Editor: every so often our Society hosts a very special event which is destined to go down as one of the highlights to be fondly remembered by those of us fortunate enough to be present. Such an occasion occurred in April 2004, when Trevor Duncan accepted our invitation to be our Guest of Honour for our Spring London meeting. In the following report, Peter Burt recreates the magic of that memorable weekend.
All in an April afternoon
RFS Spring Meeting Report 2004
Sunday 4th April and the usual venue of the Bonnington Hotel on London’s Southampton Row. But a rather special meeting as we had as our Guest of Honour a man described by Paul Clatworthy in an earlier report as "music composer supreme", Trevor Duncan.
There was a larger than usual gathering of members to hear about his career spanning over 50 years and to celebrate his 80th birthday. His interlocutor was André Leon who, due to his interviewee’s self-effacement, sometimes had to almost answer his own questions. Trevor was led through his life in music as firstly BBC balance engineer then producer [including the ‘Show Band Show’], orchestrator and composer; and was prompted to comment on the music he wrote and people he met along the way.
He told us how he first came to orchestration through the encouragement of Ray Martin, how prior to that Rimsky-Korsakov’s Scheherazade had sent shivers down his spine, and how he loved the sea. When bracketed with John Williams as "going down in history" for one aspect of his music he quipped: "I shall go down in history as not earning as much money as John Williams".
We had recorded birthday greetings from Ann Dawson, referring to him as "charming and wonderful company", George Barker of Media Music and Peter Cox of KPM.
And the music? There was High Heels [in three different versions], Tomboy, Making Tracks [aka Homeward Bound, aka 20th Century Express], Dramatic Pointers, No Place To Hide, Escape Velocity, Quatermass, Panoramic Splendour ["a masterpiece of vision"], Passage To Windward, Overland To Oregon, St. Boniface Down, Girl From Corsica, Mademoiselle Moderne, Waltz For Terri, A Sequence For Sentimentalists, East Side Story, Climb to Altitude, Icicle Ride, Plan 9 From Outer Space, The Unwanted - The Boy, March from ‘A Little Suite’, Folk Tune and Little Debbie. And we had Trevor’s piano party piece of asking for four notes at random from the audience and then turning them into a composition. What riches!
The afternoon had started with a voice a lot of us would not have heard for years, Donald Peers, singing Bow Bells with Robert Farnon’s Orchestra, from the new ‘A Portrait of Farnon’ Living Era CD. The recording included a nice interpolation of the bells as we used to hear them on the old BBC Home Service.
Our friend Heinz Herschmann is one of several men about music who were born in 1924 and a birthday tribute in the form of his Fluerette followed. A Farnon number was next, Little Miss Molly, featuring the mellifluous flute of Jane Pickles with the Royal Philharmonic Strings conducted by Jack Parnell – a track from the latest RF sessions, which at the time of writing are still to be put out on disc. After that a forthcoming CD of, this time, old recordings made up Cab Smith’s Swing Session. The CD in question, ‘Showcase for Soloists’, and the tracks were: Travellin’ Jazz [Dennis Wilson], Walkin’ Happy [David Snell] and Trumpet Talk [Kenny Baker and Stan Roderick].
Another long-time friend and regular attendee at our meetings is John Fox, also celebrating his 80th birthday this year. It was good to see him again [accompanied by his lovely wife, Joy Devon] and to hear his My Village [from ’Countryside Suite’] played by the Royal Ballet Sinfonia conducted by RFS member Gavin Sutherland. This drew spontaneous applause as David told us it had at a recent Bournemouth Gramophone Society meeting where he had been invited to present a programme of light music.
Unlike in November, new releases did not miss out this afternoon as they were given a good as the first interval approached. Albert and David brought us Heyken’s Serenade, an early Ron Goodwin single on the old Polygon label now restored by Alan Bunting on one of the new Guild ‘The Golden Age of Light Music’ CDs; the very descriptive Busy Streets from Roger Roger’s ‘Whimsical Days’ [Vocalion]; and Siboney, another of those tunes that always seem to get a good recording, this time arranged by Angela Morley and played by Sidney Torch [Living Era].
We then heard Rose, Rose, I Love You,a sprightly arrangement [Leon Young?] from Frank Chacksfield’s ‘South Sea Island Magic/In the Mystic East’ [Vocalion 2 CDs for the price of 1]; Body and Soul from ‘Delicado’, Mr Bunting’s best-selling double-CD on Living Era of early Percy Faith tracks; Dennis Farnon’s Girl Bird played by The New Concert Orchestra on Vocalion’s ‘Boosey & Hawkes Music Library Volume 1’; Monia Liter and his Orchestra’s Blue Fandango from the highly acclaimed – and not just by me – ‘Lovers in Rome/Lovers in Paris’ [Vocalion]; and, finally, in tribute to another of this year’s 80th birthday celebrants, Angela Morley, her Captain Nemo Film Theme from RFS member John Wilson and his Orchestra [Vocalion].
John was with us in the audience [without his orchestra] as were composer Matthew Curtis and Ann Dawson of Boosey Media. In his "parish notices" before we broke for refreshments, David introduced two overseas visitors: James Cahall, all the way from Kentucky just for this meeting, and Sigmund Groven from Oslo.
The final part of the afternoon brought more Radio Recollections by Brian Reynolds. This time he concentrated solely on recordings he had taken from ‘Music While You Work’ broadcasts: Lavoona [Bernard Monshin and his Rio Tango Band]; Tango Yvonne [Louis Voss and his Kursaal Orchestra]; Toni’s Tune [Michael Freedman and his Orchestra] and Bandarilla [Harold C Gee and his Maritza Players]. Memories for some, possibly almost unknown to others. There were more recent memories as we celebrated the life of the sadly departed Bob Monkhouse, a good friend to light music. We heard an extract from one of his Radio 2 ‘Legends of Light Music’ shows where he introduced RF’s Yes! We Have No Bananas and a very rare 78 of George Melachrino’s Spring Morning [subsequently re-issued on Guild GLCD 5104].
David got his personal selection in this time as he brought us "The ‘Lost’ CDs" – Farnon recordings that have never been released. These were Pia Zadorasinging Little Girl Blue, George Benson with One Goodbye, Eddie Fisher’s Love You Didn’t Do Right By Me, and Catana, a track intended for the Robert Farnon Orchestra’s ’At the Movies’ album. We also heard another item from Bob with Jane Pickles, Piccolo Flight. Albert had the final word telling us that the latest new recruit to the Society was a certain Mr Neil Hefti.
As David expressed his usual thanks to one and all, especially Tony Clayden, may I in retrospect on behalf of all of us present thank David and Albert for their afternoon’s exertions as our co-hosts.
ROBERT FARNON SOCIETY 2013 AUTUMN MEETING
--- The Finale ---
Brian Reynolds Reports on a Memorable Afternoon
It was a wet and dismal day on the 13th October, but that didn't stop over 100 fans of civilised music coming to 'The Bonnington' for the last time and celebrating the music of Robert Farnon, as we have done for 57 years. As it was important to go out on a 'high' we invited the Aspidistra Drawing Room Orchestra to play some live music for us during the third part of the show.
After opening proceedings with Melody Fair, David Ades (who we were delighted to see back at the helm) welcomed us to the meeting and introduced Albert Killman (not that he really needed much introducing!)
We commenced with a video of the opening titles to the film Shalako - music by Robert Farnon and featuring the harmonica of Tommy Reilly. Following this, Albert introduced The Concorde March by Robert Farnon. It had been decided that, for this very special occasion, most of the recorded music would have a Farnon connection.
Albert then played us Vera Lynn's recording of Bob's beautiful arrangement of Through A Long And Sleepless Night - a recording that deserves to be heard more often. Next came four recordings by vocal artists who had associations with Farnon. Lena Horne sang I Have Dreamed, Frank Sinatra sang Carroll Gibbons' Garden in the Rain followed by Sarah Vaughn’s version of How Beautiful Is Night,concluding appropriately with Tony Bennett and At The End Of A Love Affair.
We continued with Robert Farnon’s love of traditional airs: firstly The Lincolnshire Poacher, followed by his Octet with Camptown Races from his Stephen Foster album.
Next, accompanied by Robert Farnon, we heard the trombone of J.J. Johnson in Lament (which won Bob his Grammy) followed by Lady be Good featuring George Shearing with Bob's orchestra.
We then turned to Robert Farnon the composer with Seventh Heaven (conducted by John Wilson) and a performance by Bob with the BBC Concert Orchestra (featuring Kenny Baker) of Scherzo for Trumpet. At the end of this was part of an interview with Bob, talking to announcer John Dunn.
The next item was in the form of a musical quiz in which four light pieces were woven together, namely 20th Century Express by Trevor Duncan, Paper Chase by Cyril Watters, Beachcomber by Clive Richardson and Practice makes Perfect by Wally Stott. These were a ‘taster’ for their forthcoming release on a new Guild CD "Bright Lights", due to be issued in November. For some strange reason a rumour had been circulating that the changes at the RFS would mean the ending of new Guild CDs. David pointed out that this was certainly not the case. His work producing the Guild Light Music CDs is entirely separate from his RFS duties, and he and Alan Bunting were already preparing new titles to be released in 2014.
To conclude the first part of our programme, Albert introduced part of a video compilation that was produced by Geoffrey Richardson for the Society's 50th anniversary. It included a long list of the light music composers, musicians, celebrities and broadcasters who had attended our London meetings over the years. What a testament to the influence the RFS has had in keeping the Light Music flag flying.
We commenced the second part of our programme with a video of part of the BBC television show of a few years back "A Little Light Music - Music for Everyone". This excerpt concentrated on Robert Farnon, and included items from RFS archives.
Tony Clayden then came forward to talk about the future of meetings for light music lovers - Yes! There is a future; not at the 'Bonnington' admittedly, but in cooperation with the Light Music Society, at the Lancaster Hall Hotel near Paddington Station. The first meeting has been arranged for Sunday, May11th 2014, when we hope to have, as our special guest, Brian Culverhouse, (former EMI light music record producer) in conversation with Malcolm Walker (former Editor of 'Gramophone' magazine). The phrase 'use it or lose it' comes to mind because if there is a good turn-out, meetings will continue, but if only a handful of people turn up then further meetings will not be financially viable. So it's up to you!
David Ades then introduced our President, David Farnon who presented a selection of recordings which had a special meaning for his father. The first was I Am What I Am recorded by Pia Zadora with the London Philharmonic Orchestra under Bob's direction. This was followed by I loved You (Klaus Oberman) featuring the Singers Unlimited. Then a piece which was very nostalgic for Bob as it was written by his brother Brian - Christmas Land (featuring Tony Bennett). David Farnon continued with a composition by his son Tom, which was entitled Handyman. We then heard Bob's Lady Barbara Theme from the album 'Lovers Love London' conducted by Jack Parnell. Finally, we listened toTrumpet Talk featuring the trumpets of Stan Roderick and Kenny Baker - who Robert Farnon once described as 'having the best chops in the business'!
David Farnon concluded by thanking everybody for their support over the years -support which meant a great deal to his father. Indeed, when the Society was first set up, Bob felt very flattered. David went on to thank David Ades, who was then given a standing ovation. David Farnon concluded by mentioning that the Society would live on in the form of the website, which is shortly to be re-vamped.
David Ades then thanked Malcolm Osman, Tony Clayden and Albert Killman with a personal gift in appreciation of the support they had given him over the years. I don't know what the gifts were, but at least they didn't explode!
We concluded the second part of our programme with a video of the London Philharmonic Orchestra under the direction of Robert Farnon playing A Farnon Fantasy.
We wanted our final meeting to really go out in style, so we were delighted that the Aspidistra Drawing Room Orchestra agreed to play for us once again. Many will recall their performance at the Haydn Wood concert a few years ago. They began with Fred Hartley's familiar Hampden Roar and this was followed by La Patrouilette (I think the composer's name is McKay). After Robert Farnon's familiarWestminster Waltz we listened to The Sparrow Concerto followed by the curiously-titled At the Codfish Ball by the appropriately-named Lew Pollack. Next we heard Robert Schumann's Slumber Song after which we were woken up by Whistling Rufus (Kerry Mills). Another unusual title followed - I've Joined The Squirrel Family by Helen Trix.
After a short break, the orchestra continued with You're Too Pretty To Be True by Peter Kreuger and two more Farnon favourites - Sea Shore and the catchy Moomin.
