26 May

Keeping Track - Dateline June 2012

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WILLIAM ALWYN 'Film Music' (arr. for wind band) Royal Northern College of Music Wind Orchestra / Clark Rundell / Mark Heron The Crimson Pirate Overture; The History of Mr. Polly Suite; The Way Ahead March; State Secret Suite; The Million Pound Note Waltz; Swiss Family Robinson Suite; The True Glory March; Geordie Suite; In Search of the Castaways Suite; Desert Victory Suite Naxos Wind Band Classics 8.572747 (69.46)  Surprisingly, because he was the re-creator and orchestrator of all these original film transcripts  from half a century ago (except for Mr. Polly), no credit is given to Philip Lane.  However, as all the new arrangements for wind band by Martin Ellerby have such an excellent pedigree it is not surprising they sound good. Varying in style from pp to ff and from eerie to theatrical, they recreate the picture palaces of the past when audiences flocked in to see the latest drama set against a musical backdrop later discarded by the film company. Edmund Whitehouse

THE FILM MUSIC OF ARTHUR BENJAMIN AND LEIGHTON LUCAS   BBC National Orchestra of Wales / Ruman Gamba Benjamin: Conquest of Everest; The Man Who Knew Too Much; An Ideal Husband; Lucas: Yangtse Incident; Portrait of Clare; Dam Busters; Stage Fright; Ice Cold in Alex; This Is York; Target For Tonight Chandos CHAN 10713 (67:58)  Many of these scores only exist in a fairly fragmentary state and it's thanks largely to the efforts of the indefatigable Philip Lane, who reconstructed much of the music here and also provided the fascinating and interesting booklet notes, that has made all this possible and to whom we are much indebted. One of the longest single tracks at 7:44 in Benjamin's The Storm Clouds Cantata from the 1934 film 'The Man Who Knew Too Much' scored for mezzo-soprano, chorus, organ and orchestra. When Hitchcock came to remake the film in 1956 it was subsequently redeployed. 'An Ideal Husband', from which we have Waltz and Hyde Park Galop, boasted the famous Alexander Korda as director. What commends this issue for me is the inclusion of Lucas's score for the 1957 film 'Yangtse Incident'. This includes The Amethyst March, a stirring, heart-warming piece and a worthy musical tribute to all those unfortunate "hearts of oak" caught up in 'The Incident'. Lucas also composed music for the British Transport film documentaryThis Is York, and Philip Lane makes the point that this is the only full film score of him to have surfaced to date. Having served in the RAF during WWII it is not surprising that Lucas was called upon to write a suitable march for the classic 1941 RAF documentary 'Target For Tonight' (currently available on DVD) and was perhaps a natural choice for making a major contribution towards 'The Dam Busters' – Eric Coates, of course, being responsible only for the perennially popular Dambusters March. This is a superbly played and engineered disc and will surely be wanted by anyone with an interest and fascination in quality vintage British film music. Roger Hyslop

Philip Lane strikes again, this time with a superb reconstruction of several old film scores which sound terrific, including  'Yangtse Incident' in which the official but false version of the remarkable escape was retold on celluloid. Against orders, HMS Concord secretly went upstream under cover of darkness to assist HMS Amethyst and the two escaped together, a secret which has been covered up ever since so as not to offend Communist China; the British government of the time having backed the wrong political horse. While HMS Amethyst took all the plaudits, the crew of HMS Concord was sworn to secrecy, something which has festered with them for decades! This is a great CD. Edmund Whitehouse

HOWARD BLAKE 'The Avengers' Music composed & conducted by Howard Blake 50 tracksSilva Screen SILCD1363 (57:56 & 36.06) Of all the television scores I hoped would become available on CD, Howard Blake's magnificent scores from 'The Avengers' 1968-69 Tara King Season, are the ones I least expected to see emerge. Thoughtfully released during the 50th Anniversary celebrations of the series, this collection was released during the autumn of 2011. This 2-CD set, but with different artwork, was previously released privately, and is now a collector's item.  These scores represent the ten films for which Howard Blake was composer, by the request of Laurie Johnson, who at the time, was busy composing for films such as 'Hot Millions'.  Howard succeeds magnificently in maintaining the Avengers style, although for those who are familiar with his later film scores, there are tell-tale signs of things to come.  As the keyboard player on previous soundtracks for 'The Avengers', Howard knew exactly what was required, and he knew the other musicians involved, and many of them therefore, such as trumpeter Stan Roderick (who also provided the inimitable solo trumpet counter melody in this season's titles music), are heard here.  The sound reproduction is quite superb. Included in this set are, of course, Laurie Johnson's second arrangements of the main and end titles theme, as well as his Tag Scene – an exquisite '60s bossa nova, which accompanied most of the humorous closing sequences with John Steed, and Tara King.  At the time, 'The Avengers' was shown in 90 different countries.  Today it is seen everywhere, and it remains the world's most famous television series, having opened the way for all other Cold War characters, such as James Bond, Napoleon Solo, and others.   I would recommend buying this now, before you regret not doing so, as television soundtracks soon tend to soar in scarcity value. I would add that the booklet and backing insert for 'The Avengers' are produced very much for genuine fans of the series in mind, with beautiful colour photographs which I have not seen in publications before, and the notes include all recording dates, and a list of the musicians who took part. Howard had obviously had this project in mind for a long time.

Laurie Johnson's own soundtracks from 'The Avengers', 'The New Avengers', and 'The Professionals' are already starting to disappear, so look for these on Amazon.  Hopefully, Howard Blake's scores might elicit a more complete set of Laurie Johnson's own 'Avengers' scores, and it would be wonderful to at last own his original colour series' main and end titles themes on CD.  For those who remember the series from its inception, Johnny Dankworth's two separate versions of his ownAvengers Theme are still available on CD: 'The Best Of Johnny Dankworth' (Redial 546 135-2), and'Johnny Dankworth - Let's Slip Away' (Lost Tunes UMC 0-06007 - 5317621 - 4), and an excellent cover version of the Dankworth theme by John Gregory is included on 'John Gregory & His Orchestra – Mission Impossible' (Mercury 532 986-2). Franck Leprince

