WINTER WONDERLAND – A Christmas Celebration Fred Waring and His Pennsylvanians 32 tracks incl. Ring those Christmas Bells; Caroling, Caroling; Carol. Brothers, Carol; The Star Carol; Gesu Bambino; O Come All Ye Faithful/Come, Dear Children; Bright, Bright the Holly Berries; While By Our Sleeping Flock We Lay; I Wonder As I Wander; Silent Night, Holy Night; O Holy Night …The Meaning of Christmas; The Song of Christmas // The Andrews Sisters, Guy Lombardo and His Royal Canadians 20 tracks incl. Winter Wonderland; Christmas Island; Christmas Candles; Merry Christmas Polka; Stars Are the Windows of Heaven … Dick Haymes There’s A Big Cloud [Next to Heaven]; Christmas Dreaming; The Christmas Song; The First Noel; Cradle Song of the Virgin; Ave Maria [Schubert]; It Came Upon a Midnight Clear; O Little Town of Bethlehem; Joy to the WorldJasmine JASCD 149 [79:29 & 79:06] An essential part of the Christmas celebrations in chez Burt has been Fred Waring’s ‘Now is the Carolling Season’ [Collectors Choice CCM 01662] ever since I bought it on a World Record Club LP more years ago than I care to remember. So imagine my delight on finding this new reissue – sensibly released in good time for this Christmas – with the first [stereo] disc giving us just under three dozen sacred and secular tracks, none taken from the earlier album. Five of the carols were written by jazz musician Alfred S Burt [no relation!] Listening to these pieces, it is no wonder Fred’s Christmas albums were best sellers in the ‘50s and ‘60s. Of the second [mono] disc, it is no surprise to learn that the joint recordings by the Andrews Sisters and Guy Lombardo listed above also sold in their millions. Mr Lombardo, like Robert Farnon Canadian-born, migrated to the USA in the early ‘20s where his Royal Canadians became billed as "The sweetest music this side of Heaven." Completing the disc is the entire Christmas album recorded by Dick Haymes, considered a strong rival to Crosby and Sinatra in the 1940s, appearing on CD for the first time. We have here, then, two attractive exceptionally well-filled discs available for around £9 – and unquestionably my Best Buy for Christmas! Peter Burt

MANTOVANI AND HIS ORCHESTRA Christmas Carols Adeste Fideles [O Come, All Ye Faithful]; Hark! The Herald Angels Sing; God Rest Ye Merry, Gentlemen; White Christmas; Good King Wenceslas; O HolyNight; The First Nowell; Joy To The World; Silent Night; Holy Night; O Tannenbaum; Midnight Waltz; Nazareth; O Little Town Of Bethlehem; Skaters’ Waltz // Classical Encores Slavonic Dance No.2 In E Minor, Op.46; Etude No.3, Op.10; Tango; Barcarolle [from Tales of Hoffman]; On Wings Of Song; Hungarian Dance No.5; Solveig’s Song [from Peer Gynt]; Air For The G String; Cradle Song; None But The Lonely Heart; Ave Maria; Largo Vocalion [Catalogue number & timings not available on going to press] The Christmas album is the CD Mantovanians have long been expecting from this source. [It was released on the US Collectors Choice Music label CCM 20852 very late last year]. This is the 1958 stereo re-recording and is, along with Percy Faith’s no longer available ‘Music for Christmas’, just about the finest album of Christmas music by a light orchestra. At the Kingsway Hall organ featured on some tracks is Harold Smart, whose father Charles played on the original mono LP ‘An Album of Christmas Music’ in 1953. Midnight Waltz is one of the maestro’s loveliest compositions. The album joins Monty’s follow-up ‘A Song for Christmas’,already available on Vocalion CDLF 8122, and is a happy reminder of the first 78 rpm record I ever bought, White Christmas/ Adeste Fidelis, which began my affair with our kind of music. This new 2-CD set is completed by an album recorded in May 1962 for issue in America but held back until 1965 for British release and then, inexplicably, only briefly available. With it I understand that Vocalion have now reissued all of Monty’s stereo LPs. Including it does mean, of course, that this release is not just for Christmas! And there is also the customary added value of Colin Mackenzie’s authoritative liner notes. Three cheers all round for Mike Dutton. Peter Burt

BOTTICELLI AND HIS ORCHESTRA Presenting Tie A Yellow Ribbon Round The Ole Oak Tree; My Love; Killing Me Softly With His Song; It Never Rains in Southern California; Day by Day; Mammy Blue … Unlimited Seasons In The sun; Waterloo; Melody of Love; I Won’t Last a Day Without You; The Air That I Breathe; etc. … 22 tracks Dutton Vocalion CDLK4431 [67:24]. I wonder how many of us missed these recordings the first time, nearly 40 years ago? There seemed to be a glut of similar outfits around, with few clues as to who was responsible for them. The title of the orchestra almost suggests that it might be pseudo-Mozart, but nothing could be further from the truth. It is not what we would call "light music", because there are pop elements in the gentle rhythm and the girly chorus, which happily is only occasionally and quite tastefully used. The music concentrates on what was popular at the time, rather than harking back to the 1920s and 1930s, which many others were still doing in those days. The string section is really quite lush at times – pity it wasn’t used more extensively. I suspect many of the players may have been recruited from the ranks of the superb Metropole Orchestra, because the man behind the "Botticelli" albums was Dick Bakker, who later became conductor of that fine outfit founded in the mid-1940s by Dolf van der Linden. The recordings were made in the Dutch Dureco studios, where Bakker was appointed manager when they opened in 1972. Five years later he started his own music production and focussed on composing, arranging and conducting film music, audiovisuals, company presentations, commercials and album projects. In London he established an orchestra with musicians from The London Philharmonic, St. Martin in The Fields and top musicians from the freelance sector. With this orchestra "The London Studio Symphony Orchestra" he recorded his music for the next fifteen years, often for leading multinational companies. By 1987 Dick Bakker was enjoying his international success which resulted in recognition such as the Edison Award for ‘Musica di Gloria’. Today Bakker remains actively involved as an artistic adviser with productions involving the Metropole Orchestra, and occasional music specials on radio and television. With such a pedigree you’d expect a quality product, and if you enjoy the kind of pleasing, undemanding sounds you sometimes hear in the background in public places, then this is for you. As an accompaniment to happy moments spent simply relaxing, and reminiscing about the 1970s, this could hardly be bettered! David Ades 

PHILIP GREEN AND HIS ORCHESTRA Moments in Mayfair These Foolish Things; Someday I’ll Find You; Room 504; She’s My Lovely; Midnight in Mayfair; Love is the Sweetest thing; London Fantasia; A Nightingale Sang in Berkeley Square; We’ll Gather Lilacs; Limehouse Blues. Music for Leisure – Easy Listening Stardust; La Vie en Rose; Barcarolle; Caravan; Dizzy Fingers; Maneater; Mexican Madness; Farewell Blues; The Merry Mountaineer; Arkansas Traveller; (Back Home Again in) Indiana; West of Pecos; Moonlight in Vermont; St Louis Blues; The Missouri Waltz; By the Waters of Minnetonka Dutton Vocalion CDEA6177 [78:03]. This has to one of the best CDs of 2010. At long last that superb Philip Green 10" Columbia LP from 1956 has been reissued, and now for the first time in stereo! Before stereo LPs arrived EMI issued a small number of "stereosonic" reel to reel tapes, and this was one of them. Very few will have been purchased for two reasons: their high price and the lack of equipment on which to play them. Top marks to Mike Dutton for securing the stereo tapes that have transformed this collection, which sounded great in mono but is now simply amazing. The music has taken on a new vibrancy, thanks to Mike’s expertise, and the sound quality is equal [if not better] to the very latest recordings. The titles confirm that Philip Green chose his material with great care [mostly by British composers] and one assumes that he had a hand in the arrangements. It is nice to hear the romantic theme from Clive Richardson’s London Fantasia which takes on a pleasing new identity divorced from the war atmosphere of most of the work. The title of the other album in this collection has probably prompted some head scratching! Almost as a bonus Mike Dutton has unearthed another early EMI tape to pair with ‘Mayfair’. Before cassettes were invented, EMI and some other companies were trying to encourage us to use our growing number of tape recorders as tape players. The reel to reel tape featuring Philip Green was compiled from various sources – previous 78s, tapes and an LP [the final seven tracks are taken from ‘Pan-American Panorama’]. Highlights include a wonderful – almost hectic – version of Caravan; the Zez Confrey "classic" Dizzy Fingers; Laddie Busby featured on trombone playing his own Maneater; Philip Green’s The Merry Mountaineer; and Mexican Madness by Cyril Stapleton and Bob Sharples. Finally there is even more good news: this great CD is in Dutton’s low price CDEA series. Simply a most enjoyable selection of music, expertly restored, that will be on many RFS members’ "wants" list this Christmas! David Ades

THE LOST TRANSCRIPTIONS Volume 1 For full track listing please see details in the ‘Light Music’ section of this website. Guild GLCD5174. Previous issues in the Guild Light Music Series have explored the vaults of the Recorded Music Libraries. For this release another musical treasure house has been tapped, namely recordings of the various transcription services made of live performances for use by, eventually, broadcasters worldwide, although the practice began in the US in the early 1940s when they were also distributed to Service personnel. A number of such transcriptions have, almost against the odds, survived and a generous selection is reproduced here in recordings excellent in quality for their time and with modern wizardry sounding very enjoyable even in the 21stcentury. Many of the names of bands and conductors familiar from previous Guild releases reappear here: Dolf van der Linden, Percy Faith, George Melachrino, Philip Green and David Rose. Yet there are surprises to be found among them. Rose’s catchy The Butterfly and the Alligator seems to be otherwise unknown; new to me also were Rose’s Pepper Tree Lane from his ‘Hollywood Bowl Suite’and his arrangement of Ding Dong the Witch is Dead from "The Wizard of Oz" [Rose was briefly married to Judy Garland] which begins like a piece of "train music". A Jota by Anthony Collins and performed by Philip Green’s orchestra has breathtaking energy. Several tracks are from the Second World War, especially those by Melachrino and the young Sidney Torch with the RAF Concert Orchestra, about which not much is known except that it seems to have been based in Blackpool. The junior service, incidentally, headhunted most of the best available musicians during 1939-45. The last nine tracks have perhaps most interest for me personally. Don Gillis is best known for Symphony No.5½; here his Three Sketches [Enchantment, Whimsy, and Day Dreams] are small in scale and economical in instrumentation but are distinctive. Lamar Springfield was also American and his Dance of the Frogs, based on the nursery rhyme A frog he would a-wooing go [inserted, as many will remember, as a fugato in Roger Quilter’s A Children’s Overture], is a gorgeous find. I first encountered Jarnefelt’s Praeludium in the 1940s when it was used to introduce a radio adaptation of one of Walter Scott’s novels; maybe even this performance was used, ‘though at that time there was a commercial 78 of it and its companion piece Berceuse. The name Eric Robinson as conductor of this wartime track is of interest. Eric Coates’ ‘Three Men Suite’ is pieced together by combining recordings, also wartime, from Melachrino’s Orchestra in Khaki [first movement] and Dunn’s Royal Marines Portsmouth Orchestra – a characterful, energetic overall performance. And finally to music by Keler-Bela [1924-84], born in Hungary and who played in theatre or dance orchestras in Vienna and Berlin and later toured Europe, including England, with his own orchestra. He composed 12 overtures, perhaps his major compositions, and lots of dances [a Keler-Bela Czardas was appropriated by Brahms for his Hungarian Dance No.5]; if all have the same colour and sparkle as this Romantic Overture, then a revival of his music generally is overdue, indeed imperative. I hope I have written enough to tempt prospective purchasers; repertoire and performances are alike stimulating, exciting even. Very highly recommended; let’s have more "found" transcriptions!

Philip L Scowcroft 

PAUL MAURIAT AND HIS ORCHESTRA El Condor Pasa Love Story; El Condor Pasa; To Be The One You Love; Melancholy Man; Black Harlem; My Sweet Lord, etc… L.O.V.E. Oh Happy Day; Get Back; Windmills of your Mind; Aquarius; Serenade to a Summertime; etc. … 22 tracks Dutton Vocalion CDLK4437 [xx:xx] When the album ‘El Condor Pasa’ was released in 1971, Paul Mauriat had already made more than thirty LPs, and he was in the happy position of knowing that he had an army of admirers who would readily snap up everything new that he offered them. His ‘L.O.V.E.’ LP had been released two years earlier – in France it was called ‘Un Jour, Un Enfant’ – and both collections tended to reflect the way in which popular music was developing in the post-Beatles era. Considering how prolific Paul Mauriat was [looking at lists on the internet one is tempted to say that he may have made more LPs than any of his peers] it is surprising that new CD releases do not feature many more examples of his work. In 1968 he shot to fame when his recording of Love Is Blue was number one in the US charts for five weeks. It had been written by his fellow countryman André Popp as Luxembourg’s entry for the 1967 Eurovision Song Contest where it came a disappointing fourth [Sandie Shaw was the winner for the United Kingdom that year with Puppet On A String], but Mauriat’s elegant orchestration managed to capture the public’s attention. Already well-known in France, his career was now firmly launched internationally. In 1965 Mauriat signed a recording contract with Polygram, and this lasted until 1993. He produced a large catalogue of recordings, selling more than 40 million albums worldwide. He embarked on the first of many world tours in 1969, visiting countries like United StatesCanadaSouth KoreaBrazil and especially Japan, where he would undertake 28 tours in the following years, during which it is estimated that he conducted well over 1,000 concerts. Such was his popularity in Japan that he appeared in television commercials, and made new recordings with their Pony record label when his Polygram contract expired. Paul Mauriat gave his final performance in 1998 in Osaka, Japan, where tribute concerts have been held in recent years. He died on 3 November 2006 at Perpignan in southern France, aged 81. RFS member Serge Elhaik has been a champion of Mauriat’s music for many years, having written his biography with Mauriat’s blessing. This new Vocalion release should help to make music lovers take further notice of a talented man who created a vast army of adoring fans, especially in Japan. David Ades

GLENN MILLER AND THE ARMY AIRFORCES BAND Medley Time 2 CDs 34 tracks Sounds of yesteryear DSOD812 [79:03 & 77:36] Fourteen medleys that according to sleeve were songs most often requested. Guests include Johnny Desmond, Artie Malvin, Peanuts Hucko, Tony Martin, Bob Carroll and the Crew Chiefs. These fifteen minute medleys were broadcast three times a week: by using this format Glenn could double the tunes used! Paul Clatworthy

THE PRISONER The Complete Chappell Recorded Music Library Cues DJR 001a [58:50] DJR 001b [50:29] DJR002 [65:19] For the benefit of any readers who might still be unfamiliar with the cult 1967 television series, it contains a vast range of often spectacular and very tuneful light music, with many items by Robert Farnon, that can be relied on to cater for all tastes. This special Collectors’ 3-CD set makes available for the first time the complete archive collection of incidental music as used in the 1967 Everyman TV production. Aimed at the connoisseur of "Prisoner" music and specialist communities dedicated to the appreciation of library music, television incidental music and British light music, its features include a 56-page booklet containing an episode by episode, scene by scene listing of all the music library original soundtracks and commercial tracks used in the series. There is a total of 174 minutes of music on 100 tracks, many on CD for the first time, and all in high quality sound. For contractual reasons some commercial tracks are omitted but these can mostly be obtained from other sources. This CD set is beautifully presented in a limited edition of 1,000 sequentially numbered and is highly recommended. It is not available from any shops and is available at £26.99 [+ £1.99 p&p] by personal application only from No2YourVillage, 65 Oxford Avenue, Guiseley, Leeds LS20 9BY or on-line. Further details including track-listing etc. can be seen at Peter Luck

JOHN FOULDS Keltic Suite, etc. BBC Concert Orchestra conducted by Ronald Corp Keltic Overture; Keltic Suite; Sicilian Aubade; Isles of Greece; Holiday Sketches  Festival in Nuremburg, Romany from Bohemia, Evening in the Odenwald, Bells at Coblenz; An Arabian Night; Suite Fantastique – Pierrette and Pierrot, Chanson Plaintive, The Wayside Cross, Carnival ProcessionDutton Epoch CDLX7252 [68:06]. A few weeks ago in my locally owned recorded and sheet music/instruments shop I ordered a John Foulds CD I’d seen on a forthcoming issues list, and since receiving it it’s hardly been out of my CD player. Apart from Paxton and Bosworth recordings of his music, I really didn’t know much about John Foulds [1880-1939] but this Dutton Epoch disc is light music at its best. Lewis Foreman in the CD booklet notes that Foulds was frustrated that his light music was played in preference to his more serious works and listening to this CD I can see why. The programme begins with the Keltic Overture, rather similar I think to Hamish MacCunn’s The Land of the Mountain and the Flood and this is followed by The ClansA Lament and The Call, which make up the Keltic Suite. All very colourful especially The Call, which begins as a jig and works up to a grand martial movement then coming back to its original dance rhythm before once again returning to a martial climax. Sicillian Aubade could have come from a mood music catalogue, it has that Mediterranean melody yet it is one of eleven tracks having their world premiere recordings on this CD. Isles of Greece is a plaintive piece which apparently was dedicated to a couple of dancers, Alexandre and Clotilde Sakharoff , who used it for a short ballet. The suite Holiday Sketches was published by Bosworths but to my knowledge hasn’t ever appeared in their mood music library catalogue as has the Keltic Overture and Lament. The first movement is Festival in Nuremburg but nothing to do with the infamous rallies, it’s a holiday style march and very catchy. The BBC Concert Orchestra’s Cynthia Fleming is the solo violinst for the gipsy Romany from Bohemia as is cello soloist Katherine Wood in the quiet Evening in the OdenwaldHoliday Sketches ends in quite a tumultuous fashion with Bells at Coblenz ringing out. An Arabian Night is a quiet affair with as you’d expect eastern overtones but the CD ends with four movements from the Suite FantastiqueThe Wayside Cross builds to an impressive organ climax played by Roderick Elms, and the final movementCarnival Procession has the Concert Orchestra and conductor Ronald Corp sounding as though they’ve enjoyed themselves immensely playing this much neglected composer’s light music. Ken Wilkins

RAIE DA COSTA – The Parlophone Girl Volume 3 The First Thing I Knew; One Hour With You – Medley; Sunshine Susie – Medley; Hexentanz; Fairies’ Gavotte; The Punch and Judy Show; Butterflies In The Rain; Sarie Marais; I’ll Follow My Secret Heart; etc. … 24 tracks Shellwood SWCD 40[70:00]. This is Shellwood’s third collection devoted to a young lady pianist from South Africa with considerable talent, who died at the tragically early age of 29. Many of her recordings could best be described as syncopated piano solos, but sometimes she was joined by musicians such as Fred Hartley [on celeste] and in duets with the likes of Harry Jacobson. From the brief tracklisting details above, keen eyes will have spotted compositions by top songsmiths such as Sherman Myers [who we all now know was Montague Ewing], and she is also featured as composer on Toyland Holiday. If you’ve enjoyed the first two volumes you’ll be keen to get this one as well. The fine restorations are complemented with comprehensive booklet notes and recording information. David Ades If you have difficulty finding Shellwood CDs, they can be obtained from the RFS Record Service.

PETER DEMPSEY My Dreams : Songs by Francesco Paolo Tosti 26 tracks incl. Io son l’amore!; O Ma Charmante; Shall We Forget?; Marechiare; Beauty’s Eyes; Ici-bas!; Triste ritorno; On Lido Waters; Because of You; Le Rose che mi desti; Senza l’amore!; My Dreams; Petite Valse Romantique [piano solo]; Spring; Serenata allegra; Inverno Triste!; Serenata Allegro; Inverno triste!; Seconda mattinata; ‘A vucchella … FPT 1 [78:39] Here is another of tenor Peter Dempsey’s growing collection of CDs devoted to Victorian or Edwardian ballads and notable, as always, for his clear, passionate delivery and admirable diction. Tosti [1846-1916] is best remembered for the English ballad Good-Bye [not recorded here], but his output of 350-plus songs included, besides English ballads [mostly to lyrics by Fred Weatherly, with six of them here], French chansons [three here including the charmingPour un baiser!, beloved of Caruso] and Italian songs, many specifically Neapolitan ones. Strongly recommended, not least because at least 12 of the 25 song tracks have probably not previously been recorded. Recording quality is excellent. Accompanist Guy Rowland, who supports well, arranged his own solo from a Tosti waltz song. Available from Peter Dempsey at 44 Victoria Road, Bidford-on-Avon, Alcester, Warwicks B50 4AR at £9.95 including postage Philip L Scowcroft

GEORGE BEVERLEY SHEA The Wonder Of It All 2 CDs 48 tracks Jasmine JASCD 674 [65:13 & 69:33] The canyon-deep baritone of "Bev", now in his 102nd year, was a key part of Dr. Billy Graham’s great Christian crusades held throughout the world during the second half of the 20thcentury. Many old favourites are here such as Somebody bigger than you or IIf I can help somebody, How great thou artHe’s got the whole world in His handsThe Lord’s Prayer and Blessed assurance. The last 12 tracks on Disc 2 are devoted to Christmas titles. Both generously-timed CDs [at mid-price] will bring back moving memories to many people of their lives being changed. Peter Burt

CENTRAL BAND OF THE ROYAL AIR FORCE Reach For The Skies Battle Of Britain March; Fanfare For The Common Man; 633 Squadron; RAF March Past; Lawrence Of Arabia; It’s A Long Way To Go; The Dambusters March; Winston Churchill: "Their finest hour" [Jerusalem]; Reach For The Sky; Danny Boy; Pomp And Circumstance; Those Magnificent Men In Their Flying Machines; Spitfire Prelude; Wind Beneath My Wings; Evening Hymn and Sunrise; Winston Churchill: "Never in the field of human conflict" [The Day Thou Gavest] Decca 2747513 [48:36] Released to mark the 70thanniversary of the Battle of Britain, this is guaranteed to lift the spirits with its mix of RAF-related classics, including three composed by Ron Goodwin, and tunes traditional and modern. The 45-strong band is conducted by the RAF’s principal director of music, Wing Commander Duncan Stubbs. I am not enthusiastic about the three vocal tracks: It’s a long way sung by Fl. Lt. Matthew Little, which was especially written for the album by two of the bandsmen, Danny Boy [Hayley Westenra], and Wind beneath [Kerry Ellis]. The two speech extracts give added poignancy to an otherwise fine album with a very high level of musicianship. I recall 55 years ago how proud I was to march behind this band with bayonet fixed as RAF Wyton received the Freedom of Huntingdon. Not for the first time my mainquibble with this CD is the short measure. When will Decca match the quality with quantity on their popular band releases? Peter Burt 

BOB SCOBEY AND HIS FRISCO JAZZ BAND featuring CLANCY HAYES Feelin’ The Spirit Frisco jazz parade; Georgia blues; Too much mustard (take five) There’s nothing in Dixie (take three) Memories of bunk; Sudan (take six) Geary Street blues; Feelin’ the spirit; That’s for sure; Strawberry time; My hearts in Dixie (take three) Hobo blues (take two) Don’t count your kisses; Southern comfort; Bourbon street; Tailgate romance; Cable car swing; Clarinet capers; While you are away; Along the Wabash shore; Hobo blues (take three) Too much mustard (take four) What a lonesome day (take five) Bob’s blues (take one) Two beat (take four) Sounds of yesteryear DSOY 817[67:50] One for Chris Barber fans! Paul Clatworthy

JOE VENUTI AND HIS BLUE FIVE Blue Five Swing Hoe-down low down; Tango interlude; Hot ‘N’ trot; Bohemian bounce; Blue five swing; Nobody loves me; Red sea rumba; Fickle fiddle; Orchids; Concerto for new sounds; Black rhythm; Desert flower; Fleur-de-lis; Beautiful Oregon; Loco motives; Gee its great; Could I care; Noveletta; The distant lake; Sambalina. Sounds of yesteryear DSOY 815 [55:02] Joe Venuti is considered the father of jazz violin. He worked with major big bands such as Bix Beiderbecke, Jack Teagarden and Benny Goodman. Bing Crosby’s radio show featured him on a regular basis. A great practical joker, he used to send one armed trumpet player Wingy Malone a single cufflink every Christmas. Another time annoyed by a band member’s insistent foot tapping he nailed the culprits shoe to the floor! These tracks were recorded in 1957 and make pleasant listening; few violinists could coax so much joy out of the instrument in a small group setting.

Paul Clatworthy

DON REDMAN ORCHESTRA featuring COLEMAN HAWKINS Free And Easy Last night in town; To the river; Ballad ‘N’ bounce; Dreamy melody; Desert dance; Chevy’s chase; Christmas in the valley; Donnybrook; Ain’t gonna get fooled again; Voodoo; Peetni Petite; Waiting on the corner; My dream of yesterday; Fall leaves; At the swing cats ball; Free and easy; Echoing; Coffee light; The black cat; I dream of summer. Sounds of yester year DSOY 816 [51:58] Don Redman made his mark as an arranger in early big band jazz providing scores for Louis Armstrong, Ben Pollack and Paul Whiteman [my Dad’s favourite band]. He later worked for Jimmy Dorsey, Count Basie then as musical director for Pearl Bailey. All twenty tracks are absorbing listening, I would dearly love to know who did the composing and arranging as there are no credits on the sleeve. Coleman Hawkins puts extra colour in to these rare sessions which are undated. The sleeve says Don stopped leading his own band in 1940 so I assume the music predates, if so either excellent first recording or wonders worked in the remastering. I loved the title and tune Chevy’s chase although unfair to pick one among so many goodies. Paul Clatworthy

LALO SCHIFRIN Mambo in Paris featuring the Orchestras of Eddie Warner and Lolo Martinez Harkit Records HRKCD8347 [63:15] Twenty-one tracks arranged by Lalo. His piano teacher told him the Conservatoire de Paris was offering scholarships for foreign students, so he set off with his book of arrangements. The year was 1952, these tracks were originally issued on The Barclay and Odeon labels between 1953 and 1955 A fascinating look at Lalo’s early writings, four original compositions, others by Gillespie, Perez Prado, Juan Tizol, Morales and names familiar in South America but less well known in Europe. Paul Clatworthy

MONICA MANCINI I’ve Loved These Days These days: God only knows; American tune; Blame it on the sun; Without him; How can I be sure; I’ll follow the sun; Ballad of the sad young men; Something so right; I’ve loved these days. Concord 08880072307452 [43:15]. Despite arrangements by Jorge Calandrelli I wish I had given this one a miss. Revisiting hits by others only works if you can improve or add something. Some tracks have the original artists involved but it is still a letdown.

Paul Clatworthy

FOLLOW THAT GIRL 17 tracks incl. Tra La La; I’m away; Follow that girl; Solitary stranger; Life must go on; Three Victorian mermaids; Doh, Ray, Me; Song and dance; The Chase; Taken for a ride; Lovely meeting you at last … & 2 other tracks Hooray For Daisy! 12 tracks incl. She coming on the 4.48; I feel as if I’d never been away; No lullaby; How when and where?; If only you needed me; Nice day … Must Close Saturday Records MCSR 3047 [76:21]

FOLLOW THAT GIRL [Original London Cast] 17 tracks …& 7 other tracks Sepia Records Sepia 1156 [72:64]

Not a blast from the past but the gentle zephyr of a breeze! My wife and I celebrated our first wedding anniversary by going to the Vaudeville Theatre in London to see Julian Slade and Dorothy Reynolds’ delightful follow-up to their then record breaking show "Salad Days." And now, 50 years on, here is not only its first re-issue on CD but mirabile dictu its second as well. Starring Peter Gilmore [later of the popular BBC series ‘The Onedin Line’] and Susan Hampshire [later of ‘Forsyte Saga’ and ‘Monarch of the Glen’ fame] with musical direction by Philip Martell, it ran for 211 performances and was one of the first show recordings to be made in stereo. The story is about a young Victorian girl whose parents want her to marry a businessman so she runs away followed by her two suitors, Tancred and Wilberforce. The policeman sent to find her, who himself was lost 20 years ago while his parents [played by Marion Grimaldi and Newton Blick] were Shopping in Kensington, falls in love with her. Among the good tunes and witty lyrics Waiting for our daughter, sung in mock-opera style by James Cairncross and Patricia [Hyacinth "Bucket"] Routledge, is especially fun. Slade and Reynolds also wrote the Christmassy ‘Hooray for Daisy’, a dozen numbers from which are included on the Must Close album performed by the Bristol Old Vic Company. As well as the tracks from the two stage shows there are two additional tracks: Michael Collins’ orchestral selection from ‘Follow’, and the title tune played as a slow foxtrot by Victor Sylvester and his Orchestra. This CD also has the added appeal of the recording being restored by our friend Alan Bunting. Aside from that the Sepia album is only slightly shorter in length and is £2 or so cheaper. It has some fascinating "bonus" tracks: two selections from ‘Follow’ played by composer Julian Slade himself at the piano, a "pop version" of the title tune sung by Mr Gilmore backed by Tony Osborne and his Orchestra, three tracks [two songs from ‘Follow’] from the 1955 recording ‘The Music of Julian Slade’, and Christmas Madrigal from another Slade show "Look Who’s Here". All wonderfully nostalgic. Peter Burt 

LANG LANG The Best Of Lang Lang 27 tracks Deutsche Grammophon 4779014 [131:70] Here is the phenomenally talented 28-year-old pianist [his name translates as "very brilliant"], about whom some music purists are a bit sniffy, playing on a new mid-price 2-CD collection of recordings ranging from Liebestraum to – of special interest to JIM readers – Nigel Hess’s 23½-minute Piano Concerto, commissioned by The Prince of Wales in memory of the late Queen Mother. In between there is an eclectic mix of pieces: Rhapsody on a Theme of PaganiniTräumerei; Tchaikovsky’sPiano Concerto No.1, 3rd movt.; Mike Oldfield’s Harbinger; Alexandre Desplat’s River Waltz [from the film "The Painted Lady"]The Yellow River Piano Concerto, 2nd movt. Ode to the Yellow River; Schiller’s Time for Dreams, other tuneful works by Liszt, Beethoven, Mozart, Chopin, Satie, Rachmaninov, Schumann, and some particularly fascinating ones by Chinese composers, about which I would have liked some information in the booklet notes. Put this on your Christmas gift list.Edward Trub

More reminders from Wilfred Askew of recently received releases

THE CREATIVE SOUNDS OF FRANK DE VOL – Portraits 55 tracks on 2-CDs incl. Stranger in Paradise; Moments to Remember; My Foolish Heart; Unchained Melody; Chances are; Tammy; True Love; Say One for Me; Love Letters in the Sand; Silver Moon; When I Grow Too Old to Dream; Wonderful one; I’ll See You Again …Jasmine JASCD 538 [156:51] Original Capitol, CBS & RCA Recordings including 21 vocal tracks: Bing Crosby, Jo Stafford, Margaret Whiting, Dinah Shore, Mel Torme & Gordon Macrae.

MAURICE JARRE ‘Lion Of The Desert’ & ‘The Message’ The Original Film Sountracks on 2-CDsTadlow Music Tadlow 008 [138:32]

HENRY MANCINI Mancini Marches [issued in 1959 as ‘March Step In Hi-Fi’National Emblem; Entry of the Gladiators; The Billboard March; Under the double Eagle; Colonel Bogey; On the Mall … & six more titles Sousa In Hi-Fi [reissued in 1963 as ‘Sousa’s Greatest Marches’Semper fidelis; National Fencibles March; Stars & Stripes Forever; The Invincible Eagle March; King Cotton; Manhattan Beach March … & six more titles Collectors’ Choice CCM-959 [65:05] Original Warner Bros. albums from 1959.

RALPH MARTERIE Into The ‘Fifties 50 original Mercury recordings on 2-CDs: Pretend; Caravan; Shish-Kebab; Moonlight in Vermont; La Rosita; Beautiful Ohio; Alice Blue Gown; Alone; Once in a while; Boulevard of Broken Dreams, John and Julie; In a Persian Market … Jasmine JASCD 541[132:13]

THE ARHUR MURRAY ORCHESTRA directed by Ray Carter Arthur Murray’s Music For Dancing Cha Cha 12 tracks incl. Watermelon Heart; Cheerful Little Earful; Arrivederci, Roma; Rico Vacilon; Arthur, you should smile more; It might as well be Spring … Sbme SBMk700725 2 [31:40]Fox Trot 12 tracks incl. Mack the Knife; Autumn Leaves; Canadian Sunset; There’s a small hotel; April in Portugal; Arthur Murray taught me dancing in a hurry … Sbme SBMk 700726 2 [28:26]Mambo, Rumba, Samba, Tango, Meringue 12 tracks incl. Red Petticoats; Tequila; Dansero; Bandolero, [La La] Colette; Ole Guapo … Sbme SBMk700727 2 [29:06] Waltz 12 tracks incl. Tenderly; Wunderbar; Under Paris Skies; A Kiss in the Dark; Alice blue gown; Wonderful One …Sbme SBMk 700728 2 [29:43] Original RCA recordings 1959.

KEN THORNE ‘Juggernaut’ & ‘The Bed Sitting Room’ Original Motion Picture SoundtracksKritzerland 20016-1 [33:56] 1,000 copies

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LEROY ANDERSON Orchestral Music Volume 5

BBC Concert Orchestra conducted by Leonard Slatkin; Kim Criswell, Soprano; William Dazeley, Baritone
Goldilocks [excerpts], Suite of Carols [version for woodwinds], Goldilocks: Lady in Waiting [waltz], Shall I Take My Heart [instrumental]Naxos 8.559382 [52:16]

New releases in this series from the man described as "one of the great American masters of light orchestral music" came regularly throughout 2008, Anderson’s centenary year, and very enjoyable they have been. As I write, Vol.3 is No.15 in the Naxos bestsellers list. Although equally welcome for some unfamiliar material, including four world première recordings, this is the last in the series and a less varied collection than its predecessors. ‘Goldilocks’ was a musical from 1958 which ran for 161 performances on Broadway and won two Tony awards. Pyramid Dance is probably its best known piece. To those who, like me, prefer their orchestral CDs voiceless there are three vocal numbers here. I can’t think why Naxos has separated the excerpts [tracks 1-11] from the other two numbers [tracks 18-19] with the Christmas carol arrangements. Richard S Gimell’s booklet notes are again hugely informative; and there is delightful photo of the composer on the cover. Incidentally, not one of this splendid series is reviewed in the latest Penguin Guide – shame on it! Peter Burt

Immortal Classics / Immortal Lullabies [Highlights]

Clair de lune, Minuet in G, The Swan, Salut d’amour, Waltz of the flowers, Liebestraum no.3 in A flat major, Melody in F, Morning song, Humoresque, Air on the G string, Valse d’Été / Sweet and low, Sleep, my baby, sleep, An Eriskay love lilt, Mighty lak’ a rose, Slumber Song, Too-ra-loo-ra-loo-ra! [That’s an Irish lullaby], Lorelei, Golden slumbers, Viennese Lullaby, Brahms’ Lullaby
Vocalion CDLK 4384 [78:09]The first album is another foray into the world of classical music by a light music orchestra, as well played as you would expect from this source. And where else would you hear this kind of programme on disc nowadays? Both albums were originally released as mono LPs in 1951 and 1952 respectively on Decca’s ‘Ace of Clubs’ label. Here they are remastered from the stereo tapes and are quality late night listening material, even if not quite as good as ‘Immortal Serenades’ [reviewed in JIM a year ago]. There are no booklet notes, but the CD is very good value and warmly commended. P B

"The Golden Age of Light Music" : FROM STAGE AND SCREEN

For full tracklisting please refer to page 77 of JIM 178.
Guild GLCD 5152

With the Guild Light Music series up to the fifty-second issue, we’re well and truly into the world of Show Business, and opening with a cracking recording by Geoff Love and his Orchestra of June Is Busting Out All Over from a 1957 disc. Sounds great! Henry Mancini’s theme from "The Glenn Miller Story" played by Jackie Brown’s Orchestra is next, but track 3 for me is a ‘show stopper’ – Geraldo and his Concert Orchestra playing a selection of Frank Loesser’s score to "Guys and Dolls", arranged by Roland Shaw. I’d never given Geraldo much thought before, but this track really made me sit up.It’s Only A Paper Moon and Secret Love played by the orchestras of David Rose and Robert Farnon keep up the musical flow, until the Victor Young Singing Strings take over with Alfred Newman’s theme to the film "Anastasia" with the composer conducting. Not having seen the film I checked it out in Halliwell’s Film Guide and apparently it marked Ingrid Bergman’s return to Hollywood after several years in Europe, and it won an Oscar. Alfred Newman was nominated as musical director. Sidney Torch and his Orchestra follow with the maestro’s own arrangement of music from Ivor Novello’s "The Dancing Years" played in his usual fine style, and I’m positive that Alan Bunting’s restorative treatment gives the recording that extra ‘kick’ – apart from removing unwanted hiss and crackle. As Time Goes By, featured in "Casablanca", but written some years earlier, is played by Ron Goodwin and his Orchestra, then Morton Gould and his Orchestra follow on track 9 playing Old Devil Moon, opening almost in oriental style then turning to a more sophisticated mood. Frank Chacksfield jollies the programme along with The Wedding Of The Painted DollI from the early sound film "Broadway Melody". Percy Faith goes continental with the "Moulin Rouge" theme Where Is Your Heart in an extended version, after which he markedly changes tempo with Show Me from "My Fair Lady". It’s Alfred Newman’s turn again as composer with a smooth rendition arranged by Frank Cordell of theSong From ‘Desiree’ – a very attractive theme in waltz time. This is followed by Victor Young conducting his own theme for "Samson and Delilah" with a powerful performance by The Paramount Symphony Orchestra. ‘Blockbuster stuff’ years before the word was bandied about! George Melachrino’s waltz theme for the film "Dark Secret" deserves to be better known than the film appears to be. Once again I turned to Halliwell’s Film Guide (1999 edition) to see what the rating was, but it wasn’t even mentioned. But "So Long At The Fair" is listed, and Benjamin Frankel’s themes (especially Carriage And Pair) follow in the famous Charles Williams Columbia recording. "Obsession" (1948) does appear in Halliwell but the view is that "it was an implausible, overstretched thriller, but bearable". However, Nino Rota’s themes, as played by the Sidney Torch Orchestra, are more than bearable – in fact they’re very attractive, and was that Arthur Sandford on the piano? "The Passionate Friends" from the novel by H.G. Wells is another 1948 movie, with music by Richard Addinsell and played by the Philharmonia Orchestra under that marvellous film music man Muir Mathieson. And last, but not least, a lively score by Nicholas Brodszky, arranged by Albert Sendrey, to an Anglo-American Technicolor and CinemaScope movie starring Vera Ellen and Tony Martin, described in the afore-mentioned film guide as "a footling musical". Forget the description: just enjoy the music, played from the soundtrack by the Associated British Studio Orchestra conducted by Louis Levy. Another excellent, well-filled Guild Light Music ‘concert’ deserving a wide audience. Ken Wilkins

Strauss Waltzes / Mantovani Favourites
Blue Danube, Voices of Spring, Roses from the South, Emperor Waltz, A thousand and one nights, Treasure Waltz …and 6 other titles / Londonderry Air, A walk in the Black Forest, Dream, Dark eyes, Welcome home, The party’s over, The Happy Wanderer, Polonaise in A [Chopin], A trumpeter’s lullaby, The Whiffenpoof Song, Tulips from Amsterdam, Auld Lang Syne 
Vocalion CDLK 4385 [78:19]Mantovani Magic / Concert Encores
Misty, Red roses for a blue lady, Chim chim cher-ee, Love me with all your heart, Goodnight sweetheart, Cara mia, I wish you love, Lover, Stardust, Mona Lisa, Most beautiful girl in the world, Auf wiederseh’n, sweetheart / Clair de lune, Spanish dance [Granados], Can-Can ‘La Boutique Fantasque’, Gipsy airs [Zigeunerweisen], Autumn, Song of India, Schön Rosmarin, Méditation, Perpetuum Mobile
Vocalion CDLK 4388 [77:51]Mike Dutton will never have to scrape the bottom of the barrel for Monty re-issues – they are all top quality – but there cannot be too many stereo albums left now waiting for him to release on CD. For‘Strauss Waltzes’ the wonderful melodies of the waltz king and the signature string sound of the master of light orchestral music were made for each other and the 1952 album, re-made in stereo in 1958, has been a best seller in all its formats. It will no doubt gain a lot more sales in its resurrection here. Arrangements are shared between Mantovani [seven] and Cecil Milner [five]. ‘Favourites’ was one of Monty’s last original issues and is a delightful amalgam from 1977 of material hitherto unreleased, or that had not achieved album status, or had only been issued on the Continent. ‘Magic’is from 11 years earlier and was described in Monty’s biography¹ as "a cracker of an album." Consequently, it went to No.3 in the LP charts – imagine that happening today! The great man himself is the piano soloist on his own composition of Cara Mia. Another early stereo release from1959, ‘Concert Encores’, is a nice souvenir for those of us who attended Monty’s live performances at the Royal Festival Hall and around the country. Mantovani again arranged seven of the items, Milner two, and Respighi the joyful Rossini Can-Can. With generous timings, both CDs are easily recommendable. P B 
¹ A Lifetime in Music by Colin Mackenzie [Melrose Books]

BRITISH LIGHT MUSIC FAVOURITES CD 1: Runaway Rocking Horse, Calling All Workers, Melody On The Move, Muse In Mayfair, Jamaican Rhumba, Greensleeves, Waltz from ‘The Three Bears’, Manhattan Playboy, Pictures In The Fire, etc. 20 tracks. CD2: Portrait Of A Flirt, Peanut Polka, The Old Clockmaker, By The Sleepy Lagoon, Shooting Star, Bells Across The Meadow, etc. 22 tracks. CD3: Devil’s Galop, Jumping Bean, Goodwood Galop, Elizabethan Serenade, The Young Ballerina, Coronation Scot, etc. 20 tracks Reader’s Digest 0349623 price £29.99. A few years ago Reader’s Digest put out a British Music Classical CD set including some light music by Eric Coates, Frederic Curzon and Ronald Binge. The present 3-disc British Light Music set offers a very good transfer to CD of some old favourites from across the spectrum with an occasional transfer into light classical, including a complete performance of Elgar’s Nursery Suite conducted by the composer – well transferred, but with too little space between movements. As regards light music composers none of the 1924 birthday set are included, but Charles Williams, Robert Farnon and Sidney Torch are well represented. There are a couple of errors as regards the list of recordings - the version of Shooting Star is not the Columbia one as stated, but the earlier Chappell; also the performance of Edward White’s Caprice for Strings is not the London Promenade version, but the later replacement by Dolf van der Linden which Paxton substituted some years later. Generally, apart from a rogue sentence in the sleeve note, the whole set is very well produced although – as mentioned in the last issue – most (but not all) of the items are available much cheaper elsewhere. David Mardon


Favourite TV Themes Volumes 1 & 2
European Football ["The World at Their Feet"], Kung Fu: Caine’s Theme, Ironside, Spring and Autumn, Mission Impossible, The High Chaparral, Kojak, Upstairs Downstairs, Hawaii Five-O, Emmerdale Farm, International Golf ["Red Carpet Ride"], Warship, etc. / Van der Valk ["Eye Level"], Nationwide ["The Good Word"], Match of the Day, Softly, Softly – Task Force, News at Ten … and 8 other tracks
Vocalion CDLK 4375 [76:47]Here’s a reminder of many happy hours spent in front of the old "goggle box" way back when. The two albums on this well-filled CD first appeared in 1973 and 1975 respectively. They were recorded following Ray Martin’s 15 year sojourn in the United States and in style bear little relationship to the two earlier ‘In the Martin Manner’ CDs on this label. In his informative booklet notes Oliver Lomax refers to "Martin’s skilful, hip arrangements", so you know what to expect. Film ’74, Sale of the Century, and Star Trek on Vol.2 are previously unissued. There is also a new arrangement of Martin’s [aka Marshall Ross] own Top of the Form ["Marching Strings"] that is not particularly to my liking. Although all well played and recorded, I felt a modicum of disappointment with this release. P B


The Immortal Ladies / Under Western Skies
Sweet Sue, Liza, Mona Lisa, Dolores, Louise, Laura, Rosalie, Irene, Maria, Sally, Chloe, Dinah / Home on the range, Wagon wheels, Riders in the sky, The last round-up, Colorado River, Cool water, San Francisco, Tumbling tumbleweeds, The one-armed bandit [Nevada], Empty saddles, Red River Valley, Northwest trail
Vocalion CDNJT 5205 [71:17] 
This is the third Melachrino CD we have had from Vocalion recently, so perhaps they are hoping to do for him what they have done so successfully for Mantovani. Although his music making is less distinctive, Melachrino might well be the connoisseurs’ orchestra of choice. First is a mono album from 1956 with an imaginative programme and good sound. The second is from a year later and in stereo apart from the last three tracks. The original LP was given three stars and rated demonstration-worthy in the old Stereo Record Guide, and I would imagine sounds even better here. The arrangements are never less than interesting and especially descriptive are the three pieces Melachrino himself composed [San Francisco, The one-armed bandit and Northwest trail] after visiting the American West. Top trombonist Lad Busby wrote the vivid Colorado River. The hornist’s contribution throughout is engaging and this is altogether a most enjoyable disc, possibly the pick of the CDs I have reviewed this time. P B

PALM COURT SOUVENIRS – Celebrating Victoria's Edwardian Heritage

Palm Court Light Orchestra Conductor Charles Job with Kenneth Lavigne [tenor]The Boulevardier, Moonlight Dance, Poem, Brown bird singing, Rendez-Vous, Bal masque, Karisma, Love's old sweet song, Down the Mall, Fairy on the clock, Piccadilly promenade, Phantom Melody, Macushla, In the shade of the palms, The Dicky Bird Hop, Dusk, Because, Colonel Bogey
CD004 [65:06] 
The term "Palm Court" probably originates from the early days of radio when a small orchestra would give weekly concerts of light music from the Grand Hotel, Eastbourne, on a stage bedecked with palm trees. In later years these concerts would transfer to the studio and be broadcast under the title 'Grand Hotel.’ Traditionally the orchestra, which became known as the Palm Court Orchestra, consisted of about nine players with the leader playing his violin at the front of the stage. It was a programme of refined, genteel light music, perhaps at times a little insipid, with rather too much emphasis on nostalgic old melodies which appealed mostly to its older listeners. This recording, which has been privately produced in Canada, retains many of the elements of the Palm Court era and, whilst certainly including some of the sentimental numbers associated with the idiom, also gives us plenty of contrast with a wide range of light music, including many personal favourites such as The BoulevardierFairy on the clockBal masque, Henry Croudson's Piccadilly promenade and Reginald King's gorgeous In the shade of the palms. There is also a delightful Herman Finck compositionMoonlight Dance, which I must confess is new to me, but I considered one of the best items on the disc.The Palm Court Light Orchestra was formed by Charles Job in 1986 and is regarded as Canada’s Premier Light Orchestra. Charles is the first to admit that, despite its title, it really is a theatre orchestra rather than a Palm Court Orchestra, having twenty-six players and incorporating a brass section, which curiously includes a bass trombone rather than a tenor. Indeed their only tenor is the guest vocalist Kenneth Lavigne who sings four songs.

I have to say that, right from the outset, this orchestra really impressed me. The tight ensemble and crisp performance on this CD suggests an orchestra which not only enjoys what it is playing, but has complete confidence in its conductor. How nice to hear a contemporary orchestra which is happy to play music in the manner intended by its composers. Highly recommended to all light music aficionados! Brian Reynolds
Available from

SIMPLY ACCORDION Light Music by Norvic Concordia [Accordion Ensemble]

Old Comrades (Teike), In Party Mood (Jack Strachey), Chanson de Matin (Elgar), The Phantom Melody(Ketelbey), Astor Piazzolla Suite, Misty (Garner), Canadian Capers (Chandler, White & Cohen), Longing (Oppenheimer), Heart of Paris (Auric), Spring in Tuscany (Gerhard Winkler), Evensong (Easthope Martin), Standchen (Heykens), March from A Little Suite (Trevor Duncan), The Grasshoppers’ Dance (Bucalossi), Manha do Carnival (Luiz Bonfa), Lazzarella (Domenico Modugno).DJC Records DJC 030, 64:12 mins.

Although always enjoying the occasional burst of accordion on a Mantovani or French music disc [or, indeed, on the Melachrino reviewed above], I have never had to review a complete album of accordion music and here there is not just a solo accordionist but five of them – all non-professional musicians. Although I missed the colouring of a full orchestra the music avoids sounding "samey" by the variety of the pieces played. They go from marches to waltzes, from tangos to swing. I especially enjoyed Jack Strachey’s Party Mood as a reminder of George Elrick on the BBC radio programme ‘Housewives’ Choice’, a fine Chanson de Matin [not a bad composer, that Elgar], the classic piano ragCanadian Capers, George Auric’s descriptive Heart of Paris and Heykens’ bouncy Stänchen [Serenade]. A reviewer in another place who, unlike me, is well-versed in all things accordion has written that "the music is very well arranged and the playing is of a high order." That’s good enough for me. And I rate the recording tiptop, too. P B

Available for £10 + £1 postage & packing from Peter Ayers, 40, St Michaels Way, Brundall, NORWICH, NR13 5PF. (It can also be ordered by sending an e-mail request to

NELSON RIDDLE Sea Of Dreams / Love Tide

Out of the night, Tangi Tahiti, Dream, There’s no you, Bali Ha’i , East of the sun, Till the end of time, Caravan … plus 16 more 
EMIGOLD 5970532 [67:43]

There simply are no adequate words to describe this superb pairing of classic albums arranged, composed and conducted by the great Nelson Riddle. ‘Sea Of Dreams’ has been my favourite album, describing a peaceful, restful getaway from the stresses of the day. The music is uniformly great withMy isle of golden dreamsDrifting and dreaming, and Nelson’s title number being the most beautiful tracks. And from ‘Love Tide’, another wonderful album from about 1961, we have the title track (also written by Nelson Riddle), Ill wind and the haunting Take me into your arms capping the list of musical therapy one could ever have in one lifetime. The transfer to CD preserves the original balances which were always great on Capitol. What Nelson Riddle could have accomplished had Capitol or Reprise let him write his soul! Unfortunately, EMI is deleting much of its magical catalogue in this series, including Paul Weston’s masterworks, as well as of this gentle master, Nelson Riddle. Maybe EMI can be persuaded to just let us have a few more times with these exquisite masterpieces in sound! Richard Jessen 
[Although this is obviously not a new release and has been reviewed in JIM before, we share Richard’s enthusiasm for the CD and have included it in view of his concluding sentence.]


Plain Jane, Early morning blues, A Burmese ballet, Hullabaloo, Deep Henderson, Message from Mars, Swinganola, Hick Stomp. Embassy Stomp, Champagne cocktail, B’wanga … and 14 others 
Vocalion CDVS 1959 [74:03]Here is another of this label’s reissues selling for an almost unbelievable £2.99. The tracks originate from the ten years up to 1945. Many of them were composed by Sid Phillips, including eight of those listed above. Fire Dance is by classical composer de Falla. The Rhythm Sisters are the vocalists on W.C. Handy’s Memphis blues, featured soloists are clarinettists Carl Barriteau on Dance of the potted puppet and Reginald Kell on Swing low, sweet clarinet. Although [Bert] Ambrose was always reckoned to use the best musicians around, I am unable to identify the personnel here as there are no booklet notes [understandably so at the price] but in his time Ambrose included such luminaries as Ted Heath, Lew Stone, Stanley Black, and George Shearing. P B

Largo [‘New World Symphony’], Nessun dorma, Somewhere over the rainbow, Nimrod, You raise me up, When I survey the wondrous cross – O Waly Waly, Let it be, Nearer my God to Thee, Wind beneath my wings, Make me a channel of your peace [with Aled Jones], O Christmas tree, In the bleak midwinter, You’ll never walk alone [with Lesley Garrett], Going home [with The Fron Male Voice Choir]UCJ 1782154 [53:32]It is good to see the Salvation Army’s premier band being taken up by a leading commercial label. I understand that good sales were achieved last Christmas and that the proceeds will help "The Army" in its so worthwhile charitable work. The playing is obviously of a very high standard and the repertoire is varied. The added percussion did at times come close to irritating me. The timing of the CD is nowhere near as generous as the cause it supports. P B


Nigel Ogden at the Wurlitzer Organ of Stockton Town Hall
Lover/ A wonderful day like today, Sons of the brave, Song of the bells, Selection from ‘The History Boys’: L'Accordioniste/ Bewitched/ Wish me luck as you wave me goodbye/ Bye bye blackbird/ Excerpt from Piano Concerto No.2 in C Major/ Happy birthday dear Eliza, Songs of the Sixties: Song of Mexico/ Apache/ Anyone who had a heart/ I remember you/ How do you do it?/ I want to hold your hand/ You don't have to say you love me/ March of the Mods, Georgia, Selection from ‘Mrs. Henderson Presents’: The girl in the little green hat/ All the things you are/ I'll string along with you/ Sails of the windmill/ Goody goody/ Doreen, Waltzing with Waldteufel: Estudiantina/ Dolores/ The Skater's Waltz/ The Sirens/ Mon rêve, Music from France: Ca c'est Paris/ Boom/ Windows of Paris/ Louise/ Pigalle/ I wish you love/ Farandole/ Under Paris skies/ Under the bridges of Paris/ Can-can, Celebration March, The Hour of Parting, The Best of Nacio Herb Brown: Broadway melody/ You are my lucky star/ All I do is dream of you/ Should I?/ Wedding of the painted doll/ You were meant for me
Grasmere GRCD 129 [75:53]The cinema or theatre organ, like the accordion, is an instrument which you either like or you don't. As an exponent (of sorts) of both instruments you can guess where I stand! Many people of my age group remember the regular cinema organ spots on the Light Programme – notably the 10am slot most weekday mornings in the Fifties featuring the likes of William Davies, Lloyd Thomas, Gerald Shaw, Robinson Cleaver and Robin Richmond, who later presented a weekly show entitled 'The Organist Entertains'. Well, that programme is still going but for many years it has been in the capable hands of Nigel Ogden, who is the featured artist on this CD which contains a plethora of tuneful melodies, mostly in the form of medleys. One such medley is ‘Songs of the Sixties’ which, in his accompanying notes, Nigel Ogden describes as "one of the greatest decades for popular song". Personally, I have always considered this period as being the beginning of the end of popular music. Fortunately, for this selection, Nigel has chosen [for the most part] some of the better tunes. There is a curiously titled item called Happy birthday dear Eliza which is based on Beethoven's Für Elise, that I have always disliked ever since being forced to play it in piano lessons as a child! I have often found over the years that cinema organists, [even some of the best known] have a habit of rushing passages and getting out of tempo. There is none of this, however, in Nigel Ogden's performances which are really first class! This is an entertaining and well-played recording, packed with good tunes which will appeal to all enthusiasts of this giant of musical instruments. Brian Reynolds

ARNELL The Great Detective / The Angels – Ballet Music

BBC Concert Orchestra conducted by Martin Yates
Dutton Epoch CDLX 7208 [66:17]Richard Anthony Sayer Arnell, or Tony to his friends, is considered by many to be our leading symphonist. Beecham recorded his ‘Punch and the Child’ in 1950 with the RPO and described Arnell as "one of the best orchestrators since Berlioz…" Having been educated at the Hall School, Hampstead, and University College School, Arnell entered the Royal College of Music in 1935, where he studied composition with John Ireland and piano with St. John Dykes. Vaughan Williams was chair of the panel that awarded him the Farrar Prize for Composition in 1938. He spent a number of years in America where his music was championed by Bernard Herrmann and other conductors and a number of his major works received performances. Back in England after World War II, Beecham became a patron, but Arnell’s prominence eventually faded when composers of anything considered "tuneful" were consigned to near-oblivion by the musical fashion-police, principally William Glock, Controller of Radio 3 [1959-73].Both of these ballets were commissioned by Sadler’s Wells and appear for the first time on CD. ‘The Great Detective’ [1953] is a witty comedic ballet based on the great fictional detective created by Sir Arthur Conan Doyle. The ballet opens in sparkling fashion and no one can be in any doubt as to the skill of the composer as an orchestrator. The humorousDistressed Ladies episode is reminiscent of the ballet music of Constant Lambert, while the melodramatic Fiends and Villains could well have been written for an old silent film. The Dance of Deduction is another witty episode and the whole work is eventually brought to a satisfying conclusion by a big tune and a few remaining musical heroic afterthoughts.