Then followed Drifting and Dreaming, (Alstyne and Schmidt) - one of several delightful duets from the orchestra's excellent singers, Liz Menezes and Camilla Cutts. Next, a request from me, Charles Williams's Rhythm On Rails which sounded really great. This was followed by I Don't Care If The Sun Don't Shine by Mack David,and a new piece to me called Obstinacy (I didn't catch the name of the composer - sorry!)
To conclude the programme, the orchestra played the most appropriate of pieces Journey Into Melodyby Robert Farnon. We are most grateful to them for providing a fitting finale to our last meeting at 'The Bonnington', for which there was a huge turn-out. Hope to see most of you again on May11th at the Lancaster Hall Hotel for another afternoon of Light Music.
This report appeared in the December 2013 issue of Journal Into Melody.
The Robert Farnon Society’s Autumn 2012 London Meeting
A Report by Brian Reynolds
Sunday 14th of October had arrived and it was time for our biannual wallow in the wide range of melodic music with which many of us grew up, and which the BBC seems to think isn't wanted anymore! How wrong they are!
As usual, David Ades and Albert Killman welcomed us to 'The Bonnington' and started the ball rolling with Overture for Pia Zadora. This was arranged by Robert Farnon in the mid-eighties with a view to it being used at Pia's concerts. This was followed by The End of a Love Affair/How About Me, again arranged by Bob for Pia.
We then heard My Kind of Town featuring the Robert Farnon orchestra from the Vocalion re-issue 'The Hits of Sinatra'. This was followed by Beautiful Things sung by Tony Bennett. This was arranged by Bob for a film about Italy and was recorded in 1968. However the film was never made!
The last few meetings of our society have been some of the best we've ever had, so it is disappointing that attendances have dropped by some 25%. Of course there may be good reasons for this - the increased cost of travel and the fact that our predominately mature membership are not getting any younger are obvious factors. However, the costs of hiring a room and providing basic refreshments do not reduce. The committee have deliberately avoided increasing admission charges in these somewhat austere times, so members present were requested to fill in a questionnaire detailing various options. These included the options of reducing our meetings to one a year, hiring a smaller room within the hotel or finding a cheaper venue. A vigorous debate ensued and, as you were told in the previous journal, members voted to retain the status quo. So, it's back to the drawing board.
Following this debate, which probably took up more time than was expected, we resumed our music with some new releases. First came a Dolf van der Linden composition Cab Rank from Guild GLCD 5197 " Melody Mixture". This was followed by a medley from John Wilson's orchestra, "Rodgers and Hammerstein at the Movies", recorded at Abbey Road, Studio 2.
The Guild light music series has recently reached its landmark 100th CD (an amazing achievement) and we listened to two of the tracks. Firstly, we heard one of Bob's early pieces Stringtime played by his orchestra and then the Jack Hylton orchestra playing a 1929 recording of Ernie Golden'sToymaker's Dream. Next came a piece by Johnny Mandel, The Shining Sea played by the Frank Cordell orchestra with Don Lusher as the trombone soloist. This was from one of two Cordell LPs recently re-issued by Mike Dutton. This was followed by Bert Barnes's Dainty Miss played by Harold Collins and his orchestra, from the Guild CD "Light music While You Work - Volume 4".
Part one of the programme concluded with David Farnon's Gibson's March (recorded for the Carlin Library).
Suitably refreshed, we welcomed to the platform, our special guest for the afternoon, Iain Sutherland, making a return visit to us by popular demand. David Ades introduced him and played his marchEdinburgh Castle after which Iain told us that this was written as an 'opener' for concerts, way back in the sixties. It is well-known known that Iain conducted the premiere of Robert Farnon's 3rd Symphony. When it was being rehearsed Iain maintained a constant telephone link with Bob, who was ill and confined to bed. By this means Iain ensured that his interpretation of the work was exactly the way Bob wanted it. We then listened to the first movement. Unfortunately the premiere with Iain conducting was not recorded, so the version we heard came from a Canadian broadcast of the north American premiere.This was followed by Iain's recording of Hamish MacCunn's Land of the Mountain and the Flood, perhaps better known as the theme to Sutherland's Law. I well remember attending a "Music While You Work" broadcast in 1983 in which Iain included this piece, and I could not help noticing that the orchestral parts had been altered to read "Iain Sutherland's Law"! Next, we heard Ernest Tomlinson's famous Little Serenade from a CD of the Iain Sutherland Concert Orchestra.
On Iain's previous visit, he told us that he had played for some of the world's most famous classical conductors such as Klemperer, Boult and Sargent. However, he developed an affinity for light music during the early sixties playing for the likes of Raymond Agoult, Bernard Monshin and others - in "Music While You Work" for which only the finest session players were acceptable.
It was now time to hear another of Iain's own compositions.This one was written over fifty years ago and entitled Here's to Holidays; it was played by the Symphonia Orchestra conducted by Curt Anderson, and is the title track of a Guild CD due to be released in May or June this year. This was followed by two pieces from a recent Iain Sutherland CD - Playful Scherzo by Peter Hope and Covent Garden by Eric Coates.
David Ades then asked Iain if he could recall his first broadcast as a conductor and Iain explained that he had been approached by the BBC's Head of Light Music, Andrew Gold, who being aware that Iain had conducting experience, asked him if he would like to do a 'Music While You Work', guest-conducting the BBC Scottish Variety Orchestra. The resident conductor, Jack Leon was close to retirement, so Andrew Gold probably saw Iain as a possible successor, which indeed was what transpired. At that point, to Iain's amazement, David Ades played him part of the actual broadcast - the signature tune Calling All Workers and the opening number Viva Villa by Jack Leon. I have to say that this was a 'set up' between David Ades and myself, as I happen to possess this recording! I was then invited to formally present the recording to Iain.
Iain spent seven years in Scotland as conductor of the Scottish Variety Orchestra (which he renamed Scottish Radio Orchestra) and later conducted the London-based BBC Radio Orchestra, as well as countless appearances in 'Friday Night is Music Night', conducting the BBC Concert Orchestra.
Iain's part of the programme was completed with his own arrangement of a selection from Me and My Girl. I think we all felt that asking Iain Sutherland back had been very worthwhile!
Iain then assisted with the raffle before we took our second break.
We returned to our seats to the accompaniment of John Williams' Olympic Fanfare and Theme, in celebration of his 80th birthday.
Vernon Anderson then came to the stage to talk about the career of Dudley Moore. He played us excerpts from a two-CD set of a concert in Sydney on 2nd. May 1968. Dudley Moore introduced it and we heard the Dudley Moore Trio play Rainy Day. This was followed by what might be described as a comedy madrigal. We listened to Die Flabergast in which Dudley sang as a soprano, and Richard Rodgers Lover played in the style of Errol Garner, but including quotes from the works of classical composers. Next came Strictly for the Birds and to conclude, the inevitable Goodbye with which Dudley often ended his shows with Peter Cook.
David then played us When Sunny Gets Blue with the Robert Farnon Orchestra. This came from the 'Vocalion' re-issue "Portrait of Johnny Mathis"
It was now time for my 'Radio Recollections' feature in which I play vintage recordings from the days when the BBC took light music seriously. I began with a march called The London Scottish (Haines) played by Ronnie Munro and his Orchestra. This gave me the opportunity to mention a new CD with which I have been involved called 'Music While You Work - vol.3', which contains this, and 27 other 'off-air' excerpts from the series. The CD is available from Frank Bristow in Australia and is (hopefully) reviewed elsewhere in the magazine. I then featured the Band of the Royal Army Ordnance Corps playing a composition of my own called Regency Rumba. I continued with pianist Maurice Arnold and his Sextet playing the curiously titled Bossa Nova Minus One, composed by Maurice Arnold himself. This was followed by Sydney Del Monte's often broadcast Bows and Bellsperformed by Ralph Elman and his Bohemian Players. Time was now marching on and I had to omit the final piece which I will play next time.
At this point Albert Killman paid tribute to David Ades for the amazing achievement of over 100 light music CDs on the Guild Label. Of course, no such tribute would be complete without acknowledging the enormous part played by Alan Bunting, in remastering thousands of recordings!
We then heard a BBC transcription disc from about 1949. This was Robert Farnon's arrangement ofNight and Day played by Bob's orchestra, with vocals from Kathryn Oldfield and Denny Vaughan.
To conclude we listened to part of Bob's Nautical Trilogy, conducted on this Carlin recording by David Farnon. It brought to an end a most satisfying afternoon of music. Roll on May!
Although I had been familiar with the name of Iain Sutherland since his conducting debut on radio in the mid-sixties, it wasn't until the BBC revived 'Music While You Work' in the
early eighties that I got to meet him - and attend four of his broadcasts. I well recall that he showed me a book containing requests from listeners, from which he was selecting pieces for each broadcast. The producer was the late Charles Clark-Maxwell and I remember that on one occasion, he called out over the loudspeaker "Could you record 'Elizabethan Serenade' again Iain - I want to put a fade-out ending on it". Horrified - I instinctively caught Iain's eye, waved furiously at him, mouthing "No! No! No!". Iain immediately turned to the microphone saying "No thank you Charles - I'm quite satisfied with it as it is!" I must say, that as a mere mortal, I was quite pleased to have had so much influence!
On another occasion, having just rehearsed Haydn Wood's 'Montmartre', Iain turned to his leader saying "Bet you haven't heard that in twenty years!" The leader said " No - but it's very nice". Responding, Iain boomed "Of course it's nice, light music is nice!"
Iain has kindly provided the society a resume of his quite extensive career. So here it is:
IAIN SUTHERLAND, during his 40 year association with the BBC, was Principal Conductor of the BBC Radio Orchestra in London, the BBC Scottish Radio Orchestra, and the Guest Conductor of the award winning "Friday Night is Music Night" with the BBC Concert Orchestra. He appeared twice at the Edinburgh International Festival with the BBC Scottish Radio Orchestra, and on numerous occasions at the BBC International Festival of Light Music with both the BBC Radio Orchestra and the BBC Concert Orchestra, at the Royal Festival Hall.He was also Principal Conductor of the City of Glasgow Philharmonic Orchestra , and has appeared as a Guest Conductor with:-
London Symphony Orchestra; Philharmonia Orchestra; Royal Philharmonic Orchestra; Royal Scottish National Orchestra; Royal Liverpool Philharmonic Orchestra; Halle Orchestra; City of Birmingham Symphony Orchestra; English Chamber Orchestra; Ulster Orchestra; English Haydn Orchestra; Scottish Festival Orchestra; Slovak Philharmonic; Brazilian National Symphony; Capetown Philharmonic; Graz Symphony; Dessau Philharmonic; Maribor Philharmonic; NDR Hanover Philharmonic; Flemish Radio Philharmonic; Aalborg Symphony; Belgian Radio Philharmonic; Norwegian Radio Orchestra; Danish Radio Orchestra; Promenade and Metropole Orchestras of Netherlands Radio; Munich Radio Orchestra; Kaiserslautern Radio Orchestra ; National Youth Orchestra of Scotland; National Youth Orchestra of Norway; Orchestra of the National Centre for Orchestral Studies in London.
International soloists with whom Iain Sutherland has performed include:-
Peter Auty; Larry Adler; Moira Anderson: Nicola Benedetti; Malcolm Bilson; Angela Brownridge; Sarah Brightman; Isobel Buchanan; Ronald Brautigam; Robert Cohen; Helga Dernesch; Maria Ewing; Michael Feinstein; James Galway; Evelyn Glennie; Chloe Hanslip; Nigel Kennedy; Katia and Marielle Lebeque; Julian Lloyd-Webber; Tasmin Little; Benjamin Luxon; Kenneth McKellar: Murray McLachlan; Sherrill Milnes; Julia Migenes; Dennis O’Neill; Joshua Rifkin; Crispian Steele-Perkins; George Shearing; Mel Torme ;Robert Tear; Willard White; Robert White; John Wallace.
Iain Sutherland’s repertoire encompasses baroque, classical, romantic and contemporary works, as well as the repertoire of Vienna, Hollywood, Broadway and International Light Music. He also appears regularly at the English Haydn Festival with the period instrument English Haydn Orchestra:-
"...................but surely the high spot was the performance of the rare symphony no.62 in D. The splendidly clear account under Iain Sutherland showed it to be the equal of any of its period".
Haydn Society Journal.2004.
He has conducted many choral/orchestral concerts, and gave two performances of Britten’s "War Requiem" in Bratislava with the Slovak Philharmonic Orchestra and Chorus under the auspices of the British Council. On 7th. July 2006,the first anniversary of the "7/7"terrorist attack on London, he was invited to conduct the "Requiem" by Mozart, with the London Orpheus Chorus and Philharmonic Orchestra in a memorial concert at St. Bottolph’s in the City.
