Al Caiola’s Orchestra
Analysed by Robert Walton
Of all movie music there’s nothing so instantly recognizable as a western theme. This is because many of the best stories of the Wild West captured the ultimate desire and desperation of the human spirit to journey into the unknown in search of a better life. This was the dream of millions of Americans. Still is perhaps. According to the Marx Brothers, “Go West” is where the sun always shines and the fun never sets! But in reality it was nothing like that. Anyone determined enough would take the “plunge”. And there were not only mighty rivers to cross, but also plains and deserts to traverse and mountains to climb. And with that hope came an almost religious fervour calling upon God to give them guidance in their quest and bring them safely to their destination. So hence good western themes have an almost hymn-like or folkish quality with the immigrant’s blind faith in their future prospects. All this positivity produced good vibes and hopefully a happy ending. So let’s focus on one such theme.
Television arrived in New Zealand as late as 1960. One of the first series I remember was “Laramie” in back and white. But even more than the storylines, what truly struck a chord was the gorgeous theme by Cyril Mockridge. British-born Mockridge, arranger, pianist and composer emigrated to America in 1922 and was staff composer for 20th Century Fox from 1935 until 1961. Although he wrote the soundtracks for many well known films including “River of No Return”, “The Man who Shot Liberty Valance” and “Cheaper by the Dozen” his name never meant much to the general public. Perhaps it was because he often orchestrated scores for some of the big names and didn’t always get the credit. Incidentally his surname has Devonian origins.
Al Caiola, a highly respected studio guitarist, who played for Percy Faith and André Kostelanetz, takes care of the opening chorus. Then what we’ve all been waiting for, the strings enter in clippity clop-trot tempo with that unforgettably strong tune supported by the horns. From here to the end, the guitar and strings take it in turns to play. It’s the strings that eventually win out declaring their total dominance of the situation. Listen to the way the melody climaxes before coming down to earth.
Hear it on 100 Greatest American Light Orchestras - 2
Golden Age of Light Music, Guild Records (GLCD 5231)
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