coming on the 4.48; I feel as if I’d never been away; No lullaby; How when and where?; If only you needed me; Nice day … Must Close Saturday Records MCSR 3047 [76:21]

FOLLOW THAT GIRL [Original London Cast] 17 tracks …& 7 other tracks Sepia Records Sepia 1156 [72:64]

Not a blast from the past but the gentle zephyr of a breeze! My wife and I celebrated our first wedding anniversary by going to the Vaudeville Theatre in London to see Julian Slade and Dorothy Reynolds’ delightful follow-up to their then record breaking show "Salad Days." And now, 50 years on, here is not only its first re-issue on CD but mirabile dictu its second as well. Starring Peter Gilmore [later of the popular BBC series ‘The Onedin Line’] and Susan Hampshire [later of ‘Forsyte Saga’ and ‘Monarch of the Glen’ fame] with musical direction by Philip Martell, it ran for 211 performances and was one of the first show recordings to be made in stereo. The story is about a young Victorian girl whose parents want her to marry a businessman so she runs away followed by her two suitors, Tancred and Wilberforce. The policeman sent to find her, who himself was lost 20 years ago while his parents [played by Marion Grimaldi and Newton Blick] were Shopping in Kensington, falls in love with her. Among the good tunes and witty lyrics Waiting for our daughter, sung in mock-opera style by James Cairncross and Patricia [Hyacinth "Bucket"] Routledge, is especially fun. Slade and Reynolds also wrote the Christmassy ‘Hooray for Daisy’, a dozen numbers from which are included on the Must Close album performed by the Bristol Old Vic Company. As well as the tracks from the two stage shows there are two additional tracks: Michael Collins’ orchestral selection from ‘Follow’, and the title tune played as a slow foxtrot by Victor Sylvester and his Orchestra. This CD also has the added appeal of the recording being restored by our friend Alan Bunting. Aside from that the Sepia album is only slightly shorter in length and is £2 or so cheaper. It has some fascinating "bonus" tracks: two selections from ‘Follow’ played by composer Julian Slade himself at the piano, a "pop version" of the title tune sung by Mr Gilmore backed by Tony Osborne and his Orchestra, three tracks [two songs from ‘Follow’] from the 1955 recording ‘The Music of Julian Slade’, and Christmas Madrigal from another Slade show "Look Who’s Here". All wonderfully nostalgic. Peter Burt 

LANG LANG The Best Of Lang Lang 27 tracks Deutsche Grammophon 4779014 [131:70] Here is the phenomenally talented 28-year-old pianist [his name translates as "very brilliant"], about whom some music purists are a bit sniffy, playing on a new mid-price 2-CD collection of recordings ranging from Liebestraum to – of special interest to JIM readers – Nigel Hess’s 23½-minute Piano Concerto, commissioned by The Prince of Wales in memory of the late Queen Mother. In between there is an eclectic mix of pieces: Rhapsody on a Theme of PaganiniTräumerei; Tchaikovsky’sPiano Concerto No.1, 3rd movt.; Mike Oldfield’s Harbinger; Alexandre Desplat’s River Waltz [from the film "The Painted Lady"]The Yellow River Piano Concerto, 2nd movt. Ode to the Yellow River; Schiller’s Time for Dreams, other tuneful works by Liszt, Beethoven, Mozart, Chopin, Satie, Rachmaninov, Schumann, and some particularly fascinating ones by Chinese composers, about which I would have liked some information in the booklet notes. Put this on your Christmas gift list.Edward Trub

More reminders from Wilfred Askew of recently received releases

THE CREATIVE SOUNDS OF FRANK DE VOL – Portraits 55 tracks on 2-CDs incl. Stranger in Paradise; Moments to Remember; My Foolish Heart; Unchained Melody; Chances are; Tammy; True Love; Say One for Me; Love Letters in the Sand; Silver Moon; When I Grow Too Old to Dream; Wonderful one; I’ll See You Again …Jasmine JASCD 538 [156:51] Original Capitol, CBS & RCA Recordings including 21 vocal tracks: Bing Crosby, Jo Stafford, Margaret Whiting, Dinah Shore, Mel Torme & Gordon Macrae.

MAURICE JARRE ‘Lion Of The Desert’ & ‘The Message’ The Original Film Sountracks on 2-CDsTadlow Music Tadlow 008 [138:32]

HENRY MANCINI Mancini Marches [issued in 1959 as ‘March Step In Hi-Fi’National Emblem; Entry of the Gladiators; The Billboard March; Under the double Eagle; Colonel Bogey; On the Mall … & six more titles Sousa In Hi-Fi [reissued in 1963 as ‘Sousa’s Greatest Marches’Semper fidelis; National Fencibles March; Stars & Stripes Forever; The Invincible Eagle March; King Cotton; Manhattan Beach March … & six more titles Collectors’ Choice CCM-959 [65:05] Original Warner Bros. albums from 1959.

RALPH MARTERIE Into The ‘Fifties 50 original Mercury recordings on 2-CDs: Pretend; Caravan; Shish-Kebab; Moonlight in Vermont; La Rosita; Beautiful Ohio; Alice Blue Gown; Alone; Once in a while; Boulevard of Broken Dreams, John and Julie; In a Persian Market … Jasmine JASCD 541[132:13]

THE ARHUR MURRAY ORCHESTRA directed by Ray Carter Arthur Murray’s Music For Dancing Cha Cha 12 tracks incl. Watermelon Heart; Cheerful Little Earful; Arrivederci, Roma; Rico Vacilon; Arthur, you should smile more; It might as well be Spring … Sbme SBMk700725 2 [31:40]Fox Trot 12 tracks incl. Mack the Knife; Autumn Leaves; Canadian Sunset; There’s a small hotel; April in Portugal; Arthur Murray taught me dancing in a hurry … Sbme SBMk 700726 2 [28:26]Mambo, Rumba, Samba, Tango, Meringue 12 tracks incl. Red Petticoats; Tequila; Dansero; Bandolero, [La La] Colette; Ole Guapo … Sbme SBMk700727 2 [29:06] Waltz 12 tracks incl. Tenderly; Wunderbar; Under Paris Skies; A Kiss in the Dark; Alice blue gown; Wonderful One …Sbme SBMk 700728 2 [29:43] Original RCA recordings 1959.

KEN THORNE ‘Juggernaut’ & ‘The Bed Sitting Room’ Original Motion Picture SoundtracksKritzerland 20016-1 [33:56] 1,000 copies

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LEROY ANDERSON Orchestral Music Volume 5

BBC Concert Orchestra conducted by Leonard Slatkin; Kim Criswell, Soprano; William Dazeley, Baritone
Goldilocks [excerpts], Suite of Carols [version for woodwinds], Goldilocks: Lady in Waiting [waltz], Shall I Take My Heart [instrumental]Naxos 8.559382 [52:16]

New releases in this series from the man described as "one of the great American masters of light orchestral music" came regularly throughout 2008, Anderson’s centenary year, and very enjoyable they have been. As I write, Vol.3 is No.15 in the Naxos bestsellers list. Although equally welcome for some unfamiliar material, including four world première recordings, this is the last in the series and a less varied collection than its predecessors. ‘Goldilocks’ was a musical from 1958 which ran for 161 performances on Broadway and won two Tony awards. Pyramid Dance is probably its best known piece. To those who, like me, prefer their orchestral CDs voiceless there are three vocal numbers here. I can’t think why Naxos has separated the excerpts [tracks 1-11] from the other two numbers [tracks 18-19] with the Christmas carol arrangements. Richard S Gimell’s booklet notes are again hugely informative; and there is delightful photo of the composer on the cover. Incidentally, not one of this splendid series is reviewed in the latest Penguin Guide – shame on it! Peter Burt

FRANK CHACKSFIELD & HIS ORCHESTRA
Immortal Classics / Immortal Lullabies [Highlights]

Clair de lune, Minuet in G, The Swan, Salut d’amour, Waltz of the flowers, Liebestraum no.3 in A flat major, Melody in F, Morning song, Humoresque, Air on the G string, Valse d’Été / Sweet and low, Sleep, my baby, sleep, An Eriskay love lilt, Mighty lak’ a rose, Slumber Song, Too-ra-loo-ra-loo-ra! [That’s an Irish lullaby], Lorelei, Golden slumbers, Viennese Lullaby, Brahms’ Lullaby
Vocalion CDLK 4384 [78:09]The first album is another foray into the world of classical music by a light music orchestra, as well played as you would expect from this source. And where else would you hear this kind of programme on disc nowadays? Both albums were originally released as mono LPs in 1951 and 1952 respectively on Decca’s ‘Ace of Clubs’ label. Here they are remastered from the stereo tapes and are quality late night listening material, even if not quite as good as ‘Immortal Serenades’ [reviewed in JIM a year ago]. There are no booklet notes, but the CD is very good value and warmly commended. P B

"The Golden Age of Light Music" : FROM STAGE AND SCREEN

For full tracklisting please refer to page 77 of JIM 178.
Guild GLCD 5152

With the Guild Light Music series up to the fifty-second issue, we’re well and truly into the world of Show Business, and opening with a cracking recording by Geoff Love and his Orchestra of June Is Busting Out All Over from a 1957 disc. Sounds great! Henry Mancini’s theme from "The Glenn Miller Story" played by Jackie Brown’s Orchestra is next, but track 3 for me is a ‘show stopper’ – Geraldo and his Concert Orchestra playing a selection of Frank Loesser’s score to "Guys and Dolls", arranged by Roland Shaw. I’d never given Geraldo much thought before, but this track really made me sit up.It’s Only A Paper Moon and Secret Love played by the orchestras of David Rose and Robert Farnon keep up the musical flow, until the Victor Young Singing Strings take over with Alfred Newman’s theme to the film "Anastasia" with the composer conducting. Not having seen the film I checked it out in Halliwell’s Film Guide and apparently it marked Ingrid Bergman’s return to Hollywood after several years in Europe, and it won an Oscar. Alfred Newman was nominated as musical director. Sidney Torch and his Orchestra follow with the maestro’s own arrangement of music from Ivor Novello’s "The Dancing Years" played in his usual fine style, and I’m positive that Alan Bunting’s restorative treatment gives the recording that extra ‘kick’ – apart from removing unwanted hiss and crackle. As Time Goes By, featured in "Casablanca", but written some years earlier, is played by Ron Goodwin and his Orchestra, then Morton Gould and his Orchestra follow on track 9 playing Old Devil Moon, opening almost in oriental style then turning to a more sophisticated mood. Frank Chacksfield jollies the programme along with The Wedding Of The Painted DollI from the early sound film "Broadway Melody". Percy Faith goes continental with the "Moulin Rouge" theme Where Is Your Heart in an extended version, after which he markedly changes tempo with Show Me from "My Fair Lady". It’s Alfred Newman’s turn again as composer with a smooth rendition arranged by Frank Cordell of theSong From ‘Desiree’ – a very attractive theme in waltz time. This is followed by Victor Young conducting his own theme for "Samson and Delilah" with a powerful performance by The Paramount Symphony Orchestra. ‘Blockbuster stuff’ years before the word was bandied about! George Melachrino’s waltz theme for the film "Dark Secret" deserves to be better known than the film appears to be. Once again I turned to Halliwell’s Film Guide (1999 edition) to see what the rating was, but it wasn’t even mentioned. But "So Long At The Fair" is listed, and Benjamin Frankel’s themes (especially Carriage And Pair) follow in the famous Charles Williams Columbia recording. "Obsession" (1948) does appear in Halliwell but the view is that "it was an implausible, overstretched thriller, but bearable". However, Nino Rota’s themes, as played by the Sidney Torch Orchestra, are more than bearable – in fact they’re very attractive, and was that Arthur Sandford on the piano? "The Passionate Friends" from the novel by H.G. Wells is another 1948 movie, with music by Richard Addinsell and played by the Philharmonia Orchestra under that marvellous film music man Muir Mathieson. And last, but not least, a lively score by Nicholas Brodszky, arranged by Albert Sendrey, to an Anglo-American Technicolor and CinemaScope movie starring Vera Ellen and Tony Martin, described in the afore-mentioned film guide as "a footling musical". Forget the description: just enjoy the music, played from the soundtrack by the Associated British Studio Orchestra conducted by Louis Levy. Another excellent, well-filled Guild Light Music ‘concert’ deserving a wide audience. Ken Wilkins

MANTOVANI & HIS ORCHESTRA
Strauss Waltzes / Mantovani Favourites
Blue Danube, Voices of Spring, Roses from the South, Emperor Waltz, A thousand and one nights, Treasure Waltz …and 6 other titles / Londonderry Air, A walk in the Black Forest, Dream, Dark eyes, Welcome home, The party’s over, The Happy Wanderer, Polonaise in A [Chopin], A trumpeter’s lullaby, The Whiffenpoof Song, Tulips from Amsterdam, Auld Lang Syne 
Vocalion CDLK 4385 [78:19]Mantovani Magic / Concert Encores
Misty, Red roses for a blue lady, Chim chim cher-ee, Love me with all your heart, Goodnight sweetheart, Cara mia, I wish you love, Lover, Stardust, Mona Lisa, Most beautiful girl in the world, Auf wiederseh’n, sweetheart / Clair de lune, Spanish dance [Granados], Can-Can ‘La Boutique Fantasque’, Gipsy airs [Zigeunerweisen], Autumn, Song of India, Schön Rosmarin, Méditation, Perpetuum Mobile
Vocalion CDLK 4388 [77:51]Mike Dutton will never have to scrape the bottom of the barrel for Monty re-issues – they are all top quality – but there cannot be too many stereo albums left now waiting for him to release on CD. For‘Strauss Waltzes’ the wonderful melodies of the waltz king and the signature string sound of the master of light orchestral music were made for each other and the 1952 album, re-made in stereo in 1958, has been a best seller in all its formats. It will no doubt gain a lot more sales in its resurrection here. Arrangements are shared between Mantovani [seven] and Cecil Milner [five]. ‘Favourites’ was one of Monty’s last original issues and is a delightful amalgam from 1977 of material hitherto unreleased, or that had not achieved album status, or had only been issued on the Continent. ‘Magic’is from 11 years earlier and was described in Monty’s biography¹ as "a cracker of an album." Consequently, it went to No.3 in the LP charts – imagine that happening today! The great man himself is the piano soloist on his own composition of Cara Mia. Another early stereo release from1959, ‘Concert Encores’, is a nice souvenir for those of us who attended Monty’s live performances at the Royal Festival Hall and around the country. Mantovani again arranged seven of the items, Milner two, and Respighi the joyful Rossini Can-Can. With generous timings, both CDs are easily recommendable. P B 
¹ A Lifetime in Music by Colin Mackenzie [Melrose Books]

BRITISH LIGHT MUSIC FAVOURITES CD 1: Runaway Rocking Horse, Calling All Workers, Melody On The Move, Muse In Mayfair, Jamaican Rhumba, Greensleeves, Waltz from ‘The Three Bears’, Manhattan Playboy, Pictures In The Fire, etc. 20 tracks. CD2: Portrait Of A Flirt, Peanut Polka, The Old Clockmaker, By The Sleepy Lagoon, Shooting Star, Bells Across The Meadow, etc. 22 tracks. CD3: Devil’s Galop, Jumping Bean, Goodwood Galop, Elizabethan Serenade, The Young Ballerina, Coronation Scot, etc. 20 tracks Reader’s Digest 0349623 price £29.99. A few years ago Reader’s Digest put out a British Music Classical CD set including some light music by Eric Coates, Frederic Curzon and Ronald Binge. The present 3-disc British Light Music set offers a very good transfer to CD of some old favourites from across the spectrum with an occasional transfer into light classical, including a complete performance of Elgar’s Nursery Suite conducted by the composer – well transferred, but with too little space between movements. As regards light music composers none of the 1924 birthday set are included, but Charles Williams, Robert Farnon and Sidney Torch are well represented. There are a couple of errors as regards the list of recordings - the version of Shooting Star is not the Columbia one as stated, but the earlier Chappell; also the performance of Edward White’s Caprice for Strings is not the London Promenade version, but the later replacement by Dolf van der Linden which Paxton substituted some years later. Generally, apart from a rogue sentence in the sleeve note, the whole set is very well produced although – as mentioned in the last issue – most (but not all) of the items are available much cheaper elsewhere. David Mardon

RAY MARTIN & HIS ORCHESTRA

Favourite TV Themes Volumes 1 & 2
European Football ["The World at Their Feet"], Kung Fu: Caine’s Theme, Ironside, Spring and Autumn, Mission Impossible, The High Chaparral, Kojak, Upstairs Downstairs, Hawaii Five-O, Emmerdale Farm, International Golf ["Red Carpet Ride"], Warship, etc. / Van der Valk ["Eye Level"], Nationwide ["The Good Word"], Match of the Day, Softly, Softly – Task Force, News at Ten … and 8 other tracks
Vocalion CDLK 4375 [76:47]Here’s a reminder of many happy hours spent in front of the old "goggle box" way back when. The two albums on this well-filled CD first appeared in 1973 and 1975 respectively. They were recorded following Ray Martin’s 15 year sojourn in the United States and in style bear little relationship to the two earlier ‘In the Martin Manner’ CDs on this label. In his informative booklet notes Oliver Lomax refers to "Martin’s skilful, hip arrangements", so you know what to expect. Film ’74, Sale of the Century, and Star Trek on Vol.2 are previously unissued. There is also a new arrangement of Martin’s [aka Marshall Ross] own Top of the Form ["Marching Strings"] that is not particularly to my liking. Although all well played and recorded, I felt a modicum of disappointment with this release. P B

GEORGE MELACHRINO & HIS ORCHESTRA

The Immortal Ladies / Under Western Skies
Sweet Sue, Liza, Mona Lisa, Dolores, Louise, Laura, Rosalie, Irene, Maria, Sally, Chloe, Dinah / Home on the range, Wagon wheels, Riders in the sky, The last round-up, Colorado River, Cool water, San Francisco, Tumbling tumbleweeds, The one-armed bandit [Nevada], Empty saddles, Red River Valley, Northwest trail
Vocalion CDNJT 5205 [71:17] 
This is the third Melachrino CD we have had from Vocalion recently, so perhaps they are hoping to do for him what they have done so successfully for Mantovani. Although his music making is less distinctive, Melachrino might well be the connoisseurs’ orchestra of choice. First is a mono album from 1956 with an imaginative programme and good sound. The second is from a year later and in stereo apart from the last three tracks. The original LP was given three stars and rated demonstration-worthy in the old Stereo Record Guide, and I would imagine sounds even better here. The arrangements are never less than interesting and especially descriptive are the three pieces Melachrino himself composed [San Francisco, The one-armed bandit and Northwest trail] after visiting the American West. Top trombonist Lad Busby wrote the vivid Colorado River. The hornist’s contribution throughout is engaging and this is altogether a most enjoyable disc, possibly the pick of the CDs I have reviewed this time. P B

PALM COURT SOUVENIRS – Celebrating Victoria's Edwardian Heritage

Palm Court Light Orchestra Conductor Charles Job with Kenneth Lavigne [tenor]The Boulevardier, Moonlight Dance, Poem, Brown bird singing, Rendez-Vous, Bal masque, Karisma, Love's old sweet song, Down the Mall, Fairy on the clock, Piccadilly promenade, Phantom Melody, Macushla, In the shade of the palms, The Dicky Bird Hop, Dusk, Because, Colonel Bogey
CD004 [65:06] 
The term "Palm Court" probably originates from the early days of radio when a small orchestra would give weekly concerts of light music from the Grand Hotel, Eastbourne, on a stage bedecked with palm trees. In later years these concerts would transfer to the studio and be broadcast under the title 'Grand Hotel.’ Traditionally the orchestra, which became known as the Palm Court Orchestra, consisted of about nine players with the leader playing his violin at the front of the stage. It was a programme of refined, genteel light music, perhaps at times a little insipid, with rather too much emphasis on nostalgic old melodies which appealed mostly to its older listeners. This recording, which has been privately produced in Canada, retains many of the elements of the Palm Court era and, whilst certainly including some of the sentimental numbers associated with the idiom, also gives us plenty of contrast with a wide range of light music, including many personal favourites such as The BoulevardierFairy on the clockBal masque, Henry Croudson's Piccadilly promenade and Reginald King's gorgeous In the shade of the palms. There is also a delightful Herman Finck compositionMoonlight Dance, which I must confess is new to me, but I considered one of the best items on the disc.The Palm Court Light Orchestra was formed by Charles Job in 1986 and is regarded as Canada’s Premier Light Orchestra. Charles is the first to admit that, despite its title, it really is a theatre orchestra rather than a Palm Court Orchestra, having twenty-six players and incorporating a brass section, which curiously includes a bass trombone rather than a tenor. Indeed their only tenor is the guest vocalist Kenneth Lavigne who sings four songs.

I have to say that, right from the outset, this orchestra really impressed me. The tight ensemble and crisp performance on this CD suggests an orchestra which not only enjoys what it is playing, but has complete confidence in its conductor. How nice to hear a contemporary orchestra which is happy to play music in the manner intended by its composers. Highly recommended to all light music aficionados! Brian Reynolds
Available from www.palmcourtorchestra.com

SIMPLY ACCORDION Light Music by Norvic Concordia [Accordion Ensemble]

Old Comrades (Teike), In Party Mood (Jack Strachey), Chanson de Matin (Elgar), The Phantom Melody(Ketelbey), Astor Piazzolla Suite, Misty (Garner), Canadian Capers (Chandler, White & Cohen), Longing (Oppenheimer), Heart of Paris (Auric), Spring in Tuscany (Gerhard Winkler), Evensong (Easthope Martin), Standchen (Heykens), March from A Little Suite (Trevor Duncan), The Grasshoppers’ Dance (Bucalossi), Manha do Carnival (Luiz Bonfa), Lazzarella (Domenico Modugno).DJC Records DJC 030, 64:12 mins.

Although always enjoying the occasional burst of accordion on a Mantovani or French music disc [or, indeed, on the Melachrino reviewed above], I have never had to review a complete album of accordion music and here there is not just a solo accordionist but five of them – all non-professional musicians. Although I missed the colouring of a full orchestra the music avoids sounding "samey" by the variety of the pieces played. They go from marches to waltzes, from tangos to swing. I especially enjoyed Jack Strachey’s Party Mood as a reminder of George Elrick on the BBC radio programme ‘Housewives’ Choice’, a fine Chanson de Matin [not a bad composer, that Elgar], the classic piano ragCanadian Capers, George Auric’s descriptive Heart of Paris and Heykens’ bouncy Stänchen [Serenade]. A reviewer in another place who, unlike me, is well-versed in all things accordion has written that "the music is very well arranged and the playing is of a high order." That’s good enough for me. And I rate the recording tiptop, too. P B

Available for £10 + £1 postage & packing from Peter Ayers, 40, St Michaels Way, Brundall, NORWICH, NR13 5PF. (It can also be ordered by sending an e-mail request to

NELSON RIDDLE Sea Of Dreams / Love Tide

Out of the night, Tangi Tahiti, Dream, There’s no you, Bali Ha’i , East of the sun, Till the end of time, Caravan … plus 16 more 
EMIGOLD 5970532 [67:43]

There simply are no adequate words to describe this superb pairing of classic albums arranged, composed and conducted by the great Nelson Riddle. ‘Sea Of Dreams’ has been my favourite album, describing a peaceful, restful getaway from the stresses of the day. The music is uniformly great withMy isle of golden dreamsDrifting and dreaming, and Nelson’s title number being the most beautiful tracks. And from ‘Love Tide’, another wonderful album from about 1961, we have the title track (also written by Nelson Riddle), Ill wind and the haunting Take me into your arms capping the list of musical therapy one could ever have in one lifetime. The transfer to CD preserves the original balances which were always great on Capitol. What Nelson Riddle could have accomplished had Capitol or Reprise let him write his soul! Unfortunately, EMI is deleting much of its magical catalogue in this series, including Paul Weston’s masterworks, as well as of this gentle master, Nelson Riddle. Maybe EMI can be persuaded to just let us have a few more times with these exquisite masterpieces in sound! Richard Jessen 
[Although this is obviously not a new release and has been reviewed in JIM before, we share Richard’s enthusiasm for the CD and have included it in view of his concluding sentence.]

AMBROSE & HIS ORCHESTRA Hors D’Oeuvres

Plain Jane, Early morning blues, A Burmese ballet, Hullabaloo, Deep Henderson, Message from Mars, Swinganola, Hick Stomp. Embassy Stomp, Champagne cocktail, B’wanga … and 14 others 
Vocalion CDVS 1959 [74:03]Here is another of this label’s reissues selling for an almost unbelievable £2.99. The tracks originate from the ten years up to 1945. Many of them were composed by Sid Phillips, including eight of those listed above. Fire Dance is by classical composer de Falla. The Rhythm Sisters are the vocalists on W.C. Handy’s Memphis blues, featured soloists are clarinettists Carl Barriteau on Dance of the potted puppet and Reginald Kell on Swing low, sweet clarinet. Although [Bert] Ambrose was always reckoned to use the best musicians around, I am unable to identify the personnel here as there are no booklet notes [understandably so at the price] but in his time Ambrose included such luminaries as Ted Heath, Lew Stone, Stanley Black, and George Shearing. P B

THE INTERNATIONAL STAFF BAND OF THE SALVATION ARMY Together
Largo [‘New World Symphony’], Nessun dorma, Somewhere over the rainbow, Nimrod, You raise me up, When I survey the wondrous cross – O Waly Waly, Let it be, Nearer my God to Thee, Wind beneath my wings, Make me a channel of your peace [with Aled Jones], O Christmas tree, In the bleak midwinter, You’ll never walk alone [with Lesley Garrett], Going home [with The Fron Male Voice Choir]UCJ 1782154 [53:32]It is good to see the Salvation Army’s premier band being taken up by a leading commercial label. I understand that good sales were achieved last Christmas and that the proceeds will help "The Army" in its so worthwhile charitable work. The playing is obviously of a very high standard and the repertoire is varied. The added percussion did at times come close to irritating me. The timing of the CD is nowhere near as generous as the cause it supports. P B

GALA NIGHT WITH NIGEL OGDEN

Nigel Ogden at the Wurlitzer Organ of Stockton Town Hall
Lover/ A wonderful day like today, Sons of the brave, Song of the bells, Selection from ‘The History Boys’: L'Accordioniste/ Bewitched/ Wish me luck as you wave me goodbye/ Bye bye blackbird/ Excerpt from Piano Concerto No.2 in C Major/ Happy birthday dear Eliza, Songs of the Sixties: Song of Mexico/ Apache/ Anyone who had a heart/ I remember you/ How do you do it?/ I want to hold your hand/ You don't have to say you love me/ March of the Mods, Georgia, Selection from ‘Mrs. Henderson Presents’: The girl in the little green hat/ All the things you are/ I'll string along with you/ Sails of the windmill/ Goody goody/ Doreen, Waltzing with Waldteufel: Estudiantina/ Dolores/ The Skater's Waltz/ The Sirens/ Mon rêve, Music from France: Ca c'est Paris/ Boom/ Windows of Paris/ Louise/ Pigalle/ I wish you love/ Farandole/ Under Paris skies/ Under the bridges of Paris/ Can-can, Celebration March, The Hour of Parting, The Best of Nacio Herb Brown: Broadway melody/ You are my lucky star/ All I do is dream of you/ Should I?/ Wedding of the painted doll/ You were meant for me
Grasmere GRCD 129 [75:53]The cinema or theatre organ, like the accordion, is an instrument which you either like or you don't. As an exponent (of sorts) of both instruments you can guess where I stand! Many people of my age group remember the regular cinema organ spots on the Light Programme – notably the 10am slot most weekday mornings in the Fifties featuring the likes of William Davies, Lloyd Thomas, Gerald Shaw, Robinson Cleaver and Robin Richmond, who later presented a weekly show entitled 'The Organist Entertains'. Well, that programme is still going but for many years it has been in the capable hands of Nigel Ogden, who is the featured artist on this CD which contains a plethora of tuneful melodies, mostly in the form of medleys. One such medley is ‘Songs of the Sixties’ which, in his accompanying notes, Nigel Ogden describes as "one of the greatest decades for popular song". Personally, I have always considered this period as being the beginning of the end of popular music. Fortunately, for this selection, Nigel has chosen [for the most part] some of the better tunes. There is a curiously titled item called Happy birthday dear Eliza which is based on Beethoven's Für Elise, that I have always disliked ever since being forced to play it in piano lessons as a child! I have often found over the years that cinema organists, [even some of the best known] have a habit of rushing passages and getting out of tempo. There is none of this, however, in Nigel Ogden's performances which are really first class! This is an entertaining and well-played recording, packed with good tunes which will appeal to all enthusiasts of this giant of musical instruments. Brian Reynolds

ARNELL The Great Detective / The Angels – Ballet Music

BBC Concert Orchestra conducted by Martin Yates
Dutton Epoch CDLX 7208 [66:17]Richard Anthony Sayer Arnell, or Tony to his friends, is considered by many to be our leading symphonist. Beecham recorded his ‘Punch and the Child’ in 1950 with the RPO and described Arnell as "one of the best orchestrators since Berlioz…" Having been educated at the Hall School, Hampstead, and University College School, Arnell entered the Royal College of Music in 1935, where he studied composition with John Ireland and piano with St. John Dykes. Vaughan Williams was chair of the panel that awarded him the Farrar Prize for Composition in 1938. He spent a number of years in America where his music was championed by Bernard Herrmann and other conductors and a number of his major works received performances. Back in England after World War II, Beecham became a patron, but Arnell’s prominence eventually faded when composers of anything considered "tuneful" were consigned to near-oblivion by the musical fashion-police, principally William Glock, Controller of Radio 3 [1959-73].Both of these ballets were commissioned by Sadler’s Wells and appear for the first time on CD. ‘The Great Detective’ [1953] is a witty comedic ballet based on the great fictional detective created by Sir Arthur Conan Doyle. The ballet opens in sparkling fashion and no one can be in any doubt as to the skill of the composer as an orchestrator. The humorousDistressed Ladies episode is reminiscent of the ballet music of Constant Lambert, while the melodramatic Fiends and Villains could well have been written for an old silent film. The Dance of Deduction is another witty episode and the whole work is eventually brought to a satisfying conclusion by a big tune and a few remaining musical heroic afterthoughts.

‘The Angels’ (1957) is more of a substantial piece which takes the form of a three movement symphony. The original scenario is abstract, but concerns a life-giving angel who brings men and women together, selects one of them for immortality and makes them shine with heavenly light. It is a powerful work and seems well suited for the concert hall. Of particular note is the extended centralRoundelay movement – one of Arnell’s most beautiful and inspired slow movements – and here the influence of his extended stay in the US is clearly evident, with echoes of his American contempories, Aaron Copland and Roy Harris.There is much to enjoy on this CD, and for those tempted to explore Arnell further I can thoroughly recommend the Third Symphony (Dutton Epoch CDLX 7161) – a stirring masterful work which has received universal praise. The artwork/sleeve design and copious liner notes make for an attractive package and both the recording and performance from Martin Yates and the Royal Scottish National Orchestra are of a high standard. An essential purchase for anyone interested in British orchestral repertoire of the "lost generation" and full marks to Vocalion for making Arnell’s music available to us after decades of neglect. Incidentally, Arnell is now in his nineties and lives in a Musicians’ Benevolent home in Kent where he continues to compose. Malcolm Osman

"The Golden Age of Light Music" : STRINGS AND THINGS GO STEREO!
For full tracklisting please refer to page 76 of this issue.
"Strings And Things Go Stereo" is the first 100% stereo selection in the Guild Light Music series but if, like me, sound technology isn’t your first priority – fear not – the music’s grand and so are the orchestras! Beginning with the curtain opening on Victor Young’s theme to "Around The World in Eighty Days" played by The Cinema Sound Stage Orchestra - and I’d suggest a brighter, breezier recording than the composer’s own version. Still with show music A Wonderful Guy from "South Pacific" (without Mary Martin!) played in fine style by Warren Barker’s Orchestra; I’m afraid I’d never heard of him but thanks to David’s inclusion, and his booklet notes, I have now! Following on from the Rio Carnival Orchestra’s rendition of Brazil is The Trolley Song, originally sung in a similar style by Judy Garland in "Meet Me In St. Louis" – this time played by Buddy Bregman and his Orchestra, but renamed for the original album ‘The Conrad Salinger Orchestra’ in honour of the esteemed arranger responsible. Two more film titles Love Is A Many Splendoured Thing and Change Partners(coupled with Mandy) played by Mantovani and Frank De Vol respectively continue this very entertaining programme; then a restful Tahiti: A Summer Night At Sea by Les Baxter is followed by a smoochie Harlem Nocturne with Norrie Paramor and his Orchestra. First Row Centre by Joe Reisman (any relation to Leo Reisman?) gets the feet tapping again before being lured into Alfred Newman’sStreet Scene with the New World Theatre Orchestra. Then in complete contrast we step straight into the Chappell catalogue with Tony Tamburello’s Saucy Sailor, although it first appeared several years earlier on a US Everest LP as Naughty Nautical, which is how it is listed on this CD. Robert Farnon is conducting his Orchestra in London, although at the time he was still under contract to Decca so the LP credited ‘The Everest Concert Orchestra under the direction of Derek Boulton’ (Bob’s manager!). A super piece of cheery mood music. There’s No You, a romantically tuneful concoction as played by Nelson Riddle, is followed by Morton Gould and his Orchestra with a seductive version of Orchids In The Moonlight written by Vincent Youmans from the RKO film "Flying Down To Rio". It was sung by Raul Roullen to either Ginger Rogers or Dolores del Rio, but I can’t remember which and it doesn’t say on the soundtrack LP I have! Track 14 has David Carroll and his Orchestra with Ron Goodwin’sSwinging Sweethearts but we in Britain know it as Skiffling Strings – thence to Victor Schertzinger’sSand In My Shoes with the Melachrino Strings. It was featured in the 1941 film "Kiss The Boys Goodbye" starring Don Ameche, Mary Martin and Connee Boswell. Hubert Bath’s Cornish Rhapsody, written for Margaret Lockwood to appear to play (but actually recorded for the soundtrack of the 1944 film "Love Story" by Harriet Cohen) is played here by pianists Rawicz and Landauer with Mantovani and his Orchestra – and a very nice performance and recording from all involved. And staying with Hubert Bath, I wonder if David would consider issuing his march Admiral’s All on Boosey & Hawkes 1930s Archive, and his other two nautical pieces on Paxton – Threatening Waves and Ode To the Sea. They deserve a wider audience for this neglected composer. Lucky In The Rain gets a really spirited performance from Robert Farnon and his Orchestra, as does Hal Mooney’s Orchestra playing his own composition Gemini - another piece that could easily come from a mood music catalogue – as could Pavement Pigalle from Joseph Kuhn, a name familiar to anybody with Golden Guinea 101 Strings LPs in their collection. It graces track 19 and is played by the Paris Theatre Orchestra. My LP copy is in mono, but on this CD – like all the tracks – it is in stereo. Canadian Sunset and Saraband are both pretty familiar, but Phil Boutet and his Orchestra playing Evening Starnot so – until I realised that it’s actually an arrangement of O Star Of Eve from Tannhauser by Wagner. The Clebanoff Strings play La Seduccion in a smoth manner, but Leo Shuken’s Spring Madness is alternately spritely then almost pastoral, ending as it began in vigorous style. And finallyThe Song Is Ended by Irving Berlin – a fitting tribute to another fine selection of concert items – which I’m sure the national BBC stations will ignore as usual, but anybody with any musical sense will add to their CD shelf immediately! Ken Wilkins

"The Golden Age of Light Music" : MUSICAL KALEIDOSCOPE - Volume 3

For full tracklisting please refer to page 77 of this issue.
Guild GLCD 5154

With expectations high I put "Musical Kaleidoscope – Volume 3" in the CD player and sat back – and I wasn’t disappointed. Three spectacular pieces to open, the first being Charles Williams’ Winged Messenger in which I thought I could detect strains of his Sons Of The Air on Chappell C209. David Ades writes in the booklet notes that Winged Messenger was used extensively by US networks NBC and ABC in the late 1950s and early 1960s as programme promo music and theme music for radio shows and I can understand why! A very powerful opener – as is track 2 Baden Baden, a grand theatrical-type march which develops into a galop, then simmers down to a definite finale. I’d never heard of the composer ‘Raymond’ but he (she?) wrote a good tune and it is very well played by the Baden Baden Symphony Orchestra – now known, according to David’s notes, as the South West German Radio Symphony Orchestra. The third ‘blockbuster’ on the CD is Holiday For Trombones by David Rose with him conducting in fine fettle. A novelty number by Kermit Leslie is next, which he calls Jalopy and includes a recording of one (a Model T Ford, perhaps?); then in complete contrast a smoochie piece Just For Two by Raymond Ellis and arranged by Angela Morley, rather similar to Dolf van der Linden’s Lady Of Leisure on Paxton. Track 6 is White from ‘Tone Poems Of Color’ by Victor Young; I wasn’t sure what to expect, but it turned out to be a delightful piece of concert music with a sleigh bells opening – very nice indeed. Another great novelty piece to follow – this time Ronald Binge’s Tales Of The Three Blind Mice played by Sidney Torch for the American transcription service Lang-Worth conducting what seems to me to be a slightly larger orchestra than usual, but I could be mistaken. Jack Strachey is another composer featured, and I’m very pleased that David included an unfairly neglected theatre march Shaftesbury Avenue from the Bosworth library – equal, I think, to his more famous Theatreland (already featured on two Guild CDs by B&H’s New Concert Orchestra – GLCD 5102, and Harry Fryer in Decca’s Music While You Work series – GLCD 5137). Irving Berlin’sLady Of The Evening is arranged by Peter Yorke and played by his Concert Orchestra in its usual immaculate manner, followed by Robert Farnon’s Playtime with the Telecast Ensemble and Bob at the piano (replacing the session pianist who wasn’t up to scratch!). I’ve got the Chappell 78 of this piece, and I wondered how long it would be before Alan and David included this number in the Guild Light Music series. Actually David tells me it was a special request from an RFS member! Forgive my ignorance, but I didn’t recognise Domani until Richard Hayman and his Orchestra struck up on track 14, and then the tune became very familiar; but Valse Bluette by Drigo sounds very different to my George Melachrino LP recording, as played here by Victor Young and his Orchestra with trumpeter Rafael Mendez doing his stuff. Harry Fryer was a great light music conductor and he makes a splendid job of Roger Barsotti’s march Banners of Victory. Between That’s All by Bob Haymes and Gershwin’s Swannee is Ecstasy by Otto Cesana and played by his orchestra. A lush melody that could easily find a place in any publisher’s mood music catalogue. Rudy Vallee co-wrote Deep Nightpresumably for himself to sing, and I have an LP of him doing just that – but here it’s played by the Pittsburgh Strings in fine form. Captain Of The Guard was new to me, but La Muse Legere wasn’t, as I’ve had the 78 since it was issued – but I particularly liked Captain Of The Guard and I’m told that it was also a special request, like several more in this collection. Alla Marcia from Sibelius’ ‘Karelia Suite’ and Sinding’s Rustle Of Spring are both very familiar concert items, but Gabriel Pierne’sSerenade not so – at least to me, but very tuneful all the same as played by the Andre Kostelanetz Orchestra. Henry Litolffs’ Scherzo played here by Winifred Atwell is a real eye-opener, especially as she was more identified with her honky-tonk ‘joanna’! And finally two ‘bonus tracks’: Desperate Moment and Sinister Street No. 1 from the De Wolfe library – two good examples of dramatic music used in the Two Ronnies’ comedy serial "The Phantom Raspberry Blower Of Old London Town". If David would like some more suggestions for dramatic items perhaps he’d consider East Of Malta by Ronald Hanmer and Jack Beaver’s The Sword Of Damocles – both from the FDH library for inclusion on future Guild CDs. This is altogether a very satisfying and melodic addition to the series and Alan Bunting’s magical restorations are first class as usual! Ken Wilkins

