■ The Sidney Torch feature in the centre of this issue is thanks to Lew Williams, who has great admiration for Torch as a cinema organist before World War II. Lew also has plenty of admirers himself: as our member Robin King tells us, "Lew is a superb, very much respected musician. He is one of the world’s finest organists – both classical and theatre – equally well-known in UK organ circles as in the USA. He is resident organist at Organ Stop, Mesa, Arizona (a suburb of Phoenix) which has the world’s largest Wurlitzer housed in a public place … 5 manuals and 77 ranks. Awesome! There is more information (and some audio samples) at www.organstoppizza.com "
The March issue of The Gramophone included a full page article on Light Music by Andrew Lamb.Guild and Vocalion CDs were specifically mentioned.
A major light orchestral hardback biography is on its way, hopefully out in time for the centenary of Mantovani's birth on 15 November next. "Mantovani – A Lifetime In Music" tells of Mantovani's relentless quest for perfection in a musical career that lasted over 50 years. Written by Colin MacKenzie and to be published by Melrose Books, it follows the maestro's musical career in detail, from his early days as an aspiring classical musician, his dance band days of the 1930s, his activities as a musical director in the theatre and his successes in America and worldwide in the 1950s and up until his retirement in 1975. The author has had unique access to the Mantovani family, his record producers, arrangers, musicians and fans from various parts of the globe to provide a very detailed portrait of his life and times. It's the "full Monty", of interest to Mantovani fans everywhere, but also to anyone interested in light orchestral music and the history of popular music in the 20th century. More details as and when we have them.
Derek Boulton tells us an amusing story from Russia. In last September’s JIM we told you about the Russian singer Willi Tokarev, who is infatuated with the music of Robert Farnon. Willi lives in a block of flats in Moscow, which has been renovated from former army barracks. The old public address system is apparently still intact, and wired to all the flats. Each morning Willi wakes up his fellow residents to the strains of either Portrait of a Flirt or Westminster Waltz!
Paul Barnes is back on Saturday evenings. His radio show "Gold for Grown-Ups" from BBC Radio Norfolk (beamed to many BBC local stations in Eastern England) is no longer on Sundays (where it failed to reach its potential target audience) to Saturdays between 6.00pm and 9.00pm. Check the frequencies in Radio Times and tune in next week. Alternatively you can listen via the internet on the BBC website www.bbc.co.uk
Former BBC Radio-2 producer Anthony Wills now runs Golden Sounds Productions, but radio isn’t his only passion. He is also the Chairman of the National Piers Society, which publishes a fascinating magazine. If you’d like to know more, drop a line to the Membership Secretary: Phil Johnson, 26 Weatheroak Close, Webheath, Redditch, Worcestershire, B97 5TF, England.
Allan Bula has previously reported on the Hastings Light Orchestra, and the latest news is that it will join the Waldron Light Orchestra to perform a joint open-air concert near Lucas Hall, Waldron, on Sunday July 10th from 3.00pm onwards. Waldron, an ancient village approx. three miles east of Uckfield, East Sussex, is in the Domesday Book as Waldrene (from ‘the forest house’) and acquired its modern spelling in 1336.
John Wilson conducted the Royal Liverpool Philharmonic Orchestra on April 21st at London’s Royal Albert Hall before a capacity audience (reports Tony Clayden). The Classic FM Live concert included popular items by Mozart, Vaughan Williams, Handel and Walton; the latter’s Spitfire Preldue and Fugue was given a particularly spirited performance. Two compositions by Saint-Saens were featured, the Carnival of the Animals and the finale of the Third Symphony, which showcased the recently rebuilt RAH organ. The programme concluded with Elgar’s Cello Concerto, with Julian Lloyd Webber as soloist. John has now done a lot with the RLPO, and the synergy between conductor and orchestra was most evident.
We are pleased to report that Ann Adams has been invited to play once again in a London park this summer. The venue is Kensington Gardens, on Sunday 31 July and as we go to press the concert is expected to start at 2.30 pm. If you plan to attend, you may care to ring Brian Reynolds beforehand (telephone number on inside front cover) to check that there have not been any last-minute changes.
Shelley Van Loen has just released a new CD – "In The Shade Of The Palms" - on her own PalmCourt Records label. Full details, plus a review, will appear in our next issue, but if you would like to order a copy before then you can telephone Shelley on 01869 351990.
Sound Copyright – the battle goes on! In April a New York Court of Appeal found in favour of Capitol in a dispute with Naxos. Initially this raised alarm bells since there seemed a prospect that record companies reissuing recordings over 50 years old could be prohibited from selling in the USA. However this appears to have been an over-reaction, and the suggestion has been made that Capitol’s win could prove to be a Pyrrhic victory. It is alleged that the judgement only applies to record companies with an office in New York (such as Naxos of America). Another complication is that a query has arisen as to whether EMI could assign rights to its Capitol subsidiary in recordings that had already fallen out of the 50-year copyright in Britain, and were therefore in the public domain. Clearly there are going to have to be even more court cases in an attempt to clear up what is becoming a very messy situation. One speculates as to how any judgement in one country could prevent the world-wide trade in CDs that now exists via the internet. The best answer for the major record companies would seem to be to exploit their own catalogues by bringing out reissues themselves, competitively priced, so that there would be no point in independents such as Naxos trying to gain a share of the market.
Within ten days of the news of Robert Farnon’s passing, Sanctuary Living Era advised all their dealers of the CD "A Portrait of Farnon" originally released in February 2004.
BRAVO MARK STEYN!
For all the 49-odd years that our Society has existed, we have come to expect snide, derogatory comments about ‘our kind of music’ from musical snobs who wouldn’t recognise a tune if it jumped up and slapped them in the face. Give them atonal cacophony and they roll over with their legs in the air waiting to be tickled, just like the Editor’s black cat Mamba. But to admit to enjoying melody …?
Therefore it’s all the more pleasing when, occasionally, a columnist does have the courage to admit to liking something musical which gives pleasure to the majority. Even more surprising, is a columnist who takes his fellow writers on the same newspaper to task.
This is what Mark Steyn said in his Daily Telegraph column on 3 May:
"It's the little things in the paper that drive you nuts. I made the mistake of reading Thursday's obituary of Robert Farnon on a plane and the following sentence caused my mouthful of coffee to explode over the guy in front of me and set his hair plugs alight: ‘He also did some suitably syrupy arrangements for the crooners Frank Sinatra, Tony Bennett, Lena Horne and Vera Lynn.’
Good grief. There's nothing "syrupy" about Farnon's arrangements for Sinatra. If you listen to his work on Sinatra Sings Great Songs From Great Britain, the guitar coda on "Garden in the Rain" and the trumpet obligato on "If I Had You" are worth the price of admission alone.
I felt rather depressed at the thought that "syrupy" should be my paper's final judgment on the greatest Canadian orchestrator of popular music ever, especially when you consider that "Now is the Hour" (the "Maori farewell song") was co-written by Clement Scott, the Telegraph's drama critic from 1872 to 1899.
It remains the only song by a Telegraph journalist ever recorded by Sinatra, at least until the lost tapes of Frank Sinatra Sings the Boris Johnson Songbook are discovered.
So I dusted off the Great Songs From Great Britain CD and was reassured to find the Farnon arrangements as ravishing as I remembered them. The key line is from "Garden in the Rain": "a touch of colour 'neath skies of grey." That's what Farnon's orchestrations brought to even the dullest material, like "We'll Meet Again", whose stiff-upper-lip sexless stoicism Sinatra can't get his head around at all.
We'll be hearing "We'll Meet Again" rather a lot this VE anniversary week. Looking back at that Sinatra/Farnon album, you're struck by how - in 1962 - so many of the numbers they chose are wartime songs, either from the Second War - "We'll Gather Lilacs" - or the First - "Roses of Picardy".
One of the reasons why it's effortlessly easy to "commemorate" the Second World War is that popular culture had signed up for the duration. It was the war that brought Robert Farnon to Britain, to lead the Allied Expeditionary Force's Canadian band, as Glenn Miller and George Melachrino led the American and British bands."
Bravo, Mark Steyn! We need more writers like you to bring some commonsense to the blinkered musical establishment.
■ Earlier this year we received an e-mail from Mark Sobolev, who introduced himself as a nephew of Monia Liter. He has a fascinating story to tell about the family, especially the period in Shanghai and Russia during the early years of the last century – we hope that his reminiscences can form the basis for a future article about Monia. Mark now lives in Israel, where he is a cellist with the Ashod Chamber Orchestra. Sadly the political situation in the Soviet Union prevented him from ever meeting his famous uncle, although more recently he has performed in London.
■ That great Ray Conniff fan, Manfred Thönicke, published the final printed edition of ‘S Conniff in May. Increasing personal commitments had finally forced Manfred to accept that the work in producing the magazine was becoming too onerous, so Ray’s fans in future will have to rely upon information in several web sites on the internet dedicated to his music. His magazines (which he started in 1981) were always of a high standard, and we are sure that Manfred will continue his appreciation of Ray, using the latest technology now available. We wish him well in his future endeavours.