‘The Angels’ (1957) is more of a substantial piece which takes the form of a three movement symphony. The original scenario is abstract, but concerns a life-giving angel who brings men and women together, selects one of them for immortality and makes them shine with heavenly light. It is a powerful work and seems well suited for the concert hall. Of particular note is the extended centralRoundelay movement – one of Arnell’s most beautiful and inspired slow movements – and here the influence of his extended stay in the US is clearly evident, with echoes of his American contempories, Aaron Copland and Roy Harris.There is much to enjoy on this CD, and for those tempted to explore Arnell further I can thoroughly recommend the Third Symphony (Dutton Epoch CDLX 7161) – a stirring masterful work which has received universal praise. The artwork/sleeve design and copious liner notes make for an attractive package and both the recording and performance from Martin Yates and the Royal Scottish National Orchestra are of a high standard. An essential purchase for anyone interested in British orchestral repertoire of the "lost generation" and full marks to Vocalion for making Arnell’s music available to us after decades of neglect. Incidentally, Arnell is now in his nineties and lives in a Musicians’ Benevolent home in Kent where he continues to compose. Malcolm Osman

"The Golden Age of Light Music" : STRINGS AND THINGS GO STEREO!
For full tracklisting please refer to page 76 of this issue.
"Strings And Things Go Stereo" is the first 100% stereo selection in the Guild Light Music series but if, like me, sound technology isn’t your first priority – fear not – the music’s grand and so are the orchestras! Beginning with the curtain opening on Victor Young’s theme to "Around The World in Eighty Days" played by The Cinema Sound Stage Orchestra - and I’d suggest a brighter, breezier recording than the composer’s own version. Still with show music A Wonderful Guy from "South Pacific" (without Mary Martin!) played in fine style by Warren Barker’s Orchestra; I’m afraid I’d never heard of him but thanks to David’s inclusion, and his booklet notes, I have now! Following on from the Rio Carnival Orchestra’s rendition of Brazil is The Trolley Song, originally sung in a similar style by Judy Garland in "Meet Me In St. Louis" – this time played by Buddy Bregman and his Orchestra, but renamed for the original album ‘The Conrad Salinger Orchestra’ in honour of the esteemed arranger responsible. Two more film titles Love Is A Many Splendoured Thing and Change Partners(coupled with Mandy) played by Mantovani and Frank De Vol respectively continue this very entertaining programme; then a restful Tahiti: A Summer Night At Sea by Les Baxter is followed by a smoochie Harlem Nocturne with Norrie Paramor and his Orchestra. First Row Centre by Joe Reisman (any relation to Leo Reisman?) gets the feet tapping again before being lured into Alfred Newman’sStreet Scene with the New World Theatre Orchestra. Then in complete contrast we step straight into the Chappell catalogue with Tony Tamburello’s Saucy Sailor, although it first appeared several years earlier on a US Everest LP as Naughty Nautical, which is how it is listed on this CD. Robert Farnon is conducting his Orchestra in London, although at the time he was still under contract to Decca so the LP credited ‘The Everest Concert Orchestra under the direction of Derek Boulton’ (Bob’s manager!). A super piece of cheery mood music. There’s No You, a romantically tuneful concoction as played by Nelson Riddle, is followed by Morton Gould and his Orchestra with a seductive version of Orchids In The Moonlight written by Vincent Youmans from the RKO film "Flying Down To Rio". It was sung by Raul Roullen to either Ginger Rogers or Dolores del Rio, but I can’t remember which and it doesn’t say on the soundtrack LP I have! Track 14 has David Carroll and his Orchestra with Ron Goodwin’sSwinging Sweethearts but we in Britain know it as Skiffling Strings – thence to Victor Schertzinger’sSand In My Shoes with the Melachrino Strings. It was featured in the 1941 film "Kiss The Boys Goodbye" starring Don Ameche, Mary Martin and Connee Boswell. Hubert Bath’s Cornish Rhapsody, written for Margaret Lockwood to appear to play (but actually recorded for the soundtrack of the 1944 film "Love Story" by Harriet Cohen) is played here by pianists Rawicz and Landauer with Mantovani and his Orchestra – and a very nice performance and recording from all involved. And staying with Hubert Bath, I wonder if David would consider issuing his march Admiral’s All on Boosey & Hawkes 1930s Archive, and his other two nautical pieces on Paxton – Threatening Waves and Ode To the Sea. They deserve a wider audience for this neglected composer. Lucky In The Rain gets a really spirited performance from Robert Farnon and his Orchestra, as does Hal Mooney’s Orchestra playing his own composition Gemini - another piece that could easily come from a mood music catalogue – as could Pavement Pigalle from Joseph Kuhn, a name familiar to anybody with Golden Guinea 101 Strings LPs in their collection. It graces track 19 and is played by the Paris Theatre Orchestra. My LP copy is in mono, but on this CD – like all the tracks – it is in stereo. Canadian Sunset and Saraband are both pretty familiar, but Phil Boutet and his Orchestra playing Evening Starnot so – until I realised that it’s actually an arrangement of O Star Of Eve from Tannhauser by Wagner. The Clebanoff Strings play La Seduccion in a smoth manner, but Leo Shuken’s Spring Madness is alternately spritely then almost pastoral, ending as it began in vigorous style. And finallyThe Song Is Ended by Irving Berlin – a fitting tribute to another fine selection of concert items – which I’m sure the national BBC stations will ignore as usual, but anybody with any musical sense will add to their CD shelf immediately! Ken Wilkins

"The Golden Age of Light Music" : MUSICAL KALEIDOSCOPE - Volume 3

For full tracklisting please refer to page 77 of this issue.
Guild GLCD 5154

With expectations high I put "Musical Kaleidoscope – Volume 3" in the CD player and sat back – and I wasn’t disappointed. Three spectacular pieces to open, the first being Charles Williams’ Winged Messenger in which I thought I could detect strains of his Sons Of The Air on Chappell C209. David Ades writes in the booklet notes that Winged Messenger was used extensively by US networks NBC and ABC in the late 1950s and early 1960s as programme promo music and theme music for radio shows and I can understand why! A very powerful opener – as is track 2 Baden Baden, a grand theatrical-type march which develops into a galop, then simmers down to a definite finale. I’d never heard of the composer ‘Raymond’ but he (she?) wrote a good tune and it is very well played by the Baden Baden Symphony Orchestra – now known, according to David’s notes, as the South West German Radio Symphony Orchestra. The third ‘blockbuster’ on the CD is Holiday For Trombones by David Rose with him conducting in fine fettle. A novelty number by Kermit Leslie is next, which he calls Jalopy and includes a recording of one (a Model T Ford, perhaps?); then in complete contrast a smoochie piece Just For Two by Raymond Ellis and arranged by Angela Morley, rather similar to Dolf van der Linden’s Lady Of Leisure on Paxton. Track 6 is White from ‘Tone Poems Of Color’ by Victor Young; I wasn’t sure what to expect, but it turned out to be a delightful piece of concert music with a sleigh bells opening – very nice indeed. Another great novelty piece to follow – this time Ronald Binge’s Tales Of The Three Blind Mice played by Sidney Torch for the American transcription service Lang-Worth conducting what seems to me to be a slightly larger orchestra than usual, but I could be mistaken. Jack Strachey is another composer featured, and I’m very pleased that David included an unfairly neglected theatre march Shaftesbury Avenue from the Bosworth library – equal, I think, to his more famous Theatreland (already featured on two Guild CDs by B&H’s New Concert Orchestra – GLCD 5102, and Harry Fryer in Decca’s Music While You Work series – GLCD 5137). Irving Berlin’sLady Of The Evening is arranged by Peter Yorke and played by his Concert Orchestra in its usual immaculate manner, followed by Robert Farnon’s Playtime with the Telecast Ensemble and Bob at the piano (replacing the session pianist who wasn’t up to scratch!). I’ve got the Chappell 78 of this piece, and I wondered how long it would be before Alan and David included this number in the Guild Light Music series. Actually David tells me it was a special request from an RFS member! Forgive my ignorance, but I didn’t recognise Domani until Richard Hayman and his Orchestra struck up on track 14, and then the tune became very familiar; but Valse Bluette by Drigo sounds very different to my George Melachrino LP recording, as played here by Victor Young and his Orchestra with trumpeter Rafael Mendez doing his stuff. Harry Fryer was a great light music conductor and he makes a splendid job of Roger Barsotti’s march Banners of Victory. Between That’s All by Bob Haymes and Gershwin’s Swannee is Ecstasy by Otto Cesana and played by his orchestra. A lush melody that could easily find a place in any publisher’s mood music catalogue. Rudy Vallee co-wrote Deep Nightpresumably for himself to sing, and I have an LP of him doing just that – but here it’s played by the Pittsburgh Strings in fine form. Captain Of The Guard was new to me, but La Muse Legere wasn’t, as I’ve had the 78 since it was issued – but I particularly liked Captain Of The Guard and I’m told that it was also a special request, like several more in this collection. Alla Marcia from Sibelius’ ‘Karelia Suite’ and Sinding’s Rustle Of Spring are both very familiar concert items, but Gabriel Pierne’sSerenade not so – at least to me, but very tuneful all the same as played by the Andre Kostelanetz Orchestra. Henry Litolffs’ Scherzo played here by Winifred Atwell is a real eye-opener, especially as she was more identified with her honky-tonk ‘joanna’! And finally two ‘bonus tracks’: Desperate Moment and Sinister Street No. 1 from the De Wolfe library – two good examples of dramatic music used in the Two Ronnies’ comedy serial "The Phantom Raspberry Blower Of Old London Town". If David would like some more suggestions for dramatic items perhaps he’d consider East Of Malta by Ronald Hanmer and Jack Beaver’s The Sword Of Damocles – both from the FDH library for inclusion on future Guild CDs. This is altogether a very satisfying and melodic addition to the series and Alan Bunting’s magical restorations are first class as usual! Ken Wilkins


Havant Symphony Orchestra conducted by Peter Craddock 
with Elgar: Wand Of Youth Suite No.2, and Brahms: Academic Festival Overture [57:00] 
Strange bedfellows? Not really because all three offerings are tuneful delights but, while the latter two are well known, the former piece is a rarity indeed with a fascinating story behind it. Blower died in 1982 and some time later his son Thomas, pottering around in the loft, discovered a symphony which had lain unpublished and unperformed since it was completed in the pre-war summer of 1939. A few years ago he transcribed it into Sibelius software and, with the help of conductor Peter Craddock, set-up the full score for a première performance given in Fareham by the Havant Symphony Orchestra, which took place in March 2008. It was duly recorded for posterity and is now available for £8 from Sandra Craddock, 152 West Street, Havant, PO9 1LP; cheques payable to "HADOS." This is a jolly piece of music which will appeal to all Robert Farnon lovers. Edmund Whitehouse

Bournemouth Symphony Orchestra José Serebrier
Toccata and fugue in D minor, Wachet auf [Sleepers Awake!], Ein feste burg [A Mighty Fortress], Jesus, Joy of Man’s Desiring … etc
Naxos 8.572050 [64:59]Fans of the Disney film ‘Fantasia’ will be familiar with the opening track on this splendid budget priced disc. All the transcriptions by the old musical magician Leopold Stokowski are very come-at-able and as well as the 11 originating from Bach there are half-a-dozen others, eminently tuneful, by Palestrina, Byrd, Jeremiah Clarke [the Trumpet Voluntary tune], Boccherini [Minuet, used in Ealing Films’ ‘The Ladykillers’], Mattheson and Haydn [the well-known Andante Cantabile]. Buy and enjoy! P B 

DAVID NADIEN Beethoven & Mendelssohn Violin Concertos [US] Cembal d’amour CD 137[67:31] To many readers of this review, David Nadien may seem an odd choice for inclusion. Yet he was the leader (or concertmaster) of the recording orchestra Robert Farnon arranged and conducted for Tony Bennett on his famous ‘Snowfall’ Christmas album of nearly 40 years ago. At the time of that distinguished recording, David Nadien had been the leader of the New York Philharmonic Orchestra since 1966 and would be at that post until 1971. Nadien is still with us and occasionally plays in public. On this CD he shows just how insightful of a performer he truly can be in the heavier forms of music. The Beethoven Concerto is considered (with the Brahms) as a test of endurance of the player, for it is nearly as long as a symphony and just as demanding. David lends a special insight and feeling into this very emotional performance. He was aided in this 1952 performance by Leon Barzin and his college level National Orchestral Association. The Mendelssohn Concerto is a case of the soloist bringing a group of unknown musicians, the Chappaqua Orchestra under Wolfgang Schanzer, up to his level of conception. Again, there is a very strong bond between orchestra members and soloist that gives us a rare moment of psychic purity in which each participant accompanies each other with perfect balance. Although this may be a hard to obtain CD, the musical rewards and soothing sound of David Nadien’s artistry combine to create a marvelous listening experience seldom found in today’s musical world. Richard Jessen 
Available from 

"RHAPSODY BY REQUEST" Por Una Cabeza, Mack the Knife, Souvenirs de Paris, The Girl From Ipanema, La Vie En Rose, Jazz Medley, Tasha’s Waltz, Anne of Green Gables medley, Processional, Viktor’s Tale, Schindler’s List, Heaven Can Wait, Caravan, Les Patineurs Valse, Um Momento, Bohemian Rhapsody Rhapsody Quintet. RHAP CD005, 65:32 mins. Available from Rhapsody Quintet, 1240 Edward Street, Halifax, N.S., B3H 3H4, CANADA. Website www.rhapsodyquintet.comRFS members who have bought previous releases by this versatile Canadian group of musicians will be pleased to learn that a new collection is now available. Familiar favourites are mixed with some less well-known numbers, and the players’ enthusiasm which they display towards their repertoire is certainly infectious. Unlike sixty or seventy years ago, there are few examples of small ensembles playing light music these days, so it is good to know that this more genteel style still survives today.David Ades 

JOPLIN The Easy Winners & Other Rag-Time Music
PREVIN A Different Kind Of Blues
Itzhak Perlman [violin], André Previn, Shelly Manne [pianos], Jim Hall [bass], Red Mitchell [guitar]The Rag-Time Dance, The Easy Winners, Bethena [A Concert Waltz], Magnetic Rag, The Strenuous Life [Rag-Time Two-Step], The Entertainer, Elite Syncopations, Solace, Pine Apple Rag, Sugar Cane / Look at him go, Little Face, Who Reads Reviews, Night Thoughts, A Different Kind of Blues, Chocolate Apricot, The Five of Us, Make Up Your Mind
EMI Encore 2357272 [78:06]A well-filled low-priced disc with premium performers. Ragtime swept the world between c1897-1920, its syncopated melodies set against a march-type bass line. Scott Joplin was thought of as its greatest composer. Here the violin and piano of a classical "dream team" does him full justice on this 1974 album. The Previn piece, from 1980, anticipated the rash of "crossover" albums by classical artists from the late ‘80s onwards and is most enjoyable, with the violin virtuoso clearly taking to the jazz idiom at his first attempt. Previn is reunited with fellow pianist Shelly Manne, reminding us of their classic ‘My Fair Lady’ album [recently reissued with final restoration and remastering by Alan Bunting] on Retrospective RTR 4122. P B 

"LE PIANO ‘BASTRINGUE’" featuring the pianos of Floyd Cramer [Fancy Pants, Five Foot Two Eyes Of Blue], Dolores Ventura [Celebration Waltz], Eddie Smith [Ragtime Melody], Johnny Maddox [St. Louis Tickle], Michel Legrand [La Pendule], Crazy Otto Rag [Will Glahe], Russ Conway [Chicago, The Lantern Slide, Buttons and Bows], Eddie Miller [Somebody Stole My Gal, Whispering], Joe ‘Fingers’ Carr [Maple Leaf Rag, Down Yonder, Entertainer’s Rag], plus Winifred Atwell, Crazy Otto and many more. 61 tracks on 2 CDs. (France) Marianne Melodie 081902. Once again our friend Pierre-Marcel Ondher has put together a varied selection that will delight everyone who enjoys the kind of piano music performed by the talented artists listed above. The 28-page booklet contains comprehensive notes, but you will need to understand French! However the full tracklisting details give alternate titles in English where appropriate and this is a wonderful opportunity to become acquainted with talented pianists from France and Germany that may be unfamiliar to you. Highly recommended for those who enjoy popular piano music from the 1950s. David Ades This collection is available from the RFS Record Service to special order. The price is likely to be in the region of £20 but may vary due to current volatility in the currency markets. 

BENNY GOODMAN SEXTET Slipped Disc 1945 – 1946
After you’ve gone; Slipped disc, Rachel’s dream, I got rhythm … plus 14 more songs
Columbia CK 44292 [53:18]Probably one of the unique sounds in the history of jazz was Benny Goodman’s performances with small groups ranging in size from trios to quartets and finally into sextets. Although many prize the Charlie Christian sets (and they are justifiable classics), Goodman in the 1940's had lost none of his touch and continued to record for Columbia some magnificent performances. One that sticks out isAfter you’ve gone which has a great Slam Stewart singing solo on his bass along with crisp playing from vibist Red Norvo. Slipped disc is another fabulous item found on this disc, relating as it does to Goodman’s constant back pains. The music just ripples along like a happy, babbling brook aided in no small part by Teddy Wilson sitting at the piano and dispensing his famous crisp, articulate piano. The engineering from the original recordings is as perfect as can be had on this side of paradise. And of course, this is music for putting one in the mood for the happiest of all days Richard Jessen 

The Jody grind, The double up, Sack of woe, Things ain’t what they used to be, My baby’s gone, Billie’s bounce, Nostalgia in Times Square, Equinox, Scotch and water, From four till late, Break out the blues, Footprints, Solid
Label & release date to be announced [47:50] 
I am not a musician so maybe I am missing something. As I said when reviewing Daniel’s previous CD, ‘The Swinging Bassoon’, his technique is marvellous but as a solo instrument the bassoon in this setting sounds incongruous. The number of musicians has been increased and once again the compositions are all written by veterans of the jazz scene, most no longer around. I can only guess if they would approve of their music with this treatment. One thing is for sure, none of these tunes were written for a bassoon! The CD arrived with an impressive list of accolades from jazz critics with more knowledge than me. I can only repeat the first sentence of this review. Paul Clatworthy 

AL BOWLLY This Is Romance
Double CD, 52 titles
Sounds of Yesteryear DSOY756 [77:05 & &9:14]Fans of Bowlly, who is believed to have influenced many singers in his short lifetime, really get their money’s worth here! The songs are with the bands of Lew Stone, Ray Noble and Geraldo. Most personnel are listed; interestingly the Lew Stone orchestra had Stanley Black and Monia Liter, who later found fame on their own, in its ranks. Recordings date between 1932 and 1939. I was not born until four years after the first was made, so the only titles I was familiar with were Ray Noble’s The touch of your lips, Irving Berlin’s Top hat, Harold Arlen’s As long as I live, and Mack Gordon’s Did you ever see a dream walking. Transfers are painstaking good by John Bennett. Put in on your shopping list for Grandma’s next birthday. Paul Clatworthy
[1936 was a very good year! - KT Ed.] 

BING CROSBY Through The Years Volume Two 1951
25 tracks including Maria Bonita, Granada, Indian summer, The loneliness of evening, Sparrow in the treetop [with The Andrews Sisters], Here ends the rainbow [w. Betty Mullin], Moonlight Bay, When you and I were young, Maggie, Blues [w. Gary Crosby], I whistle a happy tune, Getting to know you, Gone fishin’ [w. Louis Armstrong], Shanghai, Row, row, row 
Sepia 1122 [73:52] 
Another entertaining selection of tracks from "The Old Groaner" with on hand the orchestras of John Scott Trotter [natch!], Vic Scoen, Lynn Murray, Victor Young and Dave Barbour; also The Bando Da Lua, Matty Matlock and his All Stars, and the Jud Conlon Choir. Popular singing par excellence. The music is enhanced by extremely comprehensive booklet notes. P B 

DORIS DAY TODAY A Musical Comedy Special [DVD]BMG 88697176059 [1hr 30 mins]I must admit to having a fondness for music specials and especially anything with Doris Day makes my day. In the waning days of music specials, CBS-TV telecast ‘Doris Day Today’ in 1975. Sadly, this was to be Day’s last major network special. Happily, this is a fun special showing off Day’s talents as actress, comedian and, most importantly, singer. There are vibrant duets with John Denver including probably the greatest filmed performance seen anywhere of songs associated with each performer. There are also comedy sketches with Rich Little offering up his vast repertoire of celebrity impersonations (he was one of the best) as the leading man in the many films Day was involved with, with humour. Another great comedian was Tim Conway who was known for cutting up hilariously with the late Harvey Korman on ‘The Carol Burnett Show.’ Here he has a funny sketch with Doris Day where they are stuck out in the middle of nowhere close to the Grand Canyon. Not only are both hilarious but also there is a brief appearance by Day’s best friend Biggest (a very large but very dignified male poodle). But it’s the music and voice that carries this excellently produced show. There is an update with very fast, edited costume change of the Cole Porter classic Anything goes, a very soulful performance of Day by day from ‘Godspell’ done as only Doris Day could do with a song. The most moving performance is The way we were, where all of Day’s male co-stars are remembered in a deeply emotional performance. There are also extras such as Doris Day’s appearance on the John Denver Show in 1974, 1940's musical short with Les Brown as well as data on her movies and many recordings. This DVD is available on both sides of the Atlantic. Thank you Doris Day for being the wonderful performer and human being you have always been. Here’s hoping you will be around for a few years more! Richard Jessen 

DICK HAYMES It’s A Grand Night For Singing
You’ll never know, It can’t be wrong, How blue in the night, Let the rest of the world go by, The more I see you, I wish I knew, They didn’t believe me, Love letters, Laura, Isn’t it kinda fun, It might as well be spring, That’s for me, It’s a grand night for singing, How deep in the ocean, Oh! what it seemed to be, Aren’t you kinda glad we did, For you, for me, for evermore … and 32 other tracks
Sounds of Yesteryear DSOY759 [74:40 & 72:27]A double album collecting the first nine years of the singer’s solo career with Decca, 1943 to 1952. Many of the titles were rushed through to beat the imminent recording ban of 1948. They do not sound rushed, his distinctive mellow voice coaxing the best out of each tune. Orchestra backing include Tommy Dorsey, Earl Hagen, Gordon Jenkins, Lyn Murray, Artie Shaw, Vic Shoen and Victor Young. Among the vocalists are The Andrews Sisters, Helen Forest, Judy Garland, Ethel Merman and Song Spinners.

Paul Clatworthy 

The Unforgettable PAT KIRKWOOD Just One of Those Things, Save a Little Sunshine (with Dave Willis), Dinah, Nobody’s Sweetheart, My Heart Belongs to Daddy, Most Gentlemen Don’t Like Love, The Only One Who’s Difficult Is You, You’ve Done Something to My Heart, Oh Johnny, Oh Johnny, Oh! Where or When, This Can’t Be Love, In the Mood, My Kind of Music, The Victory Roll, South American Way, Listen to Me – and many more. AVID AMSC 966 2-CD set. 66 tracks, total timing 157:19 mins."Glamorous, dynamic, and an international sex symbol, Pat Kirkwood was for two decades the undisputed queen of British stage and screen musicals, with a voice rivalling that of Broadway’s Ethel Merman. Cole Porter, Noël Coward and Leonard Bernstein chose her to play the leading roles in their musicals, and her performances in 15 pantomimes caused a leading critic to hail her as ‘the greatest Principal Boy of the 20th century’. When she died on Christmas Day 2007, the world-wide media coverage focussed on two things: her fabulous legs, once described by Kenneth Tynan as ‘the eighth wonder of the world’, and her rumoured relationship with Prince Philip, a source of feverish speculation by royal biographers and gossip columnists for 60 years. This historic double CD, released by AVID Entertainment to mark the first anniversary of her death, spans 56 years of her glittering career, from her first film at the age of 17, to her last stage appearance in 1994. It features no fewer than 29 performances that have never previously been released on CD. These include a duet with her Hollywood co-star, Van Johnson, recordings she made in the United States, which were never issued in Britain, rare soundtrack footage from her 1950s screen musicals, and five songs in live performance in 1993.Along the way are superlative interpretations of all-time great standards by Cole Porter, Noël Coward, Rodgers and Hart, Irving Berlin, Leonard Bernstein, Jule Styne, Anthony Newley and Leslie Bricusse. This superb compilation not only encapsulates the magic of Pat Kirkwood, and of one of the great show business talents, but also the history of the musical in the 20th century." The above details (copied from Avid publicity) give a fair description of the wide-ranging repertoire to be enjoyed in this collection, expertly compiled by Hugh Palmer, who was also responsible for similar recent collections from Avid featuring Jessie Matthews and Frances Day. As well as commercial and private recordings, there are soundtrack excerpts which should delight film buffs. If you are a fan of Pat Kirkwood you will not hesitate to add this to your collection. The well illustrated booklet is packed with information. A top quality product at a very reasonable price.David Ades This 2-CD set is available from the RFS Record Service price £9.00. 

Abide With Me, Pie Jesu, The Lord’s My Shepherd, Down in the River to Pray, May The Good Lord Bless and Keep You, Hallelujah, Panis Angelicus, In Paradisum, Silent Night, Ave Maria, Misa Criolla: Kyrie, Agnus Dei
UCJ 476 697-2 [48:24]The lovely young mezzo-soprano returns to her Welsh church roots with this album. I guess the booklet’s photographic studies of Miss Jenkins add value to the package, but less than 50 minutes of music is a bit meagre for a top price disc. What we have, however, is very good. The Pie Jesus is by Andrew Lloyd Webber, and the Lord is my shepherd is the Howard Goodall version used in ‘The Vicar of Dibley.’ Meredith Wilson wrote May the good Lord and Hallelujah [versions of which were at Nos. 1 and 2 in the pop chart last Christmas] is by Leonard Cohen. Particularly winsome is the old spiritualDown in the river to pray, one of eight tracks enhanced by The Crouch End Festival Chorus. Another standout track is Simon Lindle’s Ave Maria with The Redolfus Choir, who also accompany on three others including the poignant Agnus Dei by Samuel Barber. P B 

MARY MAYO Dancing In The Dark
Molly Malone, Waiting, Just a wearyin’ for you, It seemed so right last night, Dark is the night. Bring back the thrill, Memory book, My love an’ my mule, I can see you, Who but you, I never dreamt, A penny a kiss, a penny a hug, It only takes a minute, Come to baby, do, Heavenly feeling, This is the place … and 9 other tracks
Sounds of Yesteryear DSOY762 [69:19]Mary’s voice has a range of four octaves, well illustrated on CD but not in the "Sumac" manner. Whilst they were both members of the Beneke-Miller Band, bass player and arranger Al Ham fell under her spell and they married. Some of the songs have not been heard for many a year; five are from films, seven recorded with the Tex Beneke Band, the remainder with the bands of Al Ham, Glenn Osser and Ray Wright. Some tracks are a little "Rinky Dink"; others more worthy of her marvellous voice, especially when linked with a large orchestra. I was most intrigued to find a Pete Rugolo written Bring back the thrill, one I had never heard before. The last "live" track is obviously from her later years reunited with the Beneke Orchestra. Charming nostalgia most of the way. Paul Clatworthy 

LIGHT MUSIC FOR PIANO AND VOICE – JOHN McLAIN Cat In A Flap, Into My Heart, Mamble, When June Is Come, The Willow, Renunciation (songs), Soliloquy, Kirsty – in Melancholy Mood, Serendipity, All In Good Time, The Forest At Dusk (piano solos), Templeton – Bach Goes To Town, Coates – Bird Songs At Eventide, Ireland – Sea Fever, Zez Confrey – Dizzy Fingers, Kitten On The Keys, Lehar – Girls Were Made To Love And Kiss, Cyril Scott – Danse Negro, Walforde-Finden – Kashmiri Song, Debussy- Golliwog’s Cakewalk, Coleridge-Taylor- Onaway Awake Beloved, Godron Pullin (tenor), Barbara Manning (piano). This excellently recorded CD is well worth its £5 price to RFS members. Admittedly John McLain’s undoubted lyrical impulse (John is an RFS member), whether in songs or piano solos (which are effectively songs without words) produces results which are very similar in mood and tempo, so it is perhaps as well that contrast is offered by vocals and instrumentals composed by others, which are among the classics of the light music genre. Performances are highly enjoyable; Mr. Pullin’s delivery and diction are notably clear (all tracks are sung in English – words are not supplied in the insert but are really unnecessary), and Miss Manning’s playing, whether solo or in accompaniment, is expressive, fluent and full of character. Available at £5.00 to RFS members from JOHN McLAIN, 42 Osidge Lane, Southgate, London, N14 5JG, England.Philip L. Scowcroft 

"ROSES ALL THE WAY" Songs by Eric Coates The Palace of Roses, Sigh No More Ladies, Melanie, A Dinder Courtship, Asphodel, The Fairy Tales of Ireland, Roses All The Way, Yearning, Mendin’ Roadways, By The Sleepy Lagoon (piano solo), Sea Rapture, Little Snoozy Coon, Bird Songs At Eventide, Music of the Night, Little Lady of the Moon, Always, As I Close My Eyes, Your Name, A Song of Summer, Star of God, Today is Ours. Peter Dempsey (tenor) and Guy Rowland (piano). Eric Coates is mostly remembered as a composer of light orchestral miniatures but he began as a writer of ballads and continued as such for the rest of his life, albeit less so after the mid-1930s. Several of them can be heard today, but there are many which are not (there were about 130 in all); this disc concentrates on the less well-known of those written between 1912 and 1943. Only Bird Songs and (sung here appropriately in a ‘Mummerset’ accent) A Dinder Courtship are at all familiar to most of us, so this release does fill a gap. Further, Peter Dempsey has a limpid, fluent delivery and notably clear diction while Guy Rowland is a sympathetic, positive accompanist; his solo piano version of By The Sleepy Lagoon (presumably arranged by the composer) recalls that many light orchestral favourites could, at one time, be found in the domestic piano stool. Some of these songs sound like other, better known ballads by Coates, but this is common enough in balladry and there is much variety here. We catch an Irish flavour in The Fairy Tales of Ireland; there is a popular, up-tempo character in the title song and the splendidly non-PC Little Snoozy CoonSigh No More Ladies ranks high for me in the centuries of Shakespearian vocal heritage, and the last two songs – one to Coates’ own words – movingly recall that he continued penning songs into the Second World War. Recording is admirably clear, and presentation thoughtful. These tuneful imaginations are sure to give pleasure, as they have done to this reviewer. Philip L. Scowcroft This CD is available from PETER DEMPSEY, 44 Victoria Road, Bidford-on-Avon, Warwickshire, B50 4AR, England – price £11.99 [including p&p]. 

PIGS COULD FLY Children’s Choir Music 
New London Children’s Choir conducted by Ronald Corp 
Songs by Skempton, Britten, Corp, Bennett, Bliss, Tavener, Vaughan Williams, Maxwell Davies, Chilcott, Bliss, Rutter, Godfrey, Maw, etc.
Naxos 8.572113 [66:07] 
The conductor is well known to tuneful music lovers for several CDs of light music and this choir, which he formed in 1991, is a companion to his New London Orchestra. The repertoire is wide and varied, ranging from lively short pieces to more serious sacred music, with several more in between; 35 different songs in all. The diction is good and for anyone who likes to hear children’s voices then this is a welcome addition to the relatively small catalogue of that genre. Edmund Whitehouse

20 tracks including Rhythm, Nanette, Folk Song Cycle, Weary of it all, Piccolo Marina, There are times, Paint, Maud, There are fairies at the bottom of our garden, The party’s over now
Sepia 1123 [78:51]A unique artiste but, possibly, something of an acquired taste. In addition to the above there are seven other tracks including Three little fishies, from the show ‘Auntie Bea’ with an orchestra directed by Eric Rogers. If you are not a Miss Lillie fan, the disc is worth acquiring for her co-star Reginald Gardiner’s classic Decca single Trains [ah, memories!] Nobody should complain about value for money here. Ray Pavene 

IRMA LA DOUCE Original London Cast
Sepia 1120 [74:29]The original Parisian version of this show, music written by Marguerite Monnot, opened in November 1956 and ran for four years. This English language version opened on 17 July 1958 at London’s Lyric Theatre, where it ran for 1,512 performances starring Elizabeth Seal, Keith Michell and Clive Revill. The book and lyrics here are by Julian More, David Heneker and Monty Norman; Peter Brook directs; orchestrations are by Andre Popp; vocal arrangements by Bert Waller; and the orchestra is under the direction of Alexander Faris. Not being familiar with the show – the most recognizable track is probably Our Language of Love – I enjoyed it a lot. Also included on the disc are 11 "Bonus Tracks" in French. Sepia’s customary comprehensive booklet notes complete a well-filled package. Ray Pavene 

‘THIS RECORD IS NOT TO BE BROADCAST’: 75 records banned by the BBC 1931-57 Acrobat Music ACTRCD9015 (3CDs with booklet).
It seems rather ironic that this album should appear at a time that the BBC has been forced to review its public broadcasting standards following the recent Ross/Brand affair. Three CDs and a 48 page booklet comprise a fascinating study of 75 recordings that were effectively black-listed by the BBC during the years 1931-57. With the hindsight of living 50 years on, some of the reasons given by the ‘Dance Music Policy Committee’ for their decisions now seem ludicrous and trivial – especially when judged by what is now considered ‘entertainment’. One such directive ran: "The BBC’s policy is to encourage a more virile and robust output of dance music to accord more closely with the present spirit of the country. To this end any form of anaemic or debilitated vocal performances by male singers will be excluded. Performance by women singers will be controlled to the extent that an insincere and over sentimental style will not be allowed. No numbers will be accepted for broadcasting which are slushy in sentiment or contain innuendo or other matter considered to be offensive." Thus George Formby’s With My Little Stick of Blackpool Rock (1939) and Johnny Messner’sShe Had to Go and Lose It at the Astor (1938), both fell foul of the committee. In the case of the latter, both the suggestive lyrics and the fact that mentioning the Astor was tantamount to advertising were more than enough reason for an outright ban. In 1942, the BBC’s Director of Music was none other than the eminent composer Sir Arthur Bliss. Bliss was staunchly against tunes borrowed from classical works. This view led to the banning of whole albums based on classical themes. Thus in 1938 Tommy Dorsey in an arrangement of Song of India (from Rimsky-Korsakov’s Sadko) was banned and in 1942 Glen Miller’s The Story of a Starry Night (from Tchaikovsky’s Sixth Symphony), suffered a similar fate. In the words of the committee, "The Story of a Starry Night is not a parody, but a travesty of the original.” Not so much the Pathėtique Symphony as the pathetic in fact…. Perhaps it is hardly surprising that the Spike Jones version of the Blue Danube (1945) was also banned, although this was lifted in 1947 when ‘burlesque’ became permissible but ‘dance tempo distortion’ did not! Sometimes songs were banned for purely practical reasons. Thus Bing Crosby suffered a double ban. Deep In The Heart Of Texas (1942), during working hours, in case factory hands used their tools for banging machinery to keep time with the infectious melody and in the following year I’ll Be Home For Christmas was banned for the reason that it would lower the morale of the fighting troops. There are many more such examples to be found in the lavishly illustrated informative booklet. A fascinating release and one that I think many of our members will find room for in their collection - if only as a curiosity. Copies can be obtained from Acrobat Music or from the RFS Record Service. Malcolm Osman 

Other releases noted by Wilfred Askew
NELSON RIDDLE Let’s Face The Music
Among the 55 tracks are: Let’s face the music and dance, Put your dreams away, The love of Genevieve, Dreamer’s cloth, Darlene, The girl most likely, Younger than springtime, An affair of the heart, Where did he go? Port au Prince, Darn that dream, You and the night and the music, I’m gonna laugh you right out of my life, Lisbon Antigua, Volare, Easter Isle, Accordion Willy, Man on fire, Seven nights a week, Walkin’, Holiday in Naples, Rain, Vilia, Waltz of the blues, Can this be love, Robin Hood, I can’t believe that you’re in love with me …
Jasmine [2-CD set] JASCD 495 [158:18]

All You Need Is Keith Mansfield
All you need in love, You’ve lost that lovin’ feeling, Everlasting love, Whiter shade of pale, Soul thing, Moanin’, Walk on by, Lovin’ things, Reach out [and I’ll be there], Take five, Boogaloo, Rainbow and [Epic single] Soul confusion
RPM Retro 835 [69:15]1968 CBS recording plus seven tracks by Love Affair, Maynard Feguson, Alan Haven & Selena Jones with Mansfield’s Orchestra. 

Debut album from 1957 including Collar of Perlas, Poppourri Curiel, Medley [Berlin, Rodgers and Hart], Universidad rock and roll, Una y otra vez, Sketch de Glenn Miller … & 6 other titles / Compilation of singles & EPs recorded in Mexico between 1954-56 including To live again, Port au Prince, AMOR, Moonlight enchantment, Nightingale, Nocturnal … & 6 other titles.
Cherry Red ACEM139CD [76:14] 

The City of Prague Philharmonic Orchestra & Chorus conducted by Nic Raine
World premiere recording of the complete film score on 3 CDs plus ‘Double Indemnity Suite’ [arr. Palmer].
Tadlow CD005 [182:04] 

The Versatile Henry Mancini
Poinciana, Bali Ha’i, Flamingo, Whispering Sea, Return to Paradise, Naked sea, Breeze and I, Driftwood and dreams, Moon of Manakoora, Sleepy Lagoon, Ebb tide, Off shore; plus bonus tracks:What’s it gonna be, Young love, Free and easy, Cha cha cha for Gia 
Cherry Red ACMEM155CD [79:59]His first album, ‘Driftwood and Dreams’, from 1957, appears here in both mono and stereo versions.  

KEN GRIFFIN [Organ] Skate On
52 tracks including Cuckoo Waltz, Take me out to the ball game, Doodle Doo Doo, American Patrol, Little brown jug, If I had you, Bumble bee on a bender, Till we meet again / Louise, For all we know, There’ll be some changed made, The Sycopated Clock, The woman in the shoe, San Antonio Rose, Wunderbar … etc.
Jasmine [2 CDs] JASCD 471 [136:42] 

The Zodiac Suite / Dreams and Desires with the voice of Patricia Clark
An Aries Aria, Taurus Tango, The Gemini Waltz, Cancerian Concerto, Lonely Leo, The Impatient Virgo, A Libra Rhapsody, Seductive Scorpio, The Sagacious Sagittarius, Capricious Capricorn, Mood Aquarius, Ode to Pisces / That’s my desire, You stepped out of a dream, If I had you, I’d love to fall asleep [and wake up in your arms], Once in a while, You’d be so nice to come home to …& 6 other titles
Vocalion CDNJT 5200 [78:20]EMI Columbia recordings from 1957. 

Music [17 tracks] from Rudyard Kipling’s ‘Jungle Book’ [1942] narrated by Sabu with the Victor Symphony Orchestra, composed and conducted by Miklos Rozsa; ‘The Thief of Bagdad’ [1940]narrated by Hugh Gray with the Frankenland State Symphony Orchestra, composed and conducted by Miklos Rozsa; ‘Black Narcissus’ [1946] with the London Symphony Orchestra, composed and conducted by Brian Easdale
El ACMEM151CD [66:54] 

‘Songs from the Great White Way’: If I were a bell, People will say we’re in love, Hello, young lovers, Poppa, won’t you dance with me, But not for me, A wonderful guy … & 6 other titles / ‘Songs from The Ziegfeld Follies’: A pretty girl is like a melody, Row, row, row, I can’t get started, You’d be surprised, What is there to say, Shaking the blues away … & 6 other titles
Flare ROYCD 264 [67:45]Original Mercury recordings from 1956, with Glenn Osser’s Orchestra & Chorus.

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My Gypsy Love & Great Themes from Great Operas [Highlights]

Gypsy moon, Tzigane, Play gypsies, dance gypsies, Waltz of the gypsies, The gypsy, Golden earrings, Czardas [Monti], Play to me, gypsy, Budapest, At the Balalaika, Gypsy love, Dark eyes / Intermezzo from ‘Cavalleria Rusticana’, Nessun dorma, Oh! my beloved father, La donna è mobile, Your tiny hand is frozen, Caro nome, E lucevan le stelle, Musetta’s waltz song

Vocalion CDLK 4387 [76:12]

Another splendid 2-on-1 CD comprising albums originally issued as mono LPs in the early ‘60s on one of the very first budget labels, Decca’s Ace of Clubs. Much of light music stems from the styles and technique of gypsy players. You will find here – in very decent stereo – a lot of the fire and lushness associated with gypsy music, and this album must feature quite highly in the Chacksfield canon. Even if you are not "into" opera, the melodies by Mascagni, Puccini and Verdi on the second album are irresistible in these Italian-tinged arrangements. Here’s hoping for more reissues from this source, notably ‘Songs of Sunny Italy’Peter Burt 

A Box of Light Musical Allsorts For full tracklisting details please see page the Light Music CDs pages on this website Guild GLCD 5157 77:51 mins. Where would light music enthusiasts be without Guild and a few other labels of a like mind – reissuing the sort of fare not supplied by the major record companies and radio stations? I ask this after listening to this latest Guild Light Music release, which opens in cracking style with Bob Farnon’s Orchestra and his arrangement of My Object All Sublime from "The Hot Mikado" – Gilbert and Sullivan (sort of!). It has a big ‘show-bizzy’ opening with, I’m sure, echoes of Bob’s Alcan Highway, leading to a swinging version of Sullivan’s well-known melody accompanying a tap dancer! A novelty indeed! Felton Rapley’s very attractive Southern Holiday and Werner Müller’s likewise Take Me To Your Heart continue this melodic programme. A dip into the Chappell catalogue brings a welcome CD release of Clive Richardson’s Mannequin Melodyand then Alfred Newman conducts his own film music to "A Letter To Three Lives" from a Mercury LP I’ve had since its release in 1956. Angela Morley’s tribute to Bob Farnon A Canadian In Mayfair is given a spirited performance by Sidney Torch and his Orchestra, the same recording I think David Ades included on his Sidney Torch Great British Light Orchestras HMV compilation of 1992, long deleted. Thou Swell is a catchy number from "Words and Music" and was sung in that film by June Allyson in 1948; here it is played by Andre Kostelanetz and his Orchestra. However the track I can’t get over is Military Samba by John McGregor, a name new to me – but it’s so infectious as played by Edmundo Ros conducting what sounds like a fairly large Concert Orchestra. I had forgotten that he’d ever recorded with such an ensemble, then I remembered his recording of Marching Strings on an earlier Guild CD which probably came from the same session. Charles Williams’ Let’s Go Shoppingplayed by the Danish State Radio Orchestra recalls newsreels and Pathé shorts of the 1950s, as doesPolka Dot by Eric Cook played by the New Concert Orchestra conducted by Cedric Dumont.Rahadlakum from "Kismet" was new to me although I knew the score had been adapted from Borodin’s work; here it’s played in fine concert style by Percy Faith who arranged it for his orchestra.The Happy Hippo from the Conroy Library by Eric Winstone is another catchy melody, as of course is Eric Coates’ ‘Phantasy’ "The Three Bears" played by the London Symphony Orchestra under the baton of Sir Charles Mackerras in 1956, although he did not receive his knighthood until 23 years later. Four more library numbers follow which take me back to the 1940s and 1950s. Melody In Moccasins by Wilfred Burns is played by Philip Green and his Orchestra on a rare MGM 78, then Fly Past by Cecil Milner (incorrectly credited to Charles Williams when Chappell resurrected it for their ‘Archive – Adventure’ CD CHAP 166). I’m very pleased with the inclusion of Horace Dann’s Worcester Beacon because my Paxton 78 copy has a very poor surface as other copies probably also have, so Alan Bunting’s excellent restoration (not a trace of surface noise) is very welcome – and he’s managed to retain what I call that unique Levy’s Sound Studios sound – wonderful! The fourth library piece in this group is St Boniface Down by Trevor Duncan. The jury’s still out on this one! And finally Noel Coward’s London Pride rounds off another great Guild Light Music CD and – as the title suggests – a veritable Box of Allsorts. Ken Wilkins 


Auf Grosser Europa-Tournee & Über Sieben Meere – Sailing Along

28 titles including Das ist die Berliner, Auf der Reeperbahn nachts um halb eins, Copenhagen Polka, Tulips from Amsterdam, Lisbon Antigua, Moulin Rouge, Frühling in Wien, Münchner Kindl, Gondellied, O mia bella Napoli, Isle of Capri, Arriverderci Roma / 21 tracks including Rolling home, Down by the riverside, Kari waits for me, Señorita Dolores, Aloha Oe, What shall we do with the drunken sailor, Rolling home, Good bye, fare you well

Vocalion CDLK 4382 [65:39]

Expecting the first album on this 2-on-1 to compare with the Melachrino above, I could not have been more disappointed. This is not the Müller sound from previous CDs I have heard but a dance band playing a series of potpourri: foxtrots from Berlin, Paris, Vienna and Rome, rock from Hamburg, waltzes from Amsterdam and Munich, polkas from Copenhagen, bossa novas from Lisbon, cha-chas from Venice, tangos from Naples, and the twist [some ripe bass guitar here] from Capri. There is no mention of it being recorded in front of a live audience [actually there is no explanation for anything in the complete absence of liner notes] so I can only assume that all the background crowd noise, the vocalising and the applause is dubbed. Pity they bothered. These are 12 tracks I’ll not be returning to again in a hurry – glad I did not have to pay postage and packing on this one! The collection of seafaring songs on the second album, although vocal with orchestral accompaniment, is a different kettle of fish; my wife thought it "a nice CD", which is high praise! It is largely sung in German but some titles are in English. The men’s voices in the shanties are especially effective. The slow waltz Farewell is Greensleeves in a most attractive arrangement with a plaintive harmonicaThis time there are background sounds of ships and sailors; more acceptable on a first hearing, at least. You, of course, may like the whole disc. Peter Burt 


Faust: Ballet Music, Waltzes [Gounod], Der Rosenkavalier: Waltzes [Richard Strauss], The Queen of Sheba: Ballet Music [Goldmark], Jewels of the Madonna: Dance of the Camorristi [Wolf-Ferrari], Kemenoi-Ostrow Op.10 [Anton Rubenstein], Turkish March [Beethoven], Ballet Egyptien [Luigini], Le Cid: Ballet suite [Massenet]

Frank Bristow FBCD182 [78:30]

Like the Kostelanetz below, this is another selection from the basic catalogue of Boston Pops recordings over the years. Familiar classics make this a varied, well thought out and unhackneyed orchestral album of mass appeal. In this respect it will be like all of Fiedler’s well-edited and [naturally] immaculate musicianship, beautifully atmospheric in its overall sound and presentation.Arthur Jackson 


Liza, Laura, Waltz from Sari, Vienna, city of my dreams, Falling in love with love, Intermezzo, Gold and Silver Waltz,, Gypsy Love Waltz, Someone to watch over me, Lady be good, Two hearts in three-quarter time, Emperor Waltz, Vilia, Have you met Miss Jones?, Waltz dream, Gypsy Baron Waltz, Diane, Love walked in, You made me love you, Serenade [Pierne], Bali-Hai, We kiss in a shadow, Moon over Miami, Now is the hour

Frank Bristow FBCD91 [78:30]

"Miscellany" this most certainly is…everything from light opera, evergreens and other pop classics, to the best of show tunes by Gershwin, Rodgers and even Strauss. Thus, it might be a collection of older recordings which may be familiar to long-time Kosty addicts – like myself, for instance, who bought my first Kostelanetz 78s something like sixty-six years ago, and fell in love with his sound which even then was progressive indeed. Altogether 78½ minutes of a master at his best. Arthur Jackson

Frank Bristow’s CDs are ONLY available direct from him at 2 Cross Street, Brighton, Victoria, 3186, Australia. Tel. 03-9528-3167. E-mail: Credit cards and PayPal are accepted, but no cheques – details on request. Please visit Frank’s website for information about other CDs in his catalogue:

50 Years of the Music of LAURIE JOHNSON – Volume 3 Disc One "The New Avengers" Disc Two "Lock Up Your Daughters", "The Four Musketeers" Disc Three Film Scores – "The Moonraker", Hot Millions, Captain Kronos, A Hazard of Hearts, The Lady and The Highwayman, A Ghost in Monte Carlo, A Duel of Hearts; TV Themes – No Hiding Place, Shirley’s World; Works for Military Band – Airborne, A Christmas Carol; London Big Band – Crazy for Gershwin, Jeepers Creepers, Come Rain or Come Shine, Suddenly, From This Moment On, My Romance, Swanee, Mean To Me, I Love Paris, Mack the Knife, It Could Happen To You, Begorra! Edsel EDSD 2027. The incredible talent of Laurie Johnson is vividly illustrated in the wide range of music contained on these three CDs. Readers who have already purchased the first two volumes in this series will know that each disc comes in its own jewel case with an excellent booklet crammed with text, pictures and recording information. This set has been compiled and annotated by Laurie himself, and packaged with photos and memorabilia from his own collection. It represents amazing value, and is warmly recommended. David Ades


A mighty fortress is our God, Whispering hope, Nearer my God to Thee, The Lord’s my shepherd, Abide with me, Onward Christian soldiers, The Holy City, Eternal Father strong to save, Beautiful Isle of Somewhere, Jesus, lover of my soul, Jesus, joy of man’s desiring, Little brown church in the vale, All people that on earth do dwell, Rock of ages

CDLF 8135 [51:28]

As a churchgoer and avid Mantovani album collector, I do not know how I failed to add this to my collection on its first appearance in 1961, and was resigned to it being the one that got away! Now, hallelujah, here it is in all its God-given glory. Yet again we are indebted to Mike Dutton. With five wordless contributions from the Sammes Chorus, the superb Kingsway Hall organ on three tracks and nine masterly arrangements by Cecil Milner [the maestro writing the other five], Mantovani thought it was one of his best ever albums and is quoted in his biography as saying: "No matter what religious inclinations one may have, it can only be pleasing to everyone." Biographer Colin Mackenzie’s words that "it remains a listening joy, a source of comfort in troubled times" could not be more apt today. The story behind the album is told for the first time in the comprehensive liner notes. And all for around a fiver. Peter Burt

Bargain Basement : Light Music Classics Volume 4 With Emma to town (Collins), Vanity fair (Collins) The London Promenade Orchestra/Anthony Collins; Bowin’ and scrapin’ (Casson), Sombrero (Brown), Celtic snapshots (Pagan) The New Century Orchestra/Sidney Torch; Poodle polka (Walters), Midsummer madness (Watters), Chiming strings (Richardson), Eternal melody (Hanmer), City centre (Ewing), Shop window (Hanbury) L’Orchestre Devereaux/Georges Devereaux; The beachcomber (Richardson), Getting together (Richardson), Paris interlude (White), Bargain basement (Watters) The New Concert Orchestra/Jack Leon; Savoir faire (Curzon), The juggler (Liter) The New Concert Orchestra/Nat Nyll; Hey presto! (Wilson arr Duncan), Melody at moonrise (Watters), Ski jump (Dollimore), Making tracks (Duncan), Bob-sleigh (Jupp) The New Concert Orchestra/Frederic Curzon; Piccadilly spree (Watters) The New Concert Orchestra/R de Porten; A mood for lovers (Burns) The Symphonia Orchestra/Jack Talbot; Practical joker (Spass muss sein) (Van Phillips), Moonlight with Maxine (Van Phillips) The Lansdowne Light Orchestra Vocalion CDVS 1958. As the title suggests, this is Vocalion’s fourth collection of Light Music at a bargain price, which should be snapped up by all readers of this magazine (it is available from the RFS Record Service for only £3.00). Seasoned collectors will already have many of these tracks on other CDs, but even if only three or four pieces are new to you it is surely worth paying the price to acquire them. Wonderful value. In case you have missed any of them, the previous issues in this series are: "Fingerbustin’" CDVS 1946, "Stringopation" CDVS 1954 and "Dreamtime" CDVS 1957. Buy them all while you can! David Ades

THE GEORGE MELACHRINO ORCHESTRA / MELACHRINO STRINGS Music For The Nostalgic Traveller / Music For Relaxation [Highlights]

England: Big Ben chimes, English hymn, Oranges and lemons Ireland: Irish washerwoman Wales:David of the White Rock Scotland: The road to the Isles France: Sur le pont d’Avignon, Madelon [Quand Madelon], La rêve passé, Auprès de ma blonde, Il était une bergère, Danse Apache, Sur les soits de Paris, Can Can Italy: Funiculi, funicula, Tarantella, Catari, catari, Gondola song, Parlami d’amore Mariù, La Danza Spain: España, Tango, Valencia, Andaluza, Spanish Gypsy dance Central Europe: Liber Augustin, Wiegenlied, Swiss dance, Vienna, city of my dreams, The Blue Danube, Komme Tzigany, Gypsy carnival Tropics: Cielito lindo, Jamaican rumba, Pila pilo, Brazil, Solamente una vez, Aloha Oe / Moonlight serenade, While we’re young, Valse bluette, By the sleepy lagoon, La serenata, Berceuse de Jocelyn

Vocalion CDVS 1969 [73:37]

It is just as well that this CD is worth at least twice its listed cost of £2.99 as none of my usual sources of supply had it at that price [HMV told me that the recommended price from Vocalion was £6.99, hence their price of £4.99] so, reluctantly, I had to pay half as much again in postage and packing. The last half-a-dozen tracks are from a 1958 stereo album and are typical of Melachrino’s suave sound. The first album comes from two years earlier and is in mono. The French and Italian selections have already appeared on Guild Light Music CDs. Vivid well-played arrangements, largely shared between maestro Melachrino and William Hill-Bowen, would have benefited from the extra dimension of stereo. Buy it [for £2.99 if you can], put it on your player, maybe turn up the volume a tad and enjoy! Peter Burt This CD is available from the RFS Record Service for £3.00. 