MAURICE BLOWER SYMPHONY IN C MAJOR 

Havant Symphony Orchestra conducted by Peter Craddock 
with Elgar: Wand Of Youth Suite No.2, and Brahms: Academic Festival Overture [57:00] 
Strange bedfellows? Not really because all three offerings are tuneful delights but, while the latter two are well known, the former piece is a rarity indeed with a fascinating story behind it. Blower died in 1982 and some time later his son Thomas, pottering around in the loft, discovered a symphony which had lain unpublished and unperformed since it was completed in the pre-war summer of 1939. A few years ago he transcribed it into Sibelius software and, with the help of conductor Peter Craddock, set-up the full score for a première performance given in Fareham by the Havant Symphony Orchestra, which took place in March 2008. It was duly recorded for posterity and is now available for £8 from Sandra Craddock, 152 West Street, Havant, PO9 1LP; cheques payable to "HADOS." This is a jolly piece of music which will appeal to all Robert Farnon lovers. Edmund Whitehouse

STOKOWSKI BACH TRANSCRIPTIONS · 2
Bournemouth Symphony Orchestra José Serebrier
Toccata and fugue in D minor, Wachet auf [Sleepers Awake!], Ein feste burg [A Mighty Fortress], Jesus, Joy of Man’s Desiring … etc
Naxos 8.572050 [64:59]Fans of the Disney film ‘Fantasia’ will be familiar with the opening track on this splendid budget priced disc. All the transcriptions by the old musical magician Leopold Stokowski are very come-at-able and as well as the 11 originating from Bach there are half-a-dozen others, eminently tuneful, by Palestrina, Byrd, Jeremiah Clarke [the Trumpet Voluntary tune], Boccherini [Minuet, used in Ealing Films’ ‘The Ladykillers’], Mattheson and Haydn [the well-known Andante Cantabile]. Buy and enjoy! P B 

DAVID NADIEN Beethoven & Mendelssohn Violin Concertos [US] Cembal d’amour CD 137[67:31] To many readers of this review, David Nadien may seem an odd choice for inclusion. Yet he was the leader (or concertmaster) of the recording orchestra Robert Farnon arranged and conducted for Tony Bennett on his famous ‘Snowfall’ Christmas album of nearly 40 years ago. At the time of that distinguished recording, David Nadien had been the leader of the New York Philharmonic Orchestra since 1966 and would be at that post until 1971. Nadien is still with us and occasionally plays in public. On this CD he shows just how insightful of a performer he truly can be in the heavier forms of music. The Beethoven Concerto is considered (with the Brahms) as a test of endurance of the player, for it is nearly as long as a symphony and just as demanding. David lends a special insight and feeling into this very emotional performance. He was aided in this 1952 performance by Leon Barzin and his college level National Orchestral Association. The Mendelssohn Concerto is a case of the soloist bringing a group of unknown musicians, the Chappaqua Orchestra under Wolfgang Schanzer, up to his level of conception. Again, there is a very strong bond between orchestra members and soloist that gives us a rare moment of psychic purity in which each participant accompanies each other with perfect balance. Although this may be a hard to obtain CD, the musical rewards and soothing sound of David Nadien’s artistry combine to create a marvelous listening experience seldom found in today’s musical world. Richard Jessen 
Available from www.cembaldamour.com 

"RHAPSODY BY REQUEST" Por Una Cabeza, Mack the Knife, Souvenirs de Paris, The Girl From Ipanema, La Vie En Rose, Jazz Medley, Tasha’s Waltz, Anne of Green Gables medley, Processional, Viktor’s Tale, Schindler’s List, Heaven Can Wait, Caravan, Les Patineurs Valse, Um Momento, Bohemian Rhapsody Rhapsody Quintet. RHAP CD005, 65:32 mins. Available from Rhapsody Quintet, 1240 Edward Street, Halifax, N.S., B3H 3H4, CANADA. Website www.rhapsodyquintet.comRFS members who have bought previous releases by this versatile Canadian group of musicians will be pleased to learn that a new collection is now available. Familiar favourites are mixed with some less well-known numbers, and the players’ enthusiasm which they display towards their repertoire is certainly infectious. Unlike sixty or seventy years ago, there are few examples of small ensembles playing light music these days, so it is good to know that this more genteel style still survives today.David Ades 

JOPLIN The Easy Winners & Other Rag-Time Music
PREVIN A Different Kind Of Blues
Itzhak Perlman [violin], André Previn, Shelly Manne [pianos], Jim Hall [bass], Red Mitchell [guitar]The Rag-Time Dance, The Easy Winners, Bethena [A Concert Waltz], Magnetic Rag, The Strenuous Life [Rag-Time Two-Step], The Entertainer, Elite Syncopations, Solace, Pine Apple Rag, Sugar Cane / Look at him go, Little Face, Who Reads Reviews, Night Thoughts, A Different Kind of Blues, Chocolate Apricot, The Five of Us, Make Up Your Mind
EMI Encore 2357272 [78:06]A well-filled low-priced disc with premium performers. Ragtime swept the world between c1897-1920, its syncopated melodies set against a march-type bass line. Scott Joplin was thought of as its greatest composer. Here the violin and piano of a classical "dream team" does him full justice on this 1974 album. The Previn piece, from 1980, anticipated the rash of "crossover" albums by classical artists from the late ‘80s onwards and is most enjoyable, with the violin virtuoso clearly taking to the jazz idiom at his first attempt. Previn is reunited with fellow pianist Shelly Manne, reminding us of their classic ‘My Fair Lady’ album [recently reissued with final restoration and remastering by Alan Bunting] on Retrospective RTR 4122. P B 

"LE PIANO ‘BASTRINGUE’" featuring the pianos of Floyd Cramer [Fancy Pants, Five Foot Two Eyes Of Blue], Dolores Ventura [Celebration Waltz], Eddie Smith [Ragtime Melody], Johnny Maddox [St. Louis Tickle], Michel Legrand [La Pendule], Crazy Otto Rag [Will Glahe], Russ Conway [Chicago, The Lantern Slide, Buttons and Bows], Eddie Miller [Somebody Stole My Gal, Whispering], Joe ‘Fingers’ Carr [Maple Leaf Rag, Down Yonder, Entertainer’s Rag], plus Winifred Atwell, Crazy Otto and many more. 61 tracks on 2 CDs. (France) Marianne Melodie 081902. Once again our friend Pierre-Marcel Ondher has put together a varied selection that will delight everyone who enjoys the kind of piano music performed by the talented artists listed above. The 28-page booklet contains comprehensive notes, but you will need to understand French! However the full tracklisting details give alternate titles in English where appropriate and this is a wonderful opportunity to become acquainted with talented pianists from France and Germany that may be unfamiliar to you. Highly recommended for those who enjoy popular piano music from the 1950s. David Ades This collection is available from the RFS Record Service to special order. The price is likely to be in the region of £20 but may vary due to current volatility in the currency markets. 

BENNY GOODMAN SEXTET Slipped Disc 1945 – 1946
After you’ve gone; Slipped disc, Rachel’s dream, I got rhythm … plus 14 more songs
Columbia CK 44292 [53:18]Probably one of the unique sounds in the history of jazz was Benny Goodman’s performances with small groups ranging in size from trios to quartets and finally into sextets. Although many prize the Charlie Christian sets (and they are justifiable classics), Goodman in the 1940's had lost none of his touch and continued to record for Columbia some magnificent performances. One that sticks out isAfter you’ve gone which has a great Slam Stewart singing solo on his bass along with crisp playing from vibist Red Norvo. Slipped disc is another fabulous item found on this disc, relating as it does to Goodman’s constant back pains. The music just ripples along like a happy, babbling brook aided in no small part by Teddy Wilson sitting at the piano and dispensing his famous crisp, articulate piano. The engineering from the original recordings is as perfect as can be had on this side of paradise. And of course, this is music for putting one in the mood for the happiest of all days Richard Jessen 

DANIEL SMITH Blue Bassoon
The Jody grind, The double up, Sack of woe, Things ain’t what they used to be, My baby’s gone, Billie’s bounce, Nostalgia in Times Square, Equinox, Scotch and water, From four till late, Break out the blues, Footprints, Solid
Label & release date to be announced [47:50] 
I am not a musician so maybe I am missing something. As I said when reviewing Daniel’s previous CD, ‘The Swinging Bassoon’, his technique is marvellous but as a solo instrument the bassoon in this setting sounds incongruous. The number of musicians has been increased and once again the compositions are all written by veterans of the jazz scene, most no longer around. I can only guess if they would approve of their music with this treatment. One thing is for sure, none of these tunes were written for a bassoon! The CD arrived with an impressive list of accolades from jazz critics with more knowledge than me. I can only repeat the first sentence of this review. Paul Clatworthy 

AL BOWLLY This Is Romance
Double CD, 52 titles
Sounds of Yesteryear DSOY756 [77:05 & &9:14]Fans of Bowlly, who is believed to have influenced many singers in his short lifetime, really get their money’s worth here! The songs are with the bands of Lew Stone, Ray Noble and Geraldo. Most personnel are listed; interestingly the Lew Stone orchestra had Stanley Black and Monia Liter, who later found fame on their own, in its ranks. Recordings date between 1932 and 1939. I was not born until four years after the first was made, so the only titles I was familiar with were Ray Noble’s The touch of your lips, Irving Berlin’s Top hat, Harold Arlen’s As long as I live, and Mack Gordon’s Did you ever see a dream walking. Transfers are painstaking good by John Bennett. Put in on your shopping list for Grandma’s next birthday. Paul Clatworthy
[1936 was a very good year! - KT Ed.] 

BING CROSBY Through The Years Volume Two 1951
25 tracks including Maria Bonita, Granada, Indian summer, The loneliness of evening, Sparrow in the treetop [with The Andrews Sisters], Here ends the rainbow [w. Betty Mullin], Moonlight Bay, When you and I were young, Maggie, Blues [w. Gary Crosby], I whistle a happy tune, Getting to know you, Gone fishin’ [w. Louis Armstrong], Shanghai, Row, row, row 
Sepia 1122 [73:52] 
Another entertaining selection of tracks from "The Old Groaner" with on hand the orchestras of John Scott Trotter [natch!], Vic Scoen, Lynn Murray, Victor Young and Dave Barbour; also The Bando Da Lua, Matty Matlock and his All Stars, and the Jud Conlon Choir. Popular singing par excellence. The music is enhanced by extremely comprehensive booklet notes. P B 

DORIS DAY TODAY A Musical Comedy Special [DVD]BMG 88697176059 [1hr 30 mins]I must admit to having a fondness for music specials and especially anything with Doris Day makes my day. In the waning days of music specials, CBS-TV telecast ‘Doris Day Today’ in 1975. Sadly, this was to be Day’s last major network special. Happily, this is a fun special showing off Day’s talents as actress, comedian and, most importantly, singer. There are vibrant duets with John Denver including probably the greatest filmed performance seen anywhere of songs associated with each performer. There are also comedy sketches with Rich Little offering up his vast repertoire of celebrity impersonations (he was one of the best) as the leading man in the many films Day was involved with, with humour. Another great comedian was Tim Conway who was known for cutting up hilariously with the late Harvey Korman on ‘The Carol Burnett Show.’ Here he has a funny sketch with Doris Day where they are stuck out in the middle of nowhere close to the Grand Canyon. Not only are both hilarious but also there is a brief appearance by Day’s best friend Biggest (a very large but very dignified male poodle). But it’s the music and voice that carries this excellently produced show. There is an update with very fast, edited costume change of the Cole Porter classic Anything goes, a very soulful performance of Day by day from ‘Godspell’ done as only Doris Day could do with a song. The most moving performance is The way we were, where all of Day’s male co-stars are remembered in a deeply emotional performance. There are also extras such as Doris Day’s appearance on the John Denver Show in 1974, 1940's musical short with Les Brown as well as data on her movies and many recordings. This DVD is available on both sides of the Atlantic. Thank you Doris Day for being the wonderful performer and human being you have always been. Here’s hoping you will be around for a few years more! Richard Jessen 

DICK HAYMES It’s A Grand Night For Singing
You’ll never know, It can’t be wrong, How blue in the night, Let the rest of the world go by, The more I see you, I wish I knew, They didn’t believe me, Love letters, Laura, Isn’t it kinda fun, It might as well be spring, That’s for me, It’s a grand night for singing, How deep in the ocean, Oh! what it seemed to be, Aren’t you kinda glad we did, For you, for me, for evermore … and 32 other tracks
Sounds of Yesteryear DSOY759 [74:40 & 72:27]A double album collecting the first nine years of the singer’s solo career with Decca, 1943 to 1952. Many of the titles were rushed through to beat the imminent recording ban of 1948. They do not sound rushed, his distinctive mellow voice coaxing the best out of each tune. Orchestra backing include Tommy Dorsey, Earl Hagen, Gordon Jenkins, Lyn Murray, Artie Shaw, Vic Shoen and Victor Young. Among the vocalists are The Andrews Sisters, Helen Forest, Judy Garland, Ethel Merman and Song Spinners.

Paul Clatworthy 

The Unforgettable PAT KIRKWOOD Just One of Those Things, Save a Little Sunshine (with Dave Willis), Dinah, Nobody’s Sweetheart, My Heart Belongs to Daddy, Most Gentlemen Don’t Like Love, The Only One Who’s Difficult Is You, You’ve Done Something to My Heart, Oh Johnny, Oh Johnny, Oh! Where or When, This Can’t Be Love, In the Mood, My Kind of Music, The Victory Roll, South American Way, Listen to Me – and many more. AVID AMSC 966 2-CD set. 66 tracks, total timing 157:19 mins."Glamorous, dynamic, and an international sex symbol, Pat Kirkwood was for two decades the undisputed queen of British stage and screen musicals, with a voice rivalling that of Broadway’s Ethel Merman. Cole Porter, Noël Coward and Leonard Bernstein chose her to play the leading roles in their musicals, and her performances in 15 pantomimes caused a leading critic to hail her as ‘the greatest Principal Boy of the 20th century’. When she died on Christmas Day 2007, the world-wide media coverage focussed on two things: her fabulous legs, once described by Kenneth Tynan as ‘the eighth wonder of the world’, and her rumoured relationship with Prince Philip, a source of feverish speculation by royal biographers and gossip columnists for 60 years. This historic double CD, released by AVID Entertainment to mark the first anniversary of her death, spans 56 years of her glittering career, from her first film at the age of 17, to her last stage appearance in 1994. It features no fewer than 29 performances that have never previously been released on CD. These include a duet with her Hollywood co-star, Van Johnson, recordings she made in the United States, which were never issued in Britain, rare soundtrack footage from her 1950s screen musicals, and five songs in live performance in 1993.Along the way are superlative interpretations of all-time great standards by Cole Porter, Noël Coward, Rodgers and Hart, Irving Berlin, Leonard Bernstein, Jule Styne, Anthony Newley and Leslie Bricusse. This superb compilation not only encapsulates the magic of Pat Kirkwood, and of one of the great show business talents, but also the history of the musical in the 20th century." The above details (copied from Avid publicity) give a fair description of the wide-ranging repertoire to be enjoyed in this collection, expertly compiled by Hugh Palmer, who was also responsible for similar recent collections from Avid featuring Jessie Matthews and Frances Day. As well as commercial and private recordings, there are soundtrack excerpts which should delight film buffs. If you are a fan of Pat Kirkwood you will not hesitate to add this to your collection. The well illustrated booklet is packed with information. A top quality product at a very reasonable price.David Ades This 2-CD set is available from the RFS Record Service price £9.00. 

KATHERINE JENKINS Sacred Arias
Abide With Me, Pie Jesu, The Lord’s My Shepherd, Down in the River to Pray, May The Good Lord Bless and Keep You, Hallelujah, Panis Angelicus, In Paradisum, Silent Night, Ave Maria, Misa Criolla: Kyrie, Agnus Dei
UCJ 476 697-2 [48:24]The lovely young mezzo-soprano returns to her Welsh church roots with this album. I guess the booklet’s photographic studies of Miss Jenkins add value to the package, but less than 50 minutes of music is a bit meagre for a top price disc. What we have, however, is very good. The Pie Jesus is by Andrew Lloyd Webber, and the Lord is my shepherd is the Howard Goodall version used in ‘The Vicar of Dibley.’ Meredith Wilson wrote May the good Lord and Hallelujah [versions of which were at Nos. 1 and 2 in the pop chart last Christmas] is by Leonard Cohen. Particularly winsome is the old spiritualDown in the river to pray, one of eight tracks enhanced by The Crouch End Festival Chorus. Another standout track is Simon Lindle’s Ave Maria with The Redolfus Choir, who also accompany on three others including the poignant Agnus Dei by Samuel Barber. P B 

MARY MAYO Dancing In The Dark
Molly Malone, Waiting, Just a wearyin’ for you, It seemed so right last night, Dark is the night. Bring back the thrill, Memory book, My love an’ my mule, I can see you, Who but you, I never dreamt, A penny a kiss, a penny a hug, It only takes a minute, Come to baby, do, Heavenly feeling, This is the place … and 9 other tracks
Sounds of Yesteryear DSOY762 [69:19]Mary’s voice has a range of four octaves, well illustrated on CD but not in the "Sumac" manner. Whilst they were both members of the Beneke-Miller Band, bass player and arranger Al Ham fell under her spell and they married. Some of the songs have not been heard for many a year; five are from films, seven recorded with the Tex Beneke Band, the remainder with the bands of Al Ham, Glenn Osser and Ray Wright. Some tracks are a little "Rinky Dink"; others more worthy of her marvellous voice, especially when linked with a large orchestra. I was most intrigued to find a Pete Rugolo written Bring back the thrill, one I had never heard before. The last "live" track is obviously from her later years reunited with the Beneke Orchestra. Charming nostalgia most of the way. Paul Clatworthy 

LIGHT MUSIC FOR PIANO AND VOICE – JOHN McLAIN Cat In A Flap, Into My Heart, Mamble, When June Is Come, The Willow, Renunciation (songs), Soliloquy, Kirsty – in Melancholy Mood, Serendipity, All In Good Time, The Forest At Dusk (piano solos), Templeton – Bach Goes To Town, Coates – Bird Songs At Eventide, Ireland – Sea Fever, Zez Confrey – Dizzy Fingers, Kitten On The Keys, Lehar – Girls Were Made To Love And Kiss, Cyril Scott – Danse Negro, Walforde-Finden – Kashmiri Song, Debussy- Golliwog’s Cakewalk, Coleridge-Taylor- Onaway Awake Beloved, Godron Pullin (tenor), Barbara Manning (piano). This excellently recorded CD is well worth its £5 price to RFS members. Admittedly John McLain’s undoubted lyrical impulse (John is an RFS member), whether in songs or piano solos (which are effectively songs without words) produces results which are very similar in mood and tempo, so it is perhaps as well that contrast is offered by vocals and instrumentals composed by others, which are among the classics of the light music genre. Performances are highly enjoyable; Mr. Pullin’s delivery and diction are notably clear (all tracks are sung in English – words are not supplied in the insert but are really unnecessary), and Miss Manning’s playing, whether solo or in accompaniment, is expressive, fluent and full of character. Available at £5.00 to RFS members from JOHN McLAIN, 42 Osidge Lane, Southgate, London, N14 5JG, England.Philip L. Scowcroft 

"ROSES ALL THE WAY" Songs by Eric Coates The Palace of Roses, Sigh No More Ladies, Melanie, A Dinder Courtship, Asphodel, The Fairy Tales of Ireland, Roses All The Way, Yearning, Mendin’ Roadways, By The Sleepy Lagoon (piano solo), Sea Rapture, Little Snoozy Coon, Bird Songs At Eventide, Music of the Night, Little Lady of the Moon, Always, As I Close My Eyes, Your Name, A Song of Summer, Star of God, Today is Ours. Peter Dempsey (tenor) and Guy Rowland (piano). Eric Coates is mostly remembered as a composer of light orchestral miniatures but he began as a writer of ballads and continued as such for the rest of his life, albeit less so after the mid-1930s. Several of them can be heard today, but there are many which are not (there were about 130 in all); this disc concentrates on the less well-known of those written between 1912 and 1943. Only Bird Songs and (sung here appropriately in a ‘Mummerset’ accent) A Dinder Courtship are at all familiar to most of us, so this release does fill a gap. Further, Peter Dempsey has a limpid, fluent delivery and notably clear diction while Guy Rowland is a sympathetic, positive accompanist; his solo piano version of By The Sleepy Lagoon (presumably arranged by the composer) recalls that many light orchestral favourites could, at one time, be found in the domestic piano stool. Some of these songs sound like other, better known ballads by Coates, but this is common enough in balladry and there is much variety here. We catch an Irish flavour in The Fairy Tales of Ireland; there is a popular, up-tempo character in the title song and the splendidly non-PC Little Snoozy CoonSigh No More Ladies ranks high for me in the centuries of Shakespearian vocal heritage, and the last two songs – one to Coates’ own words – movingly recall that he continued penning songs into the Second World War. Recording is admirably clear, and presentation thoughtful. These tuneful imaginations are sure to give pleasure, as they have done to this reviewer. Philip L. Scowcroft This CD is available from PETER DEMPSEY, 44 Victoria Road, Bidford-on-Avon, Warwickshire, B50 4AR, England – price £11.99 [including p&p]. 

PIGS COULD FLY Children’s Choir Music 
New London Children’s Choir conducted by Ronald Corp 
Songs by Skempton, Britten, Corp, Bennett, Bliss, Tavener, Vaughan Williams, Maxwell Davies, Chilcott, Bliss, Rutter, Godfrey, Maw, etc.
Naxos 8.572113 [66:07] 
The conductor is well known to tuneful music lovers for several CDs of light music and this choir, which he formed in 1991, is a companion to his New London Orchestra. The repertoire is wide and varied, ranging from lively short pieces to more serious sacred music, with several more in between; 35 different songs in all. The diction is good and for anyone who likes to hear children’s voices then this is a welcome addition to the relatively small catalogue of that genre. Edmund Whitehouse

AN EVENING WITH BEATRICE LILLIE Original Cast
20 tracks including Rhythm, Nanette, Folk Song Cycle, Weary of it all, Piccolo Marina, There are times, Paint, Maud, There are fairies at the bottom of our garden, The party’s over now
Sepia 1123 [78:51]A unique artiste but, possibly, something of an acquired taste. In addition to the above there are seven other tracks including Three little fishies, from the show ‘Auntie Bea’ with an orchestra directed by Eric Rogers. If you are not a Miss Lillie fan, the disc is worth acquiring for her co-star Reginald Gardiner’s classic Decca single Trains [ah, memories!] Nobody should complain about value for money here. Ray Pavene 

IRMA LA DOUCE Original London Cast
Sepia 1120 [74:29]The original Parisian version of this show, music written by Marguerite Monnot, opened in November 1956 and ran for four years. This English language version opened on 17 July 1958 at London’s Lyric Theatre, where it ran for 1,512 performances starring Elizabeth Seal, Keith Michell and Clive Revill. The book and lyrics here are by Julian More, David Heneker and Monty Norman; Peter Brook directs; orchestrations are by Andre Popp; vocal arrangements by Bert Waller; and the orchestra is under the direction of Alexander Faris. Not being familiar with the show – the most recognizable track is probably Our Language of Love – I enjoyed it a lot. Also included on the disc are 11 "Bonus Tracks" in French. Sepia’s customary comprehensive booklet notes complete a well-filled package. Ray Pavene 

‘THIS RECORD IS NOT TO BE BROADCAST’: 75 records banned by the BBC 1931-57 Acrobat Music ACTRCD9015 (3CDs with booklet).
It seems rather ironic that this album should appear at a time that the BBC has been forced to review its public broadcasting standards following the recent Ross/Brand affair. Three CDs and a 48 page booklet comprise a fascinating study of 75 recordings that were effectively black-listed by the BBC during the years 1931-57. With the hindsight of living 50 years on, some of the reasons given by the ‘Dance Music Policy Committee’ for their decisions now seem ludicrous and trivial – especially when judged by what is now considered ‘entertainment’. One such directive ran: "The BBC’s policy is to encourage a more virile and robust output of dance music to accord more closely with the present spirit of the country. To this end any form of anaemic or debilitated vocal performances by male singers will be excluded. Performance by women singers will be controlled to the extent that an insincere and over sentimental style will not be allowed. No numbers will be accepted for broadcasting which are slushy in sentiment or contain innuendo or other matter considered to be offensive." Thus George Formby’s With My Little Stick of Blackpool Rock (1939) and Johnny Messner’sShe Had to Go and Lose It at the Astor (1938), both fell foul of the committee. In the case of the latter, both the suggestive lyrics and the fact that mentioning the Astor was tantamount to advertising were more than enough reason for an outright ban. In 1942, the BBC’s Director of Music was none other than the eminent composer Sir Arthur Bliss. Bliss was staunchly against tunes borrowed from classical works. This view led to the banning of whole albums based on classical themes. Thus in 1938 Tommy Dorsey in an arrangement of Song of India (from Rimsky-Korsakov’s Sadko) was banned and in 1942 Glen Miller’s The Story of a Starry Night (from Tchaikovsky’s Sixth Symphony), suffered a similar fate. In the words of the committee, "The Story of a Starry Night is not a parody, but a travesty of the original.” Not so much the Pathėtique Symphony as the pathetic in fact…. Perhaps it is hardly surprising that the Spike Jones version of the Blue Danube (1945) was also banned, although this was lifted in 1947 when ‘burlesque’ became permissible but ‘dance tempo distortion’ did not! Sometimes songs were banned for purely practical reasons. Thus Bing Crosby suffered a double ban. Deep In The Heart Of Texas (1942), during working hours, in case factory hands used their tools for banging machinery to keep time with the infectious melody and in the following year I’ll Be Home For Christmas was banned for the reason that it would lower the morale of the fighting troops. There are many more such examples to be found in the lavishly illustrated informative booklet. A fascinating release and one that I think many of our members will find room for in their collection - if only as a curiosity. Copies can be obtained from Acrobat Music or from the RFS Record Service. Malcolm Osman 

Other releases noted by Wilfred Askew
NELSON RIDDLE Let’s Face The Music
Among the 55 tracks are: Let’s face the music and dance, Put your dreams away, The love of Genevieve, Dreamer’s cloth, Darlene, The girl most likely, Younger than springtime, An affair of the heart, Where did he go? Port au Prince, Darn that dream, You and the night and the music, I’m gonna laugh you right out of my life, Lisbon Antigua, Volare, Easter Isle, Accordion Willy, Man on fire, Seven nights a week, Walkin’, Holiday in Naples, Rain, Vilia, Waltz of the blues, Can this be love, Robin Hood, I can’t believe that you’re in love with me …
Jasmine [2-CD set] JASCD 495 [158:18]

THE KEITH MANSFIELD ORCHESTRA
All You Need Is Keith Mansfield
All you need in love, You’ve lost that lovin’ feeling, Everlasting love, Whiter shade of pale, Soul thing, Moanin’, Walk on by, Lovin’ things, Reach out [and I’ll be there], Take five, Boogaloo, Rainbow and [Epic single] Soul confusion
RPM Retro 835 [69:15]1968 CBS recording plus seven tracks by Love Affair, Maynard Feguson, Alan Haven & Selena Jones with Mansfield’s Orchestra. 

JUAN GARCIA ESQUIVEL & HIS ORCHESTRA Mexico Days
Debut album from 1957 including Collar of Perlas, Poppourri Curiel, Medley [Berlin, Rodgers and Hart], Universidad rock and roll, Una y otra vez, Sketch de Glenn Miller … & 6 other titles / Compilation of singles & EPs recorded in Mexico between 1954-56 including To live again, Port au Prince, AMOR, Moonlight enchantment, Nightingale, Nocturnal … & 6 other titles.
Cherry Red ACEM139CD [76:14] 

MIKLOS ROSZA ‘EL CID’ 
The City of Prague Philharmonic Orchestra & Chorus conducted by Nic Raine
World premiere recording of the complete film score on 3 CDs plus ‘Double Indemnity Suite’ [arr. Palmer].
Tadlow CD005 [182:04] 

HENRY MANCINI & HIS ORCHESTRA 
The Versatile Henry Mancini
Poinciana, Bali Ha’i, Flamingo, Whispering Sea, Return to Paradise, Naked sea, Breeze and I, Driftwood and dreams, Moon of Manakoora, Sleepy Lagoon, Ebb tide, Off shore; plus bonus tracks:What’s it gonna be, Young love, Free and easy, Cha cha cha for Gia 
Cherry Red ACMEM155CD [79:59]His first album, ‘Driftwood and Dreams’, from 1957, appears here in both mono and stereo versions.  

KEN GRIFFIN [Organ] Skate On
52 tracks including Cuckoo Waltz, Take me out to the ball game, Doodle Doo Doo, American Patrol, Little brown jug, If I had you, Bumble bee on a bender, Till we meet again / Louise, For all we know, There’ll be some changed made, The Sycopated Clock, The woman in the shoe, San Antonio Rose, Wunderbar … etc.
Jasmine [2 CDs] JASCD 471 [136:42] 

NORRIE PARAMOR & HIS ORCHESTRA
The Zodiac Suite / Dreams and Desires with the voice of Patricia Clark
An Aries Aria, Taurus Tango, The Gemini Waltz, Cancerian Concerto, Lonely Leo, The Impatient Virgo, A Libra Rhapsody, Seductive Scorpio, The Sagacious Sagittarius, Capricious Capricorn, Mood Aquarius, Ode to Pisces / That’s my desire, You stepped out of a dream, If I had you, I’d love to fall asleep [and wake up in your arms], Once in a while, You’d be so nice to come home to …& 6 other titles
Vocalion CDNJT 5200 [78:20]EMI Columbia recordings from 1957. 

THE WORLD OF SABU
Music [17 tracks] from Rudyard Kipling’s ‘Jungle Book’ [1942] narrated by Sabu with the Victor Symphony Orchestra, composed and conducted by Miklos Rozsa; ‘The Thief of Bagdad’ [1940]narrated by Hugh Gray with the Frankenland State Symphony Orchestra, composed and conducted by Miklos Rozsa; ‘Black Narcissus’ [1946] with the London Symphony Orchestra, composed and conducted by Brian Easdale
El ACMEM151CD [66:54] 

VIVIAN BLAINE On Broadway
‘Songs from the Great White Way’: If I were a bell, People will say we’re in love, Hello, young lovers, Poppa, won’t you dance with me, But not for me, A wonderful guy … & 6 other titles / ‘Songs from The Ziegfeld Follies’: A pretty girl is like a melody, Row, row, row, I can’t get started, You’d be surprised, What is there to say, Shaking the blues away … & 6 other titles
Flare ROYCD 264 [67:45]Original Mercury recordings from 1956, with Glenn Osser’s Orchestra & Chorus.

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FRANK CHACKSFIELD & HIS ORCHESTRA

My Gypsy Love & Great Themes from Great Operas [Highlights]

Gypsy moon, Tzigane, Play gypsies, dance gypsies, Waltz of the gypsies, The gypsy, Golden earrings, Czardas [Monti], Play to me, gypsy, Budapest, At the Balalaika, Gypsy love, Dark eyes / Intermezzo from ‘Cavalleria Rusticana’, Nessun dorma, Oh! my beloved father, La donna è mobile, Your tiny hand is frozen, Caro nome, E lucevan le stelle, Musetta’s waltz song

Vocalion CDLK 4387 [76:12]

Another splendid 2-on-1 CD comprising albums originally issued as mono LPs in the early ‘60s on one of the very first budget labels, Decca’s Ace of Clubs. Much of light music stems from the styles and technique of gypsy players. You will find here – in very decent stereo – a lot of the fire and lushness associated with gypsy music, and this album must feature quite highly in the Chacksfield canon. Even if you are not "into" opera, the melodies by Mascagni, Puccini and Verdi on the second album are irresistible in these Italian-tinged arrangements. Here’s hoping for more reissues from this source, notably ‘Songs of Sunny Italy’Peter Burt 

A Box of Light Musical Allsorts For full tracklisting details please see page the Light Music CDs pages on this website Guild GLCD 5157 77:51 mins. Where would light music enthusiasts be without Guild and a few other labels of a like mind – reissuing the sort of fare not supplied by the major record companies and radio stations? I ask this after listening to this latest Guild Light Music release, which opens in cracking style with Bob Farnon’s Orchestra and his arrangement of My Object All Sublime from "The Hot Mikado" – Gilbert and Sullivan (sort of!). It has a big ‘show-bizzy’ opening with, I’m sure, echoes of Bob’s Alcan Highway, leading to a swinging version of Sullivan’s well-known melody accompanying a tap dancer! A novelty indeed! Felton Rapley’s very attractive Southern Holiday and Werner Müller’s likewise Take Me To Your Heart continue this melodic programme. A dip into the Chappell catalogue brings a welcome CD release of Clive Richardson’s Mannequin Melodyand then Alfred Newman conducts his own film music to "A Letter To Three Lives" from a Mercury LP I’ve had since its release in 1956. Angela Morley’s tribute to Bob Farnon A Canadian In Mayfair is given a spirited performance by Sidney Torch and his Orchestra, the same recording I think David Ades included on his Sidney Torch Great British Light Orchestras HMV compilation of 1992, long deleted. Thou Swell is a catchy number from "Words and Music" and was sung in that film by June Allyson in 1948; here it is played by Andre Kostelanetz and his Orchestra. However the track I can’t get over is Military Samba by John McGregor, a name new to me – but it’s so infectious as played by Edmundo Ros conducting what sounds like a fairly large Concert Orchestra. I had forgotten that he’d ever recorded with such an ensemble, then I remembered his recording of Marching Strings on an earlier Guild CD which probably came from the same session. Charles Williams’ Let’s Go Shoppingplayed by the Danish State Radio Orchestra recalls newsreels and Pathé shorts of the 1950s, as doesPolka Dot by Eric Cook played by the New Concert Orchestra conducted by Cedric Dumont.Rahadlakum from "Kismet" was new to me although I knew the score had been adapted from Borodin’s work; here it’s played in fine concert style by Percy Faith who arranged it for his orchestra.The Happy Hippo from the Conroy Library by Eric Winstone is another catchy melody, as of course is Eric Coates’ ‘Phantasy’ "The Three Bears" played by the London Symphony Orchestra under the baton of Sir Charles Mackerras in 1956, although he did not receive his knighthood until 23 years later. Four more library numbers follow which take me back to the 1940s and 1950s. Melody In Moccasins by Wilfred Burns is played by Philip Green and his Orchestra on a rare MGM 78, then Fly Past by Cecil Milner (incorrectly credited to Charles Williams when Chappell resurrected it for their ‘Archive – Adventure’ CD CHAP 166). I’m very pleased with the inclusion of Horace Dann’s Worcester Beacon because my Paxton 78 copy has a very poor surface as other copies probably also have, so Alan Bunting’s excellent restoration (not a trace of surface noise) is very welcome – and he’s managed to retain what I call that unique Levy’s Sound Studios sound – wonderful! The fourth library piece in this group is St Boniface Down by Trevor Duncan. The jury’s still out on this one! And finally Noel Coward’s London Pride rounds off another great Guild Light Music CD and – as the title suggests – a veritable Box of Allsorts. Ken Wilkins 

WERNER MÜLLER & HIS ORCHESTRA – Teldec Archives

Auf Grosser Europa-Tournee & Über Sieben Meere – Sailing Along

28 titles including Das ist die Berliner, Auf der Reeperbahn nachts um halb eins, Copenhagen Polka, Tulips from Amsterdam, Lisbon Antigua, Moulin Rouge, Frühling in Wien, Münchner Kindl, Gondellied, O mia bella Napoli, Isle of Capri, Arriverderci Roma / 21 tracks including Rolling home, Down by the riverside, Kari waits for me, Señorita Dolores, Aloha Oe, What shall we do with the drunken sailor, Rolling home, Good bye, fare you well

Vocalion CDLK 4382 [65:39]

Expecting the first album on this 2-on-1 to compare with the Melachrino above, I could not have been more disappointed. This is not the Müller sound from previous CDs I have heard but a dance band playing a series of potpourri: foxtrots from Berlin, Paris, Vienna and Rome, rock from Hamburg, waltzes from Amsterdam and Munich, polkas from Copenhagen, bossa novas from Lisbon, cha-chas from Venice, tangos from Naples, and the twist [some ripe bass guitar here] from Capri. There is no mention of it being recorded in front of a live audience [actually there is no explanation for anything in the complete absence of liner notes] so I can only assume that all the background crowd noise, the vocalising and the applause is dubbed. Pity they bothered. These are 12 tracks I’ll not be returning to again in a hurry – glad I did not have to pay postage and packing on this one! The collection of seafaring songs on the second album, although vocal with orchestral accompaniment, is a different kettle of fish; my wife thought it "a nice CD", which is high praise! It is largely sung in German but some titles are in English. The men’s voices in the shanties are especially effective. The slow waltz Farewell is Greensleeves in a most attractive arrangement with a plaintive harmonicaThis time there are background sounds of ships and sailors; more acceptable on a first hearing, at least. You, of course, may like the whole disc. Peter Burt 

ARTHUR FIEDLER & THE BOSTON POPS Fiedler Favourites

Faust: Ballet Music, Waltzes [Gounod], Der Rosenkavalier: Waltzes [Richard Strauss], The Queen of Sheba: Ballet Music [Goldmark], Jewels of the Madonna: Dance of the Camorristi [Wolf-Ferrari], Kemenoi-Ostrow Op.10 [Anton Rubenstein], Turkish March [Beethoven], Ballet Egyptien [Luigini], Le Cid: Ballet suite [Massenet]

Frank Bristow FBCD182 [78:30]

Like the Kostelanetz below, this is another selection from the basic catalogue of Boston Pops recordings over the years. Familiar classics make this a varied, well thought out and unhackneyed orchestral album of mass appeal. In this respect it will be like all of Fiedler’s well-edited and [naturally] immaculate musicianship, beautifully atmospheric in its overall sound and presentation.Arthur Jackson 

ANDRE KOSTELANETZ & HIS ORCHESTRA Miscellany

Liza, Laura, Waltz from Sari, Vienna, city of my dreams, Falling in love with love, Intermezzo, Gold and Silver Waltz,, Gypsy Love Waltz, Someone to watch over me, Lady be good, Two hearts in three-quarter time, Emperor Waltz, Vilia, Have you met Miss Jones?, Waltz dream, Gypsy Baron Waltz, Diane, Love walked in, You made me love you, Serenade [Pierne], Bali-Hai, We kiss in a shadow, Moon over Miami, Now is the hour

Frank Bristow FBCD91 [78:30]

"Miscellany" this most certainly is…everything from light opera, evergreens and other pop classics, to the best of show tunes by Gershwin, Rodgers and even Strauss. Thus, it might be a collection of older recordings which may be familiar to long-time Kosty addicts – like myself, for instance, who bought my first Kostelanetz 78s something like sixty-six years ago, and fell in love with his sound which even then was progressive indeed. Altogether 78½ minutes of a master at his best. Arthur Jackson

Frank Bristow’s CDs are ONLY available direct from him at 2 Cross Street, Brighton, Victoria, 3186, Australia. Tel. 03-9528-3167. E-mail: Credit cards and PayPal are accepted, but no cheques – details on request. Please visit Frank’s website for information about other CDs in his catalogue: www.musicfromthepast.com

50 Years of the Music of LAURIE JOHNSON – Volume 3 Disc One "The New Avengers" Disc Two "Lock Up Your Daughters", "The Four Musketeers" Disc Three Film Scores – "The Moonraker", Hot Millions, Captain Kronos, A Hazard of Hearts, The Lady and The Highwayman, A Ghost in Monte Carlo, A Duel of Hearts; TV Themes – No Hiding Place, Shirley’s World; Works for Military Band – Airborne, A Christmas Carol; London Big Band – Crazy for Gershwin, Jeepers Creepers, Come Rain or Come Shine, Suddenly, From This Moment On, My Romance, Swanee, Mean To Me, I Love Paris, Mack the Knife, It Could Happen To You, Begorra! Edsel EDSD 2027. The incredible talent of Laurie Johnson is vividly illustrated in the wide range of music contained on these three CDs. Readers who have already purchased the first two volumes in this series will know that each disc comes in its own jewel case with an excellent booklet crammed with text, pictures and recording information. This set has been compiled and annotated by Laurie himself, and packaged with photos and memorabilia from his own collection. It represents amazing value, and is warmly recommended. David Ades

MANTOVANI & HIS ORCHESTRA Songs Of Praise

A mighty fortress is our God, Whispering hope, Nearer my God to Thee, The Lord’s my shepherd, Abide with me, Onward Christian soldiers, The Holy City, Eternal Father strong to save, Beautiful Isle of Somewhere, Jesus, lover of my soul, Jesus, joy of man’s desiring, Little brown church in the vale, All people that on earth do dwell, Rock of ages

CDLF 8135 [51:28]

As a churchgoer and avid Mantovani album collector, I do not know how I failed to add this to my collection on its first appearance in 1961, and was resigned to it being the one that got away! Now, hallelujah, here it is in all its God-given glory. Yet again we are indebted to Mike Dutton. With five wordless contributions from the Sammes Chorus, the superb Kingsway Hall organ on three tracks and nine masterly arrangements by Cecil Milner [the maestro writing the other five], Mantovani thought it was one of his best ever albums and is quoted in his biography as saying: "No matter what religious inclinations one may have, it can only be pleasing to everyone." Biographer Colin Mackenzie’s words that "it remains a listening joy, a source of comfort in troubled times" could not be more apt today. The story behind the album is told for the first time in the comprehensive liner notes. And all for around a fiver. Peter Burt

Bargain Basement : Light Music Classics Volume 4 With Emma to town (Collins), Vanity fair (Collins) The London Promenade Orchestra/Anthony Collins; Bowin’ and scrapin’ (Casson), Sombrero (Brown), Celtic snapshots (Pagan) The New Century Orchestra/Sidney Torch; Poodle polka (Walters), Midsummer madness (Watters), Chiming strings (Richardson), Eternal melody (Hanmer), City centre (Ewing), Shop window (Hanbury) L’Orchestre Devereaux/Georges Devereaux; The beachcomber (Richardson), Getting together (Richardson), Paris interlude (White), Bargain basement (Watters) The New Concert Orchestra/Jack Leon; Savoir faire (Curzon), The juggler (Liter) The New Concert Orchestra/Nat Nyll; Hey presto! (Wilson arr Duncan), Melody at moonrise (Watters), Ski jump (Dollimore), Making tracks (Duncan), Bob-sleigh (Jupp) The New Concert Orchestra/Frederic Curzon; Piccadilly spree (Watters) The New Concert Orchestra/R de Porten; A mood for lovers (Burns) The Symphonia Orchestra/Jack Talbot; Practical joker (Spass muss sein) (Van Phillips), Moonlight with Maxine (Van Phillips) The Lansdowne Light Orchestra Vocalion CDVS 1958. As the title suggests, this is Vocalion’s fourth collection of Light Music at a bargain price, which should be snapped up by all readers of this magazine (it is available from the RFS Record Service for only £3.00). Seasoned collectors will already have many of these tracks on other CDs, but even if only three or four pieces are new to you it is surely worth paying the price to acquire them. Wonderful value. In case you have missed any of them, the previous issues in this series are: "Fingerbustin’" CDVS 1946, "Stringopation" CDVS 1954 and "Dreamtime" CDVS 1957. Buy them all while you can! David Ades

THE GEORGE MELACHRINO ORCHESTRA / MELACHRINO STRINGS Music For The Nostalgic Traveller / Music For Relaxation [Highlights]

England: Big Ben chimes, English hymn, Oranges and lemons Ireland: Irish washerwoman Wales:David of the White Rock Scotland: The road to the Isles France: Sur le pont d’Avignon, Madelon [Quand Madelon], La rêve passé, Auprès de ma blonde, Il était une bergère, Danse Apache, Sur les soits de Paris, Can Can Italy: Funiculi, funicula, Tarantella, Catari, catari, Gondola song, Parlami d’amore Mariù, La Danza Spain: España, Tango, Valencia, Andaluza, Spanish Gypsy dance Central Europe: Liber Augustin, Wiegenlied, Swiss dance, Vienna, city of my dreams, The Blue Danube, Komme Tzigany, Gypsy carnival Tropics: Cielito lindo, Jamaican rumba, Pila pilo, Brazil, Solamente una vez, Aloha Oe / Moonlight serenade, While we’re young, Valse bluette, By the sleepy lagoon, La serenata, Berceuse de Jocelyn

Vocalion CDVS 1969 [73:37]

It is just as well that this CD is worth at least twice its listed cost of £2.99 as none of my usual sources of supply had it at that price [HMV told me that the recommended price from Vocalion was £6.99, hence their price of £4.99] so, reluctantly, I had to pay half as much again in postage and packing. The last half-a-dozen tracks are from a 1958 stereo album and are typical of Melachrino’s suave sound. The first album comes from two years earlier and is in mono. The French and Italian selections have already appeared on Guild Light Music CDs. Vivid well-played arrangements, largely shared between maestro Melachrino and William Hill-Bowen, would have benefited from the extra dimension of stereo. Buy it [for £2.99 if you can], put it on your player, maybe turn up the volume a tad and enjoy! Peter Burt This CD is available from the RFS Record Service for £3.00. 