■ British members may like to know that there is a club devoted to the BBC Concert Orchestra. Since this is the only major BBC orchestra that still performs Light Music, it deserves the support of all of us. For membership details write to: BBC Concert Orchestra Club, PO Box 213, Baldock, SG7 6ZP.
■ Frank Comstock was 18 years only when he joined Benny Carter’s Band, and sat next to J.J. Johnson. Also in the line-up at that time were Gerald Wilson and Snooky Young. Just recently there has been renewed interest in the "Tangence" CD that JJ and Bob made together – resulting in the Grammy for the best orchestral arrangement of xxxx.
■ According to some recent research by RFS member Alan Keeling, two Robert Farnon LPs ("From the Highlands" and "From the Emerald Isle") were used during ITA trade test transmissions in 1960/61. Both these fine LPs are now available on one Vocalion CD – CDLK4100.
■ Alexander Schatte tells us the the correct spelling of the composer of Little Jumping Jack (on Guild GLCD5114) is Ralph Maria Siegel (1911-1971). He wrote this piece (original title Kleiner Hampelmann) in 1941 for the female singer Ilse Werner, and also wrote the lyrics for this popular tune.
■ Brian Henson reports that Nigel Ogden remember Bob Farnon in his BBC Radio-2 programme "The Organist Entertains" on 17 May. Nigel played Journey Into Melody (performed by John Giacchi),How Beautiful is Night (William Davies) and Jumping Bean (Jim Riggs).
■ The next concert by James Beyer and The Edinburgh Light Orchestra will be on 12 November. For more details contact James at 4 St. John’s Gardens, Edinburgh, EH12 6NT.
■ Allan Bula attended the concert on 10 July by The Waldron Light Orchrestra conducted by Herbie Flowers as previewed recently in JIM. The programme included Puffin’ Billy (Edward White)and Jumping Bean – as a tribute to Robert Farnon.
The Memorial Service for Robert Farnon was held on Sunday 24 July at St Paul’s Church in Covent Garden, attended by many RFS members and celebrities who knew and worked with Bob during his long career. A full report will appear in our next issue. A recording of the proceedings will also be made available to RFS members.
As mentioned in the Editorial, British readers should keep an eye on the television schedules for BBC Four this autumn. Light Music will be featured in at least two programmes – one of them a broadcast of "Friday Night is Music Night" recorded at the Mermaid Theatre on 5 August. John Wilsonconducted the BBC Concert Orchestra in a superb selection of British Light Music – radio listeners to BBC Radio-2 will have heard the entire concert ‘live’, and TV viewers will probably be treated to the highlights in a one-hour show. Also coming up is a special feature about Light Music in the years following World War 2. Andy King-Dabbs is producing what promises to be a fascinating selection of reminiscences, including interviews with Ernest Tomlinson and Trevor Duncan. RFS Secretary David Ades has been helping out with some archive material, and it is possible that Robert Farnonwill be featured in a recording session with George Shearing at the CTS Studios. This comes from RFS Archives, and it is hoped that the necessary permission can be obtained for it to be screened. In our next issue we should be able to give you further information. Although BBC Four is currently only available on digital TV to around 55% of the UK population, the good news is that its programmes are often repeated, so you may be able to watch it more than once!
Be sure to scrutinise Radio 4's schedules for November and December. Producer Jolyon Jenkins is readying an hour long Mantovani programme, tentatively called "The Mantovani Sound" which will probably got out on a Saturday evening around 8 o'clock. These arrangements are, however, subject to change. More news as and when it is available.
Apologies to Miss Poulton!
In Jim Palm’s article "In The Beginning" (JIM 164, page 52) near the foot of column 2 his music teacher’s title is missing (no doubt ‘lost’ in the transfers between computers!). So ‘Poulton’ should read ‘Miss Poulton’. Jim also noticed that the Steel Foundry piece he mentioned was used recently in BBC-1’s "Picture of Britain" series.
Wilfred Askew has noticed a mistake in the date of birth given for Billy Vaughn in the notes for the Guild CD "Travellin’ Light". Billy was born on 12 April 1919, not 1931 as stated in error elsewhere. He died at the age of 72 on 26 September 1991.
A batch of CD releases this summer from Vocalion includes:
CDLK4271 Werner Muller On Broadway / Hawaiian Swing
CDLK4282 Maurice Larcange Paris for Lovers / Avec Moi a Paris
CDLK4299 Ronnie Aldrich All-Time Piano Hits / Melody and Percussion
CDLK4308 George Evans and his Symphony of Saxes Greatest for Dancing – Volumes 1 & 2
CDSA6813 Lance Ellington with John Wilson and his Orchestra Lessons in Love
More details of these, and other new releases from Vocalion, will appear in our next issue.
Our friends in other societies and publications have been generous in their praise of Robert Farnon’s great musical achievements. The Summer Newsletter of The Light Music Society paid a very nice tribute to Bob, and used the photograph from our March issue on their cover. Crescendoalso had a colour photo of Bob on the cover of their June/July issue – the one which was featured on the front page of last December’s JIM. The Cinema Organ Society also praised Bob, describing him as ‘often imitated though seldom equalled’.
RECENT BRITISH DOCUMENTARY FILMS NOW ON DVD
Ray Clark has sent us details of several new releases which will certainly interest members who enjoy vintage documentary films, and the mood music that usually accompanies them. Pride of place must go to a new collection from the British Film Institute called "On and Off The Rails"(BFIVD590). This first volume, on 2 CDs, runs for over 260 minutes, and includes an interesting selection of 14 British Transport Films, with classic titles such as Blue Pullman (music by Clifton Parker), Elizabethan Express, Snowdrift at Bleath Gill and John Betjeman Goes By Train. The dates range from 1951 to 1980, and five films are in colour. The official price is around £20 but you may find it cheaper on the internet.
For an interesting catalogue of vintage films of many types, you may like to contact Panamint Cinema, Abercorn Schoolhouse, Newton, West Lothian, EH52 6PZ, Scotland (telephone 01506 834936, www.panamint.co.uk). "Roundabout – Volume 1" (PDC2015) features a collection of short ‘Cinemagazines’ from 1962-1974 made by Associated British Pathe for the Central Office of Information. These colour shorts have not previously been seen in Britain, because they were made specifically for showing in Australia and South East Asia. The running time is a bit mean at 56 minutes, considering the £20 price tag, but these are very rare films.
■ The North American premiere of Robert Farnon’s Symphony No. 3 is scheduled to take place appropriately in Robert Farnon's homeland, Canada. William Eddins will conduct the Edmonton Symphony Orchestra on Sunday 20 November 2005. The concert at the Francis Winspear Centre for Music commences at 2.00pm. As we go to press we understand that the concert will be recorded and subsequently broadcast on CBC Radio in Canada. It should be available worldwide via the internet. Our Canadian representative says that the broadcast is unlikely to happen before December, and he will let us have further details when known. This information will appear in the ‘Latest News’ section of our website.
■ In his September Newsletter to friends of the Edinburgh Light Orchestra, James Beyer included a long and thoughtful appreciation of the premiere of Robert Farnon’s Symphony No. 3 in Edinburgh last May. James also reported on the Memorial Service in London on 24 July, when he spoke eloquently of the way in which Bob’s music was enjoyed by amateur musicians. As we have observed on previous occasions, the good people of Edinburgh are indeed fortunate to have such a dedicated champion of Light Music in their midst. Hopefully many of them will have attended the ELO’s recent concert on Saturday 12 November at the Queen’s Hall. For regular information on the orchestra’s concerts, you should contact James Beyer at 4 St John’s Gardens, Edinburgh, EH12 6NT.
■ The Robert Farnon Memorial Concert was also well covered in the August /September issue of Crescendo & Jazz Music. Musician Duncan Lamont wrote about the time he had declined a Bob Farnon session, because he felt that a lack of recent experience meant that he might have let Bob down. He talked about "a kind of spirituality about Bob’s recording sessions and he never had to raise his voice. Bob was an extremely kind and thoughtful man but he was, I imagine, extremely complex and that’s where his music comes into its own. Otherwise, it would be just lovely, instead of wonderful". In the same issue Brian Gladwell reported at length about the service itself, and what each of the speakers had said. He concluded: "I never met Robert Farnon, nor had I occasion to speak to him on the phone, but after thus wonderfully uplifting service I felt I knew him".
■ Derek Boulton received a friendly message from Vincent Falcone soon after he learned of Bob’s passing. Vinnie wrote: "Thanks for sending me the picture and memorial booklets. I’m so sorry that I could not see him one more time before his passing. He meant a great deal to me."