'BRITISH LIGHT MUSIC PREMIERES Vol. 6'  Royal Ballet Sinfonia / Gavin SutherlandSaturday Market (Anthony Hedges); Welsh Nursery Tunes (Lullaby & Shoeing Song) (Alun Hoddinott); Five Lyric Dances (Philip Lane), Cinque Port Suite and El Tango Ultimo (Carey Blyton), Portrait of Diana (John Fox), Music for Children (Out for a Stroll, Pony Trap, Sweet Dreams, Rustic Dance) (David Morgan),  Breton Suite (Little Dress, Clogmaker, Rosary) and Six Welsh Dances (Four Clogs, Red Cloak, Shepherd of Hafod, Hornpipe, Good Cheer, Shepherd’s Dance) (Mansel Thomas), André Charlot Show of 1926 (Addinsell/Gay) Dutton Epoch CDLX7283 (65:00)  Working backwards, the  André Charlot (pronounced Sharlow) extended piece transports us back to a different age of show business with jolly music from the pit orchestra back in the '20s. Mansel Thomas’s Six Welsh Dances simply fizz; John Fox pays homage to Princess Diana; David Morgan gives us four delightful children’s miniatures; Carey Blyton posts a musical portrait of a south coast port down the centuries; Philip Lane produces yet more splendid well rounded tuneful dances; Alun Hoddinott provides some Welsh culture; and Anthony Hedges shows us what Beverley Market was like on a Saturday morning 35 years ago. Another fine disc for Messrs. Lane and Sutherland. Long may they flourish! Edmund Whitehouse

As its name implies, this CD joins its five companions to comprise what has become a sizeable collection of music which, hitherto, has never made it onto any recording format. I suspect that this is probably the result of quite a lot of "midnight oil-burning" on the part of Philip Lane, aided and abetted by Lewis Forman. We have here a collection of very pleasant if at times somewhat unremarkable music which, inter alia, introduces us to composers David Morgan and Mansel Thomas.  It should be noted that the last track is an "extra" by the BBC CO, conducted by Barry Wordsworth, whereas all others are by Gavin Sutherland and the Royal Ballet Sinfonia. A well-put-together programme, which certainly should appeal to those who like to try something new and a little "off the beaten track". Tony Clayden

CLEBANOFF & HIS ORCHESTRA 'Strings Afire' & 'Exciting Sounds' Millionaire's Hoe-Down*; You Do Something to Me; Nigrita*; Oye Negra; Blue Theme*; Bobsled*; Strings Afire*; Like Paganini*; Harlem Nocturne; Cherokee; Brazilian Polka*; Blue Mountain*Cumaná; Orchids in the Moonlight; Hava Nagila (arr. Clebanoff); Cha Cha Cha Flamenco; My Shawl; What is this Thing Called Love; Golden Earrings; Quiet Village; Turkish Harem Dance*; Barranquilia*; Yours (*written, wholly or in part, by Clebanoff) Vocalion CDLK 4474 (66:35) A return appearance on this label for Herman Clebanoff with, arguably, his two best albums – both from 1961 in Mercury's famed Perfect Presence Sound Series that produced so many wonderful classical LPs. Son of Russian emigrants, Clebanoff grew up in Chicago and by the age of 20 was already the youngest member of that city's symphony orchestra. He was signed up by Mercury and moved to Hollywood around 1960. It is likely he was regarded by his record company as its answer to Decca's Mantovani. To boost Clebanoff's splendid string sound his arrangers Wayne Robinson and Caesar Giovannini engaged some stellar West Coast session percussionists. With its touches of Latin, I enjoyed this CD a lot. Peter Burt

RAY CONNIFF ‘All Or Nothing At All’ 56 tracks incl. Remember; Harbour Lights; Moon Song; Buttons and Bows; Besame Mucho; Summertime; Brazil; Tammy… Highnote REXX 344 (77:53 & 77:47) This generous package offers four Ray Conniff albums: ‘Young at Heart’ and ‘Somebody Loves Me’ (with the RC Singers & Orchestra), and ‘Say it with Music’ (sub-titled ‘A Touch of Latin’) and ‘Memories are Made of This’ (both with the RC Orchestra & Chorus). If that were not enough, there are eight bonus tracks, including five from the album ‘It’s the Talk of the Town’. As you might expect from these CBS stereo recordings, sound quality is excellent. Barry McCanna

FRANK CORDELL & HIS ORCHESTRA 'The Best Of Everything' & 'Hear This' Guantanamera; Alfie; A Man and a Woman; The Gentle Rain; Music to Watch Girls By; The Shining Sea; Somethin' Stupid; Once Upon a Summertime; Berimbau; And We Were Lovers; London Life (Cordell); Never on Sunday: So in Love; I Didn't Know What Time it Was; June is Bustin' Out All Over; My Funny Valentine; Kee-Mo, Ky-Mo (The Magic Song); My Heart Stood Still; Quiet Drive (Cordell);; I'm Old Fashioned; Caravan; Come Rain or Come Shine Vocalion CDLK 4469 (73:39) Frank Cordell (1918-80) was a composer, arranger and conductor who is sadly under-represented in the current CD listings. So congratulations to Michael Dutton for bringing two of his albums back into circulation. Let us hope that 'Sweet and Dry' and 'The Melody Lingers On' (my favourite) will follow. Frank first came to prominence with his arrangements on numerous HMV vocal singles in the 1950s. Later he was to write soundtrack music for films such as 'The Captain's Table', 'Cromwell', 'Khartoum', 'Mosquito Squadron' and 'Ring of Bright Water'. 'The Best of Everything' from 1967 is a nice compilation of film themes, Brazilian originating melodies, and pop chart pieces in Frank's fine arrangements, all very well played by star sounding musicians. The Stereo Record Guide for 1963 opined that 'Hear This'was "musically brilliant, but in spite of the dilution of style by the use of orchestrations derived from serious (sic) music (and the American musical) most is highly sophisticated written Jazz." The soloists are Eddie Blair (trumpet), Jack La Rock (violin), Don Lusher (trombone), Tommy Whittle (tenor sax) and Roy Willox (alto sax). Expect Tony Clayden to be revisiting this release next time. Peter Burt

'THE FINCK ALBUM' Orchestra of the Theatre Bel-Etage (Tallinn) / Mart Sander : Pirjo Levandi & Kelli Uustani (sopranos), Mart Sander (baritone) 13 pieces – 18 tracks incl. Cheerio!; Hullo, Girls!; Jocoso; Dear Old Fighting Boys; The K-Nuts Medley… Divine Art Diversions DDV 62402 (67:54) The light music revival seems to have largely bypassed Herman Finck (1872-1939), Dutch by extraction but a Londoner from birth; it has needed this disc from Estonia – a small but very musical country – to show us what a good tunesmith he was. He worked much of his adult life in London's Palace Theatre, as conductor and composer of operettas and ballets. His dance music is particularly delightful, as can be heard here in the My Lady Dragonfly Ballet Suite and single movements like Moonlight DancePirouette, dedicated to Anna Pavlova, and the waltz songs Venetia(from the operetta 'Decameron Nights', also given a lengthy orchestral selection), My Waltz Queen, and Queen of the Flowers. Finck's best remembered tunes, In the Shadows and Gilbert the Filbert are here, too, both in vocal versions, of which there are six on the disc. The singing comes over well, perhaps a little too well as the singers are rather too forwardly balanced, but the clarity of the delivery and English diction are excellent. The orchestra, while not as polished as, say, the BBC Concert Orchestra or the Royal Ballet Sinfonia, put in some fine work, and I have no hesitation in recommending the CD, which hopefully may encourage a Finck revival. Philip L Scowcroft