Premieres he has conducted include the Mike Oldfield/David Bedford symphonic version of "Tubular Bells", with Steve Hillage as soloist, a milestone in the annals of rock music (1976); the arrangement for massed brass bands of Elgar’s "Enigma Variations" by Eric Ball at the Royal Albert Hall(1986); Malcolm Arnold’s "Irish Dances" in London(1988); "Movimentos para Don Jose Haydn" by Rene Staar in Graz(1995); "Etude for Orchestra" by Edward Harper in Edinburgh (2000); "Rhapsody Brasilieras" by Ney Rosauro in Rio(2001); Robert Farnon’s Symphony no.3 (Edinburgh) in 2005, in Edinburgh.
Recordings : three new albums released in Summer 2012; "The Merrymakers: British Light Classics" with the Iain Sutherland Concert Orchestra on Alto Records and "In London Town: A musical tour of the historic sights of London" with the Philharmonic Concert Orchestra on the Somm label; both were awarded the accolade of being chosen as Featured Album of the Week by Classic FM, and "Scotland’s Tunes of Glory" on the Delta label, with the City of Glasgow Philharmonic Orchestra, Pipes and Drums and Chorus. Four albums, "The Classics Collection", (Great Scottish Classics/ Irish/Viennese/ Christmas) on the REL label; each is a compilation taken from the "live" broadcasts of Iain Sutherland’s "Pops at the Philharmonic" concerts at the Glasgow Royal Concert Hall with the City of Glasgow Philharmonic Orchestra:
"....................with such marvellous programmes, orchestra and conductor, no wonder the City of Glasgow Phil’s concerts are sell outs".
Other recordings include the "Schindler’s List" theme with Tasmin Little and the New World Philharmonic Orchestra : "Simply Maria" with Maria Ewing, "Waltzing in the Clouds" (the music of Robert Stolz),with Julia Migenes and Sebastian Rheintaller and "Celebrating the Great Musicals", all with the BBC Concert Orchestra on BBC Records: Shaun Davey’s celtic epic "The Pilgrim" on Tara Records . Three concept albums, "Phytandros", "The Last Opera" and "Free yourself" for the multi-million selling French contemporary-romantic composer Saint-Preux, on Sony, recorded at Abbey Road Studios with London’s greatest session orchestras; all of the above are available at Amazon.
Iain Sutherland was Musical Director for a series of BBC radio recordings of classic musicals: "Guys and Dolls", "Finian’s Rainbow", "My Fair Lady", "The Music Man", Kiss Me Kate", "Sweet Charity" and Stephen Sondheim’s legendary "Follies", which was recorded at a Gala concert at the Theatre Royal, Drury Lane, which the composer attended. All-star casts for these recordings included:- John Barrowman, Tom Conti, Mary Carew, Anita Dobson, Jim Dale, Marilyn Hill Smith, Bonnie Langford, Julia Migenes, Julia McKenzie, Ron Moody, Donna McKechnie, Claire Moore, Milo O’Shea, Denis Quilley, Elizabeth Seal. For NDR Hanover he recorded Bernstein’s "Candide" and "West Side Story" with the NDR Philharmonic and Principal Artists of Hanover Opera. He was also Musical Director of many long running BBC TV shows . In London’s West End, he was Musical Director of Meredith Wilson’s "The Music Man" starring Van Johnson and Noel Coward’s "Sail Away" starring Elaine Stritch. His "Pops at the Philharmonic" concerts and appearances at the Summer Proms at Kenwood House, Glamis Castle and other Stately Homes around the UK, are popular not only for his choice of repertoire, but also for his informal yet informative introductions.
".................so smooth and mellow is conductor Iain Sutherland that, whatever the music, he usually manages to steal the show".
He has been honoured to conduct for many Royal Charity concerts, including the Royal Variety Show, and personally organised a series of Supper Concerts on the theme of Music and Verse, in the presence of the Royal Patrons of the charities concerned, at St. James’ Palace and the Banqueting Hall of Whitehall Palace. Along with the English Chamber Orchestra, distinguished artists who took part included the Lord Attenborough, Dame Judi Dench, Robert Hardy OBE, Hannah Gordon, Sir Ben Kingsley, Joanna Lumley and Timothy West CBE.
Iain Sutherland has taken part in many varied radio and TV programmes including the panel game, "Call My Bluff". He has also spoken at the Oxford Union. He has served on the board of the Performing Artists Media Rights Association (PAMRA); as Warden of the Performers and Composers section of the Incorporated Society of Musicians (ISM); on the Central Music Advisory Committee of the BBC; the Council of the British Academy of Songwriters , Composers and Authors (BASCA): on the Music Writer’s Section of the Musicians’ Union (MU), and is a Patron of the Young Persons Concert Foundation. He is a member of the Royal Society of Musicians of Great Britain and is Hon. Vice-President of the Clan Sutherland Society, and a Companion of the Television and Radio Industries Club in recognition of his services to broadcasting.
IAIN SUTHERLAND was born in Glasgow, Scotland on 18 May 1936, and is a graduate of the Royal Conservatoire of Scotland (formerly the Royal Scottish Academy of Music and Drama). His principal instrument was the violin which he studied under Prof. Horace Fellowes in Glasgow and under Prof. Sacha Lasserson in London, leading to a highly successful career as an orchestral and studio session violinist, playing with the great London symphony orchestras under the greatest conductors of the era such as Klemperer, Boult, Sargent, Solti and Groves, and in the film, recording and TV studios, before his own appointment as Conductor of the BBC Scottish Radio Orchestra.
This report first appeared in ‘Journal Into Melody’, issue 195 dated April 2013.
ROSEMARY SQUIRES CAPTURES RFS MEMBERS’ HEARTS!
Brian Reynolds reports on a Memorable London Meeting
The date was October 16th 2011 and it was time, once again, for our Autumn extravaganza - somewhat special on this occasion (our 55th anniversary) as we had some live music to come in the third part of our programme, with a very special guest. We assembled at the Bonnington Hotel (as we prefer to call it) and found ourselves in a newly refurbished suite in the basement. We had expected to be back in our usual room, but due to a misunderstanding, this did not happen - but we shall definitely be back there in May!
As members took their seats, we heard the MGM Jubilee Overture from the new EMI CD 'That's Entertainment' - played by the John Wilson orchestra. This was followed by the introduction from 'Mike Todd's Broadway' LP played by the Robert Farnon orchestra. As the music faded, David Ades welcomed us to the meeting, giving a particular welcome to David Farnon and his two sons, Tom and George.
The programme proper opened with Get me to the Church on Time featuring the Robert Farnon orchestra, a track from a forthcoming Vocalion release.
Our friend Forrest Patten had recently lost his wife Nancy and had particularly requested that we playA Promise of Spring in her memory. This was from a CD recorded at Watford Town Hall back in August 1991 and was played by the Royal Philharmonic orchestra under the direction of Robert Farnon.
Albert Killman then introduced a recording of Doris Day with Andre Previn, My One and only Love and David introduced Cyril Ornadel and his Orchestra with Winifred Atwell (piano) in Moonlight Fiesta. This served as a tribute to our member Cyril Ornadel who died recently. It reminded me of an occasion nearly thirty years ago when I met Cyril during a broadcast of his 'Starlight Symphony' arrangements, specially recreated in the Maida Vale studios, for 'Music While You Work'.
Next, Albert presented a video of Ronnie Scott (Tenor Sax) with the Victor Feldman Trio playing Bob'sSummer Love on an early BBC2 programme 'Jazz 625'
This was followed by the Roy Budd Trio playing a jazz arrangement of Ding Dong Merrily on High. This was played in honour of Sylvia Budd (Roy Budd's widow) who was in the audience.
Next, a super piece of light music, Edelma by the late Terig Tucci, played by the Percy Faith Orchestra. This piece has always been a particular favourite of mine! We then heard David Rose and his orchestra playThe Rose of Bel-Air from a new Guild CD 'The Lost Transcriptions – Volume 3'
David Ades then explained the implication of the new 70 year copyright legislation recently passed by Brussels, pointing out that it will have little effect on Guild CDs as it will not be made retroactive - that is to say - everything currently out of copyright will remain so. Also, the new proposals will not become law until ratified by the EU countries, which could take up to a couple of years. So material recorded up to the early sixties will always be available to companies such as Guild to reissue without infringing copyright.
Another new CD from Guild is 'The Art of the Arranger - Volume 1' ( a hint that there is to be a volume 2!) From this we heard the Angela Morley (as Wally Stott) orchestra playing a Morley arrangement of Carroll Coates' London by Night. This was originally on a Philips LP - 'London Pride'.
We then heard a track from an album called 'Cooking with the lid on' featuring the Skelton/Skinner band (John Wilson with Colin Skinner (vibes) and Barry Skelton (drums). David then introduced the George Melachrino Orchestra with Christmas Alphabet from the new Guild CD 'Christmas Celebration'
After this, David introduced our old friend John Fox, who signed some copies of his book' My Musical World', in the interval. David also told us of the resurrection of UK LIght Radio which, initially would take the form of two hours of programming on Radio Six International (www.radiosix.com) usually around 4.00pm every Sunday afternoon, commencing November 6th.
The first section of our programme concluded with a video of the John Wilson orchestra at the Royal Albert Hall, playing There's no Business Like Show Business. How do you follow that?
Well, you don't! You take the first interval!
Suitably refreshed, we returned to our seats, and Tony Claydon introduced our President, David Farnon who had kindly come along to talk to us about the extensive Farnon family, most of whom shared Bob's musical talent and had enjoyed considerable success. We had a video screen available, so David showed us pictures of Bob's parents, Elsie and Robert who were accomplished performers of the piano and violin respectively. To use a biblical phrase, they begat Nora, Brian, Dennis and, of course, Robert Farnon. We then listened to Brian Farnon's Christmas Land featuring Tony Bennett and arranged by Bob, whose younger brother Dennis (now 88) was featured in his composition Caution, Men Swinging - the title track of an LP of the same name, which has been reissued by Vocalion. We then heard Resume Speed from the same album, also written by Dennis. We then watched 'Mr Magoo' on the video screen, again accompanied by music written by Dennis Farnon. One final piece from Dennis followed and that was his opening theme from Bouquet of Barbed Wire.
David then went on to talk about Brian Farnon's daughters Sharon and Charmian; indeed we then turned to the video to see and hear Charmian perform 'Sixteen going on Seventeen' from "The Sound of Music". Brian's daughter Darlene was the eldest of three sisters, with a string of television series to her credit. So we watched her in a sequence from 'Streets of San Francisco'.
Back in the UK, jazz singer and bass player Nicola Farnon was then seen performing The Lady is a Tramp.
Trumpeter Tom Walsh (Bob's grandson) was then featured in 'Bah Humbug' - performing with the National Youth Jazz Orchestra. Is there no end to this Farnon family talent? They must surely have been cloned!
David Farnon had brought his two sons with him on this occasion and we hope that they enjoyed sampling the activities of the Society.
David concluded with two performances from his son Tom, firstly in Glowing Panorama from the film 'Fatalis' and this was followed by Saucy Date thus concluding a fascinating presentation.
It just remained for David to draw the raffle, after which we took another break whilst the stage was prepared for the live music that was to follow.
Unfortunately, during the course of David Farnon's presentation the lights went out on several occasions, making it very difficult for a humble scribe such as myself to accurately chronicle the contents of the presentation, let alone read them afterwards! I still haven't deciphered the bit that I wrote on my trousers!
So please excuse any errors or omissions!
It really was a special day. Having been honoured by the presence of our President we were now to be entertained by that show business stalwart Rosemary Squires, MBE - who apart from her fine qualities as a singer and entertainer is one of nicest people in show business – and for many years a member of our society.
Her performance for us took the form of one of her stage presentations, in which she told us little anecdotes about her career in between the songs.
She was accompanied throughout by bass player Simon Thorpe and the famous broadcasting pianist Brian Dee, who has played regularly for her over the years.
Rosemary opened with The Song is You, followed by a Judy Garland medley, comprising I'm just wild about Harry, Good Morning, Our Love Affair and You Made me Love You. Next came a monologue entitled A Pair of Brown Boots.
Rosemary, reminding us that earlier in her career she had recorded as 'Joanne and the Streamliners' then performed the comic song Frankfurter Sandwiches. In more conventional style she then sangSometimes a day goes by.