■ The September issue of the BBC Music Magazine included an article by Brian Kay called "Let There be Light Music". Brian tied his article in with the BBC Four documentary "Music for Everybody", which he narrated, and covered the Light music scene of around 50 years ago, leading up to today’s revival of interest. He concluded: "…there is more Light Music available today on commercial recordings than there ever was during the supposed ‘golden age’, and this clearly indicates a thirst for it among the record-buying public. Younger listeners are tuning in; where older ones turned away and sought pastures new, they are returning and with the help of those adventurous record companies, and always, hopefully, the BBC, light music at its brightest and best will surely survive well into the 21stcentury".
■ The motto of the Order of Canada is "DESIDERANTES MELIOREM PATRIAM" - they Desire a Better Country. Governor-General Adrienne Clarkson has announced That Diana Krall has been named Officer of the Order of Canada. She comes from Nanaimo, British Columbia, is one of Canada's most famous musicians. Back in 1997, Diana Krall performed at the special Ottawa concerts in honour of Robert Farnon’s 80th birthday year. Diana joins a growing list of Canada's jazz elite who have been given this country's highest cilvilian honour. The list includes Peter Appleyard (a member of the RFS), Tommy Banks, Guido Basso, Ed Bickert, Charlie Biddle, Jane Bunnett, Terry Clarke, Oliver Jones, Moe Koffman, Fraser MacPherson, Rob McConnell, Phil Nimmons, Oscar Peterson, Doug Riley and Rick Wilkins.
■ On the same evening that BBC Four was showing two memorable programmes about Light Music, at least two excellent concerts were offering the same fare to live audiences. Malcolm Frazer told us about the Royal Philharmonic Orchestra conducted by Barry Wordsworth at the Fairfield Concert Hall, Croydon. The concert included Warsaw Concerto (Richard Addinsell), Barwick Geen (Arthur Wood), Westminster Waltz (Robert Farnon), Cornish Rhapsody (Hubert Bath), Devil’s Galop & Rhythm on Rails (Charles Williams), Coronation Scot (Vivian Ellis) plus no less than four works by Eric Coates plus pieces by Malcolm Arnold, Frederick Delius and Benjamin Britten.
■ More light music could be heard at St. Margaret’s Church, Westminster on Wednesday 24 August, where a large audience heard Dam Busters (Eric Coates), Belle of the Ball (Leroy Anderson), and aTribute to Robert Farnon (arr. Duthoit) alongside show tunes and ballet music. The conductor of the Merton Concert Band was Martin Bruce, but RFS member Brian Reynolds was persuaded to take the stand to conduct his own Tarantella.
■ There is a special website on the internet where relatives and friends are invited to include their own special messages is remembrance of loved ones who have departed. The site is called ‘Relatives Remembered’ and Robert Farnon is included. You can visit this site at www.relrem.com
■ RFS member David Barton is willing to assist any fellow members wanting information on the existence of sheet music and/or music scores of any genres of music. He has extensive contacts at most publishers, and is experienced in assisting people searching for particular works. You can write to David Barton at: 72 Courtfield Road, Quedgeley, Gloucester, GL2 4UG, ENGLAND; e-mail This helpful service has been mentioned in previous issues of our magazine. David has specially asked us to request that any members sending in handwritten enquiries about sheet music should write clearly. He has recently received several requests that have been almost illegible, requiring additional correspondence to ascertain exactly what is required. If you have a typewriter (or better still a computer) please use it … it makes things so much easier!
■ A number of members have written to express their sadness that other commitments prevented them from attending the Memorial Service to Robert Farnon on 24 July. Typical was a letter from Reg Arthur: "I was lucky to have known Robert Farnon over the years through my association with the BBC in London, where it was my privilege to serve the Radio Orchestra as librarian which splendidly interpreted Bob’s orchestrations on so many memorable occasions over the years. Unfortunately Bob’s visits to the BBC in London were restricted for contractual reasons due to his residence in Guernsey, so the ‘buzz word’ among musicians went around – Bob’s coming over! "
■ During his speech at the Memorial Service, Iain Sutherland said that he was busily trying to raise the necessary funds to cover the expense of making a commercial recording of Robert Farnon’s Symphony No. 3. After the service, Iain was approached by a member of our Society who generously pledged £2000 towards the recording costs. There is no news at present of a likely recording, but this illustrates the extent to which some music lovers are prepared to go to perpetuate the memory of Robert Farnon.
■ Tony Foster has advised us that the July 2005 edition of the Elgar Society newsletter includes an interview with Mike Dutton, in which he talks about his early days in the record business, and what prompted him to set up his own highly praised company Dutton Laboratories.
■ There are two Robert Farnon tracks on a new 2-CD release called "Café London" CAF800153 –Flirtation Walk and Yes We Have No Bananas. Other light orchestras among the 50 tracks include Ron Goodwin (Jet Journey & Skiffling Strings), Stanley Black (Falling in Love with Love & From Here to Eternity), Mantovani (Charmaine & Dancing with Tears in my Eyes), Cyril Stapleton (For Always, Carnavalito & Meet Mr Callaghan), Frank Chacksfield (Limelight & Ebb Tide), and George Melachrino(Cole Porter Fantasy). Vocalists include the ‘usual suspects’ – George Formby, Vera Lynn and Gracie Fields. But mainly it seems to be an instrumental collection, with the likes of Kenny Baker, Joe Loss, Winifred Atwell and Eddie Calvert.
■ The latest issue of The Light Music Society Newsletter (Autumn 2005) carries a forthright message from the Chairman, Ernest Tomlinson, making the case for pressure to be placed on the BBC to increase the amount of air time it allocates to Light Music on the radio. There is also the story of the man who composed the famous ITN signature tune Non Stop. The pseudonym ‘John Malcolm’hides the true identity of John Batt, a successful lawyer. Other features include listings of forthcoming concerts, and news of music played on radio and television. We know that some RFS members wonder if our two societies duplicate the same kind of material in their magazines, but this is rarely the case. Anyone who wants to be kept fully informed of all that is going on in the wide world of Light Music owes it to themselves to belong to both societies!
■ The anagram of "Vivian Ellis’s Coronation Scot" is: Violins in octaves; train's cool. It’s amazing what you find on the internet!
New Mantovani Biography
Mantovani - A Lifetime in Music by Colin MacKenzie has just been published by MelroseBooks (Book Sales), St Thomas Place, Ely, Cambridgeshire CB7 4GG (tel +44 (0) 1353 646608) on the occasion of the centenary of Mantovani's birth on 15th November 1905.
Their e-mail address is and their website is
www.,melrosebooks.com. This is a 352 page deluxe hardback, telling the full
story of Mantovani's remarkable musical career plus much else besides. There
are about 80 photographs integrated into the text, many of which have not
been previously seen. The book can be ordered direct from Melrose at £18.99
or US $29.99. The UK postage rate is £2 per book, plus £1 for each additional
copy, Europe is £3 (or $6), USA £4 (or $8) per book, plus $2 for each
additional copy. The ISBN No. is 1 905226 19 5. The book should also be
available online and at UK retail outlets.
The Christmas releases from Mike Dutton’s Vocalion label offer some great ideas for presents (to oneself?). Full track-listing details were not available as we went to press, but the following list will give you a good idea of what’s on offer:
CDLK4300 Franck Pourcel Thinking of You / The Importance of your Love
CDLK4302 Ron Goodwin In Concert / Plays Burt Bacharach
CDLK4306 Pepe Jaramillo Moonlight in Mexico / Meets Manuel
CDLK4309 Ted Heath Salutes Tommy Dorsey & Benny Goodman
CDLK4310 Edmundo Ros Ros Remembers
CDLK4312 Ted Heath Decca Singles and Rarities – Volume 3
CDLK4316 Ronnie Aldrich Where The Sun Is / For Young Lovers
CDLK4317 Mantovani All American Showcase
CDLK4319 Kenneth McKellar The Tartan / Scottish Saturday Night
CDLK4320 Mantovani Evening with Mantovani / More Mantovani Magic
CDLK4322 Frank Chacksfield Film Festival (this includes Robert Farnon’s ‘Irena’ from "Shalako") / King of Kings
CDLK4323 Stanley Black Blockbusters from Broadway / Broadway Spectacular
CDEA6110 Geraldo Parlophone compilation
CDVS1945 Harry James Trumpet Time
Sheet Music of Robert Farnon’s compositions
The Secretary is receiving an increasing number of requests for sheet music of Light Music compositions by Robert Farnon and other composers. This is sometimes required for concert performances, or simply to play on the piano at home. Kindly note that the RFS does not supply sheet music.
Many publishers now contract out their music libraries to specialist companies, so it is often difficult to know who to approach. In the case of Robert Farnon, the following addresses may be helpful:
Caroline Underwood, Warner Chappell Music Group Ltd., The Warner Building, 28 Kensington Church Street, London, W8 4EP – telephone 0207 938 0000; fax 0207 368 2777.