PETER YORKE & HIS CONCERT ORCHESTRA Roses Of Picardy

The bells of St Mary’s, By the sleepy lagoon, Hearts and flowers, Somewhere a voice is calling, Love here is my heart, Just a wearyin’ for you, ‘Bambi’ Medley, To a wild rose, Moonlight and roses, I’m in the mood for love, I only have eyes for you, Roses of Picardy, These foolish things, ‘Look For The Silver Lining’ Medley, Valse vanité, Body and soul, Smoke gets in your eyes

Sounds of Yesteryear DSOY 772 [62:04]

A pleasant way to remember those good old days when the BBC played light music on Sunday afternoons! The last two tracks feature the sweet saxophone of Freddy Gardner. Paul Clatworthy 

That’s Light Musical Entertainment For full tracklisting details please see the Light Music CDs pages on this website Guild GLCD 5158 78:29 mins. That’s Entertainment played by the Conrad Salinger Orchestra kicks off another Guild selection of melodies - most of which are bereft of airtime from our national broadcasting service. Angela Morley’s orchestra is next with Robert Farnon’s classicWestminster Waltz, then a name I usually associate with horror films, but here in partnership with Mitchell Parrish for Ruby from the film "Ruby Gentry" – Heinz Roemheld, a German musical director long in Hollywood. He was responsible for the scores to "The Invisible Man", "Dracula’s Daughter", "The Creature Walks Among Us" and others – not all of them horror movies. Andre Kostelanetz makes the Waltzes from "Count of Luxembourg" sound as though they were written just for his orchestra – a marvellous sound enhanced by Alan Bunting’s restorative treatment. David Ades confessed to me that he has included this track because it reminds him of the days in the mid-1950s when the English service of Radio Luxembourg used to open with this music around 7:00pm, although he has not been able to establish whether or not it was actually the Kostelanetz version that was used. Geraldo’s New Concert Orchestra does a fine job of All My Life by George Melachrino from "Eight O’Clock Walk", but the film itself is dismissed by Halliwell as ‘minor league courtroom stuff; an adequate time passer’. Very disheartening for the composer, I would think. This Can’t Be Love, I’ll See You In My Dreams and But Beautiful continue the romantic screen themes, but Alfred Newman (from my same Mercury LP that David used in ‘A Box of Light Musical Allsorts’) steps us the pace with his music for the Bette Davis classic "All About Eve" which also featured a very young Marilyn Monroe. I didn’t realise that Bob Farnon’s Blue Theme from a Chappell 78 was featured in the film "True Lies", so I turned again to Halliwell for his verdict – ‘it long overstays its welcome though the destruction is on an extremely lavish scale’. It stars the present Governor of California. Track 12 has the Overture by Sigmund Romberg, arranged by Robert Farnon, to "The Girl In Pink Tights"; the music is new to me but very enjoyable. Harry Warren’s This Heart Of Mine from the film "Ziegfeld Follies" gets a great treatment from George Melachrino’s Orchestra, as does Time Was played by Mario Ruiz Armengol and his Orchestra – a name I’d never heard of until he started to appear on Guild CDs. Buckly Down Winsocki from the 1943 MGM film "Best Foot Forward" (which has, I think, a military college background) starred Lucille Ball who’s singing voice was dubbed on the soundtrack, but the odd-titled piece is played here by (William) Hill-Bowen and his Orchestra. Body and Soul by Johnny Green is given a too dreamy treatment for my liking by Morton Gould’s Orchestra, but Geoff Love’s Orchestra makes the very best of Jerome Kern’s lovely song Make Believe from "Show Boat".Waltz For My Lady written and conducted by Frank Perkins could easily have come from a mood music library – it has a most infectious swing, while Leroy Holmes’ Enchanted Night has a real film ‘smoochy’ night club feel and one can imagine the camera following a particular couple round the dance floor. And finally the curtain comes down on another fine Guild programme with the incidental music by Max Steiner to "Since You Went Away" with the composer conducting. I also have a shortened version on another CD of the score, but as this Guild recordings is just over nine minutes you get, as usual, value for money with this series. Ken Wilkins 

THE MUSIC OF ERIC COATES For Your Delight

19 tracks [all mentioned below]

Bygonedays BYD 77026 [72:21]

This long awaited Eric Coates CD will indeed "delight" the many thousands of fans of the nation's foremost composer and, at £5.99, is a "give away". From In Town Tonight, the foxtrot version of theKnightsbridge March, by Teddy Joyce and his Band to the very obvious finale of Eric conducting his outstandingly successful Dam Busters March, it presents the listener with a collection [17 conducted by the composer] very easy on the ear. It is right to say about Eric Coates that "Music was in his life and life was in his music". This music is still fresh and entertaining, patriotic, stirring and able to carry the listener into realms of quiet relaxation with so many mental images of  long gone times: people, places, events, sunlit byeways, mist-filled meadows after summer rain and sun; also busy streets, the shuffle and click of leather on paving, the mingle of traffic and ongoing workers weaving their ways to the daily grind. Here are favourites like By The sleepy lagoonLondon Bridge March,Symphonic Rhapsody on ‘I heard you singing’ and ’Bird songs at eventide’Song of LoyaltySummer Afternoon [Idyll], and Footlights [Concert Waltz], all with Eric conducting the Columbia  Symphony Orchestra. For Your Delight is the title track with Eric conducting the HMV Light Symphony Orchestra with which group he also fronts for The Man About Town [No.2 from ‘The Three Men’] and At the Dance [No.3 from ‘Summer Days’]. Eric conducts his own Orchestra for Wood Nymphs [Valsette], the Band of H.M. Life Guards play the march Over To You. With Television MarchOxford Street March,Westminster [Meditation]Rhythm [No.4 from ‘The Four Centuries’] and  Sound & Vision – The A.B.C. TV March, all combine a feast of music through the length of the disc. The disc, like all of those produced for the nostalgia market, is a fine and varied work. The technical expertise rendered upon recordings of over 75 years of age provides the ambient qualities associated with the era, with the dramatic advantage of next century technology that completely converts the listening pleasure for ages to come.  Full and impressive booklet notes by Peter Dempsey make for a wealth of information; he leaves no musical stone unturned. Whether at home or abroad this disc is a must for your CD shelves. I look forward to the next one, and trust that you will too.  Geoff Sheldon

Geoff Sheldon is Chairman of the Eric Coates Society in Hucknall, the composer’s birthplace. 

DAVID SNELL CHAMBER MUSIC FOR HARP Lyric Sonata; Elegie, Fantasie; Cavatina and March; Intrada and Waltz. Skaila Kanga (harp), Karen Jones (flute), Judith Busbridge (viola), Caroline Dearnley (cello), Nicholas Buckall (clarinet), Richard Bissill (French horn), Marcia Crayford(violin). Divine Art Diversions ddv 24130. Don’t be put off by "Chamber Music"! David Snell is, I am told, a member of the RFS and this disc shows that he has a gift for melody and several of the items here are light music miniatures. Debussy and others wrote sonatas for the same combination of instruments as the Lyric Sonata (flute/harp/viola) but the "Lyric" part of the title is dominant; all three movements overflow with melody and even nod towards jazz. The Fantasia explores fascinating and shapely material for harp, clarinet and horn; the lighter items are Elegie(flute/harp/cello), Intrada and Waltz, a pleasantly lilting example, (harp/violin), and Cavatina and March (flute/harp) in which a touchingly wistful Cavatina is followed by a March which reminds me of Trevor Duncan’s ("Dr. Finlay") example. David Snell has been a harpist with many orchestras, a conductor and a composer of film and "production" music. He will be delighted, as I am, with the fine playing, especially Ms Kanga, one of our finest harpists, and the excellent recording. Highly recommended. Philip Scowcroft 

SENTIMENTAL JOURNEY The Singers Unlimited with Robert Farnon and his Orchestra The More I see You, Sleepy Time Gal, I Get Along Without You Very Well, Angel Eyes, As Time Goes By, I’ll Remember April, If I Didn’t Care, Sentimental Journey, In The Still Of The Night, Deep Purple, Put Your Dreams Away, Mona Lisa, How Beautiful Is Night MPS Jazzclub 06025 1794292, 53:07. This compilation revisits those two memorable 1970s LPs "Sentimental Journey" and "Eventide". The first is included in full, whereas five tracks have been selected from "Eventide". With vocal arrangements by Gene Puerling, allied to the orchestral magic created by Robert Farnon, these are surely impeccable performances that will continue to amaze music lovers for the rest of this century – and beyond. It is a pity that some tracks on "Eventide" have been omitted (there would have been time on the disc), but many of you will know that the original albums have already been reissued in full on CD. If you missed them previously, this is your chance to enhance your collection with some superb sounds! David Ades Available from the RFS Record Service. 

MUSIC FROM THE MOVIES OF DANA ANDREWS

Now I know, Manic depressive presents, Tess’s torch song, Jive number, Cradle song, Smoke gets in your eyes, Yesterdays, Lovely to look at, Summertime, Sophisticated lady, Laura, Isn’t it kind of fun?, It might as well be spring, That’s for me, It’s a grand night for singing, Slowly, Ole buttermilk sky, My foolish heart, Hey! ba-ba-re-bop, Among my souvenirs, Lazy river, The voice of Dana Andrews

Sounds of Yesteryear DSOY768 [65:31]

Compiler Michael Highton has latched on to a good idea here. Everyone is catered for, film buffs, good music lovers, romantics and anyone who needs their spirits lifted. Instead of the same theme repeated in different guises you get a very varied collection, not even limiting you to one film! The key to holding the CD together is film star Dana Andrews, picking parts of his films from 1944 to 1949. Orchestras involved are Glenn Miller, Tex Beneke, Victor Young, Ralph Flanagan, Andre Kostelanetz and Frank Cordell. Singers are Hoagy Carmichael, Danny Kaye, Diana Shore, Allan Jones, Dick Haymes and Ray Eberle. Bill Finegan’s arrangement of The cradle song, Norman Leydon’s score for Now I know and David Raksin’s Laura are worth the price alone. Not all tracks are from soundtracks, some are transcriptions but they all fit together in a wonderful montage of entertainment. Paul Clatworthy

WONDERFUL WORLD OF ROMANCE Unforgettable Melodies Of Haydn Wood - Peter Dempsey [tenor], Guy Rowland [piano]

Songs: O flower divine!, Wonderful world of romance, Little Yvette, A song of quietness, I look into your garden, Dearest I love the morning, Praise, I think of you, my sweet, The unforgotten melody, Singing to you, I shall be there, The stars looked down, This is my dream … and seven other titles

HW 1 [71:45]

Generally speaking, Haydn Wood is best known for light orchestral miniatures, but he also composed around 200 songs of the ballad-type [his wife was a professional singer], of which the most popular were Roses of Picardy [it won hands down], Love’s garden of roses and A brown bird singing. This disc gathers together 19 of them [including those three] written between 1914 and 1946 in performances which are, as in the Dempsey/Rowland CD devoted to Eric Coates reviewed in the last JIM, notable for clarity of delivery and diction and thoroughly recommendable. They appear in roughly chronological order; although the songs from around 1940 seem to have a rather desperate optimism, generally they exhibit a recognizable family likeness, so it was a good idea to intersperse four short piano solos [some were also orchestral] to supply contrast and an opportunity for Guy Rowland to display solo as well as accompaniment skills. Many tracks, vocal and instrumental, are doubtless premiere recordings, but which are not specified. An admirable and unusual anniversary tribute. Philip L Scowcroft

Available from Peter Dempsey at 44 Victoria Road, Bidford, Warwickshire, B50 4AR. [e-mail: Demsini @aol.com] - £9.95 incl. p&p 

BY THE RIVER IN SPRING

Kenneth Smith [flute] and Paul Rhodes [piano]

Hamilton Harty: In Ireland; Edward German: Intermezzo, Suite for Flute and Piano; Michael Head: By the river in spring; Havelock Nelson: Eirie cherie, In Venezuela; William Alwyn: Flute Sonata; Thomas Dunhill: Valse Fantasia; Kenneth Leighton: Flute Sonata; Stanford Robinson: The Moon-Maiden’s Dance

Divine Art Records DA 25069 [77:34]

This is a honey of a disc. Two of the items are styled "Sonata" but Alwyn’s, in one movement and reconstructed from unpublished bits, is recognisably by the film composer we know, while the Leighton’s slow movement is one of the loveliest things I have heard for a while. Harty’s ‘In Ireland’has atmosphere, the German pieces are perfect late Victorian salon miniatures, the Head alternates a cadenza-like motto theme with songlike episodes, the Dunhill has both tunefulness and brawn. Two BBC stalwarts of light music’s great period are represented: Stanford Robinson, who, as we hear, could compose as well as conduct, and Ulsterman Havelock Nelson, whose two pieces recall his associations with the Americas. Performances and recording enhance this unusual but wholly delightful repertoire. Generous measure, too. Philip L Scowcroft 

CLASSICAL BEATLES

Baroque Chamber Orchestra, The King’s Singers, Lesley Garrett, Manuel Barrusco [guitar], Rostal & Schaefer, The Swingle Singers, Vienna Boys’ Choir, Kindred Spirits, David Tanebaum [guitar]

45 songs by Lennon & McCartney and George Harrison

EMI 2167842 [73:14 & 73:58]

Yeah, yeah, yeah! Without question the most entertaining new release I have reviewed this time round and, despite stiff competition, gets my accolade for the June JIM’s Best Album. I don’t think it is intended exclusively for classical music buffs as there is much here to appeal to the light music enthusiast, not least Arthur Wilkinson’s ‘Beatle Cracker Suite’, which cleverly blends Tchaikovsky with the Fab Four, and ‘The Beatles Concerto’, arranged by John Rutter, played by piano duo Rostal and Shaefer with the Royal Liverpool Philharmonic Orchestra conducted by Ron Goodwin. This combination also contribute Maxwell’s silver hammerFool on the hill and A hard day’s night. It is difficult to choose standout tracks – they are all so good – but I particularly enjoyed the Vienna Boys’ Choir All you need is love, Lesley Garrett and orchestra conducted by George Martin with For no one/Blackbird and the five tracks by the Baroque Chamber Orchestra conducted by Richard Edinger. Tremendous value at around a tenner. Peter Burt 

BING CROSBY Through The Years Volume Three

26 tracks including Misto Cristofo Columbo, Your own little house, When the world was young, A weaver of dreams, At last! At last!, Just for you, Sailing down the Chesapeake Bay, Ida, sweet as apple cider, It had to be you, Two Shillelagh O’Sullivan, Rosaleen, Don’t ever be afraid to go home

Sepia 1129 [76:30]

Richard Tay’s enterprising label continues its chronological look at Bing’s recording career. On track one, from June 1951, he is joined by Jane Wyman for In the cool, cool, cool of the evening; not only a Top 20 winner but receiver of the Oscar for Best Film Song. Domino, recorded in October of the same year, also made the Top 20. Two weeks later he recorded The Isle of Innisfree, which appeared in the first ever UK charts in November 1952 and peaked at No.3. Also included are duets with The Andrews Sisters [I’ll si-si ya in Bahia and The live oak tree] and a couple of Christmas songs [Christmas in Killarney and It’s beginning to look a lot like Christmas]. The final two tracks have a "Nashville" sound with Grady Martin and his Slew Foot Five [Just a little lovin’ and Till the end of the world]. Versatility was certainly one of the great Bing’s qualities. Peter Burt 

EDMUND HOCKRIDGE The Best of Edmund Hockridge

20 tracks incl. No other love, By the fountains of Rome, Young and foolish, A woman in love, Long ago [and far away], Moon river, ‘S Wonderful, The way you look tonight, Tonight, They can’t take that away from me, Tenement Symphony, Love letters, Only a rose, Falling in love with love, I love Paris

Pulse PLS CD 254 [60:35]

Although not a new release but mentioned here in tribute to the fine baritone who starred in seven Broadway hits in London’s West End theatres, and passed away in March this year, aged 89. "Ted" was a friend of the RFS [he sang with Bob’s band during WW2] and charmed those of us who had the privilege of meeting him. These are all classic songs and something to remember him by. Peter Burt

ETHEL MERMAN Memories

56 songs incl. Ta-ra-ra-boom-der-e, The band played on, The Bowery, On a Saturday night, While strolling thru the park one day, Hello my baby, I’ve got rings on my fingers, In my merry oldsmobile, In the good old summertime, Sweet Rosie O’Grady, Little Annie Rooney, Waltz me around again Willie, Sidewalks of old New York, A bicycle built for two, She’ll be comin’ round the mountain, Put on your old grey bonnet, M-i-s-s-i-s-s-i-p-i / Dialogue and I got rhythm, Embraceable you, You’re an old smoothie, Anything goes, Ridin’ high, Way down in the depths of the 90th floor, This is it, I’ll pay the check, Do I love you? Friendship, How deep in the ocean

Sepia 1131 [74:25]

A bit of a surprise here as I’ve always thought of this artist as a bit of a "belter" but there is warmth and a degree of light and shade in this vast selection. She had a powerful voice and was undoubtably one of the great ladies of the musical stage. The first ten tracks are from a Decca album called‘Memories’, recorded in 1955, arranged and conducted by Jay Blackton with The Mitchell Boys Choir and the Old Timers Quartet. It consists of 41 songs taking the listener on a journey through musical America from the 1890’s to the 1920’s … and is great fun. The second part of the disc is a 15-track selection from ‘A Musical Autobiography’, also recorded in 1955, in which Ethel narrates her career to date with "a stampede" through her songbook. She is accompanied by The Buddy Cole Quartet. Although she has a very pleasant speaking voice, I wonder about discs with dialogue for repeated listening. This aside, I don’t think anyone buying the CD will be disappointed. Peter Burt

JANE MORGAN Sings Popular Favourites

27 tracks including Around the world, It’s not me to say, An affair to remember, My heart reminds me, April love, All the way, Young in heart, Just a-wearyin’ for you, Melodie d’amour, Till the end of time, Till, Tammy, Where the blue of the night meets the gold of the day, Catch a falling star

Sepia 1126 [76:13]

A wonderful follow-up to the two previous Sepia discs: ‘An American Songbird in Paris’ and ‘Sings Showstoppers’, Jane must be one of the most overlooked singers of our time. This album has a choice selection of quality songs including her January 1959 UK singles chart topper The day the rains came, in both English and French versions. Accompaniments are provided either by The Troubadours, or orchestras conducted by Marty Gold or Vic Schoen. Excellent booklet notes by Dominic McHugh. I would happily listen to Jane singing every day and this will surely feature in my top choices for 2009. Peter Burt 

ARTIE SHAW ‘The Complete Spotlight Band 1945 Broadcasts’ Tabu, If I Loved You, Little Jazz, Out Of This World, Begin The Beguine, Summit Ridge Drive, Together, Lucky Number, My Heart Stood Still, Stardust, I Cover The Waterfront, Scuttlebutt, It Had To Be You, Dancing In The Dark, Along The Navajo Trail, S’Wonderful, Hindustan, Night And Day … 39 tracks on 2 CDs Hep Records CD 84/85.The above titles give an indication of the repertoire covered by this great collection of fine performances by the Artie Shaw Band – well-known hits from earlier (such as Begin The Beguine andStardust) plus new pop tunes and instrumentals featuring fine scores by the calibre of Eddie Sauter, Ray Conniff, George Siravo and Lennie Hayton. Audiences in those days seemed to appreciate true musicianship much more than today. As the title of the collection states, these are radio broadcasts and you will hear audience reaction. Happily it is not too obtrusive, and at times I wondered if the applause was dubbed to make it sound like a ‘live’ show in front of an audience. Considering the age of these recordings, and the fact that they have probably passed through the hands of several collectors, the sound quality is fine and Doug Pomeroy is to be congratulated on his undoubted expertise in handling modern digital restoration equipment. The booklet is packed with interesting notes and photographs, and anyone interested in the swing era should look this one out. Some of these recordings have been issued before, but the booklet claims that this is the first time that all of Shaw’s music from these broadcasts has been brought together in one collection. David Ades

BLESS THE BRIDE Original London Cast

24 tracks including Croquet, croquet, Too good to be true, Thomas T, Oh! What will mother say?, I was never kissed before, Ducky, Bless the bride, Bobbing, bobbing, Mon pauvre petit Pierre, This is my lovely day, The fish

Sepia 1124 [78.09]

With words by A. P. Herbert and music by Vivian Ellis, this show opened at London’s Adelphi Theatre on 26th April 1974 and stayed for 886 performances. The stars were Lizbeth Webb and Georges Guétary. Also in the cast were Betty Paul, Anona Winn [of ‘Twenty Questions’ fame] and Brian Reece [BBC radio’s ‘PC 49’]. The opening track is a selection from the show played at the piano by Vivian Ellis himself with the theatre orchestra conducted by Michael Collins. There are four "Bonus Tracks" from Monsieur Guétary including Table for two [not on the cast album] and Ma Belle Marguerite [in French]. Pure nostalgia. Ray Pavene

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"CAPTAIN NEMO AND THE UNDERWATER CITY" Film Soundtrack (Angela Morley) Conducted by Marcus Dods [USA] Film Score Monthly FSM Vol. 12 No. 8 [61:35 mins]. Angela Morley was still working as ‘Wally Stott’ when she composed the score for this film. This is the premiere release of the complete score, and the CD is limited to 1,500 copies making it an instant collectors’ item. But the important thing is the music, and we hear Angela creating some memorable tunes and glorious harmonies during a period when she had rebuilt her career as a major composer for films, following a self-imposed ‘exile’ due to her disappointment at what she regarded as poor sound quality in cinemas of the 1950s. The music was recorded at Anvil Studios, Denham and CTS London in June 1969. It has been magnificently restored for this CD, and it is such a pity that Angela was unaware before she died that it was ‘in the works’. She would have been delighted – not just with the sound, but also with the accompanying CD booklet which explains in considerable detail how the music fitted the film. I know that RFS members will rush to add this CD to their collections before all copies are sold. If you have problems finding a copy, the RFS Record Service will try to help, but this import may cost around £17. David Ades 

GREAT MOVIE THEMES 2 Royal Liverpool Philharmonic Orchestra / Carl Davis

Batman; The Pink Panther; Mission Impossible Suite; Love Story; Jurassic Park; Romeo and Juliet; Superman: March; The English Patient; The Godfather; Superman: "Can you read my mind?"; Pirates of the Caribbean; The Deerhunter: Introduction and Cavatina; The French Lieutenant’s Woman; Shakespeare in Love

Naxos 8.572111 [68:44 mins]. It is great to be able to recommend this album by one of the UK’s leading symphony orchestras: a newly recorded release of a kind that in the ‘50s, ‘60s and ‘70s would have made regular appearances in the lists featuring the finest light music orchestras such as those fronted by Stanley Black, Percy Faith and Ron Goodwin. The RLPO under Carl Davis [composer of the penultimate track] play as to the manor born throughout. The brass excel, no more so than on Klaus Badelt’s Pirates, the knockout track for me and everyone else in my family who has heard it. Unsurprisingly three of the scores are by John Williams, with the others being by Danny Elfman, Francis Lai, Henry Mancini, Stanley Myers, Nino Rota [2], Francis Lai, Lalo Schifrin, Stephen Warbeck and Gabriel Yared. The recording, made in St George’s Hall, Blackburn, is very good with the percussion being particularly well-captured. This is my nomination for best bargain CD – at around £5 online – and also my Best Album choice. There is an earlier volume on Naxos 8.570505; I have heard excerpts and it sounds equally attractive. Peter Burt 

GOLDEN AGE OF LIGHT MUSIC : Light and Lively For full tracklisting see the Light Music CDs pages on this website. Guild GLCD5160 [79:05 mins] We light music enthusiasts have waited half-a-century for some decent recordings and then 60 come along together [well, almost!] With Guild’s latest offering [its 60th, yes 60th in the series] you get what it says on the tin … something "light and lively" [in the main], much needed feel good factors in the present climate. Thirty tracks at under a tenner strike me as pretty good value for money, even if we can’t claim it back on expenses! To say I enjoyed all the tracks may sound a little glib and twee, but I am at a loss to find anything unkind to say about this selection; something which will not gain me entrance to the Critics Club, no doubt. As with Guild GLCD5159 [reviewed below] there is a fine mix of the familiar and unfamiliar in terms of repertoire and performers. How good to hear names like The Amsterdam Symphonic Orchestra, Lou Busch, The Crawford Light Orchestra Joe Leahy, Michael Piastro, Boris Sarbek and Florian ZaBach for the first time [for me, that is] alongside the establishment of Chacksfied, Farnon, Faith, Hayman, Morley, Ornadel, Rose and Torch – for whom I had the experience of working with the BBC Concert Orchestra at the Camden Theatre in the mid-1960s. As a percussionist just out of short trousers I found Sidney quite scary, but one cannot help be impressed by his versatile contributions, as organist, composer, arranger and conductor, to the light music world in general and, retrospectively, to the Guild series in particular. It’s interesting, by the way, to discover that Coronation Street wasn’t the only tune Eric Spear wrote, and that David Curry wasn’t just a conductor. The exceptionally informative notes, a splendid feature of the Guild series, also tell us that the Austrian Robert Stolz, who contributes the atmospheric African Moon to this disc, was featured on GLCD5118 in his more familiar role as composer and conductor of operetta. As David Ades writes: Stolz fled to the U.S.A. to escape the Nazis but returned to Vienna straight after the war, reclaimed his old house and continued to have a very successful career particularly as a conductor well into his 80s. A very big name in the Austrian capital alongside Brahms, Mahler, Mozart, Schubert, and the Strauss family, Stolz [middle name Elizabeth] provides a bizarre link between Petula Clark and Beethoven. As a young man he followed in the footsteps of the great German composer, and also those of Lehar, Millöcker, Offenbach, von Suppé and Zellar among others, as a major player in the history of Vienna’s iconic Theater an der Wien. And in 1961 Petula Clark and M.D. Peter Knight had a big hit with Romeo, based on Stolz’s quasi-foxtrot Salome. I would urge all light music lovers to invest in ‘Light And Lively’ immediately. It’s jam-packed with goodies, not least Gerard Calvi’s Madame De Mortemouille’s Ball, a singularly whimsical arrangement which just avoids being a wee bit silly, although it’s a mystery why Mr Calvi changed his name from Grégoire Elie Krettly. It’s an absolute cracker! Glyn Bragg 

GOLDEN AGE OF LIGHT MUSIC : More Strings In Stereo For full tracklisting see the Light Music CDs pages on this website. Guild GLCD5159 [77:07] Guild’s fabulously unique light music series seems now well established in the stereo era. With no less than 25 tracks this album offers a superb mix of familiar and unfamiliar music and performers. More knowledgeable light music fans than me will no doubt have heard many of the tracks in their original form but I was delighted to come across Buddy Bregman, Pierre Challet, the Clebanoff Strings and the Rio Carnival Orchestra for the first time. Once again I was struck by two things: the high quality of the orchestral playing, in particular the strings, and the brilliant inventiveness of the arrangements. There are too many gems to list but Les Baxter’s Harem silks from Bombay was surprisingly delicious, and the combination of Angela Morley and A nightingale sang in Berkeley Square is quite special – even ‘though I never was able to discover that particular bird in that particular part of London [nor blue birds over the white cliffs of Dover, for that matter.] I didn’t enjoy Percy Faith’s rather pedestrian version of Happy Talk from‘South Pacific’. The Gaslight Orchestra’s After the ball seemed slightly out of place and [dare I say?] I found Leon Pober’s The Ski Song a touch old-fashioned. But any lack of enthusiasm for the odd track is more than compensated for by the rest of the disc, which I can recommend wholeheartedly. Needless to say, transfers are of the usual high Guild standard and the liner notes are once again packed with well-researched information. Glyn Bragg 

JOHN IRELAND The Hallé Orchestra / John Wilson

Mai-Dun, The Forgotten Rite, Satyricon Overture, The Overlanders Suite [arr. Sir Charles Mackerras], A London Overture, Epic March

Hallé CDHLL 7523 [67:41]. Mr Ireland was born in Cheshire in 1879 and died in 1962. He destroyed all the music he wrote prior to 1908. After that his output included a number of attractive orchestral works, the most famous being included on this album superbly played by the North West’s very own symphony orchestra with our own John Wilson wielding the baton. Well worth acquiring and not only for the deserving to be more popular Suite, arranged from music for a 1946 Australian film [the composer’s sole film score] starring Chips Rafferty and produced by Sir Michael Balcon, Peter Burt 

DANCING ON A SUMMER LAWN The Palm Court Orchestra conducted by John Godfrey Pink Lady; A Perfect Day; I Love You Truly; Desire de Moment; Aloha Oe; The Melody; Valse Pathetique; The Little Grey Home in the West; Mighty Lak a Rose; Vision of Salome; La Première Fois; When Irish Eyes Are Smiling; Fairy Dream; The Whirl of the Waltz; When You Remember Vienna; Thrills; Hearts and Flowers; Dreaming; O Sole Mio. Dal Segno DSPRCD 401 [64:04] The orchestra on this CD is essentially a small group comprising a pianist, violinist, violist, cellist and flautist. Emanating from Sydney, they still play at tea gardens and small functions under the baton of Robyn Godfrey, John having died in 1996. Unfortunately the group, its music and recordings have suffered various tragedies over the years including the loss of most of its 15,000 library scores; the studio recordings on this disc are all that survive of their work. The music comprises ragtime, lots of English and European waltzes and light classics. The arrangements and music are sufficiently varied to avoid a degree of sameness. Maybe this album does not quite attain to the heights of Shelly Van Loen but it is immensely enjoyable particularly given the modest price. Ideal for listening to in the garden on a summer evening or doing what the title says! The label is somewhat obscure, but the CD can be obtained from MDT [tel: 01332 540240 or www.mdt.co.uk ] at £9.07 including p&p. Brian Stringer 

ANDRẾ PREVIN : THE GREAT RECORDINGS [The LSO Years 1971-1980]

London Symphony Orchestra / André Previn EMI Classics 2 67969 2. A 10-CD boxful of delights from the prodigiously talented conductor-arranger, composer, pianist and TV personality born Andreas Prewin 80 years ago in Germany and addressed as Mr Preview by Morecambe and Wise. Along with the "heavier" items, which include Boléro, Enigma VariationsThe Planets and Samuel Barber’s Adagio for Strings, there are discs devoted to Tchaikovsky ballet music, Gershwin [Rhapsody in BlueAn American in Paris, etc.] and Prokofiev’s Romeo and Juliet. Choral music lovers are catered for by the sacred Belshazzar’s Feast and the secular Carmina Burana. With splendid playing, fine digitally remastered sound, well-filled discs, and a bargain price of around £3 per CD, this box will make an excellent Christmas gift. Peter Burt 

"THE CHAMPIONS" Original TV series Box Set Network DVD Catalogue Number 2959007. The Network DVD Original Soundtracks series have released music from ‘The Champions’, which includes Robert Farnon’s music, written especially for the ITC series. One of the tracks, entitled simply ‘Violin’ is a fragment from the Rhapsody for Violin and Orchestra (a cue in the Chappell Recorded Music Library), but played unaccompanied. It also sounds like Raymond Cohen’s playing to me. The series now includes ‘Department ‘S’’, ‘Jason King’, ‘Randall & Hopkirk (Deceased)’, ‘The Strange Report’, ‘Danger Man (Half Hour Black and White)’, ‘Danger Man (Hour Colour)’, ‘Man In A Suitcase’, and of course ‘The Prisoner’, of which RFS members are already aware. The next in the series will be ‘The Protectors’. The reproduction on all of them (with exception of the main titles from ‘Department ‘S’’) is extremely good. Franck Leprince Network DVDs are available from their website. Copies can also be obtained from the RFS Record Service. 