Rosemary is also well-known for television commercials and she proceeded to sing us a few bars of 'Fry's Turkish Delight', 'Mackeson's', 'Skol lager', 'Comfort', 'Knorr Beef Stock', 'Coffeemate' and of course the one for which she is most remembered - 'Fairy Liquid'. You know how it goes - The hands that do dishes can feel soft as your face with mild green Fairy Liquid !
Commercials over, Rosemary introduced her pianist, Brian Dee who played Misty for us.
Appropriately, Rosemary followed this with I Love a Piano and Hello Dolly in which she did an amazing impersonation of Louis Armstrong - not just his voice, but a vocal version of his trumpet playing, which really brought the house down!
Then, as a tribute to Ray Ellington she sang Nice Work if you Can Get It followed by Mack the Knife.
Rosemary has often been called 'The British Doris Day' so it was fitting that she concluded her performance with a tribute to her, singing Whatever Will Be, Will Be followed by They Can't Take That Away from Me.
So ended a very special performance by a lady who remains ever-youthful and who certainly brought a sparkle to our meeting - without the use of Fairy Green Liquid!
It just remained for David to thank Rosemary and all who had participated in the afternoon's entertainment. However, it wasn't time to go yet and Rosemary joined us for a buffet - and I have to say that the hotel really did us proud, with what for me, was the best buffet I have ever tasted!
We shall all be back in May for another special treat - as the superb nine-piece London Salon Ensemble will be our guests in an afternoon of light music.
Brian Reynolds reports on the recent London Meeting of the Robert Farnon Society on 28th November 2010
I wondered whether I should head this report 'Winter Wonderland' in view of the bitterly cold weather which much of the country had been experiencing. Certainly our decision to move the dates of our future meetings was well and truly vindicated. Little did we know what was in store for us, weather-wise, in the coming weeks! At least we could look forward to the warm and cosy ambience of the Park Inn. However, we arrived at the hotel to find it completely changed, with warm reds and gold replaced by cold greys and mauve. There was a minimalist feel about the refurbishment which left the hotel looking marginally more welcoming than a morgue!
The elegant opulence of the hotel had certainly given way to "progress" and we even found ourselves in a different room, just until refurbishment is completed.
However, regardless of surroundings, one thing that will never change is the high quality of the music at our gatherings.
To our delight, David Ades, who had been unable to attend the previous two meetings, was back on the top table and proceedings got under way with Robert Farnon's Canadian Caravan played by Leslie Jones and his Orchestra of London, and this was followed by Bob's super march Colditz - very appropriate as the fine drama series for which it was written had recently been rebroadcast. From a 1976 session with Bob, we then heard Lena Horne sing Softly As I Leave You and this was followed byTear It Up, a piano novelty written by the recently deceased Derek Boulton, under the pen-name of Derek Nelson.
David Ades then handed over to yours truly for my customary "Radio Recollections". As there was a lot to fit in today's programme, I chose three short and lively pieces from yesterday's radio. To open, I played a fast and furious string number, wittily called Bow Jest, by its composer, Eric Jupp and played by pianist, Norman Whiteley and his Sextet. Next, a foot-tapping little opus by the well known conductor Norrie Paramor, Taverna played by Jack Salisbury and his orchestra, who were for many years resident at the De La Warr Pavilion, Bexhill. To conclude, we heard a samba by an old friend of the society, Cyril Watters, entitled Pancho From Peru. This was played by Anton and his orchestra, one of the best of the session music orchestras from the days of the Light Programme. I don't think any of these pieces have been commercially recorded. So many light pieces that were written primarily for radio never found their way on to disc and are now forgotten - a pity, as some are really good.
Next, David played Eddie Fishers' recording My Shining Hour - once again accompanied by Bob. This came from the 1995 sessions that have not, so far, been released.
It was then André Leon's turn to come to the top table - with a feature which he called "Big Screen, Little Screen." He began with the Newsnight theme by George Fenton (real name George Howe). We then heard a recording of the composer explaining how he came to write it. This was followed by theGandhi closing titles - apparently Fenton collaborated with Ravi Shanka). Next we heard the theme from The Blue Planet and the signature tune from the TV series Shoestring.
Some music by Geoffrey Burgon was then featured. Firstly, the title music from Brideshead Revisitedwith talkover by Jeremy Irons. This was followed by the Choir of Chichester Cathedral singing Nunc Dimitus, the music from Tinker, Tailor, Soldier, Spy.
Our meetings always try to reflect anniversaries and deaths in the months since we last met - and there were really quite a few to consider on this occasion but time is always our enemy and some had to be omitted. However, we could hardly ignore the 100th birthday of Edmundo Ros on the 6th December. So to celebrate this legendary bandleader's centenary we played one of his biggest hitsThe Coffee Song.
Time now for some new releases, beginning with Strike Up The Band from the RAF Concert Orchestra conducted by Sidney Torch (Guild). Next we heard the Phil Green orchestra playing She's My Lovelybelieved to feature the trumpet of Kenny Baker. This is from a new Vocalion CD called 'Moments In Mayfair'.
Back to Sidney Torch and the RAF Concert Orchestra for some film music arranged by Len Stevens - the title of which is unknown. We were lucky to have this as it was from a transcription disc discovered by Philip Farlow. Finally, in this section we listened to Philip Lane's London Salute.
This brought us to the end of part one and it was time for some refreshments.
Our special guest for the afternoon was former BBC Producer Anthony Wills and it was decided that the best way to present him was by way of an interview. Robert Habermann was the interviewer and the conversation was punctuated with pieces of music of Anthony's choice.
By way of an introduction we listened to a 1989 performance of I Hear Music played by the BBC Radio Orchestra conducted (appropriately, in view of his recent death) by Neil Richardson. Anthony had considerable dealings with the Radio Orchestra over the years and went on to tell us of the various constituent parts of the orchestra. It was often broken down into smaller ensembles (the Radio Big-Band being the best known), but over the years other combinations such as The Radio Players and other, often short-lived titles such as the Saturday Showband and the Swinging Strings were utilised. The Radio Orchestra was of course formed in 1964 by combining the BBC Variety Orchestra and Revue Orchestra and at its peak had 75 players.
We listened to the Geoff Love Orchestra playing Leslie Julian Jones's Postman's Knock and to Sarah Vaughan singing Robert Farnon's How Beautiful is Night.
Many will associate Anthony Wills with 'Friday Night is Music Night' but during his long career he also produced 'Marching And Waltzing', 'Glamorous Nights' and the John Dunn, Gloria Hunniford, and Brian Matthew shows. His association with 'Listen To The Band' came about when he was approached with the line "You like jazz, don't you - how about producing 'Listen to the Band!' - This was, of course,NOT a jazz show but a feature for brass and military bands. Anthony told us that whilst Charlie Chester presented the show, the script was actually written by Brian Matthew as 'Cheerful Charlie' was not an authority on brass and military bands. He was however, an accomplished composer and a fine artist.
We then listened to Rosemary Squires with the Eric Winstone Orchestra playing Sea Breeze.
Anthony then told us about a music series which he produced, called 'The Golden Days Of Radio' which ran for about six months. He also made documentary programmes on David Whitfield, Michael Holliday, Fred Astaire and Ethel Merman. We then listened to a comedy song from Ronald Frankau.
Anthony told us of his involvement with the BBC's Religious Broadcasting Department, when he produced some editions of 'Songs of Praise'. He also produced a series called 'The World Dances' and we heard a medley of tunes from that series, which included The Charleston, I Wonder Where my Baby is Tonight, Black Bottom, in a recording conducted by Stanley Black. (Perhaps that's why he included Black Bottom!)
Anthony told us of his work with Alan Dell on various shows, including 'Sounds Easy', which he illustrated with the concluding item of a selection from Stella by Starlight, followed by the closing signature tune of the programme. From 'Steve Race Presents...' we heard Salena Jones with Neil Richardson and the Radio Orchestra. Anthony, who also produced 'The David Jacobs Show' concluded his presentation with a selection from 'Oklahoma' featuring the Steven Hill Singers with the BBC Radio Orchestra conducted by Stanley Black.
After the raffle, it was now time for another interval.
The third part of our extravaganza opened with the ever-enthusiastic Paul Barrett giving us a Mantovani tribute. Paul's concerts with the new Mantovani orchestra have had an enthusiastic reaction and we were also pleased to welcome his producer, Franck Leprince (who was in the audience.) With the aid of video, Paul played us excerpts from the third concert, which included The Count of Luxembourg Waltz, Delilah and Around the World (featuring the trumpet of Mike Lovett).
Next to come to the top table was an old friend of the Society, Tony Foster, whose theme today was the 70th Anniversary of the Battle of Britain. Tony commenced with Spitfire Prelude (Walton) played by the Central Band of the Royal Air Force conducted by Barry Hingley, their Director of Music who, I think, held the rank of Wing Commander at the time. This was followed by Ron Goodwin's Luftwaffe March (sometimes known as Aces High) and lastly the Battle of Britain Theme (Goodwin) - the end title music.
David Ades then played the final section of a fourteen minute work by David Rose - Le Papillon. This was one of Rose's last compositions.
To conclude, in more serious style, David played us Robert Farnon's American Wind Symphony (The Gaels) conducted by Dr. Stanley Saunders.
That brought to an end a very full programme (so full that we had to leave many scheduled pieces of music out). Earlier in the programme, David read apologies for absences from David Farnon, Peter and Ellen Burt, Peter and Silvia Rix and conveyed the good wishes of Alan Bunting in Scotland (wouldn't it be nice if he could come and talk to us one day?). It just remained for David to thank everybody who taken part and we went on our way to Bob's Melody Fair.
This report first appeared in ‘Journal Into Melody’ issue 187, March 2011.
REMEMBERING THE MUSIC OF ANGELA MORLEY
The Robert Farnon Society London Meeting Sunday 29th November 2009
by Brian Reynolds
Once again the months had rolled by and it was time for our 'Autumnfest' featuring the best in light and popular music, with the emphasis this time being on the music of Angela Morley (Wally Stott) who had passed away early in the year.
As there was a lot of music to get in, we started a few minutes early and the audience took their seats to the accompaniment of the BBC Radio Orchestra conducted by Iain Sutherland, playing a selection of Irving Berlin melodies arranged by Robert Farnon.
It was then time for Albert Killman to welcome everyone to the meeting. One thing that was immediately noticeable was the absence of David Ades, who was in bed with the lurgi (not that it any of our business who he goes to bed with!) To be serious though, David had a chest infection and had been ordered by his doctor not to travel. I am sure that he was most disappointed to miss his first meeting in 45 years - some record! Let's hope that he is now fully recovered and will be his usual sparkling self at the next meeting.
We were then treated to a DVD of the opening overture from John Wilson's magnificent and highly successful Promenade Concert featuring the MGM musicals. After this Robert Farnon (in a Canadian interview) introduced 'Scherzando for Trumpet and Orchestra' played by the CBC Winnipeg Orchestra, conducted by Eric Wilde.
It was now time for my regular Radio Recollections spot. I had been asked to play something by Steve Race, by way of a tribute to this artist who had died earlier in the year. I chose 'Nicola' which Steve had written in honour of his newly-born daughter and which was probably his best known composition. It was played by Michael Freedman and his orchestra and featured the two pianos of Edward Rubach and Robert Docker. To continue, I played a very exciting paso doble by pianist Albert Marland entitled ‘Bandarilla’, performed by Harold C.Gee and his Maritza Players. Harold C. Gee is largely forgotten today but he had a thirty year career of regular broadcasting and was part of the fabric of the old Light Programme. He died in 1973. Next I played two consecutive pieces from a 'Music While You Work' by Ralph Elman and his Bohemian Players - Ralph was the nephew of the well-known classical violinist Misha Elman. The two pieces were 'Miss Melanie' by Ronald Binge and 'Silly Billy' by Norrie Paramor who, in his last years, conducted the BBC Midland Radio Orchestra. To conclude my section of the programme I played an exciting piece by Yvoire entitled ‘Cresta Run’featuring the BBC West of England Light Orchestra under their conductor Frank Cantell.
We then heard a piece called 'Estate', pronounced 'Eshtaty' - meaning 'Summer' - arranged by Robert Farnon and played by the BBC Concert Orchestra, with featured trombonist Gordon Campbell. At this point, Daniel Smith, featured soloist in Bob's Concerto for Bassoon, talked to us and played a recording of his performance of Break out Blues by George Shearing.
A Farnon original was next – ‘Manhattan Playboy’ played with great panache by Rawicz and Landauer with orchestral accompaniment under the direction of the composer.