The bells of St Mary’s, By the sleepy lagoon, Hearts and flowers, Somewhere a voice is calling, Love here is my heart, Just a wearyin’ for you, ‘Bambi’ Medley, To a wild rose, Moonlight and roses, I’m in the mood for love, I only have eyes for you, Roses of Picardy, These foolish things, ‘Look For The Silver Lining’ Medley, Valse vanité, Body and soul, Smoke gets in your eyes

Sounds of Yesteryear DSOY 772 [62:04]

A pleasant way to remember those good old days when the BBC played light music on Sunday afternoons! The last two tracks feature the sweet saxophone of Freddy Gardner. Paul Clatworthy 

That’s Light Musical Entertainment For full tracklisting details please see the Light Music CDs pages on this website Guild GLCD 5158 78:29 mins. That’s Entertainment played by the Conrad Salinger Orchestra kicks off another Guild selection of melodies - most of which are bereft of airtime from our national broadcasting service. Angela Morley’s orchestra is next with Robert Farnon’s classicWestminster Waltz, then a name I usually associate with horror films, but here in partnership with Mitchell Parrish for Ruby from the film "Ruby Gentry" – Heinz Roemheld, a German musical director long in Hollywood. He was responsible for the scores to "The Invisible Man", "Dracula’s Daughter", "The Creature Walks Among Us" and others – not all of them horror movies. Andre Kostelanetz makes the Waltzes from "Count of Luxembourg" sound as though they were written just for his orchestra – a marvellous sound enhanced by Alan Bunting’s restorative treatment. David Ades confessed to me that he has included this track because it reminds him of the days in the mid-1950s when the English service of Radio Luxembourg used to open with this music around 7:00pm, although he has not been able to establish whether or not it was actually the Kostelanetz version that was used. Geraldo’s New Concert Orchestra does a fine job of All My Life by George Melachrino from "Eight O’Clock Walk", but the film itself is dismissed by Halliwell as ‘minor league courtroom stuff; an adequate time passer’. Very disheartening for the composer, I would think. This Can’t Be Love, I’ll See You In My Dreams and But Beautiful continue the romantic screen themes, but Alfred Newman (from my same Mercury LP that David used in ‘A Box of Light Musical Allsorts’) steps us the pace with his music for the Bette Davis classic "All About Eve" which also featured a very young Marilyn Monroe. I didn’t realise that Bob Farnon’s Blue Theme from a Chappell 78 was featured in the film "True Lies", so I turned again to Halliwell for his verdict – ‘it long overstays its welcome though the destruction is on an extremely lavish scale’. It stars the present Governor of California. Track 12 has the Overture by Sigmund Romberg, arranged by Robert Farnon, to "The Girl In Pink Tights"; the music is new to me but very enjoyable. Harry Warren’s This Heart Of Mine from the film "Ziegfeld Follies" gets a great treatment from George Melachrino’s Orchestra, as does Time Was played by Mario Ruiz Armengol and his Orchestra – a name I’d never heard of until he started to appear on Guild CDs. Buckly Down Winsocki from the 1943 MGM film "Best Foot Forward" (which has, I think, a military college background) starred Lucille Ball who’s singing voice was dubbed on the soundtrack, but the odd-titled piece is played here by (William) Hill-Bowen and his Orchestra. Body and Soul by Johnny Green is given a too dreamy treatment for my liking by Morton Gould’s Orchestra, but Geoff Love’s Orchestra makes the very best of Jerome Kern’s lovely song Make Believe from "Show Boat".Waltz For My Lady written and conducted by Frank Perkins could easily have come from a mood music library – it has a most infectious swing, while Leroy Holmes’ Enchanted Night has a real film ‘smoochy’ night club feel and one can imagine the camera following a particular couple round the dance floor. And finally the curtain comes down on another fine Guild programme with the incidental music by Max Steiner to "Since You Went Away" with the composer conducting. I also have a shortened version on another CD of the score, but as this Guild recordings is just over nine minutes you get, as usual, value for money with this series. Ken Wilkins 


19 tracks [all mentioned below]

Bygonedays BYD 77026 [72:21]

This long awaited Eric Coates CD will indeed "delight" the many thousands of fans of the nation's foremost composer and, at £5.99, is a "give away". From In Town Tonight, the foxtrot version of theKnightsbridge March, by Teddy Joyce and his Band to the very obvious finale of Eric conducting his outstandingly successful Dam Busters March, it presents the listener with a collection [17 conducted by the composer] very easy on the ear. It is right to say about Eric Coates that "Music was in his life and life was in his music". This music is still fresh and entertaining, patriotic, stirring and able to carry the listener into realms of quiet relaxation with so many mental images of  long gone times: people, places, events, sunlit byeways, mist-filled meadows after summer rain and sun; also busy streets, the shuffle and click of leather on paving, the mingle of traffic and ongoing workers weaving their ways to the daily grind. Here are favourites like By The sleepy lagoonLondon Bridge March,Symphonic Rhapsody on ‘I heard you singing’ and ’Bird songs at eventide’Song of LoyaltySummer Afternoon [Idyll], and Footlights [Concert Waltz], all with Eric conducting the Columbia  Symphony Orchestra. For Your Delight is the title track with Eric conducting the HMV Light Symphony Orchestra with which group he also fronts for The Man About Town [No.2 from ‘The Three Men’] and At the Dance [No.3 from ‘Summer Days’]. Eric conducts his own Orchestra for Wood Nymphs [Valsette], the Band of H.M. Life Guards play the march Over To You. With Television MarchOxford Street March,Westminster [Meditation]Rhythm [No.4 from ‘The Four Centuries’] and  Sound & Vision – The A.B.C. TV March, all combine a feast of music through the length of the disc. The disc, like all of those produced for the nostalgia market, is a fine and varied work. The technical expertise rendered upon recordings of over 75 years of age provides the ambient qualities associated with the era, with the dramatic advantage of next century technology that completely converts the listening pleasure for ages to come.  Full and impressive booklet notes by Peter Dempsey make for a wealth of information; he leaves no musical stone unturned. Whether at home or abroad this disc is a must for your CD shelves. I look forward to the next one, and trust that you will too.  Geoff Sheldon

Geoff Sheldon is Chairman of the Eric Coates Society in Hucknall, the composer’s birthplace. 

DAVID SNELL CHAMBER MUSIC FOR HARP Lyric Sonata; Elegie, Fantasie; Cavatina and March; Intrada and Waltz. Skaila Kanga (harp), Karen Jones (flute), Judith Busbridge (viola), Caroline Dearnley (cello), Nicholas Buckall (clarinet), Richard Bissill (French horn), Marcia Crayford(violin). Divine Art Diversions ddv 24130. Don’t be put off by "Chamber Music"! David Snell is, I am told, a member of the RFS and this disc shows that he has a gift for melody and several of the items here are light music miniatures. Debussy and others wrote sonatas for the same combination of instruments as the Lyric Sonata (flute/harp/viola) but the "Lyric" part of the title is dominant; all three movements overflow with melody and even nod towards jazz. The Fantasia explores fascinating and shapely material for harp, clarinet and horn; the lighter items are Elegie(flute/harp/cello), Intrada and Waltz, a pleasantly lilting example, (harp/violin), and Cavatina and March (flute/harp) in which a touchingly wistful Cavatina is followed by a March which reminds me of Trevor Duncan’s ("Dr. Finlay") example. David Snell has been a harpist with many orchestras, a conductor and a composer of film and "production" music. He will be delighted, as I am, with the fine playing, especially Ms Kanga, one of our finest harpists, and the excellent recording. Highly recommended. Philip Scowcroft 

SENTIMENTAL JOURNEY The Singers Unlimited with Robert Farnon and his Orchestra The More I see You, Sleepy Time Gal, I Get Along Without You Very Well, Angel Eyes, As Time Goes By, I’ll Remember April, If I Didn’t Care, Sentimental Journey, In The Still Of The Night, Deep Purple, Put Your Dreams Away, Mona Lisa, How Beautiful Is Night MPS Jazzclub 06025 1794292, 53:07. This compilation revisits those two memorable 1970s LPs "Sentimental Journey" and "Eventide". The first is included in full, whereas five tracks have been selected from "Eventide". With vocal arrangements by Gene Puerling, allied to the orchestral magic created by Robert Farnon, these are surely impeccable performances that will continue to amaze music lovers for the rest of this century – and beyond. It is a pity that some tracks on "Eventide" have been omitted (there would have been time on the disc), but many of you will know that the original albums have already been reissued in full on CD. If you missed them previously, this is your chance to enhance your collection with some superb sounds! David Ades Available from the RFS Record Service. 


Now I know, Manic depressive presents, Tess’s torch song, Jive number, Cradle song, Smoke gets in your eyes, Yesterdays, Lovely to look at, Summertime, Sophisticated lady, Laura, Isn’t it kind of fun?, It might as well be spring, That’s for me, It’s a grand night for singing, Slowly, Ole buttermilk sky, My foolish heart, Hey! ba-ba-re-bop, Among my souvenirs, Lazy river, The voice of Dana Andrews

Sounds of Yesteryear DSOY768 [65:31]

Compiler Michael Highton has latched on to a good idea here. Everyone is catered for, film buffs, good music lovers, romantics and anyone who needs their spirits lifted. Instead of the same theme repeated in different guises you get a very varied collection, not even limiting you to one film! The key to holding the CD together is film star Dana Andrews, picking parts of his films from 1944 to 1949. Orchestras involved are Glenn Miller, Tex Beneke, Victor Young, Ralph Flanagan, Andre Kostelanetz and Frank Cordell. Singers are Hoagy Carmichael, Danny Kaye, Diana Shore, Allan Jones, Dick Haymes and Ray Eberle. Bill Finegan’s arrangement of The cradle song, Norman Leydon’s score for Now I know and David Raksin’s Laura are worth the price alone. Not all tracks are from soundtracks, some are transcriptions but they all fit together in a wonderful montage of entertainment. Paul Clatworthy

WONDERFUL WORLD OF ROMANCE Unforgettable Melodies Of Haydn Wood - Peter Dempsey [tenor], Guy Rowland [piano]

Songs: O flower divine!, Wonderful world of romance, Little Yvette, A song of quietness, I look into your garden, Dearest I love the morning, Praise, I think of you, my sweet, The unforgotten melody, Singing to you, I shall be there, The stars looked down, This is my dream … and seven other titles

HW 1 [71:45]

Generally speaking, Haydn Wood is best known for light orchestral miniatures, but he also composed around 200 songs of the ballad-type [his wife was a professional singer], of which the most popular were Roses of Picardy [it won hands down], Love’s garden of roses and A brown bird singing. This disc gathers together 19 of them [including those three] written between 1914 and 1946 in performances which are, as in the Dempsey/Rowland CD devoted to Eric Coates reviewed in the last JIM, notable for clarity of delivery and diction and thoroughly recommendable. They appear in roughly chronological order; although the songs from around 1940 seem to have a rather desperate optimism, generally they exhibit a recognizable family likeness, so it was a good idea to intersperse four short piano solos [some were also orchestral] to supply contrast and an opportunity for Guy Rowland to display solo as well as accompaniment skills. Many tracks, vocal and instrumental, are doubtless premiere recordings, but which are not specified. An admirable and unusual anniversary tribute. Philip L Scowcroft

Available from Peter Dempsey at 44 Victoria Road, Bidford, Warwickshire, B50 4AR. [e-mail: Demsini] - £9.95 incl. p&p 


Kenneth Smith [flute] and Paul Rhodes [piano]

Hamilton Harty: In Ireland; Edward German: Intermezzo, Suite for Flute and Piano; Michael Head: By the river in spring; Havelock Nelson: Eirie cherie, In Venezuela; William Alwyn: Flute Sonata; Thomas Dunhill: Valse Fantasia; Kenneth Leighton: Flute Sonata; Stanford Robinson: The Moon-Maiden’s Dance

Divine Art Records DA 25069 [77:34]

This is a honey of a disc. Two of the items are styled "Sonata" but Alwyn’s, in one movement and reconstructed from unpublished bits, is recognisably by the film composer we know, while the Leighton’s slow movement is one of the loveliest things I have heard for a while. Harty’s ‘In Ireland’has atmosphere, the German pieces are perfect late Victorian salon miniatures, the Head alternates a cadenza-like motto theme with songlike episodes, the Dunhill has both tunefulness and brawn. Two BBC stalwarts of light music’s great period are represented: Stanford Robinson, who, as we hear, could compose as well as conduct, and Ulsterman Havelock Nelson, whose two pieces recall his associations with the Americas. Performances and recording enhance this unusual but wholly delightful repertoire. Generous measure, too. Philip L Scowcroft 


Baroque Chamber Orchestra, The King’s Singers, Lesley Garrett, Manuel Barrusco [guitar], Rostal & Schaefer, The Swingle Singers, Vienna Boys’ Choir, Kindred Spirits, David Tanebaum [guitar]

45 songs by Lennon & McCartney and George Harrison

EMI 2167842 [73:14 & 73:58]

Yeah, yeah, yeah! Without question the most entertaining new release I have reviewed this time round and, despite stiff competition, gets my accolade for the June JIM’s Best Album. I don’t think it is intended exclusively for classical music buffs as there is much here to appeal to the light music enthusiast, not least Arthur Wilkinson’s ‘Beatle Cracker Suite’, which cleverly blends Tchaikovsky with the Fab Four, and ‘The Beatles Concerto’, arranged by John Rutter, played by piano duo Rostal and Shaefer with the Royal Liverpool Philharmonic Orchestra conducted by Ron Goodwin. This combination also contribute Maxwell’s silver hammerFool on the hill and A hard day’s night. It is difficult to choose standout tracks – they are all so good – but I particularly enjoyed the Vienna Boys’ Choir All you need is love, Lesley Garrett and orchestra conducted by George Martin with For no one/Blackbird and the five tracks by the Baroque Chamber Orchestra conducted by Richard Edinger. Tremendous value at around a tenner. Peter Burt 

BING CROSBY Through The Years Volume Three

26 tracks including Misto Cristofo Columbo, Your own little house, When the world was young, A weaver of dreams, At last! At last!, Just for you, Sailing down the Chesapeake Bay, Ida, sweet as apple cider, It had to be you, Two Shillelagh O’Sullivan, Rosaleen, Don’t ever be afraid to go home

Sepia 1129 [76:30]

Richard Tay’s enterprising label continues its chronological look at Bing’s recording career. On track one, from June 1951, he is joined by Jane Wyman for In the cool, cool, cool of the evening; not only a Top 20 winner but receiver of the Oscar for Best Film Song. Domino, recorded in October of the same year, also made the Top 20. Two weeks later he recorded The Isle of Innisfree, which appeared in the first ever UK charts in November 1952 and peaked at No.3. Also included are duets with The Andrews Sisters [I’ll si-si ya in Bahia and The live oak tree] and a couple of Christmas songs [Christmas in Killarney and It’s beginning to look a lot like Christmas]. The final two tracks have a "Nashville" sound with Grady Martin and his Slew Foot Five [Just a little lovin’ and Till the end of the world]. Versatility was certainly one of the great Bing’s qualities. Peter Burt 

EDMUND HOCKRIDGE The Best of Edmund Hockridge

20 tracks incl. No other love, By the fountains of Rome, Young and foolish, A woman in love, Long ago [and far away], Moon river, ‘S Wonderful, The way you look tonight, Tonight, They can’t take that away from me, Tenement Symphony, Love letters, Only a rose, Falling in love with love, I love Paris

Pulse PLS CD 254 [60:35]

Although not a new release but mentioned here in tribute to the fine baritone who starred in seven Broadway hits in London’s West End theatres, and passed away in March this year, aged 89. "Ted" was a friend of the RFS [he sang with Bob’s band during WW2] and charmed those of us who had the privilege of meeting him. These are all classic songs and something to remember him by. Peter Burt


56 songs incl. Ta-ra-ra-boom-der-e, The band played on, The Bowery, On a Saturday night, While strolling thru the park one day, Hello my baby, I’ve got rings on my fingers, In my merry oldsmobile, In the good old summertime, Sweet Rosie O’Grady, Little Annie Rooney, Waltz me around again Willie, Sidewalks of old New York, A bicycle built for two, She’ll be comin’ round the mountain, Put on your old grey bonnet, M-i-s-s-i-s-s-i-p-i / Dialogue and I got rhythm, Embraceable you, You’re an old smoothie, Anything goes, Ridin’ high, Way down in the depths of the 90th floor, This is it, I’ll pay the check, Do I love you? Friendship, How deep in the ocean

Sepia 1131 [74:25]

A bit of a surprise here as I’ve always thought of this artist as a bit of a "belter" but there is warmth and a degree of light and shade in this vast selection. She had a powerful voice and was undoubtably one of the great ladies of the musical stage. The first ten tracks are from a Decca album called‘Memories’, recorded in 1955, arranged and conducted by Jay Blackton with The Mitchell Boys Choir and the Old Timers Quartet. It consists of 41 songs taking the listener on a journey through musical America from the 1890’s to the 1920’s … and is great fun. The second part of the disc is a 15-track selection from ‘A Musical Autobiography’, also recorded in 1955, in which Ethel narrates her career to date with "a stampede" through her songbook. She is accompanied by The Buddy Cole Quartet. Although she has a very pleasant speaking voice, I wonder about discs with dialogue for repeated listening. This aside, I don’t think anyone buying the CD will be disappointed. Peter Burt

JANE MORGAN Sings Popular Favourites

27 tracks including Around the world, It’s not me to say, An affair to remember, My heart reminds me, April love, All the way, Young in heart, Just a-wearyin’ for you, Melodie d’amour, Till the end of time, Till, Tammy, Where the blue of the night meets the gold of the day, Catch a falling star

Sepia 1126 [76:13]

A wonderful follow-up to the two previous Sepia discs: ‘An American Songbird in Paris’ and ‘Sings Showstoppers’, Jane must be one of the most overlooked singers of our time. This album has a choice selection of quality songs including her January 1959 UK singles chart topper The day the rains came, in both English and French versions. Accompaniments are provided either by The Troubadours, or orchestras conducted by Marty Gold or Vic Schoen. Excellent booklet notes by Dominic McHugh. I would happily listen to Jane singing every day and this will surely feature in my top choices for 2009. Peter Burt 

ARTIE SHAW ‘The Complete Spotlight Band 1945 Broadcasts’ Tabu, If I Loved You, Little Jazz, Out Of This World, Begin The Beguine, Summit Ridge Drive, Together, Lucky Number, My Heart Stood Still, Stardust, I Cover The Waterfront, Scuttlebutt, It Had To Be You, Dancing In The Dark, Along The Navajo Trail, S’Wonderful, Hindustan, Night And Day … 39 tracks on 2 CDs Hep Records CD 84/85.The above titles give an indication of the repertoire covered by this great collection of fine performances by the Artie Shaw Band – well-known hits from earlier (such as Begin The Beguine andStardust) plus new pop tunes and instrumentals featuring fine scores by the calibre of Eddie Sauter, Ray Conniff, George Siravo and Lennie Hayton. Audiences in those days seemed to appreciate true musicianship much more than today. As the title of the collection states, these are radio broadcasts and you will hear audience reaction. Happily it is not too obtrusive, and at times I wondered if the applause was dubbed to make it sound like a ‘live’ show in front of an audience. Considering the age of these recordings, and the fact that they have probably passed through the hands of several collectors, the sound quality is fine and Doug Pomeroy is to be congratulated on his undoubted expertise in handling modern digital restoration equipment. The booklet is packed with interesting notes and photographs, and anyone interested in the swing era should look this one out. Some of these recordings have been issued before, but the booklet claims that this is the first time that all of Shaw’s music from these broadcasts has been brought together in one collection. David Ades

BLESS THE BRIDE Original London Cast

24 tracks including Croquet, croquet, Too good to be true, Thomas T, Oh! What will mother say?, I was never kissed before, Ducky, Bless the bride, Bobbing, bobbing, Mon pauvre petit Pierre, This is my lovely day, The fish

Sepia 1124 [78.09]

With words by A. P. Herbert and music by Vivian Ellis, this show opened at London’s Adelphi Theatre on 26th April 1974 and stayed for 886 performances. The stars were Lizbeth Webb and Georges Guétary. Also in the cast were Betty Paul, Anona Winn [of ‘Twenty Questions’ fame] and Brian Reece [BBC radio’s ‘PC 49’]. The opening track is a selection from the show played at the piano by Vivian Ellis himself with the theatre orchestra conducted by Michael Collins. There are four "Bonus Tracks" from Monsieur Guétary including Table for two [not on the cast album] and Ma Belle Marguerite [in French]. Pure nostalgia. Ray Pavene

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"CAPTAIN NEMO AND THE UNDERWATER CITY" Film Soundtrack (Angela Morley) Conducted by Marcus Dods [USA] Film Score Monthly FSM Vol. 12 No. 8 [61:35 mins]. Angela Morley was still working as ‘Wally Stott’ when she composed the score for this film. This is the premiere release of the complete score, and the CD is limited to 1,500 copies making it an instant collectors’ item. But the important thing is the music, and we hear Angela creating some memorable tunes and glorious harmonies during a period when she had rebuilt her career as a major composer for films, following a self-imposed ‘exile’ due to her disappointment at what she regarded as poor sound quality in cinemas of the 1950s. The music was recorded at Anvil Studios, Denham and CTS London in June 1969. It has been magnificently restored for this CD, and it is such a pity that Angela was unaware before she died that it was ‘in the works’. She would have been delighted – not just with the sound, but also with the accompanying CD booklet which explains in considerable detail how the music fitted the film. I know that RFS members will rush to add this CD to their collections before all copies are sold. If you have problems finding a copy, the RFS Record Service will try to help, but this import may cost around £17. David Ades 

GREAT MOVIE THEMES 2 Royal Liverpool Philharmonic Orchestra / Carl Davis

Batman; The Pink Panther; Mission Impossible Suite; Love Story; Jurassic Park; Romeo and Juliet; Superman: March; The English Patient; The Godfather; Superman: "Can you read my mind?"; Pirates of the Caribbean; The Deerhunter: Introduction and Cavatina; The French Lieutenant’s Woman; Shakespeare in Love

Naxos 8.572111 [68:44 mins]. It is great to be able to recommend this album by one of the UK’s leading symphony orchestras: a newly recorded release of a kind that in the ‘50s, ‘60s and ‘70s would have made regular appearances in the lists featuring the finest light music orchestras such as those fronted by Stanley Black, Percy Faith and Ron Goodwin. The RLPO under Carl Davis [composer of the penultimate track] play as to the manor born throughout. The brass excel, no more so than on Klaus Badelt’s Pirates, the knockout track for me and everyone else in my family who has heard it. Unsurprisingly three of the scores are by John Williams, with the others being by Danny Elfman, Francis Lai, Henry Mancini, Stanley Myers, Nino Rota [2], Francis Lai, Lalo Schifrin, Stephen Warbeck and Gabriel Yared. The recording, made in St George’s Hall, Blackburn, is very good with the percussion being particularly well-captured. This is my nomination for best bargain CD – at around £5 online – and also my Best Album choice. There is an earlier volume on Naxos 8.570505; I have heard excerpts and it sounds equally attractive. Peter Burt 

GOLDEN AGE OF LIGHT MUSIC : Light and Lively For full tracklisting see the Light Music CDs pages on this website. Guild GLCD5160 [79:05 mins] We light music enthusiasts have waited half-a-century for some decent recordings and then 60 come along together [well, almost!] With Guild’s latest offering [its 60th, yes 60th in the series] you get what it says on the tin … something "light and lively" [in the main], much needed feel good factors in the present climate. Thirty tracks at under a tenner strike me as pretty good value for money, even if we can’t claim it back on expenses! To say I enjoyed all the tracks may sound a little glib and twee, but I am at a loss to find anything unkind to say about this selection; something which will not gain me entrance to the Critics Club, no doubt. As with Guild GLCD5159 [reviewed below] there is a fine mix of the familiar and unfamiliar in terms of repertoire and performers. How good to hear names like The Amsterdam Symphonic Orchestra, Lou Busch, The Crawford Light Orchestra Joe Leahy, Michael Piastro, Boris Sarbek and Florian ZaBach for the first time [for me, that is] alongside the establishment of Chacksfied, Farnon, Faith, Hayman, Morley, Ornadel, Rose and Torch – for whom I had the experience of working with the BBC Concert Orchestra at the Camden Theatre in the mid-1960s. As a percussionist just out of short trousers I found Sidney quite scary, but one cannot help be impressed by his versatile contributions, as organist, composer, arranger and conductor, to the light music world in general and, retrospectively, to the Guild series in particular. It’s interesting, by the way, to discover that Coronation Street wasn’t the only tune Eric Spear wrote, and that David Curry wasn’t just a conductor. The exceptionally informative notes, a splendid feature of the Guild series, also tell us that the Austrian Robert Stolz, who contributes the atmospheric African Moon to this disc, was featured on GLCD5118 in his more familiar role as composer and conductor of operetta. As David Ades writes: Stolz fled to the U.S.A. to escape the Nazis but returned to Vienna straight after the war, reclaimed his old house and continued to have a very successful career particularly as a conductor well into his 80s. A very big name in the Austrian capital alongside Brahms, Mahler, Mozart, Schubert, and the Strauss family, Stolz [middle name Elizabeth] provides a bizarre link between Petula Clark and Beethoven. As a young man he followed in the footsteps of the great German composer, and also those of Lehar, Millöcker, Offenbach, von Suppé and Zellar among others, as a major player in the history of Vienna’s iconic Theater an der Wien. And in 1961 Petula Clark and M.D. Peter Knight had a big hit with Romeo, based on Stolz’s quasi-foxtrot Salome. I would urge all light music lovers to invest in ‘Light And Lively’ immediately. It’s jam-packed with goodies, not least Gerard Calvi’s Madame De Mortemouille’s Ball, a singularly whimsical arrangement which just avoids being a wee bit silly, although it’s a mystery why Mr Calvi changed his name from Grégoire Elie Krettly. It’s an absolute cracker! Glyn Bragg 

GOLDEN AGE OF LIGHT MUSIC : More Strings In Stereo For full tracklisting see the Light Music CDs pages on this website. Guild GLCD5159 [77:07] Guild’s fabulously unique light music series seems now well established in the stereo era. With no less than 25 tracks this album offers a superb mix of familiar and unfamiliar music and performers. More knowledgeable light music fans than me will no doubt have heard many of the tracks in their original form but I was delighted to come across Buddy Bregman, Pierre Challet, the Clebanoff Strings and the Rio Carnival Orchestra for the first time. Once again I was struck by two things: the high quality of the orchestral playing, in particular the strings, and the brilliant inventiveness of the arrangements. There are too many gems to list but Les Baxter’s Harem silks from Bombay was surprisingly delicious, and the combination of Angela Morley and A nightingale sang in Berkeley Square is quite special – even ‘though I never was able to discover that particular bird in that particular part of London [nor blue birds over the white cliffs of Dover, for that matter.] I didn’t enjoy Percy Faith’s rather pedestrian version of Happy Talk from‘South Pacific’. The Gaslight Orchestra’s After the ball seemed slightly out of place and [dare I say?] I found Leon Pober’s The Ski Song a touch old-fashioned. But any lack of enthusiasm for the odd track is more than compensated for by the rest of the disc, which I can recommend wholeheartedly. Needless to say, transfers are of the usual high Guild standard and the liner notes are once again packed with well-researched information. Glyn Bragg 

JOHN IRELAND The Hallé Orchestra / John Wilson

Mai-Dun, The Forgotten Rite, Satyricon Overture, The Overlanders Suite [arr. Sir Charles Mackerras], A London Overture, Epic March

Hallé CDHLL 7523 [67:41]. Mr Ireland was born in Cheshire in 1879 and died in 1962. He destroyed all the music he wrote prior to 1908. After that his output included a number of attractive orchestral works, the most famous being included on this album superbly played by the North West’s very own symphony orchestra with our own John Wilson wielding the baton. Well worth acquiring and not only for the deserving to be more popular Suite, arranged from music for a 1946 Australian film [the composer’s sole film score] starring Chips Rafferty and produced by Sir Michael Balcon, Peter Burt 

DANCING ON A SUMMER LAWN The Palm Court Orchestra conducted by John Godfrey Pink Lady; A Perfect Day; I Love You Truly; Desire de Moment; Aloha Oe; The Melody; Valse Pathetique; The Little Grey Home in the West; Mighty Lak a Rose; Vision of Salome; La Première Fois; When Irish Eyes Are Smiling; Fairy Dream; The Whirl of the Waltz; When You Remember Vienna; Thrills; Hearts and Flowers; Dreaming; O Sole Mio. Dal Segno DSPRCD 401 [64:04] The orchestra on this CD is essentially a small group comprising a pianist, violinist, violist, cellist and flautist. Emanating from Sydney, they still play at tea gardens and small functions under the baton of Robyn Godfrey, John having died in 1996. Unfortunately the group, its music and recordings have suffered various tragedies over the years including the loss of most of its 15,000 library scores; the studio recordings on this disc are all that survive of their work. The music comprises ragtime, lots of English and European waltzes and light classics. The arrangements and music are sufficiently varied to avoid a degree of sameness. Maybe this album does not quite attain to the heights of Shelly Van Loen but it is immensely enjoyable particularly given the modest price. Ideal for listening to in the garden on a summer evening or doing what the title says! The label is somewhat obscure, but the CD can be obtained from MDT [tel: 01332 540240 or ] at £9.07 including p&p. Brian Stringer 


London Symphony Orchestra / André Previn EMI Classics 2 67969 2. A 10-CD boxful of delights from the prodigiously talented conductor-arranger, composer, pianist and TV personality born Andreas Prewin 80 years ago in Germany and addressed as Mr Preview by Morecambe and Wise. Along with the "heavier" items, which include Boléro, Enigma VariationsThe Planets and Samuel Barber’s Adagio for Strings, there are discs devoted to Tchaikovsky ballet music, Gershwin [Rhapsody in BlueAn American in Paris, etc.] and Prokofiev’s Romeo and Juliet. Choral music lovers are catered for by the sacred Belshazzar’s Feast and the secular Carmina Burana. With splendid playing, fine digitally remastered sound, well-filled discs, and a bargain price of around £3 per CD, this box will make an excellent Christmas gift. Peter Burt 

"THE CHAMPIONS" Original TV series Box Set Network DVD Catalogue Number 2959007. The Network DVD Original Soundtracks series have released music from ‘The Champions’, which includes Robert Farnon’s music, written especially for the ITC series. One of the tracks, entitled simply ‘Violin’ is a fragment from the Rhapsody for Violin and Orchestra (a cue in the Chappell Recorded Music Library), but played unaccompanied. It also sounds like Raymond Cohen’s playing to me. The series now includes ‘Department ‘S’’, ‘Jason King’, ‘Randall & Hopkirk (Deceased)’, ‘The Strange Report’, ‘Danger Man (Half Hour Black and White)’, ‘Danger Man (Hour Colour)’, ‘Man In A Suitcase’, and of course ‘The Prisoner’, of which RFS members are already aware. The next in the series will be ‘The Protectors’. The reproduction on all of them (with exception of the main titles from ‘Department ‘S’’) is extremely good. Franck Leprince Network DVDs are available from their website. Copies can also be obtained from the RFS Record Service. 

GOLDEN AGE OF LIGHT MUSIC European Tour For full tracklisting see the Light Music CDs pages on this website. Guild GLCD 5161 [77:47]. A European Tour, courtesy of one of Guild’s latest offerings with some evocative tunes to keep us company - starting in the capital with Voice of Londonby Charles Williams played here by his Concert Orchestra. This is a longer version than the original Chappell recording by the Queen’s Hall Light Orchestra who used it to introduce their broadcast concerts. I had an idea it was also used many years ago by the BBC as intro music for a radio film programme introduced by Peter Noble, but I could be wrong. A non-stop trip to Scotland with Bob Farnon and his Orchestra allows us to hear two of his arrangements of traditional melodies from his suite "From The Highlands" – Comin’ Thru’ The Rye and My Love Is Like A Red, Red Rose. However if there’s a further ‘tours’ CD I’ll ask David to stop off in the Midlands to hear Leslie Bridgewater’s homage to Worcestershire – Bromsgrove Fair – played by the New Century Orchestra conducted by Sidney Torch on FDH. Back-tracking down to Wales with the Melachrino Orchestra, Rhondda Rhapsody by the BBC producer Mai Jones used to introduce a feature in the show she produced "Welsh Rarebit" – a tuneful ‘Concerto’ style number reminiscent of the so-called ‘Denham Concertos’. Then we go across the Irish Sea for a sparkling version of Victor Herbert’s The Irish Have A Great Day Tonight from Mantovani and his Orchestra, before setting foot on the European mainland to the strains of Clive Richardson’s Continental Galop played by the Danish State Radio Orchestra. There are echoes of Clive’s Running Off The Rails (Locomotion) I’m sure. Werner Müller (alias Ricardo Santos and his Cascading Strings) provide a sound portrait of Copenhagen’s Tivoli Gardens with Heino Gaze’s Tivoli Melodie followed by a real lilting melody – Luxembourg Waltz by Geoffrey Everitt and Frederick Peter Hargreaves, played in fine style by Frank Chacksfield’s Orchestra. Did the two composers write anything else? I don’t know, but I’m sure somebody will! A fiery rendition of Fiesta In Seville by David Rose conducting his own orchestra gets the feet a’tapping, as does Tony Osborne’s Lights Of Lisbon with a wordless chorus. Is this a first for a Guild Light Music CD? When It’s Spring In Baden Baden played by the Baden-Baden Symphony Orchestra (now known as the South West German Radio Symphony Orchestra) conducted by Hans Rosbaud is an absolutely delightful piece of light music – and to think the orchestra was originally a Spa municipal group of players! Where I live we used to have a Spa orchestra but it was a much more modest affair (more the salon type) disbanded many years ago. Another David Rose number Roman Holiday is a really catchy corker of a piece. Apparently Italian motorists are to be avoided at all costs, so I’ve read, so I wondered if David Rose had ever visited Rome because I’m sure there are echoes of frantic motor horns in the music – great stuff! Passe Partout by Victor Young from "Around The World In Eighty Days" is played in gradn style by the Cinema Sound Stage Orchestra – could they be the same players as are used on the ‘101 Strings; LPs? A very underrated series, in my opinion. Swiss Holidayby Joe Leahy, played by his Orchestra, is another tuneful, catchy item as is Swedish Polka by Hugo Alfvén. Although credited as the conductor it was Bengt Hallberg, a jazz pianist and arranger, who took the places of the aged composer on the podium, although I’d never heard of Hallberg anyway. Be that as it may, buy Guild Light Music CDs and not only are you entertained – you’re educated too! Track twenty-two has Victor Young and his Orchestra playing Sicilian Tarantella by Balsamo, Conn & Miller (who?!) which is a dead ringer for Henry Mancini’s score for "What Did You Do In The War Daddy?" made in 1966 about the same time as I bought the LP soundtrack, whereas Sicilian Tarantetta was recorded in 1956. The film is described in Halliwell as a ‘silly war comedy with insufficient jokes for its wearisome length’! So there! Georges Auric is a name I associate with British films of the 1940s such as "Dead Of Night", "Passport To Pimlico" and "It Always Rains On Sunday" – but here is his Pavements Of Paris played by Michel Legrand’s Orchestra. Our European Tour ends in Belgium with a quirky little number called The Spider Of Antwerp played by Guy Luypaerts and his Orchestra – another name I hadn’t heard before until it started to appear on earlier Guild Light Music CDs. But before Belgium we’re diverted to the Mediterranean – East Of Malta to be exact – Ronald Hanmer’s dramatic, slightly oriental piece from the Francis, Day & Hunter library, played by the New Century Orchestra with Sidney Torch conducting. Personally I think that would have given this CD a stronger finale than ‘Spider’. Either way, another scintillating choice to add to this ever gowing collection of light music, enhances as ever by Alan Bunting’s restoration magic. Ken Wilkins 

GOLDEN AGE OF LIGHT MUSIC Hall of Fame – Volume 3 For full tracklisting see the Light Music CDs pages on this website. GLCD 5162 [77:54]. "Hall of Fame 3" kicks off with Singing In The Rainplayed by the Conrad Salinger Orchestra conducted by Buddy Bregman, which I must confess isn’t my favourite tune. I don’t know what it is, apart from being a bit repetitive – I was probably put off by Gene Kelly’s warbling on the film soundtrack! He should have stuck to dancing! In complete contrast track two is a corker of a performance from Percy Faith’s Orchestra of Spanish Serenade by Victor Herbert. It’s number one of ‘A Suite of Four Serenades’, the others being Chinese, Cuban and Oriental – the Spanish Serenade being particularly tuneful. The Percy Faith version is longer than the Paul Whiteman recording on Naxos which I have, but that includes the three other serenades. Did Percy Faith conduct the complete ‘Suite’? I bet PF expert Alan Bunting knows! Ron Goodwin’sLingering Lovers meanders along nicely on track three, courtesy of David Carroll’s Orchestra, followed by Philip Green’s Ecstasy which has (I think) a strong Spanish flavour, hence the ‘José Belmonte’ pseudonym I suppose. Richard Hayman and his Orchestra get into the swing of things with a sparkling, and at the same time exotic, rendition of Ernesto Lecuona’s Amor Que Bonito (Love And The World Loves With You), and in a similar vein Hugo Winterhalter adds another touch of Spain with his own composition La Muneca Espanola (The Spanish Doll). Now here’s where I disagree with David: he calls Charles Williams’ Columbia recording of his own Devil’s Galop the definitive version. My Chambers dictionary defines ‘definitive’ as ‘ final, expert, most authoritative’ – and the onlyDevil’s Galop that falls into that category is the Chappell version recorded at Levy’s Sound Studios. Nobody, but nobody, plays that piece like the Queen’s Hall Light Orchestra – crisp drumrolls at the beginning and end, and a sparkly xylophone in the middle – and fast. No wonder BBC producer Neil Tuson chose it: he says in "The Inside Story of Dick Barton", published in 1950, "When I found the Galop (spelt incorrectly in the book with two ‘ll’s’) and heard that drumroll I could hardly believe my ears – so I lit a cigarette and relaxed!" In his defence, David says he included the well-known Columbia version because the original Chappell piece only lasted 79 seconds. No such reservations with Jumping Bean and Shooting Star – Decca and Columbia releases from 1948, and Elizabethan Serenade – Ron Goodwin’s Parlophone single from 1957. Crazy Violins is a tour-de-force in playing ‘out of tune; which, if you can actually do something reasonably well, is a hard thing to do – as Helmut Zacharias and his Magic Violins must have found out. It’s a delightfully eccentric melody written by someone called Wildman. Now would that be a pen name for David Rose, because hisMarch Of The Pretzels also uses the off-key violins sound in this very catchy piece played by his Orchestra. Eric Coates rounds off the main part of the CDD programme with his Rediffusion March – Music Everywhere with him conducting the Queen’s Hall Light Orchestra. What busy musicians they were in those halcyon days of light concert music! Finally there is a tribute to George Melachrino in which he and his own Orchestra are featured on four recordings with the maestro as guest conductor on a fifth – made between 1947 and 1958. It begins with the Theme from Runnymede Rhapsody by the long-lived but rather neglected composer/conductor Reginald King. Then an arrangement by George of Bob Farnon’s Sophistication Waltz called by its original song title My Song Of Spring,followed by his own catchy composition Winter Sunshine. Then something I’ve never heard of: Aprite Le Finestre (Open The Windows) by one Virgilio Panzuti – this time George is conducting the San Remo Festival Orchestra. It was an Italian entry in the first Eurovision Song Contest in 1956, and also the winner in the San Remo Festival of the same year. Ten to one this is its first outing in yonks! And to round off the third Guild ‘Hall of Fame’ Richard Addinsell’s Warsaw Concerto from the film "Dangerous Moonlight", the last of the featured Melachrino recordings with William Hill-Bowen at the piano Apparently the music became such an instant hit with cinemagoers that a record was rushed out to satisfy public demand, but it’s my contention that the issued disc was a rejected studio ‘take’ because the pianist, Louis Kentner, isn’t entirely in-step with the orchestra – which has probably added to the charm of the music! Ken Wilkins The above two Guild Light Music CDs are due to be released at the beginning of October. You can order copies in advance from the RFS Record Service.

FINE TUNING The Music of Roy Dean : Warren Mailley-Smith [piano], Matthew Jones [violin], Susie Parkes [soprano], Frances Patton [mezzo], George Bartle [tenor], Henry Grant Kerswell [bass-baritone] Ceremonial March: Betjemania, A Century of Songs [12 songs], Lyric Suite: Three moons [32:17]. Roy Dean is an 82-year-old amateur composer who, since retirement from the Diplomatic Service, has gone into music. This CD, which admittedly offers short measure, presents a selection of his work which he admits is pastiche [‘though so much light music is] but is certainly tuneful. It begins with a cheerful march inspired by the former Poet Laureate, played here as a piano solo. The sequence A Century of Song is written in various 20th century song styles: music hall, parlour ballad, New Orleans, rock musical, Irish song, calypso, Country and Western, etc. The Three Moons, originally songs and shapely ones, are transcribed for violin and piano and the Joplinesque finale, Honeymoon Tune, rounds things off happily. Well performed, nicely recorded and enjoyable. Available from the composer at 14 Blyth Road, Bromley, BR1 3RX, £10 [including p&p] Philip L Scowcroft 

GOLDEN AGE OF SALON MUSIC The Schwanen Salon Orchestra, G. Huber Skater’s Waltz; Vienna, City of My Dreams; The Gypsy Princess: Potpourri; Jocelyn: Berceuse; Serenata; Portuguese Fisherman’s Dance; Salut d’amour; Il bacio; Blue Tango; A Waltz Dream, Act 1: Non sai mia bella: Leise, ganz leise klingt’s durch den raum; Mélodie in F major [Rubinstein]; Belle of the Ball; Blauer Himmel; Liebesleid; The Dragon Fly; Hexentanz / Funiculi, Funicula; Mattinata; The Opera Ball: A Private Room; Humoresque No.7 [Dvorak]; Dark Eyes; Romanian Gypsy Festival; A media luz; Puszta Fox; Thais: Méditation; Gerhard Winkler Medley; Harlequin’s Millions: Serenade; Das muss ein Stuck vom Himmel sein; South of the Alps: In a Port; Sie hören Paul Lincke: Sie hören – PotpourriNaxos 8.578003-04 Over two-and-a-quarter hours of salon music on 2-CDs affectionately played and well recorded. There are no big surprises here in this compilation from the previous four albums which the orchestra has recorded on Naxos going back as far as 2000. The potpourris are of quite reasonable length, unlike similar items that used to appear on 78’s which gave you about 15 seconds of one title before switching to the next. A pity that only one movement has been selected from Ernst Fischer’s delightful South of the Alps suite. However if the selection of titles appeal, and at around £11, then you can safely invest. Brian Stringer 


Artistry in rhythm theme, One o’clock jump, Alright, okay, you win, Egdon Heath, It’s only a paper moon, Come rain or come shine, Harold Arlen song medley, This can’t be love, Bernie’s tune, Opus in chartreuse, Lover come back to me, Learnin’ the blues, Blues in D flat, Theme

Sounds of Yesteryear DSOY776 [54:22]

Kenton fans will be disappointed with this one because the Musicians’ Union would not let him use his own band. Johnny Richards recruited as many good New York based players that he could; the line-up changed week by week cutting down on the tightness of the sound. Guests involved included Harold Arlen, Count Basie, Ella Fitzgerald, Dizzy Gillespie, Coleman Hawkins, Ilinois Jacquet, Oscar Pettiford, Jimmy Raney, Buddy Rich and Joe Williams. Stan did all the announcements. The CD consists of two shows, the sound dodgy to say the least, some of the applause should have been edited. Two from the Kenton band book, Egdon Heath and Opus in chartreuse, fit uneasily in the show sounding quirky without the cohesion Stan’s full band could provide. Harold Arlen was a wonderful composer, here singing himself plus a couple from Julie Wilson. They really murder great tunes; the crime increased on As long as I live by including an organ. The jazz soloists on board do an over the top frantically paced Bernie’s tune. The penultimate number Blues in D flat includes most of the sessioneers in a jam session. In summary: if you listened to the original broadcasts, a memory jogger but little else! Paul Clatworthy 

EVELYN LAYE Queen of Musical Comedy I’ll See You Again, Vila, I Love You So, Lover Come Back To me, Dear Little Café, Zigeuner, Love Is A Song, Let The People Sing, I See Your Face Before Me, You’ve Done Something To My Heart etc.. 55 tracks in total Avid Easy AMSC 977 2 CDs [158:10]. Avid have already spoiled musical comedy fans with 2-CD sets devoted to three famous leading ladies - Jessie Matthews, Frances Day and Pat Kirkwood; now compiler Hugh Palmer has turned his sights on perhaps the greatest of them all, Evelyn Laye. To quote Avid’s own publicity: Arguably the most historic retrospective double-CD ever released in the United Kingdom, "Evelyn Laye – Queen of Musical Comedy" spans 71 years of the glittering career of the legendary British star whom the director Max Reinhardt called "that rare and Holy Trinity of the stage, a great singer, a great actress, and a great beauty".The 55 tracks, many of them never previously released, take her from her first major London hit as a 19-year-old Gaiety Girl in the 1920 revival of The Shop Girl to the last (and hitherto unreleased) studio recordings she ever made, in 1991, at the age of 91. Along the way are rare and unreleased performances from The Merry Widow, in which she took London by storm at the age of 22 in the 1923 revival, but from which she made no commercial recordings; two songs that she never recorded from her greatest international success in Noel Coward’s Bitter Sweet; unreleased soundtrack songs from her two Hollywood films, One Heavenly Night, with John Boles, and The Night is Young, with Ramon Novarro; an operatic duet from Verdi’s La Traviata, and even a stirring and hitherto unreleased version of Elgar’s ‘Land of Hope and Glory’. CD-2 contains still more unreleased treasures: versions of Joyce Grenfell’s ‘I’m Going To See You Today’ and Ivor Novello’s‘Love is My Reason’; an extreme rarity, ‘Liaisons’, recorded from the stage in live performance during her last musical, A Little Night Music, in 1979; duets from the 1980s with Sir Harry Secombe and with Roy Hudd, and two songs specially written for her in 1991 by her musical director, John Dalby, the second of which, ‘Thank You’, is a moving valedictory to her loyal public during a career that spanned nine decades. The detailed booklet contains just about everything you need to know about her career (and her often troubled private life) with copious recording information to satisfy those of us who like to know the source of the music we are hearing. This CD is a poignant example of the kind of valuable and historic archive that might be lost if changes in sound copyright law made such releases uneconomic. The major companies (and their accountants) certainly wouldn’t be interested in such a project. David Ades 

THE BOSWELL SISTERS The Music Goes Round And Round 19 tracks including the Title tune, The object of my affection, It’s the girl, Every little moment, Let yourself go, Top hat white tie and tails, It’s written all over your face, Coffee in the morning and kisses in the night, The lonesome road, When I take my sugar to tea, I’m gonna sit right down and write myself a letter, Dinah etc.Sounds of Yesteryear DSOY775 [54:28] On this CD the sisters are mainly backed by members of the Dorsey Brothers various groups. They set the standard that many later vocal groups tried to compete with. Elle Fitzgerald is quoted as saying she used Connie Boswell’s voice as one to emulate. As with many of these historical issues, tunes are included that have not survived the passing of time; I only knew ten of the titles. Charming nostalgia all the way. Paul Clatworthy 


Heartbeat, That’ll be the day, Peggy Sue, Oh boy, Rave on, Think it over, Brown eyed handsome man, Let’s make a fool of you, True love ways, Raining in my heart, Everyday, Wishing, Love me, …..Universal 1797581 [54:45 & 53:49] I enjoyed every one of these 50 tracks by the singer who, aged 22, was tragically killed in a ‘plane crash; a very talented pioneer of rock ‘n’ roll whose work, thanks to his interest in production techniques, sounds as fresh today as it did nearly 50 years ago. I find what has been called his "hiccoughing vocal style" most attractive. Mention, too, should be made of The Crickets in the success of this 2-CD set, available online at around 17 pence per track [a consideration in these straightened times]. Peter Burt 

BETTY HUTTON At The Saints And Sinners Ball 20 titles incl. My cuty’s due at two-to-two today, Banana boat [Oomba-oomba-oomba], Sleepy head, Hit the road to dreamland, Back home, Satins & spurs, This must be the place, Chicken hawk Sepia 1133 [53:30] Probably better known as a rather rumbustious character in movies, this is an interesting album. The first ten tracks are shared by orchestra conductors Nelson Riddle [4], Vic Shoen [4] and Billy May [2]. Tennessee Ernie Ford sings on two tracks, one of which is The honeymoon’s over that became a Top 20 single. Betty’s sister Marion also joins her on two tracks: Ko ko mo [I love you so] and Heart throb. The album from which the CD is named was recorded in 1958 and includes Whole world in his handsWhen the saints come marchin’ in and Search my heart, which perhaps presages Betty’s later decision to dedicate her life to religion and teaching. Ray Pavene 

JANE RUSSELL Fine And Dandy 17 tracks incl. The Title tune, Take love easy, Love on the rocks, When a woman loves a man, Can’t we talk it over, You don’t know what love is, Love is here to stay, The one I love, You’re mine, you, Sepia 1132 [44:43] Miss Russell’s obvious physical attributes have probably rather overshadowed her ability as a singer. The first 12 tracks on this album date from 1958 and the disc became Jane’s personal favourite. The last five tracks – Sing you sinners,I’ve got the world on a stringOne way ticket to the bluesDiamond’s are a girl’s best friend and One for my baby – have never been released before and there are, as the booklet notes put it, "some rough edges". Enjoyable, but short measure for this company. Ray Pavene 

KATE SMITH We Remember Kate Smith 26 tracks incl. Just in time, All the way, It don’t mean a thing, Thinking of you, The beat o’ my heart, Yes indeed!, High on a windy hill, Mr Wonderful, Love is a many splendoured thing, Comes love, Wish you were here, Come rain or come shine, …. Sepia 1134 [78:08] Well, I don’t remember her … but glad to make the singer’s acquaintance here. Born Kathryn Elizabeth in 1907, she had a good soprano voice, first used in church choirs, and was popular from the mid-‘20s into the ‘70s. She passed on in 1986. She had been training as a nurse before moving into show biz. The ever comprehensive booklet notes tell us that the great classical conductor Leopold Stokowski said of her voice: "Don’t ever take a lesson, Miss Smith. Your voice is a gift from God". She made Irving Berlin’s God bless America [track 25 here] into a substitute national anthem in WWII, during which she raised $600 million for GIs. Although she had sole performing rights to the song, proceeds went to the Boy Scouts. Here is a fine choice of quality songs and this full measure album can be recommended. Peter Burt 

ALMA COGAN Dreamboat: Her 31 Finest including Bell bottom blues, Half as much, The moon is blue, The little shoemaker, Canoodlin’ Rag, Little things mean a lot, Skokiaan, This old house, I can’t tell a waltz from a tango, Paper kisses, Blue again, Softly, softly, Mambo Italiano, Tweedle-dee, The naughty lady of shady lane

Retrospective 4121 [76:17] This collection on a new label complements the broadcast selection from Sepia reviewed in JIM 178. Nine of the songs here were Top 20 hits including the title tune which made it to No.1 in April 1955. Frank Cordell and his Orchestra accompany on the majority of tracks although those of Ken Macintosh, Geoff Love and pianist Felix King are also featured. Penny-whistler Desmond Lane plays on Willie Can. The label did not reply to my e-mail so I cannot tell you who made the arrangements. This is something of a nostalgia trip for those of us who in the ‘fifties were a little bit in love with "The girl with the laugh in her voice". Peter Burt 

LISA KIRK Sings At the Plaza 22 tracks including I travel light, I’m sitting on top of the world, Yo’d be so nice to come home to, Anything goes, Hi-lili, hi-lo, How come you do me like you do, Why can’t you behave, Good little girls, Far away places and the Riviera, Limehouse blues Sepia 1128 [74:53] I must admit to not having heard of this lady before but the customary informative liner notes for this label tell me that not only was she a Broadway star but "truly the Queen in the golden days of night life entertainment". Nice personality and voice and well supported by her M.D. Don Pippin and The 4 Saints, the applause is deserved and not too obtrusive. In addition to the album titles listed above there are a further dozen musical theatre tracks such as Shaking the blues awayLittle girl blue, But not for meThe lady is a tramp and My funny valentine. With Sepia’s generous timing and the price [around £8], well worth adding to your collection. Peter Burt 

BOZ SCAGGS Speak Low Invitation, She was too good for me, I wish I knew, Speak low, Do nothing till you hear from me, I’ll remember April, Save your love for me, Ballad of the sad young man, Skylark, Sense fine, Dandy, This time the dream’s on me Decca B 001202602 [52:30] Long overdue follow-up to his last CD, where singer Boz started to be more experimental. Inspired by ideas Gil Evans explored, Boz picks a wide range of ballads arranged by Gil Goldstein. His distinct vocalising gives a new slant to some well-known diverse songs. A very nice release with a few surprises in the repertoire, a real change of style first explored on his last album which left his early days as a singer of blues and rock and roll a distant memory. I hope all his followers have moved with him. Paul Clatworthy 

FRANK SINATRA Nothing But the Best 2-CD Set CD1: 22 tracks including Come fly with me, The best is yet to come, The way you look tonight, Luck be a lady, Bewitched, The good life, The girl from Ipanema, Fly me to the moon [in other words], Summer wind, Strangers in the night, Call me irresponsible, Somethin’ stupid, My kind of town. CD2: 12 tracks including White Christmas, Go tell it on the mountain, The little drummer boy, Do you hear what I hear?, The twelve days of ChristmasReprise 8122798853 [74:38 & 38:17] Perhaps not quite the best, but still very good. These are digitally remastered Reprise tracks from the ‘60s, including some Capitol re-recordings. Arrangers are Nelson Riddle, Billy May, Quincy Jones [with Count Basie and his Orchestra], Ernie Freeman, Billy Strange [with Nancy Sinatra], Gordon Jenkins, Skip Martin [the title tune], Claus Ogerman and Don Costa [including My way]. The final track, Body and soul, is a Torrie Zito arrangement conducted by Frank Sinatra Jr. and was previously unreleased. The 2-CD set also includes the "Rare and Unreleased" 12 Songs of Christmas with Frank being joined by Fred Waring and the Pennsylvanians, and Bing Crosby. The main album is available separately. Peter Burt 

ANN SOUTHERN / DOROTHY LAMOUR Southern Lamour After you’ve gone, Another year, Always, The last time I saw Paris, You’ll never know, My man, Life is just a bowl of cherries … & 7 other tracks / You’re mine now, Did you ever see a dream walking? Why was I born, Can’t help loving that man, I can’t tell why I love you … and 5 other tracks Sepia 1127 [66:09] Two successful LP albums from 1957 by two of the silver screen’s songbirds. Ann Sothern was another new name to me but her 14 tracks, arranged and conducted by Ian Bernard, who composed the rather wistfulAnother year, make for very pleasant listening. Berlin, Kern-Hammerstein II, Brown-Henderson, Gershwin-Heyward, Rodgers-Hart, Arlen-Koehler and Porter figure among those supplying the words and music. There are some splendid instrumental soloists especially on Ballin’ the jack. Dorothy Lamour was, of course, known to me through the ‘Road’ films with Crosby and Hope. She, too, was a "proper" singer and her 10 tracks are arranged and conducted by Georges Norman. Again, good compositions equally pleasant to listen to, with Kern-Hammerstein II responsible for four of them, although P.G. Wodehouse also got in on one of them, Bill. For all their long film careers the two vocalists only worked together once, as chorus girls in the 1933 Busby Berkeley classic "Footlight Parade". Peter Burt 

BITTER SWEET Selections from the Operetta by Noël Coward, Vanessa Lee, Roberto Cardinali, Julie Dawn and John Hauxvell, The Rita Williams Singers and Michael Collins and his Orchestra Overture, The call of life, If you could only come with me, I’ll see you again, Ladies of the town, If love were all, Dear little café, Tokay, Kiss me, Ziguener, Finale … Sepia 1130[77:29] The first eleven tracks [of 23] above are by the artists listed and were recorded in 1958, the first stereo version of the 1929 show. They are followed by a selection played by the London Palladium Orchestra conducted by Clifford Greenwood just before the outbreak of war in 1939. Then there are the original London cast members, Peggy Wood, George Metexa and Ivy St Helier, singing the major hits of the show. Evelyn Laye, the original Broadway star sings I’ll see you again andZigeuner, and then we have four tracks from the Paris production of 1930 starring Jane Marnac and René Bussy. "The Master" himself completes the disc with his distinctive version of I’ll see from a recording made in 1954, exactly 25 years after the show was first seen. A veritable cornucopia of what was, as the detailed liner notes opine, "Coward’s first musical and arguably his best". Ray Pavene 

"My inspiration is you" ANNETTE HANSHAW. Moanin’ low, Loveable and sweet, Here we are, I get the blues when it rains, Mean to me, A precious little thing called love, My inspiration is you, My blackbirds ere bluebirds now, Forgetting you, From now on, Miss Annabelle Lee, Ever since time Began, Would you like to take a walk, Yes indeedy he do, The way I feel today, Nobody cares if I’m blue, If I had a girl like you, Telling it to the daises, Cooking breakfast for the one I love, I have to have you. Sounds of Yester Year DS0Y779 [59:00]. Old as I am there are not many tunes here that I know, Identifying titles is not helped by the fact that the sleeve puts many songs in a different order to the CD! Her "Betty Boop" voice puts her into my novelty catalogue although there will be many nannies and grandpas who would love a copy. Her main backing group goes under the name "The Sizzling Syncopaters"; other tracks have The Dorsey Brothers, Manny Klein, Adrian Rollini and Benny Goodman. Rated top notch in the 1920s her recording really sounds its age! Paul Clatworthy 

THE ORIGINAL BLONDE BOMBSHELL : EVELYN DALL VOL. 1 - Mrs. Worthington; Cohen The Crooner (MB/JC); Lulu’s Back In Town; The General’s Fast Asleep (RB);The Lady In Red; Wotcha Gotcha Trombone For?; Woe Is Me (JC); Cuban Pete; I’m All In; Lost My Rhythm, Lost My Music, Lost My Man; Organ Grinder’s Swing; Did You Mean It?; On The Isle Of Kitchymiboko; Swing Is In The Air; Sailor, Where Art Thou?; I May Be Poor, But I’m Honest (SB,LC); Rhythm’s O.K.In Harlem; Gangway; Swing High, Swing Low; Poor Robinson Crusoe; Let’s Call The Whole Thing Off (SB); Fifty Million Robins Can’t Be Wrong; It’s The Natural Thing To Do; No Songs About Love (KTMA); It’s The Rhythm In Me (KTMA); The Coster Rhumba (HFAS); You’ll Love The Army (KAWAG); Actions Speak Louder Than Words (KAWAG); Sitting On A Cloud That’s Silver-Lined (TF); Hey There Bellman (TF). MB – Max Bacon; SB – Sam Browne; JC – Jack Cooper; LC – Les Carew; RB – Rhythm Brothers. From film soundtracks of: KTMA – Kicking The Moon Around; HFAS – He Found A Star; KAWAG – King Arthur Was A Gentleman; TF – Time Flies (acc. Stephane Grappelli) Memory Lane MLCD00178:05. Memory Lane magazine, in what promises to be an exciting new venture, has just launched its own CD label, and this is the first release. It contains 23 tracks with Ambrose & his Orchestra covering just over two years from September 1935, and seven more from film soundtracks, and is sub-titled "The Complete Evelyn Dall Recordings" with a promise of more to come. By my reckoning around half these tracks have appeared individually on various CD reissues, but many are now out of print. To have Miss Dall’s complete output brought together in this way is a major step for which Ray Pallett and Dave Cooper deserve every support. The remastering has produced a very clear sound, and given the timbre of Evelyn’s voice I found it preferable to listen with the tone setting set towards the bass. It’s apparent that she had a considerable stage presence and a strong personality, which was perfectly suited to the material she was assigned. That included some real scorchers, which she sang as to the manner born, but she was equally at home in broad comedy and Latin-American numbers. The presentation is excellent, with an informative liner note and a reproduction of the original publicity for "The Coster Rhumba" (note correct spelling!). I would like to have seen composer credits included, and a slightly longer interval between tracks, but as the first of a new label this is impressive, and highly recommended. Barry McCanna The CD is priced at £5.99 inc. P&P to a UK address, or £7.99 inc P&P for air mail post to an address outside the UK. It can be ordered from Memory Lane, PO Box 1939, Leigh-on-Sea, Essex SS9 3UH. Payment can be made by sterling cheque to "Memory Lane", or you can log on to where there is a PayPal facility.

