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19 May

Big City

By  Robert Walton
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(Robert Busby)
Queen’s Hall Light Orchestra
Analysed by Robert Walton

The Chappell recorded music library created quite a stir in the music business when it came into being in 1941 with a series of 78s specifically designed for the use of radio, films and especially newsreels. Not only were they perfect for the job but many of the compositions proved to be extremely popular in their own right with the public as well. Many were released as singles. In fact the whole world embraced them. Never in the history of music was there such a unique sound with the highest quality of original tunes, brilliant arrangements and outstanding performances. A Window of Wonder! If it hadn’t been for the requirement of background music, these sounds might never have seen the light of day.

Occasionally some films used them for their entire soundtracks. I forget the title of the first one I saw in 1957 but the music clearly made an impression on me. It became a sort of quiz when I kept guessing what the next title was. Mind you although it was a novel idea, the music was not really suitable for soundtracks. There’s still nothing that can beat commissioning an official composer for such an enterprise to have overall control over the music and dealing personally with each scene.

The second movie I saw which used Chappell mood music recordings was from 1948 entitled “It Happened in Soho” starring Richard Murdoch. It opened with Robert Busby’s “Big City”. I discovered it in the current television series “Talking Pictures”. It was like Charles Williams with a big difference - a touch of Farnon. Williams was the first composer selected for the series. He was very professional and a great craftsman and his style became the prototype for many of the tunes that followed, but sometimes he lacked the emotional input and modern harmonies that later writers wrote.

A thrilling opening quotes Gershwin’s I Got Rhythm, London Bridge is Falling Down and suitable fill-in music emanating from Busby’s pencil. The whole track might be only 1:27 but what a great introduction. After more movement, a gorgeous string melody assisted by flutes and bells gradually climbs the heights providing the necessary passion and intensity. We are now completely immersed into Busby country. The end is essentially the same as the start with a flourish, before the bells highlight a glorious finish.

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Read 313 times Last modified on Tuesday, 19 May 2020 12:29