Paul Barrett was then invited to the stage to talk about his third Mantovani Concert Spectacular, which will take place in the Spring.
To conclude the first part of the programme, and perhaps give us a taste of what was to come in the second part of the show, Albert played us a Wally Stott arrangement of ‘Oranges and Lemons’ played by the Wally Stott orchestra.
Suitably refreshed, we returned to our seats to the strains of ‘Angel Cake’ by Wally Stott. The tribute to Wally/Angela began with Albert reading out an appreciative letter from Angela's partner, Christine. This was followed (on DVD,) by an excerpt from John Wilson's televised 'Friday Night is Music Night' of a few years back, in which he played 'A Canadian in Mayfair' - written by Angela Morley as a tribute to Robert Farnon. It was, of course, performed by the BBC Concert Orchestra with an introduction from Roy Hudd.
Phil Farlow then took the stage to talk about the early career of Wally Stott and played excerpts from 'Tip Top Tunes' with Geraldo and his orchestra, featuring Dick James, The Geraldtones and Carole Carr, who sang ‘All Alone’. Wally Stott was, in fact, a member of Geraldo's orchestra, which then played the Stott arrangement of 'Adios'. We then saw (on DVD) some archival film of Angela Morley speaking at our past meetings and this was followed by excerpts from the films 'The Slipper and the Rose’ and 'Watership Down' featuring Angela's score for these films. We continued with the themes from 'Hancock's Half Hour' and 'The Goon Show'.
It was now the turn of harpist/pianist/conductor David Snell to take the stage and tell us of his association with Angela Morley. He then played us the end titles from ‘Captain Nemo and the Underwater City’, in which he had participated, but not underwater!
Albert then introduced ‘County Fair' featuring Mel Torme with the Wally Stott orchestra.
It is always a pleasure to welcome the ever-youthful Rosemary Squires to our meetings. She presented some recordings which she had made with Wally/Angela. First we heard ‘Junior and Julie’which was followed by ‘Thou Swell’ and an Angela Morley arrangement of ‘All Too Soon’ which featured Kenny Baker (flugelhorn) and Keith Bird (saxophone). Rosemary then played us Angela'sReverie for piano and violin and concluded with a selection of Christmas Waltzes (arranged Morley).
It was now time for the second interval, and we went to our refreshments to the accompaniment of the John Wilson Orchestra playing Wally Stott's ‘Snow Ride’.
We returned to our seats to the accompaniment of Robert Farnon playing ‘Get me to the Church on Time’.
It was then back to the big screen to watch a DVD of an interview with Bob Farnon - the interviewer being Bernard Braden.
This turned out to be very illuminating as Bob pulled no punches when it came to expressing his opinion as to what he thought of modern pop and its perpetrators! This was followed by a recording of Alan Dell talking to George Shearing and Angela Christian, who then performed Bob's ‘How Beautiful is Night’.
André Leon then came to the stage to report on the latest situation with UK Light Radio, which has been off the air for some months. André is, however, hopeful that further test transmissions will start early in the new year, and outlined the proposed format. We then heard a part of the ‘Miss Marple Theme’ (which will be the background theme to various trailers) and Leroy Anderson's ‘Sleigh Ride’which will be the conclusion to a presentation by David Ades, scheduled to be broadcast in 2010.
Albert Killman then gave a tribute to Malcolm Laycock, an old friend of the Society, who had recently passed away. It will be recalled that, upon Alan Dell's death, Malcolm took over his dance band programme and had been presenting it since1995. There was quite an outcry a year ago when the BBC in its infinite wisdom (or lack of it) decreed that the vintage British dance bands should no longer be featured in the programme. This, together with other differences with the BBC led to Malcolm's resignation in July 2009. To conclude his tribute to this respected broadcaster, Albert played the final part of one of his shows, which ended with ‘Just One of those Things’.
At the request of Norman Grant, Albert played ‘Have Yourself a Merry Little Christmas’ featuring Tony Bennett with the Robert Farnon Orchestra after which he thanked everybody who had contributed to the show. It goes without saying that Albert did a first rate job of presenting the afternoon's programme, but I know that a few people felt that it wasn't quite the same without David, whose presence we look forward to on the 28th March, when our special guest will be pianist and organist Iain Kerr.
WALLY STOTT – THE "TIP-TOP TUNES" YEARS
BY Philip Farlow
When it was decided to dedicate part of the November 2009 Robert Farnon Society meeting to the work of Angela Morley, I swiftly communicated a wish of mine that the very important formative years playing and arranging for Geraldo’s orchestra should be included in a special ‘cameo’ presentation. The vehicle for this early work was a BBC programme called Tip-Top Tunes and the idea here would be to illustrate briefly all the main elements of a typical programme with a particular focus on the early arranging skills of Wally Stott, later Angela Morley.
Back in May 2009 David Ades had fully supported the idea which was duly accepted by the London Meeting Committee allowing me to set to work on a presentation that I’d suggested to do at least minimum justice to the subject would be no less than ten but not more than fifteen minutes long.
Such often necessary constrictions certainly focuses one on what you really want to say and play and so on and off, over the next few months, I set to with a small but rare selection of broadcast material working out just how the dickens I was going to fit everything into my allotted slot.
Over the years my various presentation experiences with such projects has hopefully taught me the important patterns of how to start, how to finish and how to create and maintain narrated and musical contrast and interest in between.
More recently I discussed with David Ades the fact that perhaps many including worldwide members not able to attend last November’s meeting may be interested in a more detailed description of the final result. So here are my ‘almost verbatim’ notes interspersed with detail of music used and its source.
I started by explaining that as ... (P.F.): "Walter or Wally Stott was the name by which Angela Morley was known until the early 1970’s – and as certainly during the mid 1940’s period I’m dealing withhere, to keep things chronologically correct I’d like to refer to that name during my presentation.
"Bandleader Geraldo’s BBC Radio series ‘Tip-Top Tunes’ started in 1946 and quickly caught on, not only as a ‘must listen’ for the general public, but its very high standard of musicianship ensured a good audience by the dance band and light music profession as well.
"It’s interesting to note that ‘Tip-Top Tunes’ filled the spot previously occupied by Bob Farnon’s Canadian Army Radio orchestra’s series ‘Soldier Serenade’. There were certain similarities in the two programmes’ style as well, which were juggled, modified and added to, to become this new cocktail of the best in the widest sense of popular music entertainment of the period, as presented by this bigconcert sized orchestra of Geraldo’s.
"The ‘Tip-Top Tunes’ signature tune was written by Wally Stott. How it developed to be used is unclear – but what is very evident is that Wally delivered just exactly what was required.
"To set the mood, here’s an example of a programme opening sequence from 1947".
Cue Insert: BBC Light programme identification ‘Oranges and Lemons’ (Charles Smart – Novachord & Celeste) into continuity announcement (Jean Metcalfe) into ‘Tip-Top Tunes’ theme and part voiced over announcement by Peter King.
I then went on to explain (P.F.): "And now some brief examples of the kind of things heard in a typical ‘Tip-Top Tunes’ programme. "There were ballads by solo singers, a vocal group, there was small group swing, the big band with and without strings and of course the tour-de-force of the whole large concert orchestra. This is the musical climate in which Wally Stott was working at the time, (Cue music under) and it was in fact as far as I can see, his first foray into string writing. "Amongst the singers handling the ballads in the early ‘Tip-Top Tunes’ series were Archie Lewis, Sally Douglas, Denny Vaughan (recently Bob’s of course) – and here in a ‘Songs with Strings’ spot, Carole Carr.Fade up music: ‘Blue Bayou’ – Carole Carr and strings
This was the start of a five minute carefully constructed, timed and edited music sequence which I voiced over explaining all the various elements of the ‘Tip-Top Tunes’ programme that I had chosen. Carole Carr was followed by (P.F.): "... and another singer with the whole orchestra here, Dick James" Fade up music: ‘Along the Navajo Trail’. Then (P.F.): "there was always a vocal spot by Gerry’s resident vocal group, the Geraldtones" Fade up music: ‘Little Jack Frost get lost’followed by (P.F.): "and how about this for a lineup during a little quite boppish jazz spot" Faded up Peter King announcement & music: ‘Get Happy’ played by ‘The Tip Toppers’ (King’s announcement, ‘..swing arranged for small combination..’) demonstrating the very high standard of personnel within only a part of Geraldo’s Tip-Top Tunes orchestra namely Freddy Clayton – trumpet, Dougie Robinson – clarinet, Keith Bird – tenor sax, Laddie Busby – trombone, Jack Collier – double bass, Denny Vaughan – piano, Ivor Mairants – guitar and Eric Delaney – drums. Finally during this sequence I explained that (P.F.): "... a spot called ‘Swingtime’ presented the big band, sometimes without strings – and sometimes like here – with" Fade up music: ‘Cherokee’. (Ending the five minute voiced over sequence).
(P.F): "The backbone to this wonderful musical aggregation was of course some very talentedarranging skills – and in the early days of Geraldo’s ‘Tip-Top Tunes’ programme Bob Farnon was amongst these – together with a young man – still in his early twenties also occupying a place in Geraldo’s sax section – and that was Wally Stott. And like Bob Farnon, and listening to Bob’s arranging skills at work, Wally was developing a very quick ear as to exactly what to deliver in both big band – and now in string writing – because there’s no doubt about it that Wally’s arranging work within Geraldo’s ‘Tip-Top Tunes’ series shone like a very bright beacon – and particularly within those many exotic production type arrangements of which one was included in nearly every programme. Things like ‘Cherry Ripe’, ‘Oranges and lemons’, ‘April in Paris’, ‘The Kerry Dance’, ‘The March of the Toys’ and in this archive broadcast piece, Wally’s work reached perhaps an all-time high" Cue faded up Peter King announcement & music: ‘Adios’ arranged by Wally Stott for the full orchestra and vocal group, the Geraldtones, followed by (an only example from an earlier programme), a ‘Tip-Top Tunes’ programme close sequence part voiced over by the programme’s original producer and presenter David Miller.
So ended my presentation at last November’s R.F.S. special Angela Morley meeting. In the course of researching for it I noted, though didn’t mention the fact that apart from Wally Stott and Bob Farnon, over the years a whole host of arrangers were used throughout the ‘Tip-Top Tunes’ series including Alyn Ainsworth, Eric Jupp, Roland Shaw and Bob Sharples. ‘Tip-Top Tunes’ ran into the 1950s but became shorter and more infrequent as the decade wore on.
Further notes: Having had access to some of the surviving original radio excerpts of the ‘Tip-Top Tunes’ series (see below) it was interesting to note how a typical programme included carefully ‘written in’ linking modulations by (say) harp, celeste, or even the whole or parts of the orchestra to accompany equally carefully timed announcements for changes of programme tempo, mood and key. Hearing some of these often intricate and quite beautiful ‘compositions in miniature’ certainly indicates the presence of both Wally’s and Bob’s additional work on certainly the parts of the series heard.
On a technical note the sources used for the archive links were either directly or indirectly from a combination of Geraldo’s own circa 1946 to 1948 original off-air acetates some of which had been poorly used in the mid 1970’s Pickwick 2-LP set ‘Hits of the naughty Forties’. In the course of carrying out later work for Manja Geraldo-Leigh’s Family I was, with permission, able to retain some elements of that which I had worked on. Although the company that ‘cut’ these for Geraldo (Gui de Buire, New Bond Street, London) was capable of producing excellent ‘balanced landline’ quality, a combination of speed variations between sides or sets of sides and other non ideal local conditions meant that the received sound often needed tidying up in various ways. I carried out some minimal work on the versions used at the November meeting and felt it paid off producing an overall smooth technical end result. Geraldo archive: It is thought that Geraldo’s unique collection of surviving radio reference recordings is held by the Royal College of Music. An equally unique collection of original music scores and band parts are certainly known to be deposited at the R.C.M. and have been actively drawn on by John Wilson for specialised broadcast, recording and other performance occasions.
Editor: some of Wally Stott’s arrangements for Geraldo’s "Tip Top Tunes" Orchestra were recorded by Parlophone, and the following have been reissued on Guild Light Music CDs:
The Kerry Dance GLCD5162 Of The Toys GLCD5124
AUTUMN CONCERTO - 2008
Meeting of the Robert Farnon Society
Sunday 30th November 2008
at the Park Inn, London
by Brian Reynolds
Well, it was that time of year again. The leaves had fallen and a chilly autumn was about to give way to an even chillier Winter.