GOLDEN AGE OF LIGHT MUSIC European Tour For full tracklisting see the Light Music CDs pages on this website. Guild GLCD 5161 [77:47]. A European Tour, courtesy of one of Guild’s latest offerings with some evocative tunes to keep us company - starting in the capital with Voice of Londonby Charles Williams played here by his Concert Orchestra. This is a longer version than the original Chappell recording by the Queen’s Hall Light Orchestra who used it to introduce their broadcast concerts. I had an idea it was also used many years ago by the BBC as intro music for a radio film programme introduced by Peter Noble, but I could be wrong. A non-stop trip to Scotland with Bob Farnon and his Orchestra allows us to hear two of his arrangements of traditional melodies from his suite "From The Highlands" – Comin’ Thru’ The Rye and My Love Is Like A Red, Red Rose. However if there’s a further ‘tours’ CD I’ll ask David to stop off in the Midlands to hear Leslie Bridgewater’s homage to Worcestershire – Bromsgrove Fair – played by the New Century Orchestra conducted by Sidney Torch on FDH. Back-tracking down to Wales with the Melachrino Orchestra, Rhondda Rhapsody by the BBC producer Mai Jones used to introduce a feature in the show she produced "Welsh Rarebit" – a tuneful ‘Concerto’ style number reminiscent of the so-called ‘Denham Concertos’. Then we go across the Irish Sea for a sparkling version of Victor Herbert’s The Irish Have A Great Day Tonight from Mantovani and his Orchestra, before setting foot on the European mainland to the strains of Clive Richardson’s Continental Galop played by the Danish State Radio Orchestra. There are echoes of Clive’s Running Off The Rails (Locomotion) I’m sure. Werner Müller (alias Ricardo Santos and his Cascading Strings) provide a sound portrait of Copenhagen’s Tivoli Gardens with Heino Gaze’s Tivoli Melodie followed by a real lilting melody – Luxembourg Waltz by Geoffrey Everitt and Frederick Peter Hargreaves, played in fine style by Frank Chacksfield’s Orchestra. Did the two composers write anything else? I don’t know, but I’m sure somebody will! A fiery rendition of Fiesta In Seville by David Rose conducting his own orchestra gets the feet a’tapping, as does Tony Osborne’s Lights Of Lisbon with a wordless chorus. Is this a first for a Guild Light Music CD? When It’s Spring In Baden Baden played by the Baden-Baden Symphony Orchestra (now known as the South West German Radio Symphony Orchestra) conducted by Hans Rosbaud is an absolutely delightful piece of light music – and to think the orchestra was originally a Spa municipal group of players! Where I live we used to have a Spa orchestra but it was a much more modest affair (more the salon type) disbanded many years ago. Another David Rose number Roman Holiday is a really catchy corker of a piece. Apparently Italian motorists are to be avoided at all costs, so I’ve read, so I wondered if David Rose had ever visited Rome because I’m sure there are echoes of frantic motor horns in the music – great stuff! Passe Partout by Victor Young from "Around The World In Eighty Days" is played in gradn style by the Cinema Sound Stage Orchestra – could they be the same players as are used on the ‘101 Strings; LPs? A very underrated series, in my opinion. Swiss Holidayby Joe Leahy, played by his Orchestra, is another tuneful, catchy item as is Swedish Polka by Hugo Alfvén. Although credited as the conductor it was Bengt Hallberg, a jazz pianist and arranger, who took the places of the aged composer on the podium, although I’d never heard of Hallberg anyway. Be that as it may, buy Guild Light Music CDs and not only are you entertained – you’re educated too! Track twenty-two has Victor Young and his Orchestra playing Sicilian Tarantella by Balsamo, Conn & Miller (who?!) which is a dead ringer for Henry Mancini’s score for "What Did You Do In The War Daddy?" made in 1966 about the same time as I bought the LP soundtrack, whereas Sicilian Tarantetta was recorded in 1956. The film is described in Halliwell as a ‘silly war comedy with insufficient jokes for its wearisome length’! So there! Georges Auric is a name I associate with British films of the 1940s such as "Dead Of Night", "Passport To Pimlico" and "It Always Rains On Sunday" – but here is his Pavements Of Paris played by Michel Legrand’s Orchestra. Our European Tour ends in Belgium with a quirky little number called The Spider Of Antwerp played by Guy Luypaerts and his Orchestra – another name I hadn’t heard before until it started to appear on earlier Guild Light Music CDs. But before Belgium we’re diverted to the Mediterranean – East Of Malta to be exact – Ronald Hanmer’s dramatic, slightly oriental piece from the Francis, Day & Hunter library, played by the New Century Orchestra with Sidney Torch conducting. Personally I think that would have given this CD a stronger finale than ‘Spider’. Either way, another scintillating choice to add to this ever gowing collection of light music, enhances as ever by Alan Bunting’s restoration magic. Ken Wilkins 

GOLDEN AGE OF LIGHT MUSIC Hall of Fame – Volume 3 For full tracklisting see the Light Music CDs pages on this website. GLCD 5162 [77:54]. "Hall of Fame 3" kicks off with Singing In The Rainplayed by the Conrad Salinger Orchestra conducted by Buddy Bregman, which I must confess isn’t my favourite tune. I don’t know what it is, apart from being a bit repetitive – I was probably put off by Gene Kelly’s warbling on the film soundtrack! He should have stuck to dancing! In complete contrast track two is a corker of a performance from Percy Faith’s Orchestra of Spanish Serenade by Victor Herbert. It’s number one of ‘A Suite of Four Serenades’, the others being Chinese, Cuban and Oriental – the Spanish Serenade being particularly tuneful. The Percy Faith version is longer than the Paul Whiteman recording on Naxos which I have, but that includes the three other serenades. Did Percy Faith conduct the complete ‘Suite’? I bet PF expert Alan Bunting knows! Ron Goodwin’sLingering Lovers meanders along nicely on track three, courtesy of David Carroll’s Orchestra, followed by Philip Green’s Ecstasy which has (I think) a strong Spanish flavour, hence the ‘José Belmonte’ pseudonym I suppose. Richard Hayman and his Orchestra get into the swing of things with a sparkling, and at the same time exotic, rendition of Ernesto Lecuona’s Amor Que Bonito (Love And The World Loves With You), and in a similar vein Hugo Winterhalter adds another touch of Spain with his own composition La Muneca Espanola (The Spanish Doll). Now here’s where I disagree with David: he calls Charles Williams’ Columbia recording of his own Devil’s Galop the definitive version. My Chambers dictionary defines ‘definitive’ as ‘ final, expert, most authoritative’ – and the onlyDevil’s Galop that falls into that category is the Chappell version recorded at Levy’s Sound Studios. Nobody, but nobody, plays that piece like the Queen’s Hall Light Orchestra – crisp drumrolls at the beginning and end, and a sparkly xylophone in the middle – and fast. No wonder BBC producer Neil Tuson chose it: he says in "The Inside Story of Dick Barton", published in 1950, "When I found the Galop (spelt incorrectly in the book with two ‘ll’s’) and heard that drumroll I could hardly believe my ears – so I lit a cigarette and relaxed!" In his defence, David says he included the well-known Columbia version because the original Chappell piece only lasted 79 seconds. No such reservations with Jumping Bean and Shooting Star – Decca and Columbia releases from 1948, and Elizabethan Serenade – Ron Goodwin’s Parlophone single from 1957. Crazy Violins is a tour-de-force in playing ‘out of tune; which, if you can actually do something reasonably well, is a hard thing to do – as Helmut Zacharias and his Magic Violins must have found out. It’s a delightfully eccentric melody written by someone called Wildman. Now would that be a pen name for David Rose, because hisMarch Of The Pretzels also uses the off-key violins sound in this very catchy piece played by his Orchestra. Eric Coates rounds off the main part of the CDD programme with his Rediffusion March – Music Everywhere with him conducting the Queen’s Hall Light Orchestra. What busy musicians they were in those halcyon days of light concert music! Finally there is a tribute to George Melachrino in which he and his own Orchestra are featured on four recordings with the maestro as guest conductor on a fifth – made between 1947 and 1958. It begins with the Theme from Runnymede Rhapsody by the long-lived but rather neglected composer/conductor Reginald King. Then an arrangement by George of Bob Farnon’s Sophistication Waltz called by its original song title My Song Of Spring,followed by his own catchy composition Winter Sunshine. Then something I’ve never heard of: Aprite Le Finestre (Open The Windows) by one Virgilio Panzuti – this time George is conducting the San Remo Festival Orchestra. It was an Italian entry in the first Eurovision Song Contest in 1956, and also the winner in the San Remo Festival of the same year. Ten to one this is its first outing in yonks! And to round off the third Guild ‘Hall of Fame’ Richard Addinsell’s Warsaw Concerto from the film "Dangerous Moonlight", the last of the featured Melachrino recordings with William Hill-Bowen at the piano Apparently the music became such an instant hit with cinemagoers that a record was rushed out to satisfy public demand, but it’s my contention that the issued disc was a rejected studio ‘take’ because the pianist, Louis Kentner, isn’t entirely in-step with the orchestra – which has probably added to the charm of the music! Ken Wilkins The above two Guild Light Music CDs are due to be released at the beginning of October. You can order copies in advance from the RFS Record Service.

FINE TUNING The Music of Roy Dean : Warren Mailley-Smith [piano], Matthew Jones [violin], Susie Parkes [soprano], Frances Patton [mezzo], George Bartle [tenor], Henry Grant Kerswell [bass-baritone] Ceremonial March: Betjemania, A Century of Songs [12 songs], Lyric Suite: Three moons [32:17]. Roy Dean is an 82-year-old amateur composer who, since retirement from the Diplomatic Service, has gone into music. This CD, which admittedly offers short measure, presents a selection of his work which he admits is pastiche [‘though so much light music is] but is certainly tuneful. It begins with a cheerful march inspired by the former Poet Laureate, played here as a piano solo. The sequence A Century of Song is written in various 20th century song styles: music hall, parlour ballad, New Orleans, rock musical, Irish song, calypso, Country and Western, etc. The Three Moons, originally songs and shapely ones, are transcribed for violin and piano and the Joplinesque finale, Honeymoon Tune, rounds things off happily. Well performed, nicely recorded and enjoyable. Available from the composer at 14 Blyth Road, Bromley, BR1 3RX, £10 [including p&p] Philip L Scowcroft 

GOLDEN AGE OF SALON MUSIC The Schwanen Salon Orchestra, G. Huber Skater’s Waltz; Vienna, City of My Dreams; The Gypsy Princess: Potpourri; Jocelyn: Berceuse; Serenata; Portuguese Fisherman’s Dance; Salut d’amour; Il bacio; Blue Tango; A Waltz Dream, Act 1: Non sai mia bella: Leise, ganz leise klingt’s durch den raum; Mélodie in F major [Rubinstein]; Belle of the Ball; Blauer Himmel; Liebesleid; The Dragon Fly; Hexentanz / Funiculi, Funicula; Mattinata; The Opera Ball: A Private Room; Humoresque No.7 [Dvorak]; Dark Eyes; Romanian Gypsy Festival; A media luz; Puszta Fox; Thais: Méditation; Gerhard Winkler Medley; Harlequin’s Millions: Serenade; Das muss ein Stuck vom Himmel sein; South of the Alps: In a Port; Sie hören Paul Lincke: Sie hören – PotpourriNaxos 8.578003-04 Over two-and-a-quarter hours of salon music on 2-CDs affectionately played and well recorded. There are no big surprises here in this compilation from the previous four albums which the orchestra has recorded on Naxos going back as far as 2000. The potpourris are of quite reasonable length, unlike similar items that used to appear on 78’s which gave you about 15 seconds of one title before switching to the next. A pity that only one movement has been selected from Ernst Fischer’s delightful South of the Alps suite. However if the selection of titles appeal, and at around £11, then you can safely invest. Brian Stringer 

STAN KENTON’S MUSIC 1955

Artistry in rhythm theme, One o’clock jump, Alright, okay, you win, Egdon Heath, It’s only a paper moon, Come rain or come shine, Harold Arlen song medley, This can’t be love, Bernie’s tune, Opus in chartreuse, Lover come back to me, Learnin’ the blues, Blues in D flat, Theme

Sounds of Yesteryear DSOY776 [54:22]

Kenton fans will be disappointed with this one because the Musicians’ Union would not let him use his own band. Johnny Richards recruited as many good New York based players that he could; the line-up changed week by week cutting down on the tightness of the sound. Guests involved included Harold Arlen, Count Basie, Ella Fitzgerald, Dizzy Gillespie, Coleman Hawkins, Ilinois Jacquet, Oscar Pettiford, Jimmy Raney, Buddy Rich and Joe Williams. Stan did all the announcements. The CD consists of two shows, the sound dodgy to say the least, some of the applause should have been edited. Two from the Kenton band book, Egdon Heath and Opus in chartreuse, fit uneasily in the show sounding quirky without the cohesion Stan’s full band could provide. Harold Arlen was a wonderful composer, here singing himself plus a couple from Julie Wilson. They really murder great tunes; the crime increased on As long as I live by including an organ. The jazz soloists on board do an over the top frantically paced Bernie’s tune. The penultimate number Blues in D flat includes most of the sessioneers in a jam session. In summary: if you listened to the original broadcasts, a memory jogger but little else! Paul Clatworthy 

EVELYN LAYE Queen of Musical Comedy I’ll See You Again, Vila, I Love You So, Lover Come Back To me, Dear Little Café, Zigeuner, Love Is A Song, Let The People Sing, I See Your Face Before Me, You’ve Done Something To My Heart etc.. 55 tracks in total Avid Easy AMSC 977 2 CDs [158:10]. Avid have already spoiled musical comedy fans with 2-CD sets devoted to three famous leading ladies - Jessie Matthews, Frances Day and Pat Kirkwood; now compiler Hugh Palmer has turned his sights on perhaps the greatest of them all, Evelyn Laye. To quote Avid’s own publicity: Arguably the most historic retrospective double-CD ever released in the United Kingdom, "Evelyn Laye – Queen of Musical Comedy" spans 71 years of the glittering career of the legendary British star whom the director Max Reinhardt called "that rare and Holy Trinity of the stage, a great singer, a great actress, and a great beauty".The 55 tracks, many of them never previously released, take her from her first major London hit as a 19-year-old Gaiety Girl in the 1920 revival of The Shop Girl to the last (and hitherto unreleased) studio recordings she ever made, in 1991, at the age of 91. Along the way are rare and unreleased performances from The Merry Widow, in which she took London by storm at the age of 22 in the 1923 revival, but from which she made no commercial recordings; two songs that she never recorded from her greatest international success in Noel Coward’s Bitter Sweet; unreleased soundtrack songs from her two Hollywood films, One Heavenly Night, with John Boles, and The Night is Young, with Ramon Novarro; an operatic duet from Verdi’s La Traviata, and even a stirring and hitherto unreleased version of Elgar’s ‘Land of Hope and Glory’. CD-2 contains still more unreleased treasures: versions of Joyce Grenfell’s ‘I’m Going To See You Today’ and Ivor Novello’s‘Love is My Reason’; an extreme rarity, ‘Liaisons’, recorded from the stage in live performance during her last musical, A Little Night Music, in 1979; duets from the 1980s with Sir Harry Secombe and with Roy Hudd, and two songs specially written for her in 1991 by her musical director, John Dalby, the second of which, ‘Thank You’, is a moving valedictory to her loyal public during a career that spanned nine decades. The detailed booklet contains just about everything you need to know about her career (and her often troubled private life) with copious recording information to satisfy those of us who like to know the source of the music we are hearing. This CD is a poignant example of the kind of valuable and historic archive that might be lost if changes in sound copyright law made such releases uneconomic. The major companies (and their accountants) certainly wouldn’t be interested in such a project. David Ades 

THE BOSWELL SISTERS The Music Goes Round And Round 19 tracks including the Title tune, The object of my affection, It’s the girl, Every little moment, Let yourself go, Top hat white tie and tails, It’s written all over your face, Coffee in the morning and kisses in the night, The lonesome road, When I take my sugar to tea, I’m gonna sit right down and write myself a letter, Dinah etc.Sounds of Yesteryear DSOY775 [54:28] On this CD the sisters are mainly backed by members of the Dorsey Brothers various groups. They set the standard that many later vocal groups tried to compete with. Elle Fitzgerald is quoted as saying she used Connie Boswell’s voice as one to emulate. As with many of these historical issues, tunes are included that have not survived the passing of time; I only knew ten of the titles. Charming nostalgia all the way. Paul Clatworthy 

BUDDY HOLLY & THE CRICKETS The Very Best Of

Heartbeat, That’ll be the day, Peggy Sue, Oh boy, Rave on, Think it over, Brown eyed handsome man, Let’s make a fool of you, True love ways, Raining in my heart, Everyday, Wishing, Love me, …..Universal 1797581 [54:45 & 53:49] I enjoyed every one of these 50 tracks by the singer who, aged 22, was tragically killed in a ‘plane crash; a very talented pioneer of rock ‘n’ roll whose work, thanks to his interest in production techniques, sounds as fresh today as it did nearly 50 years ago. I find what has been called his "hiccoughing vocal style" most attractive. Mention, too, should be made of The Crickets in the success of this 2-CD set, available online at around 17 pence per track [a consideration in these straightened times]. Peter Burt 

BETTY HUTTON At The Saints And Sinners Ball 20 titles incl. My cuty’s due at two-to-two today, Banana boat [Oomba-oomba-oomba], Sleepy head, Hit the road to dreamland, Back home, Satins & spurs, This must be the place, Chicken hawk Sepia 1133 [53:30] Probably better known as a rather rumbustious character in movies, this is an interesting album. The first ten tracks are shared by orchestra conductors Nelson Riddle [4], Vic Shoen [4] and Billy May [2]. Tennessee Ernie Ford sings on two tracks, one of which is The honeymoon’s over that became a Top 20 single. Betty’s sister Marion also joins her on two tracks: Ko ko mo [I love you so] and Heart throb. The album from which the CD is named was recorded in 1958 and includes Whole world in his handsWhen the saints come marchin’ in and Search my heart, which perhaps presages Betty’s later decision to dedicate her life to religion and teaching. Ray Pavene 

JANE RUSSELL Fine And Dandy 17 tracks incl. The Title tune, Take love easy, Love on the rocks, When a woman loves a man, Can’t we talk it over, You don’t know what love is, Love is here to stay, The one I love, You’re mine, you, Sepia 1132 [44:43] Miss Russell’s obvious physical attributes have probably rather overshadowed her ability as a singer. The first 12 tracks on this album date from 1958 and the disc became Jane’s personal favourite. The last five tracks – Sing you sinners,I’ve got the world on a stringOne way ticket to the bluesDiamond’s are a girl’s best friend and One for my baby – have never been released before and there are, as the booklet notes put it, "some rough edges". Enjoyable, but short measure for this company. Ray Pavene 

KATE SMITH We Remember Kate Smith 26 tracks incl. Just in time, All the way, It don’t mean a thing, Thinking of you, The beat o’ my heart, Yes indeed!, High on a windy hill, Mr Wonderful, Love is a many splendoured thing, Comes love, Wish you were here, Come rain or come shine, …. Sepia 1134 [78:08] Well, I don’t remember her … but glad to make the singer’s acquaintance here. Born Kathryn Elizabeth in 1907, she had a good soprano voice, first used in church choirs, and was popular from the mid-‘20s into the ‘70s. She passed on in 1986. She had been training as a nurse before moving into show biz. The ever comprehensive booklet notes tell us that the great classical conductor Leopold Stokowski said of her voice: "Don’t ever take a lesson, Miss Smith. Your voice is a gift from God". She made Irving Berlin’s God bless America [track 25 here] into a substitute national anthem in WWII, during which she raised $600 million for GIs. Although she had sole performing rights to the song, proceeds went to the Boy Scouts. Here is a fine choice of quality songs and this full measure album can be recommended. Peter Burt 

ALMA COGAN Dreamboat: Her 31 Finest including Bell bottom blues, Half as much, The moon is blue, The little shoemaker, Canoodlin’ Rag, Little things mean a lot, Skokiaan, This old house, I can’t tell a waltz from a tango, Paper kisses, Blue again, Softly, softly, Mambo Italiano, Tweedle-dee, The naughty lady of shady lane

Retrospective 4121 [76:17] This collection on a new label complements the broadcast selection from Sepia reviewed in JIM 178. Nine of the songs here were Top 20 hits including the title tune which made it to No.1 in April 1955. Frank Cordell and his Orchestra accompany on the majority of tracks although those of Ken Macintosh, Geoff Love and pianist Felix King are also featured. Penny-whistler Desmond Lane plays on Willie Can. The label did not reply to my e-mail so I cannot tell you who made the arrangements. This is something of a nostalgia trip for those of us who in the ‘fifties were a little bit in love with "The girl with the laugh in her voice". Peter Burt 

LISA KIRK Sings At the Plaza 22 tracks including I travel light, I’m sitting on top of the world, Yo’d be so nice to come home to, Anything goes, Hi-lili, hi-lo, How come you do me like you do, Why can’t you behave, Good little girls, Far away places and the Riviera, Limehouse blues Sepia 1128 [74:53] I must admit to not having heard of this lady before but the customary informative liner notes for this label tell me that not only was she a Broadway star but "truly the Queen in the golden days of night life entertainment". Nice personality and voice and well supported by her M.D. Don Pippin and The 4 Saints, the applause is deserved and not too obtrusive. In addition to the album titles listed above there are a further dozen musical theatre tracks such as Shaking the blues awayLittle girl blue, But not for meThe lady is a tramp and My funny valentine. With Sepia’s generous timing and the price [around £8], well worth adding to your collection. Peter Burt 

BOZ SCAGGS Speak Low Invitation, She was too good for me, I wish I knew, Speak low, Do nothing till you hear from me, I’ll remember April, Save your love for me, Ballad of the sad young man, Skylark, Sense fine, Dandy, This time the dream’s on me Decca B 001202602 [52:30] Long overdue follow-up to his last CD, where singer Boz started to be more experimental. Inspired by ideas Gil Evans explored, Boz picks a wide range of ballads arranged by Gil Goldstein. His distinct vocalising gives a new slant to some well-known diverse songs. A very nice release with a few surprises in the repertoire, a real change of style first explored on his last album which left his early days as a singer of blues and rock and roll a distant memory. I hope all his followers have moved with him. Paul Clatworthy 

FRANK SINATRA Nothing But the Best 2-CD Set CD1: 22 tracks including Come fly with me, The best is yet to come, The way you look tonight, Luck be a lady, Bewitched, The good life, The girl from Ipanema, Fly me to the moon [in other words], Summer wind, Strangers in the night, Call me irresponsible, Somethin’ stupid, My kind of town. CD2: 12 tracks including White Christmas, Go tell it on the mountain, The little drummer boy, Do you hear what I hear?, The twelve days of ChristmasReprise 8122798853 [74:38 & 38:17] Perhaps not quite the best, but still very good. These are digitally remastered Reprise tracks from the ‘60s, including some Capitol re-recordings. Arrangers are Nelson Riddle, Billy May, Quincy Jones [with Count Basie and his Orchestra], Ernie Freeman, Billy Strange [with Nancy Sinatra], Gordon Jenkins, Skip Martin [the title tune], Claus Ogerman and Don Costa [including My way]. The final track, Body and soul, is a Torrie Zito arrangement conducted by Frank Sinatra Jr. and was previously unreleased. The 2-CD set also includes the "Rare and Unreleased" 12 Songs of Christmas with Frank being joined by Fred Waring and the Pennsylvanians, and Bing Crosby. The main album is available separately. Peter Burt 

ANN SOUTHERN / DOROTHY LAMOUR Southern Lamour After you’ve gone, Another year, Always, The last time I saw Paris, You’ll never know, My man, Life is just a bowl of cherries … & 7 other tracks / You’re mine now, Did you ever see a dream walking? Why was I born, Can’t help loving that man, I can’t tell why I love you … and 5 other tracks Sepia 1127 [66:09] Two successful LP albums from 1957 by two of the silver screen’s songbirds. Ann Sothern was another new name to me but her 14 tracks, arranged and conducted by Ian Bernard, who composed the rather wistfulAnother year, make for very pleasant listening. Berlin, Kern-Hammerstein II, Brown-Henderson, Gershwin-Heyward, Rodgers-Hart, Arlen-Koehler and Porter figure among those supplying the words and music. There are some splendid instrumental soloists especially on Ballin’ the jack. Dorothy Lamour was, of course, known to me through the ‘Road’ films with Crosby and Hope. She, too, was a "proper" singer and her 10 tracks are arranged and conducted by Georges Norman. Again, good compositions equally pleasant to listen to, with Kern-Hammerstein II responsible for four of them, although P.G. Wodehouse also got in on one of them, Bill. For all their long film careers the two vocalists only worked together once, as chorus girls in the 1933 Busby Berkeley classic "Footlight Parade". Peter Burt 

BITTER SWEET Selections from the Operetta by Noël Coward, Vanessa Lee, Roberto Cardinali, Julie Dawn and John Hauxvell, The Rita Williams Singers and Michael Collins and his Orchestra Overture, The call of life, If you could only come with me, I’ll see you again, Ladies of the town, If love were all, Dear little café, Tokay, Kiss me, Ziguener, Finale … Sepia 1130[77:29] The first eleven tracks [of 23] above are by the artists listed and were recorded in 1958, the first stereo version of the 1929 show. They are followed by a selection played by the London Palladium Orchestra conducted by Clifford Greenwood just before the outbreak of war in 1939. Then there are the original London cast members, Peggy Wood, George Metexa and Ivy St Helier, singing the major hits of the show. Evelyn Laye, the original Broadway star sings I’ll see you again andZigeuner, and then we have four tracks from the Paris production of 1930 starring Jane Marnac and René Bussy. "The Master" himself completes the disc with his distinctive version of I’ll see from a recording made in 1954, exactly 25 years after the show was first seen. A veritable cornucopia of what was, as the detailed liner notes opine, "Coward’s first musical and arguably his best". Ray Pavene 

"My inspiration is you" ANNETTE HANSHAW. Moanin’ low, Loveable and sweet, Here we are, I get the blues when it rains, Mean to me, A precious little thing called love, My inspiration is you, My blackbirds ere bluebirds now, Forgetting you, From now on, Miss Annabelle Lee, Ever since time Began, Would you like to take a walk, Yes indeedy he do, The way I feel today, Nobody cares if I’m blue, If I had a girl like you, Telling it to the daises, Cooking breakfast for the one I love, I have to have you. Sounds of Yester Year DS0Y779 [59:00]. Old as I am there are not many tunes here that I know, Identifying titles is not helped by the fact that the sleeve puts many songs in a different order to the CD! Her "Betty Boop" voice puts her into my novelty catalogue although there will be many nannies and grandpas who would love a copy. Her main backing group goes under the name "The Sizzling Syncopaters"; other tracks have The Dorsey Brothers, Manny Klein, Adrian Rollini and Benny Goodman. Rated top notch in the 1920s her recording really sounds its age! Paul Clatworthy 

THE ORIGINAL BLONDE BOMBSHELL : EVELYN DALL VOL. 1 - Mrs. Worthington; Cohen The Crooner (MB/JC); Lulu’s Back In Town; The General’s Fast Asleep (RB);The Lady In Red; Wotcha Gotcha Trombone For?; Woe Is Me (JC); Cuban Pete; I’m All In; Lost My Rhythm, Lost My Music, Lost My Man; Organ Grinder’s Swing; Did You Mean It?; On The Isle Of Kitchymiboko; Swing Is In The Air; Sailor, Where Art Thou?; I May Be Poor, But I’m Honest (SB,LC); Rhythm’s O.K.In Harlem; Gangway; Swing High, Swing Low; Poor Robinson Crusoe; Let’s Call The Whole Thing Off (SB); Fifty Million Robins Can’t Be Wrong; It’s The Natural Thing To Do; No Songs About Love (KTMA); It’s The Rhythm In Me (KTMA); The Coster Rhumba (HFAS); You’ll Love The Army (KAWAG); Actions Speak Louder Than Words (KAWAG); Sitting On A Cloud That’s Silver-Lined (TF); Hey There Bellman (TF). MB – Max Bacon; SB – Sam Browne; JC – Jack Cooper; LC – Les Carew; RB – Rhythm Brothers. From film soundtracks of: KTMA – Kicking The Moon Around; HFAS – He Found A Star; KAWAG – King Arthur Was A Gentleman; TF – Time Flies (acc. Stephane Grappelli) Memory Lane MLCD00178:05. Memory Lane magazine, in what promises to be an exciting new venture, has just launched its own CD label, and this is the first release. It contains 23 tracks with Ambrose & his Orchestra covering just over two years from September 1935, and seven more from film soundtracks, and is sub-titled "The Complete Evelyn Dall Recordings" with a promise of more to come. By my reckoning around half these tracks have appeared individually on various CD reissues, but many are now out of print. To have Miss Dall’s complete output brought together in this way is a major step for which Ray Pallett and Dave Cooper deserve every support. The remastering has produced a very clear sound, and given the timbre of Evelyn’s voice I found it preferable to listen with the tone setting set towards the bass. It’s apparent that she had a considerable stage presence and a strong personality, which was perfectly suited to the material she was assigned. That included some real scorchers, which she sang as to the manner born, but she was equally at home in broad comedy and Latin-American numbers. The presentation is excellent, with an informative liner note and a reproduction of the original publicity for "The Coster Rhumba" (note correct spelling!). I would like to have seen composer credits included, and a slightly longer interval between tracks, but as the first of a new label this is impressive, and highly recommended. Barry McCanna The CD is priced at £5.99 inc. P&P to a UK address, or £7.99 inc P&P for air mail post to an address outside the UK. It can be ordered from Memory Lane, PO Box 1939, Leigh-on-Sea, Essex SS9 3UH. Payment can be made by sterling cheque to "Memory Lane", or you can log on to www.memorylane.org.uk where there is a PayPal facility.

HANSEL AND GRETEL Original Television Cast Sepia 1125 [76:20] The music for ‘Hansel and Gretel’ was composed by Alec Wilder with words by William Engvick, who wrote the English lyrics to the Song from Moulin Rouge [Where is your heart]. It starred Rudy Vallee, Stubby Kaye and Paula Laurence. Coupled with this are five numbers from Gilbert and Sullivan’s ‘Yeoman of the Guard’ with Barbara Cook, Celeste Holm, Bill Hayes and Alfred Drake. Then there are 16 "Bonus Tracks" by such as Red Buttons, Barbara Cook, Eddie Bracken, Stubby Kaye, and Rudy Vallee, one of whose songs isThe pig got up and slowly walked away. Rather a mixture but, surprisingly, enjoyable. But I can’t see many sales outside the States – especially if they don’t read JIM! Ray Pavene 

"THE THIRD MAN" AND OTHER CLASSIC FILM THEMES including Passport to Pimlico, La Ronde, The Romantic Age, Whisky Galore, The Glass Mountain, Genevieve, La Strada etc.. Naxos 8120880.Featruing recordings by Anton Karas (zither), Mantovani, Charles Williams, Larry Adler, Percy Faith, David Rose and others. 

BILL SAVILL AND HIS ORCHESTRA "We Could Have Danced All Night"; "In a Dancing Mood". Original Decca LPs from the 1950s. A welcome reminder of "Music While You Work".Vocalion CDLK4397. 

INTERNATIONAL POP ALL STARS "Great Film Themes From Many Lands"; "Vibrations Around The World". Original Decca LPs from the 1960s. Featuring some pleasant surprises – pity all the arrangers aren’t known. Vocalion CDLK4394. 

More new releases noted by Wilfred Askew 

THE BEST OF BROADWAY VOL. 1 South Pacific 8 tracks with Peggy Lee, Margaret Whiting & Gordon Macrae; Orchestra conducted by Dave Barbour and Frank DeVol [1950 Capitol album] Kiss Me Kate 8 tracks with Jo Stafford and Gordon Macrae; Orchestra conducted by Paul Weston [1949 Capitol album] DRGCD 19113 [45:41] 

MEL TORME SINGS HIS OWN CALIFORNIA SUITE The 1949 Capitol recording conducted by Hal Mooney plus the 1957 Bethlehem recording arranged and conducted by Marty Paich, in an attractive digi-pack with two booklets, one containing the lyrics of the two versions. Fresh Sounds FSR-CD 496 [67:14] 

VINTAGE CINEMA Erich Kunzel and the Cincinnati Pops Orchestra Selections from King Kong, The Adventures of Robin Hood, Spellbound, Sunset Boulevard, A Streetcar Named Desire, A Place In The Sun, On The Waterfront, North By Northwest, El Cid, To Kill A Mockingbird and Taras BulbaTelarc CD-80708 [53:13] 

HENRI RENĖ AND HIS ORCHESTRA Compulsion To Swing In Rhythm A coupling of the two albums ‘A Compulsion to Swing’ & ‘Riot In Rhythm’: 24 tracks including The blue room, Cry me a river, Baubles, bangles and beads, Compulsion to swing, It don’t mean a thing if it ain’t got that swing, Just a gigolo, ‘S wonderful, Nature boy, The hot canary, Blue chartreuse, The surrey with the fringe on top, Don’t cry Joe, Whispering … Jasmine JSCD 490 [63:46] RCA stereo recordings from 1958 

JANE MORGAN Fascination : The Ultimate Collection Original Kapp recordings on 2 CDs: 56 tracks including The heart you break, Why [are there things we can’t explain], Why don’t you leave us alone, Give me your word, Flyin’ high, In Paree, Take me away, Let’s go steady, I’ve got bells on my heart, Only one love, I may never pass this way again, Catch a falling star, Where the blue of the night, Makin’ love … Jasmine JASCD 489 [149:58] 

THIS IS IT : The Best Of Jack Leonard and Tommy Dorsey 28 tracks including I’m in a dancing mood, Where are you, If my heart could only talk, You’re here, you’re there, you’re everywhere, Dedicated to you, Marie, Sweet is the word for you, Love is never out of season, Have you any castles, baby?, An old flame never dies, In the still of the night, Blue Orchids Flare ROYCD 281[77:47] 

BOB EBERLY Sings Tender Love Songs with the Enoch Light Orchestra 12 tracks from ‘Sings Tender Love Songs’ [1957] including Brazil, Moonglow, Tangerine, I understand, Amapola, Maria Elena, Green eyes, September song …13 tracks from ‘Best Of the ‘Fifties Singles’ including This much I know, Long before I knew you, Alone, I made a promise, You’ll never know how it feels, The beat o’ my heart, I’ll always be following you ... Flare ROYCD 276 [70:49] 

TEDDI KING ‘Round Midnight Extended album plus ‘Very Best Of The Singles’: 25 tracks including I concentrate on you, Little girl blue, It never entered my mind, What’s new, Prelude to a kiss, ‘round midnight, I saw stars, Love is a now and then thing /Are you slipping through my fingers, Mr Wonderful, There’s so much more, Married I can always get, Travelling down a lovely road, Say it isn’t so … Flare ROYCD 275 [77:05] 

MORTON GOULD Star Dust Symphony Blues In The Night, Birth of the Blues, Solitude, Old Devil Moon, Nocturne, Limehouse Blues, Mood Indigo, St Louis Blues, Sophisticated Lady, Big City Blues, Moonglow, Deep Purple, The Surrey With The Fringe on Top, Besame Mucho, I Get a Kick Out of You, Speak Low, Body and Soul, What Is This Thing Called Love, My Silent Love, That Old Black Magic, Night and Day, The Very Thought of You, Poinciana, You And The Night And The Music, Summertime, Star Dust, Smoke Gets In Your Eyes, Pavanne, Stormy Weather, Beyond the Blue Horizon, Cresta Blance Waltz, Where or When, Orchids in the Moonlight, Over The Rainbow, Time on my Hands, Holiday for Strings, I Love You, My Blue Heaven, Serenade in the Night, Mexican Hat Dance. 2 CDsJasmine JASCD 666 [148:17] 

LEROY ANDERSON Blue Tango Bells of the Ball, Promenade, Syncopated Clock, Serenata, Saraband, Waltzing Cat, Trumpeter’s Lullaby, Jazz Pizzicato, Jazz Legato, Plink Plank Plunk, Horse and Buggy, Phantom Regiment, Blue Tango, China Doll, Penny-Whistle Song, Irish Washerwoman, Bluebells of Scotland, Song of the Bells, Fiddle-Faddle, Typewriter, Girl in Satin, Sandpaper Ballet, Buglers’ Holiday, Summer Skies, Sleigh Ride, Last Rose of Summer, Forgotten Dreams Bygone Days BYD 77025 

ELMER BERNSTEIN Staccato / Paris Swings Original Capitol LPs from 1959 and 1960 DRGCD 19110 [64:51] 

LES BAXTER & HIS ORCHESTRA Thinking Of You 2 CDs, 60 tracks including The poor people of Paris, Blue star, Zing zing – zoom, zoom, With my eyes wide open I’m dreaming, The Shrike, Tropicana, Ruby, Temptation / Unchained Melody, The nearness of you, The roving kind, Out of this world, The high and the mighty, The breeze and I, Shrimp boats, Blue Tango … Jasmine JASCD 672[159’48"] 

JEFF CHANDLER You And I : Sings Songs Of Love U.S. Decca recordings 1953/4 and Liberty recordings 1957/8 DRGCD 19110 [64:51] 

LOVE LETTERS FROM YVONNE DeCARLO / MAUREEN O’HARA SINGS ─ their debut albums from 1957 and 1958 Flare ROYCD 278 [72:24] 

THE HOLLYWOOD LADIES SING - ELIZABETH SCOTT Lizabeth [1957] / DENISE DARCEL Banned In Boston [1958] Flare ROYCD 277 [64:06]

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JOHNNY DOUGLAS AND HIS ORCHESTRA AND SINGERS "The Spirit of Christmas" CD1: White Christmas, Silver Bells, Have Yourself A Merry Little Christmas, It’s Beginning To Look A Lot Like Christmas, Home For The Holidays, The Christmas Song, I’ll Be Home For Christmas, The Little Drummer Boy plus medleys of carols. CD2 Happy Holiday, Here’s To You, My Favourite Things, A Merry Christmas Song, Out Of The East, Do You Hear What I Hear plus medleys of carols. Dulcima DLCD 122 2CD set, [116:05 mins]. Johnny Douglas will need no introduction to readers of thisJournal Into Melody. Late in his career he set up his own label, Dulcima Records, and this has been continued by his family since we lost him in 2003. Every so often some of his music is made available again, and this latest collection (on two CDs) provides some enchanting melodies for the coming festive season. Over 50 years ago RCA producer Ethel Gabriel worked on the Melachrino Strings’ "Moods in Music" series and in the late 1950s developed the Living Strings as a package for RCA’s budget label, Camden, using various orchestras, mainly from Europe. The albums were all centred on a theme: the sea, the West, Broadway, night music. The recordings made by The Living Strings became a mainstay of easy-listening radio and commercial venues. 

Johnny Douglas, widely recognised as one of England’s masters of string arranging, was the primary arranger and conductor for the series recorded in England. He brought great songs to a new life with his arrangements of a mass of pure velvety strings, mellow brass and superb solos played by the cream of the British musicians of that era. This release brings together three of the albums he recorded in the 1960s and 1970’s. The first CD is purely orchestra, while the second features some very tasteful choral arrangements with the orchestra. As the accompanying notes explain, a few of the titles are repeated, one even twice, but with different arrangements. To delete the repeats would render the original albums incomplete and deprive the listener of the opportunity to experience the versatile arranging by Johnny Douglas. Many of us like to hear something new to enjoy at Christmas, and this is a fine new collection to add to your music library. David Ades

FRED WARING AND THE PENNSYLVANIANS I Hear Music ‘In Hi-Fi’ I hear music; Dry bones; In the still of the night; Ol’ man river; Hit the road to dreamland; Smoke gets in your eyes; Give me your tired, your poor; A cigarette, sweet music and you; The Whiffenpoof Song [Baa baa baa]; Hora staccato; Lolly too dum dey; Sometimes I feel like a motherless child; You’ll never walk alone; Battle Hymn of the Republic; Sleep ‘All Through The Night’ Autumn leaves; If I had my way; The inch worm; Dear hearts and gentle people; Anywhere I wander; Tennessee Waltz; Greensleeves; Funiculi funicula; Drink to me only with thine eyes; The unconstant lover; Comin’ thro’ the rye; All through the night Flare ROYCD292 [79:25] Those who have been fans of Fred and his "Gang" for many years will, like me, be delighted to welcome this single CD of their first two stereo albums, recorded in late 1957 and early 1958. Well done, Flare! The spotlight is, of course, on the singers with their gorgeous close harmonies, deep basses and soaring sopranos, but there is no lack of felicitous support from the musicians. The programme is so varied that everyone will have their own favourite tracks: mine include the brilliant Bones, Irving Berlin’s Give me your tired, the wonderfully countrified Lolly, the magnificent Battle Hymn, the early hit Sleep, the eminently sing-along Dear hearts, and the traditional songs from the British Isles given the inimitable Waring treatment. Here is just under 80 minutes of real joy for around £8 [less online] and my choice for this issue’s Best Album. Peter Burt 

FRANK CHACKSFIELD PLAYS LERNER AND LOWE & RODGERS AND HART My Fair Lady Suite; If ever I would leave you; Wand’rin’ star; Camelot March; Almost like being in love; I talk to the trees; Come to me, bend to me; Gigi Suite / Johnny One-Note; Isn’t it romantic, Ten cents a dance; Thou swell; My funny valentine; Lover; With a song in my heart; Bewitched; Falling in love with love; Where or when; The lady is a tramp; Mountain greenery Vocalion CDLK 4400 [71:40]With their late-summer releases Vocalion has brought us a veritable Frankfest of quality light music. This 2-on-1 has albums dating from 1976 and 1975. Roland Shaw is the arranger on the first and manages to introduce Wagner’s Wedding March and Offenbach’s Can-Can into the two Suites! The late, great Kenny Baker’s trumpet is featured on If ever, a wonderful contra bassoon conjures up memories of Lee Marvin on Wand’rin’, and Joanne Brown sings a couple of the songs, as she does on the second album. There is no arranger credit given on the second album [no liner notes for either album] but a tad of tango rhythm is added to Ten cents and Thou swell responds well to a pizzicato string treatment. Frank’s stellar French hornist [could be Neil Sanders] pops up on other tracks throughout the disc, and I suspect it is Kenny Baker again on Bewitched and The lady. All round enjoyable.

THE NEW LIMELIGHT & CHACKSFIELD PLAYS BACHARACH Limelight; The man that got away; In the still of the night; Scarlet ribbons; Smile; Tonight; Theme from ‘Picnic’; Come rain or come shine; Night and day; Here I am; Warsaw Concerto / Raindrops keep fallin’; Alfie; I’ll never fall in love; This guy’s in love with you; Paper maché; Trains and boats and planes; [They long to be] Close to you; You’ll never get to heaven; The look of love; To wait for love; The green green grass starts to grow; Wives and lovers Vocalion CDLK 4380 [77:58]The 1966 Stereo Record Guide opined that ‘The New Limelight’ LP was "the best of Chacksfield’s most recent discs" and described the sound as "brilliant and reasonably atmospheric." Apart from the opening and closing tracks the arrangements are by Roland Shaw ─ Scarlet Ribbons and Come rain stand out for me. There is a rather good performance of Richard Addinsell’s Concerto by an unnamed pianist. The ‘Plays Bacharach’ album is from five years later and well worth acquiring, even if it does not oust in my affections Ron Goodwin’s similar album [seven tracks in common] also on Vocalion but now sadly no longer available. John Keating’s arrangements are never less than interesting. There is just an occasional hint of a Kaempfert-style bass and some particularly nice piano on This guy’s in love. On the first album Here I am, of course, is another Bacharach composition. Again a complete lack of any liner notes; perhaps the original Decca sleeves did not have any.

