Art Deco Trio
SOMMECD 0631 (71’00’)
This is an entertaining release of 19 songs by the foremost ‘cross-over’ composer, the great George Gershwin, arranged for clarinet, saxophone and piano, which (to quote the well-informed booklet notes) “combine jazz influences with the structures and textures of classical music”, and well worth investigating by light music lovers.
Coming soon from Windmill Records, The Stringbeat Years: Songs accompanied by John Barry, a 4-CD box-set comprising of 144 tracks, a 24-page booklet (replete with period photographs and comprehensive notes) and including ten bonus tracks (among them the CD debut of the first ever cover version of a John Barry instrumental composition).
Adam Faith fans will experience every song he recorded with John Barry, thereby featuring – for the first time – the film versions of ‘Mix me a Person’, ‘The Time has Come’, and ‘What a Whopper’ (slightly shortened). There’s also an unique opportunity to hear the original version of ‘Ah, Poor Little Baby’, making its premiere appearance on CD.
The box-set is limited to 500 copies and is only £16.99 post-free in the UK (postage costs for elsewhere in the world to be determined when stock arrives), so don’t miss out! It will only be available direct from Windmill!
Please indicate your interest without commitment by emailing us and you’ll be contacted as soon as it becomes available.
It is with regret that we record the death of the conductor, composer and arranger Johnny Gregory, who died at his home in Gerrards Cross, Berkshire on April 23rd 2020, about six months short of his 96th birthday.
During his long career, he wrote the scores for fourteen films, (the last in 2000) and TV shows, and was principal conductor of the BBC Radio Orchestra between 1973 to 1974.
He made numerous recordings, both under his own name and (possibly more famously) as Chaquito.
Gregory used a number of other pseudonyms and his orchestra often appeared under the name of The Cascading Strings.
A comprehensive article about his life and work is in preparation and will be published on the LLMMG website in due course.
Warner Classics 0190295370060 (57’02)
If I can’t always have my favourite French horns I’ll settle for the trumpet, especially when it’s played by Alison Balsom who, although still in her early 40s, has been making CDs for 17 years and this, her first since 2016, is No.13. She has said that the making of it has been by far the most enjoyable recording experience she has had.
Decca 4834862 (51:46)
This album is aptly named for the young saxophonist who, after being in the final of the BBC Young Musician 2016, has appeared to great acclaim at The Last Night of the Proms in 2018, is now presenting a weekly programme on Radio 3; she has reached the top echelons of the best-selling chart on Classic FM with this recording...
One More Time is a work in progress documentary which tells the story of the musicians who worked on studio sessions during the sixties and seventies. Several former members of The JB7 have taken part.
Project director Alan Boyd would very much appreciate it if you would check out the website at
and also visit, like, and share the facebook page at
Analysed by Robert Walton
The sounds of nature, and particularly those of birds have always appealed to serious composers. It was Messiaen who religiously notated the songs of all French birds classifying them by region. In his “Pastoral Symphony” Beethoven gives us the nightingale, the quail and the cuckoo. The latter has it all to itself in “On Hearing The First Cuckoo In Spring” by Delius. However perhaps the best known and much loved work in the classical field is Vaughan Williams’ The Lark Ascending.
The Conrad Salinger Orchestra
Georgie Stoll conducts the MGM Studio Orchestra
Sepia 1333 (73:32)
Congratulations to Sepia’s Richard Tay for giving us a rarity these days: a release very much “our kind of music’’, which – up to its sad demise almost five years ago – would have been one of many similar releases reviewed in the Robert Farnon Society’s printed Journal Into Melody.
In a few months time, our book "Hit and Miss: The Story of The John Barry Seven" will be published. Thoroughly and painstakingly researched over a number of years, it will feature contributions from several ex-members of the band and from friends and relatives of John Barry.
Comprising of around 350 pages, it will also be packed with an array of rare photos of the band, and the singers they often supported, as well as some unique images of memorabilia and documentation from that era; some never previously published, many more seldom seen.
Even if you are not necessarily a devotee of The John Barry Seven per se, the book offers a fascinating historical insight into the British music scene of the period and, more importantly, provides an essential read for anybody remotely interested in discovering more about John Barry's formative career.
It will be of great assistance to the authors if you would indicate an interest in purchasing a copy of the book *now*, without obligation. We will then be able to notify you as soon as the book is available with details of cost and how to order and pay.
Obviously your personal details will be kept secure and not shared with anybody else.