It was damp and miserable outside but warm and cheerful inside as light music lovers gathered together for another feast of melody.
We took our seats to the accompaniment of They Called the Wind Maria. Well, call it what you like, it was better than snow - remember last April ?
At two o'clock Albert Killman opened the meeting with the World Traveller March, written by Robert Farnon and Tim Wills and performed by the BBC Concert Orchestra conducted by Iain Sutherland - our special guest of the afternoon. David Ades then welcomed other visitors, including Richard Tay from Sepia Records. It was then time for Albert, joined by Peter Burt to present a selection of new releases.
The opening two items were from the BBC Concert Orchestra conducted by Leonard Slatkin, the first being Lazy Moon (from Goldilocks) and that was followed by Little Children (from Suite of Cards for woodwind). Next, a track from the new CD 'Mel Torme meets the British' - A Nightingale Sang in Berkeley Square. This was followed by a Laurie Johnson arrangement for the Ambrose orchestra entitled Vuelve, after which we heard The Embassy Waltz from ' My Fair Lady' - played by Percy Faith and his Orchestra. Peter Burt then turned to a new CD entitled 'Mantovani Memories' and played usThe Trolley Song.
Some real nostalgia came next, with the BBC Television Orchestra conducted by Eric Robinson playing the Test Card music which used to precede the opening of TV programmes in the fifties; this took the form of a selection of traditional tunes arranged by Max Saunders, under the title Fantasy on National Airs. There then followed two pieces from a recent Guild CD, 'Going Places' - firstlyRendevous by Bernie Wayne and then The Girl with the Spanish Drawl from the Percy Faith orchestra.
Next, we heard Ring Round the Moon by Richard Addinsell, performed by the BBC Concert Orchestra under the baton of Roderick Dunk. This came from an album in the series 'British Light Music Premieres'. We then turned to a Vocalion CD 'Soft Lights and Sweet Music' to listen to the George Melachrino Orchestra play The Sword and the Rose (Spielman). After this, the Emile Deltour Orchestra played Spring Fever by Rene Costy and Rene Heylbroeck. This is the title track of the 50th light music CD from Guild - a truly remarkable achievement in less than five years, with no sign of an end in sight!
Haydn Wood's popular march Montmartre was next and it gave Albert the opportunity to mention that, as 2009 is the 50th anniversary of Wood's death, our next meeting in April will feature his music prominently. We shall be honoured with the presence of his Great-niece, who will also be playing live music with the Aspidistra Drawing Room Orchestra, directed by Dr. Adam Bakker. Adam was present in the audience and our appreciation was conveyed to him for kindly agreeing to provide his ensemble.
Albert then reminded us of the recent death of Neil Hefti by playing his incidental sountrack music from Barefoot in the Park. This brought to an end an unusually long, but very enjoyable 'new releases' section of our programme.
It was then time for some 'Parish Notices'. Albert drew our attention to a new book on the life and career of John Barry. He also kindly mentioned my book Music While You Work - An Era in Broadcasting, the rights of which have now returned to me. I brought some copies with me which attracted a few buyers. Albert also told us of the formation of a new society for those who appreciate the music of Eric Coates. No doubt we shall hear more details of this in due course. We were also told the quite shocking news that the BBC have put another nail in the coffin of quality light and popular music by banning from Radio Two any music over fifty years old - which is a very high percentage of worthwhile material. Albert suggested that rather than send a petition (which the BBC would ignore), individuals should write and complain, telling the Society what sort of response they get. From personal experience, I have to say that I doubt if it will be positive, as the self-righteous BBC have always given me the impression that they don't give a damn what the listener thinks.
The final section of the first part of the programme was my Radio Recollections spot in which I play recordings from the days when the BBC really did care. As part of the 'choreography' of these meetings, it is required that a presenter comes to the top table well in advance of his or her presentation (thus avoiding distracting those listening). So I was able to observe that some people had fallen asleep during the playing of the new releases. I know from personal experience how relaxing music can easily send you to the 'land of nod'. Indeed I can recall an occasion when I fell asleep in the front row of a concert by one of my favourite military bands and my 'friends' took a photo of me and presented it to the conductor! Anyway, back to the present - I was fervently hoping that the 'sleepers' would wake up in time for my presentation. They didn't - so they will just have to read about what they missed!
My first item was from the BBC West of England Light Orchestra - conductor Frank Cantell, the well-known Majorca (L. Gaste) in an arrangement by Ernest Tomlinson. Next came Raymond Agoult and his Players in a tongue-in-cheek arrangement of The Clanger March from the comedy film 'The Night we dropped a Clanger'.
I then turned to a 1967 'Music While You Work' broadcast by the BBC Scottish Radio Orchestra - conductor Iain Sutherland, for an Ernest Tomlinson original - The Merry Go Round Waltz. To conclude my section - at the same time giving our guest a big build up - I played Iain's excellent marchEdinburgh Castle. This came from a 1983 broadcast which I actually attended. During the interval that followed, a selection of Iain's recordings (which he had kindly provided) were played.
In part two, Tony Clayden introduced Iain Sutherland and invited him to talk to us about various aspects of his career. He told us that, as a boy chorister he had won a contest and that, as part of the prize, he got to appear on 'Children's Hour'. He later took up the violin, won another contest and again got to perform on the aforesaid programme. After studying in London with the famous Sasha Lasserson, he did three years of freelancing and played with the Grenadier Guards for two years. He joined the Philharmonia, playing for such eminent names as Boult, Sargent, Groves and Solti.
Responding to questions from Tony, Iain told us that he first became attracted to light music through film music sessions. Having expressed a wish to conduct light music, Iain told us that he was given a test date, by the BBC, with an orchestra of quite distinguished session musicians in ' Music While You Work'. (I think that Iain will find that it was actually the BBC Scottish Variety Orchestra - I've got the broadcast on tape. He did some recordings with London session men for 'Breakfast Special' a few months later in 1966.)
Iain went on to become Musical Director of the London production of 'The Music Man' starring Van Johnson and after several more dates with the SVO, he was appointed conductor of that orchestra, following the retirement of Jack Leon. It would have been good to have heard more from Iain concerning his work with that orchestra, which, at his suggestion, was renamed the BBC Scottish Radio Orchestra but time was marching on and we needed to hear about other things. The interview was punctuated with musical items, all conducted by Iain. Anthony Collins' Vanity Fair was, in Iain's view, a perfect example of a piece which generates its own rhythm, without the need for drums and guitar. We also heard the Galop from Masquerade, and Kurt Weil's September Song, this being a cue for Norwegian broadcaster and producer Jan Eriksen to join Tony and Iain at the presenter's table, to talk to us about his associations with Bob Farnon and, indeed Iain Sutherland.
We then listened to Say it with Music and Seventy-six Trombones (arr.Farnon) from a broadcast by the Norwegian Symphony Orchestra, conducted by Iain Sutherland, deputising for Bob who, we are told, was unable to fly (talented as Bob was, he could no more fly than the rest of us!). Iain spoke of his many encounters with Bob Farnon who had every intention of conducting his third symphony, but ill health had overtaken him and the rehearsal was conducted by Iain but with Bob at the other end of the telephone, advising where necessary! We then heard one final item, especially requested by Iain - a part of From the Highlands by Robert Farnon. Tony then thanked Iain Sutherland for his contribution to the programme and asked him to draw the raffle.
Iain Sutherland proved to be one of our most popular guests to date - a truly eloquent and articulate speaker, with a much longer story to tell than time permitted and many felt, as I did, that he should be invited back as soon as possible. During the interval, Iain talked with members of the audience and signed copies of a new CD of his, featuring Scottish music.
Part three of the afternoon's entertainment opened with Paul Barrett publicising his next Mantovani concert in Poole on 31st January. As an illustration we heard Give my regards to Broadway. It was then the turn of Tony Foster to take the stand, presenting three of his favourite recordings. First came the Syd Lawrence Orchestra with (appropriately) My Favourite Things (arr. Roland Shaw); then the Robert Farnon Orchestra played The Sophistication Waltz from the 'Pictures in the Fire' CD. Finally we heard Tony Bennett sing Christmasland by Brian Farnon (arranged by Bob).
We then welcomed Mr. UK Light Radio himself to the stand, in the person of André Leon, with a new feature entitled 'The Farnon Connection' - a tribute to the Farnon Family - although the twist was that not all of the pieces were by who he said they were! In other words, there was a deliberate mistake! In addition to an excerpt from the radio serial No place to hide we heard Robert Farnon's Outer Space, Dennis Farnon's Coast Road North and Bob's Newsreel March and his Horatio Hornblowermusic.
The final part of the programme was, as usual, presented by David Ades. He commenced with an excerpt from 'Canadian Caravan' in which Bob conducted the Canadian Band of the AEF. The music was I Got Rhythm and then the band was joined by Paul Carpenter for I Wish I Knew. This broadcast was an ORBS production for Britain's forces. Next came Bob's arrangement of the overture to The Girl in Pink Tights (Romberg) from the original cast recording 'discovered' by the late Don Furnell, from the short period in which Bob lived and worked in the States. David then went on to play the berceuse from Alliance Variations, played by the BBC Concert Orchestra during the BBC Light Music Festival on 6th June 1959.
The Light Music Society (whose meetings were held at the Alliance Hall in London, hence the title) held a competition for an original amateur work to be orchestrated by eleven leading composer/arrangers, namely Anthony Collins, Ronald Binge, Robert Farnon, Ronald Hanmer, Trevor Duncan, Gilbert Vinter, Harry Dexter, Ernest Tomlinson, Clive Richardson, Billy Mayerl, and Lt.Col. Douglas A. Pope (at that time Director of Music of the Coldstream Guards band). Next we heard Bob's arrangement of Lucky in the Rain from the Everest LP 'Mike Todd's Broadway' - one of the tracks from the new Guild CD ' Strings and Things Go Stereo. Finally, David played us Maybe this Time (arr. Robert Farnon) and sung by Tony Bennett with the Robert Farnon Orchestra - one of our late member Neal Hefti’s favourite Farnon arrangements.
It just remained for thanks to be conveyed to all involved - Peter Burt, Tony Foster, André Leon and Tony Clayden for his interview with Iain Sutherland. Tony then came to the microphone to convey his appreciation for the assistance of the London Meetings Committee and to remind members of the Haydn Wood 'special' in April.
MEETING OF THE ROBERT FARNON SOCIETY: SUNDAY 25TH NOVEMBER 2007 AT THE BONNINGTON HOTEL, LONDON
By BRIAN REYNOLDS
To paraphrase the well—known September Song ‘It’s a long long time from April to November’ and the congregation attending this year’s ‘Autumnfest’ were as keen as always to wallow in another four hours of glorious melodies. As usual, many of those attending were ‘regular’, and those who weren’t were taking tablets for it!
Proceedings began as members took their seats to the accompaniment of the BBC Theatre Orchestra (conducted by Harold Lowe) of Oranges and Lemons - arranged by Spike Hughes.
At 2.OOpm with Albert Killman, David Ades and Vernon Anderson at the presenters’ table, the meeting officially got underway with Robert Farnon’s Proscenium.
The year 2007 being the 90th anniversary of Robert Farnon’s birth, it was felt appropriate that his music should feature more prominently than usual and David, paying tribute to Patricia Farnon, who had recently passed away, felt that something should be played in her memory. Having consulted David Farnon, it was decided that his own arrangement of Bob’s Country Girl would be appropriate - retitled Country Boy on this occasion - the recording being by that fine singer Sheila Southern with the Royal Philharmonic Orchestra under the direction of Robert Farnon. (I seem to recall Sheila Southern being the wife of broadcasting pianist Derek Cox).
Albert then introduced a piece as a tribute to Ronnie Hazlehurst who had recently died. He chose a recording by the Ronnie Hazlehurst Orchestra — Robert Farnon’s theme from the fine television series "The Secret Army", after which we were treated to a DVD featuring Dolf van der Linden conducting The Metropole Orchestra in a 1961 performance Il fait des bonds. Robert Farnon was the guest conductor of the Metropole Orchestra on many occasions.
It was then the turn of Vernon Anderson to present a tribute to Angela Morley (formerly Wally Stott); the items chosen were Limehouse Blues from the Sounds of Paradise Orchestra (Stott), Embraceable You featuring Rosemary Squires, then an item from "The Missing Battleship" - an edition of "The Goon Show". This was the closing theme Ding Dong The Witch Is Dead from "The Wizard of Oz". Finally, Vernon played us Angela’s private recording of one of her latest compositions entitled Reverie.