This is the Music Vault, Griffin House, 161 Hammersmith Road, London, W6 8BS – telephone 0208 222 9210 (ask for Vicky in Archives).
Concord Music Hire Library, 5 Bushley Close, Old Barn Lane, Kenley, Surrey, CR8 5AU – telephone 0208 660 4766; fax 0208 668 5273.
The Light Music Society Library, Lancaster Farm, Chipping Lane, Longridge, Preston, PR3 2NB – telephone 01772 783646; fax 01772 786026.
Naturally all these organisations will make a charge for hiring out music.FS member David Barton is willing to assist any fellow members wanting information on the existence of sheet music and/or music scores of any genres of music. He has extensive contacts at most publishers, and is experienced in assisting people searching for particular works. You can write to David Barton at: 72 Courtfield Road, Quedgeley, Gloucester, GL2 4UG, ENGLAND; e-mail If sending in a request in handwriting, please ensure that your requirements are written clearly.
Brian Neal owns a Blüthner Grand Piano which was formerly the proud possession of the composer Lambert Williamson. Before that it was the property of Victor Hely Hutchinson – probably during World War 2 around the time when he was Head of Music at the BBC.
Robert Walton recently discovered that Philip Buchel (co-composer with Robert Farnon of Jockey on the Carousel and Winter Jasmine (featured on the new "Showcase for Soloists" CD) played alto sax with Spike Hughes’s DeccaDents. Hughes himself was a jazz bassist and arranger, and another notable member of the same group was trumpeter Max Goldberg. Philip Buchel was also a talented tap-dancer; he and his wife Betty choreographed several British musicals, including "Spring in Park Lane" and "Maytime in Mayfair".
RFS member Johnny McLain is still succeeding in getting his new works published. Recent settings to poems include Mamble by John Drinkwater (1882-1937); Adlestrop by Edward Thomas (1878-1917); and I Came To Oxford by Gerald Gould (1885-1936). These pieces are being published by Westerleigh Publications (based in Devon) under the collective title ‘Three Places in Old England’. If any readers would like more information about Johnny’s music, they are welcome to write to him at: 42 Osidge Lane, Southgate, London, N14 5JG.
Towards the end of this year Sigmund Groven will be releasing a new CD of harmonica music, in which he is accompanied by the Norwegian Radio Orchestra Conducted by John Wilson. We look forward to giving you more details in a future issue.
Charles Prior heard On a Spring Note by Sidney Torch on a US radio commercial for Walgreens (a drugstore chain) last year. He also spotted Champagne March in a documentary about Cedar Point, an Ohio amusement park.
Frank Comstock keeps an eye on the jazz column in a local California paper The Orange County Register. When Billy May died, Steve Eddy wrote that he was the last of Sinatra’s arrangers. David Ades sent him an e-mail, which resulted in the following note a few weeks later: "Who says the Register doesn’t cross the ocean? The Robert Farnon Society’s David Ades gently took me to task (as only Brits can do) for saying in a Billy May obit that he was ‘the last surviving member of Frank Sinatra’s exclusive club of musical arrangers’. Ades rightfully pointed out that Farnon is still with us and active at age 86. And, while they weren’t as associated with Sinatra as May, Nelson Riddle and some others, you can add at least a couple of others who penned charts for Blue Eyes, and are still alive and kicking – Neal Hefti and Quincy Jones."
Franck Leprince has been keeping very busy as a professional violinist since he left the Army. This April he played at a Wigmore Hall concert as a member of ‘Ensemble – Inconstantes’ under the baton of Alan Danson, which featured the violinist Rafal Zambrzycki-Payne (former BBC Young Musician of the Year, and also BBC Radio-2 Young Musician 2000), and the soprano Hasmik Papian. Franck tells us that he gets little chance to play light music these days, although he is involved with a group of four musicians including the fine pianist and RFS member Elaine Korman, who has recently retired from the English National Opera. They perform "An Evening of Popular Classics" about once a month at various venues in the South West of England, and their repertoire includes pieces from the 1920s and 1930s – and even the 1950s!
From time to time we are asked about certain ‘big names’ in the music world, who have very little written about them on the internet. Often it is virtually impossible to discover what they are doing and if, in fact, they are still active musically. Such a ‘name’ is Tutti Camarata, so we were pleased to find a recent piece about him in Encore, that interesting monthly magazine aimed at professionals in the theatre. Recently Camarata received a Disney Legend Award from Walt Disney’s son. It will be remembered that Camarata first came to our attention in England in the 1940s when he was engaged by J. Arthur Rank to work on the musical "London Town" which featured the Ted Heath Orchestra and many leading British stars of the time. The film flopped, but Camarata stayed behind in England to work at Decca and set up London Records in the USA. Eventually he returned to the USA, and joined Disney, making a success of their record label. Today, with his son Paul, he runs Sunset Sound Studios in Sunset Boulevard, Los Angeles, and is still very active despite reaching 90 years of age. Some of his recordings from over 50 years ago are starting to appear in the new Guild Light Music series of CDs.
Don’t forget that our website is one of the facilities offered to you as a member of the RFS. You are encouraged to visit us regularly at www.rfsoc.org.uk and specifically we recommend you to check the Latest News section of the RFS Information page to see if there are any important announcements.
If you are on the internet, do visit the ‘Links’ page on our website regularly. This is continually being updated by Chris Landor, and just recently he has come across some very interesting places for you to visit.
Hans-Andreas Winkler has set up an internet website in honour of his late father, the German composer Gerhard Winkler (1906-1977). Although presently only in German, it is well worth a visit and you can hear two recordings of one of his best-known songs "Capri-Fischer". Of course his biggest international success was "Answer Me". www.capri-fischer.de
Alan Nuttall and the Hale Light Orchestra presented ‘A Springtime Festival of Light Orchestral Music’ in Altrincham, Cheshire on 28 March reports David Mardon. The concert included many familiar favourites such as In Party Mood (Jack Strachey), Shortcake Walk (Sidney Torch), Puffin’ Billy(Edward White) and Ronald Hanmer’s arrangement of Mexican Hat Dance.
Ray Clark has alerted us to some recent interesting documentaries on video from Beulah and other companies. There are also plans for some classic British Transport Films shorts to appear on DVD later this year. Ray points out that the quality on DVD is often better than on video, so it may be worth while waiting for forthcoming DVD releases in some cases. Here are some recent releases that Ray recommends:
Capital Transport [Yesterday’s Britain] No. 31 – Beulah YB31 (send for their catalogue - Beulah, 66 Rochester Way, Crowborough, East Sussex, TN6 2DU); Holidays on Wheels – promotional films from the 1950s for Wallace Arnold coaches (telephone orders on 01624 640000); Look At Life – The 1960s, another 6 films from this well remembered Rank Organisation cinema series available on video and DVD (Video 125, PO Box 81, Ascot, SL5 9TC – tel. 01344 628565); Those Were The Days – Pathe Newsreels from various decades, issued on both video and DVD (widely available through retailers); Northumberland in 1953 – a Northern Heritage production featuring a BTF film on rural life including footage not included in the original film (order by Freephone 0800 716959). All these films make full use of contemporary mood music from the likes of Chappell, Boosey & Hawkes etc.
The clarinettist, saxophonist and singer Gerry Ozarow, born on 18 December 1922, died on 1 February 2004 writes Sunil Hiranandani. In a Nostalgia article ‘Life Was Funny Sometimes’ Gerry described himself as the poor man’s Charlie Ventura or, on a good night, the poor man’s Illinois Jacquet. He remembered doing a version of Roses of Picardy which turned into Roses of Jeopardywhen the trumpeter’s mute dropped out! He recalled one musician doing an impression of the bandleader, at which the bandleader walked in and said: "this is my impression of you getting the sack!" His early career found him in the bands of Billy Merrin, Billy Bevan and Lou Preager, playing in locations like the Cumberland Hotel, where Joan Collins was waiting on tables.
■ Doris Day has been awarded the Presidential Medal of Freedom, the highest civilian honour that the USA can bestow upon its citizens. Doris is one of 12 people to receive the award, which was announced on 22 June. But her fear of flying prevented her from accepting the award personally from the President in Washington. She told the Associated Press: "I am deeply grateful to the President and to my country, but I won’t fly." Doris blames her fear of flying on too many overseas trips with Bob Hope entertaining U.S. troops. "Bob would fly even if a cyclone was coming," she recalled. "I saw him on his knees many a time. In fact we were all on our knees. We flew in snowstorms to get to the next show. When we hit the ground I said ‘never again’." The Medal of Freedom was established by President Truman in 1945 to recognize civilians for their World War II service. It was reinstated by President Kennedy in 1963 to honour distinguished service in a range of fields, including the arts, sports, business and science. Doris is not a newcomer to awards: she won an Oscar nomination for "Pillow Talk" and made several gold records. She was named the No. 1 box office star four times. She has also been recognized for founding the Doris Day Animal Foundation, and all her fellow RFS members around the world will be delighted at this news.
