Analysed by Robert Walton
It was my good friend composer and arranger Cyril Watters who first extolled the virtues of composer Frederic Curzon to me. Certainly there’s absolutely no doubt he was a superb craftsman. As a child I was already aware of his work especially in connection with the Queen’s Hall Light Orchestra. Quite clearly though Curzon also had a flare for unusual titles like the eye-catching and indeed ear-catching Dance Of An Ostracised Imp written in 1940. It must have been bad enough being an imp without being ostracised as well, but somehow the composer managed to cleverly encapsulate this unwelcome mischievous child, elf or demon. So with a little help from Curzon, let’s try and get under the skin of an imp and find out what makes it so sociably unacceptable.
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