It was now time for Albert and David’s usual selection of new releases which were as follows:
Young Man in Love (Ernest Tomlinson) from the 1974 suite "Aladdin" played by the Royal Ballet Sinfonia conducted by Gavin Sutherland from ‘British Light Music Premieres Vol. 4 (Dutton Epoch).
Theme from the ‘Glenn Miller Story’ by Henry Mancini arr.Stott and played by the Wally Stott Orchestra - a Philips 78 on a new Dutton Vocalion CD. David criticised the complete lack of booklet notes.
Legend by Henry Croudson, who was a popular cinema organist and musical director of the ‘Strings in Rhythm’ on radio, this recording being by the London Promenade Orchestra conducted by Walter Collins from the new Guild CD ‘Musical Kaleidoscope’ Vol.1
Ladies of Lisbon by William Hill Bowen who wrote under the pen names of Luis Tristan and Don Versey - a fact that could have been mentioned in the booklet notes, if there had been any! This piece (a particular favourite of mine) was played here by the George Melachrino Orchestra and is from a new Vocalion CD entitled ‘Our Man in London’ & Highlights from ‘Lisbon at Twilight’. David pointed out that some titles are missing from the second LP, and Roses of Picardy is credited to Haydn instead of Haydn Wood!
Pioneer Trail (Charles Williams) - signature tune for the annual BBC Sports Personality of the Year - played by the Danish State Radio Orchestra conducted by Robert Farnon -a Chappell recording on Guild CD ‘Musical Kaleidoscope Vol 2.
To conclude the first part of the afternoon’s entertainment David introduced (on DVD) excerpts from our 50th Anniversary souvenir.
A thirty minute interval followed, introduced by one of Angela Morley’s play-out themes for "Hancock’ s Half Hour".
The audience returned to their seats to the accompaniment of the Associated British Studio Orchestra conducted by Louis Levy in a performance of the title music from the soundtrack of "Laughter in Paradise" by Stanley Black - this being a subtle clue as to what was to come.
For our main feature we were honoured by the presence of Stanley Black’s son Jeffrey Black who, together with his daughter Jacqueline gave a lucid, affectionate, yet frank account of Stanley’s career. Tony Clayden introduced the Blacks to the audience drawing attention to the fact that several other members of the Black clan (including his widow, Edna Kaye) were also present to give support. In what he described as a ‘senior moment’ Tony managed to forget Jacqueline’s name, but saved the day by turning it into a running joke. To illustrate their talk, the Blacks played the following pieces, some of which had to be shortened because of time:
Music from the 1949 film "Third Time Lucky" featuring Edna Kaye
It’s a Raggy Waltz (Brubeck) - Piano feature
Rhapsody in Blue (Gershwin)
Quiet Night of Quiet Stars (Jobim)
Mood Mambo from "The Young Ones"
Three Blind Mice (arr. Black)
Music from the Australian film "Strictly Ballroom"
Honeysuckle Rose — featuring Coleman Hawkins
That Old Black Magic
Tony Clayden thanked Jeffrey and Jacqueline Black for their excellent presentation and continued with a couple of tributes of his own. Firstly, he played part of The Selfish Giant as a tribute to its composer, Eric Coates, whose death occurred fifty years ago, in December 1957. Afterwards, he played Elgar’sSalut d’amour. The year 2007 was, of course, the 150th anniversary of the birth of Sir Edward Elgar — as most people are aware, apart from the Bank of England who, as a mark of disrespect, chose this year to remove his picture from our banknotes!
Tony also took the opportunity to inform us of a recital on 16th December by our own Robert Habermann (accompanied by Geoff Eales) and a concert by the London Salon Ensemble at the Royal Festival Hall on December 30th.
It was then back to the big screen again, as we watched Robert Farnon, on a DVD, conduct the London Philharmonic Orchestra at the Royal Albert Hall in his Farnon Fantasy.
Tony then took control if the raffle, with the assistance of Jeffrey and Jacqueline Black, heralded by Edmund Hockridge (a long time Canadian colleague of Robert Farnon) singing Luck Be a Lady. The interval was announced by Stanley Black’s March of the Goons.
We returned to our seats to the accompaniment of Bert Kaempfert’s Las Vegas — from a new Guild CD due for release in January and no doubt available by the time you read this.
Albert opened up the third part of the show by introducing Cab Smith and his familiar ‘Swing Session’. This comprised the following:
Button Up Your Overcoat played by the Robert Farnon Orchestra from a Philips LP
The Very Thought of You sung by Carol Kidd
Swing Hoe (Farnon) — Leslie Jones and his orchestra of London.
Albert thanked Cab for his presentation and then introduced Paul Barrett who had come along to tell us about a forthcoming concert which he was promoting by the newly reconstituted Mantovani Orchestra — the concert venue being ‘The Lighthouse’ in Poole. This presentation was accompanied by the famous Mantovani recording of Charmaine. Afterwards Albert played Mantovani’s Tanya - the Moulin Rouge Theme. Albert went on to play Gabrielle which comes from the film "Paris when it Sizzles" and was played by Vic Lewis and the strings of the London Philharmonic Orchestra.
As usual, David presented the final section of the programme and commenced with Robert Farnon’sSea Shore - a big hit in those distant days when real music sometimes made the ‘Charts’. It was played by Rawicz and Landauer with the Wally Stott Orchestra.
We were then given an opportunity (via DVD) of watching and listening to Robert Farnon talking about his early career.
This was followed by an old favourite ‘Winter Sunshine’ by George Melachrino, arranged by Robert Farnon, who was conducting the BBC Radio Orchestra.
With Christmas just a few weeks away, it was appropriate to close the meeting with Have Yourself a Merry Little Christmas in a Bob Farnon arrangement - performed by Tony Bennett with the London Symphony Orchestra conducted by Don Jackson (recorded at Abbey Road, August 2002 for Hallmark Cards).
It just remained for David to thank everyone for their contributions - the Stanley Black Family (who had to leave early), Vernon Anderson, Tony Clayden, Cab Smith, Paul Barrett not forgetting the helpers on reception. Special thanks were also given to Tony Clayden for his technical services which require a lot of time and effort, and of course, the indefatigable Albert Killman.
The meeting dispersed to Robert Farnon’s Melody Fair, followed by Carioca (from a radio broadcast by the Robert Farnon Orchestra), Canadian Caravan from Leslie Jones and his Orchestra of London, and finally, a Christmas Medley from Tony Bennett accompanied by Robert Farnon.
"Chasing The Blues Away"
Report of RFS London meeting held at the Bonnington Hotel on Sunday 26 November 2006 by VERNON ANDERSON
While everyone was settling in we were treated to the sounds of Robert Farnon’s overture for Pia Zadora including many of the pieces Bob had arranged for her albums and concert tours back in the mid 1980’s.
With the strains of Robert Farnon’s "Proscenium" still ringing in our ears David opened the meeting with a warm welcome to everyone, especially having braved the storms encountered during the morning. Thankfully the weather had now settled and it was good to see so many attending, especially those people here for the first time. We were in for a real treat.
David then introduced the other presenters at the top table, Albert Killman and Robert Habermann. Albert then paid tribute to fellow member Brian Coleman who sadly died in May this year (obit. JIM 169 Oct, 2006). Brian joined the society back in the 1950’s and was a great lover of light music but especially Bob’s compositions. One of his favourite pieces was Bob’s "Concorde March", which Albert now played in Brian’s memory.
Albert introduced Robert Habermann for his tribute to Sir Malcolm Arnold who died in September (obit. JIM 170 Dec, 2006) which commenced with "Colonel Bogey March" from the film "Bridge over the River Kwai" (1957) which highlighted his own excellent march theme which he used as a counterpoint. This was followed by Sir Malcolm’s charming "Whistle down the wind" of 1961. Robert related many aspects of Sir Malcolm’s life, focussing on his composing for films and documentaries. In 1948 he had the opportunity to write a full score.
He composed hundreds of films scores but also many overtures and dances for orchestra. Robert’s third selection was Sir Malcolm’s "English Dance". He was a prolific composer; 9 symphonies, 2 operas, 17 concertos, 5 ballets and many notable pieces covering various genres and all of them memorable. However he did suffer some notable rejections. The MGM film "Invitation to the Dance" with Gene Kelly, for which he wrote a modern jazz sequence was not used in the score and this was one of several major disappointments (Robert Farnon’s contribution to the same film suffered a similar fate). However his output was rewarded with Honorary Doctorates from a number of music universities.
Robert’s last selection was the music from the "St Trinians" films, which highlighted Sir Arnold’s very keen sense of humour. Albert thanked Robert for a fitting tribute to a highly talented man, which was well received.
Albert then handed over to David for the first of his New Releases. David held aloft the new Epoch CD from Michael Dutton containing, among other well known and much loved Robert Farnon pieces, the World Premier Recordings of Bob’s symphony No.2 in B major (Ottawa) and the Scherzo from his symphony No.1 in D flat Major. David introduced us to the first movement of symphony No.2. This has a dramatic opening which (for this listener) reflected on a world threatened by war, but soon develops into a more patriotic or "homeland" style, perhaps the Canadian landscape and its indigenous people, city life in more care-free days and then like Bob, feeling the need to join the fight for freedom and the sacrifices that that might entail. The movement ends in tranquil mood. This piece was well received on this its first hearing in over 60 years. David confirmed that copies of the CD were available from the RFS Record Service at the meeting. He mentioned especially the brilliant playing of the BBC Concert Orchestra under the direction of John Wilson, recorded at The Colosseum (formerly know as Watford Town Hall) in June 2006. (A full page advert appears on page 4 of JIM issue No. 170, and a full description of the Sessions is to be found on page’s 48 to 51 including illustrations in JIM issue No. 169).
Albert picked up the theme of the last piece adding that he CD opened with a marvellous interpretation of Bob’s Suite from the 1951 film "Captain Horatio Hornblower RN." Albert went on to introduce the second piece from the Guild Series, presenting "The Golden Age of Light Music" all of which are on sale at today’s meeting. This comes from the CD with colourful themes "Beyond the Blue Horizon" and he highlighted Angela Morley’s 1954 arrangement of "Deep Purple", played by Wally Stott and his orchestra, in which she provides us with a lush string sound. After which David gave us the news that Angela is presently having treatment for cancer, and voiced the thought of all present in wishing her a speedy recovery.
David followed this with a request from fellow member Peter Burt, who with his wife Ellen had been unable to attend today’s meeting due to a flood in their house. David played piece No. 3 - Roland Shaw’s arrangement of Charlie Chaplin’s "The Toy Waltz" from his 1936 film "Modern Times", by the Mantovani Orchestra, from the "A Song for Christmas" Vocalion CD - the piece ends in the manner of a clock winding down.
No. 4 - David’s next selection was composed by fellow RFS member, Paul Lewis and titled "Rosa Mundi". Inspired by the loss of someone special, when he noticed on a single flower on his favourite rose; the only bloom this year was on "that bush". A calm reflective piece, played by the Royal Ballet Sinfonia conducted by Gavin Sutherland on the recent Naxos CD "English String Miniatures - Vol. 6".
No. 5 - David introduced another Guild CD this one titled "Light Music While You Work" and exclaimed that "Brian Reynolds would be interested in this one". Harry Fryer and his Orchestra recorded it for the Decca Label series of 78s ‘MWYW’ but it wasn’t released until 1951 on an early Decca LP. David mentioned the marvellous work which Alan Bunting has done in restoring these old recordings for transferring to C.D format. The composer was believed to be an American named William Wirges and he gave the piece the title "Fascinatin’ Manikin".
No. 6 - Albert introduced a new Eric Coates collection and noted that Eric’s son Austin had given his father’s watch to John Wilson, which John proudly wore during the session for the new Robert Farnon CD in June this year. This is a Living Era re-issue of the ballet suite "The Jester at the Wedding" of 1932, from which Albert played the fourth movement "Dance of the Orange Blossoms". All the pieces on this 2 CD set are conducted by Eric Coates.
No.7 - Albert then introduced us to a new Epoch release courtesy of Mike Dutton titled "Concertino for Celeste" by Roderick Elms, with the Royal Philharmonic Orchestra conducted by Stephen Bell. Roderick Elms is playing Celeste on this recording. He wanted this instrument to be better appreciated, but it has achieved greater acclaim thanks to John Williams’ score for the Harry Potter films.
Albert highlighted a new Sinatra Album - "Sinatra Vegas", a 4 CD set and DVD containing all new material. This is on the Rhino Label and will be available from 27 November, 2006.