FRANK CHACKSFIELD AND HIS ORCHESTRA Plays Simon & Garfunkel and Jim Webb / The Beatles’ Song Book Up, up and away; Homeward bound; By the time I get to Phoenix; Mrs Robinson; Galveston; Bridge over troubled water; Scarborough Fair; Wichita lineman; Cecilia; The sound of silence; MacArthur Park / Get back; Michelle; Got to get you into my life; Yesterday; Something; Hey Jude; A hard day’s night; Norwegian wood; Ticket to ride; The fool on the hill; Come together; Ob-la-di, ob-la-da Vocalion CDLK 4392 [70:25]Your reviewer has cherished the second album here since it first appeared as a Phase 4 Stereo Spectacular LP, incredibly, nearly 40 years ago. It is far from typical Chacksfield but every track gives pleasure and should keep your feet tapping. The first album from a year later is also arranged by John Keating but for me did not have quite the same immediate impact. I hasten to add that my initial disappointment has dissipated somewhat with repeated hearings. The tunes are all good, well-played, and the arrangements are never dull. And, after all, the second album alone is worth the modest price of the CD! Once again no liner notes; what a pity Vocalion cannot find somebody to do for Chacksfield what Colin Mackenzie does for Mantovani. Peter Burt

BBC CONCERT ORCHESTRA Conducted by RUMON GAMBA The Film Music of Mischa Spoliansky Suite from ‘North West Frontier’, Three Songs from ‘Sanders of the River’ (Featuring Mark Coles, bass), Suite from ‘The Man Who Could Work Miracles’, Voice In The Night (from ‘Wanted for Murder’), Suite from ‘ The Ghost Goes West’, Dedication (from ‘Idol of Paris’ – featuring Roderick Elms, piano), Suite from ‘King Solomon’s Mines’ (with Mark Coles), Galop from ‘The Happiest Days Of Your Life’, Toccatina for solo organ (from ‘Saint Joan’). Chandos CHAN 10543 [73:03]. When I saw this CD among a list of future releases I was impatient for it to arrive. Finally when I got it in my hands I clicked on track 22 to hear the music from the 1950 film The Happiest Days Of Your Life. I first saw this film as a teenager, and I still get many laughs from it when it turns up on TV. Alastair Sim and Margaret Rutherford (both were absolutely brilliant in roles that could have been created just for them, although it had previously been a stage play) were supported by a superb cast of British character actors (Joyce Grenfell, Richard Wattis et al) and Mischa Spoliansky’s music was simply perfect for the plot. There wasn’t a lot of it in the film, and the middle part of Philip Lane’s finely reconstructed score isn’t familiar to me. Looking back through old copies of Radio Times (when they used to list the music played in many radio programmes) you occasionally come across the galop from ‘Happiest Days…’ so it must have been made available in sheet music form for orchestras to perform, probably with the extra middle section added to make it long enough (it lasts well under two minutes on screen). Why on earth didn’t someone like Sidney Torch make a commercial recording? We’ve waited a long time, but for me it’s been worth it. Two other tracks that quickly caught my attention are Voice In The Night and Dedication – both originally on Columbia 12" 78s with the latter featuring the composer on the piano (it has been reissued on Guild GLCD 5109). However the music from ‘Idol of Paris’ on this CD is a longer version, lasting over 7 minutes. Most of the other tracks are premiere recordings, and they demonstrate that Spoliansky fully deserves this long-overdue tribute. We are so fortunate that, in today’s cash-strapped world, somehow funds can still be found to make worthy recordings like this. The BBC Concert Orchestra (as usual these days) plays superbly, and Rumon Gamba clearly understands how film music of this kind should be treated. The 44 page booklet (with notes by Philip Lane) cannot be faulted. Chandos deserve our support, so add this one to your Christmas list. David Ades

DIE FLOTTEN GEISTER ORCHESTRA Spirit Of Vienna Vol.2 Imperial Riflemen March; The Hunt for Happiness [Gallop]; The Lady Skater’s Waltz; In Flight with Her [Quick polka]; Harvestehude Swallows Waltz; Common Sense [Quick polka]; Bucharest Life Waltz; Carmen Waltz; The Beautiful Viennese Girls [March-Polka]; Pretty Sweetheart [Polka mazurka]; Young Gentlemen’s Dance Waltz; Themes from The Dollar Princess Tonstudio 02332 [74:40]The Johann Strauss Societies of Great Britain and the Czech Republic are dedicated to the promotion of Viennese music by the Strauss family and their contemporaries, and this release complements the first volume reviewed in JIM 173. The recordings here, all firsts, were made in the Czech Republic as recently as February of this year. The only tracks from a Strauss are The Lady, by Johann III, and In Flight, by his father Eduard, the third brother of Johann II and Josef. Other composers are Richard Eilenberg, Oscar Fetrás, C.M. Ziehrer, Iosef Ivanovici, Juventino Rosas, Carl Drescher, Karl Komzák II, Josef Gung’l and Leo Fall. Particularly interesting is the longest piece, Carmen Waltz, by Juventino Rosas, the Mexican composer of the well-known Over the waves [used for the song The loveliest night of the year] which often has been attributed to Johann I, "The Waltz King." The conductor throughout is Christian Pollack, who has made recordings for the Marco Polo and Naxos labels, and without whom many of these tunes may not have been recorded. This is an extremely pleasant album, all the better for being of unfamiliar items, well-played and produced with good programme notes by John Diamond. May we hope for a third volume in due course? Peter Burt

Available for £12.99 [incl. p&p in the U.K]. from Discovery Records Ltd, Banda Trading Estate, Nursteed Road, Devizes, Wilts. SN10 3DY.or www.discovery-records.com

MANTOVANI AND HIS ORCHESTRA To Lovers Everywhere / From Mantovani With Love The way you look tonight; Tea for two; September song; Whispering; Quando, quando, quando; All of a sudden; I will wait for you; Me and my shadow; I can’t stop loving you; Yellow bird; Winter world of love / Try to remember; It’s impossible; My prayer; If I only had time; Loss of love; Gwendolyne; Rosy’s Theme; Theme from Love Story; Little green apples; Last summer; Where have all the flowers one?; May each day Vocalion CDLK 4393 [71:24]

Mantovani Touch / Operetta Memories On a clear day; Alfie; Release me; A man and a woman; Almost there; What now my love; Edelweiss; A day in the life of a fool; My cup runneth over; Days of wine and rose; The impossible dream; Puppet on a string; / The Merry Widow Waltz; My hero; Play gipsies, dance gypsies; O maiden, my maiden; The Gypsy Princess Waltz; The Count of Luxembourg Waltz; Serenade from Frasquita; Gipsy Love Waltz; The Gypsy Baron Waltz; Die Fledermaus – Overture Vocalion CDLK 4396 [74:55]. Four more albums from the Decca archives by the master maestro reissued for our delectation and delight by Mike Dutton. The first 2-on-1 features albums that originally saw the light of day in 1971. The first album was also Monty’s first with Parisian musicians ─ for tax reasons he could no longer record in England ─ while the second was his last with all British personnel. Stand-out tracks for me include Monty’s own poignant composition Last summer, and May each day, his last UK recording. On the second 2-on-1 the first album dates from c.1968 [Puppet from ‘67], the second was recorded during December 1959 and January 1960.‘Touch’ is an attractive collection of a dozen contemporary tunes. I especially enjoyed Alfie, featuringthe violin of David McCallum [father of the actor] who was Monty’s leader for a decade, the Bolero-like What now my love, and the lovely My cup runneth over. The titles on ‘Operetta Memories’ are meat and drink to Monty and I can only concur with Scott Raeburn who writes online that it is "one of the really great Mantovani albums and no fan should be without this in their collection." Peter Burt

BILL SAVILL AND HIS ORCHESTRA In a Dancing Mood / We Could Have Danced All Night(Quicksteps) So in love, Do I love You, June is bustin' out all over, Always true to you in my fashion, You'd be so nice to come home to, (Waltz) I give my heart, Glamorous Night, (Foxtrot) Lovely to look at, The folks who live on the hill, (Quicksteps) Love walked in, Shall we dance, Let's call the whole thing off, Long ago and far away, Can I forget you, How high the moon, I've got you under my skin, This is my lovely day, Most gentlemen don't like love, The last time I saw Paris, I love Paris, C'est magnifique, (Tango) No other love, (Rumba) Wish you were here, (Samba) Carioca, (Foxtrot)September Song, Bewitched, (Quicksteps) Dance little lady, A room with a view, Pick yourself up, Easy to love, All of you, I could write a book, I'm gonna wash that man right out of my hair, There's nothin' like a dame, Happy talk, A cock-eyed optimist, Bloody Mary, Honey bun, (Waltz) This nearly was mine, When I'm not near the girl I love, (Foxtrot) Smoke gets in your eyes, My funny Valentine, I didn't know what time it was, (Quicksteps) You were never lovelier, They all laughed, We'll gather lilacs, I'm gonna sit right down and write myself a letter, From this moment on, I could have danced all night, I've grown accustomed to her face, Get me to the church on time, With a little bit of luck, On the street where you live, (Cha-cha) Ol' man river, I can't get started, The man I love, (Samba)The Mayfair Samba, (Quicksteps) All the things you are, A foggy day, Nice work if you can get it, My heart belongs to Daddy, Sing for your supper, It's alright with me. Vocalion CDLK 4397 [77:16]. It has been a long wait, but at last Bill Savill and his Orchestra have made it to CD. For the benefit of younger readers, Bill Savill was a society ballroom orchestra leader, who was regularly heard on radio for well over twenty years. His 308 'Music While You Work' programmes made his orchestra the fourth most broadcast combination on the show. If you are one of those people who find strict tempo ballroom music a bit monotonous, do not despair, as the Bill Savill orchestra is as perfect for listening as it is for dancing. Most dance bands of the fifties and sixties were comprised of brass, saxes and rhythm but the Savill sound featured a string section instead of brass, giving a distinctive quality. Bill once told me that this was at the suggestion of Eric Rogers, his pianist in the early days of the orchestra. He also told me that whilst his broadcasting orchestra consisted of 14 musicians, it was augmented to 19 for his series of LP records for Decca ─ the additions being in the string section plus one discreetly used (mainly) muted trumpet. The beautiful mellow saxophone section (for which Bill Savill was noted) is particularly enjoyable, particularly when there is a Glenn Miller style clarinet lead. My only regret about these recordings was that for two of the Latin numbers, a brass section replaces the strings [probably some stupid idea of Decca!] The CD comprises two of Bill Savill's four LPs and is an absolute delight. I well remember my excitement when, as a teenager, I came across Bill's first LP 'Shall We Dance?' in my local record shop. Having been a fan of the orchestra for several years, I wasted no time in getting it. The music on this CD (much of it in medley form) relies heavily on such masters of popular music as Cole Porter, Jerome Kern, Richard Rodgers and George Gershwin. If you are a 'Strictly Come Dancing' fan it might come as a surprise that the pieces are actually in the correct tempos used by dancers for decades. The one rumba is actually a rumba and not a pop ballad and the waltzes are in the traditional three-four time! Vocalion are to be congratulated on releasing these two albums on CD. Perhaps it is a prelude to their reissuing the many albums of Phil Tate and Tommy Kinsman, two other popular broadcasting orchestras of the period. I highly recommend this CD to all who enjoy well-arranged and well-performed quality dance music. This is possibly the best CD of its kind ever produced. Hopefully, you will love Bill Savill's orchestra as much as I do! Brian Reynolds

GOLDEN AGE OF LIGHT MUSIC The 1930s Revisited For full track listing see the Light Music CDs pages in this website.. Guild GLCD 5163 [78:54]. When I saw the title of this CD I thought: "Great, just up my street!" ─ and so it came to pass because the very first track is Eric Coates’s Miniature Overture The Merrymakers, recorded on my birthday, November 3rd 1931, with the composer conducting the London Symphony Orchestra. It was used as the title and incidental music for one of Austin Motor Company’s many promotional films, ‘Here’s to Comfort’, made in 1936. Then comes theFancy Dress Suite by Cecil Armstrong Gibbs. Usually it’s only the movement Dusk that gets played but the Regent Concert Orchestra conducted by William Hodgson include two more movements, Hurly Burly and Pageantry ─ all from the Boosey & Hawkes Library. Two very contrasting pieces follow:Entrance of the little fauns by Gabriel Pierné played by Jack Payne’s BBC Dance Orchestra, and Jerome Kern’s Smoke gets in your eyes arranged by Peter Yorke and played by Louis Levy’s Orchestra. Jerome Kern turns up again on track seven with a selection from ‘Music In The Air’, played by the New Mayfair Orchestra, conducted by Ray Noble, which positively exudes 1930’s atmosphere; then there is a vigorous march by Charles Ancliffe, The Liberators, with the London Palladium Orchestra in fine fettle conducted by Jack Frere. Although probably better known for his waltzes, Ancliffe has a number of "mood" pieces in the Bosworth Library as well as another cracking piece on the FDH Label called The Kinsgmen March. David, please note! Marek Weber had a super light orchestra with a "sound" all its own and, although it isn’t so apparent on Forest Idyll, it’s a smashing piece all the same. John Ansell’s nautical Windjammer Overture is played by the Regent Concert Orchestra, William Hodgson conducting, from the Boosey & Hawkes Library, but it’s slightly shorter than their disc of the 1940’s. It was used to good effect in a colour documentary made by the Southern Region Film Unit called ‘Golden Arrow’, produced about 1947. John, apart from working in the theatre, also wrote for feature films, including one I have on tape and disc called ‘Song of the Road’, made in 1937. I don’t know who W.C. Polla was but he/she [?] wrote a very catchy piece called Dancing Tambourine, and Jack Hylton and his Orchestra recorded it for HMV in 1927 ─ but you wouldn’t know it, thanks to Alan Bunting’s magical restoration. What a pity Hylton and his boys aren’t around to hear their recordings today, and that goes for all the musicians featured on this Guild series. The Commodore Grand Orchestra was reckoned to be one of the finest light orchestra of its time and it had two conductors, Joseph Muscant and, later on, Harry Davidson. Here, the former is wielding the baton on Henry Steele’s Knave Of Diamonds with Louis Mordish at the piano. It can also be found in the Bosworth’s Library early recordings played by the Pall Mall Revellers. Cupid’s Parade, a Fantasy by somebody called Rivelli, played by The Little Salon Orchestra has a distinct continental sound to it. In fact, The LSO sounds just like Marek Weber’s Orchestra. The Orchestra Mascotte make a super job of Joseph Lanner Court Ball Dances, as does the Drury Lane Theatre Orchestra with a selection of Ivor Novello’s music to ’Glamorous Night’, arranged and conducted by Charles Prentice. A number from the Bosworth Library is the penultimate item: Carl Robrecht’s Fata Morgana played by the Louis Voss Grand Orchestra. Robrecht is better known for his symphonic foxtrot Samum. But it is another Foxtrot, which is the Finale to Edward Künneke’s ‘Dance Suite’, plays out this revisitation of the tuneful ‘30s in grand style ─ although you wouldn’t expect any less from the Berlin Philharmonic Orchestra with the composer on the podium. Ken Wilkins

THE THIRD MAN and Other Classic Film Themes: Original recordings 1949-1958 featuringAnton Karas, Mantovani, Larry Adler, Anton Walbrook, Narciso Yepes, Percy Faith, David Rose and others ‘The Third Man’: The Harry Lime Theme; The Café Mozart Waltz; ‘The Lives of Harry Lime’: Radio bridge 1-3; The Third Man Theme; ‘Passport to Pimlico’: The Siege of Burgundy;‘La Ronde’: La ronde de l’amour; ‘The Romantic Age’: Jealous Lover; ‘Whisky Galore’: Prelude; ‘The Glass Mountain’: The Legend of the Glass Mountain; ‘The Importance of Being Earnest’: Can-Can Finale; ‘Jeux Interdits’: Jeux Interdits, Parts 1 & 2; ‘Anna’: Anna [El negro zumbon]; Non dimenticar;‘Genevieve’: Themes; Love Theme and Blues; ‘The Kidnappers’: Nova Scotia Rhapsody; ‘La Strada’: Gelsomina [You and you alone]; ‘Touchez Pas Au Grisbi’: The Touch [Le Grisbi]; ‘Summertime’: Summertime in Venice; ‘French Can-Can’: Merry-Go-Round [Complainte de la butte] Naxos 8.120880 [57:42]Definitely this issue’s Budget Choice. Taken from 78s or soundtracks, this is pure nostalgia all the way. Other participants are conductors Charles Williams and Benjamin Frankel conducting their own compositions, Ernest Irving and Muir Mathieson. The catchy Anna has Flo Sandons dubbing the voice of the star, Silvana Mangano. Unfortunately we don’t get "the" Genevievetheme. Transfers and production are by David Lennick, with digital restoration by Alan Bunting. There are full recording details, and David Ades wrote the knowledgeable booklet notes. For example, he reminds us that Bruce Montgomery, who wrote The Kidnappers score, was later involved in the ‘Doctor’ and ‘Carry On’ series. But did you know that he also wrote successful detective novels and other works under the name of Edmund Crispin? Peter Burt

THE HEART’S AWAKENING Songs & Piano Solos by Albert Ketèlby Peter Dempsey [tenor], Guy Rowland [piano] Songs: The country that I love; Believe me true; The knight’s return; Aberfoyle; Sweetheart mine & The morning was bright [from comic opera ‘The Wonder Worker’]; Blow, blow thou winter wind; Thy throne; Lady of dreams; Sing heighho!; Young and old; The heart’s awakening; My heart a-dream; Those bells so softly pealing; Keep your toys, laddie boy!; In a monastery garden; I dream of all the worlds; Kilmoren; Piano solos: Alice; The Phantom Melody; Bells across the meadows; With the Roumanian Gypsies AWK 1. Eric Coates, Haydn Wood and Wilfred Sanderson, to go no further, brought the Edwardian ballad to considerable height. To them we should add Albert Ketèlby, more usually remembered, like Coates and Wood for other forms of light music, who gets fine advocacy from Peter Dempsey, following his similar CDs of Coates and Wood songs. These songs, which mainly set lyrics by Florence Hoare, Charles Kingsley, Shakespeare [whose Blow blow is stormy if not over subtle] and Ketèlby himself, range from 1896 to 1952 [only two in fact post 1918]. Mr Dempsey sings them in roughly chronological order, so we can trace Kètelby’s development. All show him as a fine tunesmith. I like particularly the passionate title song, the lilt of Aberfoyle, the insistent polka rhythm of Sing heigho!, the carillon-ish accompaniment ofThose bells and the heartrending nostalgia for childhood of Keep your toys. Yearning feelings indeed run through the disc. Guy Rowland is again a positive accompanist and contributes four solos:Phantom Melody was AWK’s earliest hit, Bells across the meadows sounds as atmospheric on piano as orchestra, the Roumanian Gypsies cavort brilliantly and Alice [1906] is a charming find. All tracks, bar perhaps four, are world premiere recordings at least in this form. The informative booklet does not reproduce the words but Mr Dempsey’s admirable diction makes it unnecessary. Strongly recommended. Philip Scowcroft

Available at £9.95, inc. p&p, from Mr P Dempsey at 44 Victoria Road, Bedford B50 4AR [Demsini @ aol.com] 

GINO BORDIN Virtuose de la Guitare Hawaiienne The blue bird, Crépuscule Hawaien, Manuska, Hawai nous appelle, Sérénade bleue, Retour de Hawai, J’écoute la guitare, En écoutant l’ukulélé, Addio signora!, Hawaiian berceuse, Je n’ai plus personne, Reflet viennois, Viens dans ce joli pavillon, Hé hop la hé, C’est une valse qui chante, Waikiki en fete, One kiss, La destine du marin, Le jeune pecheur, L’ile aux reves d’or, Chant d’amour de Tahiti, Ay, ay, ay, De tout mon coeur, Dans la nuit, Avant de mourir Grass Skirt Records GSK 1003 [72:15]Previous GSK reissues featured Sam Ku West (GSK 1001) and Sol Hoopi (GSK 1002), both of which were produced to a very high standard. The same care has been taken with these 25 mainly 1930s recordings by this French exponent of the Hawaiian steel guitar. Instrumentation is varied, and includes violin, zither, accordion, xylophone, and even musical saw on one track, and some feature French singers. Superbly remastered by Ted Kendall, the CD sports a reproduction Salabert label, and comes in a gatefold sleeve which also houses a 44-page booklet, half in French with an English translation and illustrated throughout. Barry McCanna

Full details at www.GrassSkirt.co.uk or from Grass Skirt Records, PO Box 371, Hyde, SK14 9AB, UK.

AL BOWLLY The Complete Maurice Winnick & Sidney Lipton Sessions Topical Tunes Part 1 - In The Mountains of the Pine/What A Fool I’ve Been*/Twilight Waltz; Springtime Reminds Me Of You; The Waltz You Saved For Me; Topical Tunes Part 2 – Life/Pardon Me, Pretty Baby*/Shake And Let Us Be Friends; Bei Mir Bist Schoen; There’s A Gold-Mine In The Sky; Kiss Me Goodnight; Rosalie; In The Still Of The Night; Once In A While; When The Organ Played "Oh, Promise Me"; Somebody’s Thinking Of You Tonight; My Heaven On Earth; Chatterbox; When You Wish Upon A Star; Turn On The Old Music Box; Who’s Taking You Home Tonight?; Arm In Arm; There’s A Boy Coming Home On Leave; My Capri Serenade; The Lonesome Trail Ain’t Lonesome Any More; It’s A Long, Long Way To Your Heart; Souvenir Of Love; Trusting My Luck Memory Lane MLCD 002 [68:37]. Al recorded a total of 20 sides with Maurice Winnick, and four with Sydney Lipton. One could be forgiven for wishing those statistics were reversed, because around the mid-thirties Winnick hitched his wagon to Guy Lombardo’s star. The result was a sort of musical kitsch, which has not worn well, whereas Sydney Lipton’s music was as elegant as the man himself. The compilation falls naturally into five segments. There’s the mid-1931 session with Winnick, that is two waltzes topped and tailed by the Topical Tunes set, of which Al sings the second tune in both cases. The best of the three tunes from the late December 1937 session is Bei Mir Bist Du Schoen, and the quality of the next three songs also rises above the instrumental schmaltz. For me the nadir was reached in the mid-1938 session, when the sound of the orchestra seems to have become homogenized into a sort of musical broth. The problem is compounded by the overly sentimental nature of some of the songs, which sound as though they originated in a Victorian drawing room. Having said that, the vocal is another matter; Al’s innate sincerity transcended the material, and the end result is better than might be expected. For me, Chatterbox is Al’s best Winnick recording, which demonstrates his mastery of phrasing, and the trumpet section’s triple-tonguing skill deserves a mention also. Of course, all three songs from that session came from the Walt Disney cartoon ‘Pinocchio’, and the accompaniment is suitably animated. The final Winnick session produced four more good tunes, one of which is a reminder that this was now wartime. The four tracks with Sydney Lipton which conclude this compilation revert back to the beginning of 1938. The first is a cowboy song, a tongue-in-cheek lament for the vanished world of the Wild West, and includes a most musical yodel. That’s followed by three ballads, the last two from the film ‘Sailing Along’ which starred Jessie Matthews and Jack Whiting. A fair number of these tunes were reissued piecemeal on vinyl, but a complete release on CD was long overdue, and despite it being something of a curate’s egg the balance is firmly in its favour. The original Decca recordings present something of a challenge in their remastering, but Dave Cooper has achieved as good as we’re likely to get, and Ray Pallett’s liner note completes the package. You should have ordered your copy already, but if not don’t miss out. Barry McCanna

The CD is priced at £5.99 inc. p&p to a UK address, or £7.99 inc. air mail p&p to overseas (inc. Eire). Sterling cheques should be made payable to Memory Lane, and sent to Memory Lane, PO Box 1939, Leigh-on-Sea, SS9 3UH, England. Alternatively, log on to www.memorylane.org.uk where you can order using PayPal.

Please note that the following CD is not scheduled for release until the end of January

THE GOLDEN AGE OF LIGHT MUSIC A Trip To The Library Guild GLCD 5164

1 The Merrymakers – Miniature Overture (Eric Coates) 
LONDON SYMPHONY ORCHESTRA Conducted by ERIC COATES
Fancy Dress – Suite (Cecil Armstrong Gibbs)
2 Hurly Burly
3 Dusk
4 Pageantry
REGENT CONCERT ORCHESTRA Conducted by WILLIAM HODGSON
5 Entrance Of The Little Fauns (from the ballet "Cydalise et la chèvre-pied") (Henri Constant Gabriel Pierné, arr. Mouton) 
JACK PAYNE AND HIS BBC DANCE ORCHESTRA
6 Smoke Gets In Your Eyes (Jerome Kern, arr. Peter Yorke)
LOUIS LEVY AND HIS ORCHESTRA
7 "Music In The Air" – Selection (Jerome Kern) There’s A Hill Beyond A Hill, I’ve Told Ev’ry Little Star, When The Spring Is In The Air, The Song Is You, I’m So Eager, In Egern On The Tegern See, We Belong Together, One More Dance.
NEW MAYFAIR ORCHESTRA Conducted by RAY NOBLE
8 The Liberators – March (Charles W. Ancliffe)
LONDON PALLADIUM ORCHESTRA Conducted by JACK FRERE
9 Hearts And Flowers (Theodore Moses Tobani, arr. Willoughby)
J.H. SQUIRE CELESTE OCTET
10 Forest Idyll (Esslinger)
MAREK WEBER AND HIS ORCHESTRA
11 Windjammer Overture (John Ansell)
REGENT CONCERT ORCHESTRA Conducted by WILLIAM HODGSON
12 Dancing Tambourine (W. C. Polla)
JACK HYLTON AND HIS ORCHESTRA
13 Swamp Fire (Harold (Hal) Mooney)
ANDRE KOSTELANETZ AND HIS ORCHESTRA
14 Escapada (Sid Phillips)
AMBROSE AND HIS ORCHESTRA
15 Knave Of Diamonds (Henry Steele)
COMMODORE GRAND ORCHESTRA Conducted by JOSEPH MUSCANT Piano : LOUIS MORDISH
16 Irving Berlin Waltz Medley (Irving Berlin) All Alone; Always; What’ll I Do? 
COVENTRY HIPPODROME ORCHESTRA Conducted by CHARLES SHADWELL 
17 Cupid’s Parade – Fantasy (Rivelli)
THE LITTLE SALON ORCHESTRA
18 Court Ball Dances (Hofballtanze) (Jos Lanner) 
ORCHESTRA MASCOTTE
19 "Glamorous Night" – Selection (Ivor Novello, arr. Charles Prentice) Her Majesty Militza, Shine Through My Dreams, Fold Your Wings, When The Gipsy, Far Away In Shanty Town, Glamorous Night, Royal Wedding.
DRURY LANE THEATRE ORCHESTRA Conducted by CHARLES PRENTICE
20 Fata Morgana (Carl Robrecht) 
LOUIS VOSS GRAND ORCHESTRA
21 Finale – Foxtrot (from "Dance Suite") (Eduard Künneke)
BERLIN PHILHARMONIC ORCHESTRA Conducted by EDUARD KÜNNEKE

[77:19]. This is not about a jaunt to your local for a book but a selection of music from the extensive recorded libraries of firms like Bosworth, Boosey and Hawkes, and Chappell. For me, it’s rather a mixed bag with less to enthuse about than previous offerings in Guild’s magnificent and ground-breaking Light Music series. The 64th CD in the series begins well enough with the 1950’s Livin’ It Upby Harry Rabinowitz, Trevor Duncan’s haunting The Girl from Corsica played by the New Concert Orchestra under Cedric Dumont [a performance that doesn’t perhaps have the élan of other versions, in particular Robert Farnon’s 1977 Cheltenham Festival ─ music not horses ─ recording with the BBC Northern Orchestra, now the BBC Philharmonic, on BBC Radio Classics], and the deliciousJacaranda Melody by Paul Dubois, famous for his Shadow Waltz [recorded elsewhere with typical sonority by R.F. and the Danish State Radio Orchestra]. Then follow several pretty ordinary tracks including Jack Beaver’s Helicopter Journey, which doesn’t really get off the ground, Country Capersby Ivor Slaney with its echoes of Leroy Anderson’s Fiddle Faddle, and the soporific Sunday Driver by Peter Dennis, a name unknown to me. R.F. comes to the rescue with his Danish band [listed on the 78 label as ‘Melodi Light Orchestra conducted by Ole Jensen’] and Stardom; but Karl Rehfield and Roger Roger with ensembles in Stuttgart and Paris put their string players through their paces with little real music reward in a couple of busy but slight moto-pepetuo-style pieces, music not in the same class as Anderson’s Fiddle. Things start looking up with Henry Croudsen’s harmonically imaginative Serenade to the Moon performed by the excellent Louis Voss and one of the highlights of the disc, and with a departure from Guild’s norm, Pat Lynn’s Remembrance, a strict-tempo Victor Sylvester sound-alike version featuring some wizard playing from two pianos. The 1940’s are represented by another curate’s egg of a selection where, perhaps, the problem with some library music is particularly highlighted. Often it doesn’t travel well and out of context sounds contrived and vacuous, bereft of stimulus of, say, newsreel pictures or documentary footage. Haydn Wood’s A Love Song is a nice post-Elgarian example of how to write a good tune but it does rather draw attention to the lack of memorable melodies on this disc in general. It is good to hear the BBC stalwart, Stanford Robinson, for whom I had the pleasure of playing a few times in the studio and in concert with his brother Eric, in music by Arthur Benjamin, whose big hit was of course Jamaican Rumba. HisOverture to an Italian Comedy is a worthy inclusion and can stand on its own two feet; but a couple of pieces by the admirable Charles Williams and one by Frank Tapp, another rarely-heard name, really need some pictures to have any effect. Montague Ewing’s Clown with a Tambourine isn’t of the standard of his other, better-known, pieces and even Alan "Merlin" Bunting can’t conjure up more presence for this tricky instrument. At one stage I began to think that the clown in question had forgotten to take his tambourine to the session! Arthur Wood’s Barwick Green must be a contender for the most-played piece of music ever, light or otherwise, but it’s not hard to see why only this movement of his suite ‘My Native Heath, is heard nowadays. Ilkley Tarn and Knaresboro Status are very ordinary and, in the latter, Arthur Wood seems to imply that this fine old Yorkshire town with its magnificent railway viaduct is located in some distant Gaelic outpost. As usual, David Ades provides excellent liner notes: well-researched, erudite but eminently readable. Over the span of sixty-odd discs the amount of invaluable information he has passed on to us enthusiasts is utterly remarkable.Glyn Bragg

GOGI GRANT Mad About the Boy 22 tracks incl. Welcome to my heart; The more I see you; Paradise; Love walked in; So do I; They didn’t believe me; But beautiful; Love letters; With all my heart; If I should lose you; At last! At last!; How deep in the ocean; Bewitched; Mad about the boy …Flare ROYCD296 [78:26]. " …an unforgettable voice, singing songs that will last for ever." The opinion of liner note writer Colin Villani ─ and I would not disagree with that. These are songs "of love and loss and longing" from two albums: ‘Torch Time’ and ‘Welcome to My Heart’ [both from 1958]. The first 12 tracks listed above are from the latter and have the added interest for RFS members of being arranged and conducted by Dennis Farnon. The accompaniment for Love lettersalone is almost worth the price of the disc. Henri René conducts on the remaining tracks. For readers who may not have come across Miss Grant before: she had hits in the ‘50s notably the Top 10Suddenly there’s a valley and No.1 The wayward wind, and then dubbed Ann Blyth’s singing voice in the film biography of Helen Morgan, the famous 1920s torch singer. More, please! Peter Burt 

ANNETTE HANSHAW I’ve Got A Feeling I’m Falling When I am housekeeping for you; Fit as a fiddle; I’m following you; I’ve got it bad but it don’t do me no good; My future’s just passed; I want a good man [and I want him bad]; I hate myself for falling in love with you; You’re the one I care for; You’re just too sweet for words honey of mine; I cover the waterfront; Just another day wasted away; Are you happy; Is there anything wrong in that; My sin; If you see Sally; Black bottom; I’ve got a feeling I’m falling; Daddy wont you please come home; What wouldn’t I do for that man; If I can’t have you Sounds of Yesteryear DSOY781 [60:25]I reviewed Annette’s previous album in the last issue; much of that review could be repeated for this outing. Once again many well known musicians are present. In the twenties Annette was America’s Queen of Song, and as well as singing she could play ukulele and piano. An example of her keyboard playing is heard on Are you happy; competent but little different from the other pianists in her various groups. Her quaint but infectious singing [sometime speaking] does intrigue and reminds me of happy days playing my Dad’s 78s.Paul Clatworthy

VINCE MENDOZA and THE METROPOLE ORCHESTRA El Viento – The Garcia Lorca Project 12 tracks incl. La Cancio’n del Mariquita; Historietas del Viento [in three parts]; La Tarara, De Los Cuatros Muleros, Angeles Negros … ACT 9490-2 [70:45]As the Metropole was involved I just had to have this! Opera fans will probably revel in it but I did not know the language and I found the impassioned singing of the soloists intruded on the beauty of the orchestral settings. I will console myself with the breaks in the vocals where the orchestra as usual excels. Paul Clatworthy 

THE GLENN MILLER SINGERS Re-unions 1948, 1954, 1959 Tex Beneke, Marion Hutton, Ray Eberle, Johnny Desmond, Dorothy Carless, The Modernaires with Paul Kelly He sez, she sez; So far; It could happen to you; You don’t have to know the language; Brooklyn Love Song; Golden earrings; Sure thing, St Louis Blues March; I’ll be seeing you; Surprise Symphony; Begin the beguine; Memories of you; Because, Blue champagne; Moonlight serenade; A nightingale sang in Berkeley Square; Sweet Eloise; [I’ve got a girl in] Kalamazoo; Wham [Re-Bop-Boom-Bam]; Don’t sit under the apple tree; Serenade in blue; Elmer’s Tune; Booglie wooglie piggy; Chatanooga choo choo; Perfidia Sounds of Yesteryear DSOY 783 [76:15]Good quality transcription recordings complete with announcements. Some of the tunes are not sung so I almost included this review in Big Band Roundup. Tracks with strings I enjoyed most were It could happenGolden and Sure; the arranger on the last, Gerry Gray. Other arrangers credited: Norman Leydon, Bill Finegan, Ray Mackinley, Perry Burgett, Ray Wright, Eddie Durham and Billy May. Paul Clatworthy

CLIFF RICHARD & THE SHADOWS Reunited 22 tracks incl. I could easily fall [in love with you]; The young ones; Living doll, Bachelor boy; Travellin’ light; In the country; Willie and the hand jive; Summer holiday, Do you wanna dance? …. EMI 9996878832L [61:07]Here’s another one for the festive season ─ and sheer nostalgia all the way. The principal participants sound as good as they did when first recording these tracks up to 50 years ago. For good measure there are three tracks newly minted: C’mon everybodySea cruise and Singing the blues. As well as the named artists you get violins, cellos, saxophones and an accordion for your tenner. Interesting to read that Cliff’s vocals were recorded in Miami and Hank Marvin’s guitars and vocals in Perth, Western Australia. Peter Burt

DINAH SHORE Moments Like These 26 tracks incl. Deep purple; When the world was young; Moments like these; I’ll remember April; These foolish things; I fall in love too easily; Until; West of the mountains; Pretty mandolin; Tempting; The Stowaway; I could have danced all night …. Flare ROYCD283 [73:03]Miss Shore started studying sociology but became in the early ’40s the leading American female singer on records and radio, having her first million-seller with Blues in the night. On this CD we hear her last album made for RCA Victor in 1958 ─ a dozen ballads largely about love, or the loss of it. Then we have 14 singles recorded during the final years of her long association with her record company, the very last being the amusing tango The scene of the crime that brings this desirable disc to its close. There are some attractive photographs of the star in the accompanying booklet and comprehensive tracks listings with full notes by Colin Villani. Most of the songs are conducted by Harry Zimmerman, although Vic Shoen, Harry Geller, Henri René and Hugo Winterhalter ─ a rather attractive The Whistling Tree, where Dinah duets with herself ─ as well as The Peter King Singers, The Skylarks and The Notables also play their part.