■ RFS member John Bladon wonders if some fellow members might be interested in Frantisek Kmoch (1848-1912), whose Society can be found on a website: www.kmochsoc.co.uk John tells us that the Kmoch Society aims to promote music played by Central European military and civilian wind bands, with some overlap into light orchestral music from the same area. Marches, polkas and waltzes form the basis of this repertoire, with emphasis on pieces mainly written in the 19th and early 20th centuries. It is tuneful music, just like the best British light music, but different in style and performance.
■ David Mardon has sent a recent programme for the Hale Light Orchestra’s concert on 6 July. Archibad Joyce’s The Brighton Hike opened the show, followed by Eric Coates’ Summer Days Suite. Other notable pieces included Butterflies in the Rain (Sherman Myers), English Folk Songs Suite(Ralph Vaughan Williams) and Frederic Curzon’s Robin Hood Suite. It is good to know that performances of light music are still taking place – if you can find them!
■ David Mardon has also sent in some useful information about Charles Williams and early Chappell 78s. Although he did write Girls In Grey in 1943, Chappells didn’t record it until 1944. There was quite a gap between the move from EMI at C192, and Levy’s Sound Studios taking over at C193. In fact C200 was the first one recorded by Levy’s. This helps to explain why so many of Charles Williams’ compositions were ‘moth-balled’ or ‘stockpiled’ between C193 and C205.
■ Mark Fox reports that Tony Bennett completed his upcoming album "The Art of Excellence 2" at Bennett Studios, Englewood, New Jersey at the beginning of June. Conducting honours for the 47-piece orchestra were shared by Johnny Mandel, Jorge Calandrelli and Lee Musiker. The CD is scheduled to be released in the USA in September, with UK release following on 8 November.
■ Matthew Curtis tells us that a second CD of his orchestral music should be released by Campion Records this autumn. Once again the Royal Ballet Sinfonia is conducted by Gavin Sutherland, and production has been in the capable hands of Philip Lane. There were five sessions in total: one in February at Pheonix Sound (the old CTS) in Wembley, and four more at the beginning of July at Whitfield Street studios in central London. For two of the sessions Matthew enjoyed the rare luxury of enlarged strings, which he says makes a big difference to the effect of the more symphonic works. The titles are: Ring In The New, Romanza, Little Dance Suite, Irish Lullaby, Graduation Day, Autumn Song, Sinfonietta and Bon Voyage! An extra 17 minutes of music was also recorded towards a possible third CD, so Matthew’s growing band of admirers have much to look forward to in the future. RFS members had the pleasure of meeting Matthew at the Bonnington Hotel in April.
■ Once again James Beyer and the Edinburgh Light Orchestra entertained an almost capacity audience at The Queen’s Hall, Edinburgh in their recent concert on Saturday 29 May. As usual, the varied programme mixed some well-known classics with lighter pieces, the latter including Up With The Curtain (Jack Strachey), Prunella (Leslie Bridgewater), film music from "Goodbye Mr Chips"(Richard addinsell, reconstructed by Philip Lane), The Laughing Violin (Kai Mortensen), The Toy Trumpet (Raymond Scott) and Leroy Anderson Favourites. Another selection which must have been great fun was "Looney Toons Overture" based on the music from the famous Warner Bros. cartoons. The ELO’s next concert will be on 6 November, and if you want further information just drop a line to: James Beyer, 4 St John’s Gardens, Edinburgh, EH12 6NT. The Edinburgh Palm Court Orchestraholds its musical afternoons on Sundays, when it is directed by David Lyle. The next concert is on 26 September, commencing at 2.30pm.
■ London’s Royal Festival Hall is now undergoing a major refurbishment, involving the construction of an extension building alongside the Hungerford Terrace to provide space for future administrative needs, with shops and catering facilities at terrace level. The foyers and auditorium are due to close in June 2005, and the major renovation of the hall should finish at the end of 2006. The Royal Festival Hall will reopen in January 2007.
■ Robin King’s feature in our last issue, where he mentioned organist Lew Williams (who lives near Angela Morley) has produced some interesting correspondence. Lew has rightly taken your Editor to task over his description of the theatre organs played by Sidney Torch as ‘electronic’, and he has also provided some information about several of these famous instruments from the pre-war days. Lew writes: I know it's difficult to keep track of all the various bits of information from that era, and given the amount of hyperbole that was often put into publicity in those days, it's not hard to be confused. In the booklet notes to the "All Strings and Fancy Free" CD on Living Era, there is reference to the Gaumont State, Kilburn as "......the largest cinema organ in England." I believe that the Gaumont was, perhaps, at 4,000 seats, the largest cinema in the UK. However, the organ itself consisted of some 16 ranks (sets) of pipes. The Trocadero, Elephant & Castle, had the largest Wurlitzer organ in Europe (at 21 ranks), but the largest cinema organ in all of Europe was the Regal, Marble Arch, with a total of 36 ranks. As to the construction dates, etc., of the various cinemas, the Regal, Marble Arch opened in November 1928, Regal, Edmonton in 1934, and Gaumont, Kilburn in 1937. As none of the organs were altered or added to after opening, Marble Arch leads the pack as to sheer size. Sadly, it's been rotting away in a barn in Cornwall since being removed from the cinema in 1964, and will probably never play again. The Edmonton organ has been removed to the Memorial Hall at Barry, in Wales. The Kilburn instrument is the only remaining original cinema organ in the London area. Though Torch steadfastly refused to talk to anyone about his organ days during his later years, I do have a 3-part interview with him that was published in 1972 in the American journal "Theatre Organ," on the occasion of the re-release of a double LP or his organ tracks. Torch's orchestral pianist, William Davies, told me a few interesting bits about Torch: how he learned Greek after his retirement from conducting so he could read the classics in the original language, and how WD tricked ST into playing the organ during an orchestral rehearsal for a sound check, much to Torch's annoyance. Editor: excerpts from that rare Sidney Torch interview will appear in ‘Journal Into Melody’ next year.
■ We are very pleased to report that the music of Ron Goodwin is not being forgotten. In November, the Bournemouth Symphony Orchestra conducted by Robin Stapleton performed three concerts in Weymouth, Swindon and Bournemouth under the title MY KIND OF MUSIC - A Celebration of the life and Music of Ron Goodwin. Unfortunately the news of these concerts did not reach us until early September, so we could not give details in our last magazine. However full information was posted in the "Latest News" section of our website, so we hope that many members will have seen it there. Perhaps this is an appropriate time to remind those of you who have access to the internet that late news items such as this can been seen on our website. Please look at our "Latest News" from time to time. We have been told that some members have made our website their ‘home page’ so that it serves as a regular reminder to them!
■ Klaus Teubig used to work in the German branch of Francis, Day & Hunter. He has fond memories of the music of Les Reed, and he also offers the following cameo: the composer ‘Montague’ responsible for the early Matt Monro recording You’re The One Of My Hit Parade was actually a pseudonym for Sir Frederick Day, son of the founder of FDH. He wrote it in the 1920s for his wife Doris, then a Tiller Girl. When they married she became a true English ‘Doris Day’!
Debbie Wiseman will be sharing conducting honours with Owain Arwel Hughes at the Royal Philharmonic Orchestra’s Christ Concert on Wednesday 15 December at Fairfield Hall, Croydon – box office 020 8688 9291.
Tony Bennett’s only UK appearance this year will be at London’s Royal Festival Hall on Monday 6 December. By the time you read this, unfortunately it will be far too late to get any tickets!
Some vintage Anne Shelton recordings have been discovered by Philip Farlow. A new CD features a BBC/AEFP broadcast where she is guest vocalist with the Glenn Miller AEF Band, and there are some other rare tracks. Details from Anne’s niece – Kelly Richards, PO Box 160, Hailsham, East Sussex, BN27 4YF, England – or visit the website www.anne-shelton.co.uk The CD costs £12.04, including postage.
Since writing his review of the Frank Sinatra ‘Platinum Collection’ (see ‘Keeping Track’), your Editor has read in the Sinatra Music Society magazine that the uncredited writer of the excellent booklet notes is Ken Barnes.
The World Soundtrack Awards were announced at the 31st Flanders International Film Festival in Bijloke, Ghent, on 9th October. Gabriel Yared received two of the most prestigious awards: Soundtrack Composer of the Year for Cold Mountain and Best Original Soundtrack of the Year forCold Mountain also. The latter movie was awarded with a third prize: Best Original Song Written for Film with the song ‘You will be my Ain True Love written by Sting and performed by Alison Krauss. The Public Choice Award went to John Williams for the Soundtrack of Harry Potter & the Prisoner of Azkaban, while the Discovery of the Year was given to Santaollala Gustavo for 21 Grams. Sir George Martin gave a Lifetime Achievement Award that recognised the talent of Alan and Marilyn Bergman, while the Prize for the Best Young Belgian Composer was taken by Steven Prengels for the soundtrack he wrote for Le Réveil Tam-Tam a silent short.