EDWARD GERMAN   BBC Concert Orchestra / John Wilson Dutton Epoch CDLX7285 (76:26)  The conductor is on record as saying he has no nostalgia for light music because he is not old enough to remember it but he knows what he likes. Not many of us is actually old enough to remember Edward German (he died in 1936) but his delightful music lives on in recorded form, and none better than this fine CD. 'Much Ado About Nothing' – Incidental music is terrific while 'The Tempter' – Incidental music has a charming Berceuse followed by a lively Bacchanalian DanceMarche Solennelle (Funeral March) is having only its fourth performance while  'Henry VIII'  – Incidental music is offered in the form of a slightly longer overture and two preludes followed by three short famous dances (Morris Shepherd's and Torch), which later resurfaced in 'Merrie England'.  'Romeo and Juliet' – Incidental music is a Dramatic Interlude while the Coronation March and Hymn was composed for King George V. Great music, great composer, great value. Edmund Whitehouse

German Edward Jones (some accounts suggest his name was sounded with a hard "G", as in "got") was born into a musical family in 1862, and was always destined for a musical career. At the age of 18, he enrolled at the RAM, studying with the famous Ebenezer Prout, and becoming "Edward German" to avoid clashing with a fellow pupil also called Jones. By the age of 26 he had been appointed to the prestigious post of MD at London’s Globe Theatre. Many regarded him as the natural heir to Sir Arthur Sullivan and when it is considered that he wrote a fairly sizable canon of music, including three symphonies, it is both strange and unfortunate that most of his output, together with his very name, has become largely forgotten.  German’s compositions have recently found a champion in the shape of the ever-enterprising Michael Dutton; this new release joins two previously issued Dutton Epoch CDs, also featuring John Wilson and the BBC Concert Orchestra, containing the aforementioned symphonies and various other orchestral works. The programme on this latest offering includes a number of World Premiere and First Digital recordings, so it is likely that much of the material will be unfamiliar. However, as with much of German’s work, it is immediately accessible and enjoyable, whilst   John and the Orchestra deliver their usual superlative performances.  Warmly recommended! Tony Clayden

'THE GREAT STARS OF LIGHT ORCHESTRAL MUSIC' ('Les Grandes Etoiles du Divertissement’) 147 tracks on 6 CDs featuring the orchestras of Ray Martin, Helmut Zacharias, Teddy Petersen, Werner Müller (Ricardo Santos), David Rose and Cedric Dumont Marianne Melodie (France) 480624 When you discover the names of RFS friends such as Serge Elhaik, Ralph Harvey and the legendary Pierre-Marcel Ondher in the credits, you can be assured that this is a collection worthy of the attention of all light music fans. Unlike some earlier French compilations, this time the spotlight falls upon just six major light orchestras, with each CD in the set specially themed – such as 'Characteristic Pieces''All the Colours of the World', 'International Successes', etc… Of course keen collectors are bound to possess many of the tracks already in other collections, but there are some pleasant surprises and there is a 44-page booklet crammed with information (mostly in French, of course). Great collections like this don’t turn up every day, and the restorations have been in the capable hands of Lionel Risler and his team Sofreson. Despite its title, this collection does not pretend to be an exhaustive study of the world of Light Music. You sense that care has been taken to avoid duplicating those orchestras who are already well represented elsewhere. It is very satisfying to know that various record companies are still prepared to make light music of this quality available on commercial discs. They all deserve our support to keep this niche in the world of music alive. David Ades

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ENOCH LIGHT & HIS ORCHESTRA 'Stereo 35/MM' & 'Far Away Places' 24 tracks incl. Heat Wave; The Man I Love; I've Got a Crush on You; All the Way; My Romance; You Do Something to Me; Zing Went the Strings of My Heart; Someone to Watch Over Me … Waltzing Matilda; Banana Boat Song; The Third Man Theme; Sunrise Over Sumatra; Bali Ha'I; Mimi; Calcutta … Sepia 1191 (71:16) Enoch Light (1907-78) was an American bandleader and record entrepreneur. He started the Command label and was always interested in the technical side of producing records, so stereo was made for him. He went on to be one of the first to record on 35mm movie film instead of tape, an advance at the time. The first album on this release was recorded in summer 1961 at Carnegie Hall with its natural acoustics as "the greatest sound chamber in the world." I expected something ultra gimmicky but it is all very classily done. The LP was U.S. No.1 for seven weeks and remained in the charts for 57 weeks – says it all, really! For his orchestra Light brought together more than 60 of the best musicians in New York (trumpeter Doc Severinsen and guitarist Tony Mottola were among those who regularly played for him) and it is apparent that great care was taken both before and during the recording. The second album, "Featuring Harpsichord and Exotic Percussion", was recorded earlier in the same year. It is an entertaining compilation of a dozen more Lew Davies arrangements, although I am not enthusiastic about the five singers' wordless contributions. Richard Tay's estimable label maintains its high standards with Robin Cherry's remastering and nine pages of detailed booklet notes. Well worth considering adding to your CD shelves. Peter Burt

GEOFF LOVE & HIS ORCHESTRA 'Big War Movie Themes' & 'Big Concerto Movie Themes' 21 tracks incl. Colonel Bogey - excerpt from The River Kwai March; Lawrence of Arabia; The Guns of Navarone; Battle of Britain; The Longest Day; Where Eagles Dare … Warsaw Concerto; Rhapsody on a Theme of Paganini, Spellbound Concerto; Theme from Concerto in B flat minor (Tchaikovsky); Cornish Rhapsody … Vocalion CDLK 4468 (74:10) Another 2-on-1 from EMI's hugely popular Music for Pleasure series – both albums from the early 1970s. The "usual suspects" are in the first album's track choice, although Rózsa's The Green Berets and Jarre's Is Paris Burning are here. The final item is Addison's Reach for the Sky. The second album covers the films 'The Bridge on the River Kwai', 'Dangerous Moonlight', 'The Story of Three Loves', 'Spellbound', 'the Music Lovers', 'Love Story', 'While I Live', 'The Glass Mountain' and 'Song of Norway'. As well as Oliver Lomax's highly informative three-and-a-bit pages of liner notes we have extracts from the original LP sleeve notes. But I am still no wiser as to who the pianist is and something about the other musicians involved.Peter Burt

Among Vocalion's April releases are also albums from Chico Arnez, Martin Denny (2), Jackie Gleason (2), Syd Lawrence (2), Woot Steenhuis, and Si Zentner.