Dinah! The One and Only Dinah Shore ‘This Is The Moment’ Tall hope; Tenderly; These foolish things; Three o’clock in the morning; I could have danced all night; Smoke gets in your eyes; I cover the waterfront; Begin the beguine; It never entered my mind; I’ve got you under my skin … & 12 others ‘Dinah!’ Blues medley: St Louis blue, I got a man, Shake rattle and roll, Let the good times roll, Boogie blues, Blues in the night, Dinella Blues; Wrap your troubles in dreams; Hello young lovers, After you’ve gone; Please don’t talk about me … & 7 other tracks Flare SPEC1037 [65:45 & 43:22]I make a passing reference to ‘The Dinah Shore Chevy Show’ in Back Tracks on page 68 without it probably meaning very much to our UK readers. It was a live, full-colour variety hour that ran on NBC in the States for 125 performances from 1956 until 1963. On the first of this 2-CD set there are 22 tracks taken from some of those Emmy Award-winning appearances mostly with conductor Fred Zimmerman in attendance. Frank DeVol is the conductor for the second album which is taken from Miss Shore’s "unforgettable" one-woman show recorded in Los Angeles on 14th October 1962. Credit, too, to Dinah’s pianist Ticker Freeman. Her Spiritual Medley [Some times I feel like a motherless child; Joshua; All God’s chillun and Ezekiel] forms a fine finish to a disc of delights. Another admirable all-round production from Flare, not least the 10-page booklet. Peter Burt

THE MAGIC OF THE HOLLYWOOD TENORS Mario Lanza, Felix Knight, Dennis Day, Dennis Morgan, Jan Peerce, Kenny Baker, Allan Jones and more... 24 tracks incl. The Rose of Tralee; The Donkey Serenade, In the still of the night; The moon of Manakoora, Love walked in, The moon and I, Two dreams met, Wait and see, The Desert Song, My wild Irish rose; Hush-a-bye [Wee rose of Killarney]; Ma belle Marguerite; I’ll build a stairway to paradise; Amapola; California moon…. Flare ROYCD289 [77:38]. A very well-filled album of the familiar and not-so-familiar, some even forgotten, spanning the years 1930 [the first track sung by John McCormack] to 1958 [Jan Peerce’sOn the street where you live]. Tony Middleton’s liner notes are most informative, like why tenor Oreste Kirkop, starring opposite Kathryn Grayson in the 1956 Paramount musical ‘The Vagabond King’, had to have his speaking voice dubbed! The track listings helpfully give credit to the accompaniments by orchestras and chorus including those of Ray Sinatra, Lennie Hayton, Michael Collins, Johnny Green, Henri Rene, and George Stoll, who conducts for Mario Lanza on Serenade andBeloved from the soundtrack of ‘Student Prince.’ Devotees of the genre need not delay in adding this CD to their collection. Ray Pavene 

JUST WE TWO The Stars Sing Duets From The Musicals Jane Powell & Vic Damone, Bing Crosby & Ann Blyth, Judy Garland & Margaret O’Brien, Robert Merrill & Dinah Shore, Ethel Merman & Joan Carroll, Fred & Adele Astaire ... many more 24 tracks incl. Let’s be buddies; Two dreams met; Under the bamboo tree; My one and only Highland fling; Oh, ‘tis sweet to think; Darn it baby, that’s love; Just we two; I have dreamed; Still water, You belong to my heart; Deep in my heart, dear; One boy sends you a rose; Is it you?; I talk to the trees; I adore you ….Flare ROYCD291 [76:04]Another even more fascinating collection of tracks, this one spanning the years 1931 [Hoops from ‘The Band Wagon’ with the Astaires] to 1958 [Indian love call from ‘Rose-Marie’with Julie Andrews and Giorgio Tozzi]. Always worth hearing is Irving Berlin’s great standard Easter Parade from ‘Thousands Cheer’, and never more so than in the version here by Paul Whiteman, his orchestra and singers Joan Edwards and Clark Dennis. Other favourites among many on this CD are the classic You’re just in love from ‘Call Me Madam’ sung by Russell Nype and Dinah Shore, andMake believe from ‘Showboat’, which Victor Lewis describes in his full liner notes as "one of the most famous duets to emerge from the world of the musical." It is sung here by Howard Keel and Kathryn Grayson. Our dear late Edmund Hockridge is joined by Joy Nichols, of BBC’s radio’s ‘Take It From Here’ fame, for a wonderful version of There once was a man from ‘The Pajama Game’ enhanced by the musical direction of Robert Lowe. Again, there are full track listings. I had forgotten that Andre Previn was the MD for Maurice Chevalier and Hermoine Gingold on I remember it well from ‘Gigi.’Ray Pavene

DANIEL SMITH "Blue Bassoon" The Jody Grind, Billie’s Bounce, Things Ain’t What They Used To Be, Scotch And Water, My Baby’s Gone, Sack Of Woe, Nostalgia In Times Square, Wquinox, The Double Up, From Four Till Late, Break Out The Blues, Footprints, Solid Summit Records DCD 530[47:55]. I do not pretend to be an expert on the bassoon, let alone one that performs jazz. Ten years ago I would have expressed surprise if anyone had suggested that I would enjoy a concert featuring jazz music with the bassoon as the central instrument. Yet on 13 September in Malvern I did just that, when Daniel Smith gave a sensational premiere performance of Robert Farnon’sBassoon Concerto. Understandably the audience wanted more, and Daniel treated us to three numbers from this new CD. Some of the concertgoers that evening may not have fully appreciated how fortunate they were to be in the presence of an instrumentalist who has received heaps of praise from critics who know what they are writing about. As Michael J. West says in the booklet notes: "just as Daniel’s bassoon defies conventions of jazz and blues instrumentation, his playing of it challenges typical notions of jazz and blues phrasing. Along with the rich and reedy bass timbre that is his instrument’s stock in trade, Blue Bassoon is chock-a-block with Smith’s clipped staccato melodic statements, surprise glissandi, risky and virtuosic note bends, double-quick pacing, and rhythms that challenge the orthodoxy of swing". On this CD Daniel is supported by Martin Bejerano, piano; Edward Perez, bass; Ludwig Afonso, drums; and Larry Campbell, guitar. The strength of jazz is that it is a continually developing art form. Music lovers sometimes prefer certain periods of its evolution, and there is no doubt that today’s performers will one day be overtaken by new ideas and sounds as fresh generations find it impossible to resist its challenging appeal. Daniel Smith must surely be proud of his unique and invaluable contribution to the wonderful world of jazz, and it seems that each new release from him takes us further along the long road of discovery. Maybe one day he will return again to classical music to express his love for the bassoon. Whatever he does you can be sure that it is inspired by a passion that makes him such an exciting performer. David Ades

HERB ELLIS & CHARLIE BYRD TRIO The Navy Swings 15 tracks incl. One note Samba; Lady be good; Carolina in the morning; Chung king; St Louis blues; Someone to light up my life; Danco No.5; Limehouse Blues … Sounds of Yesteryear DSOY 787 [60:18]

COUNT BASIE AND JOE WILLIAMS Let’s Go To Town 15 tracks incl. It’s a wonderful world; Three eighteen; Keep your hand on your heart; Moten swing; One o’clock jump; Shake rattle and roll; In a mellow tone … Sounds of Yesteryear DSOY 786 [61:37"]

PEGGY KING and ANDRÉ PREVIN TRIO The Navy Swings 16 tracks incl. I could have danced all night; More than you know; Stars fell on Alabama; I’m beginning to see the light; Mad about the boy; I remember you; Zip … Sounds of Yesteryear DSOY 784 [61:01]

GEORGE SHEARING QUINTET The Navy Swings 14 tracks incl. Polka dots and moonbeams; For every man there is a woman; Nothing ever changes my love for you; You’re my girl; Night mist, Imagination … Sounds of Yesteryear DSOY 795 [61:07]

These four CDs have one thing in common: they were all made to recruit soldiers and sailors to the US Forces; each consists of four programmes complete with announcements. The music and recordings are excellent. Herb and Charlie, both consummate artists, ease through all their songs providing a relaxed mood only interrupted by the commercials. Sound is studio quality. The Basie set offers more contrast, well-known big band favourites augmented with eight vocals for Joe. The Basie penned instrumental, Three eighteen, a real treat for the ears. I never tire of listening to Neal Hefti’sLil Darlin’ or Whirly bird. The recording is live complete with cheering audience. The Previn trio has Red Mitchell on bass, Frankie Capp on Drums; they include two songs from ‘My Fair Lady Swings’which was high in the charts at the time although under Shelly Manne’s name. Peggy really hits the spot with her versions of I remember you and Happiness is just a thing called Joe. Peggy and the group are a happy match. This is also studio quality. George’s Shearing’s selection also has the benefit of studio sound, the tunes chosen could hardly have been better. Along with Toots Thielman on harmonica, Emil Richards vibes, Al Mckibbon bass, Percy Brice drums and Amando Peraza bongos, they breeze through the songs smoothly. Several other jazz names are mentioned during the announcements, so I expect more dates will be issued. These fifties recordings are available from The Woods (contact details in my ‘Big Band Roundup’ column), Amazon, HMV and most dealers.Paul Clatworthy 

NICOLA BENEDETTI Fantasie Sarasate: Zigeunerweisen; Vaughan Williams: The Lark Ascending; Saint-Saëns: Introduction and Rondo Capriccioso; Massenet: Meditation from Thais; Ravel: Tzigane; Pärt: Spiegel im Spiegel; Rachmaninov: Vocalise; Fauré: Après une Rêve Deutsche Grammophon 476 3399 [68:54] Although on a famous classical label, I hope that JIM readers will not overlook this release especially with Christmas just around the corner. There are some gorgeous melodies here, and three of the tracks are gypsy inspired including the showpiece opening track. This and two other of the five orchestral accompaniments are by the excellent Vasily Petrenko conducted Royal Liverpool Philharmonic Orchestra. For me the CD is worth acquiring to discover the mesmeric Spiegelby the modern Estonian composer Arvo Pärt. Miss Benedetti and her violin are accompanied on the last three items by the Ukranian pianist Alexei Grynyuk. Beautiful playing throughout. Peter Burt 

NIGEL OGDEN Plays Hammond The Carioca, April In Paris, The Continental, A Nightingale Sang In Berkeley Square, One Morning In May, Portrait Of A Flirt (Robert Farnon), Desafinado, Remembering The Hammond Organists – Robin Richmond & Jerry Allan, Fly Me To The Moon, You Made Me Love you, etc… Grasmere GRCD 131 [76:01]. The Hammond Organ was invented by Laurens Hammond in 1934, and it certainly created a sensation at the time. For decades afterwards it was the instrument of choice for organists specialising in popular music, and when you listen to Nigel Ogden’s latest CD it is not difficult to understand its enduring appeal. According to the booklet Nigel has now notched up 70 collections such as this, and his weekly show on BBC Radio-2 is now in its 30th year. He has built up a large army of loyal fans, and they will certainly not be disappointed with his latest offering. And just in case you missed it in the list of contents … track 7 is Robert Farnon’s Portrait Of A Flirt which Nigel performs with a respectful nod towards the original orchestral arrangement. I really enjoyed this CD! David Ades

GLAZUNOV Masquerade [Incidental Music] Gnesin Academy Chorus, Russian Philharmonic Orchestra conducted by Dmitry Yablonsky Naxos 8.570211 [66:57] An immensely enjoyable collection of easy on the ear music by the Russian classical composer Glazunov, who died in 1936, for a play that was banned for some 30 years. An added attraction is the occasional burst of that characteristic ripe Russian brass sound. The vocal contribution is quite small but very effective. All at the lowest possible price. Peter Burt

THE MUSIC OF ITC

Further to their exclusive original soundtrack CDs, Network has now released single CD volumes of highlights from some of the series previously issued. Among the 58 tracks spanning 71 minutes,‘The Prisoner’ [7959017] contains 2 cues composed by Robert Farnon. Also featured are other incidental themes and the title theme by Ron Grainer. Other releases currently available are:‘Danger Man’ [hour/half-hour episodes] composed by Edwin Astley 40 tracks [7959020 1:16]; ‘Department S’ Edwin Astley 54 tracks [7959019 1:16]; ‘Man in a Suitcase’ Albert Elms/Ron Grainer 44 tracks [7959021 1:17]; ‘Randall & Hopkirk [Deceased]’ Edwin Astley 62 tracks [7959016 1:17]. Of special interest is a 2-CD compilation ‘The Music Of ITC’ [7959016] which contains 113 tracks, some previously unissued, in addition to tracks from some of the box-set compilations: ‘Gideon’s Way’ Edwin Astley 2 tracks; ‘The Baron’ Edwin Astley 7 tracks; ‘The Saint’Edwin Astley 9 tracks; ‘The Persuaders!’ John Barry/Jackie Trent & Tony Hatch/Ken Thorne 4 tracks;‘The Adventurer’ John Barry, etc. 3 tracks; ‘The Zoo Gang’ Paul McCartney & Wings/Ken Thorne 8 tracks; ‘Return of the Saint’ John Scott/Irving Martin & Brian Dee/G & M De Angelis 8 tracks. There are also 7 tracks from ‘The Prisoner’ at least one of which is by Robert Farnon. Of particular interest from these "new tracks" listed above are those from ‘The Persuaders!’ Apart from John Barry’s theme, there is a suite of incidental music by Ken Thorne and the song Gotta get away now which was used in the pilot episode and sung by Tony Hatch & Jackie Trent. ‘The Adventurer’ theme is also by John Barry and has so far never appeared commercially in its original form. The running time of this CD not available at the time of writing. All releases are available from wwwnetworkdvd.netGareth Bramley

LES BAXTER & HIS ORCHESTRA Space Escapade 12 tracks incl. Shooting star; Moonscape; A distant star; Other side of the moon; The lady is blue; Saturday night on Saturn + 18 bonus tracks from the mid-50s incl. Toy tiger; Havana; The left arm of Buddha; Rush-hour romance; Designing woman; Blue echo; "Houseboat" Love song …. Cherry Red ACMEM 171 CD [73:15] Original Capitol recording from 1958.

ELMER BERNSTEIN God’s Little Acre 15 tracks plus Bonus Suite Kritzerland KR 20012-8[41:02] Limited Edition of 1000 copies. Original music from 1958 Motion Picture Soundtrack.

ESQUIVEL & HIS ORCHESTRA Infinity in Sound Vols 1 & 2 24 tracks incl. My reverie; Johnson Rag; Harlem Nocturne; Macarena; Autumn leaves; So rare …. / Baia; Time on my hands; Who’s sorry now; Espana Cani; Cherokee; Lullaby of Birdland …. Wounded Bird WOU 2225 [63:51] Original RCA recordings from 1960.

STAND BY FOR ACTION The Music of Barry Gray 40 tracks from "Four Feather Falls"; "Supercar"; "Fireball XL5"; "Stingray"; "Thunderbirds"; "Joe 90"; "Captain Scarlet"; "The Secret Service"; "Lifo"; "Space 1999" Silva Screen Records SILCD 1279 [80:00] Original music including previously unreleased tracks.

HENRY MANCINI The Thief Who Came to Dinner [1973] The 12 tracks of the original Warner Bros. LP are followed by 17 bonus tracks. Film Score Monthly FSM Vol.12 No.10 [63:15] Limited edition 3000 copies.

ANDRẾ PREVIN Two For The Seesaw [1962] Kritzerland KR 20012-8 [41:02] Limited edition of 1000. Original soundtrack.

BILLY VAUGHN & HIS ORCHESTRA Melody of Love 58 tracks incl. Tennessee Waltz; Little boy blue*; O, main papa; Unchained melody; Peg o’ my heart; Heartacres; The ship that never sailed*; Bells across the Rhine, La paloma; My blue heaven; Twilight time; Tumbling tumbleweeds; Cool water …. [* narrated by Ken Nordine]

2 CDs Jasmine JASCD 503 [173:16] Original DOT recordings. Although the back of the jewel case claims boldly that all tracks are mono, only about a dozen are. Among the tracks on the first disc is the stereo remake of the LP ‘The Golden Instrumentals’, originally issued in mono in 1956 ─ apparently its first appearance on CD.

MITZI GAYNOR Mitzi 12 tracks incl. The nearness of you; Cheek to cheek; That old feeling; Rain; Lazy; I only have eyes for you …. + 9 extra tracks incl. 4 from the "South Pacific" Soundtrack; You’re the top [w. Bing Crosby]; Soon*; I don’t regret a thing, The half of it dearie blues*… Arranged and conducted by Pete King except for (*) with Russ Garcia and his Orchestra. Flare SPEC 1039 [52:04]

HERMOINE GINGOLD Live at the Café de Paris 12 tracks incl. Which witch?; Men are exactly the same; Only a medium medium +13 bonus tracks incl. Takes two to tango & Oh Grandma [both with Gilbert Harding]; The Borgias are having an orgy; Tit for Tat; Thanks, Yanks … Stage Door Records Stage 9010 [77:20]

"GIGI" 11 tracks from studio recording with Gogi Grant and Tony Martin with Dennis Farnon’s Orchestra + 9 bonus French and 3 Spanish tracks with Maurice Chevalier, Sacha Distel and Jane Markin; and Andre Toffel, Rosa Me and Lopez Negrette. Stage Door Records Stage 9013 [77:20]

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Orchestral

FROM FABULOUS BROADWAY TO HOLLYWOOD’S REEL THING

The Fantasticks medley, September Song, Night and Day, It Might as Well be Spring, Mary Poppins medley, Fiddler on the Roof medley and 24 other tracks

Arthur Fiedler and the Boston Pops Orchestra (Deutsche Grammophon, 4776124) 150:56

This is the fourth volume in the 2-CD sets in the Arthur Fiedler Legacy Series and the one most likely to appeal to JIM readers. The first three are largely classical ─ albeit mostly light ─ and volume five is out-and-out symphonic pop from the 60s and 70s; although all are recommendable in their way. On the first CD, in addition to those listed above, there are medleys from "Man of la Mancha", "Company" and "Hair", as well as individual items from "State Fair" and "Godspell". The opening medley includes the lovely Try to Remember. Among the items on the second CD are medleys from Disney’s "Robin Hood" and " The Happiest Millionaire" together with Michel Legrand’s themes for "Portnoy’s Complaint" and "Summer of ‘42", Nino Rota’s love themes for "The Godfather" and Zeffirelli’s "Romeo and Juliet", and Henry Mancini’s Days of Wine and Roses. Paul Simon’s Mrs Robinson is particularly bouncy. It is interesting, too, to hear Fiedler’s only take on his successor John Williams’ themes for "Star Wars" and "Jaws". The majority of the arrangements are by Richard Hayman with a handful by Eric Knight. Everything is performed in the manner one would expect from the renowned Boston Symphony Orchestra’s second chair players under the man who conducted them and their predecessors from 1930 until 1979, and who opined that the most thrilling sound was that achieved by a full orchestra. If you subscribe to Mr Fiedler’s philosophy of big orchestral arrangements of popular music you will love this ‘twofer’. The majority of tracks were recorded in the early ‘70s; some are previously unreleased on CD. With good sound, available online for around a tenner (including postage), these are immensely desirable discs.

Peter Burt

GYPSY SOUL/STEREO SHOWCASE

The Heart of Budapest, Czardas (Monti), Golden Earrings, Theme from "Villa Rides", "Carmen": Gypsy Dance, Gypsy Carnival, The Singer Not the Song, Hejre Kati, Gypsy Flower Girl, Hora Staccato, Zapateado, Hungarian Rhapsody No.2 and eight other tracks

Mantovani and his Orchestra (Vocalion, CDLK 4351) 75:49

"Gypsy Soul" is the CD I have been waiting for. Recorded in 1968, but not issued in the UK, (as "Gypsy") for two years ─ five in the USA ─ it is a fine mix of melodies associated with the gypsy people, some Roland Shaw film orchestrations (Maurice Jarre’s Theme my favourite), and choice items from Bizet and Liszt. Monty’s biographer Colin Mackenzie quotes album producer Tony D’Amato on Hungarian Rhapsody: "(Ronald) Binge, who seemed to know how far pyrotechnically he could take an orchestra, stretched the ensemble to the limit in this instance, secure in the knowledge that Mantovani’s skills as a conductor and interpreter of music would match with bravura all the many technical challenges set forth." The evocative opening number uses the cimbalom, a sort of Hungarian dulcimer. Monty’s own Gypsy Flower Girl is not out of place in this company. Mr Mackenzie contributes his usual informative booklet notes ─ something entirely absent from the original release. "Stereo Showcase" is a fascinating ‘sampler’ album from 1959 which Decca asked Monty to record exclusively for the American market. This was done in order to exploit the then new stereo recording process and gain all important stereo album sales in that territory. We hear the great man himself presenting each piece and explaining how the stereo process enhances his music. Among the tracks are three on my Desert Island short list: GreensleevesSome Enchanted Evening and Village Swallows.

Peter Burt

SONGS HITS FROM THEATRELAND/THEME FROM "CARNIVAL" AND OTHER GREAT BROADWAY HITS

If I Loved You, Wunderbar, I’ve Never Been in Love Before, Bewitched, I Talk to the Trees, Some Enchanted Evening, Out of My Dreams, Stranger in Paradise, C’est Magnifique, Almost Like Being in Love, Hello, Young Lovers, They Say it’s Wonderful / Theme from "Carnival", I Feel Pretty, You are Beautiful, Shall We Dance?, Till There Was You, I Know About Love, Do Re Mi, Till Tomorrow, So in Love, Ascot Gavotte, My Heart is so Full of You

Mantovani and his Orchestra (Vocalion, CDLK 4356) 71:31

This 2-on-1 is superior standard Mantovani fare ─ carefully selected compilations of choice material immaculately played. The first album was a 1958 stereo re-recording of a best-selling mono LP from three years earlier ─ I think this may have been the very first 12-inch LP that I bought! Some of the tracks, like the Cole Porter "Kiss Me Kate" number, have remained favourites to this day. The rarely heard soprano saxophone is used on Bewitched. The second album appeared Stateside in 1961. What wonderful tunes the shows of that era contained and how Monty does them full justice. The"Theme from "Carnival"I KnowSo in Love and If Ever are all new to the UK on CD. Colin Mackenzie’s immensely informative liner notes complete the package.

Peter Burt

IMMORTAL SERENADES

Serenade op.6 no.1(Toselli), Serenade from "The Fair Maid of Perth", Serenade "The Student Prince", Serenade "Don Giovanni"(Der Vieni Alla Finestra), Serenade (Pierne), Barcarolle "Tales of Hoffman", Love theme "Romeo and Juliet", Serenade "Les Millions d’Arlequin, Serenade "Don Pasquale (Act III), Serenade "Ständchen" from "Schwanengesan", Serenade "Angel’s", Serenade to a Mandarin, Mephistopheles’ serenade, Siciliano "Cavelleria Rusticana"

Frank Chacksfield and his Orchestra (Vocalion, CDLF 8132) 42:14

Mr Dutton has done it again and chosen for reissue on this CD at budget price one of my all-time favourite albums, released in 1959, and one of the best Frank Chacksfield ever recorded. Here are some gorgeous melodies from classical greats like Mozart, Tchaikovsky, Schubert and Berlioz, as well as Bizet, Toselli, Romberg, Pierné, Offenbach, Drigo, Donizetti, Braga and Mascagni, arranged by Leon Young, who also has his own Serenade to a Mandarin included, played by a light orchestra on top form. Every track is a standout one for me and I doubt if any album will give me more pleasure in 2008. Pity there are no liner notes.

Peter Burt

OUR MAN IN LONDON/LISBON AT TWILIGHT (HIGHLIGHTS)

Greensleeves, A Foggy Day, A Nightingale Sang in Berkeley Square, Sally in Our Alley, The White Cliffs of Dover, Waltz Medley from "Blithe Spirit", Roses of Picardy, The Haunted Ballroom, Small World (from "Gypsy"), Beautiful Dreamer, Moon River, Starlight, Tennessee Waltz, Body and Soul, The Sweetest Sounds/ Lisbon at Twilight, Barco Negro, The Lonely Beach, Song of the Sea, April in Portugal, Villa Villa, Ladies of Lisbon, Una Casa Portuguesa

The Melachrino Orchestra conducted by George Melachrino (Vocalion, CDLK 4337) 76:09

What a joy to find two Melachrino RCA albums, from 1963 and 1958 respectively, reissued on a Vocalion 2-on-1. As you can see from the listings above, the original LP of "Our Man in London" had British tunes on one side and American ones on the other. It is a very attractive programme of alluring tunes. Richard Addinsell wrote the Waltz Medley. The sonics are rich and spectacular. Completing the CD are eight tracks from "Lisbon at Twilight" featuring the guitars of Ivor Mairants and Raul Nery. A couple of inaccuracies have crept into the composer credits but not in the liner notes ─ there are none! I would like to have known the name of the occasionally used pianist. Can we now expect further Melachrino albums like "Under Western Skies" and "Music for Dining"?

Peter Burt

SPELLBOUND

The theme from "Limelight", Incidental music from "Limelight", Luxembourg Polka, The Shadow Waltz, Tango Tonight, Deep Purple, The Theme from "The Glenn Miller Story", Footsteps in the Fog, Spellbound, The Bandit, The Song of the High Seas, How Deep is the Ocean?, All the Things You Are, Venezuela, Postman’s Knock, Romance (from "The Magic Bow"), The Last Rose of Summer, A Kid for Two Farthings, The Lily Watkins Melody, Mr Pastry’s Polka, The Dizzy Duckling, Catwalk, Teenager, The Night Ride, The Cat from Coos Bay, Cat Slick, Lucky Strike

Wally Stott and his Orchestra (Vocalion, CDEA 6127) 77:42

Until now the only Stott CD I could find listed on the internet has been the classic "Christmas By the Fireside". So it is great that Mike Dutton has brought us this compilation of 27 instrumental tracks (I understand that seven have appeared on Guild) recorded between 1951 and 1956.mStellar trumpet player Kenny Baker and violinist Max Jaffa are featured on two tracks each ─ Kenny’s contribution being worth the price of the CD ─ and the Rita Williams Singers are the vocalists on Tango Tonight, one of four Stott originals, the others being The Night RideCat Slick and Lucky Strike. I believe the last track was often used to play out "The Goon Show". The Wally Stott Novelty Ensemble performsMr Pastry’s Polka and The Dizzy Duckling. The arrangements are invariably imaginative throughout the disc. Other top tracks for me include The Cat from Coos Bay, which I’ve not heard since it was regularly played on Radio (RAF) Wyton over 50 years ago, the Chaplin melodies, the smile inducingLuxembourg Polka, the stirring melody from Richard Rodger’s "Victory at Sea" and the engaging A Kid for Two Farthings. An immense welcome then, for this budget-priced disc by the artist we now know as Angela Morley. Its reissue encourages me to think that there may yet be a chance of getting "London Pride" on CD. With nearly 80 minutes music for around £6, it seems churlish to mention the absence of liner notes. Are they, like neckties, going out of fashion?

Peter Burt

STRINGS AND THINGS

Body and Soul, Chinatown My Chinatown, By the Fireside, Zither Rhythm on Anton Karas, The Girl Without a Name, Cuckoo Cuckoo, Shuffle to Buffalo, Stardust, Red Wing, I Go Rhythm and more

Various artists (Rex, Rexx115) 65:16

A real cornucopia of tracks ranging from the violin to the zither! Sound quality varies from track to track and it is an interesting mixture of sounds. It is certainly not one of the best compilations I have come across and it does become rather tired if listened to from start to finish. However, a highlight for me is the lively version of Chinatown My Chinatown by Bobby Maxwell and his Swinging Harps. It is good to have a few more tracks by Semprini and another version of one of my favourite songsLittle Red Monkey. Artists include Joe Venuti, Bob Haggart, Arthur Young and more. Buy a copy and judge for yourself!

Adam Endacott

Big band

A LEGENDARY PERFORMER

Moonlight Serenade, Sunrise Serenade, Little Brown Jug, In the Mood plus eighteen other selections.

Glenn Miller (RCA Bluebird, 0693-2-RB)

For many true music lovers, the Glenn Miller big band was simply the greatest. To still more, it typified an era filled with optimism about the future. This energy is captured faithfully on this re-issue of the original late 1970's ‘Legendary Performer’ series save that two numbers have been inexplicably left out: Elmer’s Tune and Tchaikovsky’s Piano Concerto No. 1. Still, this remains one of the best releases of this band which always managed to sound even more impressive on its live dates. Take, for example, In the Mood, a time honoured classic played with more potency and life than the plodding original studio recording. The last Chesterfield broadcast of September 1942 is heard here with Juke Box Saturday Night, highlighting the various styles of the Ink Spots and Harry James himself playing on trumpet. An extra addition to Glenn and the band’s efforts is the audience. Nothing will ever replace the rhythmic hand clapping to the intro of Tuxedo Junction or band mates yelling encouragement to each other during Little Brown Jug. This CD constitutes a valuable introduction to one of the most musical icons of the big band era: Glenn Miller.

Richard Jessen

THAT SENTIMENTAL GENTLEMAN

Hawaiian War Chant, Song of India, Marie, Well Get It! plus 21 other selections.

Tommy Dorsey and his orchestra (Collectables, COL-CD-2813)

Tommy Dorsey may have been called "That Sentimental Gentleman" but when called upon, he could provide a hard swinging ‘killer diller’. This particular collection is made up of live radio broadcasts spotlighting that hard driving style with a few of the lovely mood settings that made up the sentimental side of Dorsey’s recordings. Buddy Rich is heard to great advantage on Hawaiian War Chant and a dynamically frenzied Quiet Please. Ziggy Elman is heard playing his signature piece And The Angels Sing while Frank Sinatra is heard at his early crooning style on Marie as well as his last broadcast performance with TD, a superb The Song Is You followed by the only Dick Haymes vocal with the band on Daybreak. Even Sy Oliver gets a chance to sing on Jimmy McHugh’s Exactly Like You while Jo Stafford shares the spotlight as one of The Pied Pipers on Margie and as the end attraction of a medley which ends with I Can’t Give You Anything But Love. This CD is taken from a near mint LP pressed by RCA’s Black Label in 1956 and this is apparent by some bumps and a very bad needle skip on Zonky - so don’t throw out your LP of this set just yet! The sound follows the misguided practice of swamping everything in echo to get rid of any crackle and bump making this an almost shrill sounding CD. By turning back the treble, the listener will be satisfied by this marvellous collection by one of the top bands of a great era in all music.

Richard Jessen

Classical

GOTTSCHALK

Symphonies Nos. 1 and 2, Escenas Campestres Cubanas, Célèbre Tarentella, etc.

Hot Springs Festival Symphony Orchestra conducted by Richard Rosenberg with Soloists (Naxos 8.559320)

This is something of a discovery. Louis Moreau Gottschalk (1829-1869) was an American child prodigy pianist as well as a composer; dubbed, among other things, "the Chopin of the Creoles". There is great variety in his works, some anticipating the ragtime and jazz of half a century hence. This 77-minute disc is absolutely chock-full of memorable and catchy tunes. I doubt whether you will ever have heard symphonies like the two here, and La Casa del Joven Enrique por Méhul – Gran Overture is particularly fine. Escenas (13:23) is a one-act opera and Ave Maria is nicely sung. Although you will find this in the shops in the classical browser, I hope that other JIM readers will give it a spin at the low Naxos price and not be disappointed.

Peter Burt

Keyboard

WESTEND CELEBRATIONS

West Side Story medley, Memory, There’s No Business Like Showbusiness, Sunrise Sunset/If I Were a Richman, Phantom/All I Ask of You, Deadwood Stage/Secret Love, Les Miserables medley, Hello Dolly!, Miss Saigon medley, Close Every Door/Any Dream Will Do, Food Glorious Food/As Long As He Needs Me and The Sound of Music medley

Jean Martyn (Jean Martyn Records) 66:08

This new CD is a release by Jean Martyn playing the Yamaha EL 900 organ. "Queen of the Keyboards" is the name by which Jean has become known by her legion of fans both at home and overseas. Jean’s range of music is vast, ranging from classical composers to modern day music and her many recordings demonstrate her talents on piano and electronic and theatre organ. This latest instalment in her collection of albums is excellent, and clearly displays her versatility in the world of show business. She herself is celebrating 25 years as a professional musician and this is captured as the music unfolds from these spectacular shows.

Jean Martyn’s list of available CDs can be seen at www.jeanmartyn.co.uk If you do not have access to the internet, the CD can be purchased by sending a cheque to the value of £11.00 (including P&P) – made payable to Mr Bob Ware, 7 Westhall Close, Brewood, Staffs ST19 9EY.

Gillian Endacott

HITTING THE HAMMOND

A Skye Blue Shirt and a Rainbow Tie, Goodbye Sweetheart, American Patrol, Delaway’s Dilemma, Tiptoe Through the Tulips, Small Talk, Gitanerias, Some Like It Hot, Sunny Side Up, Rag medley, Over the Rainbow, When I Needed You Most, Mean to Me, A Little Bird Told Me, S’posin’, Opus 1, Organising the Blues, Beyond the Blue Horizon, Face of an Angel, The Candy Dancers Ball, Hysterics Rag, Kind, Painting the Clouds With Sunshine and The Golden Ring

Various artists (Rex, Rexx117)

It maybe a new CD but the historic recordings are from over 35 years ago – as stated in the sleeve notes by Bernie Tyrrell as a "golden musical era!" This compilation will be liked by readers who enjoy the Hammond organ accompanied with other instrumentalists and vocalists, but disliked if bought to enjoy pure Hammond organ. It is a reasonably priced compilation disc released by Rex Recordings and artists include among others Jerry Allen, Robin Richmond, Chris Hamalton and Harry Farmer.

Gillian Endacott

ANOTHER SIDE

Take the ‘A’ Train, All the Things You Are, Evelyn Queen of the Racquet Club, Phyllis, Chelsea Bridge, How Deep is the Ocean?, The song from "Mash", The Shining Sea, You Are There, You Must Believe in Spring, Laura, Stella By Starlight, Emily, I’m Getting Sentimental Over You, Sentimental Journey, A Mirror Image, Elegy, Westlake, Take Me Home, The Trouble with Hello is Goodbye, I Will Say Goodbye and Auld Lang Syne

Bob Florence (Mama, MMF1029) 53:48

Available from Jazz n’ Blues Records (see Big Band Roundup). Bob Florence, a piano and a well chosen set of songs by some of his favourite composers. Bob’s playing is delicate and sometimes dreamy but holds you enraptured throughout – one to play in your quieter more reflective moments. Bob does not copy anyone but fans of Bill Evans will relish this recording.

Paul Clatworthy

THE LISTEN AND DANCE COLLECTION Phil Kelsall at the Wurlitzer Organ of the Tower Ballroom, Blackpool Grasmere GRCD 128. Yet another 2-CD collection from the talented Phil Kelsall, who has now produced so many recordings and videos that even his most loyal fans much be wondering what on earth he will do next! By now you’ll know what to expect. David Ades

AND FRIENDS

Besame Mucho, Fast Forward, Old Friends, Free Parking, Night Walk, A Tribute to Bud, Winter Landscapes, Tin Tin Daeo and Hymn to Freedom

Lalo Schifrin (Aleph) 63:21

Available from Compact Disc Club. Lalo has written so much to enjoy over many years, many will forgive the over indulgence of this album. To me, it sounds like a private party where musicians of high calibre just enjoy playing. As a listener, I found the pointless drum rolls and double bass solos a little wearing. James Moody’s sax playing raises more interest than the other six players, Lalo’s piano playing only peaks occasionally and the originals chosen do not linger in the mind in the same way as his big band outings but that is just me!

Paul Clatworthy

The George Shearing / Robert Farnon album, "On Target" has been re-issued by Universal

as part of a 4 CD set "George Shearing with Niels-Henning Orsted Peterson and Louis Stewart; THE MPS SESSIONS " Universal 1745068.

Sa Majesté L’Orgue de Cinema featuring Reginald Dixon, Sidney Torch and other famous Cinema Organists (France) Marianne Melodie 071861 2-CD set. This is the latest brainchild of Pierre-Marcel Ondher, who is doing a magnificent job in France keeping alive quality light and popular music from past decades. This time he is focussing on those great organists, mainly from the 1930s, who were such an exciting feature of visits to the cinema in those far-off days. The first CD contains many legendary names such as Reginald Foort, George Wright, H. Robinson Cleaver, Al Bollington, Joseph Seal, Terence Casey and Charles Smart. The second CD is devoted to Reginald Dixon and Sidney Torch, and it contains many of the titles that made them famous. The informative booklet contains detailed recording information, but I should mention that it is entirely in French. I hardly need to comment on the quality of the restorations, because our friend PMO always gives us a first rate product. Highly recommended for all organ enthusiasts. David Ades

Soundtracks

TRAPEZE/THE GREATEST SHOW ON EARTH

Two original film soundtracks on one CD

Various artists (Sepia, 6001) 51:59

This limited edition CD (pressing of only 1500 copies) is a real joy and most particularly as it is the release of another Malcolm Arnold film score. "Trapeze", from 1956, tells the tale of two trapeze artists and Arnold certainly captures the sights and sounds inside the big tent at the circus. Lola’s Theme is a standout track for me and is both very melodic and haunting compared to the other end of the scale Juke Box is a lively piece of swing! Accompanying this soundtrack is "The Greatest Show On Earth", made in 1952, again set in the circus world. Victor Young was the Musical Director and it features two of his compositions. The score also sets the scene and you are back in the circus arena in your very own front room! This does not have such variety as "Trapeze" but enjoyable nonetheless. Sound quality is excellent and it comes with a lavish glossy colour booklet, which is the high standard we have come to expect from Sepia Records. The CD is available directly from Backtrack www.backtrackrye.com or through Sepia’s own website www.sepiarecords.com

Adam Endacott

"THE PRISONER" Original Soundtrack

Network 7959000 This 3-CD collection is strictly to enthusiasts only, because it is a collection of themes and underscores composed for the cult TV series, although some of it was never used. The first CD has 38 tracks by Robert Farnon, but apart from the titles music (rejected by Patrick McGoohan) this isn’t the Bob we know and love! Those who must have everything associated with this series have been well served with CDs and videos in the past, and they will lap this up – even with a price tag in the region of £30. The booklet contains reproductions of the original notes by Eric Mival, one of the Music Editors. David Ades

"THE BLOB" (Ralph Carmichael) plus production music from the Valentino Music Library by Roger Roger and others. MMM-1955.

"THE INTRUDER" (Herman Stein) plus complete score from "Career For Two" and other miscellaneous pieces. MMM-1956

These two latest CDs from Monstrous Movie Music offer world premiere releases of scores that movie buffs will welcome. As we have indicated before, this company employs high production standards, and their detailed booklets are almost worth the price alone! Sadly pressure on space precludes more detailed reviews this time, but you can find much more information (including how to purchase the CDs) by visiting the website: www.mmmrecordings.com David Ades

News has reached us of a new UK CD label dedicated to quality music at a price that gives value for money. Stage Door Records take pride in presenting nostalgic recordings with top quality remastering, period artwork, unusual and rare selections. There first four titles are ‘Shirley Bassey: The Early Years’, ‘Wish You Were Here (OBC)’, ‘On Your Toes/Pal Joey (1950s studio recordings)’ and ‘New Faces of 1956/Selections from Mrs Patterson (featuring Eartha Kitt)’. Their website is www.stagedoorrecords.com

Vocal

THE VERY BEST OF

It’s the Most Wonderful Time of the Year, Music To Watch Girls By, Can’t Get Used to Losing You, Moon River, Can’t Take My Eyes Off You, On the Street Where You Live, Up, Up And Away, Happy Heart, Born Free, Spooky, The Impossible Dream and more

Andy Williams (Sony BMG, 08697211802) 72:29

Issued last Christmas on the back of the Marks & Spencer TV advert (incidentally the liner gives 2007 as the publication date for this track), there are no surprises here unless one needs a reminder of the quality of Andy’s singing. This budget-priced CD contains 25 largely quality songs, the earliest being a sprightly House of Bamboo from 1958. There is a very good 1995 version of Stranger on the Shore; most are from the ‘60s and ‘70s. Already owning a ‘Best Of’ album, I was surprised how little duplication there is here. It is well worth investigating as, apart from the vocalising, the accompaniments are never less than interesting. It is a shame that arranger(s) and MD(s) get no credit.

Peter Burt

GET THE PARTY STARTED

Get the Party Started, The Living Tree, I Will Survive, I Who Have Nothing and nine other songs

Dame Shirley Bassey (Lock Stock and Barrel Records, LSBRCD005)

Some artists have a remarkable rapport with audiences of all ages and musical tastes. This is very true with Dame Shirley Bassey whose career has stretched over five decades. This particular recording is no exception! Aimed at a dance oriented, young, vital age group, Dame Shirley nevertheless shows us that age hasn’t slowed her down. Anyone who has the courage to do Pink’sGet This Party Started and deliver it convincingly deserves an award of the very highest order. Not only does Bassey sing with total understanding of the words but also with a devil may care attitude.The Living Tree is sung with a very deep poignancy underlining a bitter farewell to a useless relationship. The other songs are all retreads of favourites common to all of Dame Shirley’s worldwide fans updated with a dance beat. This is a great CD for either dancing (recommended for the young) or just as one more evidence that Dame Shirley Bassey remains one artist who will forever be changing yet remains a highly potent artist for generations to admire.

Richard Jessen

SAP

Used to Dream, Sap, Like They Care, Arms of Three, Captain of Me and five other songs

Beth Arentsen (Arentsen LLC)

Every so once in awhile, a superb vocalist emerges off the pop music scene. One of the finest is Beth Arentsen, lead singer of the Latin/dance group P-1. Following Alicia Keys’ example of piano based songs, Arentsen has written songs of a deeply personal expressing abuse (Like They Care), love lost and found (Sap), relationships (Used To Dream and Spider). One song, Ode is used as an opening verse to Conquistadora, a plea for a simpler meaning of life. These very probing songs may not be to everyone’s taste. However, for the brave, this CD represents a highly rewarding experience into a new world by an upcoming singer/songwriter/performer well worth more exposure. This CD is available from either CD Baby or from Beth Arentsen’s own website at www.betharentsen.com

Richard Jessen

ONCE UPON A TIME On the Street Where You Live, Call Me Irresponsible, A Nightingale Sang In Berkeley Square*, All Or Nothing At All, If I Love Again, Dancing In The Dark, I Could Write A Book, In The Wee Small Hours*, The Song Is You, An Affair To Remember, Day In Day Out, Even You And I*, You Brought A New Kind Of Love To Me, I’ll Take Romance, Tender Is The Night, How About You, Once Upon A Time Colin Dean OMM001, 52:30 mins. Every now and then something comes along to surprise you, and this CD certainly falls into this category. Chris Dean is a trombone player turned bandleader, and now it seems that he wants to add singing to his talents. The big surprise is the three tracks with the backing arranged and conducted by Robert Farnon (marked with a star*). You will have first heard them on the Eileen Farrell CD "Here" – note that Nightmood is now Even You And I. How has this happened? Derek Boulton probably knows the answer – he managed Bob and also Chris Dean! An interesting experiment, and Chris Dean has a pleasant enough voice. David Ades

LET’S GET LOST: THE SONGS OF JIMMY MCHUGH

Let’s Get Lost, Don’t Blame Me, On the Sunny Side of the Street, Where Are You plus eleven more songs

Wesla Whitfield (High Note Records, Inc. HCD 7065)

It’s always a pleasure to listen to a truly musical compact disc. What makes this one even better than most is the slightly edgy but always warm vocals by Wesla Whitfield, a great interpreter in the pantheon of great artists. She is backed by her husband, pianist Mike Greenhill and quintet of fine people: Ken Peplowski (clarinet and saxes), Gary Foster on saxes and clarinet, Michael Moore on bass and Joe LaBarbera on drums. McHugh was one of those fine songwriters whose melodies are instantly memorable. Whitfield and her husband provide unique and original performances which vary quite a lot from the norm. On the Sunny Side of the Street is performed at a slow, sensual pace which brings out all of the longing inherent in the lyrics. There are also some unknowns on this disc such as It’s Me Remember which receives its first recording. This poignant ballad was co-written with Dorothy Wayne and only exists in manuscript and a demo recording. As with all of her recordings, this one is very well recorded with no sense of claustrophobic miking and with clear, even balances between the voice and instruments. Words cannot describe just what a perfect CD we have for our ears. All that can be said is chalk up another great one by the great Wesla Whitfield.

Richard Jessen

SWINGIN’ ON BROADWAY Chim Chim Cheree, All I Need Is The Girl, This Can’t Be Love, Anything Goes, On The Street Where You Live, Who Will Buy, You’re Never Fully Dressed Without A Smile, and8 more

Gary Williams Superbreak BOS6816. A new Gary Williams CD is always welcome, and this time he has picked some fine numbers by top composers such as Porter, Rodgers, Gershwin etc. There are also a few surprises (I’m undecided about the opening track Chim Chim Cheree – perhaps it’s still too soon to forget what Dick Van Dyke did to it!) This collection finds Gary in jazz territory, backed by a talented small group of musicians with the lion’s share of charts by Clive Dunstall and Andrew Cottee. Late night cocktail listening par excellence. David Ades

HERE I GO AGAIN Taking a Chance on Love, Let’s Eat Home, Lady Is A Tramp, Angela Eyes, Cheek To Cheek, The Nearness Of You, Just You and Me, You Are Too Beautiful, and five new compositions by Nicola Farnon.