In case you are still searching for an amusing CD to fill a Christmas stocking, can we remind you about the new 2-CD collection of music and dialogue from the "Carry On" films – Silva Screen SILCD1168. Jeff Hall mentions it in his ‘Film Music Bulletin’, but he covers so much ground in his column that you may have missed it! The ASV CD ‘The Carry On Album’ WHL 2119 has been a big seller, and we are pleased to give advance notice that a sequel by the same team is due to come out soon – "What A Carry On!" with the Royal Ballet Sinfonia conducted by Gavin Sutherland on Vocalion Digital CDSA6810. All these CDs are available from the RFS Record Service, although the Vocalion CD may be an early 2005 release.
In the summer of 2003 John Wilson spent 12 days at EMI’s Abbey Road studios recreating the songs of Bobby Darin for a film musical on his life. The late singer is portrayed on screen by Kevin Spacey, who incredibly did all the vocals himself. Your Editor can remember John saying how impressed he was with the actor’s dedication to this project, and the end results are simply amazing. With the film about to be released, Spacey was interviewed by the London newspaper Observer in October, and it was good to see him acknowledge John Wilson’s important contribution to the project. Kevin Spacey said: "The most rewarding 12 days I have ever spent were in the Abbey Road studio with a 48-piece orchestra laying down all the tracks before we started shooting with Phil Ramone, my music producer, and John Wilson, my musical director. These genius guys completely understood how to capture the sound and spirit of Bobby."
Major Archive Release from Boosey & Hawkes
Boosey Media have just embarked upon a major project to place all of their 78s on CDs. The first phase involves the BH1900 series from the 1930s, and we will give full details in a special feature in our next issue. The CDs will be available through the RFS Record Service.
■ Belated congratulations to Don Lusher, who was made an OBE in the New Year Honours. The Editor congratulated DON LUSHER on his OBE, on behalf of Robert Farnon and all RFS members. This is his reply:
Dear David & members of the Robert Farnon Society,
Thank you very much for your congratulatory message on my being awarded the OBE. I am very proud to have received it and especially "for services to the music industry" and not just for being a trombone player or a bandleader. For fifty-five years I have been very happy and privileged to work in the music business and I trust that during that time I have made some contribution to it. Diana has pointed out that's seventy-three years practising the trombone and still only on Book Two Tune a Day! When I received the news in November, Diana explained to me just how many people had worked hard in presenting their request for me to have an award. This started, I believe, in late 1996! After the New Year's Honours List came out, we learnt that many other people had also been trying. I am very grateful to all those people without whom I would not have been awarded anything! Often one receives an award on retirement, now this, I hope, is not so in my case. I do hope to go on working in my various capacities for some time to come. It is always a tremendous privilege to work for Bob. DON LUSHER, Cheam, ENGLAND.
■ Ken Wilkins sent us a cutting from his local paper, the Leamington Courier, which reported the death of Mrs. Winifred German, who was married to Arthur German, nephew of the famous composerSir Edward German. Arthur had inherited his uncle’s original scores including the light operasMerrie England and Tom Jones. Following her husband’s death, Winifred continued to actively promote Sir Edward’s music. She died in February aged 90, and had always been very active in local music circles.
■ Johnny McLain tells us that Bardic Edition has recently published his Psalm – Johnny’s setting ofThe Lord is my Shepherd. It started life as a tribute to the late Anthony Fones (1919-1997), the renowned BBC arranger, who became a close friend of Johnny towards the end of his life.
■ The world of ballet has discovered Light Music! On 8 & 9 July the English National Ballet will be including a new work Melody on the Move in its season at Sadler’s Wells. As well as the famous Clive Richardson piece of the same name, this new work by Michael Corder will include Robert Farnon’s Peanut Polka and Eric Coates’ Knightsbridge March. This work will also be included as part of the Autumn Tour. Sadler’s Wells box office: 020 7863 8000.
■ In this issue’s ‘Keeping Track’ we review a new CD of Bob Hope recordings, in tribute to his 100thbirthday on 29 May. If he had lived, Bob’s long-time friend and comedy partner in many films Bing Crosby would also have celebrated his centenary a few weeks earlier – on 3 May. In Tune magazine (May issue) included an interesting article by Ken Barnes who worked closely with Bing in the 1970s.
■ At long last it seems as though our dream of a new Charles Williams CD will soon become reality. The recording sessions took place last February, and we hope to have some firm news regarding a release date in our next issue.
■ Ray Clark recommends a recent addition to the ‘Yesterday’s Britain’ video series. YB29 features five films relating to the building of London’s Victoria Line, on which work began in the autumn of 1962. UK readers can get this video for £12.95 from The Signal Box, 1 Albion Street, Anstey, Leics, LE7 7DD. Ray also informs us that there is a society dedicated to the memory of the 1951 Festival of Britain. For details write to: The Membership Secretary, FoB Society, 23 Langton Avenue, East Ham, London, E6 6AN.
■ Alan Bunting had a message from a friend in Sweden advising him that the Robert FarnonNaxos CD filled 25 minutes on their Music Channel on 10 March.
■ Mark Fox (of the International Tony Bennett Appreciation Society) informs us that Tony will be appearing on 29 June at the Symphony Hall in Birmingham; 3 & 4 July at The Royal Albert Hall, London; 6 July at George Square in Glasgow; and 7 July at the Bridgewater Hall in Manchester.
■ Brian Neale was planning to come to our recent London meeting, but the Queen asked him to sing for her at Windsor Castle instead. Brian often sings in the chapel at Windsor, and the Queen obviously didn’t realise that the RFS was meeting on the same day!
■ The name Associated-Rediffusion will conjure up pleasant memories for many British readers. Ex-BBC producer Graham Pass is now working with them on television musical documentaries, and you are encouraged to keep an eye on Radio Times in the coming months for a feature on Artie Shaw – possibly on BBC Four.
■ Alan Bunting was recently involved in the BBC Television programme "Cash In The Attic". A film crew visited Alan at his home in Stirling where he was transferring some old 78s to a CD for an elderly lady who wanted to hear them again. We don’t know if the programme will have been seen by the time you read this issue, but this series has been repeated in the past so it may be worth checking Radio Times.
■ Robin King is interested in the pianist Dick Katz who was a member of the Ray Ellington Quartet back in the 1950s. There was a Nixa LP "Kool for Katz" in 1959, but Robin has been unable to discover much more about his career. If any readers can tell us more about Dick Katz, please contact the Editor.
■ John Wilson was featured on the cover of the April/May issue of Crescendo & Jazz Music. Colour photos inside pictured John rehearsing with his orchestra at the Royal College of Music for the RFH concert on 22 March. All the musicians were mentioned by name, which is a very nice touch.
■ Eric White presented an excellent tribute to Ron Goodwin on BBC Radio Norfolk, which was broadcast on Easter Monday, 21 April. His special guest was Cy Payne, who received a lot of encouragement and practical help from Ron during the formative years of his own career.
■ Forrest Patten in April placed "Holiday Spirit" by Clive Richardson for a Hershey’s Kisses national TV spot in the USA. Perhaps some of our American readers noticed it.
■ Just as our last issue was reaching our members, British Pathe became part of the ITN Archive. This meant that the information on the centre pages of JIM 155 regarding the film "This is London" no longer applied, and we are sorry that some of you were disappointed at being unable to obtain this film. Hopefully the situation will eventually be clarified, so that the vast British Pathe archive will become available to private individuals once again. If you are on the internet, we suggest you visitwww.itnarchive.com for the latest news.
■ It’s good to know that Ronald Corp is planning a possible 5th volume of British Light Music Classicsfor Hyperion. No more details at present, except that one of the titles could be Ray Martin’s "Waltzing Bugle Boy".
■ The Edinburgh Light Orchestra Conducted by James Beyer will be giving its next concert at The Queen’s Hall, Edinburgh, on Saturday 8 November. A recent concert on 24 May opened (as usual) with Robert Farnon’s Journey Into Melody, followed by the works of Duke Ellington, Victor Schertzinger, Fred Hartley, Frederick Loewe, Howard Shore and many others. These concerts are always very popular, and you are advised to book early (telephone 0131 668 2019). The Edinburgh Palm Court Orchestra Directed by David Lyle continues with its Sunday afternoon concerts, the next one on 28 September. To get on the mailing list for the ELO, send your name and address to: James Beyer, 4 St John’s Gardens, Edinburgh, EH12 6NT.
■ Peter Appleyard celebrated his 75th birthday in August (reports Norman Leisk). He told the Toronto Star: "I’m 75 with the body of a 74-year old and the mind of a 20 year-old!" He’s known in his adopted country, Canada, as the ‘affable vibraphone swing king’, and he was one of the guests at the 1997 Ottawa concerts in honour of Robert Farnon’s 80th birthday. Peter still hopes that he can soon finalise arrangements for the sessions to record the charts which Robert Farnon prepared for him a little while ago. Around 30 musicians will be required, which involves a considerable financial commitment.