HANSEL AND GRETEL Original Television Cast Sepia 1125 [76:20] The music for ‘Hansel and Gretel’ was composed by Alec Wilder with words by William Engvick, who wrote the English lyrics to the Song from Moulin Rouge [Where is your heart]. It starred Rudy Vallee, Stubby Kaye and Paula Laurence. Coupled with this are five numbers from Gilbert and Sullivan’s ‘Yeoman of the Guard’ with Barbara Cook, Celeste Holm, Bill Hayes and Alfred Drake. Then there are 16 "Bonus Tracks" by such as Red Buttons, Barbara Cook, Eddie Bracken, Stubby Kaye, and Rudy Vallee, one of whose songs isThe pig got up and slowly walked away. Rather a mixture but, surprisingly, enjoyable. But I can’t see many sales outside the States – especially if they don’t read JIM! Ray Pavene 

"THE THIRD MAN" AND OTHER CLASSIC FILM THEMES including Passport to Pimlico, La Ronde, The Romantic Age, Whisky Galore, The Glass Mountain, Genevieve, La Strada etc.. Naxos 8120880.Featruing recordings by Anton Karas (zither), Mantovani, Charles Williams, Larry Adler, Percy Faith, David Rose and others. 

BILL SAVILL AND HIS ORCHESTRA "We Could Have Danced All Night"; "In a Dancing Mood". Original Decca LPs from the 1950s. A welcome reminder of "Music While You Work".Vocalion CDLK4397. 

INTERNATIONAL POP ALL STARS "Great Film Themes From Many Lands"; "Vibrations Around The World". Original Decca LPs from the 1960s. Featuring some pleasant surprises – pity all the arrangers aren’t known. Vocalion CDLK4394. 

More new releases noted by Wilfred Askew 

THE BEST OF BROADWAY VOL. 1 South Pacific 8 tracks with Peggy Lee, Margaret Whiting & Gordon Macrae; Orchestra conducted by Dave Barbour and Frank DeVol [1950 Capitol album] Kiss Me Kate 8 tracks with Jo Stafford and Gordon Macrae; Orchestra conducted by Paul Weston [1949 Capitol album] DRGCD 19113 [45:41] 

MEL TORME SINGS HIS OWN CALIFORNIA SUITE The 1949 Capitol recording conducted by Hal Mooney plus the 1957 Bethlehem recording arranged and conducted by Marty Paich, in an attractive digi-pack with two booklets, one containing the lyrics of the two versions. Fresh Sounds FSR-CD 496 [67:14] 

VINTAGE CINEMA Erich Kunzel and the Cincinnati Pops Orchestra Selections from King Kong, The Adventures of Robin Hood, Spellbound, Sunset Boulevard, A Streetcar Named Desire, A Place In The Sun, On The Waterfront, North By Northwest, El Cid, To Kill A Mockingbird and Taras BulbaTelarc CD-80708 [53:13] 

HENRI RENĖ AND HIS ORCHESTRA Compulsion To Swing In Rhythm A coupling of the two albums ‘A Compulsion to Swing’ & ‘Riot In Rhythm’: 24 tracks including The blue room, Cry me a river, Baubles, bangles and beads, Compulsion to swing, It don’t mean a thing if it ain’t got that swing, Just a gigolo, ‘S wonderful, Nature boy, The hot canary, Blue chartreuse, The surrey with the fringe on top, Don’t cry Joe, Whispering … Jasmine JSCD 490 [63:46] RCA stereo recordings from 1958 

JANE MORGAN Fascination : The Ultimate Collection Original Kapp recordings on 2 CDs: 56 tracks including The heart you break, Why [are there things we can’t explain], Why don’t you leave us alone, Give me your word, Flyin’ high, In Paree, Take me away, Let’s go steady, I’ve got bells on my heart, Only one love, I may never pass this way again, Catch a falling star, Where the blue of the night, Makin’ love … Jasmine JASCD 489 [149:58] 

THIS IS IT : The Best Of Jack Leonard and Tommy Dorsey 28 tracks including I’m in a dancing mood, Where are you, If my heart could only talk, You’re here, you’re there, you’re everywhere, Dedicated to you, Marie, Sweet is the word for you, Love is never out of season, Have you any castles, baby?, An old flame never dies, In the still of the night, Blue Orchids Flare ROYCD 281[77:47] 

BOB EBERLY Sings Tender Love Songs with the Enoch Light Orchestra 12 tracks from ‘Sings Tender Love Songs’ [1957] including Brazil, Moonglow, Tangerine, I understand, Amapola, Maria Elena, Green eyes, September song …13 tracks from ‘Best Of the ‘Fifties Singles’ including This much I know, Long before I knew you, Alone, I made a promise, You’ll never know how it feels, The beat o’ my heart, I’ll always be following you ... Flare ROYCD 276 [70:49] 

TEDDI KING ‘Round Midnight Extended album plus ‘Very Best Of The Singles’: 25 tracks including I concentrate on you, Little girl blue, It never entered my mind, What’s new, Prelude to a kiss, ‘round midnight, I saw stars, Love is a now and then thing /Are you slipping through my fingers, Mr Wonderful, There’s so much more, Married I can always get, Travelling down a lovely road, Say it isn’t so … Flare ROYCD 275 [77:05] 

MORTON GOULD Star Dust Symphony Blues In The Night, Birth of the Blues, Solitude, Old Devil Moon, Nocturne, Limehouse Blues, Mood Indigo, St Louis Blues, Sophisticated Lady, Big City Blues, Moonglow, Deep Purple, The Surrey With The Fringe on Top, Besame Mucho, I Get a Kick Out of You, Speak Low, Body and Soul, What Is This Thing Called Love, My Silent Love, That Old Black Magic, Night and Day, The Very Thought of You, Poinciana, You And The Night And The Music, Summertime, Star Dust, Smoke Gets In Your Eyes, Pavanne, Stormy Weather, Beyond the Blue Horizon, Cresta Blance Waltz, Where or When, Orchids in the Moonlight, Over The Rainbow, Time on my Hands, Holiday for Strings, I Love You, My Blue Heaven, Serenade in the Night, Mexican Hat Dance. 2 CDsJasmine JASCD 666 [148:17] 

LEROY ANDERSON Blue Tango Bells of the Ball, Promenade, Syncopated Clock, Serenata, Saraband, Waltzing Cat, Trumpeter’s Lullaby, Jazz Pizzicato, Jazz Legato, Plink Plank Plunk, Horse and Buggy, Phantom Regiment, Blue Tango, China Doll, Penny-Whistle Song, Irish Washerwoman, Bluebells of Scotland, Song of the Bells, Fiddle-Faddle, Typewriter, Girl in Satin, Sandpaper Ballet, Buglers’ Holiday, Summer Skies, Sleigh Ride, Last Rose of Summer, Forgotten Dreams Bygone Days BYD 77025 

ELMER BERNSTEIN Staccato / Paris Swings Original Capitol LPs from 1959 and 1960 DRGCD 19110 [64:51] 

LES BAXTER & HIS ORCHESTRA Thinking Of You 2 CDs, 60 tracks including The poor people of Paris, Blue star, Zing zing – zoom, zoom, With my eyes wide open I’m dreaming, The Shrike, Tropicana, Ruby, Temptation / Unchained Melody, The nearness of you, The roving kind, Out of this world, The high and the mighty, The breeze and I, Shrimp boats, Blue Tango … Jasmine JASCD 672[159’48"] 

JEFF CHANDLER You And I : Sings Songs Of Love U.S. Decca recordings 1953/4 and Liberty recordings 1957/8 DRGCD 19110 [64:51] 

LOVE LETTERS FROM YVONNE DeCARLO / MAUREEN O’HARA SINGS ─ their debut albums from 1957 and 1958 Flare ROYCD 278 [72:24] 

THE HOLLYWOOD LADIES SING - ELIZABETH SCOTT Lizabeth [1957] / DENISE DARCEL Banned In Boston [1958] Flare ROYCD 277 [64:06]

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JOHNNY DOUGLAS AND HIS ORCHESTRA AND SINGERS "The Spirit of Christmas" CD1: White Christmas, Silver Bells, Have Yourself A Merry Little Christmas, It’s Beginning To Look A Lot Like Christmas, Home For The Holidays, The Christmas Song, I’ll Be Home For Christmas, The Little Drummer Boy plus medleys of carols. CD2 Happy Holiday, Here’s To You, My Favourite Things, A Merry Christmas Song, Out Of The East, Do You Hear What I Hear plus medleys of carols. Dulcima DLCD 122 2CD set, [116:05 mins]. Johnny Douglas will need no introduction to readers of thisJournal Into Melody. Late in his career he set up his own label, Dulcima Records, and this has been continued by his family since we lost him in 2003. Every so often some of his music is made available again, and this latest collection (on two CDs) provides some enchanting melodies for the coming festive season. Over 50 years ago RCA producer Ethel Gabriel worked on the Melachrino Strings’ "Moods in Music" series and in the late 1950s developed the Living Strings as a package for RCA’s budget label, Camden, using various orchestras, mainly from Europe. The albums were all centred on a theme: the sea, the West, Broadway, night music. The recordings made by The Living Strings became a mainstay of easy-listening radio and commercial venues. 

Johnny Douglas, widely recognised as one of England’s masters of string arranging, was the primary arranger and conductor for the series recorded in England. He brought great songs to a new life with his arrangements of a mass of pure velvety strings, mellow brass and superb solos played by the cream of the British musicians of that era. This release brings together three of the albums he recorded in the 1960s and 1970’s. The first CD is purely orchestra, while the second features some very tasteful choral arrangements with the orchestra. As the accompanying notes explain, a few of the titles are repeated, one even twice, but with different arrangements. To delete the repeats would render the original albums incomplete and deprive the listener of the opportunity to experience the versatile arranging by Johnny Douglas. Many of us like to hear something new to enjoy at Christmas, and this is a fine new collection to add to your music library. David Ades

FRED WARING AND THE PENNSYLVANIANS I Hear Music ‘In Hi-Fi’ I hear music; Dry bones; In the still of the night; Ol’ man river; Hit the road to dreamland; Smoke gets in your eyes; Give me your tired, your poor; A cigarette, sweet music and you; The Whiffenpoof Song [Baa baa baa]; Hora staccato; Lolly too dum dey; Sometimes I feel like a motherless child; You’ll never walk alone; Battle Hymn of the Republic; Sleep ‘All Through The Night’ Autumn leaves; If I had my way; The inch worm; Dear hearts and gentle people; Anywhere I wander; Tennessee Waltz; Greensleeves; Funiculi funicula; Drink to me only with thine eyes; The unconstant lover; Comin’ thro’ the rye; All through the night Flare ROYCD292 [79:25] Those who have been fans of Fred and his "Gang" for many years will, like me, be delighted to welcome this single CD of their first two stereo albums, recorded in late 1957 and early 1958. Well done, Flare! The spotlight is, of course, on the singers with their gorgeous close harmonies, deep basses and soaring sopranos, but there is no lack of felicitous support from the musicians. The programme is so varied that everyone will have their own favourite tracks: mine include the brilliant Bones, Irving Berlin’s Give me your tired, the wonderfully countrified Lolly, the magnificent Battle Hymn, the early hit Sleep, the eminently sing-along Dear hearts, and the traditional songs from the British Isles given the inimitable Waring treatment. Here is just under 80 minutes of real joy for around £8 [less online] and my choice for this issue’s Best Album. Peter Burt 

FRANK CHACKSFIELD PLAYS LERNER AND LOWE & RODGERS AND HART My Fair Lady Suite; If ever I would leave you; Wand’rin’ star; Camelot March; Almost like being in love; I talk to the trees; Come to me, bend to me; Gigi Suite / Johnny One-Note; Isn’t it romantic, Ten cents a dance; Thou swell; My funny valentine; Lover; With a song in my heart; Bewitched; Falling in love with love; Where or when; The lady is a tramp; Mountain greenery Vocalion CDLK 4400 [71:40]With their late-summer releases Vocalion has brought us a veritable Frankfest of quality light music. This 2-on-1 has albums dating from 1976 and 1975. Roland Shaw is the arranger on the first and manages to introduce Wagner’s Wedding March and Offenbach’s Can-Can into the two Suites! The late, great Kenny Baker’s trumpet is featured on If ever, a wonderful contra bassoon conjures up memories of Lee Marvin on Wand’rin’, and Joanne Brown sings a couple of the songs, as she does on the second album. There is no arranger credit given on the second album [no liner notes for either album] but a tad of tango rhythm is added to Ten cents and Thou swell responds well to a pizzicato string treatment. Frank’s stellar French hornist [could be Neil Sanders] pops up on other tracks throughout the disc, and I suspect it is Kenny Baker again on Bewitched and The lady. All round enjoyable.

THE NEW LIMELIGHT & CHACKSFIELD PLAYS BACHARACH Limelight; The man that got away; In the still of the night; Scarlet ribbons; Smile; Tonight; Theme from ‘Picnic’; Come rain or come shine; Night and day; Here I am; Warsaw Concerto / Raindrops keep fallin’; Alfie; I’ll never fall in love; This guy’s in love with you; Paper maché; Trains and boats and planes; [They long to be] Close to you; You’ll never get to heaven; The look of love; To wait for love; The green green grass starts to grow; Wives and lovers Vocalion CDLK 4380 [77:58]The 1966 Stereo Record Guide opined that ‘The New Limelight’ LP was "the best of Chacksfield’s most recent discs" and described the sound as "brilliant and reasonably atmospheric." Apart from the opening and closing tracks the arrangements are by Roland Shaw ─ Scarlet Ribbons and Come rain stand out for me. There is a rather good performance of Richard Addinsell’s Concerto by an unnamed pianist. The ‘Plays Bacharach’ album is from five years later and well worth acquiring, even if it does not oust in my affections Ron Goodwin’s similar album [seven tracks in common] also on Vocalion but now sadly no longer available. John Keating’s arrangements are never less than interesting. There is just an occasional hint of a Kaempfert-style bass and some particularly nice piano on This guy’s in love. On the first album Here I am, of course, is another Bacharach composition. Again a complete lack of any liner notes; perhaps the original Decca sleeves did not have any.

FRANK CHACKSFIELD AND HIS ORCHESTRA Plays Simon & Garfunkel and Jim Webb / The Beatles’ Song Book Up, up and away; Homeward bound; By the time I get to Phoenix; Mrs Robinson; Galveston; Bridge over troubled water; Scarborough Fair; Wichita lineman; Cecilia; The sound of silence; MacArthur Park / Get back; Michelle; Got to get you into my life; Yesterday; Something; Hey Jude; A hard day’s night; Norwegian wood; Ticket to ride; The fool on the hill; Come together; Ob-la-di, ob-la-da Vocalion CDLK 4392 [70:25]Your reviewer has cherished the second album here since it first appeared as a Phase 4 Stereo Spectacular LP, incredibly, nearly 40 years ago. It is far from typical Chacksfield but every track gives pleasure and should keep your feet tapping. The first album from a year later is also arranged by John Keating but for me did not have quite the same immediate impact. I hasten to add that my initial disappointment has dissipated somewhat with repeated hearings. The tunes are all good, well-played, and the arrangements are never dull. And, after all, the second album alone is worth the modest price of the CD! Once again no liner notes; what a pity Vocalion cannot find somebody to do for Chacksfield what Colin Mackenzie does for Mantovani. Peter Burt

BBC CONCERT ORCHESTRA Conducted by RUMON GAMBA The Film Music of Mischa Spoliansky Suite from ‘North West Frontier’, Three Songs from ‘Sanders of the River’ (Featuring Mark Coles, bass), Suite from ‘The Man Who Could Work Miracles’, Voice In The Night (from ‘Wanted for Murder’), Suite from ‘ The Ghost Goes West’, Dedication (from ‘Idol of Paris’ – featuring Roderick Elms, piano), Suite from ‘King Solomon’s Mines’ (with Mark Coles), Galop from ‘The Happiest Days Of Your Life’, Toccatina for solo organ (from ‘Saint Joan’). Chandos CHAN 10543 [73:03]. When I saw this CD among a list of future releases I was impatient for it to arrive. Finally when I got it in my hands I clicked on track 22 to hear the music from the 1950 film The Happiest Days Of Your Life. I first saw this film as a teenager, and I still get many laughs from it when it turns up on TV. Alastair Sim and Margaret Rutherford (both were absolutely brilliant in roles that could have been created just for them, although it had previously been a stage play) were supported by a superb cast of British character actors (Joyce Grenfell, Richard Wattis et al) and Mischa Spoliansky’s music was simply perfect for the plot. There wasn’t a lot of it in the film, and the middle part of Philip Lane’s finely reconstructed score isn’t familiar to me. Looking back through old copies of Radio Times (when they used to list the music played in many radio programmes) you occasionally come across the galop from ‘Happiest Days…’ so it must have been made available in sheet music form for orchestras to perform, probably with the extra middle section added to make it long enough (it lasts well under two minutes on screen). Why on earth didn’t someone like Sidney Torch make a commercial recording? We’ve waited a long time, but for me it’s been worth it. Two other tracks that quickly caught my attention are Voice In The Night and Dedication – both originally on Columbia 12" 78s with the latter featuring the composer on the piano (it has been reissued on Guild GLCD 5109). However the music from ‘Idol of Paris’ on this CD is a longer version, lasting over 7 minutes. Most of the other tracks are premiere recordings, and they demonstrate that Spoliansky fully deserves this long-overdue tribute. We are so fortunate that, in today’s cash-strapped world, somehow funds can still be found to make worthy recordings like this. The BBC Concert Orchestra (as usual these days) plays superbly, and Rumon Gamba clearly understands how film music of this kind should be treated. The 44 page booklet (with notes by Philip Lane) cannot be faulted. Chandos deserve our support, so add this one to your Christmas list. David Ades

DIE FLOTTEN GEISTER ORCHESTRA Spirit Of Vienna Vol.2 Imperial Riflemen March; The Hunt for Happiness [Gallop]; The Lady Skater’s Waltz; In Flight with Her [Quick polka]; Harvestehude Swallows Waltz; Common Sense [Quick polka]; Bucharest Life Waltz; Carmen Waltz; The Beautiful Viennese Girls [March-Polka]; Pretty Sweetheart [Polka mazurka]; Young Gentlemen’s Dance Waltz; Themes from The Dollar Princess Tonstudio 02332 [74:40]The Johann Strauss Societies of Great Britain and the Czech Republic are dedicated to the promotion of Viennese music by the Strauss family and their contemporaries, and this release complements the first volume reviewed in JIM 173. The recordings here, all firsts, were made in the Czech Republic as recently as February of this year. The only tracks from a Strauss are The Lady, by Johann III, and In Flight, by his father Eduard, the third brother of Johann II and Josef. Other composers are Richard Eilenberg, Oscar Fetrás, C.M. Ziehrer, Iosef Ivanovici, Juventino Rosas, Carl Drescher, Karl Komzák II, Josef Gung’l and Leo Fall. Particularly interesting is the longest piece, Carmen Waltz, by Juventino Rosas, the Mexican composer of the well-known Over the waves [used for the song The loveliest night of the year] which often has been attributed to Johann I, "The Waltz King." The conductor throughout is Christian Pollack, who has made recordings for the Marco Polo and Naxos labels, and without whom many of these tunes may not have been recorded. This is an extremely pleasant album, all the better for being of unfamiliar items, well-played and produced with good programme notes by John Diamond. May we hope for a third volume in due course? Peter Burt

Available for £12.99 [incl. p&p in the U.K]. from Discovery Records Ltd, Banda Trading Estate, Nursteed Road, Devizes, Wilts. SN10 3DY.or

MANTOVANI AND HIS ORCHESTRA To Lovers Everywhere / From Mantovani With Love The way you look tonight; Tea for two; September song; Whispering; Quando, quando, quando; All of a sudden; I will wait for you; Me and my shadow; I can’t stop loving you; Yellow bird; Winter world of love / Try to remember; It’s impossible; My prayer; If I only had time; Loss of love; Gwendolyne; Rosy’s Theme; Theme from Love Story; Little green apples; Last summer; Where have all the flowers one?; May each day Vocalion CDLK 4393 [71:24]

Mantovani Touch / Operetta Memories On a clear day; Alfie; Release me; A man and a woman; Almost there; What now my love; Edelweiss; A day in the life of a fool; My cup runneth over; Days of wine and rose; The impossible dream; Puppet on a string; / The Merry Widow Waltz; My hero; Play gipsies, dance gypsies; O maiden, my maiden; The Gypsy Princess Waltz; The Count of Luxembourg Waltz; Serenade from Frasquita; Gipsy Love Waltz; The Gypsy Baron Waltz; Die Fledermaus – Overture Vocalion CDLK 4396 [74:55]. Four more albums from the Decca archives by the master maestro reissued for our delectation and delight by Mike Dutton. The first 2-on-1 features albums that originally saw the light of day in 1971. The first album was also Monty’s first with Parisian musicians ─ for tax reasons he could no longer record in England ─ while the second was his last with all British personnel. Stand-out tracks for me include Monty’s own poignant composition Last summer, and May each day, his last UK recording. On the second 2-on-1 the first album dates from c.1968 [Puppet from ‘67], the second was recorded during December 1959 and January 1960.‘Touch’ is an attractive collection of a dozen contemporary tunes. I especially enjoyed Alfie, featuringthe violin of David McCallum [father of the actor] who was Monty’s leader for a decade, the Bolero-like What now my love, and the lovely My cup runneth over. The titles on ‘Operetta Memories’ are meat and drink to Monty and I can only concur with Scott Raeburn who writes online that it is "one of the really great Mantovani albums and no fan should be without this in their collection." Peter Burt

BILL SAVILL AND HIS ORCHESTRA In a Dancing Mood / We Could Have Danced All Night(Quicksteps) So in love, Do I love You, June is bustin' out all over, Always true to you in my fashion, You'd be so nice to come home to, (Waltz) I give my heart, Glamorous Night, (Foxtrot) Lovely to look at, The folks who live on the hill, (Quicksteps) Love walked in, Shall we dance, Let's call the whole thing off, Long ago and far away, Can I forget you, How high the moon, I've got you under my skin, This is my lovely day, Most gentlemen don't like love, The last time I saw Paris, I love Paris, C'est magnifique, (Tango) No other love, (Rumba) Wish you were here, (Samba) Carioca, (Foxtrot)September Song, Bewitched, (Quicksteps) Dance little lady, A room with a view, Pick yourself up, Easy to love, All of you, I could write a book, I'm gonna wash that man right out of my hair, There's nothin' like a dame, Happy talk, A cock-eyed optimist, Bloody Mary, Honey bun, (Waltz) This nearly was mine, When I'm not near the girl I love, (Foxtrot) Smoke gets in your eyes, My funny Valentine, I didn't know what time it was, (Quicksteps) You were never lovelier, They all laughed, We'll gather lilacs, I'm gonna sit right down and write myself a letter, From this moment on, I could have danced all night, I've grown accustomed to her face, Get me to the church on time, With a little bit of luck, On the street where you live, (Cha-cha) Ol' man river, I can't get started, The man I love, (Samba)The Mayfair Samba, (Quicksteps) All the things you are, A foggy day, Nice work if you can get it, My heart belongs to Daddy, Sing for your supper, It's alright with me. Vocalion CDLK 4397 [77:16]. It has been a long wait, but at last Bill Savill and his Orchestra have made it to CD. For the benefit of younger readers, Bill Savill was a society ballroom orchestra leader, who was regularly heard on radio for well over twenty years. His 308 'Music While You Work' programmes made his orchestra the fourth most broadcast combination on the show. If you are one of those people who find strict tempo ballroom music a bit monotonous, do not despair, as the Bill Savill orchestra is as perfect for listening as it is for dancing. Most dance bands of the fifties and sixties were comprised of brass, saxes and rhythm but the Savill sound featured a string section instead of brass, giving a distinctive quality. Bill once told me that this was at the suggestion of Eric Rogers, his pianist in the early days of the orchestra. He also told me that whilst his broadcasting orchestra consisted of 14 musicians, it was augmented to 19 for his series of LP records for Decca ─ the additions being in the string section plus one discreetly used (mainly) muted trumpet. The beautiful mellow saxophone section (for which Bill Savill was noted) is particularly enjoyable, particularly when there is a Glenn Miller style clarinet lead. My only regret about these recordings was that for two of the Latin numbers, a brass section replaces the strings [probably some stupid idea of Decca!] The CD comprises two of Bill Savill's four LPs and is an absolute delight. I well remember my excitement when, as a teenager, I came across Bill's first LP 'Shall We Dance?' in my local record shop. Having been a fan of the orchestra for several years, I wasted no time in getting it. The music on this CD (much of it in medley form) relies heavily on such masters of popular music as Cole Porter, Jerome Kern, Richard Rodgers and George Gershwin. If you are a 'Strictly Come Dancing' fan it might come as a surprise that the pieces are actually in the correct tempos used by dancers for decades. The one rumba is actually a rumba and not a pop ballad and the waltzes are in the traditional three-four time! Vocalion are to be congratulated on releasing these two albums on CD. Perhaps it is a prelude to their reissuing the many albums of Phil Tate and Tommy Kinsman, two other popular broadcasting orchestras of the period. I highly recommend this CD to all who enjoy well-arranged and well-performed quality dance music. This is possibly the best CD of its kind ever produced. Hopefully, you will love Bill Savill's orchestra as much as I do! Brian Reynolds

GOLDEN AGE OF LIGHT MUSIC The 1930s Revisited For full track listing see the Light Music CDs pages in this website.. Guild GLCD 5163 [78:54]. When I saw the title of this CD I thought: "Great, just up my street!" ─ and so it came to pass because the very first track is Eric Coates’s Miniature Overture The Merrymakers, recorded on my birthday, November 3rd 1931, with the composer conducting the London Symphony Orchestra. It was used as the title and incidental music for one of Austin Motor Company’s many promotional films, ‘Here’s to Comfort’, made in 1936. Then comes theFancy Dress Suite by Cecil Armstrong Gibbs. Usually it’s only the movement Dusk that gets played but the Regent Concert Orchestra conducted by William Hodgson include two more movements, Hurly Burly and Pageantry ─ all from the Boosey & Hawkes Library. Two very contrasting pieces follow:Entrance of the little fauns by Gabriel Pierné played by Jack Payne’s BBC Dance Orchestra, and Jerome Kern’s Smoke gets in your eyes arranged by Peter Yorke and played by Louis Levy’s Orchestra. Jerome Kern turns up again on track seven with a selection from ‘Music In The Air’, played by the New Mayfair Orchestra, conducted by Ray Noble, which positively exudes 1930’s atmosphere; then there is a vigorous march by Charles Ancliffe, The Liberators, with the London Palladium Orchestra in fine fettle conducted by Jack Frere. Although probably better known for his waltzes, Ancliffe has a number of "mood" pieces in the Bosworth Library as well as another cracking piece on the FDH Label called The Kinsgmen March. David, please note! Marek Weber had a super light orchestra with a "sound" all its own and, although it isn’t so apparent on Forest Idyll, it’s a smashing piece all the same. John Ansell’s nautical Windjammer Overture is played by the Regent Concert Orchestra, William Hodgson conducting, from the Boosey & Hawkes Library, but it’s slightly shorter than their disc of the 1940’s. It was used to good effect in a colour documentary made by the Southern Region Film Unit called ‘Golden Arrow’, produced about 1947. John, apart from working in the theatre, also wrote for feature films, including one I have on tape and disc called ‘Song of the Road’, made in 1937. I don’t know who W.C. Polla was but he/she [?] wrote a very catchy piece called Dancing Tambourine, and Jack Hylton and his Orchestra recorded it for HMV in 1927 ─ but you wouldn’t know it, thanks to Alan Bunting’s magical restoration. What a pity Hylton and his boys aren’t around to hear their recordings today, and that goes for all the musicians featured on this Guild series. The Commodore Grand Orchestra was reckoned to be one of the finest light orchestra of its time and it had two conductors, Joseph Muscant and, later on, Harry Davidson. Here, the former is wielding the baton on Henry Steele’s Knave Of Diamonds with Louis Mordish at the piano. It can also be found in the Bosworth’s Library early recordings played by the Pall Mall Revellers. Cupid’s Parade, a Fantasy by somebody called Rivelli, played by The Little Salon Orchestra has a distinct continental sound to it. In fact, The LSO sounds just like Marek Weber’s Orchestra. The Orchestra Mascotte make a super job of Joseph Lanner Court Ball Dances, as does the Drury Lane Theatre Orchestra with a selection of Ivor Novello’s music to ’Glamorous Night’, arranged and conducted by Charles Prentice. A number from the Bosworth Library is the penultimate item: Carl Robrecht’s Fata Morgana played by the Louis Voss Grand Orchestra. Robrecht is better known for his symphonic foxtrot Samum. But it is another Foxtrot, which is the Finale to Edward Künneke’s ‘Dance Suite’, plays out this revisitation of the tuneful ‘30s in grand style ─ although you wouldn’t expect any less from the Berlin Philharmonic Orchestra with the composer on the podium. Ken Wilkins

THE THIRD MAN and Other Classic Film Themes: Original recordings 1949-1958 featuringAnton Karas, Mantovani, Larry Adler, Anton Walbrook, Narciso Yepes, Percy Faith, David Rose and others ‘The Third Man’: The Harry Lime Theme; The Café Mozart Waltz; ‘The Lives of Harry Lime’: Radio bridge 1-3; The Third Man Theme; ‘Passport to Pimlico’: The Siege of Burgundy;‘La Ronde’: La ronde de l’amour; ‘The Romantic Age’: Jealous Lover; ‘Whisky Galore’: Prelude; ‘The Glass Mountain’: The Legend of the Glass Mountain; ‘The Importance of Being Earnest’: Can-Can Finale; ‘Jeux Interdits’: Jeux Interdits, Parts 1 & 2; ‘Anna’: Anna [El negro zumbon]; Non dimenticar;‘Genevieve’: Themes; Love Theme and Blues; ‘The Kidnappers’: Nova Scotia Rhapsody; ‘La Strada’: Gelsomina [You and you alone]; ‘Touchez Pas Au Grisbi’: The Touch [Le Grisbi]; ‘Summertime’: Summertime in Venice; ‘French Can-Can’: Merry-Go-Round [Complainte de la butte] Naxos 8.120880 [57:42]Definitely this issue’s Budget Choice. Taken from 78s or soundtracks, this is pure nostalgia all the way. Other participants are conductors Charles Williams and Benjamin Frankel conducting their own compositions, Ernest Irving and Muir Mathieson. The catchy Anna has Flo Sandons dubbing the voice of the star, Silvana Mangano. Unfortunately we don’t get "the" Genevievetheme. Transfers and production are by David Lennick, with digital restoration by Alan Bunting. There are full recording details, and David Ades wrote the knowledgeable booklet notes. For example, he reminds us that Bruce Montgomery, who wrote The Kidnappers score, was later involved in the ‘Doctor’ and ‘Carry On’ series. But did you know that he also wrote successful detective novels and other works under the name of Edmund Crispin? Peter Burt

THE HEART’S AWAKENING Songs & Piano Solos by Albert Ketèlby Peter Dempsey [tenor], Guy Rowland [piano] Songs: The country that I love; Believe me true; The knight’s return; Aberfoyle; Sweetheart mine & The morning was bright [from comic opera ‘The Wonder Worker’]; Blow, blow thou winter wind; Thy throne; Lady of dreams; Sing heighho!; Young and old; The heart’s awakening; My heart a-dream; Those bells so softly pealing; Keep your toys, laddie boy!; In a monastery garden; I dream of all the worlds; Kilmoren; Piano solos: Alice; The Phantom Melody; Bells across the meadows; With the Roumanian Gypsies AWK 1. Eric Coates, Haydn Wood and Wilfred Sanderson, to go no further, brought the Edwardian ballad to considerable height. To them we should add Albert Ketèlby, more usually remembered, like Coates and Wood for other forms of light music, who gets fine advocacy from Peter Dempsey, following his similar CDs of Coates and Wood songs. These songs, which mainly set lyrics by Florence Hoare, Charles Kingsley, Shakespeare [whose Blow blow is stormy if not over subtle] and Ketèlby himself, range from 1896 to 1952 [only two in fact post 1918]. Mr Dempsey sings them in roughly chronological order, so we can trace Kètelby’s development. All show him as a fine tunesmith. I like particularly the passionate title song, the lilt of Aberfoyle, the insistent polka rhythm of Sing heigho!, the carillon-ish accompaniment ofThose bells and the heartrending nostalgia for childhood of Keep your toys. Yearning feelings indeed run through the disc. Guy Rowland is again a positive accompanist and contributes four solos:Phantom Melody was AWK’s earliest hit, Bells across the meadows sounds as atmospheric on piano as orchestra, the Roumanian Gypsies cavort brilliantly and Alice [1906] is a charming find. All tracks, bar perhaps four, are world premiere recordings at least in this form. The informative booklet does not reproduce the words but Mr Dempsey’s admirable diction makes it unnecessary. Strongly recommended. Philip Scowcroft

Available at £9.95, inc. p&p, from Mr P Dempsey at 44 Victoria Road, Bedford B50 4AR [Demsini @] 

GINO BORDIN Virtuose de la Guitare Hawaiienne The blue bird, Crépuscule Hawaien, Manuska, Hawai nous appelle, Sérénade bleue, Retour de Hawai, J’écoute la guitare, En écoutant l’ukulélé, Addio signora!, Hawaiian berceuse, Je n’ai plus personne, Reflet viennois, Viens dans ce joli pavillon, Hé hop la hé, C’est une valse qui chante, Waikiki en fete, One kiss, La destine du marin, Le jeune pecheur, L’ile aux reves d’or, Chant d’amour de Tahiti, Ay, ay, ay, De tout mon coeur, Dans la nuit, Avant de mourir Grass Skirt Records GSK 1003 [72:15]Previous GSK reissues featured Sam Ku West (GSK 1001) and Sol Hoopi (GSK 1002), both of which were produced to a very high standard. The same care has been taken with these 25 mainly 1930s recordings by this French exponent of the Hawaiian steel guitar. Instrumentation is varied, and includes violin, zither, accordion, xylophone, and even musical saw on one track, and some feature French singers. Superbly remastered by Ted Kendall, the CD sports a reproduction Salabert label, and comes in a gatefold sleeve which also houses a 44-page booklet, half in French with an English translation and illustrated throughout. Barry McCanna

Full details at or from Grass Skirt Records, PO Box 371, Hyde, SK14 9AB, UK.

AL BOWLLY The Complete Maurice Winnick & Sidney Lipton Sessions Topical Tunes Part 1 - In The Mountains of the Pine/What A Fool I’ve Been*/Twilight Waltz; Springtime Reminds Me Of You; The Waltz You Saved For Me; Topical Tunes Part 2 – Life/Pardon Me, Pretty Baby*/Shake And Let Us Be Friends; Bei Mir Bist Schoen; There’s A Gold-Mine In The Sky; Kiss Me Goodnight; Rosalie; In The Still Of The Night; Once In A While; When The Organ Played "Oh, Promise Me"; Somebody’s Thinking Of You Tonight; My Heaven On Earth; Chatterbox; When You Wish Upon A Star; Turn On The Old Music Box; Who’s Taking You Home Tonight?; Arm In Arm; There’s A Boy Coming Home On Leave; My Capri Serenade; The Lonesome Trail Ain’t Lonesome Any More; It’s A Long, Long Way To Your Heart; Souvenir Of Love; Trusting My Luck Memory Lane MLCD 002 [68:37]. Al recorded a total of 20 sides with Maurice Winnick, and four with Sydney Lipton. One could be forgiven for wishing those statistics were reversed, because around the mid-thirties Winnick hitched his wagon to Guy Lombardo’s star. The result was a sort of musical kitsch, which has not worn well, whereas Sydney Lipton’s music was as elegant as the man himself. The compilation falls naturally into five segments. There’s the mid-1931 session with Winnick, that is two waltzes topped and tailed by the Topical Tunes set, of which Al sings the second tune in both cases. The best of the three tunes from the late December 1937 session is Bei Mir Bist Du Schoen, and the quality of the next three songs also rises above the instrumental schmaltz. For me the nadir was reached in the mid-1938 session, when the sound of the orchestra seems to have become homogenized into a sort of musical broth. The problem is compounded by the overly sentimental nature of some of the songs, which sound as though they originated in a Victorian drawing room. Having said that, the vocal is another matter; Al’s innate sincerity transcended the material, and the end result is better than might be expected. For me, Chatterbox is Al’s best Winnick recording, which demonstrates his mastery of phrasing, and the trumpet section’s triple-tonguing skill deserves a mention also. Of course, all three songs from that session came from the Walt Disney cartoon ‘Pinocchio’, and the accompaniment is suitably animated. The final Winnick session produced four more good tunes, one of which is a reminder that this was now wartime. The four tracks with Sydney Lipton which conclude this compilation revert back to the beginning of 1938. The first is a cowboy song, a tongue-in-cheek lament for the vanished world of the Wild West, and includes a most musical yodel. That’s followed by three ballads, the last two from the film ‘Sailing Along’ which starred Jessie Matthews and Jack Whiting. A fair number of these tunes were reissued piecemeal on vinyl, but a complete release on CD was long overdue, and despite it being something of a curate’s egg the balance is firmly in its favour. The original Decca recordings present something of a challenge in their remastering, but Dave Cooper has achieved as good as we’re likely to get, and Ray Pallett’s liner note completes the package. You should have ordered your copy already, but if not don’t miss out. Barry McCanna

The CD is priced at £5.99 inc. p&p to a UK address, or £7.99 inc. air mail p&p to overseas (inc. Eire). Sterling cheques should be made payable to Memory Lane, and sent to Memory Lane, PO Box 1939, Leigh-on-Sea, SS9 3UH, England. Alternatively, log on to where you can order using PayPal.

Please note that the following CD is not scheduled for release until the end of January


1 The Merrymakers – Miniature Overture (Eric Coates) 
Fancy Dress – Suite (Cecil Armstrong Gibbs)
2 Hurly Burly
3 Dusk
4 Pageantry
5 Entrance Of The Little Fauns (from the ballet "Cydalise et la chèvre-pied") (Henri Constant Gabriel Pierné, arr. Mouton) 
6 Smoke Gets In Your Eyes (Jerome Kern, arr. Peter Yorke)
7 "Music In The Air" – Selection (Jerome Kern) There’s A Hill Beyond A Hill, I’ve Told Ev’ry Little Star, When The Spring Is In The Air, The Song Is You, I’m So Eager, In Egern On The Tegern See, We Belong Together, One More Dance.
8 The Liberators – March (Charles W. Ancliffe)
9 Hearts And Flowers (Theodore Moses Tobani, arr. Willoughby)
10 Forest Idyll (Esslinger)
11 Windjammer Overture (John Ansell)
12 Dancing Tambourine (W. C. Polla)
13 Swamp Fire (Harold (Hal) Mooney)
14 Escapada (Sid Phillips)
15 Knave Of Diamonds (Henry Steele)
16 Irving Berlin Waltz Medley (Irving Berlin) All Alone; Always; What’ll I Do? 
17 Cupid’s Parade – Fantasy (Rivelli)
18 Court Ball Dances (Hofballtanze) (Jos Lanner) 
19 "Glamorous Night" – Selection (Ivor Novello, arr. Charles Prentice) Her Majesty Militza, Shine Through My Dreams, Fold Your Wings, When The Gipsy, Far Away In Shanty Town, Glamorous Night, Royal Wedding.
20 Fata Morgana (Carl Robrecht) 
21 Finale – Foxtrot (from "Dance Suite") (Eduard Künneke)

[77:19]. This is not about a jaunt to your local for a book but a selection of music from the extensive recorded libraries of firms like Bosworth, Boosey and Hawkes, and Chappell. For me, it’s rather a mixed bag with less to enthuse about than previous offerings in Guild’s magnificent and ground-breaking Light Music series. The 64th CD in the series begins well enough with the 1950’s Livin’ It Upby Harry Rabinowitz, Trevor Duncan’s haunting The Girl from Corsica played by the New Concert Orchestra under Cedric Dumont [a performance that doesn’t perhaps have the élan of other versions, in particular Robert Farnon’s 1977 Cheltenham Festival ─ music not horses ─ recording with the BBC Northern Orchestra, now the BBC Philharmonic, on BBC Radio Classics], and the deliciousJacaranda Melody by Paul Dubois, famous for his Shadow Waltz [recorded elsewhere with typical sonority by R.F. and the Danish State Radio Orchestra]. Then follow several pretty ordinary tracks including Jack Beaver’s Helicopter Journey, which doesn’t really get off the ground, Country Capersby Ivor Slaney with its echoes of Leroy Anderson’s Fiddle Faddle, and the soporific Sunday Driver by Peter Dennis, a name unknown to me. R.F. comes to the rescue with his Danish band [listed on the 78 label as ‘Melodi Light Orchestra conducted by Ole Jensen’] and Stardom; but Karl Rehfield and Roger Roger with ensembles in Stuttgart and Paris put their string players through their paces with little real music reward in a couple of busy but slight moto-pepetuo-style pieces, music not in the same class as Anderson’s Fiddle. Things start looking up with Henry Croudsen’s harmonically imaginative Serenade to the Moon performed by the excellent Louis Voss and one of the highlights of the disc, and with a departure from Guild’s norm, Pat Lynn’s Remembrance, a strict-tempo Victor Sylvester sound-alike version featuring some wizard playing from two pianos. The 1940’s are represented by another curate’s egg of a selection where, perhaps, the problem with some library music is particularly highlighted. Often it doesn’t travel well and out of context sounds contrived and vacuous, bereft of stimulus of, say, newsreel pictures or documentary footage. Haydn Wood’s A Love Song is a nice post-Elgarian example of how to write a good tune but it does rather draw attention to the lack of memorable melodies on this disc in general. It is good to hear the BBC stalwart, Stanford Robinson, for whom I had the pleasure of playing a few times in the studio and in concert with his brother Eric, in music by Arthur Benjamin, whose big hit was of course Jamaican Rumba. HisOverture to an Italian Comedy is a worthy inclusion and can stand on its own two feet; but a couple of pieces by the admirable Charles Williams and one by Frank Tapp, another rarely-heard name, really need some pictures to have any effect. Montague Ewing’s Clown with a Tambourine isn’t of the standard of his other, better-known, pieces and even Alan "Merlin" Bunting can’t conjure up more presence for this tricky instrument. At one stage I began to think that the clown in question had forgotten to take his tambourine to the session! Arthur Wood’s Barwick Green must be a contender for the most-played piece of music ever, light or otherwise, but it’s not hard to see why only this movement of his suite ‘My Native Heath, is heard nowadays. Ilkley Tarn and Knaresboro Status are very ordinary and, in the latter, Arthur Wood seems to imply that this fine old Yorkshire town with its magnificent railway viaduct is located in some distant Gaelic outpost. As usual, David Ades provides excellent liner notes: well-researched, erudite but eminently readable. Over the span of sixty-odd discs the amount of invaluable information he has passed on to us enthusiasts is utterly remarkable.Glyn Bragg

GOGI GRANT Mad About the Boy 22 tracks incl. Welcome to my heart; The more I see you; Paradise; Love walked in; So do I; They didn’t believe me; But beautiful; Love letters; With all my heart; If I should lose you; At last! At last!; How deep in the ocean; Bewitched; Mad about the boy …Flare ROYCD296 [78:26]. " …an unforgettable voice, singing songs that will last for ever." The opinion of liner note writer Colin Villani ─ and I would not disagree with that. These are songs "of love and loss and longing" from two albums: ‘Torch Time’ and ‘Welcome to My Heart’ [both from 1958]. The first 12 tracks listed above are from the latter and have the added interest for RFS members of being arranged and conducted by Dennis Farnon. The accompaniment for Love lettersalone is almost worth the price of the disc. Henri René conducts on the remaining tracks. For readers who may not have come across Miss Grant before: she had hits in the ‘50s notably the Top 10Suddenly there’s a valley and No.1 The wayward wind, and then dubbed Ann Blyth’s singing voice in the film biography of Helen Morgan, the famous 1920s torch singer. More, please! Peter Burt 

ANNETTE HANSHAW I’ve Got A Feeling I’m Falling When I am housekeeping for you; Fit as a fiddle; I’m following you; I’ve got it bad but it don’t do me no good; My future’s just passed; I want a good man [and I want him bad]; I hate myself for falling in love with you; You’re the one I care for; You’re just too sweet for words honey of mine; I cover the waterfront; Just another day wasted away; Are you happy; Is there anything wrong in that; My sin; If you see Sally; Black bottom; I’ve got a feeling I’m falling; Daddy wont you please come home; What wouldn’t I do for that man; If I can’t have you Sounds of Yesteryear DSOY781 [60:25]I reviewed Annette’s previous album in the last issue; much of that review could be repeated for this outing. Once again many well known musicians are present. In the twenties Annette was America’s Queen of Song, and as well as singing she could play ukulele and piano. An example of her keyboard playing is heard on Are you happy; competent but little different from the other pianists in her various groups. Her quaint but infectious singing [sometime speaking] does intrigue and reminds me of happy days playing my Dad’s 78s.Paul Clatworthy

VINCE MENDOZA and THE METROPOLE ORCHESTRA El Viento – The Garcia Lorca Project 12 tracks incl. La Cancio’n del Mariquita; Historietas del Viento [in three parts]; La Tarara, De Los Cuatros Muleros, Angeles Negros … ACT 9490-2 [70:45]As the Metropole was involved I just had to have this! Opera fans will probably revel in it but I did not know the language and I found the impassioned singing of the soloists intruded on the beauty of the orchestral settings. I will console myself with the breaks in the vocals where the orchestra as usual excels. Paul Clatworthy 

THE GLENN MILLER SINGERS Re-unions 1948, 1954, 1959 Tex Beneke, Marion Hutton, Ray Eberle, Johnny Desmond, Dorothy Carless, The Modernaires with Paul Kelly He sez, she sez; So far; It could happen to you; You don’t have to know the language; Brooklyn Love Song; Golden earrings; Sure thing, St Louis Blues March; I’ll be seeing you; Surprise Symphony; Begin the beguine; Memories of you; Because, Blue champagne; Moonlight serenade; A nightingale sang in Berkeley Square; Sweet Eloise; [I’ve got a girl in] Kalamazoo; Wham [Re-Bop-Boom-Bam]; Don’t sit under the apple tree; Serenade in blue; Elmer’s Tune; Booglie wooglie piggy; Chatanooga choo choo; Perfidia Sounds of Yesteryear DSOY 783 [76:15]Good quality transcription recordings complete with announcements. Some of the tunes are not sung so I almost included this review in Big Band Roundup. Tracks with strings I enjoyed most were It could happenGolden and Sure; the arranger on the last, Gerry Gray. Other arrangers credited: Norman Leydon, Bill Finegan, Ray Mackinley, Perry Burgett, Ray Wright, Eddie Durham and Billy May. Paul Clatworthy

CLIFF RICHARD & THE SHADOWS Reunited 22 tracks incl. I could easily fall [in love with you]; The young ones; Living doll, Bachelor boy; Travellin’ light; In the country; Willie and the hand jive; Summer holiday, Do you wanna dance? …. EMI 9996878832L [61:07]Here’s another one for the festive season ─ and sheer nostalgia all the way. The principal participants sound as good as they did when first recording these tracks up to 50 years ago. For good measure there are three tracks newly minted: C’mon everybodySea cruise and Singing the blues. As well as the named artists you get violins, cellos, saxophones and an accordion for your tenner. Interesting to read that Cliff’s vocals were recorded in Miami and Hank Marvin’s guitars and vocals in Perth, Western Australia. Peter Burt

DINAH SHORE Moments Like These 26 tracks incl. Deep purple; When the world was young; Moments like these; I’ll remember April; These foolish things; I fall in love too easily; Until; West of the mountains; Pretty mandolin; Tempting; The Stowaway; I could have danced all night …. Flare ROYCD283 [73:03]Miss Shore started studying sociology but became in the early ’40s the leading American female singer on records and radio, having her first million-seller with Blues in the night. On this CD we hear her last album made for RCA Victor in 1958 ─ a dozen ballads largely about love, or the loss of it. Then we have 14 singles recorded during the final years of her long association with her record company, the very last being the amusing tango The scene of the crime that brings this desirable disc to its close. There are some attractive photographs of the star in the accompanying booklet and comprehensive tracks listings with full notes by Colin Villani. Most of the songs are conducted by Harry Zimmerman, although Vic Shoen, Harry Geller, Henri René and Hugo Winterhalter ─ a rather attractive The Whistling Tree, where Dinah duets with herself ─ as well as The Peter King Singers, The Skylarks and The Notables also play their part.