David’s "Parish Announcements" then bought our attention to the Petition which has been prepared re. the demise of Brian Kay’s BBC Radio 3 Programme, scheduled to be axed early in 2007. Several copies of the petition were displayed around the room and members were encouraged to add their name if they so wished. Alternatively they should write to Michael Grade at the BBC, to the address on the sheets. (Ironically Michael Grade has now resigned from the BBC).
David gave advance notice of the Society’s 100th meeting at which two gentlemen, Matthew Curtis and Adam Saunders, will be presenting music in April 2007 - two young composers who very much support the Light Music tradition. They were both well received at David’s introduction. We look forward to hearing from them at our next meeting.
David sent us off to the first interval for tea, coffee and biscuits, not forgetting the raffle draw, with Bob Farnon’s "Jockey on the Carousel".
Back to Seats Music - "Seventh Heaven" by Bob.With (practically) everyone returned to their seats, Albert introduced a popular regular presenter to the top table, Rodney Greenberg, who received a warm response from the floor. Rodney then introduced today’s special Guest of Honour, veteran BBC Radio and TV producer Trevor Hill to great applause.
The first point made was reference to the article in the Daily Telegraph on the Gowers Report. Result: "No reason to extend the 50 year ruling". This announcement was received with a round of applause.
Trevor then set the mood by putting his own "interference" on the mike to check the sound system, to much laughter from his audience.
This conversation went at a cracking pace and began with Trevor’s early BBC years with Margaret Potter at Manchester Piccadilly where Rodney first met Trevor. Trevor considered himself exceptionally lucky. While living at 21 Holmwood Grove, N7 he heard some piano music - a neighbour was playing, which got him interested in singing. He won a scholarship to St Paul’s Choir School under the direction of Dr. Field-Hyde where Trevor had to sight read a piece of music. It soon became evident that he required the removal of his tonsils and adenoids. He was keen to listen to the wireless and in particular national programmes of the BBC, through which he was introduced to a gentleman call Sid Walker. Following further exchanges Trevor referred to Rodney as "a walking (seated) encyclopaedia".
Trevor referred to the BBC’s "Band Wagon" programme with Arthur Askey and Richard Murdock which he attended at Mr Walker’s invitation. Trevor got a job at the BBC – one example ITMA door noises!
Music - "Marching On" by Walter Groer - composer/ musician who owned a printing press. Trevor involved with Radio Newsreel, from No. 200 Oxford Street (in the basement of a premier store). Broadcasting House was bombed in 1940.
We heard tape of Dunkirk Evacuation Day. The next day the AEFP was launched. From the BBC Record Library came the signature tune of Forces Favourites which became Two-way Family Favourites from Hamburg - Andre Kostelanetz’s "With a Song in My Heart". Cliff Michelmore, then squadron leader was interviewed; left message to Jean Metcalfe - her response "He’s quite a smoothy, your squadron Leader M!"
Margaret Potter produced her own version of Children’s ( Hour) Magazine, serials etc. Trevor played extracts from "Robin Hood", "Calling All children" 1947 Auditions. Playback of cast of Robin Hood which included many well known celebrities including Cliff Michelmore and Roger Moore etc. Colonel Warren was the first "Ovaltiney". Ivy Benson and her Band, who, following certain escapades with Roger Moore were known as Ivy Bunsen and Her Burners!
Trevor worked for a time with BBC West Region and was then posted North of England to Manchester, worked with Cpl (later Sgt) Ray Martin at base camp in Germany, involving Hamburg Symphony Orchestra. Hugh Garston-Green NWDR. Hamburg Philharmonic.
Other reminiscences included Violet Carson and a whistling postman. The BBC commissioned composer Ray Martin to score music for "Pied Piper" for which Margaret and Trevor wrote the script.
Many other memories followed with names such as Jimmy Edwards, David Hughes, Wilfred Pickles bringing smiles of recognition. Trevor worked with Harry Corbett and his famous glove puppet Sooty for 12 years, and we saw film of Roger Moffat introducing the BBC Northern Dance Orchestra. Other famous animals to rub shoulders with Trevor included Pinky and Perky.
Trevor also knew "Leonard Trebilco", young Bob Farnon and Ted Hockridge. Working on the AEF Programme of the BBC meant acting as sound engineer for Glenn Miller, who wanted individual microphones for each instrument. During a lunch break more were hastily found to satisfy his ego, but it was not possible to connect them to the mixer. Miller didn’t notice, but praised Trevor for the improved sound!
Trevor reflected on further memories from the early days, involving such well known people as Max (Maxwell) Davies - Master of the Queen’s Musik, Julie Andrews, C.S. Forrester and the "Hornblower" books, composer Johnny Pearson which brought the conversation to a close and a special appreciation and thanks from Rodney Greenburg followed by spontaneous applause from the audience.
Albert thanked Rodney and asked Trevor to draw the raffle. We then broke for the Second Interval and returned to the strains of "Sleigh Ride" arranged by (Wally Stott) Angela Morley.
Albert back announced the last piece and then reminded us that Ralph and Geoffrey had videod Trevor’s presentation for our archives. He then introduced our last guest speaker, Peter Worsley.
Peter told us he was formerly a Headmaster at a Secondary School, and now working for "This England" magazine. His first selection was Charles Williams’ "The Old Clockmaker" on the Grasmere label which introduced the BBC Children’s Programme "Jennings at School". Second selection from "London Fields Suite" by Phyllis Tate - "Rondo for Roundabouts". The suite also included "Hampstead Heath".
Peter has produced 3 volumes of TV and radio themes on sale at today’s meeting. He also edited This England’s "Book of British Dance Bands" (from the twenties to the fifties) and the "Second Book of British Bands" - (the Singers and smaller bands) and more recently "London Lights" - A History of West End Musicals.
Peter’s third selection was "Giocosso" by Issac Casabon and so "signed off". Albert thanked Peter for an interesting selection and recommended his books (on display) to us, with Christmas approaching.
Albert then introduced our regular presenter Brian Reynolds who proudly reported that his book "Music While You Work" has gone into reprint (interrupted by general applause). The book has bought family members of many of the artists to Brian, seeking more information.
Brian highlighted the music of Cecil Norman (1907-1988), selecting first "Whistling Cowboy" played by the Gilbert Vinter Orchestra (BBC Midland Light Orch); "Bubble and Squeak"; "Fancy Free" played by the Gerald Crossman Players -Brian confirmed that Gerald Crossman is still alive and well. Next followed "Out and About" with the composer and The Rhythm Players. Final number in recognition that Cecil Norman always used to get up at 5 o’clock in the morning - "Up with the Lark" by Harold Collins and his Orchestra. And a final note. In 1967 Cecil Norman ceased broadcasting - on his 70th birthday. Albert thanked Brian for his tribute to a warm reception.
Albert introduced Cab Smith who decided to present extracts from Robert Farnon’s "Canadian Impressions" Suite commencing with the opening piece "Gateway to the West" (the album was your reporter’s 1st LP bought while serving in Aden in 1956 and one of his treasured possessions!).
Next followed Bob’s impression of the main route through NW Canada - "Alcan Highway" and finally that great piece that forms the grand finale to the album - "Canadian Caravan". Cab’s selection was of course taken from Mike Dutton’s Vocalion CD which really brought out the atmosphere in the music. Sadly this has now been deleted.
Albert thanked Cab for a great selection and then asked David to present a short selection to close the meeting.
David chose a piece from the Hallmark album with Tony Bennett, a real seasonal number - "The Christmas Song" (Chestnuts Roasting on an Open Fire). And we came to the end of a great afternoon of music and narrative with lots of humour for good measure.
David thanked all the presenters by name and especially our Guest of Honour Trevor Hill.
Then a word of thanks to the ladies at the front table and for arranging the raffle etc. And finally Tony for his great technical support.
David and Albert wished everyone a Happy Christmas/New Year, a safe journey home and looked forward to our next meeting, April 2007.
Closing music -"Melody Fair" (Robert Farnon), Manhattan Playboy (RF)
In November 2005 the Robert Farnon Society welcomed one of Britain’s foremost film and television composers to its London meeting. As Peter Burt reports, DEBBIE WISEMAN captivated everyone present!
For those of us visiting London and using its public transport for the first time since July 7th, there may have been some anxiety in travelling to the refurbished Derby Suite at the Bonnigton Hotel on November 27th. As we joined in a moment’s silence to remember the passing of Robert Farnon and two past stalwarts of the Society, Edna Foster and Peter Bunfield, I am sure our minds also turned to those whose lives had been so tragically cut short or been maimed in the atrocities.
Movingly, the lights were dimmed as we listened to Bob’s recording of Peacehaven. What happened in July may also have deterred some of us attending Bob’s Memorial Service, so it was good to have Albert introduce a video of short excerpts from the eulogies, including one by our indefatigable Secretary. David himself told us there was a CD of the eulogies available for sale. He then spoke briefly about the acclaimed BBC Four programme ‘Music for Everybody’ and introduced excerpts featuring Robert Farnon. Albert followed this by introducing extracts from two exclusive Society DVDs: recordings of recent visits to our meetings by Trevor Duncan and Ernest Tomlinson, both of whom we were sorry to hear were currently in poor health. [We have, of course, subsequently lost Trevor, as reported elsewhere in this issue]. These events had been expertly recorded and edited by Ralph Thompson with assistance from Geoffrey Richardson.
The popular New Releases spot was next with an interesting Ron Goodwin arrangement of The Stripper [Vocalion]; Silverheels by the Palm Court Orchestra conducted by Charles Job [Canada]; Castles in the Air - Celebrity Symphony Orchestra [Guild]; First Meeting from John Fox’s "The Love of Joy" -Royal Ballet Sinfonia [Campion], and What Kind of Fool Am I? sung by Lance Ellington with the John Wilson Orchestra [Vocalion]. David was hugely enthusiastic about the last disc but this listener would have preferred Andrew Cottee’s arrangement without the vocal! Wearing my CD seller’s hat, I still think that with so many noteworthy new releases it is pity room can only be found for four tracks. Stanley Black’s closing theme from ‘The Naked Truth’ sent us to the first interval and a welcome cuppa.
We resumed our seats for what was without any doubt whatsoever the highlight of the meeting. This was an extended interview conducted by Rodney Greenberg with our Guest of Honour, Debbie Wiseman MBE. Debbie is one of our finest composers whose work has been widely praised by critics and music lovers. She discussed her career with Rodney and gave us a fascinating insight into writing and recording music for television and movies. Her words were enhanced by video clips from ‘Arsène Lupin’, ‘Freeze Frame’, ‘Tom’s Midnight Garden’ and ‘Wilde’. Albert voiced the appreciation of all present for a "most delightful hour".
Debbie drew the raffle and we broke again for another interval and a further opportunity to gladden Ellen, Paul, and myself [not forgetting the Treasurer] by buying more CDs.
Bob’s Trumpet Talk brought us back to our seats for Cab Smith, eschewing his usual Swing Session, to play three more Farnon compositions all connected with transport: En Route, Main Street, and Rush Hour. Paul Clatworthy was then welcomed to the platform and brought us Con Alma played by Dizzy Gillespie accompanied by Mr Farnon and his Orchestra. Back, then, to Albert who introduced two selections from Canadian radio programmes marking Bob’s death.
Firstly from Robert Harris’s CBC Radio 2 programme ‘I Hear Music’, an hour long tribute to Bob, came I Got Rhythm with Bob and the AEF Band. Interestingly Robert’s father had worked with Bob when he first came to this country. Secondly from a weekly radio show presented by RFS member Glenn Woodcock on Jazz FM [Toronto], which devoted the whole of its 5-hour time slot to Bob, we heard the closing music from the AEF ‘Canadian Caravan’ show that Bob later re-orchestrated for Canadian Impressions.
DVD excerpts had been a feature of the afternoon and David appropriately brought proceedings to a close by introducing two more from TV: the thought to have been long lost ‘The Best of Two Worlds’ presenting Robert Farnon and his Orchestra with Douglas Gamley and Petula Clark; and the more recent BBC4 showing of a ‘Friday Night Is Music Night’ with John Wilson conducting the BBC Concert Orchestra in Portrait of a Flirt, March from A Little Suite, and A Canadian in Mayfair.
David’s customary closing thanks all round included the welcoming ladies who take our money for admission and the raffle, and the tireless Tony Clayden who not only supplies and operates the technical facilities but leads the team responsible for devising the meeting. On Advent Sunday it was a shame there was no seasonal music, but it had been an afternoon reassuring us that some things are still right with our world.