'NATURE’S REALM' For tracklisting please see page XX. Guild GLCD5194 (77:58). When I received this latest Guild CD I wasn’t sure if it was up my street or not because, although it includes several library pieces which I consider "my territory", the titles seemed to have a rather lethargic sound to them. However the first track is just the opposite, a rousing send-off courtesy of Sidney Torch and his Orchestra, Thunder and Lightning Polka. According to David‘s booklet notes Stormy Weather was reckoned to have been written in 1933 by Harold Arlen and Ted Koehler …. I always thought it came from the 1943 film musical of the same name, lightly based on the career of Bill "Bojangles" Robinson. However, whatever its origins there‘s a very good arrangement on this CD by Morton Gould and played by his Orchestra. From inclement weather to more of the stuff with a catchy number played by Ray Martin and his Orchestra, Tango in The Rain by, according to David, the prolific German composer Lotar Leonard Olias. Sorry David, I’ve never heard of him but somebody whose music I am very familiar with is Frederic Curzon and his tuneful Over the Hills and Far Awayplayed by the New Concert Orchestra sits comfortably with Malcolm Arnold’s theme music for the 1961 British film 'Whistle Down the Wind' …. one star from Leslie Halliwell but the music’s nice. Another Halliwellism describes 'Whirlpool' (1959) as "a modestly attractive travelogue with the burden of a very boring melodrama" but again the theme by Ron Goodwin is rather good as played by his Concert Orchestra, and so is Clive Richardson’s mood music piece written for the Charles Brull/Harmonic Library, Saga Of the Seven Seas. Wandering The King’s Highway by Leslie Coward is more likely to be remembered as a Peter Dawson or Oscar Natzka rendition but here it’s played by the Melodi Light Orchestra from a Chappell disc and a fine tune it is too. Trouble is I can’t find out anything about the composer, even Google doesn’t help. Fireflies by Peter Yorke and Eric Spear’sWhirlwind, both played by the Queen’s Hall Light Orchestra, are very catchy indeed as is Bruce Campbell’s Trotting Class on a Paxton 78 played by Dolf Van Der Linden and his Orchestra. Gerard Calvi’s Thunder in Louisiana has a slightly hypnotic drum beat throughout – beginning quite quietly, which made me think the title was a bit of a misnomer, but it gradually gets louder and so fulfills its title. I mentioned not knowing anything really about Leslie Coward and almost the same thing can be said about George Trevare whose composition The Mad Mountain Ride is played by the Queen’s Hall Light Orchestra conducted by Sidney Torch. Mr. Trevare is mentioned on Google as having connections to the Australian ABC Network and there’s a recording of I’m Looking Over A Four Leaf Clover sung by Johnny Wade accompanied by George Trevare and his Southern Seven on Columbia DO 3241. However, I’m sure readers will come up with more information in both cases. Ken Wilkins

THE NEW FOXTROT SERENADERS with Simon Gledhill 'Say it with Music' Say it with Music,Paddlin' Madelin' Home (vocal, Graham Wright), Isn't this a Lovely Day, When you're Smiling (vocal Graham Wright and band members), Side by Side, Singing in the Bathtub (vocal Graham Wright), Look for the Silver Lining, Paddlin' Madelin' Home (non-vocal version) NFSCD05 (26.45) The idea of a band or orchestra performing with a theatre organist is by no means a new one. Many of the theatre orchestras of the thirties made records with the addition of a cinema organ and, of course, there was Billy Thorburn's The Organ, The Dance Band and Me. From the inlay notes, it is apparent that it was the latter combination that inspired the New Foxtrot Serenaders to team up with virtuoso organist Simon Gledhill, not just on this CD, but on some of the band's many concerts around the country. If you enjoy bouncy, tuneful music from the past, you are really going to love this CD. The performances are immaculate and the tight ensemble as good as you could wish to hear. The band's precision is probably due to the fact that some of the players have been members of top service bands. Trumpeter, Graham Wright (an ex-guardsman) adds a pleasing vocal touch to some numbers. My only criticism is that this is a rather short CD, but every number is a joy to listen to and I highly recommend it, as indeed I recommend you to go and listen to the band if it performs near you. You will be able to find this out from their very comprehensive websitewww.newfoxtrotserenaders.co.uk. You can also purchase the CD (£7+£1.50 p&p) through this website or by sending a cheque to Graham Wright, 7, Grosvenor Gardens, Carshalton, Surrey SM5 3EJ. Brian Reynolds

'STEREO INTO THE SIXTIES' For tracklisting please see page XX. Guild GLCD5192 (74:30). It says what it is on the CD case and that’s exactly what it delivers, so if stereo is your forte you’re in for a treat, beginning in "big picture" mode with Cole Porter’s Night and Day from the Astaire/Rogers 1934 musical 'The Gay Divorcee', originally titled 'Divorcee'. This particular recording is played in fine style by The Starlight Symphony conducted by Cyril Ornadel and arranged by Brian Fahey, followed by George Gershwin’s Bidin’ My Time with Frederick Fennell and his Orchestra. Quite a change from his usual band of musicians, namely the Eastman-Rochester Pops, but quite possibly the same players as they turn up on track 12 with Jaime Texidor’s rousing and well known Amparito Roca. The listener will quickly realise the strings are very much to the fore on this collection as they were all recorded when stereo was considered the way ahead and with speakers placed well apart. I suppose it was thought it enhanced the listening experience with the strings coming out of one speaker and, say, the brass emanating from the other. Did it? Anyway, that’s my rant over, back to the disc in hand .... Mantovani and his Orchestra make an appearance with a very pleasing composition of his own, Italia Mia, and this is followed by Ron Goodwin and his Orchestra playing his own sprightlyLondon Serenade, which could have come from any mood music publisher’s catalogue. Did it by any chance? Australian composer Don Banks paints a lively picture of Coney Island with "brush strokes" by The Sinfonia of London conducted by Douglas Gamley while Jack Shaindlin and his Orchestra playThe Carioca featured in a lengthy sequence from 'Flying Down to Rio', another Astaire/Rogers film but they weren’t the featured stars; it was their first pairing and they rated below Dolores del Rio and Gene Raymond. I have the soundtrack of this film issued in 1978 on the Sandy Hook label and on the reverse is the soundtrack of 'Carefree'. The strange bit about the LP from which Carioca has been taken is it’s called '50 Years Of Movie Music' which tries to replicate film music of that period yet it’s been recorded in stereo …. which rather defeats the object I would have thought. Luckily I’ve got the monaural issue. When I saw Jockey on the Carousel in the tracks listing I was reminded of Bob Farnon’s composition but this one is by Jerome Kern; it is a more gentler melody but none the less tuneful for that. Pedro The Fisherman is given a rousing performance by Johnny Douglas and The Living Strings …. very different from the Richard Tauber version which is usually played – if it’s played at all these days. The music was written by Harry Parr-Davies for the 1943 show 'The Lisbon Story' at the London Hippodrome and ran for 492 performances. Ferrante and Teicher make a very good job at two pianos with an unnamed orchestra of the Love Theme from One Eyed Jacks. The Living Strings make a second appearance, this time conducted by William Hill Bowen with a quirky arrangement of On the Beach At Waikiki by the conductor; but the next track was a big surprise although on reflection I don’t know why because he was an excellent pianist: Russ Conway and Michael Collins and his Orchestra play Charles Williams’ Dream of Olwen on a Columbia recording. I’m sure Charles Williams would have been highly delighted. A piece more up my street is on track 20, Walberg’s Fete Circassienne played by his own orchestra. I don’t know much about him apart from the info in David’s booklet notes but his name appears several times in the Harmonic/Charles Brull catalogue and I’ve got an LP of his with a Russian theme. A smashing performance of Eric Coates’ gentle waltz Mayfair from his 'London Again Suite' is played by an orchestra conducted by somebody I’d never heard of, Eric Johnson, on a Westminster LP. But this Guild CD is brought to a fine conclusion with another big picture theme, Away Out West from 'Around the World in Eighty Days' by the unusually named Victor Popular Young played in fine style by Robert Farnon and his Orchestra from an MGM LP of 1960. Another collection of superb light concert music just waiting to be ignored by Britain’s national broadcasting organisation. Ken Wilkins

