Analysed by Robert Walton
There can’t be many arrangements which are defined by a constant brass interjection, but that’s the very thing that attracted me to Wagon Lit . It’s a typical Torch touch on which the whole composition rests and is perfectly in keeping with his strict policy of crispness. This syncopated feature is first heard just after the third beat of the opening bar of the tune; in fact the second quaver of the third beat. Yes, I know it’s an unlikely component of a chart to choose, but this accentuation, part and parcel of the rhythm of a train, is somehow crying out to be noticed. You may have spotted the composition is slightly more subdued than most instrumental train records, perhaps giving consideration to the passengers in the sleeping compartment of this European railroad car!
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