Nicola Farnon "The more I know about Robert Farnon the more I realise what an amazing man he really was" - the words of Nicola in a note she sent us with her new CD. It seems that anyone with the name Farnon is bound to have some musical talent, and we know that Nicola was so pleased that she made contact with her famous relative a few years ago. Bob encouraged her, and he would have loved this new collection of lovely tunes sung with real feeling. There is also some exciting playing from the jazz musicians providing the backing, and Nicola really lets herself go on some of the tracks! Anyone wishing to know more about Nicola can visit her website at www.nicolafarnon.com If you’d like her new CD just send a cheque for £11.50 (payable to Nicola Farnon) to her at 71 Burcot Road, Sheffield, S8 9FD, England.

CD round-up by Wilfred Askew

THE SEARCHERS – MAX STEINER

The original soundtrack to the John Ford classic western with the score composed and conducted by Max Steiner. (Cherry Red ACMEM107) 68:34

DAVID NIXON’S THE THREE MUSKETEERS — MUSIC BY MALCOLM ARNOLD

Features Arnold’s music from The Three Musketeers ballet, symphonies, dances etc along with music from the films "Hobson’s Choice", "Roots of Heaven" and "David Copperfield".

(Quartz, QTZ2056) 79:52

GYPSY CREASM AND GINGER NUTS: SOUNDS THAT SWEPT THE SUPERMARKETS

Artists include Vic Flick, Alan Moorhouse, Pete Moore, Harry Stoneham, Howard Blaikely, Tony Evans and Tony Osborne. All original Rediffusion tracks. (RPM, RPM328) 72:12

HENRI RENE AND HIS ORCHESTRA – MUSIC FOR BACHELORS

Original RCA recording. Tracks include I’m Confessin’, I’ll See You in My Dreams, Be My Love, Easy to Love, Time On My hands, La Vie En Rose, I Cried For You etc

(Rev-Ola, CRREV223) 32:07

LES BROWN AND HIS BAND OF RENOWN: LES BROWN’S IN TOWN

Two original albums from 1956 and 1964. Tracks include Harlem Nocturne, Nina Never Knew, On a Little Street in Singapore, The Piccolino, Goodbye, Domino, PS I Love You, Till Then, One Note Sambaetc

(Jazzbeat, 518) 73:45

FRANKIE CARLE, HIS PIANIO AND ORCHESTRA: SILVER AND GOLD

Two disc set of original RCA Victor recordings. 55 tracks which include Beg Your Pardon, Loch Lomond, Please Mr Sun, Two Sleepy People, Young At Heart, Laura, Bewitched, I Could Write a Book, Nola, Half As Much etc

(Jasmine, JASCD462) 156:43

JANE MORGAN – AN AMERICAN SONGBIRD IN PARIS

Original recordings between 1949-1957. Tracks include: I’ll Be Seeing You, I Can Dream Can’t I?, It Might As Well Be Spring, Let’s Go Steady, Better Luck Next Time, I Didn’t Know What Time It Was, Eyes of Blue etc.

(Sepia, 1098) 77:07

ART MOONEY – GREATEST HITS AND MORE

Original MGM recordings between 1947-1956. Tracks include: Beautiful Eyes, The Big Brass Band from Brazil, Daydreams, No Regrets, Rock and Roll Tumbleweed, The Girl I Left Behind etc.

(Sepia, 1094) 69:56

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Orchestral

ERIC COATES "Sound And Vision" Sound And Vision (ATV March), From the Countryside – Suite, Holborn March, Moresque, Four Ways Suite, Valse from "The Three Bears", The Eighth Army March.Music for Voice and Orchestra The Mill O’Dreams, Song of Summer, Your Name, Green Hills of Somerset, I Heard You Singling, The Fairy Tales of Ireland, Bird Songs at Eventide. BBC Concert Orchestra conducted by John Wilson, with Sir Thomas Allen (baritone) and Richard Edgar-Wilson (tenor). Dutton Epoch CDLX 7198 71:03 mins. Michael Dutton’s wonderful support of British music seems to continue unabated. With the major record companies now largely part of huge international conglomerates, the days when the likes of EMI and Decca could be relied upon to foster British composing talent now seem just a distant memory – with the very occasional odd exception. The demise of Sanctuary, and the apparent reduction of new releases from Chandos and Hyperion could well have added to the gloom, were it not for Dutton’s Epoch label. Almost single-handedly this label is providing us with unexpected treats on a regular basis, and it is to be hoped that readers of this magazine are taking full advantage of what is on offer. John Wilson – in a matter of ten years or so – has become one of Britain’s brightest recording talents, and when he is teamed up with the magnificent BBC Concert Orchestra the results are always superb, and quite frequently astounding. The first twelve tracks in this new CD feature Eric Coates as the familiar master of light orchestral music. Where else could one expect to hear such a varied and delightful collection of 20th century music? The remaining ten tracks remind us that Coates launched his career as a writer of popular ballads, although he never completely abandoned the genre since there are two late examples – from 1938 and 1943. No self-respecting lover of Light Music can possibly fail to add this new release to their CD collection. David Ades This CD is available from the RFS Record Service.

CONTINENTAL ENCORES/MANTOVANI MANHATTAN

More Than Ever, La Vie En Rose, Under Paris Skies, O Mein Papa, April in Portugal, Arrivederci Roma, Anema e Core, La Mer, I Only Know I Love You, Autumn Leaves, Answer Me, Poppa Piccolino, Give My Regards to Broadway, Autumn in New York, The Bowery, Harlem Nocturne, Slaughter on Tenth Avenue, Manhattan Serenade, Take the ‘A’ Train, Manhattan Lullaby, Maria, Somewhere, The Belle of New York and Tenement Symphony

Mantovani and his orchestra (Vocalion, CDLK 4370), timing 73:04 mins.

Another fine addition to Vocalion’s increasingly comprehensive series of Mantovani reissues. This release compiles two further albums from the light music’s legend vast Decca discography. "Continental Encores" was the very first stereo album I heard (49 years ago!), and its re-emergence on CD will be welcomed as overdue by many Mantovanians, for whom some of the tracks will be among their all-time favourites. Memories of the 1950s are stirred by Papa, Answer and Poppa – all tunes that are unlikely to be heard today. As one might expect, accordionist Emile Charlier is featured throughout. In addition to its musical merits, Colin Mackenzie describes the album in Monty’s biography (Melrose Books) as "technically an excellent recording, well balanced, well miked, in full stereo with a wide deep soundstage."

The second album, from 1964, is also atmospheric with every track a winner – the standouts for me being Cecil Milner’s arrangements of Rodgers Slaughter, Strayhorn’s Train, and The Bowery, a rousing waltz featuring a lovely jangle piano. Among the splendid Roland Shaw arrangements are the jazz-inspired Nocturne and the big final number conjuring up images of winding fire-escapes and TV antennas. The Lullaby is Monty’s own composition, as are the arrangements of the two "West Side Story" pieces.

Peter Burt All Vocalion CDs are available from the RFS Record Service.

LEROY ANDERSON: ORCHESTRAL MUSIC, VOL.1

Bugler’s Holiday, Blue Tango, The First Day of Spring, Belle of the Ball, Clarinet Candy, Chicken Reel, Fiddle-Faddle, China Doll, and more

BBC Concert Orchestra conducted by Leonard Slatkin with Geoffrey Biegel, piano [Naxos 8.559313] 61:54 mins

One of the many musical centenaries marked this year is the birth of Leroy Anderson, the American master of light concert music, and here we have a very welcome addition to his discography. Nicely recorded at the Watford Colosseum in 2006, there is a good mix here with a number of familiar tracks as listed above, a couple probably not so well-known: Arietta and the brooding Balladette, and a quartet completely unknown, to me at least: Governor Bradford March [a first recording], The Golden YearsThe Captains and the Kings and the Piano Concerto in C Major. Classical Jukebox is not an Anderson original composition but his amusing arrangement of Music! Music! Music!, which was a million seller for Teresa Brewer in the early ‘50s. Older readers may consider this track with its simulated "stuck groove," of unblessed memory, worth the low price of the CD. But the piece that will probably most encourage Anderson aficionados to buy is the 19-minute long concerto. It was first performed in 1953 but was withdrawn following mixed reviews and Anderson’s own dissatisfaction with the first movement. We are told in Richard Ginell’s detailed liner notes that the composer warmed to the work more in his later years and, after his death in 1975, his widow Eleanor decided to release the work as he left it. It is definitely worth a listen – the second and third tracks are both engaging. With the ever versatile BBC Concert Orchestra and its "big name" conductor, this new disc is strongly recommended, even as a supplement to whatever other Anderson albums you may already have. And if you like this … there is more to come.

Peter Burt

LEROY ANDERSON: ORCHESTRAL MUSIC VOLUME TWO

Woodbury Fanfare, A Harvard Festival, Forgotten Dreams, Whistling Kettle, Horse and Buggy, The Waltzing Cat, Home Stretch, The Girl in Satin, March of the Two Left Feet, Waltz Around the Scales, Lullaby of the Drums, Jazz Legato, Jazz Pizzicato, Song of the Bells, Song of Jupiter and Suite of Carols for String Orchestra

BBC Concert Orchestra conducted by Leonard Slatkin with Alistair Young, Piano and David McCallum, trumpet (Naxos, 8.559356) 54:51

So here’s more already – the next instalment of pieces including some the composer did not release and which his family have now made available. There are half-a-dozen items, some with very catchy titles that I looked forward to hearing for the first time. Fanfare features four trumpeters, Festival is a revision of the piece that gave Anderson his entrée to the Boston Pops in 1936 and definitely has a ‘classical’ feel, beginning with some telling celli and finishing on a super tune with added organ;Whistling was a student piece for violins and violas of 1:44 mins duration with a sound that reminds me of bagpipes; Waltz was the composer’s very last original orchestral work; and Lullaby is, perhaps, more a gentle march than a lullaby, and I think my favourite among the new items – but then I’m a sucker for the sound (however fleeting) of French horns. Richard Ginell’s expected exemplary notes refer to March, another piece unknown to me, as a ‘madcap fast polka’. Pizzicati, from 1938, is the earliest example of Anderson’s work extant. With a good mix of new, familiar and not-quite-so-familiar items this is another excellent compilation and one can only look forward to more of the same. At under an hour I suppose some may claim short measure, especially with the longest item, Carols (12:27), unlikely to be played a lot at this time of year, but at the price – I paid £3.99 including p&p online – for such a quality product one really can’t complain.

Peter Burt All Naxos CDs are available from the RFS Record Service.

STRINGOPATION

Charles Williams – Girls In Grey, Space Ship, Quebec Concerto, Side Walk Exhilaration, The Beggar’s Theme; Philip Green – Ragamuffin, Pan-American Panorama, Running Off The Rails, Spinning Wheel, Stringopation, Gaelic Fantasia; London Promenade Orchestra – Dancing Dolls; Sidney Torch – Cornflakes, Domino, Elfinette, Fiddlin’ For Fun, All Strings and Fancy Free, Guaracha, Speakeasy; Ray Martin – Gipsy Fiddler, Muriella; Frank Chacksfield – Gin Fizz, Pulling Strings; Louis Levy – Moto Perpetuo; Kingsway Symphony Orch / Camarata – I Love Thee. Vocalion CDVS 1954, 73:49 mins. Twenty years ago we would have given our eye teeth to be able to buy a CD like this. The fact that keen collectors will probably have 90% of these titles in their collections speaks volumes for the way in which Light Music has been re-established as an important part of the musical scene. If only the BBC would wake up to what has happened! This is the second collection of Light Music Classics on offer from Michael Dutton at the bargain price of around £3. OK – you don’t get any booklet notes, but just be grateful that you can get your hands on this superb collection of Light Music for such a small sum. Even if you already have most of these tracks, I still recommend a purchase. Personally I like it when someone else selects music for me to hear; familiar favourites somehow seem fresh and new when played in a different order. This is a priceless ‘snapshot’ of the British Light Music scene in the middle of the last century, at a time when it seemed inconceivable that it would go into such decline by the 1980s. Happily that decline has been arrested, and collections like this can only help to alert new generations as to what they might be missing if they only rely upon the radio for their musical enjoyment. David Ades

SIX NEW GUILD RELEASES REVIEWED

Firstly, I must offer my sincere apologies for the lack of any GUILD reviews in JIM 175; this was entirely due to the pressures of earning a living, but I hope to make amends in the following paragraphs.

GLCD 5140 – MUSICAL KALEIDOSCOPE VOLUME II [full tracklisting in JIM 175, page 62]. Hard on the heels of Vol. I – and bearing the next consecutive number – comes its splendid new companion. The beauty of the KALEIDOSCOPE format is that it enables compositions of so many styles, different orchestras and time-eras to be assembled into a very enjoyable programme without any of the constraints which, perforce, are imposed on a ‘themed’ CD. All of the recordings date from the period 1946-1956, surely THE ‘Golden Age’ of Light Orchestral Music. There is a reasonable mix of Commercial and Publishers’ material, roughly ⅓rd and ⅔rds respectively. The selection begins appropriately enough with another composition entitled Kaleidoscope, (this one being by Dolf van der Linden) and includes a few real gems of a slightly more ‘serious’ nature, e.g. the Overture Down The Solent (Rapley), the Theme from the film The Broken Horseshoe (W. Burns), Sea Reivers andOriental Dances (G. Bantock), Columbine (Leighton Lucas) and three pieces from Edward McDowell’sWoodland Sketches – (but curiously not this composer’s best known tune To A Wild Rose, which is taken from that suite). Worthy of particular mention is Bewitched (Rodgers and Hart) by Felix King, his piano and orchestra; this appears to be a note-for-note replication of the famous Bill Snyder c. 1949 interpretation of the well-known song from the show Pal Joey. Was this a deliberate attempt to produce a British ‘cover version’ of the USA hit recording, bearing in mind that it was then virtually impossible to obtain 78s from the States, due to post WWII import restrictions? On a lighter note, there are some old favourites, like Maurice Grew’s Jay Walker and George Melachrino’s Bobby Sox Bounce. There is a group of ‘shorts’ – pieces which would often be used in film and TV advertising and promotional features, and the disc concludes with four items under the heading Drama, Menace and Excitement. (Any resemblance to RFS meetings is purely coincidental!). These were used in melodramatic and even horrific moments in drama productions – e.g. Trevor Duncan’s Inhumanity, which was the closing music for the first two series of the famous 50s BBC TV serial Quatermass. I am bound to say that this particular format works so well that I hope there will be more similar volumes in due course.

GLCD 5141 – GLOBE TROTTING [tracklisting JIM 175, page 65].

The next release returns to the Themed format and commences with a very typical – and appropriate Trevor Duncan composition, Broad Horizon, which – with its high-register strings and big, heroic, orchestration – beautifully sets the scene for a 77 minute round-the-world trip. This takes in France, Switzerland, Italy, Spain and Portugal, then ventures farther afield to Egypt, the Orient, Madagascar, India, then on to Cuba, Mexico and finally Manhattan, before returning to England – via Norway – and closing with Jack Beaver’s Journey’s End. David Ades has managed to combine a good variety of styles, orchestras and conductors, including one or two making their GUILD debut. The booklet notes mention the song Faraway Places With Strange Sounding Names (not included on the CD however). It’s true that when these recordings were made – mostly in the 50s but a few date from earlier – the pieces in this collection were just that; merely names. These days ‘Globetrotting’ has become a favourite pastime for millions! On the face of it, some of the titles might seem to make strange bedfellows e.g. Lovers in Paris (Logist), Flamenco Love (L. Wagner) and Tahiti Tango (Martin) are in distinct contrast to pieces like Ketelby’s In The Mystic Land Of Egypt, Victor Herbert’s Chinese Serenade, and a particular favourite of mine, the Three English Dances by Roger Quilter, but it all works surprisingly well. It’s good to hear Jimmy McHugh’s Cuban Love Song in a different arrangement from the well-known version which was the signature tune of Edmundo Ros, whilst the inclusion of the selection from the show Song Of Norway, based on melodies by Edvard Grieg, is most welcome. This is another carefully-crafted programme which deserves to find many new friends.

GLCD 5142 – The 1950s – Volume 5 SUNNY SIDE UP [JIM 175, page 67]

To quote from the booklet notes, "this selection has been chosen with the aim of recalling the cheerful, bright and breezy style of music that ..... seemed prevalent in the 1950s". Although the decade was not without its downsides, (rationing and shortages at the beginning, the threat of global nuclear war at the end), the compositions – and orchestras – of the period have, as I have remarked before, a glossier, more sophisticated and often more optimistic sound than their predecessors of the 40s; truly children of their respective times. On this CD, the balance is tipped in favour of ‘consumer’ recordings, with 18 of the 30 tracks having originated on British and American commercial labels; the remainder started their careers in the recorded music libraries of Synchro, Chappell, Weinberger, Impress, Paxton and Bosworth. The selection "kicks off" with the eponymous title Sunny Side Up (De Sylva, Brown and Henderson) in that wonderful Farnon arrangement which became famous as the playout tune for many of Kenneth Horne’s shows on the late-lamented BBC Light Programme. Next up is an early, and excellent, piece by the gifted German composer and arranger Bert Kaempfert –Las Vegas – (not to be confused with the Laurie Johnson opus of the same name) – although here Mr K is masquerading under the pseudonym of ‘Bob Parker’. DA’s notes also refer to Kaempfert’s "... easy listening style that .... often relied upon a rhythmic beat described in Germany as ... ‘crackling bass’ ". I would add that I have also seen it referred to as ‘click bass’ and I believe that it was pioneered by virtuoso bass-guitarist Lasli Geisler. The conductors form a truly international lineup:- Dolf van der Linden from the Netherlands, Johnny Gregory (of Italian extraction), Ray Martin, who hailed originally from Vienna, the Odessa-born Monia Liter, the French Franck Pourcel, together with Americans Van Phillips, Mahon Merrick, Bernie Wayne, George Liberace, David Rose – and Frank Sinatra, (in an unlikely but apparently successful role) – all rub shoulders with the home-grown talents of Ron Goodwin, Ambrose, Louis Voss, Elliott Mayes and Geoff Love. This is an imaginatively-assembled and very enjoyable CD, which has all the makings of another GUILD winner.

GLCD 5143 ANIMAL ANTICS [JIM 175, page 70]

As the booklet notes are quick to point out, the title of this collection is misleading; not all the tracks refer to animals, as there are plenty of birds and insects thrown in for good measure! Never mind, the resulting programme is another example of the prolific programming skills of David Ades, aided and abetted by Alan Bunting who, apart from his main task of technical supremo restoring these recordings – (and as has been remarked upon several times before, doesn’t he make a superb job of it?) – has an important second role in collaborating with David to select the contents of each new release. So here we have, in the menagerie department, a Little Pink Horse a Waltzing Cat, Donald Thorne’s ‘take’ on those three well-known sightless rodents, two different frogs and Sidney Torch’s arrangement of Friml’s Donkey Serenade, with a little Sympathy thrown in for good measure. Then we come to a veritable aviary, including a Nightingale, a Flamingo, a Meadow Lark and a Skylark,Gilbert The Goose, a whole Reel of Chickens (!) and some Marching Penguins. The insect world gets a look-in too – David Rose’s My Dog Has Fleas is in good company with Paul Linke’s Glow Worm, Ettore’s Butterfly Fantasy and Whitney’s Mosquitos’ Parade. This list is by no means exhaustive, (see full track listing elsewhere), but it gives more than a flavour of this excellent collection, which concludes with the eponymous track Animal Antics (Colin Wark), in a recording by the London Palladium Orchestra made in 1931 – except that you’d never know, because it sounds so amazingly good.

I often take new CDs for review in the car on long business trips, and these four have kept me more than happy on a recent lengthy journey from North London to South Wales and back again.

GLCD 5144 CHILDHOOD MEMORIES – VOLUME 2 [please see full tracklisting elsewhere in this issue].

There is always a danger with a second volume of a CD on a particular theme that it will suffer from ‘the second cup of tea’ syndrome (i.e. it doesn’t taste as good as the first one!) – but thankfully this never seems to happen with the GUILD series. Volume I of CM is often to be found in my CD player and I have to confess to having badgered DA for many months to create a follow-up! Well, he’s certainly ‘come up trumps’ again with this one, and we are treated to another 27 wonderful tracks, a few of which were suggested by yours truly. Amongst those are Josef Engelman’s Tales From A Fairy Book, a worthy stable-mate to his Children’s Playtime Suite featured on the earlier CD. I have been in contact with musician Guy Rowland – (who knew Engelman’s son Harry, also a composer) - and he has a copy of the original sheet music of this work. He was able to confirm that the title of track 12 – shown as Rumpelstickins is just a tad incorrect. Although the generally accepted form of this fabled character’s name is RUMPELSTILTSKIN, for some unaccountable reason it is shown on the printed music as Rumpelstilkins. When Bosworth issued it on their 78 disc, (BC1009), they then managed to turn a letter ‘l’ into a ‘c’. It, therefore, reads Rumpelstickins on the label; it was also registered with the PRS in this form, and has been faithfully copied into the booklet notes! However, it doesn’t detract from another excellent little opus from this almost forgotten composer. Other particularly notable tracks include José Fontaine’s Dance Of The Pirates, Bob Farnon’s Toyland TattooSee-Sawby Douglas Brownsmith, Pirouette by Henry Croudson and Charles Williams’ Drummer Boy. We are treated to three different marionettes:- Gilbert Vinter’s Dance Of The MarionettesSleepy Marionette, another Charles Williams’ composition (which I fancy is a re-incarnated Funeral March Of A Marionette by Charles Gounod); and Dolf van der Linden’s Marionette March. I must plead ‘guilty’ to having had more than a little bit to do with the final track; this is Fred Hartley’s Scherzetto For Children, which was the warm-up ‘intro’ music for BBC Children’s Television in the early 50s. DA was very anxious to include this item and AB has magnificently improved my rather sub-standard recording, which was originally made available to me by Andrew Emmerson. Whilst profuse apologies are tendered in the notes for including a recording which is ‘...far from perfect’, these are totally superfluous! Anyone hearing this restoration will wonder what all the fuss is about, so successful is the final result; methinks they protesteth too much!! This CD is a more-than-worthy companion to Vol. 1, and a fine addition to the GUILD series.

GLCD 5145 SCENIC GRANDEUR [tracklisting earlier in this issue]

Here we have another example of a very definite theme, again with an eponymous title – track 3Scenic Grandeur by a certain Mr Farnon! Yet again DA has ‘pulled out all the stops’ and put together an impressive collection of descriptive pieces, which conjure-up images of mountain ranges, seascapes, morning mists and sunsets – or indeed many other manifestations of natural beauty. Light Music composers such as Bob Farnon and Trevor Duncan poured out many such pieces to satisfy the enormous demand for this type of mood music, and many others ‘had a go’ too – Len Stevens, Ernest Tomlinson, Gideon Fagan, Tony Lowry, Peter Yorke, Bruce Campbell, Charles Williams, Clive Richardson, Jack Beaver and Dolf van der Linden are all represented here, and there are more besides, with a total of 23 tracks. It will come as no surprise that the majority of these (15) are taken from publishers’ discs, with the balance being made-up of commercial recordings largely from the USA. Of particular note are another Farnon track, Open SkiesGreat Panorama (Perry – actually Ernest Tomlinson), Gideon Fagan’s Pastoral Montage (used for the BBC TV Windmillinterlude), Tony Lowry’s Seascape and Bruce Campbell’s Cloudland. In fact they’re all fine pieces, although because of the very specific nature of the subject matter, there is a markedly similar ‘feel’ to many of the compositions. It may be that listeners would wish to ‘dip-in’ to individual tracks, rather than play the entire CD from start to finish. It’s rather like having a box of posh liqueur chocolates – lovely as they are, you might not want to eat the whole lot in one go! The programme is not unlike the earlier CD Reflections Of Tranquility; it’s certainly in marked contrast to some of the more upbeat offerings in this series, and is another fine addition to the GUILD series. Tony Clayden

All Guild Light Music CDs are available from the RFS – price £8 each [US $17] plus postage.

HOLLYWOOD RHAPSODIES & NIGHT MUSIC

Love theme from ‘The Robe’, Selena’s waltz, Nightfall, Thème romantique, Jubilee trail, The moonlight song, Love theme from ‘The Glenn Miller Story’, Spring madness, Theme for Cynthia, Geraldine, Lost moment, BonSoir / The High and the Mighty, Moonlight and roses, Passion tango, Never say goodbye, Smile, The ‘Rear Window’ theme, The song from ‘The Caine Mutiny’, Magnificent obsession, Glamour waltz, Rendezvous in Tunis, Last night when we were young, Twilight interlude

Victor Young and his Singing Strings [Vocalion CDNJT 5201]

It is good to have this new 2-on-1 of the Chicago born composer, arranger, violinist and conductor recorded in 1954 and 1956, the year of his passing. Victor went to Hollywood in 1935 to form his own orchestra for film work and made many recordings with the orchestra of light music and as backing for singers. He also composed such well-known pieces as Golden EarringsMy Foolish HeartThe call of the faraway hills and Around the World in Eighty Days. Although he wrote many songs and for around 350 films, Young the composer is only represented on this CD by three items – Jubilee trail[from the film of the same name], Geraldine, and Bon Soir [from ‘Perilous Journey’] – but there are tracks from other film music luminaries: Arlen, Korngold, Newman, Mancini, Steiner, Tiomkin, Waxman and the underrated Chaplin. I must admit to not recognizing many of the films for which the music was composed but that has not stopped me enjoying the music. Composer Harry Sukman is the piano soloist on Spring madness [from ‘Belle La Grande’], Theme for CynthiaLost moment [from the film of the same name] and Twilight interlude as well as his own Nightfall from ‘Gog’, a 1954 low-budget sci-fi movie. The alto sax of Benny Carter can be heard on Rendezvous in Tunis. Written in 1925, Moonlight and roses has been a favourite tune of mine since I were but a lad. An all-round recommendable release.

Peter Burt

AMBROSE AND HIS ORCHESTRA Arranged and Conducted by LAURIE JOHNSON

"Latin America After Dark" Siboney, Walter Winchell Rhumba, Vuelve, Tenacion de Amor, Cae Cae, Volvere, etc… 12 tracks "Starlit Hour – the Music of Peter DeRose" Deep Purple, Autumn Serenade, Let’s Dream Together, American Waltz, Lilacs In The Rain, Blue September, etc… 12 tracksEP: Slide Rule, Whistlin’ Willie, Marching Through Georgia, Bluebell Polka. Vocalion CDNJT 5202. By the mid-1950s music lovers in Britain were starting to take note of Laurie Johnson. We had several 78s on Polygon, plus a few singles on HMV (some on their International label) then a batch of interesting releases on MGM. It turned out that these latter ones were recorded specially for the American market, and when the two LPs on this CD came out in Britain they were in EMI’s MGM International catalogue. I am very pleased to see that Mike Dutton commissioned booklet notes from Tony Middleton. The Wally Stott collection (CDEA 6127) was issued without any notes at all, and it would have been a crying shame if Laurie Johnson’s massive contribution to these recordings had gone uncredited. Observant collectors will notice that a few of the tracks on this new CD have already appeared in the Guild Golden Age of Light Music series, but I would urge everyone who shares my admiration for Laurie Johnson not to hesitate, but snap this one up as quickly as you can! The arrangements and the playing are simply superb, and to make them sound even better try giving the bass control on your amplifier a slight boost! David Ades All Vocalion CDs are available from the RFS.

‘ORIGINALS’ FRANCK POURCEL

Volume 1 25 tracks from 1952 to 1956 including Limelight, Blue Tango, Moulin Rouge, Wonderful Copenhagen,Grisbi Blues, Mon Coeur est un Violin, April in Paris, Madamoiselle de Paris, etc… EPM [France] 986232

Volume 2 Frou Frou, Una Casa Portuguesa, Johnny Guitar, I Love Paris, Lisbon Antigua, etc… 22 tracks EPM 986402

Volume 3 Port au Prince, Carousel Waltz, Malaguena, Around the World, etc… 21 tracks EPM 986412

Volume 4 Whatever Lola Wants, Clown on the Eiffel Tower, Just a Gigolo and the Les Baxter suite"La Femme" 22 tracks EPM 986422

In recent years some of Franck Pourcel’s reissues have been the subject of litigation in the French courts, but hopefully these four new collections are legitimate. Indeed the brief notes inside each CD state that the recordings have been remastered by his estate, and are therefore the originals (hence the title of the collection). Volume 1 concentrates on Pourcel’s early years; Vol. 2 also harks back to the 1950s, with tracks from 1950 to 1957; Vol. 3 comes from 1957 in the series "Amour, Danse et Violons" and the LP "L’Inimitable"; finally Vol. 4 reflects Franck’s ‘musical journey in America’. Somewhat unusually the promotional copies received were in the form of a single CD for volume 1, whereas vols 2, 3 & 5 were combined in a (flimsy) box with the catalogue number EPM 986392. It appears that these three volumes are not available separately – at least not at the time of writing this review. David Ades These CDs are available to special order from the RFS.

 Brass/Military Bands

 MILITARY BAND FAVOURITES - BANDSTAND FAVOURITES

Strike Up the Band, The Golden Mile, Calling All Workers, The Westminster Waltz,

Sabre Dance, Anything Goes, Stage Centre, Rhapsody in Blue, La Rejouissance, Skye Boat Song, Czardas, Yankee Doodle Dandy, Scarborough Fair, Greensleeves. Tie a Yellow Ribbon, The Polecat Polka, Bells Across The Meadow, Adagio, Alexander's

Ragtime Band and Nessun Dorma

Various Bands (MusicMasters)

This review departs a little from the usual, in that the CD is not really new (released in January 2007), and your reviewer downloaded it from the Internet which didn't include its catalogue number! However, it is a British release and should be tracked down with ease or it can be downloaded from www.emusic.com for a very reasonable fee. The CD is an interesting and wide variety of music genres, including Farnon's Westminster Waltz and Coates' Calling All Workers - all given the military band treatment; brass and woodwind replacing the strings. The bands used in this selection are all well-known and top class British bands, including The Blues and Royals, Coldstream Guards, HM Royal Marines, Royal British Legion, Life Guards, Royal Yeomanry and the Queen's Lancashire Regiment. It’s quite a musical treat for military/brass band buffs to jump from Sabre Dance to The Polecat Polka! I was delighted to hear Alexander's Ragtime Band played in true ragtime style by the Band of the British Legion. The producers have done a great job getting this material together, they are all recent stereo recordings and I can't say I was disappointed with any of the selections.

Graham Miles

 CARMEN SYMPHONY

The Presidents Own United States Marine Band (Naxos, 8.570727) 79:00

Well Naxos keep surpassing themselves in quality and unexpected finds! This is a stunning band record that I have recently purchased. This CD is a real pleasure - just listen to track 22 - it takes your breath away with a live performance of the Stars and Stripes including a flute solo played by Master Sergeant Gail Gillespie. Superlative is the only word that comes to mind - put this track on full volume to start the day!

Malcolm Lewis

 SYMPHONIC BRASS

The Black Dyke Mills Band (Naxos, 8.570726)

If anybody ever thought that we didn’t lead the world in this genre, then just listen to this recording made in Morley Town Hall. The sound is exceptional and even more so when you have the conducting and arranging honours by Nicholas Childs and his brother Robert - pure gold. Just listen to the 1812 Overture arranged by Robert and you have a rival for the old classic Mercury recording conducted by Dorati. I would add, in my opinion, that the guns are more realistic.

Malcolm Lewis

 "A Dream Realised" The Music of LESLIE STATHAM [Arnold Steck] The Band of the Welsh Guards Specialist Recording Company SRC 112, 71:38 mins.

For some years as a longstanding admirer of the Band of the Welsh Guards I have been agitating for a recording devoted to the music of Leslie Statham, their Director of Music between 1948 and 1962, who wrote many of his compositions under the name of Arnold Steck.

The original dream was that sufficient of his music could be brought together to fill an LP but just as that seemed a possibility we moved into the CD era with its much greater capacity. All seemed lost but gradually more pieces were found and then through the good offices of Mrs Statham we discovered that there were over 80 published items. Major Statham had given me so much pleasure, without ever knowing it, and continued to do so with the legacy of his fine music that it is was my wish to see as much of his music as possible brought together on one CD as a tribute to him and for the public of today and tomorrow to enjoy.One of the major concerns was the commercial viability of such a CD but after careful thought and running through most of the music Major Davd Cresswell rose to the challenge and set up the sessions with Mike Purton of Specialist Recording Company who have already issued a number of single composer CDs by the Band including one of Edward German.Mike is renowned for the care and accuracy of his recordings and this was rapidly confirmed as he picked up details and nuances which were inaudible to most but which will ensure that the finished product is of the highest quality. He has used the chapel at Chelsea Barracks for other recordings and this was again the venue. The first item was a haunting arrangement of Men of Harlech, still as a march but far removed from the usual brash approach. There followed a succession of marches in various styles and descriptive pieces, some well known but others being heard for the first time by all concerned.Although tiring, Monday’s session on 5 February 2007 ran smoothly with some 60 per cent of the intended music "in the can" by the end of the day. This promised an early finish on Tuesday but it was to prove rather more eventful despite starting quite normally. We were warned to expect three parties who wished to view the chapel as part of the sales process for Chelsea Barracks and it was agreed that these would be accommodated in breaks in the recording. What was not expected was a helicopter which seemed to hover, move away only to return followed a little later by a second, both landing on the Parade Square. This held up proceedings for some minutes but having just resumed a 21 gun salute to mark the anniversary of the Queen’s accession started. To add to the interest we had a planned visit by Sian Price who was filming one of a series of TV documentaries for BBC Wales, this one featuring the Band with whom she will be going to Bosnia shortly. She took a number of shots mainly in close up whilst Royal Review was being played; it appeared in the broadcast as the band preparing for an important concert in front of the Prince of Wales! We assumed the afternoon would be quiet – until an over enthusiastic drill sergeant decided that the ideal place to put his squad through their paces was right outside the chapel. The band sergeant-major, resplendent in full practice dress (extremely unmilitary!), despatched himself rapidly and persuaded the culprit of the error of his ways! Some real gems were revealed. Marches such as Birdcage Walk and The Guardsman are well known butFreedom of the City was a real revelation and Heroes Return could have come from Sousa’s pen so well was the style captured. Of the descriptive pieces Broadacres and Skeleton in the Cupboard were outstanding with the Happy Days Suite conveying perfectly the atmosphere of such times. The band produced a splendid sound and purchasers of the CD are in for a treat when they hear it. From time to time there have been calls for recordings devoted to a single military composer other than Sousa or Alford and here we have just a production; it is hugely entertaining in its own right, but if record companies are to produce more of this type they need support from the buying public. All concerned are to be congratulated on their efforts and the hope must be that this CD will open the eyes of a wider public to the quality of the music of Leslie Statham, one of the Army’s most significant composers. Light music of the mid 20th century it unashamedly is, but superbly crafted and beautifully executed; the faithful recording and caring production of Mike Purton and his team should ensure that here is a CD which will find a place in the library of every lover of military band music – as well as those who are already familiar with light music arrangements of Statham’s compositions.

Alan Hardwick

[Reprinted from Band International (IMMS) by kind permission of the Editor and the Author]

Editor: orchestral versions of works by Leslie Statham (under his pseudonym Arnold Steck) have appeared on the following Guild CDs:

GLCD5143 Morning Canter
GLCD5132 Riviera Rhapsody
GLCD5147 Royal Review
GLCD5126 Skeleton In The Cupboard

Keyboard

 ORGAN-IZED

Pedro the Fisherman, French Café Medley, Cuban Boy, All the Things You Are, Port Au Prince, Film Medley, Autumn Leaves, The Avengers Theme, High Wire, Early Autumn, Sunrise Sunset, Another Day Tomorrow, Can You Feel the Love Tonight and Cinderella Samba

Tony Whittaker

ORGAN-ized is an organ/piano-based easy listening album, this is stated at the top of the front CD inlay card and it certainly lives up to its statement! Tony effortlessly moves from tune to tune with his own musical arrangements making this a CD to sit back and enjoy, with certain tracks that are not usually or rarely heard. The only track I, personally didn’t enjoy was Can You Feel the Love Tonight – the combination of keyboards did not sound up to the standard of the rest of the CD. His own compositions Another Day Tomorrow and Cinderella Samba made delightful additions. The tunes were recorded entirely on Kurzweil and Korg Keyboards.

Gillian Endacott

PURE NOSTALGIA

Jolson medley, Pure Nostalgia medley, South of the Border/Bluesette medley, It's All in the Game, Blue Danube Waltz, Baby Elephant Walk, Phantom of the Opera medley, Days of Wine and Roses, Out of Town/Candy Man medley, Masquerade, Scottish medley, The Skye Boat Song, Moonlight Serenade, Wartime medley, Summertime, Warwick Waltz, They Can't Take That Away from Me, Rosina, As Time Goes By and South Pacific medley

Tony Whittaker playing the Compton 3/11+Melatone at Fentham Hall, Hampton-in-Arden, Solihull

This entertaining CD is Tony’s debut recording on the theatre pipe organ and would make an excellent addition to anyone’s collection of keyboard CDs. His style and interpretation of the varied tunes on this CD make for easy listening and a must for the ipod owner. Again Tony has included two of his own compositions Rosina and Warwick Waltz on this 2007 release.

Gillian Endacott

Both the above albums can be purchased directly from Tony Whittaker - £11.00 per CD including P&P (UK only) Send cheque/PO to: Tony Whittaker Musical Service, 49 Hollystitches Road, Nuneaton, Warwickshire, CV10 9QA, England.

Vocal

NIGHTINGALE FROM SAVANNAH

Connie Haines (Sepia, 1107) 75:10

It has been a real delight to discover the singing talents of Connie Haines on this excellent release from Sepia Records. Although her recordings with the orchestra of Harry James and Tommy Dorsey have been readily available, few of her much sought after titles as a single artist have seen the light of day – until now! The CD highlights her versatility as it offers 27 numbers from across the musical spectrum ranging from Stormy WeatherThe Man I Love and My Man through to Silly No- Silly Yes,Ol’ Man Mose and Pink Shampoo. Recordings date from 1946 to 1953 with accompaniment by such names as Ray Bloch and his orchestra and Bob Crosby and the Bobcats. All in all a great CD to dip into when you are feeling down as Connie, with her subtle southern twang, radiates warmth and sings with great joy. Top marks once more to Sepia for sound quality, informative liner notes and stylish design.

Simon Endacott

 SONGS FROM YEARS GONE BY

Swing Low, Steal Away, Deep River, Were You There, Go Down Moses, Nobody Knows The Trouble I See, The Ashgrove, Idle Days In Summertime, Speak To Me My Own Beloved, Ye Banks And Ye Braes, Oh My Love Is Like A Red Red Rose, Barbara Allen, Drink To Me Only, A Brown Bird Singing, The Lark In The Clear Air, The Old House.

Ramon Remedios (Tenor) David Snell (Piano) President Records PRCD 161

Liverpool-born and Guildhall School of Music–trained, Ramon Remedios has sung with the Welsh National and Scottish Opera companies, the Royal Opera House, Covent Garden – and many European Opera Houses. He has made several UK television appearances and a number of CDs – in both cases often in association with Rick Wakeman. This recording takes him in a new direction and is his first collaboration with RFS member David Snell, who has swapped his harp – and conductor’s baton – for the role of arranger and accompanist. The programme combines mostly traditional songs from the British Isles with six spirituals; the latter are unusual, inasmuch as they are rarely – if ever – performed by a Tenor. It’s a novel idea and, helped by David’s sensitive arrangements, the pieces are certainly shown in a different light from the conventional basso profundo renditions with which we are all so familiar. These days, songs such as these are seldom performed or recorded and it’s, therefore, heartening to see two such fine artists reviving a sadly neglected and almost forgotten genre with this very enjoyable selection.