KT Editor's CD Choice

FLOYD CRAMER 'Countrypolitan Piano' Four Original Albums 48 tracks incl. I'll Never Be Free; The Swingin' Shepherd Blues; Midnight; Have I Stayed Away Too Long?; Stormy Weather; Trouble In Mind … Last Date; I Need You Now; Moments To Remember; Tennessee Waltz; Too Young; Mood Indigo … On The Rebound; Wonderland By Night;; I Can Just Imagine; Faded Love; Let It Be Me; Two Of A Kind …Your Last Goodbye; Unchained Melody;; You Win Again; Someone Else, Not Me; Lonely Again; The Waltz You Saved For Me … Jasmine JASCD 694 (56:54 & 56:24) This 2-CD set has been in my player a lot lately – good cheery music for these troubled times. Tastefully melodic all the way, Cramer (1933-97) described his distinctive piano style as "whole-tone slur" or "slip note". He was a RCA session man from 1955 and, as well as hits with the likes of Elvis Presley and Jim Reeves, had his own big chart entries including Last Date (No.2 in the US), On the Rebound (No.1 in the UK, No.4 in the US) – both his own compositions – and San Antonio Rose (No.8 in US), all heard here. These are four albums from the very many he made for RCA, all produced by Chet Atkins: 'Hello Blues' and 'Last Date' (1960), 'On The Rebound' and 'America's Biggest Selling Pianist' (1961). A pity that the accompanying musicians are not acknowledged, even if the largely wordless girly singers add little to the proceedings. Nevertheless a very pleasant memento of one of the leading architects of the famed "Nashville sound." Peter Burt 

HARRY FARMER : HAMMOND ORGAN 'Get Happy' 54 tracks inc South Rampart Street Parade, Muskrat Ramble, In The Night, Saturday Rag, An Apple For The Teacher, Mean To Me, Because, If I Had A Talking Picture Of You, Bach Goes To Town, Tip Toe Through The Tulips, I’ve Got A Pocketful Of Dreams REXX 338 (73:54 &71:05). Harry Farmer was part of the Jimmy Leach Organola team playing organ whilst Jimmy Leach played the piano and they made quite a number of 78’s which sold well. This double CD set is a bargain with 27 tracks per disc almost filling the capacity of the discs. Seven or eight tracks per side are utilised in bringing us Chris Hamalton and his Hammond organ….a pseudonym of Harry Farmer. Generally these tend to be the hotter numbers such as South Rampart Street Parade, Muskrat Ramble, In the Night, Saturday Rag. The Harry Farmer Rhythm Ensemble occupies the remainder of the discs. This ensemble comprises Harry on the organ, Harry Engleman on piano, Barry Fox on guitar and Pete Thomas on drums. Sometimes they are joined by Norman Parker on marimba. They make a very pleasant sounding ensemble with most of the tracks performed in a danceable style. Other tracks include Goodnight Sweetheart, Beyond the Blue Horizon, I’ve Got You Under My SkinMoonlight Serenade and I Only Have Eyes for You. This is a bargain indeed and a programme of very listenable music. Restorations are outstanding so no problems there. The hand of Colin Brown is behind this issue; he has served the music industry well over the years. Get the CD whilst you can. Brian Stringer

BERT WEEDON 'The King of Strings' 25 tracks incl. Guitar Boogie Shuffle; Bongo Rock, Apache; Big Beat Boogie; Lonely Guitar; Jolly Gigolo; Stranger Than Fiction; Rippling Tango; Petite Fleur; The $64,000 Dollar Question; Sorry Robbie, Flannel Foot; Easy Beat Pegasus PEG CD 734 (58:31) This very popular British guitarist of the '50s and '60s was lost to us, aged 91, earlier this year. Here is a 2011 cheap-as-chips compilation of remarkably well-recorded numbers including two tracks with George Chisholm – Honky Tonk and D R Rock – that form a fitting memento of his work. Peter Burt

BING CROSBY 'Through The Years Volume Ten' 30 tracks incl. Love in a Home; Trust Your Destiny to a Star; Gigi; Church Bells; Rain; Someday Sweetheart; There's No Business Like Show Business; Go West, Young Man; Lullaby Land Sepia 1192 (76:53) With this release Sepia complete a project that has been running for over 25 years. It covers the years that Bing spent recording for Decca. However, as 19 of the tracks are from his 1956 'Á Christmas Sing with Bing Around the World'album and there are two other seasonal tracks, I shall return to this album later in the year. Meanwhile I would like to know how Bing came to have Dedham Choral Society from near my home town of Colchester singing God Rest Ye Merry, Gentlemen on his CBS radio special? Peter Burt

THE KING SISTERS ‘Imagination’ 71 tracks inclDeep Purple; Memories of You; The Hawaiian War Chant; I’ll Get By; Pagan Love Song; Ebb Tide… Jasmine JASCD 183 (79:05 & 79:14) Unlike most sister groups, the King Sisters was a quartet, which used close harmonies rather than counter-point to achieve their effect. That approach chimed with the homogenous music of the swing era, and Alvino Rey’s band supplied the backing. They first recorded together in November 1940, but this compilation comes from a decade later, by which time they had recorded four albums for Capitol. Some tracks have been selected from the first three, augmented by a number of singles, but the 1960 album ‘Baby, They’re Singing Our Song’ that was recorded as a continuous medley, appears in its entirety. Barry McCanna