Dinah! The One and Only Dinah Shore ‘This Is The Moment’ Tall hope; Tenderly; These foolish things; Three o’clock in the morning; I could have danced all night; Smoke gets in your eyes; I cover the waterfront; Begin the beguine; It never entered my mind; I’ve got you under my skin … & 12 others ‘Dinah!’ Blues medley: St Louis blue, I got a man, Shake rattle and roll, Let the good times roll, Boogie blues, Blues in the night, Dinella Blues; Wrap your troubles in dreams; Hello young lovers, After you’ve gone; Please don’t talk about me … & 7 other tracks Flare SPEC1037 [65:45 & 43:22]I make a passing reference to ‘The Dinah Shore Chevy Show’ in Back Tracks on page 68 without it probably meaning very much to our UK readers. It was a live, full-colour variety hour that ran on NBC in the States for 125 performances from 1956 until 1963. On the first of this 2-CD set there are 22 tracks taken from some of those Emmy Award-winning appearances mostly with conductor Fred Zimmerman in attendance. Frank DeVol is the conductor for the second album which is taken from Miss Shore’s "unforgettable" one-woman show recorded in Los Angeles on 14th October 1962. Credit, too, to Dinah’s pianist Ticker Freeman. Her Spiritual Medley [Some times I feel like a motherless child; Joshua; All God’s chillun and Ezekiel] forms a fine finish to a disc of delights. Another admirable all-round production from Flare, not least the 10-page booklet. Peter Burt

THE MAGIC OF THE HOLLYWOOD TENORS Mario Lanza, Felix Knight, Dennis Day, Dennis Morgan, Jan Peerce, Kenny Baker, Allan Jones and more... 24 tracks incl. The Rose of Tralee; The Donkey Serenade, In the still of the night; The moon of Manakoora, Love walked in, The moon and I, Two dreams met, Wait and see, The Desert Song, My wild Irish rose; Hush-a-bye [Wee rose of Killarney]; Ma belle Marguerite; I’ll build a stairway to paradise; Amapola; California moon…. Flare ROYCD289 [77:38]. A very well-filled album of the familiar and not-so-familiar, some even forgotten, spanning the years 1930 [the first track sung by John McCormack] to 1958 [Jan Peerce’sOn the street where you live]. Tony Middleton’s liner notes are most informative, like why tenor Oreste Kirkop, starring opposite Kathryn Grayson in the 1956 Paramount musical ‘The Vagabond King’, had to have his speaking voice dubbed! The track listings helpfully give credit to the accompaniments by orchestras and chorus including those of Ray Sinatra, Lennie Hayton, Michael Collins, Johnny Green, Henri Rene, and George Stoll, who conducts for Mario Lanza on Serenade andBeloved from the soundtrack of ‘Student Prince.’ Devotees of the genre need not delay in adding this CD to their collection. Ray Pavene 

JUST WE TWO The Stars Sing Duets From The Musicals Jane Powell & Vic Damone, Bing Crosby & Ann Blyth, Judy Garland & Margaret O’Brien, Robert Merrill & Dinah Shore, Ethel Merman & Joan Carroll, Fred & Adele Astaire ... many more 24 tracks incl. Let’s be buddies; Two dreams met; Under the bamboo tree; My one and only Highland fling; Oh, ‘tis sweet to think; Darn it baby, that’s love; Just we two; I have dreamed; Still water, You belong to my heart; Deep in my heart, dear; One boy sends you a rose; Is it you?; I talk to the trees; I adore you ….Flare ROYCD291 [76:04]Another even more fascinating collection of tracks, this one spanning the years 1931 [Hoops from ‘The Band Wagon’ with the Astaires] to 1958 [Indian love call from ‘Rose-Marie’with Julie Andrews and Giorgio Tozzi]. Always worth hearing is Irving Berlin’s great standard Easter Parade from ‘Thousands Cheer’, and never more so than in the version here by Paul Whiteman, his orchestra and singers Joan Edwards and Clark Dennis. Other favourites among many on this CD are the classic You’re just in love from ‘Call Me Madam’ sung by Russell Nype and Dinah Shore, andMake believe from ‘Showboat’, which Victor Lewis describes in his full liner notes as "one of the most famous duets to emerge from the world of the musical." It is sung here by Howard Keel and Kathryn Grayson. Our dear late Edmund Hockridge is joined by Joy Nichols, of BBC’s radio’s ‘Take It From Here’ fame, for a wonderful version of There once was a man from ‘The Pajama Game’ enhanced by the musical direction of Robert Lowe. Again, there are full track listings. I had forgotten that Andre Previn was the MD for Maurice Chevalier and Hermoine Gingold on I remember it well from ‘Gigi.’Ray Pavene

DANIEL SMITH "Blue Bassoon" The Jody Grind, Billie’s Bounce, Things Ain’t What They Used To Be, Scotch And Water, My Baby’s Gone, Sack Of Woe, Nostalgia In Times Square, Wquinox, The Double Up, From Four Till Late, Break Out The Blues, Footprints, Solid Summit Records DCD 530[47:55]. I do not pretend to be an expert on the bassoon, let alone one that performs jazz. Ten years ago I would have expressed surprise if anyone had suggested that I would enjoy a concert featuring jazz music with the bassoon as the central instrument. Yet on 13 September in Malvern I did just that, when Daniel Smith gave a sensational premiere performance of Robert Farnon’sBassoon Concerto. Understandably the audience wanted more, and Daniel treated us to three numbers from this new CD. Some of the concertgoers that evening may not have fully appreciated how fortunate they were to be in the presence of an instrumentalist who has received heaps of praise from critics who know what they are writing about. As Michael J. West says in the booklet notes: "just as Daniel’s bassoon defies conventions of jazz and blues instrumentation, his playing of it challenges typical notions of jazz and blues phrasing. Along with the rich and reedy bass timbre that is his instrument’s stock in trade, Blue Bassoon is chock-a-block with Smith’s clipped staccato melodic statements, surprise glissandi, risky and virtuosic note bends, double-quick pacing, and rhythms that challenge the orthodoxy of swing". On this CD Daniel is supported by Martin Bejerano, piano; Edward Perez, bass; Ludwig Afonso, drums; and Larry Campbell, guitar. The strength of jazz is that it is a continually developing art form. Music lovers sometimes prefer certain periods of its evolution, and there is no doubt that today’s performers will one day be overtaken by new ideas and sounds as fresh generations find it impossible to resist its challenging appeal. Daniel Smith must surely be proud of his unique and invaluable contribution to the wonderful world of jazz, and it seems that each new release from him takes us further along the long road of discovery. Maybe one day he will return again to classical music to express his love for the bassoon. Whatever he does you can be sure that it is inspired by a passion that makes him such an exciting performer. David Ades

HERB ELLIS & CHARLIE BYRD TRIO The Navy Swings 15 tracks incl. One note Samba; Lady be good; Carolina in the morning; Chung king; St Louis blues; Someone to light up my life; Danco No.5; Limehouse Blues … Sounds of Yesteryear DSOY 787 [60:18]

COUNT BASIE AND JOE WILLIAMS Let’s Go To Town 15 tracks incl. It’s a wonderful world; Three eighteen; Keep your hand on your heart; Moten swing; One o’clock jump; Shake rattle and roll; In a mellow tone … Sounds of Yesteryear DSOY 786 [61:37"]

PEGGY KING and ANDRÉ PREVIN TRIO The Navy Swings 16 tracks incl. I could have danced all night; More than you know; Stars fell on Alabama; I’m beginning to see the light; Mad about the boy; I remember you; Zip … Sounds of Yesteryear DSOY 784 [61:01]

GEORGE SHEARING QUINTET The Navy Swings 14 tracks incl. Polka dots and moonbeams; For every man there is a woman; Nothing ever changes my love for you; You’re my girl; Night mist, Imagination … Sounds of Yesteryear DSOY 795 [61:07]

These four CDs have one thing in common: they were all made to recruit soldiers and sailors to the US Forces; each consists of four programmes complete with announcements. The music and recordings are excellent. Herb and Charlie, both consummate artists, ease through all their songs providing a relaxed mood only interrupted by the commercials. Sound is studio quality. The Basie set offers more contrast, well-known big band favourites augmented with eight vocals for Joe. The Basie penned instrumental, Three eighteen, a real treat for the ears. I never tire of listening to Neal Hefti’sLil Darlin’ or Whirly bird. The recording is live complete with cheering audience. The Previn trio has Red Mitchell on bass, Frankie Capp on Drums; they include two songs from ‘My Fair Lady Swings’which was high in the charts at the time although under Shelly Manne’s name. Peggy really hits the spot with her versions of I remember you and Happiness is just a thing called Joe. Peggy and the group are a happy match. This is also studio quality. George’s Shearing’s selection also has the benefit of studio sound, the tunes chosen could hardly have been better. Along with Toots Thielman on harmonica, Emil Richards vibes, Al Mckibbon bass, Percy Brice drums and Amando Peraza bongos, they breeze through the songs smoothly. Several other jazz names are mentioned during the announcements, so I expect more dates will be issued. These fifties recordings are available from The Woods (contact details in my ‘Big Band Roundup’ column), Amazon, HMV and most dealers.Paul Clatworthy 

NICOLA BENEDETTI Fantasie Sarasate: Zigeunerweisen; Vaughan Williams: The Lark Ascending; Saint-Saëns: Introduction and Rondo Capriccioso; Massenet: Meditation from Thais; Ravel: Tzigane; Pärt: Spiegel im Spiegel; Rachmaninov: Vocalise; Fauré: Après une Rêve Deutsche Grammophon 476 3399 [68:54] Although on a famous classical label, I hope that JIM readers will not overlook this release especially with Christmas just around the corner. There are some gorgeous melodies here, and three of the tracks are gypsy inspired including the showpiece opening track. This and two other of the five orchestral accompaniments are by the excellent Vasily Petrenko conducted Royal Liverpool Philharmonic Orchestra. For me the CD is worth acquiring to discover the mesmeric Spiegelby the modern Estonian composer Arvo Pärt. Miss Benedetti and her violin are accompanied on the last three items by the Ukranian pianist Alexei Grynyuk. Beautiful playing throughout. Peter Burt 

NIGEL OGDEN Plays Hammond The Carioca, April In Paris, The Continental, A Nightingale Sang In Berkeley Square, One Morning In May, Portrait Of A Flirt (Robert Farnon), Desafinado, Remembering The Hammond Organists – Robin Richmond & Jerry Allan, Fly Me To The Moon, You Made Me Love you, etc… Grasmere GRCD 131 [76:01]. The Hammond Organ was invented by Laurens Hammond in 1934, and it certainly created a sensation at the time. For decades afterwards it was the instrument of choice for organists specialising in popular music, and when you listen to Nigel Ogden’s latest CD it is not difficult to understand its enduring appeal. According to the booklet Nigel has now notched up 70 collections such as this, and his weekly show on BBC Radio-2 is now in its 30th year. He has built up a large army of loyal fans, and they will certainly not be disappointed with his latest offering. And just in case you missed it in the list of contents … track 7 is Robert Farnon’s Portrait Of A Flirt which Nigel performs with a respectful nod towards the original orchestral arrangement. I really enjoyed this CD! David Ades

GLAZUNOV Masquerade [Incidental Music] Gnesin Academy Chorus, Russian Philharmonic Orchestra conducted by Dmitry Yablonsky Naxos 8.570211 [66:57] An immensely enjoyable collection of easy on the ear music by the Russian classical composer Glazunov, who died in 1936, for a play that was banned for some 30 years. An added attraction is the occasional burst of that characteristic ripe Russian brass sound. The vocal contribution is quite small but very effective. All at the lowest possible price. Peter Burt


Further to their exclusive original soundtrack CDs, Network has now released single CD volumes of highlights from some of the series previously issued. Among the 58 tracks spanning 71 minutes,‘The Prisoner’ [7959017] contains 2 cues composed by Robert Farnon. Also featured are other incidental themes and the title theme by Ron Grainer. Other releases currently available are:‘Danger Man’ [hour/half-hour episodes] composed by Edwin Astley 40 tracks [7959020 1:16]; ‘Department S’ Edwin Astley 54 tracks [7959019 1:16]; ‘Man in a Suitcase’ Albert Elms/Ron Grainer 44 tracks [7959021 1:17]; ‘Randall & Hopkirk [Deceased]’ Edwin Astley 62 tracks [7959016 1:17]. Of special interest is a 2-CD compilation ‘The Music Of ITC’ [7959016] which contains 113 tracks, some previously unissued, in addition to tracks from some of the box-set compilations: ‘Gideon’s Way’ Edwin Astley 2 tracks; ‘The Baron’ Edwin Astley 7 tracks; ‘The Saint’Edwin Astley 9 tracks; ‘The Persuaders!’ John Barry/Jackie Trent & Tony Hatch/Ken Thorne 4 tracks;‘The Adventurer’ John Barry, etc. 3 tracks; ‘The Zoo Gang’ Paul McCartney & Wings/Ken Thorne 8 tracks; ‘Return of the Saint’ John Scott/Irving Martin & Brian Dee/G & M De Angelis 8 tracks. There are also 7 tracks from ‘The Prisoner’ at least one of which is by Robert Farnon. Of particular interest from these "new tracks" listed above are those from ‘The Persuaders!’ Apart from John Barry’s theme, there is a suite of incidental music by Ken Thorne and the song Gotta get away now which was used in the pilot episode and sung by Tony Hatch & Jackie Trent. ‘The Adventurer’ theme is also by John Barry and has so far never appeared commercially in its original form. The running time of this CD not available at the time of writing. All releases are available from wwwnetworkdvd.netGareth Bramley

LES BAXTER & HIS ORCHESTRA Space Escapade 12 tracks incl. Shooting star; Moonscape; A distant star; Other side of the moon; The lady is blue; Saturday night on Saturn + 18 bonus tracks from the mid-50s incl. Toy tiger; Havana; The left arm of Buddha; Rush-hour romance; Designing woman; Blue echo; "Houseboat" Love song …. Cherry Red ACMEM 171 CD [73:15] Original Capitol recording from 1958.

ELMER BERNSTEIN God’s Little Acre 15 tracks plus Bonus Suite Kritzerland KR 20012-8[41:02] Limited Edition of 1000 copies. Original music from 1958 Motion Picture Soundtrack.

ESQUIVEL & HIS ORCHESTRA Infinity in Sound Vols 1 & 2 24 tracks incl. My reverie; Johnson Rag; Harlem Nocturne; Macarena; Autumn leaves; So rare …. / Baia; Time on my hands; Who’s sorry now; Espana Cani; Cherokee; Lullaby of Birdland …. Wounded Bird WOU 2225 [63:51] Original RCA recordings from 1960.

STAND BY FOR ACTION The Music of Barry Gray 40 tracks from "Four Feather Falls"; "Supercar"; "Fireball XL5"; "Stingray"; "Thunderbirds"; "Joe 90"; "Captain Scarlet"; "The Secret Service"; "Lifo"; "Space 1999" Silva Screen Records SILCD 1279 [80:00] Original music including previously unreleased tracks.

HENRY MANCINI The Thief Who Came to Dinner [1973] The 12 tracks of the original Warner Bros. LP are followed by 17 bonus tracks. Film Score Monthly FSM Vol.12 No.10 [63:15] Limited edition 3000 copies.

ANDRẾ PREVIN Two For The Seesaw [1962] Kritzerland KR 20012-8 [41:02] Limited edition of 1000. Original soundtrack.

BILLY VAUGHN & HIS ORCHESTRA Melody of Love 58 tracks incl. Tennessee Waltz; Little boy blue*; O, main papa; Unchained melody; Peg o’ my heart; Heartacres; The ship that never sailed*; Bells across the Rhine, La paloma; My blue heaven; Twilight time; Tumbling tumbleweeds; Cool water …. [* narrated by Ken Nordine]

2 CDs Jasmine JASCD 503 [173:16] Original DOT recordings. Although the back of the jewel case claims boldly that all tracks are mono, only about a dozen are. Among the tracks on the first disc is the stereo remake of the LP ‘The Golden Instrumentals’, originally issued in mono in 1956 ─ apparently its first appearance on CD.

MITZI GAYNOR Mitzi 12 tracks incl. The nearness of you; Cheek to cheek; That old feeling; Rain; Lazy; I only have eyes for you …. + 9 extra tracks incl. 4 from the "South Pacific" Soundtrack; You’re the top [w. Bing Crosby]; Soon*; I don’t regret a thing, The half of it dearie blues*… Arranged and conducted by Pete King except for (*) with Russ Garcia and his Orchestra. Flare SPEC 1039 [52:04]

HERMOINE GINGOLD Live at the Café de Paris 12 tracks incl. Which witch?; Men are exactly the same; Only a medium medium +13 bonus tracks incl. Takes two to tango & Oh Grandma [both with Gilbert Harding]; The Borgias are having an orgy; Tit for Tat; Thanks, Yanks … Stage Door Records Stage 9010 [77:20]

"GIGI" 11 tracks from studio recording with Gogi Grant and Tony Martin with Dennis Farnon’s Orchestra + 9 bonus French and 3 Spanish tracks with Maurice Chevalier, Sacha Distel and Jane Markin; and Andre Toffel, Rosa Me and Lopez Negrette. Stage Door Records Stage 9013 [77:20]

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The Fantasticks medley, September Song, Night and Day, It Might as Well be Spring, Mary Poppins medley, Fiddler on the Roof medley and 24 other tracks

Arthur Fiedler and the Boston Pops Orchestra (Deutsche Grammophon, 4776124) 150:56

This is the fourth volume in the 2-CD sets in the Arthur Fiedler Legacy Series and the one most likely to appeal to JIM readers. The first three are largely classical ─ albeit mostly light ─ and volume five is out-and-out symphonic pop from the 60s and 70s; although all are recommendable in their way. On the first CD, in addition to those listed above, there are medleys from "Man of la Mancha", "Company" and "Hair", as well as individual items from "State Fair" and "Godspell". The opening medley includes the lovely Try to Remember. Among the items on the second CD are medleys from Disney’s "Robin Hood" and " The Happiest Millionaire" together with Michel Legrand’s themes for "Portnoy’s Complaint" and "Summer of ‘42", Nino Rota’s love themes for "The Godfather" and Zeffirelli’s "Romeo and Juliet", and Henry Mancini’s Days of Wine and Roses. Paul Simon’s Mrs Robinson is particularly bouncy. It is interesting, too, to hear Fiedler’s only take on his successor John Williams’ themes for "Star Wars" and "Jaws". The majority of the arrangements are by Richard Hayman with a handful by Eric Knight. Everything is performed in the manner one would expect from the renowned Boston Symphony Orchestra’s second chair players under the man who conducted them and their predecessors from 1930 until 1979, and who opined that the most thrilling sound was that achieved by a full orchestra. If you subscribe to Mr Fiedler’s philosophy of big orchestral arrangements of popular music you will love this ‘twofer’. The majority of tracks were recorded in the early ‘70s; some are previously unreleased on CD. With good sound, available online for around a tenner (including postage), these are immensely desirable discs.

Peter Burt


The Heart of Budapest, Czardas (Monti), Golden Earrings, Theme from "Villa Rides", "Carmen": Gypsy Dance, Gypsy Carnival, The Singer Not the Song, Hejre Kati, Gypsy Flower Girl, Hora Staccato, Zapateado, Hungarian Rhapsody No.2 and eight other tracks

Mantovani and his Orchestra (Vocalion, CDLK 4351) 75:49

"Gypsy Soul" is the CD I have been waiting for. Recorded in 1968, but not issued in the UK, (as "Gypsy") for two years ─ five in the USA ─ it is a fine mix of melodies associated with the gypsy people, some Roland Shaw film orchestrations (Maurice Jarre’s Theme my favourite), and choice items from Bizet and Liszt. Monty’s biographer Colin Mackenzie quotes album producer Tony D’Amato on Hungarian Rhapsody: "(Ronald) Binge, who seemed to know how far pyrotechnically he could take an orchestra, stretched the ensemble to the limit in this instance, secure in the knowledge that Mantovani’s skills as a conductor and interpreter of music would match with bravura all the many technical challenges set forth." The evocative opening number uses the cimbalom, a sort of Hungarian dulcimer. Monty’s own Gypsy Flower Girl is not out of place in this company. Mr Mackenzie contributes his usual informative booklet notes ─ something entirely absent from the original release. "Stereo Showcase" is a fascinating ‘sampler’ album from 1959 which Decca asked Monty to record exclusively for the American market. This was done in order to exploit the then new stereo recording process and gain all important stereo album sales in that territory. We hear the great man himself presenting each piece and explaining how the stereo process enhances his music. Among the tracks are three on my Desert Island short list: GreensleevesSome Enchanted Evening and Village Swallows.

Peter Burt


If I Loved You, Wunderbar, I’ve Never Been in Love Before, Bewitched, I Talk to the Trees, Some Enchanted Evening, Out of My Dreams, Stranger in Paradise, C’est Magnifique, Almost Like Being in Love, Hello, Young Lovers, They Say it’s Wonderful / Theme from "Carnival", I Feel Pretty, You are Beautiful, Shall We Dance?, Till There Was You, I Know About Love, Do Re Mi, Till Tomorrow, So in Love, Ascot Gavotte, My Heart is so Full of You

Mantovani and his Orchestra (Vocalion, CDLK 4356) 71:31

This 2-on-1 is superior standard Mantovani fare ─ carefully selected compilations of choice material immaculately played. The first album was a 1958 stereo re-recording of a best-selling mono LP from three years earlier ─ I think this may have been the very first 12-inch LP that I bought! Some of the tracks, like the Cole Porter "Kiss Me Kate" number, have remained favourites to this day. The rarely heard soprano saxophone is used on Bewitched. The second album appeared Stateside in 1961. What wonderful tunes the shows of that era contained and how Monty does them full justice. The"Theme from "Carnival"I KnowSo in Love and If Ever are all new to the UK on CD. Colin Mackenzie’s immensely informative liner notes complete the package.

Peter Burt


Serenade op.6 no.1(Toselli), Serenade from "The Fair Maid of Perth", Serenade "The Student Prince", Serenade "Don Giovanni"(Der Vieni Alla Finestra), Serenade (Pierne), Barcarolle "Tales of Hoffman", Love theme "Romeo and Juliet", Serenade "Les Millions d’Arlequin, Serenade "Don Pasquale (Act III), Serenade "Ständchen" from "Schwanengesan", Serenade "Angel’s", Serenade to a Mandarin, Mephistopheles’ serenade, Siciliano "Cavelleria Rusticana"

Frank Chacksfield and his Orchestra (Vocalion, CDLF 8132) 42:14

Mr Dutton has done it again and chosen for reissue on this CD at budget price one of my all-time favourite albums, released in 1959, and one of the best Frank Chacksfield ever recorded. Here are some gorgeous melodies from classical greats like Mozart, Tchaikovsky, Schubert and Berlioz, as well as Bizet, Toselli, Romberg, Pierné, Offenbach, Drigo, Donizetti, Braga and Mascagni, arranged by Leon Young, who also has his own Serenade to a Mandarin included, played by a light orchestra on top form. Every track is a standout one for me and I doubt if any album will give me more pleasure in 2008. Pity there are no liner notes.

Peter Burt


Greensleeves, A Foggy Day, A Nightingale Sang in Berkeley Square, Sally in Our Alley, The White Cliffs of Dover, Waltz Medley from "Blithe Spirit", Roses of Picardy, The Haunted Ballroom, Small World (from "Gypsy"), Beautiful Dreamer, Moon River, Starlight, Tennessee Waltz, Body and Soul, The Sweetest Sounds/ Lisbon at Twilight, Barco Negro, The Lonely Beach, Song of the Sea, April in Portugal, Villa Villa, Ladies of Lisbon, Una Casa Portuguesa

The Melachrino Orchestra conducted by George Melachrino (Vocalion, CDLK 4337) 76:09

What a joy to find two Melachrino RCA albums, from 1963 and 1958 respectively, reissued on a Vocalion 2-on-1. As you can see from the listings above, the original LP of "Our Man in London" had British tunes on one side and American ones on the other. It is a very attractive programme of alluring tunes. Richard Addinsell wrote the Waltz Medley. The sonics are rich and spectacular. Completing the CD are eight tracks from "Lisbon at Twilight" featuring the guitars of Ivor Mairants and Raul Nery. A couple of inaccuracies have crept into the composer credits but not in the liner notes ─ there are none! I would like to have known the name of the occasionally used pianist. Can we now expect further Melachrino albums like "Under Western Skies" and "Music for Dining"?

Peter Burt


The theme from "Limelight", Incidental music from "Limelight", Luxembourg Polka, The Shadow Waltz, Tango Tonight, Deep Purple, The Theme from "The Glenn Miller Story", Footsteps in the Fog, Spellbound, The Bandit, The Song of the High Seas, How Deep is the Ocean?, All the Things You Are, Venezuela, Postman’s Knock, Romance (from "The Magic Bow"), The Last Rose of Summer, A Kid for Two Farthings, The Lily Watkins Melody, Mr Pastry’s Polka, The Dizzy Duckling, Catwalk, Teenager, The Night Ride, The Cat from Coos Bay, Cat Slick, Lucky Strike

Wally Stott and his Orchestra (Vocalion, CDEA 6127) 77:42

Until now the only Stott CD I could find listed on the internet has been the classic "Christmas By the Fireside". So it is great that Mike Dutton has brought us this compilation of 27 instrumental tracks (I understand that seven have appeared on Guild) recorded between 1951 and 1956.mStellar trumpet player Kenny Baker and violinist Max Jaffa are featured on two tracks each ─ Kenny’s contribution being worth the price of the CD ─ and the Rita Williams Singers are the vocalists on Tango Tonight, one of four Stott originals, the others being The Night RideCat Slick and Lucky Strike. I believe the last track was often used to play out "The Goon Show". The Wally Stott Novelty Ensemble performsMr Pastry’s Polka and The Dizzy Duckling. The arrangements are invariably imaginative throughout the disc. Other top tracks for me include The Cat from Coos Bay, which I’ve not heard since it was regularly played on Radio (RAF) Wyton over 50 years ago, the Chaplin melodies, the smile inducingLuxembourg Polka, the stirring melody from Richard Rodger’s "Victory at Sea" and the engaging A Kid for Two Farthings. An immense welcome then, for this budget-priced disc by the artist we now know as Angela Morley. Its reissue encourages me to think that there may yet be a chance of getting "London Pride" on CD. With nearly 80 minutes music for around £6, it seems churlish to mention the absence of liner notes. Are they, like neckties, going out of fashion?

Peter Burt


Body and Soul, Chinatown My Chinatown, By the Fireside, Zither Rhythm on Anton Karas, The Girl Without a Name, Cuckoo Cuckoo, Shuffle to Buffalo, Stardust, Red Wing, I Go Rhythm and more

Various artists (Rex, Rexx115) 65:16

A real cornucopia of tracks ranging from the violin to the zither! Sound quality varies from track to track and it is an interesting mixture of sounds. It is certainly not one of the best compilations I have come across and it does become rather tired if listened to from start to finish. However, a highlight for me is the lively version of Chinatown My Chinatown by Bobby Maxwell and his Swinging Harps. It is good to have a few more tracks by Semprini and another version of one of my favourite songsLittle Red Monkey. Artists include Joe Venuti, Bob Haggart, Arthur Young and more. Buy a copy and judge for yourself!

Adam Endacott

Big band


Moonlight Serenade, Sunrise Serenade, Little Brown Jug, In the Mood plus eighteen other selections.

Glenn Miller (RCA Bluebird, 0693-2-RB)

For many true music lovers, the Glenn Miller big band was simply the greatest. To still more, it typified an era filled with optimism about the future. This energy is captured faithfully on this re-issue of the original late 1970's ‘Legendary Performer’ series save that two numbers have been inexplicably left out: Elmer’s Tune and Tchaikovsky’s Piano Concerto No. 1. Still, this remains one of the best releases of this band which always managed to sound even more impressive on its live dates. Take, for example, In the Mood, a time honoured classic played with more potency and life than the plodding original studio recording. The last Chesterfield broadcast of September 1942 is heard here with Juke Box Saturday Night, highlighting the various styles of the Ink Spots and Harry James himself playing on trumpet. An extra addition to Glenn and the band’s efforts is the audience. Nothing will ever replace the rhythmic hand clapping to the intro of Tuxedo Junction or band mates yelling encouragement to each other during Little Brown Jug. This CD constitutes a valuable introduction to one of the most musical icons of the big band era: Glenn Miller.

Richard Jessen


Hawaiian War Chant, Song of India, Marie, Well Get It! plus 21 other selections.

Tommy Dorsey and his orchestra (Collectables, COL-CD-2813)

Tommy Dorsey may have been called "That Sentimental Gentleman" but when called upon, he could provide a hard swinging ‘killer diller’. This particular collection is made up of live radio broadcasts spotlighting that hard driving style with a few of the lovely mood settings that made up the sentimental side of Dorsey’s recordings. Buddy Rich is heard to great advantage on Hawaiian War Chant and a dynamically frenzied Quiet Please. Ziggy Elman is heard playing his signature piece And The Angels Sing while Frank Sinatra is heard at his early crooning style on Marie as well as his last broadcast performance with TD, a superb The Song Is You followed by the only Dick Haymes vocal with the band on Daybreak. Even Sy Oliver gets a chance to sing on Jimmy McHugh’s Exactly Like You while Jo Stafford shares the spotlight as one of The Pied Pipers on Margie and as the end attraction of a medley which ends with I Can’t Give You Anything But Love. This CD is taken from a near mint LP pressed by RCA’s Black Label in 1956 and this is apparent by some bumps and a very bad needle skip on Zonky - so don’t throw out your LP of this set just yet! The sound follows the misguided practice of swamping everything in echo to get rid of any crackle and bump making this an almost shrill sounding CD. By turning back the treble, the listener will be satisfied by this marvellous collection by one of the top bands of a great era in all music.

Richard Jessen



Symphonies Nos. 1 and 2, Escenas Campestres Cubanas, Célèbre Tarentella, etc.

Hot Springs Festival Symphony Orchestra conducted by Richard Rosenberg with Soloists (Naxos 8.559320)

This is something of a discovery. Louis Moreau Gottschalk (1829-1869) was an American child prodigy pianist as well as a composer; dubbed, among other things, "the Chopin of the Creoles". There is great variety in his works, some anticipating the ragtime and jazz of half a century hence. This 77-minute disc is absolutely chock-full of memorable and catchy tunes. I doubt whether you will ever have heard symphonies like the two here, and La Casa del Joven Enrique por Méhul – Gran Overture is particularly fine. Escenas (13:23) is a one-act opera and Ave Maria is nicely sung. Although you will find this in the shops in the classical browser, I hope that other JIM readers will give it a spin at the low Naxos price and not be disappointed.

Peter Burt



West Side Story medley, Memory, There’s No Business Like Showbusiness, Sunrise Sunset/If I Were a Richman, Phantom/All I Ask of You, Deadwood Stage/Secret Love, Les Miserables medley, Hello Dolly!, Miss Saigon medley, Close Every Door/Any Dream Will Do, Food Glorious Food/As Long As He Needs Me and The Sound of Music medley

Jean Martyn (Jean Martyn Records) 66:08

This new CD is a release by Jean Martyn playing the Yamaha EL 900 organ. "Queen of the Keyboards" is the name by which Jean has become known by her legion of fans both at home and overseas. Jean’s range of music is vast, ranging from classical composers to modern day music and her many recordings demonstrate her talents on piano and electronic and theatre organ. This latest instalment in her collection of albums is excellent, and clearly displays her versatility in the world of show business. She herself is celebrating 25 years as a professional musician and this is captured as the music unfolds from these spectacular shows.

Jean Martyn’s list of available CDs can be seen at If you do not have access to the internet, the CD can be purchased by sending a cheque to the value of £11.00 (including P&P) – made payable to Mr Bob Ware, 7 Westhall Close, Brewood, Staffs ST19 9EY.

Gillian Endacott


A Skye Blue Shirt and a Rainbow Tie, Goodbye Sweetheart, American Patrol, Delaway’s Dilemma, Tiptoe Through the Tulips, Small Talk, Gitanerias, Some Like It Hot, Sunny Side Up, Rag medley, Over the Rainbow, When I Needed You Most, Mean to Me, A Little Bird Told Me, S’posin’, Opus 1, Organising the Blues, Beyond the Blue Horizon, Face of an Angel, The Candy Dancers Ball, Hysterics Rag, Kind, Painting the Clouds With Sunshine and The Golden Ring

Various artists (Rex, Rexx117)

It maybe a new CD but the historic recordings are from over 35 years ago – as stated in the sleeve notes by Bernie Tyrrell as a "golden musical era!" This compilation will be liked by readers who enjoy the Hammond organ accompanied with other instrumentalists and vocalists, but disliked if bought to enjoy pure Hammond organ. It is a reasonably priced compilation disc released by Rex Recordings and artists include among others Jerry Allen, Robin Richmond, Chris Hamalton and Harry Farmer.

Gillian Endacott


Take the ‘A’ Train, All the Things You Are, Evelyn Queen of the Racquet Club, Phyllis, Chelsea Bridge, How Deep is the Ocean?, The song from "Mash", The Shining Sea, You Are There, You Must Believe in Spring, Laura, Stella By Starlight, Emily, I’m Getting Sentimental Over You, Sentimental Journey, A Mirror Image, Elegy, Westlake, Take Me Home, The Trouble with Hello is Goodbye, I Will Say Goodbye and Auld Lang Syne

Bob Florence (Mama, MMF1029) 53:48

Available from Jazz n’ Blues Records (see Big Band Roundup). Bob Florence, a piano and a well chosen set of songs by some of his favourite composers. Bob’s playing is delicate and sometimes dreamy but holds you enraptured throughout – one to play in your quieter more reflective moments. Bob does not copy anyone but fans of Bill Evans will relish this recording.

Paul Clatworthy

THE LISTEN AND DANCE COLLECTION Phil Kelsall at the Wurlitzer Organ of the Tower Ballroom, Blackpool Grasmere GRCD 128. Yet another 2-CD collection from the talented Phil Kelsall, who has now produced so many recordings and videos that even his most loyal fans much be wondering what on earth he will do next! By now you’ll know what to expect. David Ades


Besame Mucho, Fast Forward, Old Friends, Free Parking, Night Walk, A Tribute to Bud, Winter Landscapes, Tin Tin Daeo and Hymn to Freedom

Lalo Schifrin (Aleph) 63:21

Available from Compact Disc Club. Lalo has written so much to enjoy over many years, many will forgive the over indulgence of this album. To me, it sounds like a private party where musicians of high calibre just enjoy playing. As a listener, I found the pointless drum rolls and double bass solos a little wearing. James Moody’s sax playing raises more interest than the other six players, Lalo’s piano playing only peaks occasionally and the originals chosen do not linger in the mind in the same way as his big band outings but that is just me!

Paul Clatworthy

The George Shearing / Robert Farnon album, "On Target" has been re-issued by Universal

as part of a 4 CD set "George Shearing with Niels-Henning Orsted Peterson and Louis Stewart; THE MPS SESSIONS " Universal 1745068.

Sa Majesté L’Orgue de Cinema featuring Reginald Dixon, Sidney Torch and other famous Cinema Organists (France) Marianne Melodie 071861 2-CD set. This is the latest brainchild of Pierre-Marcel Ondher, who is doing a magnificent job in France keeping alive quality light and popular music from past decades. This time he is focussing on those great organists, mainly from the 1930s, who were such an exciting feature of visits to the cinema in those far-off days. The first CD contains many legendary names such as Reginald Foort, George Wright, H. Robinson Cleaver, Al Bollington, Joseph Seal, Terence Casey and Charles Smart. The second CD is devoted to Reginald Dixon and Sidney Torch, and it contains many of the titles that made them famous. The informative booklet contains detailed recording information, but I should mention that it is entirely in French. I hardly need to comment on the quality of the restorations, because our friend PMO always gives us a first rate product. Highly recommended for all organ enthusiasts. David Ades



Two original film soundtracks on one CD

Various artists (Sepia, 6001) 51:59

This limited edition CD (pressing of only 1500 copies) is a real joy and most particularly as it is the release of another Malcolm Arnold film score. "Trapeze", from 1956, tells the tale of two trapeze artists and Arnold certainly captures the sights and sounds inside the big tent at the circus. Lola’s Theme is a standout track for me and is both very melodic and haunting compared to the other end of the scale Juke Box is a lively piece of swing! Accompanying this soundtrack is "The Greatest Show On Earth", made in 1952, again set in the circus world. Victor Young was the Musical Director and it features two of his compositions. The score also sets the scene and you are back in the circus arena in your very own front room! This does not have such variety as "Trapeze" but enjoyable nonetheless. Sound quality is excellent and it comes with a lavish glossy colour booklet, which is the high standard we have come to expect from Sepia Records. The CD is available directly from Backtrack or through Sepia’s own website

Adam Endacott

"THE PRISONER" Original Soundtrack

Network 7959000 This 3-CD collection is strictly to enthusiasts only, because it is a collection of themes and underscores composed for the cult TV series, although some of it was never used. The first CD has 38 tracks by Robert Farnon, but apart from the titles music (rejected by Patrick McGoohan) this isn’t the Bob we know and love! Those who must have everything associated with this series have been well served with CDs and videos in the past, and they will lap this up – even with a price tag in the region of £30. The booklet contains reproductions of the original notes by Eric Mival, one of the Music Editors. David Ades

"THE BLOB" (Ralph Carmichael) plus production music from the Valentino Music Library by Roger Roger and others. MMM-1955.

"THE INTRUDER" (Herman Stein) plus complete score from "Career For Two" and other miscellaneous pieces. MMM-1956

These two latest CDs from Monstrous Movie Music offer world premiere releases of scores that movie buffs will welcome. As we have indicated before, this company employs high production standards, and their detailed booklets are almost worth the price alone! Sadly pressure on space precludes more detailed reviews this time, but you can find much more information (including how to purchase the CDs) by visiting the website: David Ades

News has reached us of a new UK CD label dedicated to quality music at a price that gives value for money. Stage Door Records take pride in presenting nostalgic recordings with top quality remastering, period artwork, unusual and rare selections. There first four titles are ‘Shirley Bassey: The Early Years’, ‘Wish You Were Here (OBC)’, ‘On Your Toes/Pal Joey (1950s studio recordings)’ and ‘New Faces of 1956/Selections from Mrs Patterson (featuring Eartha Kitt)’. Their website is



It’s the Most Wonderful Time of the Year, Music To Watch Girls By, Can’t Get Used to Losing You, Moon River, Can’t Take My Eyes Off You, On the Street Where You Live, Up, Up And Away, Happy Heart, Born Free, Spooky, The Impossible Dream and more

Andy Williams (Sony BMG, 08697211802) 72:29

Issued last Christmas on the back of the Marks & Spencer TV advert (incidentally the liner gives 2007 as the publication date for this track), there are no surprises here unless one needs a reminder of the quality of Andy’s singing. This budget-priced CD contains 25 largely quality songs, the earliest being a sprightly House of Bamboo from 1958. There is a very good 1995 version of Stranger on the Shore; most are from the ‘60s and ‘70s. Already owning a ‘Best Of’ album, I was surprised how little duplication there is here. It is well worth investigating as, apart from the vocalising, the accompaniments are never less than interesting. It is a shame that arranger(s) and MD(s) get no credit.

Peter Burt


Get the Party Started, The Living Tree, I Will Survive, I Who Have Nothing and nine other songs

Dame Shirley Bassey (Lock Stock and Barrel Records, LSBRCD005)

Some artists have a remarkable rapport with audiences of all ages and musical tastes. This is very true with Dame Shirley Bassey whose career has stretched over five decades. This particular recording is no exception! Aimed at a dance oriented, young, vital age group, Dame Shirley nevertheless shows us that age hasn’t slowed her down. Anyone who has the courage to do Pink’sGet This Party Started and deliver it convincingly deserves an award of the very highest order. Not only does Bassey sing with total understanding of the words but also with a devil may care attitude.The Living Tree is sung with a very deep poignancy underlining a bitter farewell to a useless relationship. The other songs are all retreads of favourites common to all of Dame Shirley’s worldwide fans updated with a dance beat. This is a great CD for either dancing (recommended for the young) or just as one more evidence that Dame Shirley Bassey remains one artist who will forever be changing yet remains a highly potent artist for generations to admire.

Richard Jessen


Used to Dream, Sap, Like They Care, Arms of Three, Captain of Me and five other songs

Beth Arentsen (Arentsen LLC)

Every so once in awhile, a superb vocalist emerges off the pop music scene. One of the finest is Beth Arentsen, lead singer of the Latin/dance group P-1. Following Alicia Keys’ example of piano based songs, Arentsen has written songs of a deeply personal expressing abuse (Like They Care), love lost and found (Sap), relationships (Used To Dream and Spider). One song, Ode is used as an opening verse to Conquistadora, a plea for a simpler meaning of life. These very probing songs may not be to everyone’s taste. However, for the brave, this CD represents a highly rewarding experience into a new world by an upcoming singer/songwriter/performer well worth more exposure. This CD is available from either CD Baby or from Beth Arentsen’s own website at

Richard Jessen

ONCE UPON A TIME On the Street Where You Live, Call Me Irresponsible, A Nightingale Sang In Berkeley Square*, All Or Nothing At All, If I Love Again, Dancing In The Dark, I Could Write A Book, In The Wee Small Hours*, The Song Is You, An Affair To Remember, Day In Day Out, Even You And I*, You Brought A New Kind Of Love To Me, I’ll Take Romance, Tender Is The Night, How About You, Once Upon A Time Colin Dean OMM001, 52:30 mins. Every now and then something comes along to surprise you, and this CD certainly falls into this category. Chris Dean is a trombone player turned bandleader, and now it seems that he wants to add singing to his talents. The big surprise is the three tracks with the backing arranged and conducted by Robert Farnon (marked with a star*). You will have first heard them on the Eileen Farrell CD "Here" – note that Nightmood is now Even You And I. How has this happened? Derek Boulton probably knows the answer – he managed Bob and also Chris Dean! An interesting experiment, and Chris Dean has a pleasant enough voice. David Ades


Let’s Get Lost, Don’t Blame Me, On the Sunny Side of the Street, Where Are You plus eleven more songs

Wesla Whitfield (High Note Records, Inc. HCD 7065)

It’s always a pleasure to listen to a truly musical compact disc. What makes this one even better than most is the slightly edgy but always warm vocals by Wesla Whitfield, a great interpreter in the pantheon of great artists. She is backed by her husband, pianist Mike Greenhill and quintet of fine people: Ken Peplowski (clarinet and saxes), Gary Foster on saxes and clarinet, Michael Moore on bass and Joe LaBarbera on drums. McHugh was one of those fine songwriters whose melodies are instantly memorable. Whitfield and her husband provide unique and original performances which vary quite a lot from the norm. On the Sunny Side of the Street is performed at a slow, sensual pace which brings out all of the longing inherent in the lyrics. There are also some unknowns on this disc such as It’s Me Remember which receives its first recording. This poignant ballad was co-written with Dorothy Wayne and only exists in manuscript and a demo recording. As with all of her recordings, this one is very well recorded with no sense of claustrophobic miking and with clear, even balances between the voice and instruments. Words cannot describe just what a perfect CD we have for our ears. All that can be said is chalk up another great one by the great Wesla Whitfield.

Richard Jessen

SWINGIN’ ON BROADWAY Chim Chim Cheree, All I Need Is The Girl, This Can’t Be Love, Anything Goes, On The Street Where You Live, Who Will Buy, You’re Never Fully Dressed Without A Smile, and8 more

Gary Williams Superbreak BOS6816. A new Gary Williams CD is always welcome, and this time he has picked some fine numbers by top composers such as Porter, Rodgers, Gershwin etc. There are also a few surprises (I’m undecided about the opening track Chim Chim Cheree – perhaps it’s still too soon to forget what Dick Van Dyke did to it!) This collection finds Gary in jazz territory, backed by a talented small group of musicians with the lion’s share of charts by Clive Dunstall and Andrew Cottee. Late night cocktail listening par excellence. David Ades

HERE I GO AGAIN Taking a Chance on Love, Let’s Eat Home, Lady Is A Tramp, Angela Eyes, Cheek To Cheek, The Nearness Of You, Just You and Me, You Are Too Beautiful, and five new compositions by Nicola Farnon.

Nicola Farnon "The more I know about Robert Farnon the more I realise what an amazing man he really was" - the words of Nicola in a note she sent us with her new CD. It seems that anyone with the name Farnon is bound to have some musical talent, and we know that Nicola was so pleased that she made contact with her famous relative a few years ago. Bob encouraged her, and he would have loved this new collection of lovely tunes sung with real feeling. There is also some exciting playing from the jazz musicians providing the backing, and Nicola really lets herself go on some of the tracks! Anyone wishing to know more about Nicola can visit her website at If you’d like her new CD just send a cheque for £11.50 (payable to Nicola Farnon) to her at 71 Burcot Road, Sheffield, S8 9FD, England.

CD round-up by Wilfred Askew


The original soundtrack to the John Ford classic western with the score composed and conducted by Max Steiner. (Cherry Red ACMEM107) 68:34


Features Arnold’s music from The Three Musketeers ballet, symphonies, dances etc along with music from the films "Hobson’s Choice", "Roots of Heaven" and "David Copperfield".

(Quartz, QTZ2056) 79:52


Artists include Vic Flick, Alan Moorhouse, Pete Moore, Harry Stoneham, Howard Blaikely, Tony Evans and Tony Osborne. All original Rediffusion tracks. (RPM, RPM328) 72:12


Original RCA recording. Tracks include I’m Confessin’, I’ll See You in My Dreams, Be My Love, Easy to Love, Time On My hands, La Vie En Rose, I Cried For You etc

(Rev-Ola, CRREV223) 32:07


Two original albums from 1956 and 1964. Tracks include Harlem Nocturne, Nina Never Knew, On a Little Street in Singapore, The Piccolino, Goodbye, Domino, PS I Love You, Till Then, One Note Sambaetc

(Jazzbeat, 518) 73:45


Two disc set of original RCA Victor recordings. 55 tracks which include Beg Your Pardon, Loch Lomond, Please Mr Sun, Two Sleepy People, Young At Heart, Laura, Bewitched, I Could Write a Book, Nola, Half As Much etc

(Jasmine, JASCD462) 156:43


Original recordings between 1949-1957. Tracks include: I’ll Be Seeing You, I Can Dream Can’t I?, It Might As Well Be Spring, Let’s Go Steady, Better Luck Next Time, I Didn’t Know What Time It Was, Eyes of Blue etc.

(Sepia, 1098) 77:07


Original MGM recordings between 1947-1956. Tracks include: Beautiful Eyes, The Big Brass Band from Brazil, Daydreams, No Regrets, Rock and Roll Tumbleweed, The Girl I Left Behind etc.

(Sepia, 1094) 69:56

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ERIC COATES "Sound And Vision" Sound And Vision (ATV March), From the Countryside – Suite, Holborn March, Moresque, Four Ways Suite, Valse from "The Three Bears", The Eighth Army March.Music for Voice and Orchestra The Mill O’Dreams, Song of Summer, Your Name, Green Hills of Somerset, I Heard You Singling, The Fairy Tales of Ireland, Bird Songs at Eventide. BBC Concert Orchestra conducted by John Wilson, with Sir Thomas Allen (baritone) and Richard Edgar-Wilson (tenor). Dutton Epoch CDLX 7198 71:03 mins. Michael Dutton’s wonderful support of British music seems to continue unabated. With the major record companies now largely part of huge international conglomerates, the days when the likes of EMI and Decca could be relied upon to foster British composing talent now seem just a distant memory – with the very occasional odd exception. The demise of Sanctuary, and the apparent reduction of new releases from Chandos and Hyperion could well have added to the gloom, were it not for Dutton’s Epoch label. Almost single-handedly this label is providing us with unexpected treats on a regular basis, and it is to be hoped that readers of this magazine are taking full advantage of what is on offer. John Wilson – in a matter of ten years or so – has become one of Britain’s brightest recording talents, and when he is teamed up with the magnificent BBC Concert Orchestra the results are always superb, and quite frequently astounding. The first twelve tracks in this new CD feature Eric Coates as the familiar master of light orchestral music. Where else could one expect to hear such a varied and delightful collection of 20th century music? The remaining ten tracks remind us that Coates launched his career as a writer of popular ballads, although he never completely abandoned the genre since there are two late examples – from 1938 and 1943. No self-respecting lover of Light Music can possibly fail to add this new release to their CD collection. David Ades This CD is available from the RFS Record Service.


More Than Ever, La Vie En Rose, Under Paris Skies, O Mein Papa, April in Portugal, Arrivederci Roma, Anema e Core, La Mer, I Only Know I Love You, Autumn Leaves, Answer Me, Poppa Piccolino, Give My Regards to Broadway, Autumn in New York, The Bowery, Harlem Nocturne, Slaughter on Tenth Avenue, Manhattan Serenade, Take the ‘A’ Train, Manhattan Lullaby, Maria, Somewhere, The Belle of New York and Tenement Symphony

Mantovani and his orchestra (Vocalion, CDLK 4370), timing 73:04 mins.

Another fine addition to Vocalion’s increasingly comprehensive series of Mantovani reissues. This release compiles two further albums from the light music’s legend vast Decca discography. "Continental Encores" was the very first stereo album I heard (49 years ago!), and its re-emergence on CD will be welcomed as overdue by many Mantovanians, for whom some of the tracks will be among their all-time favourites. Memories of the 1950s are stirred by Papa, Answer and Poppa – all tunes that are unlikely to be heard today. As one might expect, accordionist Emile Charlier is featured throughout. In addition to its musical merits, Colin Mackenzie describes the album in Monty’s biography (Melrose Books) as "technically an excellent recording, well balanced, well miked, in full stereo with a wide deep soundstage."

The second album, from 1964, is also atmospheric with every track a winner – the standouts for me being Cecil Milner’s arrangements of Rodgers Slaughter, Strayhorn’s Train, and The Bowery, a rousing waltz featuring a lovely jangle piano. Among the splendid Roland Shaw arrangements are the jazz-inspired Nocturne and the big final number conjuring up images of winding fire-escapes and TV antennas. The Lullaby is Monty’s own composition, as are the arrangements of the two "West Side Story" pieces.

Peter Burt All Vocalion CDs are available from the RFS Record Service.


Bugler’s Holiday, Blue Tango, The First Day of Spring, Belle of the Ball, Clarinet Candy, Chicken Reel, Fiddle-Faddle, China Doll, and more

BBC Concert Orchestra conducted by Leonard Slatkin with Geoffrey Biegel, piano [Naxos 8.559313] 61:54 mins

One of the many musical centenaries marked this year is the birth of Leroy Anderson, the American master of light concert music, and here we have a very welcome addition to his discography. Nicely recorded at the Watford Colosseum in 2006, there is a good mix here with a number of familiar tracks as listed above, a couple probably not so well-known: Arietta and the brooding Balladette, and a quartet completely unknown, to me at least: Governor Bradford March [a first recording], The Golden YearsThe Captains and the Kings and the Piano Concerto in C Major. Classical Jukebox is not an Anderson original composition but his amusing arrangement of Music! Music! Music!, which was a million seller for Teresa Brewer in the early ‘50s. Older readers may consider this track with its simulated "stuck groove," of unblessed memory, worth the low price of the CD. But the piece that will probably most encourage Anderson aficionados to buy is the 19-minute long concerto. It was first performed in 1953 but was withdrawn following mixed reviews and Anderson’s own dissatisfaction with the first movement. We are told in Richard Ginell’s detailed liner notes that the composer warmed to the work more in his later years and, after his death in 1975, his widow Eleanor decided to release the work as he left it. It is definitely worth a listen – the second and third tracks are both engaging. With the ever versatile BBC Concert Orchestra and its "big name" conductor, this new disc is strongly recommended, even as a supplement to whatever other Anderson albums you may already have. And if you like this … there is more to come.

Peter Burt


Woodbury Fanfare, A Harvard Festival, Forgotten Dreams, Whistling Kettle, Horse and Buggy, The Waltzing Cat, Home Stretch, The Girl in Satin, March of the Two Left Feet, Waltz Around the Scales, Lullaby of the Drums, Jazz Legato, Jazz Pizzicato, Song of the Bells, Song of Jupiter and Suite of Carols for String Orchestra

BBC Concert Orchestra conducted by Leonard Slatkin with Alistair Young, Piano and David McCallum, trumpet (Naxos, 8.559356) 54:51

So here’s more already – the next instalment of pieces including some the composer did not release and which his family have now made available. There are half-a-dozen items, some with very catchy titles that I looked forward to hearing for the first time. Fanfare features four trumpeters, Festival is a revision of the piece that gave Anderson his entrée to the Boston Pops in 1936 and definitely has a ‘classical’ feel, beginning with some telling celli and finishing on a super tune with added organ;Whistling was a student piece for violins and violas of 1:44 mins duration with a sound that reminds me of bagpipes; Waltz was the composer’s very last original orchestral work; and Lullaby is, perhaps, more a gentle march than a lullaby, and I think my favourite among the new items – but then I’m a sucker for the sound (however fleeting) of French horns. Richard Ginell’s expected exemplary notes refer to March, another piece unknown to me, as a ‘madcap fast polka’. Pizzicati, from 1938, is the earliest example of Anderson’s work extant. With a good mix of new, familiar and not-quite-so-familiar items this is another excellent compilation and one can only look forward to more of the same. At under an hour I suppose some may claim short measure, especially with the longest item, Carols (12:27), unlikely to be played a lot at this time of year, but at the price – I paid £3.99 including p&p online – for such a quality product one really can’t complain.

Peter Burt All Naxos CDs are available from the RFS Record Service.


Charles Williams – Girls In Grey, Space Ship, Quebec Concerto, Side Walk Exhilaration, The Beggar’s Theme; Philip Green – Ragamuffin, Pan-American Panorama, Running Off The Rails, Spinning Wheel, Stringopation, Gaelic Fantasia; London Promenade Orchestra – Dancing Dolls; Sidney Torch – Cornflakes, Domino, Elfinette, Fiddlin’ For Fun, All Strings and Fancy Free, Guaracha, Speakeasy; Ray Martin – Gipsy Fiddler, Muriella; Frank Chacksfield – Gin Fizz, Pulling Strings; Louis Levy – Moto Perpetuo; Kingsway Symphony Orch / Camarata – I Love Thee. Vocalion CDVS 1954, 73:49 mins. Twenty years ago we would have given our eye teeth to be able to buy a CD like this. The fact that keen collectors will probably have 90% of these titles in their collections speaks volumes for the way in which Light Music has been re-established as an important part of the musical scene. If only the BBC would wake up to what has happened! This is the second collection of Light Music Classics on offer from Michael Dutton at the bargain price of around £3. OK – you don’t get any booklet notes, but just be grateful that you can get your hands on this superb collection of Light Music for such a small sum. Even if you already have most of these tracks, I still recommend a purchase. Personally I like it when someone else selects music for me to hear; familiar favourites somehow seem fresh and new when played in a different order. This is a priceless ‘snapshot’ of the British Light Music scene in the middle of the last century, at a time when it seemed inconceivable that it would go into such decline by the 1980s. Happily that decline has been arrested, and collections like this can only help to alert new generations as to what they might be missing if they only rely upon the radio for their musical enjoyment. David Ades


Firstly, I must offer my sincere apologies for the lack of any GUILD reviews in JIM 175; this was entirely due to the pressures of earning a living, but I hope to make amends in the following paragraphs.