■ Ron Shillingford reports that everything went well at the Memorial Service to Ron Goodwin at Douai Abbey on 24 June. "Ron arranged splendid weather for the occasion. Douai Abbey is a beautiful place and was a wonderful setting" says Ron.
■ Brian Kay’s Light Programme is moving from Sundays to Thursdays on BBC Radio 3. The final Sunday edition will be on 14 September at 4.00pm as usual, to be followed by the next Brian Kay’s Light Programme on Thursday 18 September – also at 4.00pm. Brian’s new Sunday afternoon programme at 4.00pm is to be called "3 for all" and will run for an hour and three quarters every week. We are sure that he will be happy to get requests from his previously loyal Sunday listeners, so if you would like to have a special piece of music played you should write to Brian at: BBC Wales, Cardiff, CF5 2YQ, or send an e-mail to: Brian is still presenting Melodies for You on Radio 2 on Sunday evenings at 7.00 pm until Christmas, and hopefully beyond (subject to the new BBC Radio-2 Controller!).
■ Make sure that you don’t miss The Last Night of the Proms on Saturday 13 September. John Wilson is involved in arranging some of the music that will be performed by the BBC Symphony Orchestra.
■ Bob Hope died from pneumonia on Sunday 27 July aged 100 at his home in Toluca Lake, Los Angeles, California. In a long and distinguished career, the London-born comedian became one of the most famous entertainers in the world, and his death received massive coverage around the globe. It was said that the filing cabinets at his home on North Hollywood contained more than seven million gags. In 1962 his career crossed paths with Robert Farnon when the final ‘Road’ movie "The Road to Hong Kong" was filmed in Britain. Farnon was musical director, and Hope and Crosby’s co-star was Joan Collins, with a guest appearance from the original member of the trio, Dorothy Lamour. A soundtrack album featured original recordings from the film, augmented with ‘overdubs’ in the studio to improve the general sound quality. Bob Hope’s most famous record was "Thanks for the Memory" with Shirley Ross, which was featured in his first Hollywood film "The Big Broadcast of 1938". He was awarded an honorary knighthood in 1998 (although British-born, he became an American citizen).
■ Trevor Duncan has been invited to be the Guest of Honour at the RFS London meeting next April (2004), and we are very hopeful that he will be able to attend. There has been a resurgence of public interest in Trevor’s music in recent years, which has been reinforced by the recent New Concert Orchestra CD on Vocalion. We know that his numerous friends and admirers in the Robert Farnon Society would be delighted to meet him next April.
■ John Wilson will be conducting at Symphony Hall in Birmingham on Friday 31 October, together with Gary Williams in the "Legends of Sinatra" show. Compere will be David Jacobs. (Thanks to Pat and John Hicks for this advance information).
■ Weinzweig is honoured at last [reports Pip Wedge]. John Weinzweig, the Dean of Canadian composers, about whom I wrote in JIM 155, was honoured in the year of his ninetieth birthday with a concert at the National Arts Centre on July 22nd. John attended the concert, to hear the Vancouver Symphony Orchestra under Bramwell Tovey play several of John’s favourite pieces, including Aaron Copeland’s Appalachian Spring and the Pulcinella Suite by Stravinsky. The programme also included John’s own Divertimento for Flute and Strings, which won a silver medal at the Olympic Games in London in 1948 (yes, they gave medals for Arts, too, in those days).
■ Who are the keenest visitors to the RFS website? Recent statistics reveal that the top ten countries (in order) are: United Kingdom, United States, Australia, Canada, Japan, The Netherlands, Germany, France, Brazil and New Zealand. 35.3% were from the UK, 26.7% from USA and 0.8% from New Zealand!
■ Charles Job and the Palm Court Orchestra have two concerts pending in British Columbia, Canada, next November, called "Love’s Old Sweet Song" and featuring Kenneth Lavigne, tenor. The dates are: Friday 7 November at 8.00pm Cowichan Theatre, Duncan; and Saturday 8 November at 8.00pm UVic Centre, Victoria, BC. The concerts will feature Edwardian/ Victorian parlour songs such as Because, Macushla and Brown Bird Singing while the orchestra will be playing selections from Ivor Novello’s The Dancing Years plus selections by Ketelbey, Curzon, Alford and Finck. For tickets telephone 250 748-9964.
■ John Rapson conducted Symphony New Brunswick (Canada) on 5 August in performances ofRobert Farnon’s Jumping Bean and Westminster Waltz. Other light music in the same concert included Beachcomber (Clive Richardson), Cumberland Square (Ernest Tomlinson) and March of the Bowmen (Frederic Curzon).
■ We have learned the sad news that Geraldo’s widow, Mrs. Manja Geraldo Lee died at the beginning of July. Music lovers have reason to be very grateful to her for the way in which she kept Geraldo’s music alive. She was also a very generous benefactor in support of performances of the kind of music we all enjoy, and we know that she will be greatly missed by all who came into contact with her.
■ We hope that our British members with access to digital television keep an eye on the schedules for BBC Four. This fairly new TV channel broadcasts some important music programmes, and in July they screened an excellent tribute to Artie Shaw which was largely the work of Russell Davies and former Radio-2 producer Graham Pass. The same team are in the early stages of a similar project involving Robert Farnon.
■ Several RFS members were in the audience for English National Ballet’s "Melody on the Move" in July (see JIM 155 page 95). The attraction was the choice of Light Music, which included the famous Clive Richardson piece which gave the ballet its title, plus Robert Farnon’s Peanut Polka, Trevor Duncan’s Girl from Corsica and High Heels, and Eric Coates’ Knightsbridge March, among others. The press reviews were generally favourable, and it would be nice if this new work became a regular part of the ENB’s repertoire.
■ Judging by some trade publicity we have seen recently, there is already talk of the demise of the CD as we know it. But don’t despair – its place is likely to be taken by DVD. Originally intended mainly as a successor to VHS Video, DVD is now seen as the natural replacement for all existing music and video formats, plus video games and computer information systems. Already DVD has become the most successful consumer electronics product of all time.
■ Not all musicians achieve international fame, but during their lifetime they often give a great deal a pleasure to many people. Such a person was Harold Balaam, a cousin of RFS member John Swinyard who recently told us about him. Harold was born on 14 February 1914, and he learned to play the cinema organ at the Gaumont, Plymouth where he met Fredric Bayco. In 1934 he became Bayco’s assistant at the Dominion, Tottenham Court Road, and played at most of the Gaumont cinemas around London. In 1937 he moved to the Gaumont Palace, Exeter, from where he used to broadcast on the BBC West Region. In World War 2 he served in the Royal Marines, and later in 1953 he was asked by Lt. Col. Vivian Dunn to provide mainly Latin-American music on the Royal Yacht Britannia. Harold died on 9 December 2002.
■ Friday Night is Music Night was first broadcast on 25 September 1953, and the BBC is planning a suitable celebration for its 50th Anniversary. Nothing more was known as we went to press, so we can only advise British members to check the details later this month in Radio Times.
■ Our friends in the International Ray Conniff Fan Club have published what can only be described as a most impressive tribute to Ray Conniff, who died on 12 October 2002 aged 85. ‘S Always Conniffis a Special Memorial Edition of the Club’s Newsletter, with full colour printing on glossy paper covering 68 A4 pages, which features numerous tributes from friends and members, and reports of his passing in various publications around the world. The compilation must have been a mammoth task, and it is a credit to everyone who was involved with it. Our own Secretary’s message to Manfred Thönicke is included on page 59.
■ Catherine Ford is archiving the papers of composer Barry Gray (real name Jack Eccles) who wrote the music for Thunderbirds and all those other Gerry Anderson TV puppet shows. Barry did some lyrics for the film "The Noose", which has a music score by Charles Williams.
♫ At the beginning of September John Wilson was in Studio 2 at Abbey Road working on the soundtrack of a major new film biography about Bobby Darin. John tells us that around 35 Darin hits were carefully reconstructed, with Kevin Spacey doing a very creditable job with the vocals. No doubt we will all be able to judge, when the soundtrack CD is eventually released – probably some time next year.
♫ Sunday evenings in Britain always come to a pleasant conclusion with The David Jacobs Collection, starting on BBC Radio-2 at 11.00pm. On 21 September David paid our magazine a very kind compliment, saying that it comes second only to the fine publications by the Bing Crosby Society. In the same show, David played Bob’s recording of When I Fall In Love and If You Are But A Dream featuring Carol Kidd.
♫ The Zomba Group was recently bought by the Bertelsmann Music Group and as a result Zomba Production Music is in the throes of consolidating its libraries with the BMG libraries. This will mean that Chappell, Bruton, Atmosphere, BMG and several others will now form a major presence together in production music circles.