MILITARY WIVES Presented by Gareth Malone 'In My Dreams' Make you Feel My Love; In My Dreams; With Or Without You; Up Where We Belong (Love Lifts Us Up); True Love Ways; You've Got A Friend;; Eternal Father; Fix You; The Silver Tassie; On My Own; Wherever You Are Decca 2796665 (39:42) This is the first time – and, probably, the last – that I have reviewed a popular chart-topping album. The BBC2 series featuring the Chivenor Choir was a joy and here they are recorded alongside similar groups from Plymouth, Portsmouth, Lympstone, and Catterick Garrison. The harmony of all the choirs is remarkable. The title and final tracks are from the pen of the royal wedding composer Paul Mealor. The latter was No.1 single in the UK last Christmas and No.5 in this year's Classsic fM Hall of Fame, and features the beautiful voice of Sam Stevenson, as does Robert Burns' traditional Silver Tassie. Although the album has Decca's not unexpected short measure for their TV-advertised releases, at least £1 of each full-price sale will go directly to the Military Wives Choirs Foundation to help other military communities establish their own choirs … wherever they are. Most enjoyable! Peter Burt

GEORGE BEVERLY SHEA 'I'd Rather Have Jesus' 50 tracks incl. Amazing Grace; The Old Rugged Cross; What A Friend We Have In Jesus; It Is No Secret; How Great Thou Art; Be Still My Soul; Take My Hand, Precious Lord; Saviour, Again To Thy Dear Name Jasmine 701 (71.08 & 71.48) According to the Guinness Book of Records, this Canadian-born bass-baritone, affectionately known as "America's beloved gospel singer", holds the world record for singing in person to the most people ever with an estimated cumulative live audience of 220 million people. He won a Grammy in 1956 and at the age of 102 received the 2010 Lifetime Achievement Grammy Award alongside the likes of Julie Andrews and Dolly Parton. He was associated with the great evangelical preacher Billy Graham from 1947 until comparatively recently. He recorded over 70 albums, some with orchestras conducted by, among others, Hugo Winterhalter and Ralph Carmichael. Unfortunately the musicians on the four mono LPs here – Evening Vespers''Inspirational Songs''Sacred Songs' and 'An Evening Prayer' – are not identified. Tenderly He Watches and Sunrise are two bonus tracks. Truly inspirational. Peter Burt

'STAND BY FOR ADVERTS' : Rare Jazz, Jingles and Advertising Electronics by Barry Gray81 tracks Trunk Records JBH039CD (57:26) This is a beautifully produced, and excellently restored compendium of advertising jingles composed by Barry Gray, better known for his themes and scores for most of Gerry Anderson's television Sci-Fi series, such as 'The Thunderbirds', 'Supercar', and 'Stingray'.  Stylistically, these short pieces vary as much as the products they advertised.  They are all from the early days of British Television, and were composed for such brands as Sunsilk, Shell, Esso, Tide, Horlicks, Gillette, Hoover, BOAC, Aspro, and a host of other products that I have either forgotten about, or were not aware of when I was a toddler. Anyone fortunate enough to have collected the entire Silva Screen series of Barry Gray's soundtracks, will want to add this to their collection. The booklet notes by Ralph Titterton are well-produced, well-written, and fascinating.  All of the tracks are expertly remastered, sounding better than any television set of the time could have made them do. Many are preceded by a spoken introduction, but this does not detract from the overall enjoyment of auditioning them. A thoroughly delightful excursion into the realms of nostalgia. One wonders how many other tapes survive by other composers of jingles, such as John Barry, Cliff Adams, Tony Osborne, Robert Sharples, and others.Franck Leprince

BENNY CARTER 'Four Classic Albums Plus' 46 tracks inclI’m Coming Virginia; Thou Swell; A Monday Date; And the Angels Sing; Moon of Mannakoora; I’ll Remember April; September Song…Avid AMSC1048 (79:58 & 79:58) This comprises four albums, namely ‘Jazz Giant’ which dates from 1957/8, ‘Swingin’ the ‘20s’ from November 1958, the 1960 ‘Sax a la Carter’ and the slightly earlier‘Aspects’. The first three are small group settings, but the last-named was recorded with a big band. Scott Yanow wrote of the first album "This timeless music is beyond the simple categories of "swing" or "bop" and should just be called "classic’." That comment could equally well be applied also to the three other albums included here. It’s a superlative reissue, in brilliantly remastered sound. Barry McCanna

QUINCY JONES ‘Strike Up The Band’ 41 tracks incl. Tuxedo Junction; Caravan; Cherokee; Love is Here to Stay; Under Paris Skies; Mack the Knife; Come Back to Sorrento Jasmine JASCD 696(69:22 & 66:20) This is a straight reissue of four Mercury albums recorded in stereo between February 1959 and February 1961, namely 'The Birth of a Band' (Mercury SR 60129), 'The Great Wide World of Quincy Jones' (Mercury SR 60221), 'I Dig Dancers' (Mercury SR 60612), all with 10 tracks apiece, and 'Around the World' (Mercury PPS 6014) which runs to eleven tracks. The first two albums are superbly played big band jazz, and feature amongst the soloists Zoot Sims, Clark Terry, Joe Newman, Harry Edison, Art Farmer, and Lee Morgan. The arrangements on the second album were by Ernie Wilkins, Bill Potts, Ralph Burns, and Al Cohn, and a number of standards are included. The third album begins well enough, and the standards are given a facelift by the arrangements, although not always to their advantage. In particular Moonglow which was written as a slow ballad suffers from being taken too fast and finally becomes incandescent, and the treatment of Chinese Checkers is irritating. The best track is Jones’ own composition The Midnight Sun Will Never Set. Finally, the "world tour" album, which relies on the gimmicky nature of the material, is something of an anti-climax. The liner contains a very full discography of the varying personnel and the session involved, and identifies the soloists on the first disc. Sound quality and stereo separation is excellent, and despite my reservations it is a real bargain. Barry McCanna

MAŘEK WEBER, HIS VIOLIN & HIS ORCHESTRA 'Café in Vienna – His 23 finest (1925/35)'Café in Vienna (JH); Valencia; Da Draussen in der Wachau; Estudiantina; Schoner Gigolo (MW); Japanischer Laternentanz; Rosen aus dem Suden; Fruhlingslust; Oh, Donna Clara (MW); Gold und Silber; Die Blume von Hawaii sel. (CH); Viennese Singing Birds; Spanish Gypsy Dance; I Want Nothing but Your Love; Rosa Mia (JP); Tonight Give Me an Hour of Love (JP); The Merry Widow Waltz; Her First Dance; The Music Comes; Dream of Love; Marie Louise (JH); Love’s Last Word is Spoken, Cherie; Song of Paradise. Key: CH – Comedian Harmonists; JH – John Hendrik; JP – Jack Plant; MW – Marcel Wittrisch Retrospective RTR 4196 (79:06) Marek Weber was born in Austria in 1888 and, as leader of a salon orchestra, established his reputation both on the Continent and in England well before arriving in London in late 1932. He was extremely well-served by his recordings, which won critical acclaim, and this selection of the popular foxtrots and tangos of the time, seasoned with Viennese waltzes and novelty numbers, has been lovingly remastered by Alan Bunting. Many of the tunes will be familiar, indeed Estudiantina must have served as the basis for Home, James and Don’t Spare the Horses. Peter Dempsey’s liner note mentions the phrase "a rare treat for three shillings" from a contemporary Gramophone review, and the same holds true in today’s money. Barry McCanna