Tony Clayden

THE BLUEST KIND OF BLUES

Denny Dennis (Sepia, 1108) 77:18

A double treat from Sepia as not only do we have 26 tracks showcasing the smooth vocals of Denny Dennis (1913-1993) but six of them are with Robert Farnon and his orchestra dating from March 1948. These tracks may now be sixty years old but they sound timeless. The numbers arranged and conducted by Robert Farnon are After AllJudaline, Every Time I Meet You, Glen Echo, I’d Love To See You Home Tonight and By the Way. Denny is a versatile vocalist and the songs on this CD reflect this highlighting his baritone voice and relaxed vocal style. The recordings date from between 1939-1949 and the other main orchestras featured are those of Stanley Black and Phil Green. Congratulations to all involved on a class production which is stylishly presented.

Simon Endacott

THE MAGIC OF BELIEVING

Jane Russell (Sepia, 1110) 65:41

One of the last surviving Hollywood leading ladies of the ‘Golden Age’ of Hollywood - Jane Russell and it is her vocal talents which are spotlighted in this new release from Sepia Records. The title track is a great opening and is one of twelve tracks from a 1957 album entitled The Magic of Believing that Jane recorded with her good friends Connie Haines and Beryl Davis. All ‘inspirational’ songs ranging from religious ballads to rocking numbers with a message, these sound fresh and lively and are infectiously enjoyable. The three ladies harmonize beautifully and the sound quality is excellent – it could have been recorded yesterday. The remaining thirteen tracks offer a great variety of songs which Jane performs in her attractive and clear vocals – all lyrics can be heard. Excellent sound quality again with catchy arrangements from the likes of Nelson Riddle and George Cates. Particular favourites of mine were One Arabian Night and If You Wanna See Mamie Tonight plus two duets with Johnny Desmond from 1954. As expected from Sepia, there is a well illustrated and informative inlay booklet. Highly recommended.

Simon Endacott

SONGS FROM THE ZIEGFELD FOLLIES

Vivian Blaine (Sepia, 1106) 75:23

Hats off to Sepia Records who added another excellent title to their ever-growing catalogue in the form of a 2 on 1 from Vivian Blaine (1921-1995); the popular star of 20th Century Fox musicals of the 1940s and best known for creating the role of Miss Adelaide in "Guys and Dolls". "Songs from the Ziegfeld Follies" and "Songs from the Great White Way" are to companion albums that were recorded in September/October 1956 for the Mercury Records label with orchestra conducted on both by the talented Glenn Osser. Blaine adds her own unique touch to the 24 show tunes featured bringing warmth to the more intimate numbers whilst not afraid to sing out the more up-tempo songs m- she is aided by some very good orchestrations. As suggested, the first album offers songs featured in the various Ziegfeld Follies shows from 1912-36. A Pretty Girl is Like a Melody is the opening track and contains a charming spoken introduction from Vivian. Other well known numbers include I Can’t Get StartedShaking the Blues Away and Mandy. I much enjoyed Suddenly (Rose-Harburg-Duke) which was a new tune to me.

The second album showcases a host of well known songs such as People Will Say We’re in LoveBut Not for Me and How Are Things in Glocca Morra which are all performed to the same high standard. With the added bonus of three songs plus excellent CD remastering by RFS member Robin Cherry and an extremely well designed and attractive booklet, this release is a real winner and a worthy tribute to the talents of Miss Blaine.

Simon Endacott

IT’S MAGIC

Buttons and Bows, Maybe You’ll Be There, Nature Boy, Dark Moon, Cock-Eyed Optimist and many more

Bing Crosby (DSOY746) 81:30

These tracks, on a double CD and totalling 33 in all, are taken from air checks that Bing made with the John Scott Trotter orchestra whilst the US musicians were on strike in 1948. I expect Cab Smith has this already, but if not, he will be heading for his nearest record store!

Paul Clatworthy

Continental and International

FETE AU VILLAGE SICILIEN ET NAPOLITAIN (OVER MOUNTAINS AND THROUGH VALLEYS)

49 tracks including Terra mia Pupetta inamorata; De Riposto à Mascali, Piccola Monella, Meluccio, Sicilia mia, La Danza Antica. Il Bacio, Scintille Sérénade Napolitaine Tarantella per Fischiett, Marche Florentine, Canzoniero Napolitano, Oride Canzoniero Napolitan; Florentine March

Various artists (Marianne Melodie 061591)

Another winner from Pierre-Marcel Ondher’s collection. Some of the tunes will be familiar to readers; but there are a host of unfamiliar but appealing tracks. There is a very distinct cosmopolitan flavour about this set with delightful ocarina flutes, orchestras, string ensembles and mandolin orchestras playing beautiful melodies. Listening to Florentine March by a mandolin orchestra, make a refreshing change from hearing versions by military bands or orchestras. The compilation focuses on music from South Italy, Naples and Sicily. Many of the tracks feature folk dances with very melodic catchy tunes. There are two rather unusual tracks from an early Decca LP, Il Bacio and Napolitan Nights by the Marimba Serenaders. These were originally issued on Decca LF 1044. This group features several marimbas accompanied by mandolins and various other instruments. Much of this compilation is drawn from continental 78 labels or early LPs such as Odeon, Durion, Fonit etc which would be very hard to find today. There is a short set of notes by Ralph Harvey, the remaining documentation being provided in French. A very attractive period style painting similar to the excellent Guild covers, adorns the front of the booklet. The transfers have been made with great care to a high standard. A bargain, if this kind of continental light music appeals.

Brian Stringer This collection was also previously reviewed in JIM 168, June 2006. Available to special order from the RFS Record Service, or direct from www.mariannemelodie.com or from Marianne Melodie BP 102 – 78372 Plaisir Cedex, France. Tel 00 33 0892.350322 preceded by country code.

FETE AU VILLAGE BAVAROIS (VILLAGE FAIR IN BAVARIA – OVER MOUNTAINS AND THROUGH VALLEYS VOLUME TWO)

44 tracks including Ländler de HallertauSchützenliesl Polka, Le Chemin du Coeur, Danse du Berger Munichois, Rheinländer du Coucou, Clarinette-Polka, Les Violettes du Kochelsee, Polka d'Egerland, Hoppla! Hoppla! Troupeau de chamois, Polka de Hacketau, En route vers le Tyrol, Riante Münich, Petite Suzanne, Salut à Oberammergau

Various artists including Rudi Knabl, Alfons Bauer their zithers and orchestrasMax Greger’s Sextet, Orchestre Munichais de Thomas Wendlinger etc. (Marianne Melodie 031 084)

This is yet another set in the series from Pierre-Marcel Ondher’s collection. In the early 1950’s, I remember calling in at my local record store and seeing all the wonderful distinctive orange labeled popular Polydor 78’s and mono LPs (which I couldn’t afford) displayed in the shop window. It is good to have in this collection many of the orchestras and ensembles of that period which have been sadly neglected over the years. Munich based Alfons Bauer and Rudi Knabl, were very competent zither players and recorded with their own excellent orchestras. There are also items by Max Greger’s sextet, presumably an offshoot of his orchestra. There is a generous sprinkling of ‘oompah bands’ and various virtuoso accordion ensembles but little in the way of yodeling, (fortunately!!) the CDs being mainly instrumental. Although you may think that you are not familiar with many of the listed titles it is quite likely when you start to listen you will recall tunes you heard on the radio in the dim and distant past or on a trip to Bavaria. If Tyrolean/Bavarian cum Viennese music is to your taste then this attractive set is a must. It would take a million years to find the recordings assembled here at 78 record bazaars etc. Again the booklet contains a short English summary by Ralph Harvey who had some involvement in the compilation plus a delightful period style painting on the booklet front.

Brian Stringer Available from www.mariannemelodie.com or from Marianne Melodie BP 102 – 78372 Plaisir Cedex, France. Tel 00 33 0892.350322 preceded by country code.

 CHITARRA ROMANA

Tango Delle Rosa, The Woodpecker Song, Torna a Surriento, Only Love Me, Arriverderci Roma, Como Prima, Chitarra Romana, Volare, Mattinata, Sicilian Tarantella, Nights of Splendor, Torero, Chitarra Romana, Just Say I Love Her, Mattinata, I Have But One Heart, Tra Veglia E Sonno, You’re My Treasure, Oh Marie, The Woodpecker Song, Tango of the Roses, Gilda, Anema E Core and Luna Rosa

The Guitar Kings directed by Al Caiola (Cumquat Records)

Under the direction of Al Caiola, the guitars and mandolins of the New York Guitar Kings transport us back to sunny Napoli, Here are melodies delighted music lovers through the 1950s. The recording is splendid.

Brian Stringer Available directly from Australia: http://www.cumquatrecords.com.au

SOUTH OF THE BORDER

Besame Mucho, Mambo Jambo, My Shawl, Piel Canela, You Belong to My Heart, Jungle Drums, El Rancho Grande, Poinciana, Magic is the Moonlight, Serenata, Ritual Fire Dance, Yours, Adelita, Sabras Que Te Quiero, Quien Sera, Duerme, Jurame, Amor, Tres Palabras, La Malaguena, Coo Coo Roo Coo Coo Paloma, Jesuita En Chihuahua, Cuatro Vidas and Estrellita

The Guitar Kings directed by Al Caiola (Cumquat Records)

Spanish and Mexican standards performed by a ten piece guitar ensemble. Members may recall the mid 1950’s when Al Caiola’s records were heard on the radio so this CD will bring back happy memories. The mellow sound is far removed from the wailing electronic guitars that we have to suffer today. Very pleasant summertime music attractively arranged. As this CD won’t be around too much longer, if this appeals, don’t delay ordering.

Brian Stringer Available directly from Australia: http://www.cumquatrecords.com.au

Dance Band/Nostalgia

ON THE SUNNY SIDE OF THE STREET

This is Romance, You Oughta Be in Pictures, Fair and Warmer, All I Do is Dream of You and many more

Ray Noble featuring Al Bowlly (DSOY742) 52:22

Yet another dusted off ‘oldie’. Ray started as principal arranger for the BBC Dance Orchestra led by Jack Payne and was later made Director of light music for HMV Records. This CD, containing 18 tracks, focuses on his career as one of the leading Dance Band Orchestras of the 1930s and really is nostalgia with vengeance along with the added vocals of Al Bowlly.

Paul Clatworthy

MUSIC WHILE YOU WORK – Vols. I and II

Issued by Frank Bristow – Victoria, Australia

These CDs have previously been the subject of brief reviews in JIM by Edmund Whitehouse. However, not all details were given. In particular, incomplete information was provided about titles and performers; some of the latter are making their debut on CD, although they all appeared on the programme during its twenty-seven year run.

Volume I 
Calling All Workers (Coates)
Band of the Grenadier Guards/Major F J Harris
Toytown Tattoo (Cardewe)/Louis Voss Grand Orchestra
Polly (Zamecnik)/Harold Collins Orchestra
Coon Band Contest (Pryor)/Troise and His Banjoliers
Harry Wood Hits/Primo Scala

Double or Nothing – selection (Johnson, etc.)/Jack Simpson
Samun – Symphonic Foxtrot/Harry Fryer Orchestra
Alpine Festival (Hartley)/Fred Hartley Orchestra
Tessoro Mio (Beccuci)/Ronnie Monro Orchestra
Knuckledust (Blackmore)/Harold Collins Orchestra
Corn On The Cob (Scott-Wood)/George Scott-Wood Band 
Those Were The Days/Jack Coles Music Makers 
Dance With A Dolly (Shand etc.) )/Al Collins Band
Trolley Song (Martin etc.) George Elrick Band

Boo Hoo (Lombardo etc.) George Elrick Band
A Feather In Her Tyrolean Hat George Elrick Band
Coon Corn Rag (Vecsey)/Troise and his Banjoliers
A Little On The Lonely Side (Robertson) /Oscar Rabin Band
There Goes That Song Again (Styal etc.) Oscar Rabin Band
East Of The Sun (Bowman) /Cecil Norman and Pat Dodd
Careless (Quadling etc.) Cecil Noprman & Pat Dodd
Light And Shade/Harold Collins Orchestra
Leroy Steps Out – Selection (Kreisker/Zalva) Richard Crean Orchestra
Six Hit Medley/Primo Scala
With A Smile And A Song (Churchill etc.) Reg Pursglove Orchestra
Sing Song Medley No. 3/Jimmy Leach Organolions
Gung’l In The Ballroom/W Reynolds Orchestra
Love Dance Intermezzo (Felix etc.) David Java Orchestra

Volume II 
Calling All Workers (Coates)/Fred Alexander Players
In The Arena (Groltzsch)/Louis Voss Orchestra
Last Tango (Mulka)/Bernard Monshin Orchestra
Songs Of Old England/Troise Banjoliers
Showboat – Selection (Kern) Jack Leon Orchestra
Kiss In The Dark (Herbert) Ronnie Munro Orchestra
Parade Of The Pirates (Brotton)/R & MW Band
Temptation Rag (Lodge)/George Scott-Wood Band
Wood Nymphs (Coates)/London Coliseum Orchestra
Careless Cuckoo (Bucalossi)/Harry Davidson Orchestra
Linger Awhile – Medley/Roland Peachey Orchestra
How Soon (Lucas etc.) Jack White Band
Memories Of The Early Twenties/Primo Scala Band
Salad Days – Medley (Slade etc.)/Tommy Kinsman Band
Friml In The Ballroom/W Reynolds Orchestra
Marigold (Mayerl) Jimmy Leach Organolions
Teddy Bears’ Picnic (Brotton) Troise Banjoliers
Tick Of The Clock (Perry) Harry Davidson Orchestra
You Are My Sunshine (Davis etc.) /Cecil Norman and Pat Dodd
Dardenella (Bernard etc.) Cecil Norman & Pat Dodd
Singalong Medley/Primo Scala Band
Mad About Music – Film Selection/Coventry Hippodrome Orchestra
Choristers’ Waltz (Phelps)/Harry Davidson Orchestra
Waldmere March (Casey etc.)/Harry Foyer Orchestra
Lonely Troubadour (Miller etc.) /Falkman and His Apache Band
In Caliente (Dixon etc.)

Whilst these two fine releases neatly compliment the two GUILD MWYN discs – (there is no duplication of recordings) – there is one significant difference. i.e. the FB CDs contain material from both commercial recordings and the special DECCA MW series, whereas the GUILD issues contain only recordings in the latter category. I should also mention the booklet notes, which provide comprehensive details about the performers and indeed the BBC programme itself; this was so much a part of the daily lives of so many and is sadly missed to this day by enthusiasts of broadcast radio.Tony Clayden

Frank Bristow’s CDs are ONLY available direct from him at 2 Cross Street, Brighton, Victoria, 3186, Australia. Tel. 03-9528-3167. E-mail:  Credit cards and PayPal are accepted, but no cheques – details on request. Please visit Frank’s website for details of other CDs in his catalogue: www.musicfromthepast.com

THE GENIUS OF GEORGE GERSHWIN

Various artists (DSOY741) 120:00

Most, if not all, of the Gershwin music contained in this two CD package have been recorded in many new issues. For me, this compilation is a historical document! Twelve of the tracks are Gershwin himself playing piano solo, the remainder with various orchestras. The groundbreaking orchestral pieces Rhapsody in BlueConcerto in F and An American in Paris are here along with many of the tunes that Gershwin wrote for stage and screen.

Paul Clatworthy

FRANCES DAY "Golden Girl of the 1930s" featuring recordings with Geraldo, Ray Noble, Carroll Gibbons, Louis Levy, Benjamin Frankel, Jay Wilbur, Al Bowlly, Bud Flanagan, John Mills, etc… 49 tracks, AVID Easy AMSC 926 - 2 CDs 157 mins. This warm tribute to a lady who seemingly had the world at her feet – particularly during the 1930s – has been compiled by Hugh Palmer, who has been responsible for so many enjoyable collections on LP and CD of music from this period. Frances was American, but she came to London in 1924 where she found her fame and fortune in London. These well-filled discs include her commercial recordings, radio broadcasts and film soundtracks. The singers and orchestra leaders with whom she worked read like a ‘who’s who’ of British show business of the mid-20th century, up to 1955 when she attempted to get into the hit parade with Why Did The Chicken Cross The Road accompanied by Frank Cordell. If you remember Frances you’ll love this collection. David Ades

"The real sound of R.& B and Boogie Woogie" (DSOY 737) 21 tracks. 61:28 "More of the real sound of R & B. and Boogie Woogie" (DSOY 739) Also 21 tracks. 60:38. Two albums exploring the sounds of the Forties and Fifties forerunners of the "Rock and Roll" that followed, cursed by many in this Society but nevertheless a good insight into people who later found fame by moving on into more modern sounds such as Lionel Hampton, Woody Herman, Ray McKinley, Benny Goodman, Buddy Collette, Helen Humes and Count Basie. Unless you follow this style of music other names involved have been lost along the way! The first named CD has a track "Down the road apiece" which I doubt Henry Mancini ever heard, but the opening notes are very "Peter Gunn". Helen Humes sings "St Louis blues" with a small jazz group. A bigger band led by Andy Kirk steam through "Hey! lawdy mama" with a vocal by June Richmond. The second collection has not the interest of the first, obviously the compiler’s second choice! "Tempo and swing" is well named, fast and furious! The amusing lyrics of "Vote for Mr Boogie" sound like parts of Labour’s election manifesto. I have not followed this style of music very much but it certainly was unexpected to hear a harp used on "With a twist of the wrist"! Both collections sound as if put together in a hurry as some titles do not match their allotted number and "Down the road again" appears on both! Paul Clatworthy

 MARCHES IN SWINGTIME

Ted Heath – Entry of the Gladiators, Blue Skies March, Cossack Patrol; Ray Anthony – National Emblem March, Sound Off; Ralph Flanagan – Stars and Stripes Forever; Tex Beneke – St Louis Blues March; Sauter-Finegan – Doodletown Fifers; The Squadronaires – March of the Movies; Jack Parnell – When the Saints Go Marching In; Phil Green and his Basin Street Band – Anchors Aweigh; etc… 26 tracks. Memoir CDMOIR 594, 72:26 mins. The abridged tracklisting details above will give a clue of what is on this CD, and I must say that the novel idea works very well! This is a fun collection, which not only reminds us of some great swing marches of the past, but also springs a few welcome surprises. John Snell was responsible for the original idea, and Ted Kendall has performed his usual magic with the remastering. As if all that wasn’t enough, there is an informative and entertaining booklet note by Malcolm Laycock, which is a model of what such things should be – but often aren’t! Most enjoyable. David Ades Memoir CDs are available from the RFS Record Service.

"Fine and Dandy" BENNY GOODMAN quintet and sextet (DSOY 745) 14 tracks"39:41. I cannot honestly say I was agog with excitement when I received this because I am not a fan! Some tunes are taken at such.a pace they sound like 33 played at 45 also some tracks employ, the dreaded "Squeeze box" making it even more Iess appealing. The only Goodman I really enjoyed was his London date arranged by Wally Stott and Peter Knight. This outing was recorded between 1946 and 1947 all on the transcription service complete with announcements. For followers only! Paul Clatworthy

"Penny serenade" (Rare recordings from the nineteen thirties) (DSOY 738) 20 tracks 66 (Various artists) Singers involved Al Bowlly, Cyril Grantham, Dorothy Carless and Sam Browne. Ten titles feature the Geraldo orchestra which fans may have versions elsewhere. Undemanding pleasant listening for 80 to 90 year olds who probably remember first time around. 70 year old recordings painstakingly restored from acetates or lacquers, was it worth the effort? Ill get back to you on that!Paul Clatworthy

A few late arrivals …

"Bugatti Step" ALEX HASSAN, piano A mixture of syncopated marvels including works by the likes of Harry Engleman, Billy Mayerl, Roy Bargy, Carroll Gibbons and Lennie Hayton. Shellwood SWCD35.

"Fidgety Digits" Digitally restored 78s featuring some of the best pianists of the light music idiom from the 1920s to 1940s. Virtuoso performances from Lothar Perl, Donald Thorne, Billy Mayerl, Raie De Costa, Arthur Sandford, Monia Liter and many more. Shellwood SWCD36.

TOMMY STEELE Some of his hit singles plus LPs "The Tommy Steele Story" and "The Tommy Steele Stage Show". Rex REXX 118.

SKIFFLE AT ITS BEST A particularly British phenomenon of the 1950s featuring Lonnie Donegan, Ken Colyer, Johnnie Duncan and all the rest. Rex REXX 316 [2 CDs].

Finally some recent releases noted by Wilfred Askew

HOW THE WEST WAS WON

Featuring Bing Crosby, Rosemary Clooney and Jimmie Driftwood. Tracks include ShenandoahBound for the Promised LandGreen Grow the LilacsBilly the KidSkip to My LouRed River Valley etc (Bear Family, BCD16634) 83:35

CARMEN CAVALLARO — THE EDDY DUCHIN STORY/EDDY DUCHIN REMEMBERED

Two albums from 1956. Tracks include Shine On Harvest MoonChopsticksDizzy FingersLa Vie En RoseI Won’t DanceIll WindLove Walked InThe Way You Look Tonight etc (Fine and Mellow, FM604) 75:27

MICHEL LEGRAND AND HIS ORCHESTRA – CASTLES IN SPAIN

Original 1956 recording. Tracks include EspanaJungle DrumsEl Gato MontesMalaguenaEl Chocloetc (Cherry Red, ACMEM116) 44:04

LEO REISMAN AND HIS ORCHESTRA – PUTTIN’ ON THE RITZ

Featuring vocalists Fred Astaire, Lee Wiley and Sally Singer. Tracks include Lost in a Fog, I’ve Got You On My Mind, Easter Parade, St Louis Blues, The Piccolino, Lucky Seven etc (Flare, ROYCD254) 71:50

DANNY POLO AND HIS SWING STARS – THE COMPLETE SETS

24 tracks which include That’s A-Plenty, Mozeltov, China Boy, Jazz Me Blues, Mr Polo Takes a Solo, If You Were the Only Girl in the World etc (Retrieval, RTR79051) 69:48

URBIE GREEN BIG BAND AND SEXTET – THE COMPLETE PERSUASIVE TROMBONE

Original Command recordings. Tracks include At Last, My Silent Love, I Can’t Get Started, It Could Happen to You, Skylark, No Moon At All, Love Letters etc. (Lonehill Jazz, LHJ10308) 71:47

WAYNE KING AND HIS ORCHESTRA – THE WALTZ KING

Two CD set. Tracks include My Buddy, Moon Love, Lonely Acres, Close, Trees, A Kiss in the Dark, The Blue Skirt Waltz, I Love You Truly, Sleepy Time Gal, Carolina Moon etc. (Jasmine, JASCD467) 134:48

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Orchestral ANDRE KOSTELANETZ PLAYS THE MUSIC OF RICHARD RODGERS

You Took Advantage of Me, Waltzes medley, Have You Met Miss Jones?, Little Girl Blue, Over and Over Again, I Could Write a Book, Loneliness of Evening, Oklahoma medley, Mimi, My Funny Valentine, South Pacific medley, With a Song in My Heart etc

Andre Kostelanetz Orchestra (Sounds of Yester Year, DSOY748) 2CD set 84:37

An album that should be played while reading Dick O’Connor’s excellent article ‘The Kostelanetz Arrangers’ in JIM December 2007. Kostelanetz had almost total control of the final recording so trying to pin down any arranger to a particular tune is almost impossible. The remastered recordings on this CD are his complete ‘Columbia Album of Richard Rodgers’ and is a fine sample of both the work of Rodgers and Kostelanetz. Some lesser known Rodgers tunes are included which is a bonus but as far as albums devoted to Rodgers music go, I still think Stanley Black’s album arranged by Roland Shaw takes some beating! Paul Clatworthy

LEROY ANDERSON ORCHESTRAL MUSIC VOLUME THREE

Harvard Sketches, Melody on Two Notes, Mother’s Whistler, The Penny Whistle Song, The Phantom Regiment, Plink, Plank, Plunk, Promenade, Sandpaper Ballet, Sarabande, Serenata, Old MacDonald Had a Farm, Seventy-Six Trombones, Sleigh Ride, Suite of Carols for Brass Choir, Wintergreen for President, The Typewriter, A Trumpeter’s Lullaby and The Syncopated Clock

Leonard Slatkin and the BBC Concert Orchestra (Naxos 8559357) 61:49

This could be reckoned the best yet in the excellent first complete cycle of Anderson’s orchestral music. The four world premiere recordings (the first three listed above and Wintergreen) fill 11½ minutes of the CD. There are some strange non-musical sounds on Mother’s Whistler, unexplained in Richard S Ginell’s otherwise comprehensive booklet notes. Most of the remaining pieces come into the ‘familiar’ category with Sleigh Ride probably being the most familiar of all. All have that imaginative Anderson touch, none more so than The Typewriter. It is interesting, too, to hear his arrangements of other people’s pieces in Old MacDonald - great fun this - and 76 Trombones. TheSuite of Carols comprises nine timeless numbers including In Dulci JubiloLo, How a Rose E’re Blooming, I Saw Three Ships and We Three Kings. It is, again, a pity that the Christmas track was not put at the end of the disc. Slatkin’s conducting and the orchestral playing are as fine as ever. Although not initially intending to collect every volume, I am now hooked. They’re coming so fast now, number four may well be out before you read this! Peter Burt

JOHNNY DOUGLAS AND HIS ORCHESTRA "The Living Strings"

"Where Did The Night Go?"

In The Still of the Night: title track, Deep Purple,Whispers in the Dark, I Wished on the Moon, Unchained Melody, Wonderland by Night, Blue Velvet, Moon Over Miami, Under a Blanket of Blue, Serenade in the Night. Where Did the Night Go title track, Fanny, Anyone would Love You, F.D.R. Jones, Wish You Were Here, Have I Told You Lately, Restless Heart, Who Knows, Once of These Fine Days, I Have to Tell You.

(Dulcima DLCD 121) 69:50.

The late Johnny Douglas’s own label Dulcima has reissued these two RCS Camden LPs from 1964 and 1963 respectively, and very welcome they are. RCA producer Ethel Gabriel worked on the Melachrino Strings’ 'Moods in Music' series and in the late 1950s developed the Living Strings as a package for RCA’s budget label, Camden, using various orchestras, mainly from Europe. The albums were all centred on a theme: the sea, the West, Broadway, night music. The recordings made by The Living Strings became a mainstay of easy-listening radio and commercial venues. Johnny Douglas, one of England’s masters of string arranging, was the primary arranger and conductor for the series recorded in England. He brought great songs to a new life with his arrangements of a mass of pure velvety strings, mellow brass and superb solos played by the cream of the British musicians of that era. Collectors have waited a long time for these recordings to be made available again, so this new Dulcima CD is especially welcome. David Ades

MALCOLM ARNOLD conducting his own scores

Film music from "Nine Hours To Rama" and "The Lion"

(Vocalion CDLK 4371) 60:22

The earlier of these films, "The Lion" (made in 1962) is set in Africa, while the second "Nine Hours From Rama", covering the day in 1948 when Mahatma Gandhi was assassinated, comes from 1963. Therefore we have examples of Malcolm Arnold’s ideas of African and Indian music – rather different from St. Trinians! Both scores work well when experienced in the cinema, but for purely listening pleasure at home I personally prefer "The Lion", where the full-bodied Arnold sound from his film composing years is far more evident. This is an important addition to the currently available catalogue of film music. David Ades

Brass and Military Band

BANDSTAND IN THE PARK – VOLUME TWO

(See track listing page 65 of JIM 176) (Guild, GLCD 5147)

I eagerly awaited the arrival of this latest addition to the Guild series as older recordings by brass and military bands are as scarce as the proverbial hen's teeth! I wanted to see if volume two achieved the high standard of volume one (as Tony Clayden observed 'the second cup of tea syndrome’). I need not have worried; David Ades has come up trumps again (as usual) with a diverse and interesting collection from days when every town and village boasted its own band. William Lang's cornet playing on Jenny Wren is top class, but that is only to be expected from the Black Dyke Mills Band, magnificent 50 years ago and still going strong! However, the standout for me are the two offerings from the Band of the Royal Netherlands Navy; Royal Review by Leslie Statham under his 'Arnold Steck' guise; and Tony Lowry's rollicking Golden Spurs, tracks which, in their original form, were both sides of a Chappell 78. How good to hear these again. I'm pleased that Sousa's High School Cadets by the Grand Massed Bands is included. Australian collectors will have this on one of Frank Bristow's earlier CDs, but it deserves the wider audience, bringing together memories of Hanwell Silver, Lewisham British Legion, St. Hilda's and St. Pancras Brass under the masterful baton of James Oliver. Kenneth J. Alford is represented with The Great Little Army, and Bob Farnon, Ronnie Binge, Eric Coates and the well known Roger Barsotti all make the list with great bands like Fodens, Grenadier Guards and Central Band of the RAF all there. Borodin's Prince Igor Ballet Dances from the BBC Wireless Military Band brings up the rear with a memorable performance, having earlier featured on the CD with the restful Evensong. Devotees, please buy this in droves, then we can urge David for a volume three in due course. Graham Miles

Vocal

WARM AND SINCERE

Kitty Kallen (Sepia, 1114) 74:10

Another welcome helping of Kitty Kallen from Sepia! This second volumes accompanies the 2003 release ‘Our Lady Kitty Kallen’. There are 27 recordings ranging from 1949-1957. With the usual fine remastering by RFS member Robin Cherry, this compilation features such favourites as In the Chapel in the MoonlightTrue LoveEast of the Sun and Little Things Mean a Lot along with some titles new to me such as Let’s Make the Most of TonightThe Second Greatest Sex and Hideaway Heart. Kitty is accompanied by orchestras directed by Sid Feller and Jack Pleis, who both do sterling work. A very nice collection, with a certain resemblance to our very own Joan Regan in her vocals. Even includes a recent photo of the lady herself in the well designed and plush CD booklet. Adam Endacott

MEL TORMÉ MEETS THE BRITISH

Mel Torme with the Orchestras of WALLY STOTT, TED HEATH, ROLAND SHAW and CYRIL STAPLETON. (Sepia 1113) 56:58

Limehouse Blues, A Nightingale Sang in Berkeley Square, I’ve Got a Lovely Bunch of Coconuts, These Foolish Things, Geordie, My One and Only Highland Fling, White Cliffs of Dover, Danny Boy, Let There Be Love, Greensleeves, Try a Little Tenderness, London Pride – plus bonus tracks: Walkin’ Shoes, Cuckoo In The Clock, Hooray For Love, Shenandoah Valley, Waltz for Young Lovers, I Don’t Want to Walk Without You, Time Was, Ev’ry Which Way. (Sepia 1113) 56:58. Mel Tormé’s British recordings from 1956 and 1957 caused quite a stir in popular music circles at the time, and it’s good to be able to hear ‘the velvet fog’ once again in these fine digital restorations of that landmark Philips album. We may have lost the regular releases of vintage material from Sanctuary Living Era, but happily Sepia can be relied upon to keep coming up with interesting new issues. Furthermore, when they reissue an LP they always seem to add additional tracks so that buyers get value for money. On top of that the CD booklets are generously filled with notes and photos. The only missing element is information about the original catalogue numbers, but that is a minor criticism. This new CD will be warmly welcomed especially for the Wally Stott charts, which range from lush orchestral to exciting big band. David Ades

I had always imagined Mr Tormé’s singing to be a taste I did not wish to acquire but having listened to this CD sent to me for review [now there is a first!] I’m almost a fan. The label, too, was only a name to me and this is the first of their albums I have heard. It is a quality product at the upper end of the budget-priced market and they are to be congratulated. The first dozen tracks listed above are all enhanced by Wally Stott and his Orchestra, as are Time Was and Tormé’s own Ev’ry Which Way. The guitar of Ivor Mairants is featured on Tenderness. Ted Heath and his Music accompany onWalkin’ Shoes and Johnny Mercer’s The Cuckoo in the Clock. Cyril Stapleton and his Orchestra and the Roland Shaw Orchestra share the remaining four tracks. There are informative liner notes by Tony Middleton. And Robin Cherry’s re-mastering brings these tracks up as fresh as the proverbial paint. Peter Burt

ALAN DALE SINGS

Alan Dale (Sepia, 1115) 75:20

A compilation from an unknown vocalist to me, Alan Dale. Once again Sepia has issued a most enjoyable collection and has brought a long forgotten name back into the public domain. With 27 tracks, this CD is great fun with plenty of upbeat numbers and a good mixture of songs from the punchy first track, Waiting for the Robert E Lee, through to Moonlight and Roses and even Robin Hood (although I do prefer Dick James on this one!) Orchestras supporting include Dick Jacobs, Ray Bloch and Percy Faith and recording dates range from 1947-1956. Mentioning Percy Faith, it is I’m Late from the Disney film ‘Alice in Wonderland’ which is the stand out track and Mr Faith is doing his usual excellent job as the accompanying orchestra. An enjoyable crooner and another unique title to add to the Sepia Record range. Adam Endacott

THROUGH THE YEARS Volume One 1950-1951

Autumn Leaves, I’ve Never Been in Love Before, A Perfect Day, May the Good Lord Bless and Keep You, With My Shillelagh Under My Arm, Sentimental Music, Silver Moon, Copacabana, Quizas, Quizas, Quizas [Perhaps, Perhaps, Perhaps], and more

Bing Crosby [Sepia 1111] 74’43"

It’s a long time since I listened to a Crosby CD and this, as one would expect, is full of good things. In his detailed liner notes Malcolm Macfarlane tells us that in 1950 Bing had eleven records making the hit chart and he came third in the USA movie box office stars poll. 1951 marked the 20thanniversary of his debut as a solo act. Incidentally, it is interesting to read the quotes on the original recordings taken from reviews in The Gramophone magazine – imagine that happening today! Among the 25 tracks, finely re-mastered by Robin Cherry, Axel Stordahl provides an excellent orchestral arrangement on the opening classic, there are four with the Andrews Sisters, including the charming Hawaiian ‘green’ Christmas song Mele Kalikimaka, Frank Loesser’s If I Were a Bell with Patti Andrews, and a delightful Silver Bells [one of five seasonal titles] with Carole Richards, and Tommy Dorsey and his Orchestra accompany on another quartet of tracks. Three titles feature John Scott Trotter and his Orchestra, a name associated with tasteful arrangements for Bing over 15 years. Other orchestras involved are those of Vic Schoen, Sonny Burke, Ken Darby and Matty Matlock. The Bando Da Lua accompany on the last two items. But it is not just the singing and playing that are the quality products here. Well done, Sepia, looking forward to more of the same. Peter Burt

The Sepia Records CD range are available directly from Sepia and cost £7.99 per CD (including P&P – unless otherwise noted). Cheques are welcome, made payable to Sepia Records Limited and Paypal payment only via their website www.sepiarecords.com which also features their entire catalogue. Sepia Records Limited, 96 Tubbs Road, London, NW10 4SB, England. They are also available from the RFS Record Service, price £8.50 each.

LIONEL MONCKTON : SONGS FROM THE SHOWS

Ronald Corp and his Orchestra and Chorus (Hyperion, A67654)

This new CD shows what a great composer and lyricist Lionel Monkton was – he is right up there with Sullivan and Kern! On this recording the two soloists could not be bettered just listen to Two Little Sausages, a patter song to stand the test of time with the best. Catherine Bott has a delightful voice but goes one better with her use of her acting skills with the accents she is able to bring to Try Again Johnnie from ‘A Country Girl’, set in Devon and the Yorkshire of Mary from ‘Our Miss Gibbs’. Add to this the style of Richard Stuart and the back up from Ronald Corp and his chorus and orchestra and you have a winning CD of the year! This CD should be in the Christmas stocking of all lovers of light music - play it after Christmas lunch, a pleasant joy for both old and young. Malcolm Lewis

Dance Band/Nostalgia

BING AND BOB

You Must Have Been a Beautiful Baby, Old Folks, My Reverie, Tea for Two, Yes Indeed, Jingle Bells, San Antonia Rose, It Makes No Difference Now, Delores, Pale Moon, Lazy, Let’s Start the New Year Right, I’ve Got |Plenty to Be Thankful For, I’ll Capture Your Heart, When My Dream Boat Comes Home, Walkin’ the Floor Over You, Big Noise from Winnetka, Two Sleepy People, Begin the Beguine, Long Time No See, Your Easy to Dance With, I Can’t Tell a Lie, Stompin’ at the Savoy and Swing Mr Charlie

Bing and Bob Crosby (Sounds of Yester Year DSOY749) 68:20

Compiler John Bennett has put together all the tracks Bing Crosby recorded with his brother Bob and his orchestra plus nine other tracks recorded between 1936 and 1942. Guests featured on five tracks are The Andrews Sisters, Judy Garland, Connee Boswell and Fred Astaire. A chance for nostalgia buffs to turf out well worn records (if so inclined!)

Paul Clatworthy

THE COMPLETE BOB CATS (Volume one of three)

Stumbling, Who’s Sorry Now?, Coquette, Fidgety Feet, You’re Driving Me Crazy, Can’t We Be Friends?, Martha, Home on the Range, Gypsy Love Song, Ah! Sweet Mystery of Life, March of the Bob Cats, Palesteena, Slow Mood, Big Foot Jump, The Big Crash From China, Five Point Blues, Speak to Me of Love, Big Bass Viol, I Hear You Talking, Call Me a Taxi, The Big Noise from Winnetka, Looping the Loop, Beguine, Hindustan and Long Time No See

The Bob Cats (Sounds of Yester Year DSOY750) 71:34

This collection takes in many titles I’ve never heard of! Not being a fan of jazz this old makes it hard to be objective! I can say it’s a very spirited jamboree well played by Yank Lawson, Matty Matlock, Nappy Lamare, Eddie Miller, Billy Butterfield, Bob Haggart and other players of the same calibre. I liked three of the slower tunes, Can’t We Be Friends?, Slow Mood and Five Point Blues but the same pattern that the more frantic numbers dished out left me cold! I will not be seeking the other two volumes!

Paul Clatworthy

Finally some recent releases noted by Wilfred Askew

GUYS AND DOLLS

Featuring Vivian Blaine and Frank Sinatra. Contains all the original music from the 1955 film and other bonus tracks. (Blue Moon, BMCD3507) 79:59

FERRANTE AND TEICHER — THE SOUND OF TOMORROW TODAY!

Two albums from 1956, not for the faint-hearted, more for space age/exotica fans. Tracks includeWhat is This Thing Called Love?, The Breeze and I, African Heroes, Lover, Brazil, Orchids in the Moonlight, Siboney, La Cucaracha etc (Cherry Red, ACMEM124CD) 68:17

THE BRASS RING – LOVE THEME FROM THE FLIGHT OF THE PHOENIX/LARA’S THEME

Two albums from 1966. Tracks include My Foolish Heart, Moment to Moment, Moon River, Secret Love, Laura, California Dreamin’, Born Free, Dear John etc (Collectors’ Choice, CCM840) 56:31

CARMEN CAVALLARO – PLAYS ELLINGTON/COCKTAILS WITH

Two albums from 1965 and 1956. Tracks include I’m Beginning to See the Light, Satin Doll, Solitude, I Let a Song Go Out of My Heart, Till, All the Way, Just in Time, I Remember it Well etc (Fine and Mellow, FM603) 72:21

LAWRENCE WELK – INTO THE FIFTIES

Two CD set - tracks include Bubbles in the Wine, The Lingering Song, Devil Lips, Rice, The Game of Love, Namely You, Bells Are Ringing etc (Jasmine, JASCD477) 125:15

LENNY DEE – IN DEEMAND

Two CD set – tracks include My Buddy, Bye Bye Blues, When Day is Done, Where or When, I Get Ideas, High Tide Boogie, Crazy Organ Rag, Them There Eyes etc. (Jasmine, JASCD468) 145:57

JACKIE DAVIS – JUMPING HI-FI HAMMOND

Two CD set. Tracks include Time Was, I Hear a Rhapsody, Where in the World, Darn That Dream, Coffee Time, Long Before I Knew You, All of You, Wish etc. (Jasmine, JASCD472) 136:19

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About Geoff 123
Geoff Leonard was born in Bristol. He spent much of his working career in banking but became an independent record producer in the early nineties, specialising in the works of John Barry and British TV theme compilations.
He also wrote liner notes for many soundtrack albums, including those by John Barry, Roy Budd, Ron Grainer, Maurice Jarre and Johnny Harris. He co-wrote two biographies of John Barry in 1998 and 2008, and is currently working on a biography of singer, actor, producer Adam Faith.
He joined the Internet Movie Data-base (www.imdb.com) as a data-manager in 2001 and looked after biographies, composers and the music-department, amongst other tasks. He retired after nine years loyal service in order to continue writing.