GLCD 5140 – MUSICAL KALEIDOSCOPE VOLUME II [full tracklisting in JIM 175, page 62]. Hard on the heels of Vol. I – and bearing the next consecutive number – comes its splendid new companion. The beauty of the KALEIDOSCOPE format is that it enables compositions of so many styles, different orchestras and time-eras to be assembled into a very enjoyable programme without any of the constraints which, perforce, are imposed on a ‘themed’ CD. All of the recordings date from the period 1946-1956, surely THE ‘Golden Age’ of Light Orchestral Music. There is a reasonable mix of Commercial and Publishers’ material, roughly ⅓rd and ⅔rds respectively. The selection begins appropriately enough with another composition entitled Kaleidoscope, (this one being by Dolf van der Linden) and includes a few real gems of a slightly more ‘serious’ nature, e.g. the Overture Down The Solent (Rapley), the Theme from the film The Broken Horseshoe (W. Burns), Sea Reivers andOriental Dances (G. Bantock), Columbine (Leighton Lucas) and three pieces from Edward McDowell’sWoodland Sketches – (but curiously not this composer’s best known tune To A Wild Rose, which is taken from that suite). Worthy of particular mention is Bewitched (Rodgers and Hart) by Felix King, his piano and orchestra; this appears to be a note-for-note replication of the famous Bill Snyder c. 1949 interpretation of the well-known song from the show Pal Joey. Was this a deliberate attempt to produce a British ‘cover version’ of the USA hit recording, bearing in mind that it was then virtually impossible to obtain 78s from the States, due to post WWII import restrictions? On a lighter note, there are some old favourites, like Maurice Grew’s Jay Walker and George Melachrino’s Bobby Sox Bounce. There is a group of ‘shorts’ – pieces which would often be used in film and TV advertising and promotional features, and the disc concludes with four items under the heading Drama, Menace and Excitement. (Any resemblance to RFS meetings is purely coincidental!). These were used in melodramatic and even horrific moments in drama productions – e.g. Trevor Duncan’s Inhumanity, which was the closing music for the first two series of the famous 50s BBC TV serial Quatermass. I am bound to say that this particular format works so well that I hope there will be more similar volumes in due course.

GLCD 5141 – GLOBE TROTTING [tracklisting JIM 175, page 65].

The next release returns to the Themed format and commences with a very typical – and appropriate Trevor Duncan composition, Broad Horizon, which – with its high-register strings and big, heroic, orchestration – beautifully sets the scene for a 77 minute round-the-world trip. This takes in France, Switzerland, Italy, Spain and Portugal, then ventures farther afield to Egypt, the Orient, Madagascar, India, then on to Cuba, Mexico and finally Manhattan, before returning to England – via Norway – and closing with Jack Beaver’s Journey’s End. David Ades has managed to combine a good variety of styles, orchestras and conductors, including one or two making their GUILD debut. The booklet notes mention the song Faraway Places With Strange Sounding Names (not included on the CD however). It’s true that when these recordings were made – mostly in the 50s but a few date from earlier – the pieces in this collection were just that; merely names. These days ‘Globetrotting’ has become a favourite pastime for millions! On the face of it, some of the titles might seem to make strange bedfellows e.g. Lovers in Paris (Logist), Flamenco Love (L. Wagner) and Tahiti Tango (Martin) are in distinct contrast to pieces like Ketelby’s In The Mystic Land Of Egypt, Victor Herbert’s Chinese Serenade, and a particular favourite of mine, the Three English Dances by Roger Quilter, but it all works surprisingly well. It’s good to hear Jimmy McHugh’s Cuban Love Song in a different arrangement from the well-known version which was the signature tune of Edmundo Ros, whilst the inclusion of the selection from the show Song Of Norway, based on melodies by Edvard Grieg, is most welcome. This is another carefully-crafted programme which deserves to find many new friends.

GLCD 5142 – The 1950s – Volume 5 SUNNY SIDE UP [JIM 175, page 67]

To quote from the booklet notes, "this selection has been chosen with the aim of recalling the cheerful, bright and breezy style of music that ..... seemed prevalent in the 1950s". Although the decade was not without its downsides, (rationing and shortages at the beginning, the threat of global nuclear war at the end), the compositions – and orchestras – of the period have, as I have remarked before, a glossier, more sophisticated and often more optimistic sound than their predecessors of the 40s; truly children of their respective times. On this CD, the balance is tipped in favour of ‘consumer’ recordings, with 18 of the 30 tracks having originated on British and American commercial labels; the remainder started their careers in the recorded music libraries of Synchro, Chappell, Weinberger, Impress, Paxton and Bosworth. The selection "kicks off" with the eponymous title Sunny Side Up (De Sylva, Brown and Henderson) in that wonderful Farnon arrangement which became famous as the playout tune for many of Kenneth Horne’s shows on the late-lamented BBC Light Programme. Next up is an early, and excellent, piece by the gifted German composer and arranger Bert Kaempfert –Las Vegas – (not to be confused with the Laurie Johnson opus of the same name) – although here Mr K is masquerading under the pseudonym of ‘Bob Parker’. DA’s notes also refer to Kaempfert’s "... easy listening style that .... often relied upon a rhythmic beat described in Germany as ... ‘crackling bass’ ". I would add that I have also seen it referred to as ‘click bass’ and I believe that it was pioneered by virtuoso bass-guitarist Lasli Geisler. The conductors form a truly international lineup:- Dolf van der Linden from the Netherlands, Johnny Gregory (of Italian extraction), Ray Martin, who hailed originally from Vienna, the Odessa-born Monia Liter, the French Franck Pourcel, together with Americans Van Phillips, Mahon Merrick, Bernie Wayne, George Liberace, David Rose – and Frank Sinatra, (in an unlikely but apparently successful role) – all rub shoulders with the home-grown talents of Ron Goodwin, Ambrose, Louis Voss, Elliott Mayes and Geoff Love. This is an imaginatively-assembled and very enjoyable CD, which has all the makings of another GUILD winner.

GLCD 5143 ANIMAL ANTICS [JIM 175, page 70]

As the booklet notes are quick to point out, the title of this collection is misleading; not all the tracks refer to animals, as there are plenty of birds and insects thrown in for good measure! Never mind, the resulting programme is another example of the prolific programming skills of David Ades, aided and abetted by Alan Bunting who, apart from his main task of technical supremo restoring these recordings – (and as has been remarked upon several times before, doesn’t he make a superb job of it?) – has an important second role in collaborating with David to select the contents of each new release. So here we have, in the menagerie department, a Little Pink Horse a Waltzing Cat, Donald Thorne’s ‘take’ on those three well-known sightless rodents, two different frogs and Sidney Torch’s arrangement of Friml’s Donkey Serenade, with a little Sympathy thrown in for good measure. Then we come to a veritable aviary, including a Nightingale, a Flamingo, a Meadow Lark and a Skylark,Gilbert The Goose, a whole Reel of Chickens (!) and some Marching Penguins. The insect world gets a look-in too – David Rose’s My Dog Has Fleas is in good company with Paul Linke’s Glow Worm, Ettore’s Butterfly Fantasy and Whitney’s Mosquitos’ Parade. This list is by no means exhaustive, (see full track listing elsewhere), but it gives more than a flavour of this excellent collection, which concludes with the eponymous track Animal Antics (Colin Wark), in a recording by the London Palladium Orchestra made in 1931 – except that you’d never know, because it sounds so amazingly good.

I often take new CDs for review in the car on long business trips, and these four have kept me more than happy on a recent lengthy journey from North London to South Wales and back again.

GLCD 5144 CHILDHOOD MEMORIES – VOLUME 2 [please see full tracklisting elsewhere in this issue].

There is always a danger with a second volume of a CD on a particular theme that it will suffer from ‘the second cup of tea’ syndrome (i.e. it doesn’t taste as good as the first one!) – but thankfully this never seems to happen with the GUILD series. Volume I of CM is often to be found in my CD player and I have to confess to having badgered DA for many months to create a follow-up! Well, he’s certainly ‘come up trumps’ again with this one, and we are treated to another 27 wonderful tracks, a few of which were suggested by yours truly. Amongst those are Josef Engelman’s Tales From A Fairy Book, a worthy stable-mate to his Children’s Playtime Suite featured on the earlier CD. I have been in contact with musician Guy Rowland – (who knew Engelman’s son Harry, also a composer) - and he has a copy of the original sheet music of this work. He was able to confirm that the title of track 12 – shown as Rumpelstickins is just a tad incorrect. Although the generally accepted form of this fabled character’s name is RUMPELSTILTSKIN, for some unaccountable reason it is shown on the printed music as Rumpelstilkins. When Bosworth issued it on their 78 disc, (BC1009), they then managed to turn a letter ‘l’ into a ‘c’. It, therefore, reads Rumpelstickins on the label; it was also registered with the PRS in this form, and has been faithfully copied into the booklet notes! However, it doesn’t detract from another excellent little opus from this almost forgotten composer. Other particularly notable tracks include José Fontaine’s Dance Of The Pirates, Bob Farnon’s Toyland TattooSee-Sawby Douglas Brownsmith, Pirouette by Henry Croudson and Charles Williams’ Drummer Boy. We are treated to three different marionettes:- Gilbert Vinter’s Dance Of The MarionettesSleepy Marionette, another Charles Williams’ composition (which I fancy is a re-incarnated Funeral March Of A Marionette by Charles Gounod); and Dolf van der Linden’s Marionette March. I must plead ‘guilty’ to having had more than a little bit to do with the final track; this is Fred Hartley’s Scherzetto For Children, which was the warm-up ‘intro’ music for BBC Children’s Television in the early 50s. DA was very anxious to include this item and AB has magnificently improved my rather sub-standard recording, which was originally made available to me by Andrew Emmerson. Whilst profuse apologies are tendered in the notes for including a recording which is ‘...far from perfect’, these are totally superfluous! Anyone hearing this restoration will wonder what all the fuss is about, so successful is the final result; methinks they protesteth too much!! This CD is a more-than-worthy companion to Vol. 1, and a fine addition to the GUILD series.

GLCD 5145 SCENIC GRANDEUR [tracklisting earlier in this issue]

Here we have another example of a very definite theme, again with an eponymous title – track 3Scenic Grandeur by a certain Mr Farnon! Yet again DA has ‘pulled out all the stops’ and put together an impressive collection of descriptive pieces, which conjure-up images of mountain ranges, seascapes, morning mists and sunsets – or indeed many other manifestations of natural beauty. Light Music composers such as Bob Farnon and Trevor Duncan poured out many such pieces to satisfy the enormous demand for this type of mood music, and many others ‘had a go’ too – Len Stevens, Ernest Tomlinson, Gideon Fagan, Tony Lowry, Peter Yorke, Bruce Campbell, Charles Williams, Clive Richardson, Jack Beaver and Dolf van der Linden are all represented here, and there are more besides, with a total of 23 tracks. It will come as no surprise that the majority of these (15) are taken from publishers’ discs, with the balance being made-up of commercial recordings largely from the USA. Of particular note are another Farnon track, Open SkiesGreat Panorama (Perry – actually Ernest Tomlinson), Gideon Fagan’s Pastoral Montage (used for the BBC TV Windmillinterlude), Tony Lowry’s Seascape and Bruce Campbell’s Cloudland. In fact they’re all fine pieces, although because of the very specific nature of the subject matter, there is a markedly similar ‘feel’ to many of the compositions. It may be that listeners would wish to ‘dip-in’ to individual tracks, rather than play the entire CD from start to finish. It’s rather like having a box of posh liqueur chocolates – lovely as they are, you might not want to eat the whole lot in one go! The programme is not unlike the earlier CD Reflections Of Tranquility; it’s certainly in marked contrast to some of the more upbeat offerings in this series, and is another fine addition to the GUILD series. Tony Clayden

All Guild Light Music CDs are available from the RFS – price £8 each [US $17] plus postage.


Love theme from ‘The Robe’, Selena’s waltz, Nightfall, Thème romantique, Jubilee trail, The moonlight song, Love theme from ‘The Glenn Miller Story’, Spring madness, Theme for Cynthia, Geraldine, Lost moment, BonSoir / The High and the Mighty, Moonlight and roses, Passion tango, Never say goodbye, Smile, The ‘Rear Window’ theme, The song from ‘The Caine Mutiny’, Magnificent obsession, Glamour waltz, Rendezvous in Tunis, Last night when we were young, Twilight interlude

Victor Young and his Singing Strings [Vocalion CDNJT 5201]

It is good to have this new 2-on-1 of the Chicago born composer, arranger, violinist and conductor recorded in 1954 and 1956, the year of his passing. Victor went to Hollywood in 1935 to form his own orchestra for film work and made many recordings with the orchestra of light music and as backing for singers. He also composed such well-known pieces as Golden EarringsMy Foolish HeartThe call of the faraway hills and Around the World in Eighty Days. Although he wrote many songs and for around 350 films, Young the composer is only represented on this CD by three items – Jubilee trail[from the film of the same name], Geraldine, and Bon Soir [from ‘Perilous Journey’] – but there are tracks from other film music luminaries: Arlen, Korngold, Newman, Mancini, Steiner, Tiomkin, Waxman and the underrated Chaplin. I must admit to not recognizing many of the films for which the music was composed but that has not stopped me enjoying the music. Composer Harry Sukman is the piano soloist on Spring madness [from ‘Belle La Grande’], Theme for CynthiaLost moment [from the film of the same name] and Twilight interlude as well as his own Nightfall from ‘Gog’, a 1954 low-budget sci-fi movie. The alto sax of Benny Carter can be heard on Rendezvous in Tunis. Written in 1925, Moonlight and roses has been a favourite tune of mine since I were but a lad. An all-round recommendable release.

Peter Burt


"Latin America After Dark" Siboney, Walter Winchell Rhumba, Vuelve, Tenacion de Amor, Cae Cae, Volvere, etc… 12 tracks "Starlit Hour – the Music of Peter DeRose" Deep Purple, Autumn Serenade, Let’s Dream Together, American Waltz, Lilacs In The Rain, Blue September, etc… 12 tracksEP: Slide Rule, Whistlin’ Willie, Marching Through Georgia, Bluebell Polka. Vocalion CDNJT 5202. By the mid-1950s music lovers in Britain were starting to take note of Laurie Johnson. We had several 78s on Polygon, plus a few singles on HMV (some on their International label) then a batch of interesting releases on MGM. It turned out that these latter ones were recorded specially for the American market, and when the two LPs on this CD came out in Britain they were in EMI’s MGM International catalogue. I am very pleased to see that Mike Dutton commissioned booklet notes from Tony Middleton. The Wally Stott collection (CDEA 6127) was issued without any notes at all, and it would have been a crying shame if Laurie Johnson’s massive contribution to these recordings had gone uncredited. Observant collectors will notice that a few of the tracks on this new CD have already appeared in the Guild Golden Age of Light Music series, but I would urge everyone who shares my admiration for Laurie Johnson not to hesitate, but snap this one up as quickly as you can! The arrangements and the playing are simply superb, and to make them sound even better try giving the bass control on your amplifier a slight boost! David Ades All Vocalion CDs are available from the RFS.


Volume 1 25 tracks from 1952 to 1956 including Limelight, Blue Tango, Moulin Rouge, Wonderful Copenhagen,Grisbi Blues, Mon Coeur est un Violin, April in Paris, Madamoiselle de Paris, etc… EPM [France] 986232

Volume 2 Frou Frou, Una Casa Portuguesa, Johnny Guitar, I Love Paris, Lisbon Antigua, etc… 22 tracks EPM 986402

Volume 3 Port au Prince, Carousel Waltz, Malaguena, Around the World, etc… 21 tracks EPM 986412

Volume 4 Whatever Lola Wants, Clown on the Eiffel Tower, Just a Gigolo and the Les Baxter suite"La Femme" 22 tracks EPM 986422

In recent years some of Franck Pourcel’s reissues have been the subject of litigation in the French courts, but hopefully these four new collections are legitimate. Indeed the brief notes inside each CD state that the recordings have been remastered by his estate, and are therefore the originals (hence the title of the collection). Volume 1 concentrates on Pourcel’s early years; Vol. 2 also harks back to the 1950s, with tracks from 1950 to 1957; Vol. 3 comes from 1957 in the series "Amour, Danse et Violons" and the LP "L’Inimitable"; finally Vol. 4 reflects Franck’s ‘musical journey in America’. Somewhat unusually the promotional copies received were in the form of a single CD for volume 1, whereas vols 2, 3 & 5 were combined in a (flimsy) box with the catalogue number EPM 986392. It appears that these three volumes are not available separately – at least not at the time of writing this review. David Ades These CDs are available to special order from the RFS.

 Brass/Military Bands


Strike Up the Band, The Golden Mile, Calling All Workers, The Westminster Waltz,

Sabre Dance, Anything Goes, Stage Centre, Rhapsody in Blue, La Rejouissance, Skye Boat Song, Czardas, Yankee Doodle Dandy, Scarborough Fair, Greensleeves. Tie a Yellow Ribbon, The Polecat Polka, Bells Across The Meadow, Adagio, Alexander's

Ragtime Band and Nessun Dorma

Various Bands (MusicMasters)

This review departs a little from the usual, in that the CD is not really new (released in January 2007), and your reviewer downloaded it from the Internet which didn't include its catalogue number! However, it is a British release and should be tracked down with ease or it can be downloaded from for a very reasonable fee. The CD is an interesting and wide variety of music genres, including Farnon's Westminster Waltz and Coates' Calling All Workers - all given the military band treatment; brass and woodwind replacing the strings. The bands used in this selection are all well-known and top class British bands, including The Blues and Royals, Coldstream Guards, HM Royal Marines, Royal British Legion, Life Guards, Royal Yeomanry and the Queen's Lancashire Regiment. It’s quite a musical treat for military/brass band buffs to jump from Sabre Dance to The Polecat Polka! I was delighted to hear Alexander's Ragtime Band played in true ragtime style by the Band of the British Legion. The producers have done a great job getting this material together, they are all recent stereo recordings and I can't say I was disappointed with any of the selections.

Graham Miles


The Presidents Own United States Marine Band (Naxos, 8.570727) 79:00

Well Naxos keep surpassing themselves in quality and unexpected finds! This is a stunning band record that I have recently purchased. This CD is a real pleasure - just listen to track 22 - it takes your breath away with a live performance of the Stars and Stripes including a flute solo played by Master Sergeant Gail Gillespie. Superlative is the only word that comes to mind - put this track on full volume to start the day!

Malcolm Lewis


The Black Dyke Mills Band (Naxos, 8.570726)

If anybody ever thought that we didn’t lead the world in this genre, then just listen to this recording made in Morley Town Hall. The sound is exceptional and even more so when you have the conducting and arranging honours by Nicholas Childs and his brother Robert - pure gold. Just listen to the 1812 Overture arranged by Robert and you have a rival for the old classic Mercury recording conducted by Dorati. I would add, in my opinion, that the guns are more realistic.

Malcolm Lewis

 "A Dream Realised" The Music of LESLIE STATHAM [Arnold Steck] The Band of the Welsh Guards Specialist Recording Company SRC 112, 71:38 mins.

For some years as a longstanding admirer of the Band of the Welsh Guards I have been agitating for a recording devoted to the music of Leslie Statham, their Director of Music between 1948 and 1962, who wrote many of his compositions under the name of Arnold Steck.

The original dream was that sufficient of his music could be brought together to fill an LP but just as that seemed a possibility we moved into the CD era with its much greater capacity. All seemed lost but gradually more pieces were found and then through the good offices of Mrs Statham we discovered that there were over 80 published items. Major Statham had given me so much pleasure, without ever knowing it, and continued to do so with the legacy of his fine music that it is was my wish to see as much of his music as possible brought together on one CD as a tribute to him and for the public of today and tomorrow to enjoy.One of the major concerns was the commercial viability of such a CD but after careful thought and running through most of the music Major Davd Cresswell rose to the challenge and set up the sessions with Mike Purton of Specialist Recording Company who have already issued a number of single composer CDs by the Band including one of Edward German.Mike is renowned for the care and accuracy of his recordings and this was rapidly confirmed as he picked up details and nuances which were inaudible to most but which will ensure that the finished product is of the highest quality. He has used the chapel at Chelsea Barracks for other recordings and this was again the venue. The first item was a haunting arrangement of Men of Harlech, still as a march but far removed from the usual brash approach. There followed a succession of marches in various styles and descriptive pieces, some well known but others being heard for the first time by all concerned.Although tiring, Monday’s session on 5 February 2007 ran smoothly with some 60 per cent of the intended music "in the can" by the end of the day. This promised an early finish on Tuesday but it was to prove rather more eventful despite starting quite normally. We were warned to expect three parties who wished to view the chapel as part of the sales process for Chelsea Barracks and it was agreed that these would be accommodated in breaks in the recording. What was not expected was a helicopter which seemed to hover, move away only to return followed a little later by a second, both landing on the Parade Square. This held up proceedings for some minutes but having just resumed a 21 gun salute to mark the anniversary of the Queen’s accession started. To add to the interest we had a planned visit by Sian Price who was filming one of a series of TV documentaries for BBC Wales, this one featuring the Band with whom she will be going to Bosnia shortly. She took a number of shots mainly in close up whilst Royal Review was being played; it appeared in the broadcast as the band preparing for an important concert in front of the Prince of Wales! We assumed the afternoon would be quiet – until an over enthusiastic drill sergeant decided that the ideal place to put his squad through their paces was right outside the chapel. The band sergeant-major, resplendent in full practice dress (extremely unmilitary!), despatched himself rapidly and persuaded the culprit of the error of his ways! Some real gems were revealed. Marches such as Birdcage Walk and The Guardsman are well known butFreedom of the City was a real revelation and Heroes Return could have come from Sousa’s pen so well was the style captured. Of the descriptive pieces Broadacres and Skeleton in the Cupboard were outstanding with the Happy Days Suite conveying perfectly the atmosphere of such times. The band produced a splendid sound and purchasers of the CD are in for a treat when they hear it. From time to time there have been calls for recordings devoted to a single military composer other than Sousa or Alford and here we have just a production; it is hugely entertaining in its own right, but if record companies are to produce more of this type they need support from the buying public. All concerned are to be congratulated on their efforts and the hope must be that this CD will open the eyes of a wider public to the quality of the music of Leslie Statham, one of the Army’s most significant composers. Light music of the mid 20th century it unashamedly is, but superbly crafted and beautifully executed; the faithful recording and caring production of Mike Purton and his team should ensure that here is a CD which will find a place in the library of every lover of military band music – as well as those who are already familiar with light music arrangements of Statham’s compositions.

Alan Hardwick

[Reprinted from Band International (IMMS) by kind permission of the Editor and the Author]

Editor: orchestral versions of works by Leslie Statham (under his pseudonym Arnold Steck) have appeared on the following Guild CDs:

GLCD5143 Morning Canter
GLCD5132 Riviera Rhapsody
GLCD5147 Royal Review
GLCD5126 Skeleton In The Cupboard



Pedro the Fisherman, French Café Medley, Cuban Boy, All the Things You Are, Port Au Prince, Film Medley, Autumn Leaves, The Avengers Theme, High Wire, Early Autumn, Sunrise Sunset, Another Day Tomorrow, Can You Feel the Love Tonight and Cinderella Samba

Tony Whittaker

ORGAN-ized is an organ/piano-based easy listening album, this is stated at the top of the front CD inlay card and it certainly lives up to its statement! Tony effortlessly moves from tune to tune with his own musical arrangements making this a CD to sit back and enjoy, with certain tracks that are not usually or rarely heard. The only track I, personally didn’t enjoy was Can You Feel the Love Tonight – the combination of keyboards did not sound up to the standard of the rest of the CD. His own compositions Another Day Tomorrow and Cinderella Samba made delightful additions. The tunes were recorded entirely on Kurzweil and Korg Keyboards.

Gillian Endacott


Jolson medley, Pure Nostalgia medley, South of the Border/Bluesette medley, It's All in the Game, Blue Danube Waltz, Baby Elephant Walk, Phantom of the Opera medley, Days of Wine and Roses, Out of Town/Candy Man medley, Masquerade, Scottish medley, The Skye Boat Song, Moonlight Serenade, Wartime medley, Summertime, Warwick Waltz, They Can't Take That Away from Me, Rosina, As Time Goes By and South Pacific medley

Tony Whittaker playing the Compton 3/11+Melatone at Fentham Hall, Hampton-in-Arden, Solihull

This entertaining CD is Tony’s debut recording on the theatre pipe organ and would make an excellent addition to anyone’s collection of keyboard CDs. His style and interpretation of the varied tunes on this CD make for easy listening and a must for the ipod owner. Again Tony has included two of his own compositions Rosina and Warwick Waltz on this 2007 release.

Gillian Endacott

Both the above albums can be purchased directly from Tony Whittaker - £11.00 per CD including P&P (UK only) Send cheque/PO to: Tony Whittaker Musical Service, 49 Hollystitches Road, Nuneaton, Warwickshire, CV10 9QA, England.



Connie Haines (Sepia, 1107) 75:10

It has been a real delight to discover the singing talents of Connie Haines on this excellent release from Sepia Records. Although her recordings with the orchestra of Harry James and Tommy Dorsey have been readily available, few of her much sought after titles as a single artist have seen the light of day – until now! The CD highlights her versatility as it offers 27 numbers from across the musical spectrum ranging from Stormy WeatherThe Man I Love and My Man through to Silly No- Silly Yes,Ol’ Man Mose and Pink Shampoo. Recordings date from 1946 to 1953 with accompaniment by such names as Ray Bloch and his orchestra and Bob Crosby and the Bobcats. All in all a great CD to dip into when you are feeling down as Connie, with her subtle southern twang, radiates warmth and sings with great joy. Top marks once more to Sepia for sound quality, informative liner notes and stylish design.

Simon Endacott


Swing Low, Steal Away, Deep River, Were You There, Go Down Moses, Nobody Knows The Trouble I See, The Ashgrove, Idle Days In Summertime, Speak To Me My Own Beloved, Ye Banks And Ye Braes, Oh My Love Is Like A Red Red Rose, Barbara Allen, Drink To Me Only, A Brown Bird Singing, The Lark In The Clear Air, The Old House.

Ramon Remedios (Tenor) David Snell (Piano) President Records PRCD 161

Liverpool-born and Guildhall School of Music–trained, Ramon Remedios has sung with the Welsh National and Scottish Opera companies, the Royal Opera House, Covent Garden – and many European Opera Houses. He has made several UK television appearances and a number of CDs – in both cases often in association with Rick Wakeman. This recording takes him in a new direction and is his first collaboration with RFS member David Snell, who has swapped his harp – and conductor’s baton – for the role of arranger and accompanist. The programme combines mostly traditional songs from the British Isles with six spirituals; the latter are unusual, inasmuch as they are rarely – if ever – performed by a Tenor. It’s a novel idea and, helped by David’s sensitive arrangements, the pieces are certainly shown in a different light from the conventional basso profundo renditions with which we are all so familiar. These days, songs such as these are seldom performed or recorded and it’s, therefore, heartening to see two such fine artists reviving a sadly neglected and almost forgotten genre with this very enjoyable selection.

Tony Clayden


Denny Dennis (Sepia, 1108) 77:18

A double treat from Sepia as not only do we have 26 tracks showcasing the smooth vocals of Denny Dennis (1913-1993) but six of them are with Robert Farnon and his orchestra dating from March 1948. These tracks may now be sixty years old but they sound timeless. The numbers arranged and conducted by Robert Farnon are After AllJudaline, Every Time I Meet You, Glen Echo, I’d Love To See You Home Tonight and By the Way. Denny is a versatile vocalist and the songs on this CD reflect this highlighting his baritone voice and relaxed vocal style. The recordings date from between 1939-1949 and the other main orchestras featured are those of Stanley Black and Phil Green. Congratulations to all involved on a class production which is stylishly presented.

Simon Endacott


Jane Russell (Sepia, 1110) 65:41

One of the last surviving Hollywood leading ladies of the ‘Golden Age’ of Hollywood - Jane Russell and it is her vocal talents which are spotlighted in this new release from Sepia Records. The title track is a great opening and is one of twelve tracks from a 1957 album entitled The Magic of Believing that Jane recorded with her good friends Connie Haines and Beryl Davis. All ‘inspirational’ songs ranging from religious ballads to rocking numbers with a message, these sound fresh and lively and are infectiously enjoyable. The three ladies harmonize beautifully and the sound quality is excellent – it could have been recorded yesterday. The remaining thirteen tracks offer a great variety of songs which Jane performs in her attractive and clear vocals – all lyrics can be heard. Excellent sound quality again with catchy arrangements from the likes of Nelson Riddle and George Cates. Particular favourites of mine were One Arabian Night and If You Wanna See Mamie Tonight plus two duets with Johnny Desmond from 1954. As expected from Sepia, there is a well illustrated and informative inlay booklet. Highly recommended.

Simon Endacott


Vivian Blaine (Sepia, 1106) 75:23

Hats off to Sepia Records who added another excellent title to their ever-growing catalogue in the form of a 2 on 1 from Vivian Blaine (1921-1995); the popular star of 20th Century Fox musicals of the 1940s and best known for creating the role of Miss Adelaide in "Guys and Dolls". "Songs from the Ziegfeld Follies" and "Songs from the Great White Way" are to companion albums that were recorded in September/October 1956 for the Mercury Records label with orchestra conducted on both by the talented Glenn Osser. Blaine adds her own unique touch to the 24 show tunes featured bringing warmth to the more intimate numbers whilst not afraid to sing out the more up-tempo songs m- she is aided by some very good orchestrations. As suggested, the first album offers songs featured in the various Ziegfeld Follies shows from 1912-36. A Pretty Girl is Like a Melody is the opening track and contains a charming spoken introduction from Vivian. Other well known numbers include I Can’t Get StartedShaking the Blues Away and Mandy. I much enjoyed Suddenly (Rose-Harburg-Duke) which was a new tune to me.

The second album showcases a host of well known songs such as People Will Say We’re in LoveBut Not for Me and How Are Things in Glocca Morra which are all performed to the same high standard. With the added bonus of three songs plus excellent CD remastering by RFS member Robin Cherry and an extremely well designed and attractive booklet, this release is a real winner and a worthy tribute to the talents of Miss Blaine.

Simon Endacott


Buttons and Bows, Maybe You’ll Be There, Nature Boy, Dark Moon, Cock-Eyed Optimist and many more

Bing Crosby (DSOY746) 81:30

These tracks, on a double CD and totalling 33 in all, are taken from air checks that Bing made with the John Scott Trotter orchestra whilst the US musicians were on strike in 1948. I expect Cab Smith has this already, but if not, he will be heading for his nearest record store!

Paul Clatworthy

Continental and International


49 tracks including Terra mia Pupetta inamorata; De Riposto à Mascali, Piccola Monella, Meluccio, Sicilia mia, La Danza Antica. Il Bacio, Scintille Sérénade Napolitaine Tarantella per Fischiett, Marche Florentine, Canzoniero Napolitano, Oride Canzoniero Napolitan; Florentine March

Various artists (Marianne Melodie 061591)

Another winner from Pierre-Marcel Ondher’s collection. Some of the tunes will be familiar to readers; but there are a host of unfamiliar but appealing tracks. There is a very distinct cosmopolitan flavour about this set with delightful ocarina flutes, orchestras, string ensembles and mandolin orchestras playing beautiful melodies. Listening to Florentine March by a mandolin orchestra, make a refreshing change from hearing versions by military bands or orchestras. The compilation focuses on music from South Italy, Naples and Sicily. Many of the tracks feature folk dances with very melodic catchy tunes. There are two rather unusual tracks from an early Decca LP, Il Bacio and Napolitan Nights by the Marimba Serenaders. These were originally issued on Decca LF 1044. This group features several marimbas accompanied by mandolins and various other instruments. Much of this compilation is drawn from continental 78 labels or early LPs such as Odeon, Durion, Fonit etc which would be very hard to find today. There is a short set of notes by Ralph Harvey, the remaining documentation being provided in French. A very attractive period style painting similar to the excellent Guild covers, adorns the front of the booklet. The transfers have been made with great care to a high standard. A bargain, if this kind of continental light music appeals.

Brian Stringer This collection was also previously reviewed in JIM 168, June 2006. Available to special order from the RFS Record Service, or direct from or from Marianne Melodie BP 102 – 78372 Plaisir Cedex, France. Tel 00 33 0892.350322 preceded by country code.


44 tracks including Ländler de HallertauSchützenliesl Polka, Le Chemin du Coeur, Danse du Berger Munichois, Rheinländer du Coucou, Clarinette-Polka, Les Violettes du Kochelsee, Polka d'Egerland, Hoppla! Hoppla! Troupeau de chamois, Polka de Hacketau, En route vers le Tyrol, Riante Münich, Petite Suzanne, Salut à Oberammergau

Various artists including Rudi Knabl, Alfons Bauer their zithers and orchestrasMax Greger’s Sextet, Orchestre Munichais de Thomas Wendlinger etc. (Marianne Melodie 031 084)

This is yet another set in the series from Pierre-Marcel Ondher’s collection. In the early 1950’s, I remember calling in at my local record store and seeing all the wonderful distinctive orange labeled popular Polydor 78’s and mono LPs (which I couldn’t afford) displayed in the shop window. It is good to have in this collection many of the orchestras and ensembles of that period which have been sadly neglected over the years. Munich based Alfons Bauer and Rudi Knabl, were very competent zither players and recorded with their own excellent orchestras. There are also items by Max Greger’s sextet, presumably an offshoot of his orchestra. There is a generous sprinkling of ‘oompah bands’ and various virtuoso accordion ensembles but little in the way of yodeling, (fortunately!!) the CDs being mainly instrumental. Although you may think that you are not familiar with many of the listed titles it is quite likely when you start to listen you will recall tunes you heard on the radio in the dim and distant past or on a trip to Bavaria. If Tyrolean/Bavarian cum Viennese music is to your taste then this attractive set is a must. It would take a million years to find the recordings assembled here at 78 record bazaars etc. Again the booklet contains a short English summary by Ralph Harvey who had some involvement in the compilation plus a delightful period style painting on the booklet front.

Brian Stringer Available from or from Marianne Melodie BP 102 – 78372 Plaisir Cedex, France. Tel 00 33 0892.350322 preceded by country code.


Tango Delle Rosa, The Woodpecker Song, Torna a Surriento, Only Love Me, Arriverderci Roma, Como Prima, Chitarra Romana, Volare, Mattinata, Sicilian Tarantella, Nights of Splendor, Torero, Chitarra Romana, Just Say I Love Her, Mattinata, I Have But One Heart, Tra Veglia E Sonno, You’re My Treasure, Oh Marie, The Woodpecker Song, Tango of the Roses, Gilda, Anema E Core and Luna Rosa

The Guitar Kings directed by Al Caiola (Cumquat Records)

Under the direction of Al Caiola, the guitars and mandolins of the New York Guitar Kings transport us back to sunny Napoli, Here are melodies delighted music lovers through the 1950s. The recording is splendid.

Brian Stringer Available directly from Australia:


Besame Mucho, Mambo Jambo, My Shawl, Piel Canela, You Belong to My Heart, Jungle Drums, El Rancho Grande, Poinciana, Magic is the Moonlight, Serenata, Ritual Fire Dance, Yours, Adelita, Sabras Que Te Quiero, Quien Sera, Duerme, Jurame, Amor, Tres Palabras, La Malaguena, Coo Coo Roo Coo Coo Paloma, Jesuita En Chihuahua, Cuatro Vidas and Estrellita

The Guitar Kings directed by Al Caiola (Cumquat Records)

Spanish and Mexican standards performed by a ten piece guitar ensemble. Members may recall the mid 1950’s when Al Caiola’s records were heard on the radio so this CD will bring back happy memories. The mellow sound is far removed from the wailing electronic guitars that we have to suffer today. Very pleasant summertime music attractively arranged. As this CD won’t be around too much longer, if this appeals, don’t delay ordering.

Brian Stringer Available directly from Australia:

Dance Band/Nostalgia


This is Romance, You Oughta Be in Pictures, Fair and Warmer, All I Do is Dream of You and many more

Ray Noble featuring Al Bowlly (DSOY742) 52:22

Yet another dusted off ‘oldie’. Ray started as principal arranger for the BBC Dance Orchestra led by Jack Payne and was later made Director of light music for HMV Records. This CD, containing 18 tracks, focuses on his career as one of the leading Dance Band Orchestras of the 1930s and really is nostalgia with vengeance along with the added vocals of Al Bowlly.

Paul Clatworthy


Issued by Frank Bristow – Victoria, Australia

These CDs have previously been the subject of brief reviews in JIM by Edmund Whitehouse. However, not all details were given. In particular, incomplete information was provided about titles and performers; some of the latter are making their debut on CD, although they all appeared on the programme during its twenty-seven year run.

Volume I 
Calling All Workers (Coates)
Band of the Grenadier Guards/Major F J Harris
Toytown Tattoo (Cardewe)/Louis Voss Grand Orchestra
Polly (Zamecnik)/Harold Collins Orchestra
Coon Band Contest (Pryor)/Troise and His Banjoliers
Harry Wood Hits/Primo Scala

Double or Nothing – selection (Johnson, etc.)/Jack Simpson
Samun – Symphonic Foxtrot/Harry Fryer Orchestra
Alpine Festival (Hartley)/Fred Hartley Orchestra
Tessoro Mio (Beccuci)/Ronnie Monro Orchestra
Knuckledust (Blackmore)/Harold Collins Orchestra
Corn On The Cob (Scott-Wood)/George Scott-Wood Band 
Those Were The Days/Jack Coles Music Makers 
Dance With A Dolly (Shand etc.) )/Al Collins Band
Trolley Song (Martin etc.) George Elrick Band

Boo Hoo (Lombardo etc.) George Elrick Band
A Feather In Her Tyrolean Hat George Elrick Band
Coon Corn Rag (Vecsey)/Troise and his Banjoliers
A Little On The Lonely Side (Robertson) /Oscar Rabin Band
There Goes That Song Again (Styal etc.) Oscar Rabin Band
East Of The Sun (Bowman) /Cecil Norman and Pat Dodd
Careless (Quadling etc.) Cecil Noprman & Pat Dodd
Light And Shade/Harold Collins Orchestra
Leroy Steps Out – Selection (Kreisker/Zalva) Richard Crean Orchestra
Six Hit Medley/Primo Scala
With A Smile And A Song (Churchill etc.) Reg Pursglove Orchestra
Sing Song Medley No. 3/Jimmy Leach Organolions
Gung’l In The Ballroom/W Reynolds Orchestra
Love Dance Intermezzo (Felix etc.) David Java Orchestra

Volume II 
Calling All Workers (Coates)/Fred Alexander Players
In The Arena (Groltzsch)/Louis Voss Orchestra
Last Tango (Mulka)/Bernard Monshin Orchestra
Songs Of Old England/Troise Banjoliers
Showboat – Selection (Kern) Jack Leon Orchestra
Kiss In The Dark (Herbert) Ronnie Munro Orchestra
Parade Of The Pirates (Brotton)/R & MW Band
Temptation Rag (Lodge)/George Scott-Wood Band
Wood Nymphs (Coates)/London Coliseum Orchestra
Careless Cuckoo (Bucalossi)/Harry Davidson Orchestra
Linger Awhile – Medley/Roland Peachey Orchestra
How Soon (Lucas etc.) Jack White Band
Memories Of The Early Twenties/Primo Scala Band
Salad Days – Medley (Slade etc.)/Tommy Kinsman Band
Friml In The Ballroom/W Reynolds Orchestra
Marigold (Mayerl) Jimmy Leach Organolions
Teddy Bears’ Picnic (Brotton) Troise Banjoliers
Tick Of The Clock (Perry) Harry Davidson Orchestra
You Are My Sunshine (Davis etc.) /Cecil Norman and Pat Dodd
Dardenella (Bernard etc.) Cecil Norman & Pat Dodd
Singalong Medley/Primo Scala Band
Mad About Music – Film Selection/Coventry Hippodrome Orchestra
Choristers’ Waltz (Phelps)/Harry Davidson Orchestra
Waldmere March (Casey etc.)/Harry Foyer Orchestra
Lonely Troubadour (Miller etc.) /Falkman and His Apache Band
In Caliente (Dixon etc.)

Whilst these two fine releases neatly compliment the two GUILD MWYN discs – (there is no duplication of recordings) – there is one significant difference. i.e. the FB CDs contain material from both commercial recordings and the special DECCA MW series, whereas the GUILD issues contain only recordings in the latter category. I should also mention the booklet notes, which provide comprehensive details about the performers and indeed the BBC programme itself; this was so much a part of the daily lives of so many and is sadly missed to this day by enthusiasts of broadcast radio.Tony Clayden

Frank Bristow’s CDs are ONLY available direct from him at 2 Cross Street, Brighton, Victoria, 3186, Australia. Tel. 03-9528-3167. E-mail:  Credit cards and PayPal are accepted, but no cheques – details on request. Please visit Frank’s website for details of other CDs in his catalogue:


Various artists (DSOY741) 120:00

Most, if not all, of the Gershwin music contained in this two CD package have been recorded in many new issues. For me, this compilation is a historical document! Twelve of the tracks are Gershwin himself playing piano solo, the remainder with various orchestras. The groundbreaking orchestral pieces Rhapsody in BlueConcerto in F and An American in Paris are here along with many of the tunes that Gershwin wrote for stage and screen.

Paul Clatworthy

FRANCES DAY "Golden Girl of the 1930s" featuring recordings with Geraldo, Ray Noble, Carroll Gibbons, Louis Levy, Benjamin Frankel, Jay Wilbur, Al Bowlly, Bud Flanagan, John Mills, etc… 49 tracks, AVID Easy AMSC 926 - 2 CDs 157 mins. This warm tribute to a lady who seemingly had the world at her feet – particularly during the 1930s – has been compiled by Hugh Palmer, who has been responsible for so many enjoyable collections on LP and CD of music from this period. Frances was American, but she came to London in 1924 where she found her fame and fortune in London. These well-filled discs include her commercial recordings, radio broadcasts and film soundtracks. The singers and orchestra leaders with whom she worked read like a ‘who’s who’ of British show business of the mid-20th century, up to 1955 when she attempted to get into the hit parade with Why Did The Chicken Cross The Road accompanied by Frank Cordell. If you remember Frances you’ll love this collection. David Ades

"The real sound of R.& B and Boogie Woogie" (DSOY 737) 21 tracks. 61:28 "More of the real sound of R & B. and Boogie Woogie" (DSOY 739) Also 21 tracks. 60:38. Two albums exploring the sounds of the Forties and Fifties forerunners of the "Rock and Roll" that followed, cursed by many in this Society but nevertheless a good insight into people who later found fame by moving on into more modern sounds such as Lionel Hampton, Woody Herman, Ray McKinley, Benny Goodman, Buddy Collette, Helen Humes and Count Basie. Unless you follow this style of music other names involved have been lost along the way! The first named CD has a track "Down the road apiece" which I doubt Henry Mancini ever heard, but the opening notes are very "Peter Gunn". Helen Humes sings "St Louis blues" with a small jazz group. A bigger band led by Andy Kirk steam through "Hey! lawdy mama" with a vocal by June Richmond. The second collection has not the interest of the first, obviously the compiler’s second choice! "Tempo and swing" is well named, fast and furious! The amusing lyrics of "Vote for Mr Boogie" sound like parts of Labour’s election manifesto. I have not followed this style of music very much but it certainly was unexpected to hear a harp used on "With a twist of the wrist"! Both collections sound as if put together in a hurry as some titles do not match their allotted number and "Down the road again" appears on both! Paul Clatworthy


Ted Heath – Entry of the Gladiators, Blue Skies March, Cossack Patrol; Ray Anthony – National Emblem March, Sound Off; Ralph Flanagan – Stars and Stripes Forever; Tex Beneke – St Louis Blues March; Sauter-Finegan – Doodletown Fifers; The Squadronaires – March of the Movies; Jack Parnell – When the Saints Go Marching In; Phil Green and his Basin Street Band – Anchors Aweigh; etc… 26 tracks. Memoir CDMOIR 594, 72:26 mins. The abridged tracklisting details above will give a clue of what is on this CD, and I must say that the novel idea works very well! This is a fun collection, which not only reminds us of some great swing marches of the past, but also springs a few welcome surprises. John Snell was responsible for the original idea, and Ted Kendall has performed his usual magic with the remastering. As if all that wasn’t enough, there is an informative and entertaining booklet note by Malcolm Laycock, which is a model of what such things should be – but often aren’t! Most enjoyable. David Ades Memoir CDs are available from the RFS Record Service.

"Fine and Dandy" BENNY GOODMAN quintet and sextet (DSOY 745) 14 tracks"39:41. I cannot honestly say I was agog with excitement when I received this because I am not a fan! Some tunes are taken at such.a pace they sound like 33 played at 45 also some tracks employ, the dreaded "Squeeze box" making it even more Iess appealing. The only Goodman I really enjoyed was his London date arranged by Wally Stott and Peter Knight. This outing was recorded between 1946 and 1947 all on the transcription service complete with announcements. For followers only! Paul Clatworthy

"Penny serenade" (Rare recordings from the nineteen thirties) (DSOY 738) 20 tracks 66 (Various artists) Singers involved Al Bowlly, Cyril Grantham, Dorothy Carless and Sam Browne. Ten titles feature the Geraldo orchestra which fans may have versions elsewhere. Undemanding pleasant listening for 80 to 90 year olds who probably remember first time around. 70 year old recordings painstakingly restored from acetates or lacquers, was it worth the effort? Ill get back to you on that!Paul Clatworthy

A few late arrivals …

"Bugatti Step" ALEX HASSAN, piano A mixture of syncopated marvels including works by the likes of Harry Engleman, Billy Mayerl, Roy Bargy, Carroll Gibbons and Lennie Hayton. Shellwood SWCD35.

"Fidgety Digits" Digitally restored 78s featuring some of the best pianists of the light music idiom from the 1920s to 1940s. Virtuoso performances from Lothar Perl, Donald Thorne, Billy Mayerl, Raie De Costa, Arthur Sandford, Monia Liter and many more. Shellwood SWCD36.

TOMMY STEELE Some of his hit singles plus LPs "The Tommy Steele Story" and "The Tommy Steele Stage Show". Rex REXX 118.

SKIFFLE AT ITS BEST A particularly British phenomenon of the 1950s featuring Lonnie Donegan, Ken Colyer, Johnnie Duncan and all the rest. Rex REXX 316 [2 CDs].

Finally some recent releases noted by Wilfred Askew


Featuring Bing Crosby, Rosemary Clooney and Jimmie Driftwood. Tracks include ShenandoahBound for the Promised LandGreen Grow the LilacsBilly the KidSkip to My LouRed River Valley etc (Bear Family, BCD16634) 83:35


Two albums from 1956. Tracks include Shine On Harvest MoonChopsticksDizzy FingersLa Vie En RoseI Won’t DanceIll WindLove Walked InThe Way You Look Tonight etc (Fine and Mellow, FM604) 75:27


Original 1956 recording. Tracks include EspanaJungle DrumsEl Gato MontesMalaguenaEl Chocloetc (Cherry Red, ACMEM116) 44:04


Featuring vocalists Fred Astaire, Lee Wiley and Sally Singer. Tracks include Lost in a Fog, I’ve Got You On My Mind, Easter Parade, St Louis Blues, The Piccolino, Lucky Seven etc (Flare, ROYCD254) 71:50


24 tracks which include That’s A-Plenty, Mozeltov, China Boy, Jazz Me Blues, Mr Polo Takes a Solo, If You Were the Only Girl in the World etc (Retrieval, RTR79051) 69:48


Original Command recordings. Tracks include At Last, My Silent Love, I Can’t Get Started, It Could Happen to You, Skylark, No Moon At All, Love Letters etc. (Lonehill Jazz, LHJ10308) 71:47


Two CD set. Tracks include My Buddy, Moon Love, Lonely Acres, Close, Trees, A Kiss in the Dark, The Blue Skirt Waltz, I Love You Truly, Sleepy Time Gal, Carolina Moon etc. (Jasmine, JASCD467) 134:48

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You Took Advantage of Me, Waltzes medley, Have You Met Miss Jones?, Little Girl Blue, Over and Over Again, I Could Write a Book, Loneliness of Evening, Oklahoma medley, Mimi, My Funny Valentine, South Pacific medley, With a Song in My Heart etc

Andre Kostelanetz Orchestra (Sounds of Yester Year, DSOY748) 2CD set 84:37

An album that should be played while reading Dick O’Connor’s excellent article ‘The Kostelanetz Arrangers’ in JIM December 2007. Kostelanetz had almost total control of the final recording so trying to pin down any arranger to a particular tune is almost impossible. The remastered recordings on this CD are his complete ‘Columbia Album of Richard Rodgers’ and is a fine sample of both the work of Rodgers and Kostelanetz. Some lesser known Rodgers tunes are included which is a bonus but as far as albums devoted to Rodgers music go, I still think Stanley Black’s album arranged by Roland Shaw takes some beating! Paul Clatworthy


Harvard Sketches, Melody on Two Notes, Mother’s Whistler, The Penny Whistle Song, The Phantom Regiment, Plink, Plank, Plunk, Promenade, Sandpaper Ballet, Sarabande, Serenata, Old MacDonald Had a Farm, Seventy-Six Trombones, Sleigh Ride, Suite of Carols for Brass Choir, Wintergreen for President, The Typewriter, A Trumpeter’s Lullaby and The Syncopated Clock

Leonard Slatkin and the BBC Concert Orchestra (Naxos 8559357) 61:49

This could be reckoned the best yet in the excellent first complete cycle of Anderson’s orchestral music. The four world premiere recordings (the first three listed above and Wintergreen) fill 11½ minutes of the CD. There are some strange non-musical sounds on Mother’s Whistler, unexplained in Richard S Ginell’s otherwise comprehensive booklet notes. Most of the remaining pieces come into the ‘familiar’ category with Sleigh Ride probably being the most familiar of all. All have that imaginative Anderson touch, none more so than The Typewriter. It is interesting, too, to hear his arrangements of other people’s pieces in Old MacDonald - great fun this - and 76 Trombones. TheSuite of Carols comprises nine timeless numbers including In Dulci JubiloLo, How a Rose E’re Blooming, I Saw Three Ships and We Three Kings. It is, again, a pity that the Christmas track was not put at the end of the disc. Slatkin’s conducting and the orchestral playing are as fine as ever. Although not initially intending to collect every volume, I am now hooked. They’re coming so fast now, number four may well be out before you read this! Peter Burt


"Where Did The Night Go?"

In The Still of the Night: title track, Deep Purple,Whispers in the Dark, I Wished on the Moon, Unchained Melody, Wonderland by Night, Blue Velvet, Moon Over Miami, Under a Blanket of Blue, Serenade in the Night. Where Did the Night Go title track, Fanny, Anyone would Love You, F.D.R. Jones, Wish You Were Here, Have I Told You Lately, Restless Heart, Who Knows, Once of These Fine Days, I Have to Tell You.

(Dulcima DLCD 121) 69:50.

The late Johnny Douglas’s own label Dulcima has reissued these two RCS Camden LPs from 1964 and 1963 respectively, and very welcome they are. RCA producer Ethel Gabriel worked on the Melachrino Strings’ 'Moods in Music' series and in the late 1950s developed the Living Strings as a package for RCA’s budget label, Camden, using various orchestras, mainly from Europe. The albums were all centred on a theme: the sea, the West, Broadway, night music. The recordings made by The Living Strings became a mainstay of easy-listening radio and commercial venues. Johnny Douglas, one of England’s masters of string arranging, was the primary arranger and conductor for the series recorded in England. He brought great songs to a new life with his arrangements of a mass of pure velvety strings, mellow brass and superb solos played by the cream of the British musicians of that era. Collectors have waited a long time for these recordings to be made available again, so this new Dulcima CD is especially welcome. David Ades

MALCOLM ARNOLD conducting his own scores

Film music from "Nine Hours To Rama" and "The Lion"

(Vocalion CDLK 4371) 60:22

The earlier of these films, "The Lion" (made in 1962) is set in Africa, while the second "Nine Hours From Rama", covering the day in 1948 when Mahatma Gandhi was assassinated, comes from 1963. Therefore we have examples of Malcolm Arnold’s ideas of African and Indian music – rather different from St. Trinians! Both scores work well when experienced in the cinema, but for purely listening pleasure at home I personally prefer "The Lion", where the full-bodied Arnold sound from his film composing years is far more evident. This is an important addition to the currently available catalogue of film music. David Ades

Brass and Military Band


(See track listing page 65 of JIM 176) (Guild, GLCD 5147)

I eagerly awaited the arrival of this latest addition to the Guild series as older recordings by brass and military bands are as scarce as the proverbial hen's teeth! I wanted to see if volume two achieved the high standard of volume one (as Tony Clayden observed 'the second cup of tea syndrome’). I need not have worried; David Ades has come up trumps again (as usual) with a diverse and interesting collection from days when every town and village boasted its own band. William Lang's cornet playing on Jenny Wren is top class, but that is only to be expected from the Black Dyke Mills Band, magnificent 50 years ago and still going strong! However, the standout for me are the two offerings from the Band of the Royal Netherlands Navy; Royal Review by Leslie Statham under his 'Arnold Steck' guise; and Tony Lowry's rollicking Golden Spurs, tracks which, in their original form, were both sides of a Chappell 78. How good to hear these again. I'm pleased that Sousa's High School Cadets by the Grand Massed Bands is included. Australian collectors will have this on one of Frank Bristow's earlier CDs, but it deserves the wider audience, bringing together memories of Hanwell Silver, Lewisham British Legion, St. Hilda's and St. Pancras Brass under the masterful baton of James Oliver. Kenneth J. Alford is represented with The Great Little Army, and Bob Farnon, Ronnie Binge, Eric Coates and the well known Roger Barsotti all make the list with great bands like Fodens, Grenadier Guards and Central Band of the RAF all there. Borodin's Prince Igor Ballet Dances from the BBC Wireless Military Band brings up the rear with a memorable performance, having earlier featured on the CD with the restful Evensong. Devotees, please buy this in droves, then we can urge David for a volume three in due course. Graham Miles



Kitty Kallen (Sepia, 1114) 74:10

Another welcome helping of Kitty Kallen from Sepia! This second volumes accompanies the 2003 release ‘Our Lady Kitty Kallen’. There are 27 recordings ranging from 1949-1957. With the usual fine remastering by RFS member Robin Cherry, this compilation features such favourites as In the Chapel in the MoonlightTrue LoveEast of the Sun and Little Things Mean a Lot along with some titles new to me such as Let’s Make the Most of TonightThe Second Greatest Sex and Hideaway Heart. Kitty is accompanied by orchestras directed by Sid Feller and Jack Pleis, who both do sterling work. A very nice collection, with a certain resemblance to our very own Joan Regan in her vocals. Even includes a recent photo of the lady herself in the well designed and plush CD booklet. Adam Endacott


Mel Torme with the Orchestras of WALLY STOTT, TED HEATH, ROLAND SHAW and CYRIL STAPLETON. (Sepia 1113) 56:58

Limehouse Blues, A Nightingale Sang in Berkeley Square, I’ve Got a Lovely Bunch of Coconuts, These Foolish Things, Geordie, My One and Only Highland Fling, White Cliffs of Dover, Danny Boy, Let There Be Love, Greensleeves, Try a Little Tenderness, London Pride – plus bonus tracks: Walkin’ Shoes, Cuckoo In The Clock, Hooray For Love, Shenandoah Valley, Waltz for Young Lovers, I Don’t Want to Walk Without You, Time Was, Ev’ry Which Way. (Sepia 1113) 56:58. Mel Tormé’s British recordings from 1956 and 1957 caused quite a stir in popular music circles at the time, and it’s good to be able to hear ‘the velvet fog’ once again in these fine digital restorations of that landmark Philips album. We may have lost the regular releases of vintage material from Sanctuary Living Era, but happily Sepia can be relied upon to keep coming up with interesting new issues. Furthermore, when they reissue an LP they always seem to add additional tracks so that buyers get value for money. On top of that the CD booklets are generously filled with notes and photos. The only missing element is information about the original catalogue numbers, but that is a minor criticism. This new CD will be warmly welcomed especially for the Wally Stott charts, which range from lush orchestral to exciting big band. David Ades

I had always imagined Mr Tormé’s singing to be a taste I did not wish to acquire but having listened to this CD sent to me for review [now there is a first!] I’m almost a fan. The label, too, was only a name to me and this is the first of their albums I have heard. It is a quality product at the upper end of the budget-priced market and they are to be congratulated. The first dozen tracks listed above are all enhanced by Wally Stott and his Orchestra, as are Time Was and Tormé’s own Ev’ry Which Way. The guitar of Ivor Mairants is featured on Tenderness. Ted Heath and his Music accompany onWalkin’ Shoes and Johnny Mercer’s The Cuckoo in the Clock. Cyril Stapleton and his Orchestra and the Roland Shaw Orchestra share the remaining four tracks. There are informative liner notes by Tony Middleton. And Robin Cherry’s re-mastering brings these tracks up as fresh as the proverbial paint. Peter Burt


Alan Dale (Sepia, 1115) 75:20

A compilation from an unknown vocalist to me, Alan Dale. Once again Sepia has issued a most enjoyable collection and has brought a long forgotten name back into the public domain. With 27 tracks, this CD is great fun with plenty of upbeat numbers and a good mixture of songs from the punchy first track, Waiting for the Robert E Lee, through to Moonlight and Roses and even Robin Hood (although I do prefer Dick James on this one!) Orchestras supporting include Dick Jacobs, Ray Bloch and Percy Faith and recording dates range from 1947-1956. Mentioning Percy Faith, it is I’m Late from the Disney film ‘Alice in Wonderland’ which is the stand out track and Mr Faith is doing his usual excellent job as the accompanying orchestra. An enjoyable crooner and another unique title to add to the Sepia Record range. Adam Endacott

THROUGH THE YEARS Volume One 1950-1951

Autumn Leaves, I’ve Never Been in Love Before, A Perfect Day, May the Good Lord Bless and Keep You, With My Shillelagh Under My Arm, Sentimental Music, Silver Moon, Copacabana, Quizas, Quizas, Quizas [Perhaps, Perhaps, Perhaps], and more

Bing Crosby [Sepia 1111] 74’43"

It’s a long time since I listened to a Crosby CD and this, as one would expect, is full of good things. In his detailed liner notes Malcolm Macfarlane tells us that in 1950 Bing had eleven records making the hit chart and he came third in the USA movie box office stars poll. 1951 marked the 20thanniversary of his debut as a solo act. Incidentally, it is interesting to read the quotes on the original recordings taken from reviews in The Gramophone magazine – imagine that happening today! Among the 25 tracks, finely re-mastered by Robin Cherry, Axel Stordahl provides an excellent orchestral arrangement on the opening classic, there are four with the Andrews Sisters, including the charming Hawaiian ‘green’ Christmas song Mele Kalikimaka, Frank Loesser’s If I Were a Bell with Patti Andrews, and a delightful Silver Bells [one of five seasonal titles] with Carole Richards, and Tommy Dorsey and his Orchestra accompany on another quartet of tracks. Three titles feature John Scott Trotter and his Orchestra, a name associated with tasteful arrangements for Bing over 15 years. Other orchestras involved are those of Vic Schoen, Sonny Burke, Ken Darby and Matty Matlock. The Bando Da Lua accompany on the last two items. But it is not just the singing and playing that are the quality products here. Well done, Sepia, looking forward to more of the same. Peter Burt

The Sepia Records CD range are available directly from Sepia and cost £7.99 per CD (including P&P – unless otherwise noted). Cheques are welcome, made payable to Sepia Records Limited and Paypal payment only via their website which also features their entire catalogue. Sepia Records Limited, 96 Tubbs Road, London, NW10 4SB, England. They are also available from the RFS Record Service, price £8.50 each.


