06 Apr

Haunted Heart

By  Robert Walton
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(Arthur Schwartz)
Arranged by Russ Case
Analysed by Robert Walton

Back in the days of 78 records some of the best numbers would have slipped through the net if it hadn’t been for the phenomenon of B sides. Many of them were so beautiful they often musically outshone the hit itself. Hence the practice of meticulously checking both sides. So I was assigned to the “Case!”

One of the first such discs that caught my attention was the unforgettable Haunted Heart from the Broadway musical revue “Inside USA” on the reverse of Bing Crosby’s A Bluebird Singing In My Heart on Australian Decca. I really fell in love with that song - a song as strong as Schwartz & Dietz’s better-known Dancing In the Dark. And of course it helped the way Bing crooned it. But what I couldn’t get my head around was the fact it was so under-recorded, especially instrumentally. However over the years the song gradually became so renowned that everyone wanted to get in on the Haunted Heart act. These include Vic Damone, Bill Evans, Guy Lombardo, Jane Monheit and Renée Fleming but I’ve got news for the vocalists. It had all been done before and much better. Bing Crosby of course and Perry Como accompanied by no less than the star of this article, Russ Case.

However the real hero of this song had no competition whatsoever - Jo Stafford - pop singer extraordinaire who absolutely out-sang everyone, even opera singers who dared to have a go at this virtual “aria”. I would love to hear Stafford tackle a few real arias by Puccini or Verdi.

So let’s hear Russell D Case’s gorgeous arrangement of Haunted Heart played by his orchestra. It contains all the nuances and subtleties of a most distinguished song, nothing clever but just a simple, straightforward orchestration of a tune that asks for nothing more. I think tenderness is the word that covers it perfectly. A marvelous blend of oboe, horn and strings start the track leading into this evocative melody, with rubato playing a vital role in the first section. After a deliberate stop the piece goes into a Latin American tempo. With perfect restraint the brass adds a certain piquancy to the finished product followed by a close and personal bassoon. The whole thing might take just over two minutes but what pure pleasure a single light orchestral number can bring.

100 Greatest American Light Orchestras - 3
Guild Light Music GLCD 5253

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Read 281 times Last modified on Saturday, 06 April 2019 08:07

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About Geoff 123
Geoff Leonard was born in Bristol. He spent much of his working career in banking but became an independent record producer in the early nineties, specialising in the works of John Barry and British TV theme compilations.
He also wrote liner notes for many soundtrack albums, including those by John Barry, Roy Budd, Ron Grainer, Maurice Jarre and Johnny Harris. He co-wrote two biographies of John Barry in 1998 and 2008, and is currently working on a biography of singer, actor, producer Adam Faith.
He joined the Internet Movie Data-base (www.imdb.com) as a data-manager in 2001 and looked after biographies, composers and the music-department, amongst other tasks. He retired after nine years loyal service in order to continue writing.