'THIS IS LONDON' 25 tracks inclThe ‘Ampstead Way; Carry on London; Down the Mall; Bow Bells; London Melody Delta 26675 (71:16) This reissue includes a number of British dance band tracks, some of which don’t appear to have been reissued elsewhere. Personality recordings also feature, and although it lacks a liner note the result is a good old wallow. Barry McCanna 

ELSIE CARLISLE 'With a Different Style' 23 tracks inclMeadowlark; He’s a Good Man to Have Around; Cavalcade Pts.1&2; My Man of War; You’ve Got Me Crying Again; Smoke Gets in Your Eyes; One Little Kiss; Change Partners Memory Lane MLMCD 023 (72:46) This is a jewel of a reissue, which begins with an early rather tentative recording, and displays her transition to the assured singer she’d become by the late twenties. Two songs come from cardboard-based World Echo 78s, and two from plastic Filmophones, and I can only marvel at the fullness of sound that Alan Bunting has been able to coax out of them. Such recordings are rarities, as are others in this compilation, and most have not been reissued previously. Elsie Carlisle had a fresh, innocent voice, which transcended the limitations of contemporary recordings. Thanks to Memory Lane, her voice now shines more brightly than ever. You can find full details, and order this and others in the series, atwww.memorylane.org.uk Barry McCanna

The Bygone Days label has produced six more CDs aimed at the nostalgia market, all of which are well remastered with informative liner notes by Peter Dempsey. They are reviewed by Barry McCanna:

'BIG BAND DIVAS OF THE 1940s' 24 tracks inclThree Little Words; Elmer’s Tune; My Guy’s Come Back; Alabama Bound; Trouble is a Man BYD77074 (73:05) Two dozen American songbirds are featured with 18 different bands. Many will be familiar but some, like Peggy Mann with Teddy Powell, Jane Harvey with Benny Goodman, Bea Booze with Andy Kirk and Delores Hawkins with Gene Krupa, have been somewhat neglected. What all have in common is the voice beautiful, and in some cases the tune most associated with a particular artiste has been bypassed in favour of a less well-known example.

FRANK CRUMIT ‘A Gay Caballero’ 24 tracks inclThe Girl Friend; And Then He Took Up Golf; The Prune Song BYD77076 (72:36) Like de Leath, Frank Crumit recorded extensively, and this concentrates on the period between 1926 and 1938. His style was often that of a raconteur, and it’s probable that this derived from his early start in a minstrel show, and his later progress in vaudeville. Highlights are his setting of Kipling’s poem I Learned About Women from Her and his hits Abdul Abulbul Amir and There’s No-one with Endurance (Like the Man Who Sells Insurance).

VAUGHN DE LEATH ‘The First Lady of Radio’ 24 tracks inclUkulele Lady; Kentucky Babe; Sometimes I’m Happy; I Must Have That Man; Button Up Your Overcoat BYD77075 (75:54) Thiscontains a selection of her recordings from between 1925 and 1929, including the Whiteman concert arrangement of The Man I Love. She began singing on the radio around the turn of 1919/1920, which made her one of the first female broadcasters, and began recording very soon after. Her voice was sweet, with a pronounced vibrato, and I suspect that her practice of gliding up (or down) to a note influenced Ruth Etting’s style.

'LAMBETH WALK – THE MUSIC OF NOEL GAY' 26 tracks incl. The Sun Has Got His Hat On; Happy; Meet the Navy; Let’s Have a Tiddley at the Milk Bar; Lonely: Run, Rabbit, Run; Hey, Little Hen! …BYD26668 (76:59) This is an eclectic selection of compositions by Noel Gay, whose pseudonym matched his cheery style. It features both dance bands and personalities, and the liner note places the songs in the context of the films and shows for which many were written.

'FAVOURITE MELODIES OF IVOR NOVELLO' Various Artists 22 tracks inclKeep the Home Fires Burning; Music in May; My Dearest Dear; Waltz of My Heart; We’ll Gather Lilacs… BYD77073 (73:10)This compilation is sub-titled "Original Recordings 1935-1959" but only around half of the numbers are from the original productions, plus three contemporaneous recordings by other artists, and two from later film versions. With two exceptions the remainder date from the fifties. That said, it offers a well-remastered selection of songs from the eight shows he wrote between 1935 and 1951, the year of his death. They feature such artists as Dorothy Dickson, Richard Tauber, Elizabeth Welch, Mary Ellis, Vanessa Lee, Lizbeth Webb and Cicely Courtneidge. The CD has been made to look like a miniature 78, and the result is a treat for lovers of the musical theatre.

'VINTAGE CHARLESTON 1924-29' 25 tracks inclDon’t Bring Lulu; Sweet Child; Fascinating Rhythm; The Chant; Blue Room; Miss Annabelle Lee … BYD77072 (74:58) Of all the various dances from the Roaring Twenties, it’s the Charleston which has come to of which epitomise the era, being played at a fast pace, in syncopated 4/4 time. This compilation favours American recordings (one isBlack Bottom, which was a different dance) and largely avoids duplication with other similar-based reissues. I’m not convinced that everything comes within the ambit of the title, but no matter, there are some splendid numbers here, from some of the top bands of the period. As regards the British dance bands, a couple of them are rarities, namely Chili Bom Bom by Nat Star, and My Cutie’s Due at Two-to-Two Today by Don Parker.

SOUSA 'Music for Wind Band Vol. 10' The Royal Norwegian Navy Band / Keith Brion 15 tracks incl. The Free Lance March; The Quilting Party March; When The Boys Come Sailing Home!; Myrrha Gavotte; Vautour Overture; The Beau Ideal March; Anchor and Star … Naxos 8.5559397(59:58) Anyone who thought that Sousa penned only military marches – though he did produce something like 136 examples of those – will be somewhat confounded by this release that clearly demonstrates his varied and diverse musical output. Included on this disc of almost exclusively rarities are the seldom heard Jazz America, which despite its title is not strictly jazz but more emblematic of the Jazz Age and comes complete with harp and simulated train whistles. The 12-minute People Who Live in Glass Houses Suite replicates in musical terms various alcoholic beverages from around the world, whilst the somewhat outrageous Humoresque on Kern's Look for the Silver Lining features the sound of a Model T Ford careering along the road with its complement of Keystone Cops and wheezy sounding trombone intoning There is a Tavern in the TownThe Salvation Army March dates from 1930 and is a result of a request from Cmdr Evangeline Booth, daughter of William Booth, the Salvation Army's founder; the whimsical sounding Who's Who in Navy Blue was composed at the request of a US Naval Academy graduating class in 1920. Recording and production standards are up to the usual high standard of this series and anyone collecting it will not be disappointed. If this music doesn't coax at least an occasional smile to your lips then nothing will!Roger Hyslop