Ronald Corp and his Orchestra and Chorus (Hyperion, A67654)

This new CD shows what a great composer and lyricist Lionel Monkton was – he is right up there with Sullivan and Kern! On this recording the two soloists could not be bettered just listen to Two Little Sausages, a patter song to stand the test of time with the best. Catherine Bott has a delightful voice but goes one better with her use of her acting skills with the accents she is able to bring to Try Again Johnnie from ‘A Country Girl’, set in Devon and the Yorkshire of Mary from ‘Our Miss Gibbs’. Add to this the style of Richard Stuart and the back up from Ronald Corp and his chorus and orchestra and you have a winning CD of the year! This CD should be in the Christmas stocking of all lovers of light music - play it after Christmas lunch, a pleasant joy for both old and young. Malcolm Lewis

Dance Band/Nostalgia


You Must Have Been a Beautiful Baby, Old Folks, My Reverie, Tea for Two, Yes Indeed, Jingle Bells, San Antonia Rose, It Makes No Difference Now, Delores, Pale Moon, Lazy, Let’s Start the New Year Right, I’ve Got |Plenty to Be Thankful For, I’ll Capture Your Heart, When My Dream Boat Comes Home, Walkin’ the Floor Over You, Big Noise from Winnetka, Two Sleepy People, Begin the Beguine, Long Time No See, Your Easy to Dance With, I Can’t Tell a Lie, Stompin’ at the Savoy and Swing Mr Charlie

Bing and Bob Crosby (Sounds of Yester Year DSOY749) 68:20

Compiler John Bennett has put together all the tracks Bing Crosby recorded with his brother Bob and his orchestra plus nine other tracks recorded between 1936 and 1942. Guests featured on five tracks are The Andrews Sisters, Judy Garland, Connee Boswell and Fred Astaire. A chance for nostalgia buffs to turf out well worn records (if so inclined!)

Paul Clatworthy

THE COMPLETE BOB CATS (Volume one of three)

Stumbling, Who’s Sorry Now?, Coquette, Fidgety Feet, You’re Driving Me Crazy, Can’t We Be Friends?, Martha, Home on the Range, Gypsy Love Song, Ah! Sweet Mystery of Life, March of the Bob Cats, Palesteena, Slow Mood, Big Foot Jump, The Big Crash From China, Five Point Blues, Speak to Me of Love, Big Bass Viol, I Hear You Talking, Call Me a Taxi, The Big Noise from Winnetka, Looping the Loop, Beguine, Hindustan and Long Time No See

The Bob Cats (Sounds of Yester Year DSOY750) 71:34

This collection takes in many titles I’ve never heard of! Not being a fan of jazz this old makes it hard to be objective! I can say it’s a very spirited jamboree well played by Yank Lawson, Matty Matlock, Nappy Lamare, Eddie Miller, Billy Butterfield, Bob Haggart and other players of the same calibre. I liked three of the slower tunes, Can’t We Be Friends?, Slow Mood and Five Point Blues but the same pattern that the more frantic numbers dished out left me cold! I will not be seeking the other two volumes!

Paul Clatworthy

Finally some recent releases noted by Wilfred Askew


Featuring Vivian Blaine and Frank Sinatra. Contains all the original music from the 1955 film and other bonus tracks. (Blue Moon, BMCD3507) 79:59


Two albums from 1956, not for the faint-hearted, more for space age/exotica fans. Tracks includeWhat is This Thing Called Love?, The Breeze and I, African Heroes, Lover, Brazil, Orchids in the Moonlight, Siboney, La Cucaracha etc (Cherry Red, ACMEM124CD) 68:17


Two albums from 1966. Tracks include My Foolish Heart, Moment to Moment, Moon River, Secret Love, Laura, California Dreamin’, Born Free, Dear John etc (Collectors’ Choice, CCM840) 56:31


Two albums from 1965 and 1956. Tracks include I’m Beginning to See the Light, Satin Doll, Solitude, I Let a Song Go Out of My Heart, Till, All the Way, Just in Time, I Remember it Well etc (Fine and Mellow, FM603) 72:21


Two CD set - tracks include Bubbles in the Wine, The Lingering Song, Devil Lips, Rice, The Game of Love, Namely You, Bells Are Ringing etc (Jasmine, JASCD477) 125:15


Two CD set – tracks include My Buddy, Bye Bye Blues, When Day is Done, Where or When, I Get Ideas, High Tide Boogie, Crazy Organ Rag, Them There Eyes etc. (Jasmine, JASCD468) 145:57


Two CD set. Tracks include Time Was, I Hear a Rhapsody, Where in the World, Darn That Dream, Coffee Time, Long Before I Knew You, All of You, Wish etc. (Jasmine, JASCD472) 136:19

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Introduction and Song of the orchid from the film "No Orchids for Miss Blandish", Rhondda Rhapsody, Love’s roundabout, Sleigh ride, Ecstasy Tango, The Melba Waltz, Golden violins, Park Avenue Waltz, A Girl called Linda, Vanessa, Meet Mister Callaghan, La Rosita, Waltz of Paree, Padam Padam, The sword and the rose, Shadows / Soft lights and sweet music, The touch of your lips, Theme from ‘The Last Rhapsody’, I’ll see you again, Love’s old sweet song, Beautiful dreamer, Ah! Sweet mystery of life, Theme from the film "The Story of Three Loves", Love walked in, Goodnight sweetheart

Vocalion CDVS 1956 [76:38]

With 26 tracks of classy numbers played by one of the leading light music orchestras of all-time given "the supreme magician of CD re-mastering" Mike Dutton’s treatment and all for only £2.99 in the shops [that’s 11½p per track], this must be a front runner to receive the accolade of "Bargain CD of the Year." The first 16 tracks are singles released between 1946-57 and the second 10 comprise the 1954 LP after which the CD is named. William Hill-Bowen, for many years Melachrino’s right-hand man, wrote Park Avenue Waltz, and is the harpsichordist featured on Vanessa and Meet Mr Callaghan– great to hear that particular piece again. The fondly remembered Albert Semprini ["Old ones, new ones, loved ones, neglected ones"] is the pianist on the themes from ‘The Last Rhapsody’, and the film "The Story of Three Loves" – Rachmaninoff, of course. No liner notes, although that is probably no surprise on such a low-priced album. Peter Burt


CD 1 – Music from the TV series "The Professionals"; CD 2 – TV themes from "Jason King", "Top Secret", "Echo Four Two" and "Ren & Stimpy" ("Happy Go Lively" from the KPM mood music library); Early singles "Drum Crazy", "Jamboree", "Lullaby Of The Leaves" and "Winter Wonderland"; Film scores from "The First Men In The Moon Suite" and "Ibsen’s Hedda Suite"; Concerto for Trumpet, Tenor Sax and Orchestra. CD 3 – Royal Military Spectacular "Three Paintings by Lautrec Suite", "Colours for Concert Band Suite" and Concert Hall works "The Battle of Waterloo" and "The Wind In The Willows" (tone poem).

Edsel EDSD 2021 3 CDs (box set) [217:46].

Earlier in this issue you will have read Peter Burt’s praise for the first volume in this series in his "Back Tracks" column. I have been collecting Laurie Johnson’s recordings for over fifty years, so you could say I am also biased! But who can fail to be impressed by the sheer musicianship, and astonishing versatility displayed in these three CDs. And don’t forget that this is just the second volume in an ongoing project, which makes Laurie’s massive contribution to music even more astounding. Perhaps the big selling point for TV addicts will be the music from "The Professionals" stretching over 52 cues. Laurie has worked personally to unearth these from his own private collection, otherwise they would probably have been neglected and, perhaps, lost forever. The famous "Professionals" theme is there, of course, but it is all the other music cues that are so fascinating. The second CD focuses on Laurie’s TV themes, early singles, film scores and concert hall work. The final piece features The London Big Band and the Royal Philharmonic Orchestra conducted by Laurie Johnson, with Guy Barker (trumpet) and Tommy Whittle (tenor saxophone). Malcolm Laycock’s booklet note says it all: "The work received a standing ovation at the concert at the Royal Albert Hall. I think it is one of Laurie’s great achievements, a work of outstanding emotional depth and resonance which connected to everybody in the audience at the concert. It is simply sublime, it soars, it is triumphant, it is inspiring". Laurie had his grounding in military music and it is clearly very important to him. The third CD concentrates on this side of his creativity, and features The London Brass Chorale and The Band of the Coldstream Guards conducted by Laurie Johnson – Three Paintings by Lautrec Suite; RAF Central Band and RAF Squadronaires conducted by Laurie Johnson –Colours For Concert Band Suite and The Battle of Waterloo. The final track is actually orchestral, with Laurie conducting his tone poem The Wind In The Willows. I know that it is Laurie’s wish that his music should be available to those interested at a reasonable price. He is not out to make money from this project, which is obvious when you see that each CD inside the box set has its own booklet, crammed with notes and photographs. Many of us would happily pay £30 for a set like this, but you should be able to find it for a fraction of this price. On behalf of your legion of admirers, all I can really say is a heartfelt and sincere "Thank-you, Laurie – for everything". David Ades This 3-CD set is available from the RFS Record Service price £10.

LEROY ANDERSON Orchestral Music Volume 4

BBC Concert Orchestra / Leonard Slatkin; Kim Criswell [soprano], William Dazeley [baritone]

Irish Suite, To a wild rose, Summer skies, Scottish Suite, Blue Tango, Forgotten dreams, Belle of the ball, Alma mater, A Christmas Festival

Naxos 8559381 [60:26]

Among the highlights of 2008’s albums has been this series by the classically trained composer whose records made the pop charts. The, by now, familiar mix is here with concentration on Anderson’s arrangements, as well as revisions or alternative versions of his own output, includingAlma Mater, a reworking of his 1939 suite Harvard Sketches [recorded on Vol.3 - Naxos 8559357]. The Scottish Suite was written a handful of years after the better known Irish Suite. Three of its four pieces have been heard before but this is a world première recording for the complete suite. It’s good, with some rollicking horns on the ‘new’ piece, Bonnie Dundee. First time on disc, too, are the vocal versions of Anderson’s TangoBall and the Robert Wendell arranged Dreams – none of which are much to my liking on a first hearing. The lyricist is Mitchell Parish of StardustDeep Purple andSweet Lorraine fame. A fifth world première is Anderson’s orchestration of Edward MacDowell’s Rose. Leonard Slatkin has got the music just right and the BBC musicians excel throughout. For this release Naxos have sensibly put the seasonal music at the end of the disc. Richard S. Ginell’s liner notes are as admirable as ever. Peter Burt


Novaya Rossia State Orchestra, conducted by Alexander Anissimov; featuring Mira Yevtich [piano], and Maria Safaryanc [violin]

Celebration Overture; Rhapsody for Piano and Orchestra; Ballade for Piano and Violin; Four Voyages for Piano – Buenos Aires, Moscow, Venice, Marrakesh

Bel Air Music BAM 2041 [65:00]

I am indebted to Gramophone critic Andrew Lamb for making me aware of this wonderful music. Andrew began his review stating "This is amazing! Where has Grant Foster been all these years?" A more pertinent question may be why don’t we get the chance to hear and buy more lovely music like this? The answer is probably that it doesn’t suit the musical snobs to admit that anything hinting of melody is worthy of their attention. If some of the noise that invades the Proms at the Royal Albert Hall is anything to go by they must be in their element each summer; fortunately the rest of us don’t have to go along with them. Rant over ... now on to the music! The CD opens with Celebration Overture performed by the Orchestra. This establishes Grant Foster’s credentials as a composer capable of matching any of his contemporaries, especially those working in the movies. But Mr. Foster creates his music far from Hollywood – in Sydney, Australia, where he was born in 1945. In previous years he has lived and worked in Paris and London, but he is now back home where he teaches music and has a small, but enthusiastic following locally; hopefully this release may make the rest of the world sit up and take notice. The Rhapsody for Piano and Orchestra features Mira Yevtich as the soloist, and it is particularly enjoyable watching her perform the work on the accompanying DVD, which must be considered as a kind of bonus (let’s hope the idea spreads!). Her playing is both gentle and dominant, and I suspect that the composer will have been delighted with her interpretation. This work certainly rewards repeated listening, although it is instantly appealing on the first hearing. The rest of the CD is without the orchestra, leaving Mira Yevtich to take centre stage. She is joined by Maria Safaryanc in the Ballade for Piano and Violin, but she is alone in theFour Voyages – reminding us that we are missing so much because we rarely hear solo piano playing of such quality these days. I make no apology for the length of this review – it simply deserves it. In fact I could say a lot more (and there are plenty of interesting facts in the booklet notes), but it is better to let the music speak for itself. If you are looking for something fresh and new to add to your collection – and you are willing to be adventurous – you need look no further. David Ades

[Available from Amazon and other retailers; or from the RFS Record Service for £14.] CD plus DVD of the Rhapsody for Piano and Orchestra

MANTOVANI AND HIS ORCHESTRA Gems Forever/ Mantovani Memories

All the things you are, True love, I could have danced all night, You keep coming back like a song, A woman in love, This nearly was mine, Summertime, Something to remember you by, An affair to remember, Love letters, The nearness of you, Hey, there! / Smoke gets in your eyes, What a wonderful world, The Trolley Song, Sweet Leilani, Try to remember, Sunrise, sunset, The Anniversary Waltz, In the still of the night, Once upon a time, Embraceable you, How are things in Glocca Morra?, You’ll never walk alone

Vocalion CDLK 4374 [76:00]

Mantovanians, especially, are indebted to Mike Dutton as these two immaculate albums on one disc bring the number of the light music luminary’s CDs from Vocalion [mostly comprising two LPs] to 27.‘Gems’, in early stereo from 1959 [it had been issued in mono in 1958 under a different title], pays tribute to American composers and, probably thanks to Stateside fans, was a million seller by the mid ‘60s. The opening melody is, to quote Colin Mackenzie in his liner notes, truly "sumptuous." Other stand-out moments include the fine trumpet of Stan Newsome on the Gershwin classic, the combination of a vibraphone with the high strings on True love, and the bell effect from the strings on the alluring Something to remember.

‘Memories’ originates from a decade later and opens with a typically lush version, arranged by Monty himself, of what is often reckoned to be the greatest popular song ever written. I wonder why In the still of the night was omitted from the original CD? Cecil Milner has included a chorus in his arrangements of WonderfulSunrise, and Walk but it complements the orchestral sound. Trolley,Sweet and Try are three of the interesting Roland Shaw arrangements to be found on the album. On the Mantovani Fan Website [], Scott Raeburn rates this as one of Vocalion’s best ever re-issues. If you are not normally in the market for Mantovani CDs, why not give yourself a treat for Christmas? Peter Burt


City of Prague Philharmonic arranged and conducted by Carlos Franzetti

Girl talk, Last tango in Paris, The voyage of the damned, I want to live, Still time, A place in the sun, Taxi driver, The bad and the beautiful, Tango Fatal , Alfie

Sunnyside SSC 1180 [45:31]

Superb choice of film music with evocative sympathetic scoring for a fine orchestra; only one flaw, the soloist, sax player Andy Fusco. He blows too hard and often gets lost in a flurry of notes trying to prove how fast his fingers are. Stan Getz is no longer with us but there are many players currently around who could do better justice to the thought put into the arranging. The times when Andy does not try to dominate the orchestra make for a better listen. Paul Clatworthy


Lang Lang [piano], London Chamber Orchestra conducted by Christopher Warren-Green

UCJ 1774850 [23:57]

At last April’s London RFS Meeting Nigel Hess gave advance notice that this CD would appear during the summer, so many readers may already have been on the look-out for it. The work was commissioned by Prince Charles in memory of his grandmother, Queen Elizabeth – affectionately known to the nation for five decades as ‘The Queen Mother’. According to the booklet notes Prince Charles wanted something that audiences would enjoy at a first hearing, and there is no doubt that Nigel Hess has succeeded brilliantly. But at the same time there is so much in this beautiful work that becomes more pleasing following repeated listening – it is certainly a work worth getting to know. The Chinese pianist Lang Lang demonstrates that he fully deserves his international reputation, and it is incredible to think that he made his debut as recently as 2003. This is a truly lovely piece of music, whether or not you are familiar with the influences that prompted its creation. Each new work from Nigel Hess further strengthens his claim to be one of England’s foremost contemporary composers, but he is such a modest man that such words would never pass his lips! The short total time of the CD (there are no other works included) is reflected in the price. UK readers should be able to find copies around £6. David Ades

‘DREAMTIME’ – Light Music Classics Volume 3

El relicario [My memoirs] – Morton Gould; Tic-tac-toe, On the Alamo, It had to be you – Hugo Winterhalter; The girl with the Spanish drawl [Wow! Wow! Wow!], Caribbean night – Percy Faith; Belle of the ball – Leroy Anderson; Sicilian tarantella [Fischiettando], Overnight – Victor Young; The call of the faraway hills, The Melba Waltz [Dreamtime] – Victor Young Singing Strings; Fiddlesticks, Rendezvous – Tutti Camarata; High Strung, Sadie Thompson’s song[Blue Pacific blues] – Axel Stordahl; I get a kick out of you – David Rose; ‘Dreamtime – The Strings of Stordahl’: As time goes by, A blues serenade, It’s easy to remember, That old feeling, Imagination, What is there to say?, Love letters, I’m getting sentimental over you – Axel Stordahl

Vocalion CDVS 1957 [71:55]

Another super bargain-priced CD from Vocalion, and all that David Ades wrote about ‘Stringopation’[CDVS1954] in the June JIM applies here. This time the spotlight falls on some great American orchestras recorded between 1950-57, with Axel Stordahl’s delightful 1953 late-night listening LP, after which the release is named, bringing the album to a close. Other highlights for me are the two exuberant Faith tracks, the French horns and pizzicato strings on Tic-tac-toe, the Irish-soundingTarantella, Victor Young’s haunting Faraway Hills, and the lilting Melba Waltz. But every track has something to commend it. Mike Dutton can keep this series going for as long as he likes. I did not expect any liner notes, so was not disappointed. Peter Burt


Gaumont British Symphony, Louis Levy; Hallé Orchestra, William Walton; London Symphony Orchestra, Muir Mathieson; Music from the Movies Orchestra, Louis Levy; Royal Philharmonic Orchestra, Muir Mathieson; Royal Philharmonic Orchestra, John Hollingsworth; Philharmonia Orchestra, Ernest Irving

Music from the movies – march [Levy], Spitfire fugue [Walton] from film "The First of the Few"; Seascape [Parker] "Western Approaches"; Calypso music [Alwyn] "The Rake’s Progress"; The last walk [Williamson] "The Edge of the World"; Waltz into jig [Greenwood] "Hungry Hill"; Incidental music from "The Overlanders"[Ireland]; Prelude from "49th Parallel" [Vaughan Williams]; Theme music from "Cure for Love" [Alwyn]; Romance [Green] "The Magic Bow"; Theme from "Esther Waters"[Jacob]; Derby Day 1886 [Jacob] "Esther Waters"; London scene [Wilkinson] "The Weaker Sex"; Sleeping car train, Waltz from film "Sleeping Car to Trieste" [Frankel]; Dinner at Lady Datchett’s [Williamson] "Woman Hater"; Joanna’s theme, Alec’s theme, Title music from "High Tide at Noon, Title music from "The Spanish Gardener" [Veale]; Theme and incidental music from "Yangtse Incident" [Lucas]; Incidental music from "The Loves of Joanna Godden" [Vaughan Williams]

Vocalion CDEA 6146 [75:13]

All the music on this well-filled CD was heard in British movies [did we call them that in those days?] from 1937 to 1957; the earliest being the familiar first track and the latest being the two watery films, "High Tide at Noon" and "Yangtse Incident." Many of the items appear on CD for the first time. It is good that they should be remembered as there are some fine tunes here – melodic, dramatic, evocative – several by composers best known to classical music buffs, and probably many are more memorable than the films for which they were written. Lewis Foreman’s booklet notes are full of information; I was particularly interested to read about John Veale, a name previously unknown to me. Reginald Leopold, later of BBC Radio’s "Grand Hotel" fame, is the solo violinist on Philip Green’sRomance. Once again a Vocalion release commendable for its choice of material and digital re-mastering. And at budget price especially well worth acquiring. Peter Burt


Royal Ballet Sinfonia, conductor Gavin Sutherland, Barry Wordsworth¹; BBC Concert Orchestra, conductor Roderick Dunk ² Roy Budd – Tricolour Overture; Francis Chagrin – Aquarelles [Portraits of Five Children]; Paul Carr – Concerto for Oboe & String Orchestra, Air for Strings¹; Gavin Sutherland – Clarinet Concerto; Richard Addinsell – Ring Round the Moon Suite²

Dutton Epoch CDLX 7209 [79:37]

Yet again Mike Dutton has demonstrated his admirable dedication to contemporary British music. We are so fortunate to have the opportunity to add music like this to our collections. Each of these works is a most welcome addition to the available catalogue of recorded music, and they all have their own special appeal. To be precise, the Francis Chagrin Aquarelles and Richard Addinsell’s Invitation Waltzare not, strictly speaking, premières, but who can complain at these fine new recordings by the precious BBC Concert Orchestra. I say ‘precious’ deliberately, because this orchestra is so important to Britain’s musical culture, yet you sometimes get the impression that it does not receive the support from the musical establishment that it deserves. If we lost it, that would be a tragedy – hence my word ‘precious’. We must not allow a repeat of the act of cultural barbarism when the BBC axed the BBC Radio Orchestra. To return to the repertoire, who can ever have imagined that we would be offered Richard Addinsell’s full suite Ring Round The Moon. Heartfelt thanks to Philip Lane for reconstructing it. The booklet notes are both informative and revealing, and this entire production is top quality. We must support new releases like this. David Ades Dutton Epoch CDs are available from the RFS Record Service price £10.50.


Geraldo; Eric Winstone; Roberto (George Scott-Wood); Primo Scala; The London Piano Accordian Band

CD1: The Poor People of Paris (PS); So Tired (LPA) ; Wrap Yourself In Cotton Wool (EW) ; Bluebell Polka (PS); Jingle, Jangle, Jingle (EW); Moonlight Avenue (LPA); Isle Of Capri (PS); I Know Why(EW); Take Me To Your Heart Again (LPA); Jealousy/Romanesca (EW); Old Timer (G); Lullaby Of The Volga (PS); Medley: Flame Of Desire/Sunshine and Roses/Tom Thumb’s Drum/Rhymes (G); Roll Along Covered Wagon (PS); Memories Of Spain (EW); Sleepy Time In Sleepy Hollow (G) … and more

CD2: If Could Paint A Memory (EW); Johnny Ragtime; On Treasure Island (PS); Rose O’Day (EW), All For A Shilling A Day (R); The Rose In Her Hair (PS); When Night Is Through (EW); Alpine Valse (R); Grinzing; A Street In Old Seville (G); Underneath The Arches; Here Comes The Rainbow (PS); Medley: Sweet And Lovely/Put Your Little Arms Around Me/Cuban Love Song/You Forgot Your Gloves(G); Lady, Sing Your Gypsy Song; Hey! Mabel (EW) … and more

Rex REXX 321 [76:08 & 77.19]

In 2004 I drew attention to a two-CD set on the Rex label, ‘Time for Accordion’ (REXX 305), featuring various accordion bands and soloists that saw their heyday during the 1930’s/50’s. That set (still available) was notable for the inclusion of bands which had hitherto not seen the light of day since their original issue on 78’s. I ended my review "More please!!" My wish it seems has now been granted. The current set is a worthy successor, and focuses primarily on the bands listed above. Like Primo Scala and Scott-Wood, the Eric Winstone Accordion Band and his smaller accordion groups broadcast frequently on BBC radio during the 1940’s. It is high time these commercial recordings were reissued since the ensemble has been unjustly neglected. It has a very distinctive sound which sets it apart from standard accordion band fare since it includes strings and flutes, etc. Tracks have vocals by Cyril Grantham and a young Julie Dawn. Other singers on the CDs are Alan Kane, The Keynotes and Phil Phillips. The Geraldo ensemble also has a lighter touch and is a very different set up from the Latin-style Gaucho Tango Band of the 1930’s which also hosted three or four accordionists. Of the Primo Scala tracks one or two are duplicated on other CD issues by the artist. However some transfers from the Embassy label sold exclusively in Woolworths appear on CD for the first time. These represent some of the last recordings made by the band before Harry Bidgood’s untimely death in 1957. A significant proportion of the 50 tracks on this 2-CD set have never been released on LP or CD before and have been well re-mastered from the original shellacs. This is an enterprising issue and a welcome addition to the catalogue at budget price. Brian Stringer


Rise and Shine; Only Passing Clouds; Track 3; Once Upon a Winter Time; I Got Rhythm; Oasis; Take it Away; The Boogie Woogie Piggy; Stampede; The First Day of Summer; Chatanooga Choo Choo; I’d Give the World; Oh Lady Be Good; Mirage; Is It Too Late; Sweetheart We’ll Never Grow Old; Watch the Birdie; Time May Change; Stagecoach; Did You Ever Get That Feeling in the Moonlight; I’ve Got You Before My Eyes; I Cried for You; Jack’s the Boy For Work

Sunflower SUN 2176 [68:57]

Jack Simpson’s swing sextet/septet/band used to broadcast on the BBC’s "Music While You Work." He has been unjustly neglected by the music companies who have brought us so many other wonderful restorations in recent years; a CD was issued by Vocalion in 2007 (CDEA 6122), which was very welcome, and since this latest Sunflower release duplicates only a few of the tracks that appear on the Vocalion it is worth acquiring. For a sextet, Jack Simpson provides great diversity of styles. The group sometimes play in swing mood with a style reminiscent of Stephane Grappelli, at other times he reverts to a more romantic mode. Of course Jack is renowned for his dazzling renderings on both xylophone and marimba of which several examples are provided on this CD. He played in many of the outstanding bands of his day such as those of Phil Green, Ambrose and Freddy Gardner. The group comprised well-known musicians such as Reg Leopold, Oscar Grasso on violins, accordionists Scott-Wood or Phil Green plus guitarists such as Ivor Mairants from Geraldo’s band plus a double bass player. At a later stage Stanley Black joined the group on piano as did Aubrey Franks on sax. Betty Kent was one of the group’s regular vocalists, though some tracks on this CD are purely instrumental. The CD is woefully lacking in specific track details, although there are informative sleeve notes by Barry McCanna. The transfers are excellent with clear and full bodied sound. Unfortunately Sunflower CDs are not easy to come by. This one is not on the HMV or Amazon websites. If you require a copy I suggest you try The Great Music Company on 01280 823568 or go to their website at It should only cost you around £5. Brian Stringer

LEE GIBSON Here’s to Love

Lee Gibson with Andy Panayi [flute and alto sax]; James Pearson [piano]; Sam Burgess [bass]; Chris Dagley [drums]

No moon at all, Easy to love, The nearness of you, Every little thing, Love dance, Joy spring, The shadow of your smile, Not like this, Come back to me, Here’s to life, Just friends

Spotlight SPJ CD 578 [56:06]

Although not really my kind of music [I received this in my new role as pro tempore Keeping Track editor] I can recognize an extremely musical singer when I hear one, whatever the form. Miss Gibson, who is an Associate Professor at the Guildhall School of Music, sings on this album what I would call fairly "straight" jazz, without too much improvisation, at which I understand she is "formidable." She is highly regarded in the jazz world and Sheila Tracy writes in the liner notes: "I have watched her progress from a good singer, which she always was, to a quite exceptional one who is now world class." The backing group sounds, too, are more than acceptable. Dave Gelly writes interestingly about the songs and Robin Cherry is responsible for the CD mastering. If you are not normally into jazz but fancy a representative album in your collection, then you could do a lot worse than to go for this one. I would think that readers of Paul Clatworthy’s column need not hesitate. Peter Burt

MY FAIR LADY Original Broadway Cast 1956

including bonus tracks ‘Lyrics By Lerner, Music by Loewe’: A jug of wine, Almost like being in love, The heather on the hill, There but for you go I, Love of my life

Naxos 8.120876 [72:07]

This is it, the original recording that took the musical theatre world by storm. It has come up as fresh as paint with transfers and production by David Lennick and digital restoration by Graham Newton. We can thrill again at Julie Andrew’s crystal clear singing voice and marvel at her transformation from guttersnipe to lady. We can admire anew the beautiful enunciation of Rex Harrison and Stanley Holloway’s wonderfully comical cockney portrayal of Higgins. Franz Allers conducts Loewe’s scintillating score, and there is a welcome additional item not found on the original LP: The Embassy Waltz played by Percy Faith and his Orchestra. So dim the lights, sit back, relax, and wallow in a joyous experience from beginning to end.

Ray Pavene

ALMA COGAN Ladies and Gentlemen, Miss Alma Cogan! Songs from "Take It from Here" and Other Gems

Intro: Take it from here, Isn’t life wonderful, What a perfect combination, If I had a golden umbrella, Mr Taptoe, The little fir tree, Sittin’ in the sun, A purple cow, Tennessee wig walk, Man, Pride of the Nancy Lee, Flirtation Waltz, and 60 other tracks

Sepia 8003 [2 CDs: 61:20 & 71:57]

Popular music was the poorer for the passing of Alma Cogan at the all too early age of 34 in 1966. A favourite from my late teenage years, Alma made her first record in 1952 and became known as "The girl with a laugh in her voice" from her bright and breezy style with such numbers as I can’t tell a waltz from a tangoThe naughty lady from shady laneWhere will the dimple be?Dreamboat [a 1955 No.1 hit], and Willie can – all may be found here. Alma became the first female vocalist to have her own TV series in Britain, 1959-61. The majority of tracks derive from the popular BBC radio show "Take It From Here" which starred Jimmy Edwards, June Whitfield and Dick Bentley, who duets with her on What a perfect combination. Included are previously never heard before versions of Alma’s more familiar recordings as well as songs making an appearance for the very first time. I was fascinated to hear Cornflake Jones, a vocal version of Sidney Norman’s (Norrie Paramor) novelty piece Cornflakes. Bandleader Billy Ternent [plus his orchestra] joins her on That’s what a rainy day is for and I love the way you say goodnight; and Banjo’s back in town was recorded in February 1956 unaccompanied due to a musicians’ strike! These well-filled CDs remind us that Miss Cogan was one of our greatest popular music divas ever. There is an excellent booklet, including a piece by Alma’s MD Stan Foster, to back up the music. Re-mastering is in the capable hands of Robin Cherry, and there is a modicum of surface noise. Unless you find of the sound of applause irritating, this is a recommendable release. Peter Burt


30 tracks

Sounds of Yesteryear [DSOY752]

This is culled from Crosby’s radio shows including Bob Hope, Patti Page, Judy Garland, Ethel Merman, Louis Armstrong, Jimmy Durante, Peggy Lee, Danny Kaye and many others. Judging by the audience laughter, some of the entertainment was visual. Many of the songs have now left the play lists but Crosby completists will love this CD. Paul Clatworthy

DEANNA DURBIN Mad About Music: Rarities and Gems

I love to whistle, A serenade to the stars, When I sing, Carmena waltz, The old refrain, Begin the beguine, Pale hands I loved, Say a pray’r for the boys over there, Russian Medley, Nessun Dorma, Always, Gimme a little kiss, will ya, huh? Night and day, Lover … and 9 other titles

Sepia 1117 [78:08]

Canadian born Deanna [Edna Mae at birth] Durbin had a big following in the late ‘30s and early-mid ‘40s and not for nothing was she known at one time as "The Queen of Universal Pictures." She wanted to be an opera star and her voice is a bit too operatic for my liking. Her many fans, however, will not be disappointed by this very well-filled album, all songs from movies. I loved the tango accompaniment on In the spirit of the moment. The glossy CD booklet is well up to Sepia’s high standards with very informative notes and mostly coloured photos/illustrations. Ray Pavene

JANE MORGAN Sings Showstoppers

Give my regards to Broadway/The Yankee Doodle Boy, Dancing in the dark, You’ll never walk alone, Toyland/Moonbeams, I love Paris/C’est magnifique, The Merry Widow Waltz, The surrey with the fringe on top, Hello young lovers, Hey there, A pretty girl is like a melody/Say it with music, So in love, They didn’t believe me … and 15 other titles

Sepia 1119 [76:06]

Before listening to this CD I must admit to knowing next to nothing about Miss Morgan, her earlier album ‘An American Songbird in Paris’ [Sepia 1098] not having come my way. What I know now is that this album gave me unalloyed pleasure from beginning to end. She has a remarkably pleasing lyric soprano voice that one could listen to for hours. Recorded in 1958, the selection of songs could hardly be bettered. The orchestra is directed by Frank Hunter, with some tasteful arrangements, and other musicians heard are The Troubadors [sic] directed by Marty Gold, and the piano duo of Ernest Bragg and Buddy Weed. On You’re just in love, from "Call Me Madam", the duettist is Michael Stewart. Since listening to this release I have discovered that Jane is a product of the Julliard School of Music and had chart success in the late ‘50s with Two different worlds, alongside Roger Williams,Fascination [from 1957 with three million sold by 1965], The day the rains came and With open arms. For me, then, quite a discovery and a release to treasure. Peter Burt

MARK MURPHY Love Is What Stays

Stolen moments, Angel eyes, My foolish heart, So doggone lonesome, What if, The interview, Once upon a summertime, Stolen moments, Love is what stays, Too late now, Blue cell phone, Did I ever live

Verve B0008906-02 [64:13]

The photo on the CD says it all: "I’ve been around but the music keeps me going." Mark’s singing has a sweet and sour contrast bringing a new layer of edginess to each song. The presence of awesome trumpet player Till Bronner, soloing and sometimes arranging, is a real bonus. Special accolades are due for the string arrangements of Nan Schwartyz, arranger for many American T.V. shows, the Boston Pops and many other singers, earning her Grammy nominations. She has obviously heard a few Johnny Mandel charts along the way! Paul Clatworthy

BOB CATS The Complete Bob Cats Volume 2

20 tracks

Sounds of Yesteryear DSOY751 [57:41]

BOB CATS The Complete Bob Cats Volume 3 It’s All Over Now

39 tracks on 2 CDs

Sounds of Yesteryear DSOY753 [56:31 & 50:51]

If my review of Volume 1 [see JIM 177] had already been published, these would probably not have been sent for review. Played back to back the compositions seem to merge into a steady relentless chug with little change in tempo. Your feet may start to twitch but the brain gets numb minute by minute. If you did get Vol.1 and enjoyed it, the music continues. Personnel are much the same; good players all playing their hearts out. Each to his own is all that I can add to my last review. Paul Clatworthy


Sepia 1118 [76:47]

Sepia’s customary high standard booklet notes claim that this is "one of the merriest and most unusual collections" in their catalogue. The first 14 tracks are from ‘Pinocchio’ televised on U.S. NBC Television in October 1957. It is narrated by Mickey Rooney, who starred in the title role, with Fran Allison, Jerry Colonna, Stubby Kaye, Martyn Green and Gordon B Clarke. The music is by Alec Wilder and the lyricist is William Engvick, who wrote the English words for The song from Moulin Rouge [Where is your heart]. ‘Mickey Rooney Sings’ on the next eight tracks includes Yankee doodle boy,Give my regards to Broadway and Top hat, white tie and tails. ‘Fran Allison Sings.’ completes the CD with six tracks, four of which are for the kiddywinks. Certainly a bit different but enjoyable nevertheless. Ray Pavene


Korngold: Violin concerto; Lalo: Symphonie Espagnole; George Gershwin: Prelude Nos. 1-3, Summertime, A woman is a sometime thing, My man’s gone now, It ain’t necessarily so, Tempo di blue, Bess, you is my woman now; Trad.: Deep River; Weill: Moderato assai [from "The Threepenny Opera"]; Benjamin: Jamaican rumba

Regis RRC 1296 [74:07]

The main attraction of this disc for JIM readers will probably be the popular pieces occupying the last 27 minutes and I have found myself repeatedly playing these dozen tracks. Emanuel Bay is the pianist on the Gershwin and Weill [Mack the Knife] items, Milton Kaye on the Benjamin and trad. As the very good 8-page booklet notes by Peter Avis remind us, Erich Wolfgang Korngold provided the scores for some 20 films, two of which were to win him Academy Awards and two more, Academy nominations. In fact, the concerto is based on music contained in four of his film themes – although it is not clear which came first. What is clear is that Heifetz, who died in 1987 aged 86, was a fabulous musician and this disc, available at a giveaway price if you shop around, bears witness to his being truly the ‘King of Violinists’

Peter Burt

WALLERMANIA - Tribute to Fats Waller ALEX HASSAN piano

Wallerama Medley, Palm Garden, Alligator Crawl, Happy Feeling, etc.. Shellwood SWCD 37 [68:13]

Alex Hassan has become one of Shellwood’s ‘regulars’, and this time he turns his attention to the great Fats Waller. Many of his famous hits form part of medleys, of which there are five in this collection, plus Waller’s 1940 "London Suite" with individual tunes honouring Piccadilly, Chelsea, Soho, Bond Street, Limehouse and Whitechapel. Hailing from Northern Virginia, Alex Hassan has immersed himself in popular piano music from the 1920s and 1930s, and the glorious sounds from that far-off era flow effortlessly through his gifted fingers. David Ades

JUST A LITTLE THING CALLED RHYTHM – Rhythmic Piano Rolls 1917-1936 Pianolist: Julian Dyer

Who, It’s De-Lovely, I’m Lonely Without You, Sweet Man, Moonlight on the Ganges, Sunny Side Up. Can’t Help Lovin’ Dat Man etc… 24 tracks

Shellwood SWCD 38 [75:39]

For the technically minded, Julian Dyer is playing a standard 88-note Aeolian Company ‘Pianola’. Piano rolls were the music industry’s answer to those aspiring pianists who simply weren’t very good! For us today they offer the chance to hear the kind of music that was enjoyed by our grandparents – and their parents – in the original arrangements. If you like syncopated piano this is just for you.David Ades

FRANCK POURCEL Platinum Collection

Chariot (I Will Follow Him), La Vie En Rose, Mon Dieu, The Magnificent Seven, Unforgettable, Blue Tango, Singing In The Rain, Saturday Night Fever, Concorde, Penny Lane, She, I Don’t Know How To Love Him, etc… 60 tracks

EMI France 3-CD box set 5099923570122 [178:44]

This latest offering of Franck Pourcel recordings has been compiled by RFS member Serge Elhaik, and it is taken from various LPs for Capitol USA from the 1960s to the 1980s. The informative booklet is in French, and some familiar numbers are listed only by their French titles, so you will encounter some surprises along the way! During this period Franck was adapting his earlier style to suit the changing music scene. As Ralph Harvey was quoted as writing in our last issue (page 66):

"Throughout the years Franck Pourcel has used imagination without gimmickry. It is true that his most recent recordings have introduced a ‘beat’ element which has disturbed some of his more traditionalist followers in France. Popular music, however, does not and cannot stand still and provided Franck keeps the sense of good taste he has shown over the past twenty-five years he has every reason to move with the times." Franck clearly did succeed in walking what some might call a musical tightrope, as his continuing popularity has confirmed. David Ades

The following new releases were noted just as we went to press. If any reviews are subsequently received, they will appear in a future issue. [Details taken from record company publicity].

DEBBIE WISEMAN – Different Voices

Royal Philharmonic Orchestra Conducted by Debbie Wiseman

Naxos 8572022

"How about composing a new Young Person’s Guide to the Orchestra?" suggested Ian Maclay, the general manager of the Royal Philharmonic Orchestra. I’ve always loved composing for full symphony orchestra, so this was a challenge that simply had to be met! I conducted the Royal Philharmonic Orchestra at the first live performance at London’s Cadogan Hall with Hayley Westenra adding her special touch to the song and Stephen Fry narrating in his own inimitable fashion. The result of that live performance is this CD. It was a truly memorable and exciting experience, and I hope you enjoy listening to different voices as much as I enjoyed composing the piece. – Debbie Wiseman

MIKLOS ROZSA Orchestral Works Volume 1

Three Hungarian Sketches, Hungarian Serenade, Overture to a Symphony Concert, Tripartita.

BBC Philharmonic Conducted by Rumon Gamba

Chandos CHAN 10488

Miklós Rózsa is one of the giants of the film world with scores for Hollywood films such as Ben Hur,Quo Vadis, and El Cid. Once settled in Hollywood, Rózsa was able to negotiate a beneficial contract which allowed him to spend the summer months at his Italian retreat writing his concert music, while during the winter months composing music for films in Hollywood. The conductor Rumon Gamba comments, ‘Having made many discs of film music by composers whose concert works are well known, such as Malcolm Arnold and Vaughan Williams, I thought it would be interesting to turn to a very well-known film music composer and profile his concert works, which have perhaps been overshadowed by his big screen successes’. The film music of Miklós Rózsa is extremely exciting, passionate and intoxicating, and deserves to be better known. Gamba conducts the BBC Philharmonic in four works, all influenced in some way by Rózsa’s Hungarian roots.


2-CD collection of music associated with London. Light music tracks include: Eric Coates London Suite (excerpts), London Calling, London Again Suite (excerpts); Haydn Wood London Cameos Suite, Horseguards Whitehall; Sidney Torch London Transport Suite; Robert Farnon Westminster Waltz; Philip Lane London Salute -etc.

Naxos 8572098-99

AARON COPLAND: Dance Symphony / Symphony No. 1 / Short Symphony

Bournemouth Symphony, Alsop 
Naxos 8.559359

LEROY ANDERSON Orchestral Music Volume 5

Goldilocks; Suite of Carols (version for woodwinds)

BBC Concert Orchestra Conducted by Leonard Slatkin

Naxos 8559382 [52:14]

FREDDY GARDNER The Essential Collection

Avid AVC 947 2-CD set

"He embroiders his improvisations with lyrical phrases and ravishing glissandi"..... so wrote broadcaster and writer Hector Stewart way back in the fifties when men were actually called Hector! Seriously though, we at AVID just think he was a damn fine reedsman! Equally at home on clarinet as he was with the entire saxophone family, our latest Essential inductee is the superb, yet perhaps unheralded saxophonist Mr Freddy Gardner. Freddy was in huge demand as a session musician during his heyday in the thirties, he was indeed the man they all called for. Benny Carter used him to head up his reed session when he was in the UK recording for Vocalion. You can hear the results on a couple of tracks herein. As well as tracks with Benny Carter we also feature Freddy’s contributions alongside Ike Hatch and Valaida as well as six medleys recorded as Freddy Gardner & His Mess Mates. Also featured is work with The Royal Navy Mariners including three rare ENSA broadcast titles. 51 superbly re-mastered tracks in all reveal that Freddy could sure blow Sweet or Hot and we can witness his crowning glory as he takes it home with Peter Yorke & His Concert Orchestra featured on no less than eight magnificent tracks.

EDDIE BARCLAY Meet Mr. Barclay & Paris For Lovers

Vocalion CDNJT 5204

Eddie Barclay, Gallic orchestra leader and founder of Barclay records, is the subject of this Vocalion release, which compiles two of his mid-1950s light music albums. In "Meet Mr Barclay" the focus is, in the main, on music from the movies, and Mr Barclay runs his orchestra through impeccably played, spellbinding renditions of Hernando’s Hideaway (from the ‘The Pajama Game’), Merry-Go-Round (from ‘French Can-Can’), Rififi (from ‘Du Rififi Chez les Hommes’) and Le grisbi (from ‘Touchez pas au Grisbi’) among others. As you would expect, in "Paris for Lovers" the accent is on romantic French melodies, and maestro Barclay does not disappoint in his selection of tunes that include gorgeous arrangements of I Love Paris, Under the Bridges of Paris, Under Paris Skies, Paris Stay the Same, I’ll Be Yours (J’attendrai) and more.

Werner Müller & His Orchestra : Echoes of Italy & Great Strauss Waltzes

Vocalion CDLK 4373

German orchestral maestro Werner Mueller makes his ninth appearance on Vocalion with two further albums drawn from his extensive Teldec catalogue, both of which demonstrate that he was a master of light classical music repertoire in addition to the Latin and big band idioms for which he was best known. "Echoes of Italy" presents several timeless melodies from the land of song, including numbers that found international fame once English lyrics had been written for them: Quando, M’innamoro (A Man without Love), Ti Guarderò Nel Cuore (More), Alla Fine Della Strada (Love Me Tonight). Müller also turns his attention to works by composers such as Toselli (Serenade No.1, Op.6), Rossini (Finale from ‘William Tell’) and Tchaikovsky (Capriccio Italien, Op.45), and these and every selection in the album are treated to typically exquisite Müller orchestrations. "Great Strauss Waltzes" is, as the title suggests, dedicated to the undisputed master of the waltz, Johan Strauss. Classics including the Accelerations Waltz, Tales from the Vienna Woods, Roses from the South, Blue Danube Waltz and many more are given new leases of life under Müller’s expert direction.

Finally some more recent releases noted by Wilfred Askew.

BILL EVANS Piano and Orchestra Theme From "The VIPs"

Theme from "Mr Novak", Theme from "The Caretakers"; More, Walk on the wild side; The days of wine and roses; Theme from "The VIPs", Hollywood, Sweet September, On Green Dolphin Street, The Man with the golden arm, Laura, On Broadway

Verve 176135-7 [31:30]


Sleigh ride, God rest ye merry, gentlemen, The Christmas Song, Rudolph the red-nosed reindeer, What child is this?, Rise up shepherd and foller, The first snowfall, Fum, fum, fum, Christmas tree, Christmas in Killarney, The First Noel, Frosty the snowman, Lully,Lully,Lu … and 6 other titles

Collectors’ Choice CCM-867 [41:02]

SY OLIVER AND HIS ORCHESTRA / BILLY MAY AND HIS ORCHESTRA Arrangements Of Jimmie Lunceford In Hi-Fi [Spanish Import]

[Oliver] Dream of you, Ain’t she sweet, Organ grinder’s swing, My blue heaven, By the river Saint Marie, I’m walking through heaven with you [May] Uptown Blues, Annie Laurie, Charmaine, Coquette, Well all right then, Blues in the night [Oliver and May separately] For dancers only, Margie, Four or five times, ‘taint what you do, Cheatin’ on me, Rhythm is our business

Lone Hill Jazz LHJ 10336 [77:47]


Who’s sorry now, Cloudburst, Just you, just me, Tenderly, Many faces, I’ll see you in my dreams, The gypsy in my soul, Dream, Hong Kong Cha Cha, Come back to Sorrento, Don’t blame me, Pavanne, Poor butterfly, We’ll be together again, For you, Do I love you … and 8 other titles

Montpelier MONT CD 046 [62:22]

BUDDY COLE Hammond Organ/ Bösendorfer Piano with Orchestra conducted by Pete King Have Organ Will Swing / Plays Cole Porter

That old black magic, Memories of you, Between the devil and the deep blue sea, Early autumn, I hear music, They can’t take that away from me …and 6 other titles / So in love, What is this thing called love, I get a kick out of you, All through the night, Get out of town …and 7 other titles

Warner Bros albums from 1958.

Collectables COL-CD-7865 [71:26]


Stick it on the wall Mrs Riley, I’ve got a lovely bunch of coconuts, The yellow rose of Texas, Friends and neighbours, Poppa Piccolino, A-hunting we will go, I love the sunshine of your smile, London calls, Big head, Domani, If I were a blackbird, Play me hearts and flowers, The petite waltz, Rain, The Dam Busters … etc.

Double CD with the Ember LP of the same name plus 40 bonus tracks.

