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25 Aug

The Bad and the Beautiful

By  Robert Walton
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Analysed by Robert Walton

Robert Farnon was one of the first light orchestral composers to come up with a most original idea. He found that a complicated beginning of a piece (almost atonal) not only provided a sense of risk-taking like a high wire act, but kept the listener guessing as to where it would finally alight in a normal tonal context. His Manhattan Playboy has all the elements of such a format in which the opening bars of the actual tune are a sort of boppish free fall before landing in the safety net of the home chord. The effect of all this was mind-blowing...

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Read 1447 times Last modified on Friday, 25 August 2017 09:14