27 Jan

A Wonderful Guy

By  Robert Walton
(0 votes)

A Wonderful Guy
(Richard Rodgers)
Analysed by Robert Walton

Every industry has its “backroom boys” who know its business inside out, but very often don’t get the credit they deserve. In music, some orchestrators and composers have remained relatively unknown, never getting their name in lights. Warren Barker (1923-2006) born in Oakland, California is good example. Like Nelson Riddle, Barker studied composition under Mario Castelnuevo-Tedesco.

As a child, Barker played piano and trumpet all which helped him in his career in movies, radio and television in the Hollywood area of Los Angeles. Some of the big film companies he was associated with included 20th Century Fox, Columbia and MGM. One of his most memorable arranging jobs was for Oscar-winning “Hello Dolly”. In 1970 Barker was honoured for “My World And Welcome To It” based on James Thurber’s life.

But for the moment let’s concentrate on this classic tune from “South Pacific”. It’s the happiest, joyous and most imaginative instrumental version I’ve ever heard. The song with its constant three beats in a bar does full justice to this intoxicating waltz. In fact there’s quite a lot of Riddle in the score. Like many 2021 television ads, pizzicato strings open the arrangement. From the pool of Rodger’s melodic masterpieces A Wonderful Guy is reborn. Woodwind and normal strings keep up the cheerfulness with lower strings providing a bit of drama at the end of the second phrase.

Middle section time now on the words “I’m as trite and gay as a daisy in May, a cliché coming true” when the violins really come to life as they divide into two strands enhancing the tune. If you think they’re groovy enough, prepare yourself for the next time we hit the bridge! Before that some deliberately “wrong” chords herald a slow down in anticipation of the most moving moment in the whole piece.

Then getting every ounce out of the melody, 16 bars of cutting edge strings immerse themselves as never before in this glorious tune. Somewhere Schoenberg is shadowing. The power of music is amazing. By this time you should be totally involved.

It’s not generally known that Rodgers born in NY City was of German origin, his father a doctor, and the family name was Rogazinsky.

Guild GLCD 5153

Submit to Facebook
Read 170 times Last modified on Sunday, 06 February 2022 14:03

Leave a comment

Make sure you enter all the required information, indicated by an asterisk (*). HTML code is not allowed.

Login Form RFS

Hi to post comments, please login, or create an account first.
We cannot be too careful with a world full of spammers. Apologies for the inconvenience caused.

Keep in Touch on Facebook!    

 If you have any comments or questions about the content of our website or Light Music in general, please join the Robert Farnon Society Facebook page.
About Geoff 123
Geoff Leonard was born in Bristol. He spent much of his working career in banking but became an independent record producer in the early nineties, specialising in the works of John Barry and British TV theme compilations.
He also wrote liner notes for many soundtrack albums, including those by John Barry, Roy Budd, Ron Grainer, Maurice Jarre and Johnny Harris. He co-wrote two biographies of John Barry in 1998 and 2008, and is currently working on a biography of singer, actor, producer Adam Faith.
He joined the Internet Movie Data-base (www.imdb.com) as a data-manager in 2001 and looked after biographies, composers and the music-department, amongst other tasks. He retired after nine years loyal service in order to continue writing.