♫ Have you visited the RFS website just recently? It was given a new look towards the end of September, and we hope that you’ll now find it easier to move quickly from one page to another. It is a good idea to make a visit at least once a month to look at the RFS Information page, which carries late news items. Our website address can be found on the inside front cover of each issue ofJournal Into Melody, but if you don’t have your copy handy simply visit a well-known search engine and type in ‘Robert Farnon Society’. It couldn’t be more simple!
♫ Debbie Wiseman will be conducting the London premiere of her new work "Wilde Stories" at London’s Barbican Centre on Saturday 6 December (box office 020 7638 8891). This unique concert (which actually had its first performance in Birmingham on 27 October) will preview the Channel 4 Christmas transmission of these animated films of Oscar Wilde fairy stories, with Debbie conducting the National Symphony Orchestra for the soundtrack live to the projected films.
♫ We were saddened to learn of the death of Robin Boyle on 25 July, at South Rauceby, Lincolnshire, at the age of 76. He was born at Folkestone, Kent, on 27 March 1927, and was a much-loved voice on BBC Radio for many years. Although he had a short period on secondment in the Light Entertainment department as producer, Robin’s lasting love was music, and he was at his best presenting such shows as Night-Ride, Morning Music and Music While You Work, and he was liked and trusted by the professionals, like Cliff Adams of the Adams Singers, or the arranger, composer and conductor Stanley Black. Friday Night is Music Night came his way in the general run of programmes to be presented, in the 1950s. It was never meant to have just one announcer; indeed, most Light Programme/ Radio 2 staff announcers had a stab at it at one time or another: Philip Slessor (the original presenter), Jimmy Kingsbury, the majestic Frank Phillips, Eugene Fraser, John Marsh, James Alexander Gordon (when he wasn't reading the football results). But after a while, sometime in the 1970s, Boyle seemed to fall naturally into the job and carried on through the 1980s until he retired in 1987 at the statutory BBC age of 60. That, however, seemed to make little or no difference and he found that the producers would summon him as usual through the 1990s, although now as a freelance, and for a rather better fee. Robin Boyle was a good friend of the Robert Farnon Society, and members had the great pleasure of meeting him at one of our London recitals.
♫ We have recently learned that a Japanese record dealer is offering to sell BMG Italian Production Music CDs on his website for £80 each. These same CDs are available to members of the Robert Farnon Society for just £9 each. For more information turn to Keeping Track in this issue.
♫ We are sorry to report the death of Edward Cole. Some members may recall meeting him at our London recitals, including the special celebrations in 1997 for Robert Farnon’s 80th birthday. Edward was for some years a news reader and continuity announcer with the BBC. He died on 6 June aged 63.
Our friends in The Light Music Society now have their own website, so do pay them a visit:www.lightmusicsociety.com You can also reach them through the ‘Links’ page on our own website.
"Journal Into Melody’s" own Gossip Column
In JIM 148 (page 75) Paul Clatworthy gave a warm welcome to the Vic Lewis CD "With Love to Gerry". We are very pleased to report that this album has been nominated for a Grammy in the Small Group section, and send our warmest congratulations to Vic who is, of course, a member of our Society.
♫Sometimes insomniacs hear better music on the radio than those of us who like to be tucked up before 11.00pm. Sunil Hiranandani enjoys record programmes introduced by Keith Skues, who broadcasts from the East Anglia region of England. Every night at 20 minutes past midnight he plays 20 minutes of music by one particular artist, and Robert Farnon was featured last October 20th. Sunil tells us that Keith has also had Bob as his ‘orchestra of the week’. Until 2000 Keith Skues was a Squadron Leader in the RAF Reserves. He is a Freeman of the City of London, and was in the film "Sunday, Bloody Sunday". His nickname is ‘cardboard shoes’, from his days at the British Forces Broadcasting Service when he was supposed to be anonymous. He was about to say his name when the management came in, so that was the soubriquet he chose. Among his other achievements, Keith has climbed Mount Kilimanjaro.
♫Ray Clark has been checking out some new Videos and DVDs which might be of interest to readers. From 1959 until well into the 1980s the Central Office of Information produced a series of short Public Information Films designed to inform and amuse us all. Do you remember Charley, the safety-conscious ginger moggy? He’s here again in Volume 1 (catalogue number 7951095) of a collection of 73 animated classics released by Network Video. Volume 2 (cat. No. 7951109) comes from the same source, but features live action with many famous personalities of the 1970s – even the Dad’s Army platoon! These videos cost £10.99 each, and can be ordered through any MVC Entertainment video shop, or direct from: Network Video, 3 Wells Place, Redhill, Surrey, RH1 3DR – telephone 01737 646725. (Both videos are also issued together on one DVD for £14.99 – 7952095). There are also two new releases in the ‘Yesterday’s Britain’ series. "A Tonic To The Nation" (YB26) contains three films commissioned for the Festival of Britain in 1951. "Aspects of London Transport" (YB27) also features shorts form the 1950s. These two videos are available from: The Signal Box, 1 Albion Street, Anstey, Leicester, LE7 7DD.
♫As we mentioned briefly in our last issue, Desmond Carrington celebrated 20 years of his BBC Radio-2 "All Time Greats" programme last October. To mark the event, Graham Clarke produced an etching called "The Cat’s Whiskers" showing Desmond and his producer David Aylott broadcasting in the studio at Desmond’s Scottish home, surrounded by a wonderful collection of artefacts, including a tin of Columbia Loud Tone steel needles! Jumping Bean was honoured and delighted to receive one of the cards reproducing the etching, with a friendly greeting inside from Desmond and David. Sunil Hiranandani reminds us of an interview that Desmond gave last year to Mike Alexander of the Radio Magazine: "Six years ago I moved to Scotland, and would regularly take my own equipment into a tiny studio at BBC Edinburgh to do the show with a producer coming up from London. In 1995 Radio-2 decided to advertise their first batch of independent productions; six months later I was the successful bidder for the ‘All Time Greats’ contract." Desmond went on to explain that the first shows were done in the front room at his house, while a special studio was being built in the barn. Today his shows reach a world-wide audience, via the Internet, and there is a webcam showing him actually broadcasting.
♫We have previously mentioned famous musicians who achieve success in several different spheres of show business. Alan Watts wishes to add Frank De Vol to the list, after seeing the sleeve notes of his Italian Romance LP. It seems that Frank definitely qualifies as singer / arranger / composer / actor / comedian, mainly through his reputation for comedy on the Rosemary Clooney TV show. He also acted the funny man with Dinah Shore and George Gobel.
♫Last autumn David Mellor devoted his 2-hour Sunday show on Classic FM to Light Music on two occasions, after a very positive response to the first ‘toe in the water’ exercise in September. First time round he concentrated mainly on Ronald Corp’s Hyperion CDs, but in his follow-up programme he cast the net much wider. It does seem that Light Music is gradually becoming more acceptable to broadcasters, even though we still get the impression that it is included in schedules rather grudgingly. The big problem in Britain centres around Radio-2. It is clear that the BBC no longer regards this service as a middle-of-the road station, so maybe we should be trying to persuade them to start up Radio-6. This could cater for the many millions of 50-plus listeners who no longer have a national network which plays the kind of music they would like to hear. We know that many in this category no longer bother to switch on, except for very occasional evening and weekend shows. The BBC must be reminded that it is a public service broadcaster. It has a duty to provide radio which is not available from other sources. There are numerous ‘Radio-2 sound-alikes’ being broadcast all over the place by the commercial stations, and even the BBC’s own local radio services seem to be in competition with Radio-2.
♫Apart from Robert Farnon, another famous composer who made his home in the Channel Islands was Eric Spear. Sunil Hiranandani reminds us that he wrote the ‘Coronation Street’ theme, although before that he had composed the music for the early BBC TV soap ‘The Grove Family’. Why was the name chosen? Well, the programmes came live from the BBC’s Lime Grove studios in London.
♫We all know that Arthur Wood composed Barwick Green, which has gained musical immortality through its use as the signature tune for BBC Radio’s "The Archers". But did you know that Arthur had an actress daughter? Thanks to Sunil Hiranandani, we can reveal that she is Peggy Ann Wood, who played the much put-upon Vera Poling in Simon Brett’s "After Henry".
♫Other snippets from Sunil tell us that the composer of the 1958 hit "It’s All In The Game" eventually went on to win the Nobel Peace Prize (not for that song, we hasten to add!). His name: Charles Gates Dawes, and he wrote the song while still a student.
♫Here are some more British Transport videos advised to us by Ray Clark. Volume 6 "Famous Friends" (BFIV116) includes classics such as John Betjeman Goes by Train, Journey Into History andThe England of Elizabeth plus 4 more. Volume 7 "Civil Engineering 1" (BFIV117) features Under the River, Making Tracks, Operation London Bridge and 3 others.