Acrobat FADCD 2017 [148:15]NINA ROTA "La Strada" and "Le Notti Di Cabiria" Film Sountracks
Cherry Red ACMEM 123 CD [74:40]ELMER BERNSTEIN "Sweet Smell Of Success" Film Sountrack
Cherry Red ACMEM 132 [70:15]HENRY MANCINI "A Touch Of Evil" Film Soundtrack
Cherry Red ACMEM 134 CD [50:57]

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ERIC COATES CONDUCTS ERIC COATES For Your Delight For Your Delight, Calling All Workers, Wood Nymphs, Summer Days – Suite, By The Tamarisk, The Three Bears, By The Sleepy Lagoon, Cinderella, A Song By The Way, London – Suite, Saxo-Rhapsody, Footlights, Sound And Vision, London Again – Suite, Springtime – Suite, The Jester At The Wedding – 2 movements, Last Love, The Three Elizabeths – Suite, Four Centuries – Suite, The Dam Busters Eric Coates conducting various symphony and concert orchestras Sanctuary Living Era Classics, 2CD set, AJD2013 total timing 156:49 mins. In 1994 Conifer released an excellent 2CD collection of recordings of Eric Coates’ music, compiled by Hugh Palmer and digitally remastered by Ted Kendall. Two years later the same team produced a second 2CD set and, once again, Coates’ own recordings were augmented by versions conducted by leading musicians such as Clarence Raybould, Basil Cameron, Emanuel Starkey and Charles Williams. These two releases provided a wonderful selection that demonstrated the wide range of Eric Coates’ composing talent, and they deserved to remain in the catalogue for many years since they represented such an important part of Britain’s musical heritage. But shortly afterwards BMG bought Conifer Records, and virtually the entire catalogue was deleted with indecent haste. A few years later Naxos released several CDs of Coates’ music (possibly trying to fill the gap left by the Conifer deletions) but the sound quality on some of the tracks was barely acceptable. Happily the situation has now improved dramatically, thanks to this new 2CD collection from Living Era Classics. Although it is obviously impossible to match the wide scope of the earlier Conifers (this new release is two CDs, not four), this is a superb selection of many of Coates’ greatest compositions, and it is obviously a great bonus to have the composer’s own interpretations. No worries about indifferent sound quality this time … Alan Bunting has expertly treated each and every track with the gentle care and love they all deserve – not always easy when you consider that the earliest 78 dates from 1933 with the most recent in 1955, just two years before Coates died from a stroke on 21 December 1957. It is not possible to discuss all the titles in detail, but it should be mentioned that the recording of By The Sleepy Lagoon comes from a 12" Columbia 78 recorded on 4 March 1935 with a larger orchestra, rather than the usual 1940 version on the reverse side of Calling All Workers. This year marks the 50th anniversary of Eric Coates’ passing, and it is to be hoped that his importance will be recognised by the BBC and other broadcasting organisations. Whatever you do, don’t miss this new release. It should have pride of place in every light music admirer’s collection, and these days you can never be sure how long CDs will remain in the catalogue. Remember what happened to Conifer … buy this CD now! David Ades

"Don’t look back" WARREN VACHE and The Scottish Ensemble. It was written in the stars, My Mistress’ eyes, Spring, My love and I, Molly on the shore, April in my heart, Valse Prismatique, I fall in love too easily, Love is for the very young, On the street where you live, Don’t look back. 58:45. Arbors Records ARCD19318). Some while ago I read a news snippet in "Crescendo" written by Duncan Lamont saying that Warren had managed to coax Bill Finegan out of retirement to write some string charts for an album. Excited by the news I intended to write to Duncan for further details but dallied longer than intended! Discussing the project with fellow member Malcolm Fraser he hit me with the surprise news that he had the CD! On first playing I wished the dozen strings had been augmented to a lusher sound but after repeat listening I realised the orchestra used perfectly suited Warren’s intimate style of cornet playing. As listed above you can see Warren knows a good tune! Two by David Raksin, "Love is for the very young" arranged by Warren and "My love and I" originally commissioned to Robert Farnon but with his sad passing (see ‘Jumping Bean’ in this issue) handed to Alan Barnes who grasps the opportunity with both hands! Bill Finegan arranged "It was written in the stars", "April in my heart" and "Don’t look back". Bill had not put pen to chart for ten years but it certainly does not show, especially on Johnny Mandel’s eloquent composition "Don’t look back". Yet another bonus contained here, a lost chart by John Carisi "Spring" which was left off of Charlie Parker’s string backed outing. Warren’s creditably emotional interpretation of good ballads clearly show; he likes a strong melody. CDs of this calibre always welcome in my player! Paul Clatworthy

LIGHT MUSIC WHILE YOU WORK – Various artists. Guild GLCD 5128 full tracklisting in JIM170. Those who are aware of my interest in the radio programme Music While You Work will not be surprised that I’ve been rather looking forward to this the 28th recording in Guild’s splendid series. They will also expect me to listen to it with a critical ear. Fear not, apart from one or two reservations I think it is really very good. The radio programme Music While You Work came about when the BBC was asked to provide programmes of morale boosting tuneful music to Britain’s wartime workers. During the programme’s 27 year run and subsequent revivals, hundreds of dance bands, light orchestras and groups were heard. To supplement the broadcasts in the factories, Decca instituted its own Music While You Work series of records, and it is primarily from this series that the tracks on this CD have been drawn – with the emphasis on light orchestral music – in line with the general theme of these Guild recordings. There is the added bonus of a couple of tracks which were probably earmarked for the Decca series but never issued. Included in this compilation are the orchestras of Richard Crean, Reginald Pursglove, Harry Davidson, Philip Green, Ronnie Munro and Mantovani with the Harry Fryer Orchestra taking the lion’s share with no less than ten items. Whenever I have suggested a CD of Harry Fryer I have been told he is not sufficiently well-known. Well, it’s true that many will be unfamiliar with his name, and even I am too young to remember his broadcasts, but a study of wartime editions of Radio Times shows that he was a big name in radio right up until his untimely death at the age of 50, often broadcasting three times a week, so this CD is partly a tribute to him, particularly as its release date of November 2006 coincides almost to the day of the 60thanniversary of his death! Another radio stalwart of many years standing was Richard Crean whose orchestra’s final broadcast, conducted by Reginald Kilbey, was actually a few days after the maestro’s death in 1955. His four contributions to this disc include a short but delightful version of theHaunted Ballroom which serves as an antidote to the dreadful rendering of this piece by a contemporary orchestra a few years ago. As most items on this CD are played by orchestras of similar instrumentation, i.e. theatre orchestras, the illusion of an actual MWYW broadcast is created, topped and tailed with an exhilarating version of Calling All Workers. I have to say that I felt it a mistake to use the whole piece at the end of the recording. On radio this signature tune always commenced at the trio section (letter c on the music). Perhaps it was decided that as this version by the Tivoli Concert Hall Orchestra has never appeared on CD it should be reproduced in full, but for me it really jarred, spoiling the authenticity of the recording. Nevertheless I applaud the use of this record as opposed to the hackneyed Phil Green Victory Band version so often used whenever a MWYW compilation has been produced. During radio’s golden years the BBC attached great importance to programme building and so do I – even on a CD where technology enables you to build your own programme. On radio an orchestra leader who included two consecutive waltzes in a broadcast, apart from in a medley, could expect a reprimand from the BBC. Four items out of five in waltz time, such as occur towards the end of this CD, would have seen the orchestra taken off the air! Surely a couple of them could have been used to break up the block of five marches / paso dobles in the middle of this recording? Apart from these minor quibbles I think that this is an excellent CD. Once again, Alan Bunting has worked his magic and produced recordings which sound as if they were performed yesterday. David Ades has again produced comprehensive and informative notes and I appreciate his comment to the effect that my recent book on MWYW was helpful in their preparation. Having said that, I hope he won’t think me churlish in pointing out one or two small discrepancies. The first – probably a typographical error – states that Harry Davidson appeared on MWYW 109 times in the first year of the programme. It was actually the number of programmes which Harry played in the series from 1940-46. Also, following his retirement, the programme Those Were The Days was conducted by Sidney Davey for ten and a half years, not twelve. Finally, Reg Pursglove’s Albany Strings were previously known as the Muted Strings, not the Albany Players, which was a larger and much earlier orchestra. Overall this is a super CD which will appeal to all lovers of traditional light music. Some will say, why were Wynford Reynolds, David Java, Harold Collins and Reginald Burston’s Coliseum Orchestra not represented on this disc? They all recorded on the Decca MWYW label. Well, perhaps they have been earmarked for Volume Two. There has surely got to be one! Brian Reynolds

DIANA KRALL – From This Moment OnIt Could Happen To You; Isn’t This A Lovely Day; How Insensitive Plus 8 Other Selections 51:36 mins. Verve B0007323-02. This CD is a most welcome return from the controversial album of songs co-written with her husband Elvis Costello. The mood is, if anything, deeper and richer. This is aided by steamy, hazy arrangements by John Clayton who uses clusters of sound with remarkable Gil Evans-like textures. The opening cut "It Could Happen To You" shows this sound perfectly with sustained brass chords throughout while "Come Dance With Me" is more appropriately Basie / Hefti-like with soft brass and sax with a solid swinging beat. We hear more from Krall as a pianist on this CD than previously on songs such as "Exactly Like You" with a marvellous solo by this singer matching the ebulliently rhythmic vocal line she establishes. And what about the title track "From This Moment On"? The almost passionate arrangement brings practically steals the show! This is a very special CD for it shows off to splendid effect the very best that Diana Krall is capable of providing! Richard Jessen

XAVIER CUGAT – Cugat’s Favourite Rhumbas. Say "si si" (Para vigo me voy) (Lubon; Lecuona); Begin the beguine (Porter); Green eyes (Aquellos ojos verdes); (Utrera; Menendez); Estrallita (My little star) (Ponce); Rumba rumba (Valencia; Parfumy); La golondrina (The swallow) (Serradell); Besamé mucho (Kiss me much) (Velazquez); La paloma (The dove) (Yradier); Cielito lindo (Blue skies); No can do (Tobias; Simon); Bambarito (Rosell); You forgotcha guitar (McCarthy; Monaco); Cugat’s nugats from "Luxury Liner" (Cugat; Angulo); The wedding samba (Ellstein; Small; Liebowitz); Cha-cha-cha (Rizo; Morgan); Zing-a zing-a zing boom (Black-Out-Ze Maria; Moore); Mambo no.8 (Prado); I am a bum (Castro); Night must fall (Shaw; Cugat); Cariberia (Seri); Si si si Senor (Angulo); Para que? (Garcia; Silva); Un poquito de tu amor (Gutierrez); You can in Yucatan (Capullito de alell); (Drake; Shirl; Hernandez); Rio la yagua (Miranda). Vocalion CDVS 1948. This is most certainly my kind of music and my period too but quite a lot of tracks, when reading the titles, do not mean anything to me and it is quite unusual not to see that old standard Brazil listed – perhaps it is not the right rhythm. Outstanding for me are tracks Rhumba RhumbaZing-a zing-a zing boom, andUn poquito de tu amor – all titles which I seem to recall from those 40s days of my youth. A lot of these numbers I seem to recall he played when he was fronting his orchestra when appearing in those wonderful MGM musicals. A pity that none of the vocals seem to have the wonderful Lina Romay doing her stuff – a very sexy person was she! I just wonder how long it will be before some more excellent titles in the Latin vein come out. Vocalion certainly seem to have the monopoly in this field these days. Thank you Vocalion for two good CDs for me to end 2006 on. Alec Hellyer

MANTOVANI – Mantovani Today & Musical Moments With Mantovani Midnight Cowboy, Up, up, and away, I’ll never fall in love again, Blowin’ in the wind, Deserted shore, Without love [There is nothing], Everybody’s talkin’, Lemon tree, Good morning starshine, Leaving on a jet plane, Wand’ring star, Love is all / And I love you so, Eye-level, Le Chanson de Maria, For all we know, Tie a yellow ribbon round the ole oak tree, It’s diff’rent now, Say, has anyone seen my sweet Gypsy Rose?, Our last affair, Elizabethan Serenade, Fool, Dear father [70:44] Vocalion CDLK 4315. Another attractive 2-on-1 from the two maestros of music and remastering. The first album saw the light of day in the US in 1970 [there was a UK release of the same name with a slightly different track selection]; the second, recorded in Paris, appeared in the UK four years later on a Decca SKL vinyl. This is the first CD incarnation for both albums. The then newly written Deserted shore, and Our last affair are both Mantovani compositions. Up, up, and away is given a very up-tempo treatment by Roland Shaw. Bacharach’s I’ll never fall oozes class. In his indispensable biography of Mantovani, Colin Mackenzie remarks how in some pieces on the ‘Today’ album the woodwind play a more important role than before. On the second album Monty’s old associate Ronald Binge’s Elizabethan Serenade really is a choice composition. It is good, too, to be reminded of Eye Level, the signature tune for the excellent Dutch-based detective series ‘Van Der Valk’, a version of which by the Simon Park Orchestra topped the British singles chart in 1973. But my favourite track is the arrangement given Neil Diamond’sDear father that closes the programme. If not among his absolute best – using mainly modern pop songs rather than from the classic songbooks precluded that – these albums are two more fine examples of a consummate musician’s legacy to the world of light music. Please keep them coming, Mr Dutton. [NB The CD’s digital information is slightly awry in that there are only 22 tracks shown instead of 23, but it may have been corrected by the time you read this]. Peter Burt

THE MAGNIFICENT MARINES – The Band of HM Royal Marines School of Music / Lt-Col. Vivian Dunn; Frederick Harvey (baritone). Finale from 'Carillon', The Preobrajensky March, Famous Songs of the British Isles, Shenandoah, Up from Somerset, Trade Winds, Glorious Devon, Fleet Air Arm March, Sarie Marais, Lilliburlero, Barcelona, La Ritirata Italiana – Drescher, Marche des Parachutistes Belges, Ponderoso. The Alfalfa Club, The United States Marine Corps Hymn, Theme from 'The Great War', Theme and March Glorious, March of the Victors, The Finest Hours, Here Comes the Band, No Hiding Place, 1812 Overture. Eastney Collection RM HSE CO14. This latest release from the Eastney Collection concludes the series of the many distinguished recordings which Vivian Dunn made with the Royal Marines Band for EMI. They have again been subject to digital remastering by Brian Culverhouse, former EMI record producer, who was responsible for supervising the original sessions. Despite the fact that this compilation embraces tracks ranging between 1954-68, all are in stereo with consistently high quality. An excellent selection of marches includes a resplendent Preobrajensky March adapted as the regimental slow march of the R.M. during the corps’ tercentenary year and which was originally the march of the Preobrajensky Guards, of which a great uncle of Mountbatten was one of the last colonels. Subsequently Mountbatten received the score from King Alfonso XIII of Spain in 1934. Pierre Leemans’ Marche des Parachutistes Belges is a gloriously ear-tickling patrol march and a great personal favourite, whilst the lively Fleet Air Arm Marchemanated not from a professional musician but from Freddie Stovin-Bradford who wrote the march in 1963 whilst chief of staff to Flag Officer Air at Lee-on-Solent. He subsequently sent a copy of the manuscript to Vivian Dunn with a request that it be scored for military band, which was duly done. This disc is particularly valuable in incorporating three more tracks which the well-regarded and much admired English baritone Frederick Harvey made with this band – he has already featured on several other earlier discs in this series. Here he contributes songs which were immensely popular in the first half of the latter century – Up From SomersetTrade Wins (words by Peter Masefield) and who better qualified than Frederick Harvey, a Devon man born and bred in Plymouth, to intone Edward German’s stirring Glorious Devon. His crystal clear articulation is impressive and surely an object lesson for many a contemporary singer. Any other compelling reasons for acquiring this disc? Well... there is a rarely heard piece here by a certain Robert Farnon whose title and music is quite unfamiliar to me. Mention is made in the CD booklet that the Guv’nor was a long-standing friend of Vivian Dunn and when Farnon settled in Guernsey he was a frequent visitor to the R.M. School of Music at Deal. Here Comes the Band is described as being, appropriately enough, in cheerful light-hearted style, but I wonder whether a kindly member of our society can provide any further information on this particular score? One or two TV theme tunes included here are notably Wilfrid Joseph’s music for The Great War which chillingly and vividly conveys the utter desolation and bleakness of the Flanders battle fields, and on a contrasting lighter note Laurie Johnson’s dramatic score for No Hiding Place, which conveys visual images to those of us of a certain age – of black liveried police cars hurtling at speed, accompanied by screeching tyres from the portals of New Scotland Yard. The disc is brought to a satisfactorily resounding conclusion by the final section of Tchaikovsky’s 1812 Overture in which the Royds join the Bournemouth S.O. under Constantin Silvestri in a performance recorded at the resort’s Winter Gardens in 1966. An excellent indispensable addition to the ever-growing Eastney collection, well up to the production standards of its predecessors and recommended with all possible enthusiasm. Roger Hyslop

EARLY RECORDED MOVIE MUSIC LIBRARIES For tracklisting please refer to page 76 of JIM 170 – December 2006. This is a special CD, exclusively for members of the Robert Farnon Society, which has been compiled by Graham Newton to accompany his series of articles in Journal Into Melody. There are so many fascinating areas of recorded music during the 20th century, but surely this CD is truly unique. In every respect it is an historical document, and but for the dedicated research and enthusiasm of Graham Newton (one of the world’s leading sound restorers) it is likely that much of this music would have been lost to future generations. It is certainly a labour of love, and something which Graham felt needed to be done to illustrate the wealth of superb music that was written to accompany the early motion pictures. The sound quality of some of the cues is absolutely outstanding considering when the original recordings were made. As a good example compare The Conspirators on track 8 (from "Marked Money") with the same cue from the Victor Pict-Ur library found on track 37. These recordings were made by expert musicians, who were clearly incredibly good at their craft, in one take with no editing possible! Some tracks last only a few seconds, but others are full length. Clearly this music was not written in the expectation that people would listen to it in their homes, so it may not be something you will place regularly in your CD player. But, on the other hand, you are unlikely to find anything like this elsewhere, and anyone with an interest in the history of film music should have this in their collection. David Ades For details of how to order, please see page 37 of this issue.

SHERRIE MARICLE and the DIVA JAZZ ORCHESTRA present TNT: A Tommy Newsom TributeTitter Pipes; Pensativa; Three Shades Of Blue; Moonlight Plus 6 More Selections (1:04:13) . Lightyear 54698-2. There’s no more better tribute to one of the mainstays of The Tonight Show Orchestra than this CD release. Sherrie Maricle is the heartbeat of this CD and is one of the few drummers who truly understands the art of both driving a band without overwhelming everyone. Of all of the selections, "Titter Pipes" is the oldest number, dating from the Newsom’s Skitch Henderson days with the Tonight Show of the 1960s. "Pensativa" and "Three Shades Of Blue" represent the flowing eloquence of Newsom’s style with great solos Karolina Strassmeyer on flute on the former and playing soprano sax in a highly individual lyrical manner on the latter. Newsom’s wit comes through on the Nat King Cole medley with a vocal trio drawn from the orchestra singing "Straighten Up And Fly Right" while the entire ensemble makes "Nature Boy" sound more interesting than most would think. The Zoot Sims - Gerry Mulligan composition"Red Door" end everything on a solidly flowing groove with swinging solos by Anat Cohen on tenor sax and Barbara Laronga on trumpet. If ever there is both an enlivening and instructive CD, this is the one to own and cherish for years ahead. Bravos to both Sherrie Maricle and her superb band and for the arranger/composer Tommy Newsom. Richard Jessen

THE MUSIC OF THE ROYAL ENGINEERS – The Band of the Corps of Royal Engineers / Maj. E.H. Keeley. Sesqui-Centennial Celebration March; Imperial March / Mazurka Militaire (Flux); Public Duties (Pryce); On the Countermarch (Keeley); Royal Standard (Brigham); The Acrobat (Greenwood); Amazing Grace (Newton)... Specialist Recording Company SRC136. This disc represents some fine music associated with the Corps of Royal Engineers – popularly known as the Sappers, which may be largely unfamiliar to the general listener. It is nonetheless well worth his time and pocket to purchase this disc when he will be well-rewarded with an unhackneyed and refreshing collection of military music. The disc is timely as it celebrates 150 years of Royal Engineers music, the original band having been formed in 1856, and because it was one of Major Keeley’s last recordings with the band before he retired in August 2006. He has however not been lost to world of military music since he has subsequently taken up the post as D.O.M. of the Honourable Artillery Company (T.A.) band. Following the R.E. Corps Fanfare the first track is the R.E.’s Sesqui-Centennial Celebration March – rather unwieldy title this – composed by Peter Graham, Professor of Composition at Salford University, and proving convincingly that a modern march can be both contemporary and tuneful. Neville Flux became Bandmaster Royal Engineers in January 1905 on the personal recommendation of Sir Alexander McKenzie, Principal of the Royal Academy of Music, and since he was a civilian, caused a lot of adverse comments from both the military and musical press of the day. Two of his pieces are featured here and are testimony to the fact that he was a highly accomplished composer – an imposing Imperial March and a catchy Mazurka Militaire. Quite properly there are also two of Maj. Keeley’s own compositions – On The Countermarch and Spongs Leap, a distinctly unusual title inspired by a McSpong who lost control of his horse, careered through the arch to Brompton Barracks and horse and rider cleared a 6-foot iron fence and disappeared down a drop of 42 feet! Amazingly neither were seriously hurt and were able to continue on their way. There is even a plaque commemorating this bizarre incident at the R.E. HQ Officers’ Mess! One of the highlights on this CD is an outstanding slow march, Royal Standard, by Earl Brigham, a pseudonym of Maj. A.L.F. Young, D.O.M. of the band 1944-58. The piece has been used by the band as its unofficial slow march and for a while was also used as the Kneller Hall slow march, and deservedly so. John A. Greenwood’sThe Acrobat is one of those infernally irritating pieces you seem to have known forever but never discovered the title. The booklet notes remind us that it was Percy Thrower’s theme tune in his BBC radio gardening series back in the 1960s and it is delivered here flawlessly played on the trombone by L.Cpl. M.P. Lawday. The familiar strains of Amazing Grace come complete with piper in the person of staff Sgt. Kenny Kerr, a past Pipe Major of the Royal Highland Fusiliers. The vivid recording was made in an interesting and unusual location, the Royal Dockyard Church, Chatham. The band are on top form throughout, and the CD comes with usual high standard of artwork and excellent notes – so this production is something of which the recording company and the band can feel justly proud. A noteworthy and fascinating release; one not to be missed. Roger Hyslop

A SONG FOR CHRISTMAS Deck the Halls with Boughs of Holly, Once in Royal David’s City, Jingle Bells, etc. 12 tracks Mantovani and his Orchestra 40:45 mins Vocalion CDLF 8122. Promised at our November 2004 meeting, this was announced too late for mention in the last JIM which was a pity because good sales might encourage Mike Dutton to release the earlier and even better million-plus selling ‘An Album of Christmas Music’. Monty is accompanied by the Mike Sammes Chorus & Singers on the first two tracks listed above as well as on The Holly and the Ivy, It Came Upon the Midnight ClearThe Twelve Days of Christmas, Mary’s Boy Child and I Saw Three Ships. All the tracks are a delight, especially so Monty’s own trademarked Christmas Bells and Charles Chaplin’s Toy Waltz, prompting thoughts again of what an underrated tunesmith he was. The standout track for me is Cecil Milner’s 4.42 minute arrangement of the Handelian O Thou That Tellest Good Tidings from ‘Messiah’. The unacknowledged organist for the recording, made in Holborn’s Kingsway Hall in August 1963, was Harold Smart. If the selection appeals, buy now for around a fiver – it will soon be Christmas! Peter Burt

STANLEY BLACK Conducting the London Festival Orchestra Film Spectacular Vol. 5Casablanca, A Man and a Woman, Intermezzo, Blood and Sand, La Strada, Love Story, Gone With The Wind Film Spectacular Vol. 6 Spitfire Prelude and Fugue, Bridge on the River Kwai, The Guns of Navarone, Victopry at Sea, 633 Squadron, The Longest Day, Western Approached (Seascape), The Great Escape, Mrs Miniver Suite. Vocalion CDLK 4328. These two LPs (now occupying two CDs for the price of one from Vocalion) were, in my humble opinion, highlights in Stanley Black’s career as a conductor (and on some tracks arranger) and I am delighted to see that they are available once more. Decca sound engineers were world leaders in 1975 (when both LPs were recorded) and it certainly shows. Superb music – and spectacular sound! David Ades

MULLIGAN MEETS MONK‘Round Midnight; Rhythm-a-ning; Sweet And Lovely; Decidedly Plus 4 More Selections (59:31). Riverside OJCCD-301-2. On paper, this looks like a definite clash of ideas. Yet it’s just the opposite. Gerry Mulligan, baritone sax virtuoso, was actually good friends with pianist / composer / arranger Thelonious Monk which resulted in this remarkably fine album. "‘Round Midnight" is appropriately stark whereas Rhythm-a-ning" is a delightfully crazy romp with a catchy theme as is Mulligan’s own "Decidedly." "Sweet And Lovely" is about as rough as this duo gets with Monk’s pungent chords and runs on the keyboard contrasting with Mulligan’s appealing lyricism. "Straight, No Chaser" refers not only to a drink but also to this relaxed swinger with plenty of room given to not only Mulligan but bassist Wilbur Ware. Everything winds up in everybody’s pocket with "I Mean You" by Monk, a swinging number showing off Monk’s striding pianistic skills while both Thelonious and Gerry accompany Wilbur Ware. Shadow Wilson provides the rock solid rhythm pattern for this session which was originally to be recorded in stereo with an expanding group of musicians. Such isn’t the case as all four men were playing so well that it was decided to keep things just the way they turned out. For 1957, the stereo effect by Riverside engineers is flawless with a good deal of presence and air surrounding the musicians. A truly remarkable recording for all music enthusiasts. Richard Jessen

MANTOVANI and his Orchestra play Strauss Waltzes Blue Danube, Roses From The South, Vienna Blood, Voices Of Spring, Artist’s Life, Tales From The Vienna Woods, Emperor Waltz, Morning Papers, Accelerations, You And You, Wine, Women And Song, Village Swallows, Gypsy Love Waltz, Tell Me You Love Me, Le Chaland Qui Passe [46:25] Goldies GLD 63237. Of Portuguese provenance and not the easiest to find [I obtained my copy online for a few pence under £4.50], this CD consists of ten tracks taken from one of Monty’s earliest and most popular LPs, recorded and issued in 1952, reckoned by some Mantovanians to be better than the subsequent stereo re-make. Although probably not for the purist, these wonderful flowing melodies are given the full Milner/ Mantovani treatment. The second "Bonus Track" is of great historic interest: Tell Me You Love Me being an adaptation of Puccini’s On With The Motley and the very first example of Ronald Binge’s "New Sound" for Monty from 1951 making its first album appearance. Despite rather veiled sonics this is definitely worth seeking out. Peter Burt Editor: to avoid correspondence, may I mention that "Tell Me You Love Me" has already appeared on a Guild CD – Mantovani By Special Request Vol. 2 GLCD 5113.

The Symphony Sessions – THE MANHATTAN TRANSFER. City of Prague Symphony Orchestra / Cory Allen. Route 66, Candy, Embraceable You, That’s the Way it Goes, A Nightingale Sang, Because you are all heart, To You, Vibrate, Clouds, The Quietude, The Offbeat of Avenues, Birdland. (56:49). Rhino 8122-74740-2), available Compact Disc Club. Six of the tracks are arranged by Cory Allen and he provides backgrounds of fine stimulation and subtlety – Embraceable You in particular, vocals arranged by Gene Puerling. Route 66 and Candy are arranged by Billy Byers, the first title with echoes of Nelson Riddle, and Vibrate is arranged by Gil Goldstein. This is group vocalising at its best! Vocals also arranged by Dick Reynolds, Al Capps and group members. Paul Clatworthy

VIKKI CARR: The Ultimate CollectionIt Must Be Him (Sung In English, Spanish and Italian) Plus 78 tracks on 3 CDs. EMI Gold 0946 3 68615 2 4. The title explains itself more than adequately. What we get are 3 CDs full of songs exploring every facet by the well loved and honored lady of song, Miss Vikki Carr. And what a collection! Most of these song titles have not been available for more than 40 years which is a shame for they explore every style and genre of song this lady can sing with an overwhelmingly magnetic power. Her big international hit "It Must Be Him" is the thread on all 3 CDs and she sings it with conviction in three different languages (English, Spanish and Italian). The styles covered include the great American Songbook (Where Are You), Broadway (The Surrey With The Fringe On The Top), big band swing (Time After Time), jazz (Moanin’), Latin (Mas Que Nada), current pop standards (Can’t Take My Eyes Off You) and country (Make It Rain). This is not your usual Vikki Carr compilation. Instead, what you get is a collection of songs new and fresh interpreted with vibrancy by one of the truly great artists who is still very much around and performing at the same level of these recordings. No greater tribute need be added except that this record set is consistently beating out all others. The program notes are written with mastery by Randy Cordova and Vito Cifaldi with plenty of thank yous and a special note written by Vikki Carr. And as she so truthfully says, "the best is yet to come." Let’s hope there is a fresh release by EMI of this great artist!Richard Jessen

EDMUNDO ROS and his Orchestra – New Sounds on Broadway / Broadway Sing Along. New Sounds On Broadway (Decca LP PS 352 (1963) Stereo) The Cutty Wren from the show "Chips With Everything" (Farrell); High Is Better Than Low "Jennie" (Dietz; Schwartz); Gonna Be Another Hot Day "110 In The Shade" (Schmidt; Jones); Waitin’ For The Evening Train "Jennie" (Dietz; Schwartz); My Wish "Here’s Love" (Willson); Here And Now "The Girl Who Came To Supper" (Coward); That Man Over There "Here’s Love" (Willson); I’ll Remember Her "The Girl Who Came To Supper" (Coward); Is It Really Me "110 In The Shade" (Schmidt; Jones); London (Is A Little Bit Of All Right) "The Girl Who Came To Supper" (Coward); You Don’t Know "Here’s Love" (Willson); Where You Are "Jennie" (Dietz; Schwartz). Broadway Sing-Along (Decca LP SKL 4123 (1961) Stereo). (There’s No Business Like) Show Business from the show "Annie Get Your Gun" (Berlin); People Will Say We Are In Love "Oklahoma" (Rodgers; Hammerstein); Get Me To The Church On Time "My Fair Lady" (Loewe; Lerner); There Is Nothing Like A Dame "South Pacific" (Rodgers; Hammerstein); I Love Paris "Can Can" (Porter); Hey There "The Pajama Game" (Adler; Ross) Heart "Damn Yankees" (Adler; Ross); I Could Have Danced All Night "My Fair Lady" (Loewe; Lerner); They Say It’s Wonderful "Annie Get Your Gun" (Berlin); On The Street Where You Live "My Fair Lady" (Loewe; Lerner); Standing On The Corner "The Most Happy Fella" (Loesser) Almost Like Being In Love "Brigadoon" (Loewe; Lerner).CDLK 4330. What a terrific collection this is, especially New Sounds On Broadway. And it is nice to get 12 tracks of rarely if ever played numbers - and I for one would not expect many people to know many of them. For myself, I am lucky in that I have original cast recordings of them all, and just to see the titles like High Is Better Than LowWaitin’ For The Evening Train and Where You Are fromJennie brings to mind Mary Martin in the show. Then there are numbers from 110 In The Shade,Here’s Love and The Girl Who Came To Supper - and in fact the only number on this collection I had not heard before is the first track The Cutty Wren from the show "Chips With Everything"; perhaps it is because I did not see the play or the film. When it comes to Broadway Singalong, I thought when I saw the list of numbers, oh no not again, but then get them dressed up as merengue and cha-cha-chas you can’t go wrong – they come out very well with this treatment. What a shame that the dances on BBC’s Strictly Come Dancing don’t dance to these rhythms as the rhythms they dance to are unrecognisable. As usual the Ros rhythms are superb and I am glad to have this album at last. A must for all Ros fans. 24 tracks in all. Alec Hellyer

THE WORLD’S GREAT MARCHES – The Band of HM Royal Marines / Lt-Col. Vivian Dunn.Grand March from 'Tannhauser', Soldiers Chorus from 'Faust', Entrance and March of the Peers from 'Iolanthe', March Militaire from 'Suite Algerienne', All Marcia from 'Karelia Suite', The British Grenadiers, The Dashing White Serjeant, A Southerly Wind and a Cloudy Sky, Braganza, Espana, Le Pere de la Victoire, Belphegor, Under the Banner of Victory, Old Comrades, The Gladiators' Farewell, Under The Double Eagle, The Champion, National Emblem, On The Square, Blue Devils, Namur, Army and Marine, Glorious Victory, March from 'Little Suite' (Arnold). Eastney Collection RM HSE CO13. Eastney continue their trawl through the rich legacy of recordings which Sir Vivian Dunn and the Royal Marines Band made for EMI, concentrating on this new release on the years 1960-67. Like others in this series, Brian Culverhouse, who supervised the original recordings made at Abbey Road, has been responsible for the digital remastering of these valuable tapes. The first tracks are taken from the concert hall and opera house, thus the Grand March from Tannhauser, the Soldier’s Chorus from Faust and the Alla Marcia from Karelia. Particularly valuable, however, is the inclusion of Saint-Saens’ splendid march from his Suite Algerienne, of which there are not exactly a plethora of alternative recordings, and fascinating to listen to Chabrier’s Espana, cleverly transformed into an effective quick march. The remainder of the disc is a compilation of familiar parade marches with the exception of the concluding item, the march from Malcolm Arnold’s Little Suite. Despite the familiarity of such pieces as Old Comrades, Under The Double Eagle, National Emblem and On The Square, you will never hear them better played than here; they positively sparkle under the inspired baton of Sir Vivian. Look out especially for Charles Williams’ Blue Devils, composed early in his career and a great favourite with military bands. The Blue Devils of the title was the nickname given to a T.A. unit called the Kensington Rifles that had served in South Africa during the Boer War. Eastney’s claim that this disc features really stunning foot-tapping stuff is certainly borne out and if you want only one representative military band CD on your shelves – shame on you! – this quality production could be it. As with all this series of re-releases; strongly recommended. Roger Hyslop

PRODUCED BY GEORGE MARTIN Highlights from 50 years in recording including George Martin and his Orchestra – Theme One, The Pepperland Suite, Friends and Lovers; Ron Goodwin – Elizabethan Serenade; Tommy Reilly – Melody on the Move; plus various pop stars and comedy records EMI 375 4862. Five years ago EMI issued a 6CD box set of recordings produced by George Martin, from which the tracks on this CD have been extracted. As one would expect, the Beatles are included, together with Cilla Black, Gerry and the Pacemakers and Billy J. Kramer. A bit more up-market are Shirley Bassey and Matt Monro, and to provide variety we have Peter Sellers, Spike Milligan and Flanders & Swann. It is particularly nice to have Tommy Reilly’s 1952 recording of Clive Richardson’s Melody on the Move which, according to the booklet note, showed George Martin’s "position at the front of new recording technology with the first use of tape echo". Tommy’s widow Ena has told us that Tommy returned home from this particular Abbey Road session on the back of George Martin’s motorcycle! Full marks for the CD booklet – and the CD label which reproduces a familiar Parlophone 45. Even without his work as the Beatles’ recording manager, Sir George Martin has secured his place of honour in the British recording industry, and he fully deserved to be inducted into the UK Music Hall of Fame on 14 November last year. David Ades

FRANK CHACKSFIELD AND HIS ORCHESTRA "KING OF KINGS" : King of Kings, Song of Delilah, The Robe, Quo Vadis, The Green Leaves of Summer (from 'The Alamo'), Exodus, Parade of the Charioteers and Love Theme from 'Ben Hur', The High and the Mighty,The Prodigal, The Sundowners. FILM FESTIVAL : The Good, The Bad and The Ugly, Elvira Madigan, Doctor Zhivago, The Mercenaries, A Countess from Hong Kong, Zorba's Dance, Alfie, The Umbrellas of Cherbourg, Irina (from 'Shalako'), James Bond Theme, Rose of Saigon (from 'Tell Me Lies'), A Man and a Woman. Vocalion CDLK 4322  71:45 mins. For some years now the Vocalion label has been responsible for the very commendable reissue of several Frank Chacksfield albums from the 1950s and 1960s, and this particular disc, released in 2005 but not previously reviewed in this magazine, should also command your attention, as it encompasses this orchestra's excellent interpretations of selected film themes from the era in question. Included are several items not available elsewhere, thus adding to the attractions of this mid-price reissue. Of the LPs under consideration, the first to be issued originally was 'King of Kings', and this is by far the rarer - it appeared originally, in mono only, on the Ace of Clubs Label in 1962, with only ten tracks. Here we have an expanded version in stereo, available for the first time in Britain. As the title track suggests, we have Frank Chacksfield's lavish and tasteful recordings of music which dates from a time when 'road show' spectaculars were designed to lure people away from the ever-encroaching challenge of TV in the home. Many will be familiar with the two selections on offer from 'Ben Hur', of course, but the rest of the LP included several rarities such as 'The Prodigal' and 'Francis of Assisi', the latter being a particularly beautiful piece. Even the extract from 'Quo Vadis' contains music not normally found on any other soundtrack album for this film. Amongst the other highlights are a stirring rendition of Ernest Gold's magnificent theme from 'Exodus' (so much a part of the film music 'scene' in the early 1960s) and a beautiful realisation of Alfred Newman's theme from 'The Robe'.  The sound has come up very well indeed, and Mike Dutton's usual wizardry has ensured that the best possible stereo spectrum has been derived from the original tapes, with particularly enticing string tone, as befits much of the scoring for these pieces. The second LP here reissued (actually placed first on the CD) dates from 1968, and the difference in mood is immediately apparent - epic lushness has been replaced by shorter, more varied melodies reflecting the change in cinematic tastes of this period. Frank Chacksfield's ability to alter his interpretations to 'suit the occasion' is immediately obvious, and we have an extremely colourful selection of items in arrangements by Roland Shaw. Robert Farnon enthusiasts will be delighted to have his 'Irina' (from 'Shalako') included - aptly described by Nicholas Briggs in his liner notes as 'a slow, swaying theme of deceptive simplicity'. Two other rarities are the themes from 'The Mercenaries' - a highly rhythmic yet memorable track - and the alluring 'Rose of Saigon' from the somewhat obscure feature 'Tell Me Lies'. Even the James Bond theme here sounds freshly minted, and the familiar main theme from 'Doctor Zhivago' is given a very effective 'piano concerto' treatment. The original LP was in the Decca  Phase 4 format, and again the remastering has resulted in sound which is both clear yet comfortably full, with a wide stereo 'spread'. It is good to see that much time and effort has gone into providing extremely informative notes, as the original LPs were notably deficient in this regard; both the films and their music are placed in the correct historical context. This is therefore a significant release, which should be high on your list of priorities. Lawrence Preston

"LONDON TOWN" Film soundtrack: Overture, You Can’t Keep a Good Dreamer Down, Daffodil Hill – ballet music. My Heart Goes Crazy, If Spring Were Only Here to Stay, So Would I, The ‘Ampstead Way, Sid Field Plays Golf featuring Sid Field, Beryl Davis, Ann Sullivan, Scotty McHarg with Salvador Camarata and the London Town Orchestra plus 13 ‘bonus tracks’ featuring the film’s stars plus the Film Songs Selection by Peter Yorke and his Concert Orchestra on Columbia.SEPIA 1076, 79:26 mins. For many years I had noticed the 78s from "London Town" in the Decca catalogue but none of them ever seemed to come my way. So I was pleased to discover this recent release from Sepia Records, a small British independent producer that has built up an impressive catalogue since it was launched in 2002. They believe in giving full value for money, because the remaining time available is fully utilised with 78s from the same period by some of the stars who appeared in the film. Foremost among these (from a light music viewpoint) is the fine Peter Yorke non-vocal selection. Although J. Arthur Rank is reported to have spent £1 million on the film in 1946 (compared with around £50,000 for "Spring in Park Lane" which was a massive hit) it was a financial disaster, and is remembered today mainly because both public and critics panned it. It should have succeeded: it was in glorious Technicolour, and Rank hired top American talents Camarata (music director), Wesley Ruggles (director) and Jimmy Van Heusen and Johnny Burke (music and lyrics). Sadly Van Heusen and Burke failed to come up with a hit song – only So Would I being vaguely memorable. The ballet sequence Daffodil Hill composed by Camarata is similarly disappointing; a certain Robert Farnon would have been a much better choice! And as for Sid Field’s golfing sketch … words almost fail me. Over the years we have been told that Field was greatly admired within the profession, but maybe the big screen couldn’t capture the magic of his stage act. I’m pleased that Sepia has made this available, and the extra tracks are certainly entertaining (for example there is Beryl Davis with Stephane Grappelly and George Shearing in 1944). The booklet is excellent for a medium priced release, but it would have been nice to have included the original catalogue numbers of the records. David Ades

GORDON JENKINS – A Musical Prodigy Manhattan Tower, You Have Taken My Heart, Blue Prelude, When A Woman Loves A Man, With You So Far Away, Homesick That’s All, P.S. I Love You, Blue Evening, Goodbye, Alone Again, Marietta’s Waltz, The Lady And The Cellist, Mood At Midnight, California – a Musical Narrative, Maybe You’ll Be There, I Don’t See Me In Your Eyes Any More, Again, Don’t Cry Joe, My Foolish Heart, Bewitched, Seven Dreams – a Musical Fantasy Gordon Jenkins and his Orchestra plus soloists Jasmine JASCD 660, 2-CD set, 138:55 mins. In Britain many of us are probably unaware that Gordon Jenkins made a lot of 78rpm recordings featuring singers, because his name in later years was mainly associated with his orchestral albums plus, of course, his superb arrangements for the likes of Nat ‘King’ Cole and Frank Sinatra. The big exception is his ‘Musical Narrative’ Manhattan Tower which launches this collection. It was warmly received in the USA, where it was recorded more than once, and resulted in another similar tribute a few years later in praise of California. The other fascinating work in this collection is Seven Dreams which I have to confess is new to me. It is similar in style to Manhattan Tower and California but I do wonder how often people would wish to hear it since the narrative is something you’ll either love or hate. If you want an interesting collection of Gordon’s popular recordings from the 1940s and 1950s then don’t hesitate to add this to your collection, but if you prefer his purely orchestral offerings you’ll have to look at what is currently on offer in the Guild Light Music series. David Ades

FRANK SINATRA ‘Romance – Songs from the Heart’ I’ve Got You Under My Skin, Time After Time, Day By Day, All The Way, Too Marvellous For Words, My Funny Valentine, Love Is Here To Stay, I’ve Got A Crush On You, Cheek To Cheek, Try A Little Tenderness, I Wish I Were In Love Again, Angel Eyes, Nice ‘N’ Easy (previously unreleased version), If You Are But A Dream (CD debut)etc 21 tracks EMI 363 3772. Released in February in time for Valentine’s Day, this collection is taken from Frank’s time at Capitol (1953-1960). Sinatra fans will already have most of these on various CDs or LPs, but EMI state that the tracks have all been remastered from the original tapes so you may find that the sound quality is better than your existing copies. As we went to press we had only received a promotional CD and list of titles, so we cannot comment on the booklet. David Ades

MIKLOS ROZSA  : Selections from QUO VADIS and BEN HUR. Quo Vadis: Prelude, Marcus and Lygia, Fertility Hymn, The Burning of Rome, Petronius' Banquet, Ave Caesar, Chariot Race, Assyrian Dance,, Aftermath/Hail Galba, Finale, Epilogue. Ben Hur : Fanfare, Friendship, The Burning Desert, Arrius' Party, Rowing of the Galley Slaves, Parade of the Charioteers, The Mother's Love, Return to Judea, Ring for Freedom, Lepers' Search, Procession to Calvary, Miracle and Finale. Royal Philharmonic / National Philharmonic Orchestras and Chorus, conducted by Miklos Rozsa.Recording dates : 1977 / 1978. Vocalion CDLK 4332 (Two-disc set). During the late 1970s, the Decca Record Company invited Miklos Rozsa to London to record selections from two of his finest scores, using the cream of the capital's best musicians. The two resulting LPs originally appeared on Decca's Phase 4 label, but disappeared quite quickly when Decca was subsumed into the Universal group. Both titles did appear, apparently, in the very early days of CD, but were again quickly deleted and soon commanded the inevitable (and regrettable) inflated prices for interested collectors. This Vocalion reissue, therefore, represents quite outstanding value for money and should be eagerly snapped up by all those who appreciate some of the finest film music ever written in Hollywood's 'Golden Age'.  The two LPs here reissued far surpassed in terms of sound quality and orchestral playing all previous selections of this material, and did much to cement the renewal of interest in classic film scores which had been growing throughout the 1970s, when several record companies spared no expense in releasing newly-recorded selections of vintage material which one could only vaguely appreciate when viewing the films in question. It is difficult to decide which is the finer of the two scores. 'Ben Hur' has always been regarded as Rozsa's 'magnum opus' - the composer, fully conscious of the fact that the future of MGM rested on this epic, certainly regarded this score as the apex of his career, and several of the themes (particularly the Parade of the Charioteers) became very well-known in the late 50s/early 60s. The score for 'Quo Vadis' was much less familiar, partly because much of the music was buried under the dialogue in the film, which certainly disappointed the composer at the time. The CD in question here revealed for the first time the extremely varied nature of Rozsa's score : not for him the writing of two or three main themes with endless reprises ( a fault of many modern scores) - the selection from 'Quo Vadis' on this CD is, if anything, more varied musically than its companion, but it was always difficult to choose ideal extracts from such an interwoven score as Ben Hur to make an ideally balanced LP. Rozsa's own selection for Decca was about the best that could be achieved for this purpose. Mike Dutton has worked his usual magic in re-mastering the two LPs. The sound quality on both discs was, and remains, extremely good, with none of the excesses of balance which sometimes marred earlier 'Phase 4' issues.  We have here two of the best examples of orchestral sound in the late analogue era - resplendent brass, rich string tone and a wide stereo spread. Probably 'Quo Vadis' has the slightly finer quality in terms of clarity and presence. My own LP of the 'Ben Hur' selection was cut at such a high level that there was a tendency to overload, but this has been rectified for this CD reissue. The two-disc set is released at the cost of a single mid-price CD. As if all this were not enough, we also have five pages of exemplary notes by Alan Hamer of the Miklos Rozsa Society. It is almost certain that these two LPs will not be re-released again in such a convenient form, and Vocalion is to be congratulated for its enterprise in offering such high-quality material for such a reasonable outlay. Nicholas Briggs

ANTHONY COLLINS - Orchestral works. Festival Royal – Overture, Vanity Fair, The Song of Erin, Victoria the Great – suite, The Saga of Odette - Valse Lente, The Lady with a Lamp - Prelude & Valse Variation, Eire – suite, Santa Cecilia, Louis XV Silhouettes, Symphony for Strings. BBC Concert Orchestra conducted by John Wilson. Dutton 'Epoch' CDLX 7162.   73:52 mins. For most readers, the name of Anthony Collins (1893 - 1963) will be synonymous with either his much-praised set of the Sibelius symphonies recorded for Decca in the early 1950s (recently reissued on the Beulah label, incidentally) or else his own best-remembered composition 'Vanity Fair', which has indeed been recorded several times in the past. That 'bonne bouche' is, of course, included on this new CD under review, but a glance at the remaining titles will show that there was very much more to the man than this short calling-card. As the excellent notes by Lewis Foreman make clear, Anthony Collins pursued an extremely varied career within both the UK and the USA, which allowed him to make full use of his manifold talents as composer as well as conductor. A great deal of time and effort has gone into producing this most enterprising CD, as much of the music was difficult to source - indeed, were it not for the tenacity of all concerned, it is doubtful if several of the pieces on the disc would have surfaced at all, let alone have been recorded. Specifically, Collins was able to fuse a generous melodic gift with great clarity of orchestration, and the disc in question portrays an excellently-balanced programme in which the level of inspiration remains consistently high. The opening 'Festival Royal' overture has a magnificent central theme for strings  (almost a cross between Elgar and Walton) framed by passages of brassy splendour, into which Collins subtly interweaves references to 'God Save the Queen' and the Westminster chimes - a marvellous start to the disc. My own favourite piece, however, is the short 'Song of Erin', which employs a haunting, wistful melody initially given to cor anglais and harp. The composer was also responsible for the scores of several well-known films of the period, the best remembered of which is probably the waltz from 'The Saga of Odette'. In all these pieces one notes again the subtle variety of mood and texture, underpinned by sharply memorable themes. Moving to the suite 'Eire', this is one instance where Collins does use existing melodies but is able to imprint his own characteristic arrangements on the material, resulting in another delightful short work. I also particularly enjoyed the 'Louis XV Silhouettes', which comprise a series of pastiche dance numbers - light music at its very best. I was rather reminded of the composer Gretry, whose often obscure pieces Sir Thomas Beecham used to dig out (and sometimes record) on his periodic visits to France later in his career - he would surely have approved of Anthony Collins's short work, which was published in 1939. The final item on the disc, 'Symphony for Strings', instantly belies its rather severe title by offering three short movements of immediate melodic appeal, of which the highlight for me was the wistful central 'adagio'. The recording quality, as one would expect from this source, is in the finest traditions of the house : it has a very wide dynamic range, great clarity of detail and broad stereo information, all set within a sympathetic acoustic - just right for appreciating the composer's flair for a colourful orchestral patina. In his notes, Lewis Foreman reveals that many of Collins's works are either missing or definitely lost, which is a pity, as the quality of what is on offer here would certainly justify a second CD. In the meantime, the combination of unhackneyed yet memorable material, excellent performances and recording quality, together with superb liner notes, leads me to conclude that this was one of the most significant new releases of 2006, which should be investigated urgently by all those who are looking for something quite special. Nicholas Briggs

... And with thanks to Wilfred Askew for news of the following releases

MIKLOS ROZSA – Three Choral Suites. Cincinnati Pops Orchestra / Kunzel; Morman Tabernacle Choir. Ben-Hur; Quo Vadis; King of Kings. Telarc CD-80631

NELSON RIDDLE and his Orchestra – Sing a Song with Riddle (1959) / Hey Diddle Diddle (1959, released 2005-6)Little White Lies Darn That Dream Near You; Day In-Day Out; The More I See You; My Baby Just Cares For Me; Everywhere You Go; I Had The Craziest Dream; Fools Rush In; You Make Me Feel So Young; It’s A Sin To Tell A Lie; You’re Driving Me Crazy! (What Did I Do?); The Farmer In The Dell; Little Jack Horner; Oh Dear What Can The Matter Be; Jack And Jill; Little Bo Peep; London Bridge; Tom, Tom, The Piper’s Son; Polly Put The Kettle On; Three Blind Mice; Twinkle, Twinkle Little Star; Hickory Dickory Dock; The Muffin Man. DRG Records DRGCD 19097

HORST JANKOWSKI – A Walk in the Black Forest (1967-69). Chitty Chitty Bang Bang; A Walk In The Black Forest; My Gerti; Moon River; By The Time I Get To Phoenix; Turkischer Marsch; Tiflis Melody; Our Beach Affair; Games Of Memories; This Guy's In Love With You; I Will Wait For You; Slick; Man & A Woman; Yesterday; Days Of Wine & Roses; Fly Me To The Moon; Lover's Concerto; Mcarthur Park; Violinkonzert D Dur; And We Got Love. Universal 983 776-2

GEORGE SHEARING – Swinging in a Latin Mood (1974). Lullaby Of Birdland; Continental; Do You Know The Way To San Jose; East Of The Sun And West Of The Moon; Thine Alone; Aquarius; We'll Be Together Again; I'll Be Around; Alone Again (Naturally); Nearness Of You; Hands Of Time; To A Wild Rose; Superstar; Eleanor Rigby; When Your Lover Has Gone; Roses Of Picardy; You Are The Sunshine Of My Life; Killing Me Softly With His Song; Someone To Watch Over Me; Way We Were.Universal 985 857-4

THE MARIACHI BRASS – A Taste of Tequila (1966) / Hats Off (1966). Featuring Chet Baker, Arrangements by Jack Nitzshe and George Tipton. Flowers On The Wall; Tequila; Mexico; Love Me With All Your Heart (Cuando Calienta El Sol); Hot Toddy; Twenty Four Hours From Tulsa; .Speedy Gonzales ; Come A Little Bit Closer ; El Paso ; La Bamba ; Happiness Is ;.Sure Gonna Miss Her; Bang Bang (My Baby Shot Me Down) ; The Phoenix Love Theme (Senza Fine) ; These Boots Are Made For Walking ; On The Street Where You Live ;.Armen's Theme ; Spanish Harlem ; Chiquita Banana ; When The Day Is All Done ; You Baby ; It's Too Late ; Colonel Bogey March (Bonus Track). Ace CD BGPD 178

LENNY DEE – Double Dee-Light: Hi-Fi Organ solos with a beat (1954-56). 2 CD compilation.Plantation Boogie ; Laura ;Yes Sir That's My Baby ; Birth Of The Blues ; Little Brown Jug ; September Song ; Ballin' The Jack ; Exactly Like You ; Siboney ; Sweet Georgia Brown ; World Is ; Waiting For The Sunrise ; Donkey Serenade ; Coquette ; I'm Beginning To See The Light ; Chinatown; Charmaine ;Five Foot Two Eyes Of Blue ; Out Of Nowhere ; Caravan ; That's My Weakness Now ; This Ole House ; Five O'Clock Whistle ; Twelth Street Rag ; Good Night Sweetheart ; Delicious ; Stompin' At The Savoy ; Diane ; Honky Tonk Train Blues ; Alabamy Bound ; Tarragona ; At Sundown ; Jersey Bounce ; Hawaiian War Chant (Ta Hu Wa Hu Wai) ; What Is This Thing Called Love ; Toot ; Toot Tootsie Goodbye ; Jumpin' On The Organ ; Avalon ; Somebody Stole My Gal ; Hot Foot Boogie ; Josephine ; Way Down Yonder In New Orleans ; Oh You Beautiful Doll ; Indian Love Call ; Ain't She Sweet ; Yodelin' Organ ; Let Me Call You Sweetheart ; China Boy. Jasmine JASCD 427

CARMEN CAVALLARO – Stairway to the Stars (1941-55). 2 CD compilation. You're Mine, you; Dancing In The Dark ; I'm Always Chasing Rainbows ; Oh, Marie ; I Love You ; Medley of hits from 1932 - In A Shanty In Old Shanty Town/Speak To Me Of Love/Play Fiddle Play/Paradise; Medley of hits from 1932 - Forty Second Street/Of Thee I Sing/Shuffle Off To Buffalo; Someone To Watch Over Me ; Tonight We Love ; If I Had You ; Medley of hits from 1921 - Peggy O'Neil/When Francis Dances With Me/Song Of Love ; Medley of hits from 1932 Louisiana Hayride/You're Getting To Be A Habit With Me/Alone Together ; Come Back To Sorrento ; A Bushel And A Peck ; I've Never Been In Love Before ; I'll Know ; Fugue For Tinhorns ; My Time Of Day ; Medley of hits from 1932 - April In Paris/I've Told Every Little Star/The Song Is You ; I'll Follow My Secret Heart ; My Reverie ; Moon Love ; Body And Soul ; Our Love ; It's All Right With Me ; Medley of hits from 1932 - Soft Lights And Sweet Music/Night And Day/Underneath The Harlem Moon ; Medley of hits from 1932 - Brother Can You Spare A Dime/Just An Echo In The Valley/Let's Put Out The Lights ; Dream Of Love ; Lover ; Medley of hits from 1921 - Say It With Music/Tuck Me To Sleep In My Old Kentucky Home/My Mammy ; Guys And Dolls ; More I Cannot Wish You ; Luck Be A Lady ; If I Were A Bell ; Sue Me/Sit Down You're Rocking The Boat ; Medley of hits from 1921 - Ma, He's Making Eyes At Me/Yoo-Hoo/I'm Just Wild About Harry ; Medley of hits from 1921 - Sweet Lady/Make Believe/April Showers ; All Through The Night ; I Concentrate On You ; Falling In Love With Love ; Stairway To The Stars ; Ain't Misbehavin' ; Will You Remember? ; So In Love ; Love, Your Magic Spell Is ; Everywhere ; P.S. I Love You ; Between The Devil And The Deep Blue Sea ; September Song ; Tenderly. Jasmine JASCD 430

DANNY KAYE In Selections From The Soundtrack Of MERRY ANDREW Arranged And Conducted By NELSON RIDDLE (1958) / Music Of The BIG TOP CIRCUS BAND Conducted By Nelson Riddle (1950)The Pipes Of Pan ; Chin Up, Stout Fella ; Everything Is Ticketty Boo ; You Can’t Always Have What You Want ;. The Square Of The Hypotenuse ;. Salud (Buona Fortuna) ;. Medley: Thunder And Blazes / Billboard March ; Hippopotamus Rag ; Circus Waltz ; Lassus Trombone ; Minor March ; Bozo’s Song (March). DRG Records DRGCD 19082

BING CROSBY – A Musical Autobiography. 4 CDs. AVID AMBX147. Includes the complete 1954 5-LP set with between-track chat by Bing, accompanied by Buddy Cole and his Trio, followed by recordings with co-stars Mary Martin, Bob Hope, Andrews Sisters, Judy Garland, Al Johnson, Louis Armstrong and Jane Wyman. Selections from Paris Honeymoon and The Star Maker complete CD3. The 4th CD has 20 tracks of film soundtracks and publicity discs.

Classic Rey – ALVINO REY and his Orchestra with the Four King Sisters. Original recordings from 1940-44. Tiger Rag ; Not a Star in Sight ; Rose Room [Instrumental] ; Cielito Lindo (Beautiful Sky) ; Oh! For Heaven's Sake ; Dearly Beloved ; Drowsy Old Riff [Instrumental] ; Lover's Lullaby ; He Wears a Pair of Silver Wings ; Strip Polka ; How Green Was My Valley ; Gobs of Love ; William Tell [Instrumental] ; Daybreak ; Woodland Sympathy [Instrumental] ; I'm Old Fashioned ; Army Air Corps Song ; Sand in My Shoes ; Liebestraum (A Dream of Love) [Instrumental] ; Yo Te Amo, Oh! Baby ; Ferris Wheel ; Having a Lonely Time ; My Buddy ; San Fernando Valley. Flare ROYCCD 242

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About Geoff 123
Geoff Leonard was born in Bristol. He spent much of his working career in banking but became an independent record producer in the early nineties, specialising in the works of John Barry and British TV theme compilations.
He also wrote liner notes for many soundtrack albums, including those by John Barry, Roy Budd, Ron Grainer, Maurice Jarre and Johnny Harris. He co-wrote two biographies of John Barry in 1998 and 2008, and is currently working on a biography of singer, actor, producer Adam Faith.
He joined the Internet Movie Data-base ( as a data-manager in 2001 and looked after biographies, composers and the music-department, amongst other tasks. He retired after nine years loyal service in order to continue writing.