VERDI 'Complete Ballet Music from the Operas' Bournemouth Symphony Orchestra / José Serebrier Naxos 8.572818-19 (01:55:24) The great Italian composer's "light" music from his opera ballets is appealing, melodious and lively. (It is also said he cooked a great risotto Milanese!) This 2-CD compilation is unique in that it is the first time all the ballet music from Giuseppe Verdi’s operas has been brought together in a singe recording.  It is well-recorded and played con brio by the BSO under their distinguished conductor, who also wrote the booklet notes. A fine bargain available online in the UK for under a tenner. Edward Trub

'THE MUSIC OF CHARLES DICKENS AND HIS TIME' The Seven Dials Band 20 tracks incl. The College Hornpipe; Some Folks Who Have Grown Old; The Ratcatcher's Daughter; Home, Sweet Home; Begone, Dull Care; The Young Jolly Waterman; The Soldier's Tear; The David Copperfield Polkas;; Shiver and Shakery – The Man That Couldn't Get Warm; Believe Me If All Those Endearing Young Charms … Warner Classics 2564661451 (66:09) This is an imaginative and entertaining album – a spirited and diverting compilation of Victorian songs and tunes ranging from polite parlour ballades to cockney ditties. Particularly interesting are several of Dickens' own songs: The Village Coquettes, The Ivy GreenMr Wardle's Carol. and The Fine Old English Gentleman (New Version). The instruments played by the 11-strong band are concertina, clarinet, trombone, serpent, harp, fiddle, oboe, tuba, cello, piano and bass drum. Only five of the tracks are purely instrumental. The St Clements Chorus directed by Paul Sartin is also involved. All but five of the tracks are arranged by the MD Dave Townsend, who is also half of the "rough chorus." At a price that definitely won't break the bank, well worth investigating. Peter Burt

'RULE BRITANNIA' 18 tracks incl. Nimrod; Fantasia on Greensleeves; Abide with Me; Anchor’s Aweigh; Jerusalem Delta 26675 (73:30) Classical compositions, choral works, and military bands are mixed to good effect in this patriotic reissue. There is insufficient information about the recordings, and lack of space between tracks, but remastering is excellent, and some of the recordings are in stereo. Delta CDs obtainable for £4 online. Barry McCanna

'EVENING SONGS' Delius and Ireland songs arranged for cello and piano by Julian Lloyd Webber 21 tracks Naxos 8.572902 (63:28) The UK's leading cellist (Andrew's kid brother, of course) is joined by the highly praised pianist John Lenehan, who has recorded John Ireland works for Naxos with John Wilson conducting (see JIM 190). Both the composers (1862-1934 and 1879-1962 respectively) knew how to write a good melody. Birds in the High Hall Garden by Delius, and Ireland's Evening Song and In Summer Woods, on which Julian is also joined by his cellist wife Jiaxin Cheng, are all world première recordings. The arrangements are ideal for listening to at the end of the day but can be appreciated at any time. Edward Trub

Wilfred Askew reminds us of some other recently received releases, unavoidably held over from our last issue

LIBERACE 'I'll Be Seeing You – The Piano Stylings of …' 51 titles incl. Fascination; Gigi; All the way; Bless this house; Smile; Mack the Knife; To each his own; Over the rainbow; Buttons and bows … Jasmine JASCD 174 (154:58) Four original Coral albums on two CDs.

DAVE PELL 'I Remember John Kirby' 11 tracks incl. Rose room; Royal Garden Blues; Undecided; Blue skies … 'The Big Small Bands' 12 tracks incl. Then I'll be happy; Summit Ridge Drive; At the codfish ball; Viva Zapata; Mountain greenery … Fresh Sound FSR 2259 (70:47) Two original Capitol albums (1959/60)

DAVE PELL OCTET 'Swingin' In The Ol' Corral' 12 tracks incl. I'm an old cowhand; Gal in calico; Empty saddles; Wagon wheels; Oklahoma hills; Cool water; Across the alley from the Alamo …Fresh Sound FSR 1655 (40:50) Original RCA album of 1956.

TERRY SNYDER & THE ALL-STARS 'Persuasive Percussion, vols 1 & 2' 24 tracks incl. Whatever Lola wants; My heart belongs to Daddy; Aloha oe; Japanese Sandman; In a Persian market; Blue Tango; Lady of Spain; Brazil … Sepia 1170 (66:08) Originally issued on Enoch Light's Command label (1959/60).

BOB THOMPSON, HIS ORCHESTRA & CHORUS 'Just For Kicks' 14 tracks incl. On the street where you live; Diga Diga Doo; Look for the silver lining; It might as well be Spring … 'Mmm Nice!' 13 tracks incl. Hello, young lovers; Do it again; Joie de vivre; While we're young ... 'On The Rocks' 12 tracks incl. Happy talk; All the things you are; Breezin' along with the breeze; I'll see you again … Blue Moon BMCD 819 (98:53) Three RCA albums (1958-59) on two CDs.

ED TOWNSEND 'New In Town' & 'Glad To Be Here' 24 tracks incl. The more I see you, Rockin' chair; Mam'selle; Symphony; Prisoner of love … When my dreamboat comes home; Golden earrings; Brazil, Dinah; On the street where you live … Blue Moon BMCD 1632 (77:12) Two Capitol albums from 1958, arranged/conducted by Nelson Riddle.

AL VIOLA 'Guitars' 24 tracks incl. When you're smiling; Moonlight in Vermont; And the angels sing; Route 66; Lover … Lonesome Road; All star; Lemon Twist; Makin' whoopee; I'll remember April …Fresh Sound FSR-CD 633 (60:34) Two Liberty albums of 1959.

FRANZ WAXMAN 'Sunset Boulevard' (Soundtrack) 22 tracks with bonus: The Paramount-don't-want-me-Blues (2:24) Counterpoint CPT-1001 (52:40) Also contains two booklets: The Making of Sunset Boulevard (28pp); Franz Waxman and the Road to Sunset Boulevard (40pp).

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About Geoff 123
Geoff Leonard was born in Bristol. He spent much of his working career in banking but became an independent record producer in the early nineties, specialising in the works of John Barry and British TV theme compilations.
He also wrote liner notes for many soundtrack albums, including those by John Barry, Roy Budd, Ron Grainer, Maurice Jarre and Johnny Harris. He co-wrote two biographies of John Barry in 1998 and 2008, and is currently working on a biography of singer, actor, producer Adam Faith.
He joined the Internet Movie Data-base (www.imdb.com) as a data-manager in 2001 and looked after biographies, composers and the music-department, amongst other tasks. He retired after nine years loyal service in order to continue writing.